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& 44 w
2. Lip Slurs
13
12
12
Tongue only the first note of each measure. Let the notes touch each other.
& 44
b b
b b
12
23
13
# #
123
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4. Intervals
0
& 44
12
23
5. More Intervals
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6. Sustained Tonguing
13
# #
123
Breathe only where marked. The air during the quarter notes should feel the same as the
air during the whole notes.
& 44
&w
w
,
w
w
,
B flat
E flat
bw
1
2. Lip Slurs
23
bw
bw
B flat
1
Tongue only the first note of each measure. The smoother...the better
& 44
0
b
b
12
b b
23
# #
13
123
Stay relaxed while playing these slurs. Let the air do the work.
& 44 w
&
4. Tonguing
& 44 w
w
b
b
b
bw
b
bw
#
#
#
#w
&
b.
b.
&
23
13
12
13
F sharp
2. Lip Slurs
& 44
#w
b
b
C sharp
#w
wD
12
#
#
& 44
b b
# #
b b b b
b
&
4. Intervals
& 44
&
f
5. Dynamics
6. Technique
&
#
f
# # # #
#
b b b
bw
2. Lip Slurs
Tongue only the first note of each measure. The smoother...the better
4
& 4 # b bb ##
Keep relaxed while playing these slurs. Let the air do the work.
4
&4
&
b b
4. Articulation
b
b
4
&4 w
#
#
# #
# #
#
Follow the articulations closely. Each measure of quarter notes should sound different.
w
> > > >
. . . . w
5. Chromatic Scale
&
- - - - w
Try to do each line in one breath. You may need to look up the fingerings
to a couple notes.
&