2014 FUJIFILM Corporation

Parts of X100T
For more information, please visit our website:
http://fujifilm-x.com/x100t/
Specications are subject to change without notice.
For more information, please visit our website : http://www.fujilm.com/products/digital_cameras/index.html
To ensure correct usage, read owner's manual carefully before using your equipment.
All photos, illustrations, drawings and other images in this brochure are intended for illustrative purposes only.
SDXC logo is a trademark. All other trademarks are the property of their respective holders.
SILKYPIX is a registered trademark of Ichikawa Soft Laboratory Co., Ltd. in Japan.
X100T Specif ications
*1 Pl ease see the Fuj i fi l m websi te to check memory card compati bi l i ty. *2 Exi f 2.3 i s a di gi tal camera fi l e format that contai ns a vari ety of shooti ng i nformati on for opti mal pri nti ng.*3 The el ectroni c
shutter may not be sui tabl e for fast-movi ng obj ects. *4 Recordabl e frame number may vary dependi ng on the type of memory card used.The frame rate vari es wi th shooti ng condi ti on and the number
of i mages recorded. *5 Pl ease refer the on-l i ne manual to know further detai l s. URL:http://fuj i fi l m-dsc.com/manual s/
Mode
Type
AF frame selection
Digital interface
HD output
FUJIFILM X100T
16.3 million pixels
23.6mm 15.6mm (APS-C) X-Trans CMOS II with primary color filter
Internal memory / SD memory card / SDHC memory card / SDXC (UHS-I) memory card *1
Still image : JPEG (Exif Ver 2.3*2), RAW (RAF format), RAW+JPEG (Design rule for Camera File system compliant / DPOF-compatible) Movie : MOV (H.264, Audio: Linear PCM / stereo sound)
L : <3:2>48963264 <16:9>48962760 <1:1>32643264 / M : <3:2>34562304 <16:9>34561944 <1:1>23042304
S : <3:2>24961664 <16:9>24961408 <1:1>16641664
<Motion Panorama> 180 Vertical 9600x2160 Horizontal 9600x1440 / 120 Vertical 6400x2160 Horizontal 6400x1440
Fujinon Single focal length lens Focal length : f=23mm, 35mm (35mm format equivalent) Full-aperture : F2 Constitution : 6 groups 8 lenses (1 aspherical glass molded lens included)
F2 - F16 1/3EV step (controlled with 9-blade aperture diaphragm)
Nomal Approx.50cm / 1.6ft. to infinity Macro Approx.10cm - 2.0m / 3.9in. - 6.6ft.
AUTO1 / AUTO2 / AUTO3 (Control available up to ISO 6400) Equivalent to ISO 200 - 6400 (Standard Output Sensitivity) Extended output sensitivity equivalent ISO100,12800,25600 and 51200
TTL 256-zone metering, Multi / Spot / Average
Programmed AE, Shutter priority AE, Aperture priority AE, Manual exposure
-3.0EV --- +3.0EV 1/3EV step
(Electronic Shutter mode) 1sec. to 1/32000sec.*3 (P mode) 4 sec. to 1/4000* sec., (All other modes) 30 sec. to 1/4000* sec. Bulb (max. 60 min.)*1/4000 sec. at F8 or smaller aperture
Approx. 6.0fps (JPEG: max. 25 frames, RAW/RAW+JPG: max. 7 frames) Approx. 3.0fps (JPEG: up to capacity of memory card, RAW/RAW+JPG: max. 9 frames)*4
AE Bracketing (1/3EV, 2/3EV, 1EV) Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100% 200% 400%)
ISO sensitivity Bracketing (1/3EV, 2/3EV, 1EV) White Balance Bracketing (1, 2, 3)
Single AF / Continuous AF / MF
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) , AF assist illuminator available
Area / Multi
Automatic scene recognition
Preset : Fine / Shade / Fluorescent light (Daylight) / Fluorescent light (Warm White) / Fluorescent light (Cool White) / Incandescent light / Underwater / Custom / Color temperature selection (K)
Approx. 10 sec. / 2 sec. Delay
Auto flash (Super Intelligent Flash) Effective range : (ISO 1600) approx. 50 cm - 9 m / 1.6ft - 29.5 ft.
Red-eye removal OFF : Auto, Forced Flash, Suppressed Flash, Slow Synchro.
Red-eye removal ON : Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro.
YES (dedicated TTL Flash compatible)
Optical viewfinder Reverse Galilean viewfinder with electronic bright frame display 0.5x magnification Coverage of frame area vs. capturing area : approx. 92%
Electronic viewfinder 0.48-in., approx.2,360K-dot color LCD viewfinder Coverage of viewing area vs. capturing area : approx. 100% Eye point : approx. 15mm
Diopter adjustment : 2 +1 m-1(dpt) Built-in eye sensor
3.0-inch, approx. 1040K-dot, TFT color LCD monitor (Approx. 100% coverage)
1920 x 1080 pixels (60fps / 50fps / 30fps / 25fps / 24fps) with stereo sound
Select Custom Setting, Motion Panorama, Color Space, Film Simulation, Advanced Filter, Multiple exposure, Auto Red-eye Removal, Framing Guideline, Frame No. Memory, Histogram Display,
Preview Depth of Focus, Focus Check, Focus Peak Highlight, Digital Split Image, Electronic Level, Interval Timer Shooting, Autofocus Setting, Interlock Spot AE & Focus Area, Shutter Type
RAW Conversion, Image Rotate, Photobook Assist, Erase Selected Frames, Image Search, Multi-Frame Playback (with Micro Thumbnail),
Slide Show, Mark for Upload, Protect, Crop, Resize, Panorama, Favorites, Copy, instax Printer Print
Geotagging / Wireless communication(Image transfer) / View & Obtain images / Remote camera shooting / PC autosave
PictBridge, Exif Print, 35 languages, Time difference, High performance mode, OVF power save mode, Silent mode, Shutter sound select, Sound Setup, Screen Setup,
Slecter Button Setting, Edit / Save Quick Mennu
USB 2.0 High-Speed / Microphone / Shutter release input : 2.5mm stereo mini connector
HDMI micro connector
NP-95 Li-ion battery (included)
126.5 (W) x 74.4 (H) x 52.4(D) mm / 5.0. (W) x 2.9 (H) x 2.1 (D) in. Minimum depth: 31.0mm / 1.2in.
Approx. 440 g / 15.5 oz. (including battery and memory card) Approx. 400g / 14.1 oz. (excluding accessories, battery and memory card)
0 - 40C
Approx. 330 frames

Li-ion battery NP-95, Battery charger BC-65N, Shoulder strap, USB cable, Lens cap, Owner's Manual(Basic Operations)*5
MyFinePix Studio Download URL http://fujifilm-dsc.com/mfs/
RAW FILE CONVERTER EX powered by SILKYPIX (RAW IMAGE CONVERSION APPLICATION) Download URL http://fujifilm-dsc.com/rfc/
Model name
Number of effective pixels
Image sensor
Storage media
File format
Number of recorded pixels
Lens
Aperture
Focus distance (from lens surface)
Sensitivity
Exposure control
Exposure mode
Exposure compensation
Shutter speed
Continuous shooting
Auto bracketing
Focus
White balance
Self-timer
Flash
Flash modes
Hot shoe
Viewfinder (Hybrid viewfinder)
LCD monitor
Movie recording
Photography functions
Playback functions
Wireless function
Other functions
Terminal
Power supply
Dimensions
Weight
Operating Temperature
Guide to the number of available
frames for battery operation
Accessories included
Image Management and
Processig Software
VIEW MODE
button
VIEW MODE
button
Command dial Command dial
Selector/function
buttons
Selector/function
buttons
Q button Q button
Display/Back
button
Display/Back
button
AF Lock/
AE Lock button
AF Lock/
AE Lock button
Playback
button
Playback
button
Delete button
(playback mode)
Delete button
(playback mode)
Wi_Fi button Wi_Fi button
Diopter
adjustment control
Diopter
adjustment control
Viewfinder
window
Viewfinder
window
Strap eyelet Strap eyelet
Focus mode
selector
Focus mode
selector
Viewfinder
selector
Viewfinder
selector
Flash Flash
Exposure
compensation dial
Exposure
compensation dial
Shutter speed dial Shutter speed dial
Shutter button Shutter button
ON/OFF switch ON/OFF switch Focus ring Focus ring
Aperture ring Aperture ring
hot shoe hot shoe
Function button Function button
The thrill of control. The passion for shooting.
First, photographers had to be a master of their camera to produce great work.
Then, anyone could become a photographer thanks to advances in technology.
Now, a camera has been created that leaves all the control in the hands of the photographer,
but backs it up with advanced technology. The X100T. Packed with new features
such as the world's first electronic rangefinder a high-quality fusion of optics and electronics
and the Classic Chrome mode, offering the simulation of a classic film style,
photographers can combine their passion for shooting with the thrill of controlling their camera once more.
New. State-of-the-art viewfinder. Real-time parallax correction.
During MF, the accurate shooting area is
displayed in real time while focusing.
The hybr i d vi ewf i nder, a key sel l i ng poi nt of t he
X100 ser i es, has been f ur t her evol ved. Par al l ax,
t he gap bet ween t he shoot i ng r ange f r ame and
actual shooti ng range when shooti ng cl ose up, i s
aut omat i cal l y cor r ect ed i n r eal t i me. Ref r ami ng
af ter f ocusi ng i s no l onger necessar y.
Opti cal vi ewfi nder (OVF)
Di spl ays LCD panel i nformati on
on the opti cal i mage
El ectroni c rangefi nder ( ERF)
Di spl ays the enl arged focus area
on the opti cal vi ewf i nder
El ectroni c vi ewfi nder ( EVF)
Di spl ays the LCD panel s i mage
and i nformati on
A world's first in optical viewfinders.
The newly-developed electronic rangefinder
*1
Never before possi bl e, hi gh-l evel manual focus was real i zed
for the fi r st ti me for the opti cal vi ewfi nder.
For the f i r st ti me ever; hi ghl y accurate manual f ocusi ng i n an opti cal vi ewf i nder. The si mul t aneous
di spl ay of the EVF area on the screen of the opti cal vi ewf i nder enabl es accurate focusi ng i n real ti me.
Al l you need to do i s to turn the focus ri ng and bri ng the subj ect i n the EVF area i nto focus, j ust l i ke
focusi ng wi th a rangef i nder. I n addi ti on, Focus Peaki ng and Di gi tal Spl i t I mage can be sel ected and
the magni f i cati on of the f ocused area can be changed.
Brand new i nter face
A new sophi sti cated desi gn i s
used f or t he f i nder di spl ay.
Screen i nf or mati on i s now even
easi er t o see.
OVF/ EVF swi tch l ever
Par t of the opti cal i mage i s cropped,
and the focus area enl arged by the EVF i s
proj ected i n the space.
I love the optical viewfinder because it gives me the rangefinder experience while shooting and
the electronic viewfinder is very helpful when I start to get close to a subject and I want to make sure
my composition is not compromised by parallax. The Fuji X100T is
my desert island camera. It is my constant companion. Zack Arias
Zack Arias
Country : U.S.A.
Profile : I am an editorial and commercial photographer.
My style and approach is simple, straightforward, bold, classic,
true and straight from camera.My greatest talents are the ability
to mix with any class of people and to get nervous subjects
to relax in front of my camera.
WORLD
F I RST
New. Simple & highly functional. Advanced hybrid viewfinder.
The hybr i d vi ewf i nder al l ows you t o swi t ch bet ween opt i cal and
el ect r oni c opt i ons wi t h a si ngl e l ever. The new el ect r oni c r ange-
f i nder f eat ure i s sel ected i n t he same way.
When usi ng t he el ect r oni c vi ewf i nder ( EVF), pul l t he l ever to t he r i ght to swi tch to t he opt i cal vi ewf i nder
( OVF). When i t i s pul l ed agai n, i t swi tches back to EVF. When usi ng t he opt i cal vi ewf i nder, push t he l ever
to t he l ef t to sel ect t he el ect roni c r angef i nder.
*1 As of August 2014. F2. 8 1/280sec. I SO200
EVF di spl ay
Pri sm
Eyepi ece
Opti cal i mage
shi el di ng
Electronic rangefinder
Enlarged view of
the focus area
Focus area
1
3
4
5
6
2 7
New. Intuitive and easy to use
Tradi ti onal di al operati on
The use of t r adi t i onal di al s al l ows user s to see camer a set t i ngs at a gl ance, even when t he camer a i s
turned of f. Setti ngs can be made so you're ready to shoot accordi ng to l i ghti ng condi ti ons, whi ch enhances
the camera's i nsti ncti ve functi onal i ty. Your conversati on wi th the X100T star ts the moment you pi ck i t up.
Rear layout: designed with photographers in mind
Af ter f eedback f r om consumer s, t he desi gn phi l osophy and l ayout of t he r ear
of t he camer a has been st andar di zed on X ser i es model s. Usi ng a sel ect or
but ton and command di al enabl es smoother and more accurate operati on.
1. The3-step exposure compen-
s at i on di a l , powe r s wi t c h a nd
s hut t e r s pe e d di a l a r e pl ac e d
ar ound t he shut t er but ton i n t he
t r adi t i onal l ayout of t he X ser i es.
Di al s ar e mi l l ed f r om met al . The
t o p c o v e r i s ma d e o f r o b u s t
magnesi um al l oy.
2. Opt i cal / el ectroni c vi ewf i nder
s wi t c h l ev e r c a n b e o p e r a t e d
whi l e l ooki ng t hrough t he f i nder.
3. The command l ever has been
c h a n g e d t o a c o mma n d d i a l
maki ng i t easi er t o use.
4. Ap e r t u r e r i n g a l l ows mo r e
e x a c t c o n t r o l wi t h 1/ 3 s t o p s
a n d a f o c u s r i n g t h a t u s e s a
n ew pr e c i s i on- mi l l e d py r a mi d
pat t er n.
5. The sel ector but ton, t he cor e
of cont rol . Maki ng and changi ng
sel ecti ons has been dramati cal l y
i mproved.
6. The newl y adopt ed 3. 0- i nch
1. 04M- dot l a r g e LCD mo n i t o r
di spl ays a mor e accur at e i mage
and ensur es i nf or mat i on can be
checked i n hi gher def i ni t i on. A
pl ay ba c k ope r at i on s y s t e m i s
concentrated on the immediate left.
7. The Focus Mode swi t ch l ever
wi th more posi ti ve acti ons moves
between AF and MF with one touch.
If you want to understand how good the X100T is to use, handle it with your eyes closed.
From picking it out of your camera bag, to switching it on, turning the aperture ring and
framing your shot,the whole picture-taking process has a rhythmic feel to it. Yukio Uchida
Yukio Uchida
Country : Japan
Profile : I became a freelance photographer after working as a civil servant
and built a reputation for monochrome work while photographing celebrities on the side.
I've had solo exhibitions at Fuji Photo Salon and other well-known galleries
and now contribute articles to camera magazines and newspapers,
as well as sharing my knowledge and experiences through teaching.
F4. 5 1/ 75sec. I SO400
New. The new Classic Chrome mode replicates classic color from the film genre
The ful l l i ne up of fi l m si mul ati on opti ons, uni que to FUJI FI LM.
The val ue of a photographi c i mage i s not onl y deter mi ned by resol uti on or composi ti on, expressi ons and f eel i ngs are al so
i mpor t ant. Cl assi c Chrome reproduces col ors f rom the f i l m genre, wi th r i ch col ors remi ni scent of the ol d reversal era.
Beauty beyond the specification
X-TransCMOSII/ EXR Processor II
Resol uti on equal to ful l -frame, pl us l ow noi se
The 16. 3- megapi xel X-Tr ans CMOS I I sensor cont r ol s
moi r and f ake col or s wi t h t he X-Tr ans col or f i l t er i n
whi ch RGB pi xel s are r andoml y ar r anged, negat i ng t he
need f or a l ow-pass f i l ter. The hi gh-speed, smar t EXR
Pr ocessor I I of f er s hi gh i mage qual i t y, cl ass- l eadi ng
AF speeds, Di gi t al Spl i t I mage pr ocessi ng dur i ng MF
and r eal -t i me par al l ax cor r ect i on.
I always want high contrast, but don't want to lose details in the shadows.
Using the new Classic Chrome film simulation mode, I can get deep colors and high contrast
without losing details. I love this mode - it's perfect for my style of shooting. David Airob
David Airob
Country : Spain
Profile : I took my first steps in photojournalism when I was 17
by contributing to various sports publications.
In 1989, I started contributing to Barcelona's La Vanguardia,
joining as a staff photographer a few months later.
I've stayed there ever since, covering all kinds of news stories.
Al so i ncl udes si mul at i ons such as Monochr ome ( Ye/ R/G Fi l t er ) and Sepi a
The uni que col or f i l ter ar range-
ment mi mi cs t he st r uct ur e of
si l ver hal i de f i l ms t o del i ver a
resol uti on exceedi ng that of the
sensor si ze.
F11 1/250sec. I SO250 Cl assi c Chrome
Vel vi a PROVIA ASTIA Cl assi c Chrome PRO Neg. Std PRO Neg. Hi
Mi crol ens
X-Trans
Col or Fi l ter
L/R Li ght
Intercepti on
Fi l ter
Photodi ode
Phase Detecti on Sensor/
Green Fi l ter pi xel
The combination of three lenses covers almost all areas of shooting.
A fixed 35mm*lens, as well as 28mm*equivalent
and 50mm*equivalent conversion lenses
Three focal l engths wi th i mage qual i t y and bri ghtness comparabl e
to that of ful l -si ze SLR i nterchangeabl e l enses
The compact and high image quality 35mm/F2 FUJINON lens that attracted many photographers since
its debut with its soft description near full aperture and overwhelming resolution when shot with a narrow
aper ture, has been i nheri ted. I n addi ti on to the popul ar 28mm wi de-conversi on l ens that thoroughl y
controls the decline of peripheral resolution and the increase of distortion, a 50mm tele-conversion lens
that secures the ri ght amount of l umi nescence i n the surroundi ngs and bri ght F-val ue and produces
excellent bokeh, has been released. By simply
sel ecti ng these two l enses i n the menu, the
bright frame equi valent to the field of view is
di spl ayed i n t he opt i cal vi ewf i nder. The
coordination of the 3 lenses offers high image
qual i ty and col or reproducti on comparabl e
t o t hat of i nt er changeabl e l enses. The
strenuousl y devel oped l ens barrel desi gn
presents an excellent sense of unity when the
lens is attached as if it was an orignal lens.
Wi de conver si on l ens
WCL-X100S( Si l ver)
WCL-X100B( Bl ack)
Tel e-conver si on l ens
TCL-X100S( Si l ver)
TCL-X100B( Bl ack)
Tel e-conversi on l ens
TCL-X100S / TCL-X100B
TCL-X100 Bui l t-i n-l ens
Wi de-Conversi on l ens
WCL-X100S / WCL-X100B
WCL-X100 Bui l t-i n-l ens
Using the Wide Conversion Lens gives my X100T an extra dimension.
In tricky situations like small churches or cramped wedding suites, being able to have
those extra few millimetres in focal length really makes a difference. Kevin Mullins
Kevin Mullins
Country : U.K.
Profile : I'm a documentary wedding photographer
who started shooting weddings professionally in 2008 and since then
have worked right across the UK and Europe. Shooting in a documentary style,
I strive to tell the story of the wedding through photojournalism,
rather than traditional contrived wedding photography.
*
35mm format equi val ent.
F2 1/250sec. I SO640
F11 1/250sec. I SO500
When l i ght l evel s change dramati cal l y, such as movi ng f rom outdoors to i ndoors,
you can keep shooti ng.
Dynami c Tone
Toy Camera
Parti al Col or
Hi gh Key
Pop Col or
Low Key Mi ni ature
Soft Focus
New. The fastest electronic shutter speed of min 1/32000sec expands shooting range further
The maxi mum aper ture can be used wi thout a fi l ter even i n bri ght condi ti ons.
Si l ent operati on means babi es' and pets' natural expressi ons can be captured.
The brand new el ectroni c shut ter del i vers ul tra-hi gh-speed exposures up to 1/32000sec. Shal l ow depth-of-f i el d ef fects can now be shot
wi th the aper ture wi de open even i n snow or on the beach under cl ear ski es. As there are no mechani cal l y operated par ts, there i s no
shut ter sound so natural expressi ons of ani mal s and sl eepi ng babi es can be captured more easi l y than ever before.
I f the bui l t-i n ND fi l ter i s used,
photos can be shot under stronger light.
I f the bui l t-i n ND f i l ter i s used, i t reduces l i ght
l evel s by t hr ee stops. Thi s opens up a whol e
new wor l d of shooti ng opti ons i ncl udi ng wi de
aper t ure shot s and l ong shut ter speeds even
i n bri ght l i ghti ng condi ti ons.
Movies can also be shot with the optical viewfinder.
Choose a cinematic tone for Full HD movies.
Frame rates can be sel ected f rom 60f ps, 50f ps, 30f ps, 25f ps and 24f ps f or Ful l HD
movi es, suppor ti ng wor l dwi de moti on pi cture f or mats. I t i s al so possi bl e to change
the set ti ngs of aper ture, shut ter speed, and exposure compensati on whi l e shooti ng
a movi e. Just as wi t h st i l l i mages, progr am, aper t ure pr i or i t y, shut ter pr i or i t y and
manual modes can be sel ected, as wel l as f i l m si mul ati on modes.Vari ous expressi ons
can be enj oyed such as a documentar y st yl e wi th Cl assi c Chrome.
Get creative with Advanced Filters
Sel ected one of ei ght t ypes of f i l ter ef f ect s. User s can previ ew t he resul t i ng i mage on t he
el ectroni c vi ewf i nder and LCD moni tor.
Versatile hybrid viewfinder. Multiple exposure shooting
Mul ti pl e exposure i mages, i n whi ch di f ferent i mages are pl aced on top of each other on the same
frame, can now be accurately framed and easily taken looking through the hybrid viewfinder.
F2 1/22000sec. I SO400
Wi th l eather case ( LC-X100S)
Wi th l eather case ( LC-X100S B)
Accessories that enhance the pleasure of holding the X100T Additional shooting and playback functions to explore
Wi th hand gri p
( MHG-X100)
New
[ Focus ]
New. Multi-Target
Auto Area AF
The camera determi nes subj ects
f r o m mu l t i pl e f o c u s po i n t s .
The subj ects are automati cal l y
brought to focus.
Variable target area during MF
Allows freely setting the focus area during manual focus.
[ Exposure setting ]
New. Exposure compensation is possible during
manual exposure (when sensitivity is set to AUTO)
Exposure compensati on i s possi bl e usi ng the exposure
compensati on di al duri ng manual exposure shooti ng.
New. Spot metering in the selected AF area
Exposure pri ori ty shooting is more precise thanks to communi cati on
between the autofocus and metering areas
[ Finder ]
New. Bright frame coverage: 92%
Br i ght f r ame cover age wi t h t he opt i cal vi ewf i nder i ncreased f rom
90% i n past model s to 92%. The i mage angl e can now be accuratel y
checked cl ose to the actual subj ect.
New. Wide dynamic range live view (100%-400%)
Whi te spots i n hi ghl i ght areas have been reduced by expandi ng
t he dynami c r ange f r om 100% seen i n past model s t o 400%,
maki ng the subj ects cl earer.
New. EVF/ LCD image quality adjustment function
Automatically set the brightness (EVF only) and adjust color intensity.
Li ve vi ew shooti ng that does not ref l ect sel ected Fi l m Si mul ati on
modes and i nstead produces actual col ors i s al so possi bl e.
Manual exposure movie ( P/ S/A/ M)
Aper t ur es and s hut t er s peeds can be changed even whi l e
shoot i ng a movi e. Backgr ound bokeh and subj ect movement
can be control l ed more accuratel y.
New. A worlds first
*1
. Movies can be shot with
the optical viewfinder
*2
Movi es can be shot wi t hout swi tchi ng to l i ve vi ew. Thi s means
movi e shooti ng can be enj oyed as i f usi ng a f i l m movi e camera.
Finder display that automatically switches between
vertical and horizontal positions
The or i ent ati on of
i nf or mati on di spl ayed
on the EVF/LCD
changes accordi ng to
whether the camera i s
hel d ver ti cal l y or
hor i zont al l y
[ Remote Shooting & Image Transfer ]
New. Compatible with remote shooting
using FUJIFILM Camera Remote
Remote shooti ng i s possi bl e f rom smar tphones and t abl ets.
New. Image transfer to smartphones
Images can be transferred easily to smartphones and tablets on the spot.
New. Instax SHARE Smartphone
Phot os ar e di r ect l y sent f r om t he camer a t o i nst a x SHARE
Smar tphone Pr i nter. Photos can tur n i nto i nst ax pr i nts.
[ Shooting ]
New. FACE DETECTION
Automati cal l y detects human faces and opti mi zes focus and
br i ghtness, al l owi ng you to t ake beauti f ul por trai ts.
New. Interval timer shooting
Automatically record the ever-changing expressions of nature by setting
the shooti ng i nter val, shooti ng count and star t ti me.
New. ISO setting from ISO100 - 51200
Due to the high-performance sensor and image processing engine, high
image quality with little noise is achieved even with ultra-high sensitivity.
AF tracking continuous 5.8fps
*3
( number of f rames i n cont i nuous shoot i ng: 25)
Chi l dren, pet s, f l ower s bl own by t he wi nd and ot her subj ect s wi t h
qui ck movements can be rel i abl y captured.
Natural live view
Film simulation
VELVIA
*1 As of August 2014. *2 Onl y dur i ng el ect roni c r angef i nder mode *3 Recordabl e f r ame number may var y dependi ng on t he t ype of memor y card used. The f r ame r ate var i es wi t h shoot i ng condi t i on and t he number of i mage recorded. *4 When OVF POWER SAVE MODE i s ON
Hand Gri p
MHG-X100
New
Remote Rel ease
RR-90
Gri p Bel t
GB-001
Protector Fi l ter ( Si ze: 49mm)
PRF-49S
Shoe Mount Fl ash
EF-42
Stereo Mi crophone
MI C-ST1
Shoe Mount Fl ash
EF-20
Shoe Mount Fl ash
EF-X20
Wi de Conversi on Lens
WCL-X100S(Si l ver)
WCL-X100B( Bl ack)
Tel e Conversi on Lens
TCL-X100S(Si l ver)
TCL-X100B( Bl ack)
Lens Hood
( i ncl udes Adapter Ri ng)
LH-X100(Si l ver)
LH-X100 B( Bl ack)
Adapter Ri ng
AR-X100(Si l ver)
AR-X100 B( Bl ack)
Leather Case
LC-X100S( Brown)
LC-X100S B( Bl ack)
Memory card and battery can be
changed wi thout removi ng.

ss ss
Super Intelligent Flash
Hi gh-per formance f l ash that automati cal l y control s the amount of
li ght accordi ng to the si tuati on.
[ Playback ]
14-bit RAW compatibility
14-bi t RAW dat a compati bi l i t y of f er s r i ch gradati on.
In-camera RAW processing function
Fi l m si mul ati on mode can be appl i ed when i mages are devel oped.
[ Operability ]
New. Q menu customization
Due to many requests, the Q menu
can now be customized. Functi ons
of your choice can now be registered
to the Q menu.
New. Fn button can be
customized to
seven different functions
Frequentl y used f uncti ons can be
customi zed on t he f unct i on ( Fn)
setti ng screen. Functi ons can then
be sel ected i mmedi atel y.
[ Response ]
AF speed : 0.08sec.
Startup time : 0.5sec. Shooting interval : 0.5sec.
Shutter time lag : 0.01sec.
[ Battery / Power ]
New. Long-life battery for up to 700 photos
*4
Longest bat ter y l i f e i n i ts cl ass i s achi eved due
to a power-savi ng desi gn.
New. Compatible with
USB cable charging
The camera can be charged from
a computer usi ng a USB cabl e.
Q button
( Qui ck menu
but ton)
Fn button
( f unct i ons
but ton)