Earth Dance, the story of four generations of Balinese women, centers on conflicts that arise between the demands of caste and personal desires.Narrated by Ida Ayu Telaga, a Balinese woman in her thirties, the novel shows Balinese women—as depicted by her mother, grandmother and female peers—to be motivated by two factors: the yearning to be beautiful, and the desire for a high-caste husband.
Headstrong Telaga defies her mother’s wishes and marries the man of her dreams, who is a commoner. Thus, in a reversal of societal expectations, as shown in the novel by images of women who aspire to “liberation” through “marrying up”, Telaga’s emancipation is implicitly characterized as a move downwards, through transformation to the status of a commoner.
Earth Dance also reveals that—like high-caste status—beauty, too, has a price. Behind the thick, glossy hair and golden complexion, lies a web of jealousy, derision and intrigue. Telaga, whose life is controlled by her mother’s avarice, her mother-in-law’s bitterness and the greed of her sister-in-law, has frequent cause to wonder: “Is this what it means to be a woman?”
Earth Dance, the story of four generations of Balinese women, centers on conflicts that arise between the demands of caste and personal desires.Narrated by Ida Ayu Telaga, a Balinese woman in her thirties, the novel shows Balinese women—as depicted by her mother, grandmother and female peers—to be motivated by two factors: the yearning to be beautiful, and the desire for a high-caste husband.
Headstrong Telaga defies her mother’s wishes and marries the man of her dreams, who is a commoner. Thus, in a reversal of societal expectations, as shown in the novel by images of women who aspire to “liberation” through “marrying up”, Telaga’s emancipation is implicitly characterized as a move downwards, through transformation to the status of a commoner.
Earth Dance also reveals that—like high-caste status—beauty, too, has a price. Behind the thick, glossy hair and golden complexion, lies a web of jealousy, derision and intrigue. Telaga, whose life is controlled by her mother’s avarice, her mother-in-law’s bitterness and the greed of her sister-in-law, has frequent cause to wonder: “Is this what it means to be a woman?”
Earth Dance, the story of four generations of Balinese women, centers on conflicts that arise between the demands of caste and personal desires.Narrated by Ida Ayu Telaga, a Balinese woman in her thirties, the novel shows Balinese women—as depicted by her mother, grandmother and female peers—to be motivated by two factors: the yearning to be beautiful, and the desire for a high-caste husband.
Headstrong Telaga defies her mother’s wishes and marries the man of her dreams, who is a commoner. Thus, in a reversal of societal expectations, as shown in the novel by images of women who aspire to “liberation” through “marrying up”, Telaga’s emancipation is implicitly characterized as a move downwards, through transformation to the status of a commoner.
Earth Dance also reveals that—like high-caste status—beauty, too, has a price. Behind the thick, glossy hair and golden complexion, lies a web of jealousy, derision and intrigue. Telaga, whose life is controlled by her mother’s avarice, her mother-in-law’s bitterness and the greed of her sister-in-law, has frequent cause to wonder: “Is this what it means to be a woman?”
Oka Rusminis Earth Dance is an important contribution to this literary process of exposing the underbelly of Bali. With its publication Oka Rusmini joins two minority groups in contemporary Indonesian literatureBalinese novelists, and female novelists Prof. Pamela Allen
Earth Dance, the story of four generations of Balinese women, centers on conflicts that arise between the demands of caste and personal desires.Narrated by Ida Ayu Telaga, a Balinese woman in her thirties, the novel shows Balinese womenas depicted by her mother, grandmother and female peersto be motivated by two factors: the yearning to be beautiful, and the desire for a high-caste husband. Headstrong Telaga defies her mothers wishes and marries the man of her dreams, who is a commoner. Thus, in a reversal of societal expectations, as shown in the novel by images of women who aspire to liberation through marrying up, Telagas emancipation is implicitly characterized as a move downwards, through transformation to the status of a commoner. Earth Dance also reveals thatlike high-caste statusbeauty, too, has a price. Behind the thick, glossy hair and golden complexion, lies a web of jealousy, derision and intrigue. Telaga, whose life is controlled by her mothers avarice, her mother-in- laws bitterness and the greed of her sister-in-law, has frequent cause to wonder: Is this what it means to be a woman?
Oka Rusmini writes poetry, novels, and short stories. Her work has received many awards. In 2003 her novel Tarian Bumi (Earth Dance) earned her a place as one of the recipients of the literary achievement awards of the Center for Documentation of Language of the Indonesian Department of Education. Her published works include: Monolog Pohon (poems, 1997),Tarian Bumi (novel, 2000), Sagra (short stories, 2001), Kenanga (novel, 2003), Patiwangi (poems, 2003), Warna Kita (poems, 2007), Pandora (poems, 2008), and Tempurung (novel, 2010). This novel, Tarian Bumi (Earth Dance), has also been translated into German and published in Germany under the tittle Erdentanz.
Size: 14 x 21,5 x 1.1 cm, weight: 250 gr. Pages: 164 pp, Binding: Softcover ISBN: 978-979-8083-82-2 Price: IDR 150,000, USD 18.00,-
Available in Amazon.com: http://goo.gl/jiswua. For Asias customer, available in typhoon-media.com: http://typhoon-media.com/earth-dance/
For more information, please contact our Head of Finance and Marketing, Mrs. Tuti Zairati (Tuti) at The Lontar Foundation: Office Address: Jl. Danau Laut Tawar A53, Pejompongan, Jakarta Pusat, Indonesia 10210 Tel: +62-21-574-6880, Fax: +62- 21-5720353, Mobile: +62-818-738-231 Email: tuti_zairati@lontar.org Website: www.lontar.org
(Koninklijk Instituut voor Taal-_ Land- en Volkenkunde) Dr. W. F. Stutterheim (auth.) - Studies in Indonesian Archaeology_ Publication commissioned and financed by the Netherlands Institute for Intern.pdf