Professional Documents
Culture Documents
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Submerged in Spirit
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PUBLISHING DETAILS
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Anaclysm
Submerged in Spirit
A Physiology of the Spirit
Portions of this text may be copied and distributed for personal use
only by providing proper reference to the author, including:
1. title of the book: Anaclysm
2. full name of author: Zeera (Zee) P. Charnoe or Z. P. Charnoe
3. publisher: ECOhealth
4. website addresses: www.anaclysm.com
http://www.smartgroups.com/groups/ecophysics
COVER PHOTOGRAPH :
waves and pool at high tide, North Sea, Scotland, 1972
after much patience, lying on his stomach in the sand,
the author captured this with a 35 mm camera
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TABLE OF CONTENTS
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COVER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
TITLE PAGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
PUBLISHING DETAILS,
COVER PHOTO DETAILS . . . . . . . . . . . . . . . . . . 3
TABLE OF CONTENTS . . . . . . . . . . . . . . . . . . . . . . . . 4
PREFACE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
by Z. P. Charnoe
ANACLYSM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
MESOFACE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
MESOLOGUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
SELF-DECEIVED / SELF-REALIZED. . . . . . . . . . . . . . . 58
POSSIBLE GEOMETRIES OF INTERACTION
AS THE FOUNDATION
OF QUANTUM MECHANICS. . . . . . . . . . . . . . . . . . . . 62
MESOSIS
THE EIGHTH AND NINTH DAYS
OF CREATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
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ANNERLOBE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
ANACLYSM:
SCREEN PLAY. . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
APPENDIX A. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Art Glyphs, referenced in Mesosis
APPENDIX B. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Anaclysm the Forum, 1974, original subscription form
APPENDIX C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Maintaining and Expanding Connections
APPENDIX D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Proposed Website
APPENDIX E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Materials Available by Author – Titles and Formats
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PREFACE
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There is no way back. I can only pass this account of the adventure along.
I can only reach back from this state. I try to appear familiar.
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ANACLYSM
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"You write like a man in full formal attire, tie and tails, without a white shirt."
That obviously means . . . missing an essential.
What's the essential I'm missing?"
"The connection of meaning, the arousing of attention,
the holding of attention, because of the relevance, the interest,
the tangency of what you write to the experience of the reader.
You must touch the open questions of those to whom or for whom you write.
Writing isn't just a technique.
First and foremost - you must have something to say,
something someone wants to read or to hear."
That was the first sermon on creative writing I heard. I was young.
That statement was made, by Professor Ruff, in 1953,
while I was attending the University of Oregon.
Yet, I felt I did have something to say. I needed to be heard.
My mind was full.
I was diligent. I was apt at learning words.
In the ninth grade, I called the cow with the crumpled horn - in the poem
"This is the House that Jack Built" -
the gentle bovine with the corrugated curvilinear protuberances.
Years later, I read - in the preface of a book - the book offered a word diet
to those who were verbally overweight.
I understood what was meant.
I had vigorously applied myself to gaining the vocabulary which I wielded
when I wrote "without a white shirt".
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His words were gleaned from a lifetime of considering art of many kinds,
including film and literature.
He leaned forward, sitting on the edge of the table,
"With a craft, you know at the onset, the means and the methods
of your work.
There is an inventory of materials. The dimensions are determined.
Selected tools are at hand.
There is a plan, perhaps drawn or described,
but at least established by experience.
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Being an academic tramp seemed to follow from those questions about dying
and crying, and the echo of those words,
"You write like a man in full formal attire, tie and tails,
without a white shirt".
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Each pay check was cashed and the cash was divided into envelopes.
The envelopes were marked: rent, electricity, food, telephone, clothing . . .
As I look back at it now, there should have been more envelopes,
envelopes marked: "things to try", "places to go".
Instead, there was simply a miniscule surplus.
Of all the words I read and heard, of all the things I saw –
in the name of psychology,
I remember one experiment – after all these years.
We saw the experiment on film: Mice were placed, on a small platform.
The way back from the platform was blocked, by a closed door.
Around the platform was space, with a net at the bottom of the space.
Across from the platform, were two doors - mouse-sized doors.
A piece of cheese was put, in clear sight of the mouse –
through one of the open doors.
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I have wondered since . . . how much cheese a mouse might want to eat,
at one time.
I've also had the idea, since, of perhaps blowing a fan
in the direction of the mouse, over the cheese and through the door.
The cheese was moved. It was put behind the other door.
It was still in plain sight.
The other door was opened.
But the mouse didn't want to start jumping through a different door.
It just sat there on the platform.
The platform was gleaming bright stainless steel.
It was connected to the output of a transformer –
the source of an electrical jolt.
The mouse was shocked.
It jumped through the same door through which it had jumped before.
This first door was closed and latched. The other door stood open.
The cheese was there, in plain sight. The mouse was put back on the platform.
It sat there. The mouse was shocked.
It jumped against the closed door, bumped its nose, and fell into the net.
It was put back on the platform. It sat there. It was shocked.
It jumped through the open door. It ate the cheese.
The first door was opened again.
The cheese was put behind the first door again.
The mouse was put back on the platform. It sat there. It was shocked.
It jumped through the open second door.
Finally, after more such events, the mouse being put on the platform,
the cheese in plain sight, both doors open, it would sit.
It would be shocked.
It would shudder and simply fall off the platform into the net.
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If, after all these years, those experiments stand fresh in my mind, I wonder
whether I shall ever forget them.
I've thought about how many times and in how many ways I've had to change,
to adapt.
I've seen so many people who resist change.
I've even seen some who shudder and simply fall into the net,
rather than change.
Of course, there is no net.
There is no electrical shock, but sometimes there is a shock of a different kind.
I have something to say.
It may even be something someone wants to hear or to read.
What I have to say is about masterpieces not being in style.
It is also about change and adaptation,
about platforms and closed doors behind and open doors ahead,
about cheese and shocks, shuddering and falling into nets.
But what I have to say is about much more than all that:
I jumped. I leaped.
That jumping, that leaping, constitutes an ANACLYSM,
a sudden upbuilding,
versus cataclysm, a sudden destruction or downfall!
There is no way back. I can only pass this account of the adventure along.
I can only reach back from this state. I try to appear familiar.
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It didn't seem anything was wrong or different from the bump on the head
and the bruise on my hip, but I wonder.
I did need to sit down. I was slightly dizzy.
I began to read and to think about subjects never before
within the scope of my interests.
One day, I tried to encapsulate the state I was in and the process of transition.
I wrote the following:
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[ ]
2
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[ ]
J. Allen Boone 3 wrote a book called Kinship With All Life.
That book struck me. I was in bed with pneumonia.
I was in Rye, New York, at The Wainwright House.
I had first gone there to lecture, in response to an invitation
from Dr. Robert Laidlaw, the Chief of Psychiatry
at Bellevue Hospital, in New York.
Now the comfortable conference facilities were empty and quiet,
except for the caretaker, John.
I read that first Boone book, Kinship With All Life, as I was healing.
Boone recalled his experiences with the dog Strongheart, the large Alsatian
that played the part of Rin Tin Tin, in the movies, many years ago.
In 1943, J. Allen Boone wrote another book, You Are The Adventure.
The book title was listed in a recent edition of Kinship With All Life.
The local library searched every library in Canada. The book wasn't on hand.
They extended the search to the United States.
Finally, it was located at Clemson College. It was sent to Canada.
I received the book.
I recently read five or six chapters in it . . .
more than forty years after its publication.
After reading several passages, I read that Boone had a conversation
with what he called an adventurer - in Shanghai, China.
The adventure through the unapparent door, and the subsequent doors –
with coded marks, is that kind of an adventure, an adventure within.
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During part of the twelve years, the commencement of which was marked
by writing without a white shirt, I studied physics, at Linfield,
in McMinnville, Oregon.
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The impact of relativity can be seen in the d2 term which becomes d 2.000006
Maybe the connecting elements or ingredients are missing from the questions.
Perhaps it is like asking "How many angels can dance on the head of a pin?"
The elements of the questions don't connect –
I mean the elements of the angels, the dancing and the pin head.
In nine hundred and sixty square feet, I combined two desks, a drafting table,
a calculator and typewriter,
an electronics work bench and a chemistry bench –
with an exhaust hood through a rear window, a lathe, a drill press,
and an array of other tools.
I had the lowest cost, best value-for-money research lab, ever.
A part-time secretary, Helen Rolene, and I, began.
The only problems I could find were ones everyone else had given up on.
Audacity and näivety propelled me.
Soon I had an electronics engineer, an electronics technician and a chemist.
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The twelve years were over. The twelve years had started in 1954.
It was 1954, when I first read about ties and tails without a white shirt.
[4]
Dr. Varnum , who taught that psychology class,
was memorable in other ways.
He had been a psychologist for the United States Army, during World War II.
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Much more, how could he take up life in any society after his own act,
if he killed this man?
There was conflict between loyalty to his buddy and some fair-mindedness,
some recognition of the truth the Japanese interrogator spoke.
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From that same inventory of experience, during those same twelve years,
I returned to Eugene, Oregon,
the place where I first encountered that statement,
"You write like a man in full formal attire, tie and tails,
without a white shirt".
That encounter was at the University of Oregon.
I worked as an architectural draftsman.
I took classes at the University: The History of Architecture
and the translation of Alcestis, by Euripides, from Greek.
Some part of me wanted to ask the same questions, but not the same way,
not in that tone.
Perhaps he had just become accustomed to asking questions
with a sense of demand because he was a professor.
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That was something else I had come to understand from Professor Bruce.
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[ ]
Perhaps Einstein 5 , a human ideal, personifies our quest.
His mind was his laboratory.
He figured out something so fundamental from such indistinct clues . . .
I fell ill with pneumonia. I was admitted to Vancouver Memorial Hospital.
I ran a high fever. Congestion increased seriously.
Dr. Butler had me put in a steeply inclined bed, head downwards,
with a stainless steel pan on the floor beneath.
I coughed.
Mucous would gush from every passage: my nose, my mouth,
even the tiny slits on the inside corner of my eyelids, the puncta,
I had learned to call them.
I sputtered, coughed and convulsively pumped out immense quantities
of pink-tinted, yellow-streaked fluid gels.
I was delirious.
My life was at the edge of being over at this young age of thirty.
I was leaving behind four beautiful children, two girls and two boys.
They had stood at the hospital room west window the day before.
They weren't allowed to come inside.
I had given them assurances of coming home soon, but now . . .
I looked down at the body, prone, poised over the pan. Breathing had stopped.
The heart had stopped.
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A clear white light shone from the end of the tunnel, upon me, into me,
through me.
It was a white whiter than any white I had ever seen or even dreamed.
In an alcove off the tunnel stood the quiet, kind and smiling face
of the man I called Dad during the first years of my life,
my foster grandfather.
His clear white hair reflected the beams of white light.
He didn't speak, but I slowed –
as though drawn by tractor beams of love between us.
The last time I had seen him he was in the Veteran's Hospital with cancer.
He died.
I remember the sound of the baseball game
from the radio in his hospital room.
Then I remembered the expectations of a four-year-old boy
on East 94th Street, in Los Angeles, as I listened to the Philco radio,
sitting on the dining room dish cabinet.
Red Ryder and Little Beaver would be on soon.
Jack Armstrong, the All-American Boy, was just over.
My expectations weren't focused on the radio,
but on Dad's arrival in the new white Ford.
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He came in the back door, put down his black lunch pail
on the black-and-white hexagonal tile drain board and sat down on the step
stool
next to the Servel gas refrigerator.
I submerged in the warm enclosure of his arms, legs and chest
and offered my overstretched hug.
The next strategy was for me to retreat to the radio and listen to Red Ryder
and Little Beaver in their latest adventure,
which always contained enough thundering hoof beats
to drown out the crunches of cookie-eating before dinner.
Now I think Nana knew and always found an excuse to leave the kitchen
at the rehearsed minute.
She always had to fetch a piece of mail
or carry boots to the back porch and scrape bits of metal from the soles.
The tractor beam of love between Dad and I relaxed and I went out
into that white light.
The tunnel got larger until the walls disappeared and I was simply in a mist
with the beams of light surrounding me.
I stood before the source, a being. Liquid love poured forth.
"You judge yourself" were his only words or perhaps they weren't words,
only thoughts, like the liquid love that was contained in the beam of light
that obscured any form.
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The pace of the playback seemed always to hesitate when I came to a scene
where I had helped or hurt the feelings of someone
or they had helped or hurt mine.
The scene slowed in 1942, when Gloria invited me into her house,
then into her bedroom.
Gloria was my twelve year old next door neighbour.
I was six years old. Why did she want to frighten a six-year-old boy?
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No, there were too many loose ends, too many feelings in disrepair,
too much life pointed in the wrong direction
and too much life to point in the right direction.
Wow, some fast cinema. Thirty years of life in a little more than two minutes.
A few days later, Sim brought a pile of checks for me to sign for payroll.
Lois, Jill, Lindy and Bryce were back at the west hospital window.
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"You can't decide what you're going to discover."
"You can sure as hell decide how much you're going to spend discovering it.
I was jolted.
As the years rolled by, I had even wondered how I could change directions
or quit.
All I could do is to hold a shield of rational response.
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"Glen? Hi. Can I get in my plane and have a late dinner with you tonight?"
"No.
Well, briefly, the density of the supragranular layer
of the cerebral cortex in the brain
is a physiological difference between man's brain
and the brain of any other creature.
The activity of this part of the brain characterizes man,
at least in some measure, not only in its physical presence, but in its function.
The human brain has a ratio
of 1,600 to 1 local neurons to projected neurons . . .
"Glen, that's the problem, I can't tell you so little and have it make sense.
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"This morning."
"It's on then?"
"Great. I'll see you tonight, late."
"I know about the kids. I'll leave the Mercedes. I just can't explain."
"Donna, I'm walking out the door right now - to fly down to see Glen Taylor.
Call me there in the morning.
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"From the sound of things it was the only reasonable thing to do.
Tell me more about this?"
"Just a minute. Walt will you hanger the plane and meet us in the lounge?"
"O. K.
Glen, here goes: Joe, the Vice President of the company is kicking me out,
if he can.
I don't care. He wouldn't even look at what I've discovered.
I don't want to do anything about the company or Joe.
I'm just explaining I now have to further my work without the company
and I want you to help me do it."
"I know you've supported a fairly rigorous research group for psychical study,
that you must have that work be fairly exacting in its direction . . .
what I've discovered touches that.
You know I'm a bread and butter physicist.
What I've discovered bridges, with rigor, the phenomena of Western science
in hypnosis and psychology, Eastern yoga and biophysics.
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I closed my eyes.
Indeed I imaged myself facing the way my eyes pointed,
thinking about the room from the level of my eyes.
"Notice when you go to lift something how you take in a deep breath. Why?
Do you notice how your presence is affected by your inbreath?"
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The Houdini code was a statement which Houdini and his wife alone
had agreed upon.
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Years went by.
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We went back to Europe, in December 1970. We had been there a year before.
Another marker in the extraordinary years since my jump, or rather, leap.
We didn't return to Canada again, until October, 1979.
I was invited to Stanford University to speak about the change
in my consciousness, the anaclysm, the jump, the leap.
[13]
Professor Robert McKim was teaching his students
the use of idea sketches.
They couldn't draw. They had no sense of perspective or proportion.
He thought the task was to simply be teaching them to draw.
Then he found out they couldn't see.
They weren't getting the drawings a little wrong.
They were getting them very badly wrong.
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The audience was focused and attentive. I spoke deliberately and quietly.
"In the forties, a questionnaire was sent
to mathematicians in the United States.
It asked them where their best ideas came from. Einstein responded.
He described imagining himself traveling with a beam of light.
This was at age sixteen."
I went on, "To view human experience as random, requiring survival skills,
requiring conservation of the human form
and human biological substances – as a struggle –
is to subscribe to a belief system which persists in the outlook of man
as a separate, disconnected, isolated and perhaps alienated being.
In this view, man is placed in nature as a master or conqueror,
not because he understands and upholds nature
so much as because he fears what will happen if he fails to be master
or fails to be conqueror."
The quick clear grasp of minds benefited by Professor McKim's coaching
in contextual thinking was apparent from the expressions on their faces.
It seemed important for me to clearly formulate the contrast within myself,
before and after the jump, the leap, the anaclysm.
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To cast a crumpled wrapper upon the floor, because no one can see,
shows the small scheme of this belief system, this belief in separation."
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Recognition and response was so strong and so clear upon their faces,
I was witnessing what I can only call rapture.
They understood!
[ ]
"Jacob Bronowski 14 , the mathematician, says, in his book,
The Ascent of Man, 'One aim of the physical sciences has been
to give an exact picture of the physical world.
My eyes scanned the audience for a contact that showed the impact.
"This is quoted to signify that there is room for an alternative viewpoint
to the one which sees man as separate, disconnected, isolated
and perhaps alienated and that the appearance
of separateness of form is the basis of reality."
[ ]
"Many years ago, Herman Weyl 15 stated
in Philosophy of Mathematics and Natural Science, . . .
" . . . there is no such thing as one and the same substance
of which the electron consists at all times."
The value of this statement can come, at least partly, from the implication
that the transient energy and mass of which the electron is constituted,
in sequence, is part of another member portion
of the universe, then another – creating connection,
to the extent that it may carry pattern and energy
from one expression to another.
[ ]
Einstein is quoted in The Philosophical Impact of Contemporary Physics 16 ,
"We may therefore regard matter as being constituted by the regions of space
in which the field is extremely intense . . .
There is no place in this new kind of physics both for the field and matter,
for the field is the only reality."
By now the contrast of view was clear: separation or connection,
but I wanted to show how connected we were.
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[ ]
"Hoyle 17 says in Frontiers of Astronomy,
'Present day developments in cosmology are coming to suggest,
rather insistently, that everyday conditions could not persist,
but for the distant parts of the universe,
that all our ideas of space and geometry would be invalid
if the distant parts of the Universe were taken away.
Our everyday experience, even down to the smallest details,
seems to be so closely integrated to the grand-scale features of the Universe
that it is well-nigh impossible to contemplate the two being separated.
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"The universe makes alive, wants life, wants us to live and to make alive.
Life is the counterentropic force. Yielding to change is yielding to life.
Practice the art of living.
Be a masterpiece!"
It read:
The American Society of Mechanical Engineers
November 15, 1967
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Thank you again, and I hope that I will see you soon.
By the way, if you will let me know where and when
you are meeting with your new fellowship,
I think I would be interested.
Respectively yours,
John Sondeno
President
"That's a strange title for a book. How can it be true?"
"Yeah."
"If you want to find out, get the book and read it."
"No."
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"Sure."
"Yeh, I do. The whole thing went 'round with just a flashlight battery.
The little strips on the side of the rotor were like switches.
When it spun around, they touched and broke, touched and broke.
That made the coils turn on and off, as magnets."
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"Can you excuse me? I really want to just go sit down for a read."
"Huh?"
"You're late."
"Hi Ted."
"You're late."
"That book?"
"Yeah, yeah that book."
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"It is Ted. You know . . . every motion of a charge produces a magnetic field."
"Oh, so?"
"Ladies and gentlemen, may I please present to you our late arriving guest,
the magnetic fiend."
"No, I'm really intrigued though, and I lost track of the time."
Patsy lifted the card, read it, paused, took my hand and kissed my cheek.
Then she carefully lifted the tape at the end of the package,
folded back the wrapping and slid the unmarked box from the wrapping.
She opened the top to find an array of rods, donuts, disks, bars,
a small plastic tube of particles, an iron plate.
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"What's this?"
Creative writing is first and foremost creative.
Creativity may use the media of fiction, but it may not.
[ ]
As William Knott 19 points out in The Craft of Fiction,
"Years ago, the ratio of fiction to non-fiction published in our magazines
was three to one.
Now the situation is reversed."
That means there is three times as much non-fiction as fiction published now.
The questions are: "How can non-fiction be creative?" "What is creativity?"
The second reason Knott gives for the change in the ratio
of fiction to non-fiction is that "the real world has proven so complex,
so fascinating, and so deadly, that today the average reader turns to it
(the real world or non-fiction) as avidly as he once turned to fiction."
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We are faced with the fact that the writings of Roberts are excluded
from consideration as literature.
The occult is simply clandestine.
[22]
Jules Verne was highly regarded because he reported the technology
of the future, while it lie in the borderland of feasibility.
The exact means of achievement wasn't at hand,
but the promise of science and technology was great enough for Jules Verne
to serve a social function: the mythology of the future.
[ ] [ ]
This is exactly the function Asimov 23 or Clark 24 provide today,
but perhaps without the range of Verne into the borderlands of possibility.
Asimov and Clark merely extrapolate for the greater part.
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MESOFACE
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MESOLOGUE
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The brain has tissues, related groups of cells. The cell has organelles.
These members of the cell, the organelles, are composed of molecules,
molecules with hundreds, thousands, tens of thousands of atoms,
in each molecule.
Morphology and anatomy involve only the form and the structure
of a living organism.
Physiology involves its function.
Often that function is described in terms of chemistry: little molecules joining
to form big molecules, one compound transformed
from or into another compound.
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Magnetic fields permit substance and form to interact over immense distances.
Perhaps we can see that it is appropriate to call magnetic waves,
which involve the response of the charge
called the electron, electromagnetic waves,
however, we should call the magnetic fields,
which interact within the nucleon (member of an atom's nucleus)
nucleomagnetic fields.
Then we should also note that another member of the nucleus of all atoms
is made up of charge fractions - quarks.
These quarks are the components of the neutron.
The quarks may participate in nucleomagnetic field phenomena.
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SELF - DECEIVED
SELF - REALIZED
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Perhaps that balance of acceptance within the described and offered bounds
of a story and the reserved part of consciousness, which holds back
and connects to a reference context we call the real world –
also occurs in life itself.
We dream. We awaken.
In the dream, in spite of its sur-real quality, we perspire, we scream, we sob.
Is life only another balance of the very same nature?
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The electron and the photon are two of the so-called stable particles.
But, in a certain sense, it is misleading to refer to anything as a particle.
This is so because it either denotes or connotes separate and distinct existence,
in some kind of empty space.
Space isn’t empty. It is full.
First, the separateness is impossible, because every so-called particle,
pattern and energy set, is coupled or is connected
to every other so-called particle.
This coupling or this connection may be said to be magnetic.
In order to be called magnetic we must go back
and mention the motion of a charge.
First, we must define a charge in some sense.
We could point to or refer to a large number of charges
and to their interaction, and simply say charges are like that.
We would refer to electrons and protons for instance.
We would point to charges and say that there are two kinds of charge
and all of one kind are negative and all of the other kind are positive.
We would discover that opposites attract and that identical charges repel.
We could measure the forces of their interaction.
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Because every form (bounded and defined) interacts with every other form,
along certain paths, with degrees of direction and indirection,
and over a given range of interactions which is modified by the motion -
and
because it is the nature of a charge to close a domain of magnetic interaction
conserving pathlength and susceptibility
at the sub-atomic scale of quantum chromodynamics,
thereby minimizing its interactions
by means of the degree of isolation of the form of the charges
and
this motion of the charge modifies the pathlength and susceptibility
of the charge form, modifying its interactions
and producing the open domain of interaction
versus the highly isolated domain of the charge.
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1) Magnetic domains
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Mesosis
The Eighth and Ninth Days of Creation
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The beam then seemed to sweep upon and over me, encompassing an area
larger than my contracted form, but then narrowing to shine
only upon portions of my shoulder, neck and head.
The beam or beams narrowed more and began to sweep over and upon,
but through me, leaving me coiled, weeping, beyond ecstasy.
I was flooded, enchanted, transformed, but shattered, will-less, weak.
No motion of my form was adequate . . . no,
it was more that motion was futile.
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Even now, what used to be slow paced hours have a fullness and rapidity,
which makes each hour seem to be a lifetime,
compressed into swift currents of converging hyperthought.
Some distance is sustained between my body and my mind
to prevent my mind from exploding the fragile and slow changing form
of my body with a transcendental ignition of the substance.
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I will not credit the statement to the mouth that uttered it, (Jeans)
because the edges of self pale into insignificance in the light
of the very thought itself.
I leap.
It is so effortful to reach into explicitness with and of patterns more tedious
than aesthetic.
Every part of the universe is attempting
to notify every other part of the universe
of its nature, its forms, motions and forces.
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There ceases to be regret however, when the form is again more turbulent,
moving towards another even more wondrous living pattern.
The living motions transform the onlooker in a spell,
which causes some divine image to replicate itself in his eye, then in his mind,
then in his manner and form
until the center of beauty becomes a sacrificed form
plummeted into the view of a sea of creation
with rings or rippling images of the sacred figures
disseminating through the levels of the progressive stages of living substance,
until rocks themselves are tainted in measure with the afterglow
of the igneous descent of heaven and they heave, attempting to live.
The folding was the work of fear, doubt, ignorance, but it was part of a plan.
Creators were to be created.
That a creature could be created was not enough,
not the work of the grand thought.
A creator being created was enough of a task
to signify how grand this thought was.
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All That Is, is little encompassed in the stars that shine, the orbiting planets
and moons, the untold galaxies.
All That Is, is little reported to minds yet so limited.
There is not one enlightenment which renders one a citizen of heaven
with rapture and bliss as a leisure to be perpetuated and conserved.
The living index expands. There is a metabolism of mind as well as body.
The building up and the breaking down are microdeaths of form,
not yet dynamic enough to protract their existence.
Continuity is the property of the larger pattern of force.
The body continues with and through the microdeaths of metabolism.
The soul continues with and through the microdeaths of physical existence.
The living always navigate the universe between their hope and inspiration.
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They are always the object of care and creation of those more evolved.
They must distribute to and through they who pursue their stature
of achievement.
For them or for us to disdain any role of the living is to alienate us
from a path of distribution of care and compassion as needful for them or us
as our inspirers are indispensable.
Uniqueness still prevails.
Stature does not prescribe the forces, forms or motions
to which we are accountable.
Stature prescribes the living index, the extent of flow, typical of our nature.
The social order of which I spoke must found itself upon that principle.
The intimacy, which fosters order, is a natural network of concern,
compassion and care.
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Do not allow your object of care to close the flow. Make your care living.
The yellow-orange emanation was care of that form.
The setting for the jewels from which that yellow-orange beam shone
was a macrocosm of a megacosm.
Militance and rigor were discriminate.
No one within that macrocosm was dominated by any other,
but no one was independent of the others.
Consequences distributed between them as easily and as surely
as distress within one part of my body alerts and beckons the upholding
of the whole of my body.
Their fraternity was so profound, the mind of one had as much influence
upon each other body as it had upon its own home or host form,
yet each was a distinct receptor providing a stereo sensitive network
anchored so intimately that they became a possible object of creation
to the inspiration to which they were accountable.
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ANNERLOBE
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The pioneer observer will wait its occurrence and scorn the charge
that his promptings are occult, superstitious exploitations.
Somehow the observation is always left to clandestine undertaking
by the courageous, if not the compelled.
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A band of the most achieved came to be the most skilled and concerned
about the destiny of the race.
That band of the concerned, had themselves left behind
the need to propagate credit or acclaim for their labours,
and had come to realize their scheme of care was best executed
by anonymous dwelling.
And so they were seldom seen and only came to be known
to others of their kind who were at the periphery of transcending achievement.
They became very constantly attended members of the race
by the concerned ones . . . both for the sake of their own ascendancy
as well as for the sake of those ascending through them.
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Annerlobe and her citizens were like the attendant physicians or midwives
assisting in the birth of a greater human species.
It was not some divinely assigned duty that brought them
to the time and place, but rather part of the scheme,
a part of a very locus or path over which they navigated.
But the path was not to be trodden upon, but to be worked through.
The path required matriculation and the midwifery was part of the skill.
We are without history and with but most meager myth or legends
regarding the fields of force
in which this planet was immersed grand cycles ago.
What has been interred in Earth's crust or covered by ocean bed
is little probed.
What substance, what form can be scrutinized
for the increment of mutation or motion which is new
and with what history of science shall it be compared, observation so unaided?
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The qualities there are to consider about motion, first of all require
that we be observant that there is no such a thing as absolute motion,
but that all motion requires bodies of reference,
and in the bodies of reference not only the number of bodies,
but certain qualities of those bodies become significant.
It is also a nature of motion and the principles of relative motion
that there is a definite kind of energy,
which is exchanged between the bodies in relative motion,
which is not only a product of the nature of the substance of the body,
but the nature of the motion itself and the fields of force
within the environs of the bodies of reference.
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FOOTNOTES / BIBLIOGRAPHY
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1. Dr. Bruce was later recruited to Oxford University from the University of Guelph.
2. Charnoe, Z. P.
Selection: “A Bird’s Flight If Only You Could Fly”
from a book of poetry: Growing In Front of Everybody
www.smartgroups.com/groups/ecophysics
http://ecophysics.geodevis.com
3. Boone, J. Allen.
Caretaker of Strongheart, dog performer in the television series,
Rin Tin Tin; author relating real life experiences
showing how animals communicate.
e.g. Kinship With All Life; You Are The Adventure
http://www.amazon.com/
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8. Grant, Joan.
Author of a series of books, some co-authored by her husband,
Dr. Dennis Kelsey, based upon her past-life recall.
e.g. Far Memory; Winged Pharaoh; The Eye of Horus
http://www.amazon.com/
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29. Charnoe, Z. P.
Related document found at websites below or by contacting author:
Consciousness, The Coemissive Fundamental, 1996
Science and Con-Science, 2000
www.smartgroups.com/groups/ecophysics
www.geocities.com/ecohealth2003
http://ecophysics.mysite.wanadoo-members.co.uk
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APPENDIX A
GLYPHS ( A FEW SAMPLES )
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APPENDIX B
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In the 1970’s, Zee and his wife at that time, launched an ‘Anaclysm’ forum
through their publishing company: Psy Phor Publishing.
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APPENDIX C
MAINTAINING AND EXPANDING CONNECTIONS
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FREE FORUM :
At present, we have a free forum / website
dedicated to the regular postings of Zee’s documents
and participant exchange regarding related issues,
sharing of links, etc.
One may view the writings, without joining the forum,
but membership and participation is most welcome.
Please visit us at ECOphysics:
www.smartgroups.com/groups/ecophysics
CORRESPONDENCE :
For general correspondence, here are e-mail addresses:
Zee anaclysm@sympatico.ca
Jennifer ecohealth@sympatico.ca
backups for either ecophysics@sympatico.ca or ecohealth@hotmail.com
Snail mail (letters only) can be mailed to this address:
Box 10, Breslau, Ontario, Canada N0B 1M0
Please include a valid e-mail address or adequate SASE for a reply.
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APPENDIX D
PROPOSED ANACLYSM WEBSITE – DRAFT – in process -
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ANACLYSM
Sudden change, Upbuilding change
Introduction
In 1987, the World Commission on Environment and Development (WCED)
the Brundtland Commission, made up of 21 Nations,
unanimously agreed on the need to change.
What it didn't agree upon is:
Change is occurring!
Some of the changes that are occurring are the consequences of two (2) things:
1. growing human population and
2. human activity,
Human activity is intensified and amplified:
• by tools, by equipment
• by skills and by education
• and by energy.
o by policies,
o by principles,
o by paradigms, and
o by patterns of belief.
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What if it doesn’t.
What if the uncertainty principle only involves choice?
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It is a path of exploration.
You may visit it many times.
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It is an evolving website.
Upon each visit, you may jump to a segment you haven’t yet explored.
You may leap over the segments you have explored.
In a certain sense, it is quite vast because it references the works of many authors.
You may excursion into their works.
The Eye
At the back of the human eye are a group of neurons
of different kinds, five different kinds.
The human eye is designed for high resolution.
At the back of the retina,
we have a black, non-reflective screen of pigmentation
which aids that high resolution function.
The photoreceptors themselves are further supportive of this function.
There are cones and rods. {diagram}
{ to be continued . . . }
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{diagram}
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APPENDIX E
MATERIALS AVAILABLE BY AUTHOR
- TITLES AND FORMATS -
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Copies of all of Zee’s materials, within our possession, are currently available,
or are in the process of becoming available, within the year 2005.
Availability will be posted at www.smartgroups.com/groups/ecophysics
or at www.anaclysm.com (currently under construction).
Materials are generally grouped according to subject relatedness or to production era.
The majority of recordings are mid to good sound quality.
A small number of recordings are missing or of such poor quality
as to either not be retrievable or reproducible.
A large number of writings have been stored in various places in the world
and are presently unavailable to us.
All groupings (whether completely or partially available) are listed below.
For more detailed lists, please contact us by mail or e-mail (see page 95 above).
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Audio Recordings
Titles Index (Draft) - 30 pages
Recordings prior to Domain / Canada era are now in mp3 CD or DVD format.
These are usually 2 hours in duration (originally recorded on reel-to-reels).
Recordings of the Canada era are all still in audio cassette format awaiting conversion.
These recordings are usually 1 ½ - 3 hours (1 – 2 tapes).
Quality of original recordings is highly varied.
Many recordings have excellent sound quality.
An associate has been responsible for creating mp3 CD’s and optimizing sound quality.
It is helpful to read transcriptions at the same time, when and as available.
Frontiers of Science
Introductory Series (FOSF): 2 lectures, I.S. # 01 – 02;
General Series: 82 lectures, G.S. # 01 – 82; 67/07/28 – 69/04/25
Citizenship in the Age to Come: May ’68 conference
The Expanding Domains of Responsible Creators: July ’68 conference
Madness of the Soul: Sept. ’68 conference
Codification of Consciousness:
18 lectures, C.C. # 01 – 18; 68/06/17 – 68/07/10
Physiology of Higher Bodies:
18 lectures, P.H.B. # 01 – 18; 68/08/5 – 68/08/31
Skills of New Man:
9 lectures, S.N.M. # 01 – 09; 68/10/08 – 68/11/10
Far Field Contributions to Consciousness:
F.F.C.C. # 01 – 13; 68/12/29 – 70/11/?
Bridge of Fellowship (Glide Foundation):
6 lectures, B.F. # 01 – 06; 69/1/2 – 69/2/6
Details of Fraternity:
8 lectures, D.F. # 01 – 08; 69/5/31 – 73/7/10
Incarnational Technology:
13 lectures, I.T. # 01 – 13; 69/10/01 – 73/07/04
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Devatron:
9 lectures, no series, dates not recorded; 1970’s
Domain:
534 audio cassette tapes (approx. 800 hours in total).
Classes, discussions, lectures, meetings, “Golden Griddle sessions”
Sunday and Wednesday meditations, health consultations,
public lectures, presentations, conferences.
Seshene: 2 tapes
Health: 11 tapes
Note: Approximately 150 additional sessions are not available
due to confidentiality
Subjects: nutrition, nutrition in the ‘90’s, ECOsystemic nutrition, healing,
relaxation, holotrophic therapies, cancer, environmental health.
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Conferences:
Ecology of Knowledge (EOK) (United Nations / Epistemology) Conference 1:
1 tape, # 335; 86/05/31
Ecology of Knowledge (EOK) Conference 2:
9 tapes, # 336 – 344; 87/01/13 – 87/01/15
Ecology of Knowledge (EOK) Conference 3:
10 tapes, # 345 – 354; 87/11/11 – 87/11/13
Environmental Crisis Options: 10 tapes, # 364 – 373; 88/05/20 – 88/05/23
Ecology of Knowledge (EOK) Conference 5:
15 tapes, # 374 – 388; 88/12/02 – 88/12/04
The Law of One: 10 tapes, # 389 – 398; 91/11/08 – 91/11/10
Self Transcendence: 10 tapes, # 399 – 408; 91/11/22 – 91/11/24
A Half Truth is a Whole Lie: 5 tapes, # 409 – 413; 92/01/04 – 92/01/05
Evolutions of Mind / Body / Spirit:
10 tapes, # 414 – 423; 92/01/17 – 92/01/19
Initiations: Solar and Stellar: 9 tapes, # 424 – 432; 92/03/07 – 92/03/08
The Tao of One: 11 tapes, # 433 – 443, 92/03/20 – 92/03/22
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Written Materials
Titles Indexes (Draft):
1. Poetry, Short Stories – 22 pages
2. Writings, Transcriptions (A – Z) – 60 pages
Poetry
Approximately 400 poems have been written from the 60’s to present day.
Many are free-standing, there are also a number of poetry series.
Most poems were written in 1972, in England or Scotland
or in Switzerland, in 1974 (Psyphoric Hypergraphs for the Id).
Update as of May 2006: All poetry compiled into one book, titled:
The Soul of a Poet-Philosopher.
Books
Aggregation, Assimilation, Affiliation and Alliance (A4)
Kinds and Degrees of Cadence and Resolve – in process (2003 -)
Anaclysm / Submerged in Spirit / A Physiology of Spirit (1972 - 2004)
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Short Books
Contemplation and Meditation
Holodynamic Universal Unity
Captivity in Schemes Too Small
Thesis
Language, Literacy and Intelligence, Made For Each Other ! ?
Hons. B.I.S. thesis, presented in 1986, University of Waterloo
Description of Studies: Cadence and Epilogue – 26 pages
Total Thesis: approximately 1,500 pages;
Brief Description of each section – 21 pages
Six (6) sections:
1. The Truth Spectrum
2. Perception and Neuronal Activity
3. The Literate State
4. System Morphogenesis
5. Synopsis
6. Computers and Literature
- also includes 1984 Anaclysm text
Health modules
Approximately 30 short papers on health, wholeness and healing:
principles, research and personal experience
Transcriptions
Ideally, every audio recording will be transcribed
and included on a CD to accompany the audio recordings.
At present, approximately 15% are currently completed.
(Estimated number of pages left to transcribe: 45,000)
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Learning modules
- in process –
- PDF files: written materials and photographs
e.g. Charnoe Modular Dome
Life Essentials to Obtain Immediately
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