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DemofrmkSUd4&r,
featrring a chs{ddasd
solo
u$ingADandE
@E
UAl
Cflaft$tlg furo
C lo D7
BYc.2
&fiCtolm
BnE 30fianghgfron &nto E
@@
Bm 1 E to A Eowie'style fff
ByfE 2 E, Aard 0 rill, as
ffiirdio 6lbrta,
wI,3 Fiye' $tlsrl*rind$,
*
leatired in t@e*,'$nwd
E@E
Backing ta[*tor fis demo
g&rq
St&, minus lho riy{fi m
guitar
PaIt . ,..,.,'.
,
&fiWr;Akheld&atlafr
Fast
chord
changes
Ilnowing
honr to
pla,y chords is one thing; knorning
how to
cha,nge
between
them
quickly is qrrite a,nother!
ToNY stIlFrEB
shows
yon how to turbo'cha,rge
your cha'nges"'
sirnilar shapes
-
but on di{}'erernt striuqs F
-
erarrrple. \rtr trrtd E ttse eritttl; tlte s;tttt' ' -"
llrt for E r.'ou sirnplv rnove all
1'orrr'fiugtr'
-
-
Llrver ort the sanre fitts.
TIIE EI(AITIPI.TS
I've supplied thrt:e exatlples
(co
.rnlcx
::'
svrns i-3) that vou can plav alolq s.ith :
Drit(ti('e
tlre tlrc,rd tlrrttrgcs. Tlrt'tleltrtt cD ll'- r
zo) is lrits,'tl otl tlte cllortl solo ilr IJrltlth Il
I'cggr1 Srte.A bac'kirrg track is provi<lt'<l
co :i ''
"
z3), .ru y'.r,, catr tn'ottt tltese chltltgcs lirr-
Whtt rott're chauging cliords' ask rr'':-'
I slide one finger along a string? Can I li'
'.
firrqers rrltcre llter itrt'.'( litn I trritiltt;titr i:'
shapc but
iust
changcr strirlg? These col!': :
"
sill kt't'p rottr fittg,'rs l-lrltlt tltttritlg lllrlr!
a,xl rrraie rou a {itstt'r, slickcr llntlrrn pi''
-
;-
LITARISTs spend at least half their
pr:rctice titnc rvorhng on lcird
Pl,,p"g'
ir4r'ich is ocltl s'lien 1'ott
cottsitlt'r that in a
ffi
I
fr
I
R
I
l-
tr
J
R
I
tr
f
F
ME
burxl tlto'spend 907o of thc tine plaf ing chords'
If
1'orr
cair't get voru'rlt1thrn
plavinu togcther the
chances of
ioining
a lrtttld' s'here l.ur
ciur get to
sho*, olTvour solos, zrre slirtl to sav the least'
TtGII!WQUt
The st'cret to llrrt'nt cltord c'lrirnqing is to etrtplol'
tlre tnirtirtitntt ttlocutu'ttl prirrciplt'
This involu's
cornparirtg
the current chorrl s'ith tllt'tlext oltt"
ancl .seeing if tl-rcre are artv lirlks behveert the hxr'
This s,av i'n,
",.t,
avoid tltrnecessan fingcr
rrruu"ttt",tt, ancl get to the nert chlrrcl rrtrrch filster
For esirnrple,
in changing
llets'cetl C and Arn'
onlv thc thirtl firrger ltits to tttov'- tht' others cart
stav.r4rere thcy rvt're. O{terr di{lclt'nt cltot'tls ttst'
Budd
to se,
.: :, :: toDT
G is shom iD blue; Dz
ia shom iu red' Notlce
how the tldrd ODger cu
lust
allde oue frot alonE
the flr6t strlDg.
Flngers oue ud two'
although leedlng to
moee to dlffereDt
strings, cu DalDtab
thelr dlagoDal Ehape.
:-; .::"1111 to A mlnor
h this exuple, ff[gers
ono ud tso (shom i!
blrck) cu remair lD
the aam
Poaltlo[
for
both chords. It's only
the thtrd trrger that
needs to move. Its
posltlor ls slrom ln
blue for C major md in
red for A blDor.
r':. ;:::i::.il tO E maJOr
The fflgeriug for Am is
shom iu blue. Ib
chuge to E major
(shom tn red)
JuEt
move all the fflgers oue
strhg ecroas. The
actual abape, Je the
posltion of the fbgers ln
relatiou to esh other,
reEahs urchuged.
A
4
t
II
t
l-)
U
:'11
w
n
Slid(
D.D
ru
a
l,
ThtE
dtffe
ISS(
a
JL\E
1c.:,>
--'
:
-
Dsus2
A Asus2 A Asus2 A Asus2 A Asus2 E
Hy
Holly'r 'Poggy
gus'
foetuss I chord solo alellu to this. ft's a rsal tost
-
E
Just
how fst you cu chEge betwmu bulc chorda Uke A, D ud E.
ffi
\
lr
//
l'
tlod
wBy to bleld ahugs ls to add u
.oFEr
yup'bctssn
ohord6. Tbla
ru atMhg tbo ops! rtrhgs luiord ol r chord. It'r usd to grct ottcot
h Bowlo's itou conle. Il you ind uy olrord chuge dlt6Nlt, tt,r alw.ys
prctorable to ure thls tahrlquo rether thu to stop o! hcsltato.
E the ff$t ffrger elorg the third strtlg to holp you chug bet sr E ud
D' It to A la e&Blsr tlyou sllde the thlrd trDgor bek 8lorg the s@rd drhg.
Ilaotl6 hor tlG trEt sal sMd ilgB atay oD tJre !c@d lret. Its opel vup
trlcl @E6 t!
hr-dy
t!
.h.nCng
bel to E uloB
tr '8Os soul rlff tostr you sbiUty to visurllso tho llrl[s botws! ivo
&mt mJor ohords. Prmtt@ somo of thq ohugos s6paratsly &t trrit.
EsuE
44;uNr
rggS
EEE4IEEEE!!
ros