Professional Documents
Culture Documents
PHAIDON
Boston,
MA
02116
Wharf
Regent's
London ni 9PA
published 1994
First
Limited
ISBN
o 7148 3625 7
OP
book
this
is
available
from
Library of Congress
Cataloging
Data
Publication
in
available.
of
this
publication
reproduced, stored
No
part
may be
in a
ted, in
Press Limited.
Printed
in
Singapore
abbreviations:
C=circa
b=born
h
I
ii<
d=died
...In
width
= length
diam diameter
The
publishers have
<>rt
made
to include
dimensions wherever
possible. As some frescos
illustrated are part
of large
to acquire
omitted.
and
are therefore
it's
an
at art.
to
presents a whole
Easy to
new way
and
use, informative
art:
an
terms
Glossary of artistic
movements
pagt
Directory of
museums and
galleries page
1 1
Agasse Jacques-Laurent
A
by
Arab keepers.
Two
The Nubian
of the
travel farther
and farther
exotic
gifts.
Giraffes, lions
were able to
commissioned
'a
Giraffe
top hat
is
Edward
The gentleman
depicted wearing a
Born
He
also painted a
number of portraits of
noblemen on horseback.
- Audubon, Landseer,
Longhi, Stubbs
The Nubian
Giraffe.
1827.
Oil
in
800 where he
to paint
picture of
h50kxw40i
Alb ers
Homage
josct
to the Square
Post-Painterly Abstraction
a rigid
colour.
The
of which
colour.
is
this
The
is
series
of paintings,
related to the
Op
means
it
New Haven.
CT.
it
to the
USA
in 1933,
book The
published in 1963. In
colour,
which was
w30
in.
this
Interaction of Color
1976
"
with the
He
by birth, Albers
Homage
moved
A Dutchman
Kelly. Klee.
Reinhardt, Vasarely
his
was
life.
\lessandro
AlgardiMess
The
tell
a distinguished individual.
of
and
life
that
shows
The marble
As was customary
at the time,
as a study before
making
Baroque period,
AJgardi's Style
is
artist
Bernini. This
approach of
his
of
contemporary Gianlorenzo
may be because he
trained in
commissioned
Rome,
to
including the
tomb of Leo XI
in.
Museo Nazionale
while in
in St Peter's
h47%
was
Houdon, Manzu
Bologna under
Algardi
is
cardinal's features.
been used
the tL'-r.'^ovant
and
AllStOn
A
Landscape with
Washington
much admired
of"
emptiness.
The
studied in
wonders of the
London
''where
directly inspired
all
New
World. As
young man he
his
Lake
England
at the time.
landscape
in
the
manner of
Allston's portraits
him
M W Turner and
and canvases on
scriptural
artist
Claude,
who was
w51
/4
Museum
MA
won
was somewhat
compatriot
|ohn Martin.
themes
by the French
However, he soon
he was a pupil of
in
Alma-Tadema
Three
work conveys
from a
both
a sense
rendered
complicated perspective.
England
in
870,
handling of the
shows
A Dutch
painter
Alma-Tadema had
with
Sir
Hi.-.
They
also
to
a successful career
Henry
of Vantage.
1895.
Oil
on canvas. h64.2 x
w45
showed
in
the
artist's
On
knowledge of
several occasions
of Coriolanus
London.
in.
Private collection
Alma-
and
in his
Roman,
Lyceum Theatre
A Coign
life
who moved
lifetime.
Coign of Vantage
all
women and
Lawrence
Sir
Waterhouse
at the
Altdorfer
\
Mbrecht
scene.
The
one of the
the
first artists
to focus
on
it
directly. Altdorfer
the landscape,
in the picture.
battle itself
is
shown
a victory
in vivid detail,
Oil
making
it
It tells
at
master.
in his
have taken
mm,
a tour
produced
his inclination
a large
the
1538
on panel. hl32.7 x
wl20
cm. h52V4 x
in
confirmed
horse-drawn
was
large panel
in his
Alexander
Battle of
a battle
w47&
in.
Alte Pinakothek.
Munich
He
engravings,
a story.
many
Amigonijacopo
watch over
lo,
whom
at
Zeus'
peacock
in his
memory. The
picture here
The
tail
command
by
of her
shows Juno
of portraits and of
a fashionable
artists,
It
he worked
all
England
many Rococo
Oil
to
England he painted
Moor
Park. Thereafter
and of
nobility.
- Boucher. Fragonard.
England.
in 1746. In
in
to Venice after a
wl20
in.
Moor
Park.
Rickmansworth
Andre
Thirty-six industrially
magnesium and
floor.
Carl
produced square
bound together
in
on the
Nor
up
in
space
Magnesium
on and walked
over.
are they
sit
on the
like traditional
Zinc
flat
built
influenced by the
of pure
plates
merge with
)riginally
work of Frank
Stella
and Constantin
worked on the
From
floor.
The
MA. 1935
Plain.
w72
in.
Baltimore
Museum
of Art. Baltimore.
MD
Andrea
I
U.i\
Mary ascends
the Virgin
angels.
peers into
no longer
donor and of
at
group of
body
for
which the
altarpiece
in its rigid
is
is
was
typical of
cl526.
Oil
To
in his
He
important frescos.
"
Fra
Bartolommeo.
1530
on panel. h379 x
artists
composition. Florentine
on
Known
the event, as St
High Renaissance
artists
parts.
town
the
in front
two
Man's grave
there. Saints
made, kneel
the
Thomas
the
del Sarto
in.
Palazzo
Pitti,
Florence
Cosimo
skill.
Fra Angelico
The Archangel Gabriel
to give birth to the
tells
the Virgin
The Annunciation
Mary
that six
simplified forms
kneels and
is
as she
humbly accepts
painted on a
cell
Dominican monk
in 1407.)
On
the
Florentine
Gabriel's
a friar.
left,
is
di Pietro).
b Vicchio
di
(He
visionary,
St Peter
art.
light
and
in
He
"
included in
Mugello. cl387. d
of
is
and
Mary
wall in the
Annunciation as he
is
Rome. 1455
in.
Museo
di
Anguissokso
The
artist
woman:
Self-portrait
Que.n of Spain
she looks
at us
fonisba
three-year apprenticeship
Duke of Alba
in
)f
was
a leading portraitist
when
time'.
woman
The
said
of Anguissola
that she
all
was
tenderness, as well as
life
the
a direct
a special
as
an old woman.
and lady-in-waiting
to the
Spanish Queen.
letter
from the
cl600.
Oil
on canvas. h22 x
wl7
cm.
h8% x w6%
'an
portraits
her
above
Private collection
friend,
Antonello da Messina
Stealing a look through the
on
Only
outside world.
It is
on
on
the
There
is
no proof
that
in his
Antonello ever
Study. C1475-6.
Oil
Jerome
in his
Study
to
oil
himself,
likely,
'secret'
In 1475-6 he
was
greatly influenced
in
Van
method
left Italy,
but he
Giovanni
Bellini,
h46xw36.5cm. hl8xwl4^
in.
More
Milan.
Giovanni
Bellini.
1479
on panel.
I'.vck
to Italy.
artists in
seems
Saint
Appel k
Karel
The
The
Appel
is
but there
is
also
humour, and
He
it
Oil
on canvas. hll6
lifeless
European
now
The
painting
artists
is
lives in
painting, considering
turned to children's
it
of applying paint
1921
1948 by a group of
delights in
in
applied with
its
inspiration.
Appel
he continues to paint
Baselitz, Dubuffet,
De Kooning,
Pollock
Archipenko
At
first
closer,
Alexander
Walki rig
is
woman, who
has been
Her head,
for example,
work
in the history
it.
is
made from
This
is
of Western sculpture
from the
Classical tradition.
Alexander Archipenko. b
Kiev.
the space
possibly the
first
to introduce such
a radical
1887. d New
in.
York, NY.
traditional
human
1964
Private collection
the
at the
method of fragmenting
departure
the Cubist
* Braque.
Arcimboldo Giuseppe
Up
has been
summer -
made
human head
the picture, a
entirely
of the
fruits
fruits
Arcimboldo was
and vegetables of
and vegetables
also
known
his
in Prague,
a series
all
be
to create
was employed by
emerges.
Summer
dream.
where he
of Hapsburg emperors.
Oil
w25
recognized
Musee du
a fellow artist
as slighdy
It
who
became popular.
"Dali. De
upon
Heem. Koons.
Summer. 1573.
painting, such
purchasing works of
Louvre, Paris
Magritte
was not
silly,
although thev
Arp
shadows of
their
shapes
in relief
stillness
of leaves
drops of
rain falling
in
the
on
of
this
distinguishing
logical order,
work, the
them from
arc arranged in a
Arp's work
characterized bv
is
art
their riotous
writing.
He was
first
delicacy.
the
shown
here)
wood
Kj
u
s-
w.
Navels,
I.
1966
many
the Cabaret
in.
Museum
of
Modern
reliefs
(such as
w.
at
its
movements of
of
evoking the
glass.
major
Art,
New
York,
NY
Audubon
From
its
odd, spoon-shaped
Audubon's
John James
bill
Roseate Spoonbill
book
Audubon
Audubon had
care.
North
Birds of America
which
scientific
David.
He coupled
Haiti.
1785. d New
Even
York, NY,
it
which
Agasse.
He
in
America and
spent the
last
knowledge.
Stubbs
1851
w37M
in.
Britain,
combines exquisite
also
naturalistic
was published
a beautiful
document.
compiling
trained to be a painter
work. Ultimately
Vol
life
of America,
with
Auerbach
The
Frank
artist's
is
and
gullies.
Auerbach
is
of one of the
newspapers compressed
into ridges
a portrait
well
known
YM
paint in a different
way
layers
tor his
known
across the picture surface, creating arms and eyes, legs and
discipline, regularly
at;
movement,
Auerbach
is
as thick
a
and sensuous
it
- Bacon,
Kitaj.
his friend
but uses
Oil
Leon KossorT.
1931
to
till
peanut butter.
as
from
inherited
is
from morning
w20
in.
Private collection
when he
Avercamp Hen<Mck
An
enure town
a frozen lake.
skies
of
of the
lower
(It is
The
such as the
The
attention to detail in
woman
said that
A
itself
on
northern winter.
figures,
left,
full
Avercamp was
life,
giving
it
hence
Town
many
deaf,
a joyful feeling.
new market
his
He was
also
made
one of the
centurv Holland.
a rise in the
in
"
church
A Scene on the
cl615.
Oil
on panel. h58 x
w90
in.
Bacon
Francis
i
treatment of them
is
shockingly perverse. As
of a blood-
intensity.
in
clenched
fists.
While Bacon's
real
those of the
develop
his
artist
own
human psyche
his early
Graham
with nightmarish
stills
of the
human
Des Moines,
IA
1992
'* Bosch,
his
Oil
to
Des Moines
or
Although
in this
sometimes the
w46H
in.
form.
known
for
BaldungHans
These four
Death
is
Around him
are a sleeping
baby
(infancy), a youthful
haggard old
woman
their times
shows
that
He
created
Baldung was
many
(old age).
altar at
in Strasbourg, a
community.
"
of
Man and
Death. 1539.
Oil
on panel. hl51 x
w61 cm.
h591* x w24
in.
Museo
of Baldung's
in
16. He
member of the
made
fanciful
One
died
Balla Giacomo
A
window.
placing
them
in precise
and movement by
rigidity
symbol
artist's
He
for the
March
1910.
With Gino
Severini,
Balla
movement
of the shutters to
movement by
movement.
stills
during a
is
visit to
of swallow paintings
2 to 191 3.
The
Giacomo
Balla. b Turin,
picture
in
who
from
a video tape.
this style
From
1931 Balla
figurative approach.
w30
in.
Museum
of
Modern
Art,
New
York,
NY
Balthus
A
stark
and gloomv
interior, a
an adolescent
contented cat
at
directed at the
girl sits in a
her
feet.
Yet
is
is
emphasized by the
Andre Derain. He
on panel. h88 x
w78 cm.
h34! x
is
known
artists as Pierre
Bonnard and
this,
featuring
young
a
is
is
Bonnard, Derain.
w30%
in.
Private collection
Foujita.
girls
darkened
pushed
Oil
girl's thighs.
interior.
Fra Bartolommeo
I
to the
in this painting.
overwhelming
The powerful
figure
of
contemplation
painting
in
in
Florence.
[ere
priest
and controversial
Savonarola - so
much
Fra
Bartolommeo (Baccio
della
this
he was
allegedly destroyed
figure,
all
on
religious subjects.
"
on canvas. h284 x
w204
sinful.
and
at the
his paintings
considering them
so that he entered
the
Ira Baccio
Porta - and
friend
Dominican
Bartolommeo studied
Fra
Bartolommeo - before
drawings of the nude
name
known as
in.
Palazzo
Pitti.
Florence
Baselitzceorg
1
[arsh finger
this
More Blondes
border.
achieved by the
artist actually
in colour,
detail.
which
is
was
by
a
crudely, without
figure
heavy black
woman
her image
is
stark
This avant-garde
He
hacked
Baselitz's
that
artist
work
prosecutor
'"
paints
figure,
away
at a
Oil
on canvas. hl62 x
wl30 cm.
1163% x w5116
in.
also
makes sculpture
who
claimed that
certain kinds
Van Gogh.
it
of viewers'.
Fautrier, Kiefer,
De Kooning, Polke
He
among
fiercely cutting
BaSqiliat Jean-Michel
Untitled
background, forming
a visual
scientific
multi-coloured
The
of"
the
its
moving, chaotic
series
reality
of the
and
artist's roots,
evoking
through
Untitled.
1984.
New York.
Acrylic, silkscreen
NY. 1960. d
and
oilstick
New
York. NY.
by daubing
graffiti
on public
walls.
in
own
New
York's
short-lived career
His international
art
boom
of the 1980s -
at the
age of 26.
Jean-Michel Basquiat. b
Twombly
1986
w77
in.
until his
Bassano
Two
on
by two,
to the
Noah and
crowd of animals
j acopo
artist
is
not an
shows only
and
alive
do they seem. To
prolific
kinds of animals
real
dogs, cats
in
style
evolved into
of central
Italian
Oil
on canvas. h207 x
w265
Salviati. All
four
provincial, but
a sophisticated
Ark
its
the
cm. H81i$ x
wl04M
in.
Museo
Batonipo,
A sumptuous
topped
the
silk suit,
In a fur cape,
man
Thomas
kpe<
trimmed with
makes up the
in this portrait.
The
statue
lace
exquisite outfit
is
worn by
that the
who completed
his
the
Oil
smooth
portraits
classes.
The
latter
centre of
" Dobson,
art,
and
his
artistic, intellectual
and
social debate.
Hilliard, Kneller,
Moroni
Rome. 1787
w67
In.
upper
as a
became
British
most
Pompeo
home
the quintessential
Roman
William Coke
Holkham
Hall.
Norfolk
house
Baumeister
Large egg-shaped blots
this picture.
Willi
formalistically
and colourisrically
is
been termed
both
unclear, creating a
'abstract Surrealism'.
roots of humanity
Das Unbekanntt
derYjmst ('The
in
ideas
which he
representations of 'other'
realities.
Willi
to
Baumeister b
Stuttgart.
Oil
on board. hlOO x
out
in his
194-
in Art').
book
His
like
went on
set
Unknown
w81 cm.
h39VS x
w31 -4
7
in.
Private collection
Bazille
fellow artists
hat).
To
die
The
Fred(
is
showing one of
his pictures to
Pierre
(with the
.
deep
is a
in
stairs).
shows
his hallmark.
first
la
Impressionist
Artist's
exhibition, Bazille
executed
is
a radically
new
is
with Prussia
at
movement
life.
small as he
was
academy, known
* Manet. Monet.
as
Oil
on canvas. h97 /
wll2
Le Salon.
cm. h38^ x
w44
/t
as he
in.
Musee
d'Orsay.
Pans
that
war
Condamine. 1870.
Condamine
observations of everyday
he produced
la
BeauneveuAndt
St Philip sits
on an
Saint Philip
The
artist
has
folds
of
his
The throne
at realistic
awkwardly
robe where
itself
it
Berry,
Book of Psalms
that
was made
Active
in
for Jean,
arts,
who
Due de
Berry.
Riches Heures
illustration
this
cl402
in.
Due
de
At the time
manuscript, the
Renaissance France.
ciii
The
prided himself on
a revival in
Beccafumi d<
Tanaquil, Wife of
pointing to
a tablet
which
King Tarquinius
is
identifies her as
move
Priscius
gown and
Roman; she is
Tanaquil, who
sitter's
an Ancient
to
Rome where
from 616
to 578
BC
become hallmarks
of
Lucomo
Mannerism. An imaginative
is
famous
artist
combine
work
[e
he reigned
able to
During the
He
famous
Sienese painting.
figure.
in
The
soft colours
Domenico Beccafumi. b
Tanaquil, Wife of
as a notable historical
stvle.
Valdibiena.
Lucomo. cl520.
particularly
"
to
is
on panel. h92 x
)ld
and
for designing
New Testaments.
Oil
in.
was
illustrated
Beckmann Max
Horror and
serenity
Departure
and peace
in this triptych.
The
left
and
right panels
women
most powerful
The work
in a series
is
considered to be the
Max Beckmann.
when
the rise of
b Leipzig. 1884. d
Departure. 1932-5.
Oil
New
Nazism and
York. NY.
on canvas. h215.5 x
of Germany
the
own
feelings,
ally
Beckmann
did
political
last
art
life
in the
" Bosch.
He
spent the
German
to
art.
1950
w314
cm.
h84% x wl23%
in.
Museum
of
Modern
Art,
New
York,
NY
Bellini cc mile
The
was
common
for
works of art
special events.
The
artist to
"miracle'
The
show
shown here
which Gentile
off everyday
lived
life in
all
part
Venice, and
of the beautiful
is
full
in
crowd and
illuminates the
his
city
Mohammed
of
11
and painted
in the
durt ot
his portrait.
the
~ Giovanni
and concern. In
skill
used as an
is
addition, Gentile has infused the scene with a soft light that
il
to depict
and
in their citj
commissioned
to be
Bellini, Bellotto.
jBP^^^Kr'
TW\
liL IB
f"
Jr.
1
wMKLB
-.
1507
1500.
Oil
on canvas. h323 x
w430 cm.
hl27'/j x wl69'/i
in.
':^^'.
Bellini Giovanni
With
its
idealized face
Youne Woman
recalls
aim of
this
this painting
Virgin Mary.
The
much of the
new
Bellini
Young
oil
Bellini,
Woman
technique of
Giovanni
much
to
years
Bellini's pictures
was
common
workshop
at the
paintings
his early
Bellini led
"
own. Today
be superior, but
h62
his pupils.
Bellini's
at the time,
\s
own
as the master's
paintings
any workshop
1516
an active
paintings as his
on
are considered to
influence
her Toilet
The major
at
his brother-in-law
\\.i>
work.
Bellmer h
\
in
woman
Bellmer's
9569,
it
is
buyer
in
Surrealist
certainly
in
one of
active
became an
Oil
Paris.
many of
the
movement's preoccupations -
directly
from the
central
theme was
artist's
that
w65 cm.
subconscious
fantasies. Bellmer's
He
is
known
in
particularly for
of articulated
1975
on canvas. h65 x
its
when he moved
reflects
distorted,
.in
is
holding
h25;t x w25i*
in.
Bellotto Bernardo
With splendid
crusty plaster
play of sunlight
on
much
in fact
much
interested in clouds,
style is
very
shadows and
can be seen
delle Navi,
more
figure
in this picture,
with
Verona
strolling couples,
and
Dresden and,
capital
used in
finally,
Warsaw.
He
left
Bellotto's views
of the Polish
World War.
foliage. Bellotto's
**
Venice
BelloWS George
On
the right
dive.
at
The
of the
pier
;i
child
is
Forty-two Kids
frozen
The
.is
artisi
in
in a
if in a
half-completed
photograph,
on
their
aimed
to capture real
and inspired by
lite
who came
idyllic
as he
group known
landscapes. Instead,
saw
as
it.
The
He was
Eight,
he-
le
of city
life
such
as
crowded neighbourhood
different subjects
in his
painting and
believed
Oil
on canvas. hl07.6 x
wl53 cm.
M2% * w60M
in.
Corcoran Gallery of
Art.
of enthusiasm
in his lire.
Wyeth
Washington DC
life
and techniques.
spirit
influenced
who
Streets.
experimented with
of
evoked the
:uil\
Bernini Gianlorenzo
combines the
spiritual
in physical
and
spirit
full
is
to
a perfect
artist
and delicacy of
finish
of the
of
Italian
his statues
is
his
contemporaries Caravaggio,
An
it
the
city.
The
Rome's
1680
i
monopolized
layout of
St Peter's Square
achievements.
also
accomplished
reminiscent both of
of Saint Theresa.
of
an outstanding
The Ecstasy
all
styles
Vittoria,
Rome
is
one of
Beuys Josef
Inis stitched
Warmth.
It
felt
suit
shelter
because
fabric.
Beuys was
felt is
.it
having
and
for social
a spiritual
and
political
change.
also
saw
it
1970. Stitched
felt.
hl70
'
wlOO
le
saw the
in
and animal
role
of the
in.
were among
suit,
were produced
in large editions.
w39^
fat
his
of the
1986
cm. h67 x
(felt
as
He
materials
medium
commonplace
movement dedicated
19-1
Felt Suit
Private collection
Schwitters
Bierstadt Albert
During the
stirred
its
showed nature
of the
to the
own
The
rapidly industrialized.
master
at
a real
its
places
in
New York,
great detail.
NY,
on canvas. hl80 x
last
USA
New
World,
- Church.
as a child. His
The need
in.
not
in reality,
long time.
Metropolitan
to believe in the
at least in spirit if
Hobbema, T Rousseau
1902
w306
in
work
They
to the
represented a nation's
existence of a
creating
at
Museum
of Art,
New York,
Bingham George
In
.1
down
still
Caleb
A warm
the Missouri.
river, creates a
figures will
pictures
light,
Bingham used
it
In
many of his
"I
he two
Gradually,
early
and
1848).
early
The
arrisr,
was elected
However, he
is
best
of great
skill
to artists
land was
remembered
as a
popular
a painter
and sophistication.
West At
Oil
time
City.
on canvas. h74 x
MS. 1879
in.
Metropolitan
like.
Bingham moved
[eft
Museum
of Art.
New
York.
NY
Blake Peter
On
The
figures sitting
on
the Balcony
of popular imagery.
unordered
riot
British
The
arrangement pays
painting's simple
little
attention to
most
it
now
also
conveys
founder
it
was
ideal
Oil
to
work together
w35 J/4
in.
and
in 1975
moved
he became a
nineteenth century.
1932
depiction of
was
in the
style
It is this
Rauschenberg, Schwitters
had
Blake William
An
apparently
two female
hair.
lifeless
woman
figures rush
child.
The work
Pity
lies
illustrates a
like a
heaven's cherubin,
results
newborn babe,
hors'd...'.
is
lifting their
holding
a tiny
Duncan: 'Pin,
in
of the murder of
of
become
poem-
He
the
material world,
Etty,
is
and
1827
ink
through
itself
he or she
which
in.
is
prophet because
Boccioni u
iberto
Swirling, fragmented
picture. In a pattern
head appears;
moving kaleidoscope. As
the picture
he co-founded the
and space. In
fact,
movement
in
this
it is
Futurists
art,
felt
modern
life
World War
as a
Head
di
Calabria,
dme
all its
dynamism,
vitality
the
in
19M;
He
tragically,
falling
and
from
ironically,
w23^
in.
New
he was
speeding horse.
this
whole complex
a
hold of
and speed. In
to present simultaneously a
consequence of
on
to be a positive influence
of the
Machine Age
Italian Futurist
artists
with
work he wanted
the
York,
NY
killed
Bocklin
\
\n
portrayed
Centaurs' (Combat
>id
its
explicit reality,
which he interpreted
is
an otherworldly landscape,
The
dominate the
Much of
rich tones,
which convey
him
to rake
up
a sense
Classical
Oil
in Italy.
This
career
artist's
in his day,
in
much of his
and
wl95 cm.
h41VS x
work of
the
German
and
their challenging
demands on
1901
on canvas. hl05 x
Romantic manner,
the
in a poetically
w76 3/S
in.
Kunstmuseum, Basel
the emotions.
Romano. Schmidt-Rottluff
Boltanski Christian
Reserve of
specific
biscuit
boxes and a
series
on
of black-and-white photographs
its
memory of
Dead
Swiss
terrible fate
medium
of
and
most acclaimed
artists
- Andre,
calls 'Reserves'.
1944
tins
and
electric
lamps.
in.
Marian
Goodman
Gallery,
New York, NY
filled
Bomberg
At
first,
In fact,
this
it
might seem to be
shows
community of W'hitechapel
figures josde
David
in
pillar.
The son
which were
all
style,
Vorticists,
some
moved away from
more representational
he
dynamism of the
of
3.
his distance
brushstrokes.
He was
founder
Oil
on canvas. hl52.5 x
1957
in.
Bonington
The steeple of the great
is
a lively,
artist to
Rouen from
ri chard Parkes
the
tall
masts
style
is
works,
characterized by a small
the
artist
He was
Baron Gros
at
close friends
modem
school, perhaps
in a certain sense,
who wrote of
paper. h40.5 x
earlier artis
most of
is
his life in
he also painted
"
in oil;
he
is
best
remembered,
no
France and,
the Quais
in the
Bonington's watercolour
in.
British
Museum, London
Bonnard
The
interior
Pierre
girl
of
and the
out of the
window
at the trees
aimed
beyond. Bonnard
areas
Known
interiors,
l.es
Bonnard was
As
colour.
well as a painter
He was one
Academy
in
Bonnard was
artists to
be elected to
as
Caillebotte. Denis.
Hassam. Matisse.
H46'/, x
w37 /i
3
in.
Phillips Collection.
Washington DC
line to great
London.
of engaging
the Royal
at
of
effect.
domestic
The Nabis
tranejuillirv
their paintings.
Vallotton. Vuillard
Bordone
A fisherman who
saint's ring to the
the riures in
is
or"
said to
contemporary
dress,
St
Mark
artist
is
giving the
has depicted
were used
as
art.
Bordone was
painter of landscapes
is
scenes.
He
originally studied
rivalled his
much
master
in the style
by Francois
Renaissance
I,
in popularity.
The
painting
in fact
shown
is
artists.
a great
While
in
admirer of
Italian
of the prominent
political figures
of the
day.
1571
Oil
on canvas. h370 x
w300
very
who was
several portraits
fV
theDc
Presentation of the Ri ng
Paris
hl45% x wll8
in.
BoSCh
The
pic uis
The
Hie ronvmus
hermit St
Anthom
is
subjected to
the
all
all
fruit,
even,-
cleft tree, a
background hints
succumb
The
is
is rife
awaits
those
work
is
Most of
confronted bv
evil
folly
of
human
in
at
Oil
on panel. hl31.5 x
wl72
of Christ, or
Dali,
cm. h58 x
w67
in.
Museu Nacional de
Arte Antif
work
later, his
movement, and
allegories or
later in Surrealism.
W Beckmann,
van Eyck
beings. Bosch's
life
and temptation, or
not
as [an
who
and unparalleled
saint
with menacing,
all
Anthony
unicjue,
seductive
supernatural-looking creatures.
corner -
Tribulations of St
Weyden
still
Botero Fernanda
The
universal image
rotund figure
inflated,
created
of the Madonna
in
is
portrayed here as an
Botero's unique
style.
He
worshipped
has
monumental hugeness
b\
works
as the
most important
are characterized
bv
their simplicity
contrasting her with tiny figures that peep out of the clouds
behind -
since 1971,
made
In
artist.
painting
is
in
Colombia and
largely a
recent
Oil
on canvas. H234 4
a series
le
"
of form and
to paint
and
sculpt. His
in.
is
of monumental sculptures of
the Champs-Elysees.
where he continues
work includes
Madonna
Private collection
Botticelli suuho
Tin- diaphanous
gowns of
the
Spring
combine
i"
make
this
one
draughtsmanship
that time,
and
thai
<>t
In
Flora
allegorical
debate
i<>
Florentine
meanings;
i<> its
was fundamental
.is
.in
priest called
He
w.i*-
rediscovered
in
the
"
artist's delicate
Pontormo. Rubens
Sandro
Botticelli b Florence.
Spring.
C1470/80. Tempera on
panel.
much
he came
Savonarola,
.1
sparked
in life
who
in
the
particularlj
linework.
Boucher Franks
A young
gkl
lies
naked on
Odalisque
around
Rococo
In his youth he
truest
was
connected to
Madame
Odalisque. cl745.
Oil
on canvas. h53
his
to Louis
pandered to the
taste
of the Parisian
of nature that
it
artifice
was
'too green
and badly
1770
w64
cm. H20V4 x
w25W
in.
rs
lit'.
de Pompadour.
and
Epitomizing the
in Paris,
allegorical scenes,
exponents of the
closely
XV
all
viewer
Musee du
Louvre. Paris
Wesselmann
Boudin
A crowd of formally
sun
i:
dressed Parisians
Normandy
coast.
Boudin came
The Beach
ugene
his career.
An
is
of Trouville on the
to be
known
role. It
beach
particularly
some
Honfleur.
Trouville.
Claude Monet,
Oil
on canvas. h26 x
who
/>
wl8X
Boudin was
years later.
1864.
the
Eugene Boudin. b
on
The Beach at
make
in
As
Trouville
as 'the painter
glittering sea.
at
in.
Musee
d'Orsay. Paris
Kroyer,
Monet
Bourdelle
Power, strength and
Herakles
Antoine
tightly coiled
The
shown
in
the bowstring,
which
is
its
is
clearly
created by the
feeling
was
style,
however, Bourdelle
Paris
usually
a similar
Rosso Fiorentino
this
monumental
Bourgeois
Encased within
feet are firmly
<>
Here
of truncated human
hewn block of marble.
placed on a roughly
man
has created
glass,
Here
Am. Here
glass.
Bourgeois' work
freejuently suggestive
abstracted context.
Stay
The dynamic
moved
to
New
York from
Paris in 1958
remote,
to the
is
1911
Stay. 1990.
in a
tensions of opposing
Am, Here
"
w40 /,
:
in.
and engraver,
Bouts
Dieric
austerity
is
is
both
spiritual
is
a picture that
Netherlandish
is
They were
in
of the figures
in this picture
made of two
more
at
an understanding of a
and
Child.
C1460-5.
Oil
The
sleepy
a quirky
Bouts was
is
faces.
in.
Private collection
Boyd
The
The
\rthi
at the
of
from
a tear falling
upturned ray as
if
its
its
demise.
at the sun.
in
Australia,
Boyd belongs
to a family
mother
artists
England
an
artist
fiery,
a sculptor
in
and potter,
his
Oil
on canvas. h259
in.
Born
in
his father
a painter.
sucks
He moved
1920
of
to
man who,
The
an expressionistic
was
in
it
which they
is
appear to stand
many of his
a farmer,
A man
quality. In fact,
Australian Scapegoat
Brancusi Cons
The Kiss
tan tin
this
work
is
as if
roused from
(the country
of
fuelled
US Customs,
who wanted
[ending them
primordial
itality.
Eschewing
all
surface
immense
effect
art in general.
The
Kiss.
to charge duty
on an imported bronze
more than
in.
which
Romania
"
raw-
Braque George
Letters and lines, triangles
Clarinet
random
order, in
of rum.
It is
a painting
on which
fact, the
all
is
light
Rum
of a
these
flat
and
wall.
flat
They were
this century.
the
first artists
in the first
to
Oil
change
Cubist
decade of
radically
no longer needed
around
"
to be merely an imitation
us.
1963
Paris.
Mantelpiece
space on the
on a Mantelpiece 1911.
picture has
at
on
pinned to the
of the objects
Rum
what
real
sides
and Bottle of
on canvas. h81 x
in.
of the world
Brauner
Victor
Fascination
with
featureless
for a
with
naked lady
sits
meal to be served.
a
nonchalantly as
ler hair
if
calmly waiting
table.
His
tail
at the
objects.
women,
fantasies spring
Fascination. 1939.
Oil
on canvas.
animals and
from
1966
w21V
The
is
freed
art, in
which the
visual
Surrealists' vision
aimed
to harness the
Born
in
193
he painted
proved
brawl
in
to
in France.
be prophetic, as the
1938.
In
work
eye in
.1
bar
Bronzino
Venus aims
to kiss
Cupid,
An
\gnolo
who
Bronzino's work
end of her
kind
or"
tail
A girl who
honeycomb
in the other.
allegory, but
what
The
is it
in
masked
is
figure looks
painting
about?
No
is
obviously
one
is
handling
or"
some
certain.
way he
the
is
poses. His
sitters'
somewhat
of
Oil
on panel. hl46 x
w45
in
oddly
rigid
glimmer of emotion.
The
An Allegory
models
smooth
in
Broodthaers Marcel
pile
tall
upwards
on
the
home
in
shells
sea.
is
The
an explosion of
words
mould').
dish;
of mussel
evoking the
resin,
la
monk
The work
is
shells
seem
vitality.
('the mussel')
to
The image
uses a
and k moule
pun
('the
it is
also a sadre
on
The
works
are
the
works
be surging
It is
ardst's
'
Iron casserole.
in.
Brown fo
It is
rd
detail.
obvious
also
is
between
in a style to
Renaissance.
became
Brown
Paris
Ford
The
is
What
meant
and work.
idea of
the central
settled in
art
message
artist's
relationship
Work
Madox
It
is
in this action-
perhaps
combining
art
and work
later
England
in
Madox Brown,
Oil
interested in
In
844 and
lost.
commission
Manchester
won a
Town Hall.
Instead, he
- Burne-Jones,
Work. 1852-65.
to celebrate the
Italian
less
on canvas. H134.6 x
1893
Manchester
Manchester
Bruegelja:
of
Adam
modern
profusion of lush
main concern
a mystical,
of
flora
their setting.
nickname
The
imbued
this
The Garden
of
Eden. cl620.
Oil
Eden
w84
h20%
came from
flowers,
him
the
the Elder.
- Bassano. P
Bruegel,
Hobbema.
Patenier. Ruisdael
1625
on panel. h53 x
subjects earned
sylvan
Dutch landscape
manner of painting
in this picture
emphasize
sensitivity to natural
insignificance in order to
limited selection
w33
in.
Victoria
Bruegel *.
The viewer
is
invited into an
Peasant
animated
of wine
brought to table on
peasants' earthiness.
Italian ideal
based on
show
the
lively
characters
who
observation, that
is
Oil
it is
the
Bruegel's work,
more
real
and
in
real-life
animate Bruegel's
at the left,
rich in detail
is
Wedding Feast
it
that Bruegel
far
from crude;
which flourished
in the sixteenth
seventeenth centuries.
* Bosch,
Bruegel,
David, Ostade
1569
on panel. hll4.3
his carefully
in.
Kunsthistorisches
Museum, Vienna
and
Buren
What
is
seen here
Two
Daniel
is
column
and
is
Cour d'Honneur of
is
a rigid,
uniform sequence
is
entirely
visible in the
background).
in the central
own
interpretation
columns
Each
governed by the
Two
especially
placed in
square.
Levels
determined by context.
He
Although neither
demonstrates
this
vertical stripes
his idea
nor
his
in a variety
of an
Long
1938
164
ft.
Palais-Royal, Paris
of
form of
are
is
bv
at
one time
flags, sails,
Burne-Jones
\ lost
elegant painting.
It tells
romance
the story
is
the picture,
and appears
to
is
Edward
rediscovered
of a king
Sir
who
finally
in this
searched far
found her
artists
of the early
Italian
work
members of
reflects
many of the
its
on
the staircase.
Botticelli.
Dante Gabriel
Sir
Rossetti.
Brown. Mantegna.
Millais, Rossetti
Oil
w25
in.
Burra
The
artist
depressed figures
its
Ldward
>h
spirit
that the
man
(who
is
It is
known
direct copies
from
visible in the
interest in Surrealism.
just
he never
really allied
himself with
own
peculiar style.
watercolours of
which changed
-
Most of
women,
work developed
life
his
famous works
into
are
throughout
Kitaj.
work
of George
his
little
Burra's
his
exaggerated
life.
Tanguy
Private collection
style,
Burri
Sacc(
\lbcrt(
school ot abstract
doctor,
wounds
this
The
Sacco 1954.
di
Castello.
Burlap, linen,
oil
conventional ideas ot
He
has
wood, iron
made
plates
"
post-war
w38
a series
and
of
plastic sheets,
powerful
Private collection
Still,
Tapies
Caillebotte Gustave
Young Man
The
working-class
us,
rue
a
artist's
world beyond,
as
streets
below
its
his
Window. 1876.
Oil
Paris.
one of
Caillebotte specialized
Young Man at
it
at his
life.
An
Window
Sislev,
the state.
The
sell.
many of the
collection
was
1894
w31%
in.
Private collection
Calder
delicate balancing
an image of a lobster
inder
ai.
below give
The
nv
circles, set in
aines the
;auty
,
we
impression that
directions.
falls
the sense
movement,
have ranged
over
at J
"
Tail
in different
New
York. NY.
in the
actual
work makes
it
movement, or an impression of
and turns
which
art in
in height
metres
(1
in 1932.
cm
(1
an example of the
New
in
one
from around 4
2 feet);
K Airport
his first
His mobiles
V2 inches)
latter
York.
1975
wll4
Museum
of
Modern
Art.
New
to
can be seen
York.
NY
Campin
Despite her rich
shown
put
in a
down
details
homely
her
The
Robert
book
She looks
as
is
as clear
and precise
just-
observed
background
is
in the
he
is
is
the
shrouded
in mystery. It
same person
name given
is
as the so-called
to the painter
Master of Flemalle,
Campin's
pupils.
technical
skill
and inventiveness
in
invite
comparison
Weyden
1444
Oil
>
London
Canaletto
aboul
Wedding
is
to the Sea,
On
one of the
/Ascension
Day
grand opportunity
Sea.
to
festivals.
lay, Canaletto's
to
analetto's acutely
their
romantic view of
England
shimmering
in 1746,
Castle,
his
especially with
and
this
while-
Warwick
observed paintings
Oil
on canvas. hl22 x
wl83
cm. h48 x
w72
Canova Antonio
With wings not
yet folded,
Cupid lands
is
one of
fine
in all its
form and
finish.
However, he
also
Canova's sculpture
ideal
was
Canova had
of young passion
is
is
tombs and
artists.
statues.
He
to create public
travelled
of perfection of
skin.
in.
Musee du
Louvre. Paris
young
throughout
art that
monuments,
were
Caravaggio
It
is
wounds
Doubting Thomas
Crucifixion. St
The
Thomas who,
idealization,
He
moment
Virgins from a
is
on
St
background
is
non-existent. Caravaggio
even
said to
m~
his
in
revolution in
art.
Even today
Rembrandt. Terbrugghen
Oil
on canvas. hl07 x
wl46
cm.
h42'/4
w57H
in.
Stiftung Schlosser
(he
and rejection of
is
drowned
Tiber. Despite a
was frequently
realistic detail is
at the time.
us.
Caro
Sir
this
breathes with a
of
the
life
its
into
Anthony
it
grows,
its
yet distinct
from -
would
lav
mood
of
He
or ambiguous. Caro
Sir
of the base or
pedestal.
Bv
laving his
assistant,
their nuts
and
bolts.
The
sculpture
Washington.
" Andre, Deacon. Moore.
works on the
Serra, Smith
Rape
of the Sabines.
1985-6.
Steel, rusted
w603
cm.
h87^ x w2371S
in.
his
all
stands
his sculpture.
he worked as an
- however remote
whom
itself,
even onto -
WA
Carpaccio
typical
sit
on
of Venetian
these
ladies are
panel,
It
in
not clear -
is
The two
it
it
in
context and
Balconv
city.
is
made
painting.
He
those of
1495/1500.
life.
some of
* Alma-Tadema.
1526
Oil
all
a straightforward
realistic as
Venetian Ladies on
story-telling
style.
two
it
Two
Vittore
on panel. hl64;
in.
Museo
Correr. Venice
an
like
Carra Carlo
In a low-ceilinged
of
is
a plaster-cast
next to a
coloured geometric
adopted
a brightly
The
his
spaces. His
From 1924 he
manifesto.
disturbing,
and
painting towards a
in >rgi<
>
Oil
earlier
w65
cm. h35 x
set in claustrophobic
Italian
in.
9 1 o Futurist
more heightened
realism, inspired
w25%
De
1966
on canvas. h89 x
a magical
imagery of mannequins
work had
irrationally
De
Pinacoteca
di
Brera. Milan
Chirico. Kahlo.
Wadsworth
by the
Carracci Aannibale
Christ
is
shown beating
to St Peter.
Upon
said to St Peter,
The
artist
shows
am
going to
Rome
to
be crucified
again'.
recall the
artist's
Bologna
Rome. His
style
is
and
yet
and
is life-like
his brother
and
Appian Way
in
595.
is
The academy
to
academy of
trained a
fine arts in
number of artists,
"
1609
Way. 1601-
2. Oil
w22
'I
not
reality
With
the
letter
on
in.
Cassatt Man-
Woman
It is
not
of colour and
light in
formed
a close
great influence
stvle.
Mary Cassatt. b
Pittsburgh. PA,
as she
life.
The
at the
not found
artist's realistic
Oil
who had
classified as part
is
of the French
Many of her
paintings show-
a feminine tenderness
Pennsylvania
Edgar Degas,
American, she
Impressionist movement.
association with
on her
moment
in a quiet
a portrait,
Sewing
woodcut
prints.
Impressionism
She
in
is
North America.
on canvas. h92 x
w63
in.
Musee
d'Orsay. Paris
Castagno Anth
Bold power and strength characterize
dd
this
image of David
He
figures.
with a sling-shot.
to
who overcame
The image
is
made such
painted
the
know
human
this story to
Botticelli,
He
in particular
at
one time
be untrue, but
it
may
We now
The Young David. cl450/57. Tempera on leather mounted on panel. hll5.6 x w76.9 cm.
DC
which
frescos,
approach to painting.
*~
to the
on
violent nature.
known
focus
made
last,
is
number of
much
h45& x w30Va
Catena
The
a
artist
simple meal.
kept to a
The Supper
\ incenzo
The
table,
minimum.
All, that
is,
all
been
at
Emmaus
its
light are as
the right
Giorgione
it is
known,
is
a feature
of other
his paintings
Bellini, particularly in
shows the
at
artist's
one stage
Oil
on canvas. hl30
man on
in his career.
- Giovanni
Bellini.
Champaigne. Giorgione.
this picture
as
important to
Titian
Catlin George
Ambush
a painting that
to their nests.
Overhead
group of birds
is
meant
as a
reminder of
is
otherwise
among
a looping
The hunter
fly in
for Flamingoes
America.
moment to shoot.
how the beauty of
Indians,
painted
and was an
of Indian
He
tribes.
many
early
fairly rigid.
lawyer by training,
the Indians of
portraits
George
Ambush
for
Flamingoes. cl857.
to create
1796. d Jersey
Oil
City. NJ.
rhythm
in
of native American
m~
Allston,
1872
in.
Carnegie
Museum
of Art. Pittsburgh,
PA
Cellini Benvenuto
This beautiful
and Ceres,
legs
salt cellar is
who
figures
- Neptune
together produce
salt.
and princes;
1
made of two
Salt Cellar
Cellini
was
a celebrated
He worked
was
Benvenuto
Salt Cellar.
to appeal to the
Cellini,
work
popes
is
is
known about
autobiography, which
King Francis
Cellini's
for
goldsmith,
was made
effect.
account of
his
Cellini's
is full
Rosso Fiorentino
1571
1540/43. Gold, enamel and ebony. h26 x w34 cm. hlO^ x i13%
Kunsthistorisches
from
his
an
as
as
>wn
life
imprisonment for
jewels. Unfortunately,
tempestuous
artists.
Museum, Vienna
if
his
Cezanne
Mont
Paul
mountain
Nature'.
in the
Sainte-Victoire
He
achieved
this b)
combining
may not
faithfully
The
result
is
a painting that
its
Cezanne
said that
and
his use
of bold colours,
" Braque.
~^ *&&mmji&
1
it
Foundation. Merion. PA
Chagall Marc
Above
fly
breast.
The man's
They seem
to
be
in
its
pretty
tales
his
and
fantasy. Chagall
imagery
is
in
Russia and
reality
and France.
He was
very productive
fairy-
much of
can be found
in
manv
UN
his time
sets
and
is
artist,
Oil
1985
w27 34
in.
Private collection
painting
His works
Headquarters
- Gontcharova, Hodgkin.
childlike,
He
demanded
between the
tapestries.
in
New York.
Marc Chagall, b
was born
blending
was compelled
US
wooden
the
town, painted
Town
Above
Champaigne
soon betray him.
only light
mysterious
ajr
The
Philippe d<
them
The
illuminating the back wall. This sets the figures in relief and
heightens
a feeling
The
rich colour
contemporary
are rich
and powerful.
became
a naturalized
his
like his
artists
of the
Of
in.
Catena.
Musee du
is
Louvre.
Pans
as a portrait
move
w91&
Baroque,
Frenchman, working
of Cardinal Richelieu.
paint dramatic
Italian
without words.
Last Supper
scenes
will
Chardin
The
subject
is
simple: a
young
woman
teaching a child to
There
is little
iean-Baptiste-Sit
background
detail,
and direct
style,
the
timelessness to
embody an
this century,
because of
Chardin's
its
still-life
He
still-life
scenes in eighteenth-
Oil
- De Hooch.
1779
on canvas. h62 x
v26%
in.
widely
popularity
is
Chase
Two
elegant
Sunlight
tills
the
on
a sofia
of everyday
is
not
lite.
Friendlv Visit
America throughout
exchanging chit-chat.
sit
am Mcrnrr
w-ii
women
artist's
artist's flat,
style.
He
London
Chase was
in
portraits, landscapes
may be
an essentially Luropean
style.
North
here.
in
He was
88^
particularly
IN.
in
North
1849. d New
ON on canvas. h76.8
York. NY.
W122.5 cm.
in.
1916
h30'/S x
w48&
admired for
his
Chase worked
particularly
decorative
or" his
He was
American
[ames McNeill
his
DC
De
A
pile
Chirico Giorgio
by a
can
wall.
just
arbitrary
Behind
this, a train
The horizon
human
may appear
symbolic meaning:
The
outlines
of all
The Uncertainty
denned
is
the
of the Poet.
1913.
Oil
as they
it is
sweep
De
known
for
its
Chirico's enigmatic,
of
his day.
From
traditional style
and
still lifes.
in.
more
1978
on canvas. hl06 x
Wadsworth
Christo Javacheff
The environmental
famous
tor
is
the massive
secured by rope.
bridge into a
sculpture.
By covering
it
exciting
drew people's
Paris.
of beauty.
It
monuments.
at objects in a
also
in
Christo's
New York
1
in
in
1964 and
work encourages us
960.
later
is
typical
Born
of the
New
in Bulgaria,
he
became an American
Fence,
comprising 40
Realists, a
moved
Long
to
citizen. In
km
to look
of
1935
new and
movement founded
Paris
(2
hills.
Church
The sun
sets
in a
skeletons. Fredrick
in
Frederick
all its
glory.
The only
chose to banish
pupil of
man from
concentrate on nature in
native
New
like
his
its
Thomas
purest
England, he went
Cole, Church
compositions and
in
state.
He
New
York, NY.
Andes and
the icebergs of
with amazing
skill,
afield.
described.
The
epic grandeur
his
work epitomize
1900
in.
Cleveland
Museum
of Art, Cleveland.
OH
Cimabue
The Santa
of Santa
artist's
on an
sible in the
ibe are
dark church.
The
The Santa
in
Trinita
make
it
more
Cimabue. Active
to
style, yet
leaf
Madonna
in
mndance of gold
Trinita
the
over
He
is
in turn
painting the
' Campin,
developed Cimabue's
human
century
it
that
panel.
form.
for his
he taught Giotto,
naturalistic
1302
later.
known
who
also
approach to
Claesz
A human
in
warm
skull
A Vanitas
Pieter
dominates
this
odd
array of objects.
was renowned
in the
Netherlands for
in
Bathed
almost
is
The
such
monochrome
harmony
still lifes
that time
is
Still
forever
Life
moving
on.
Dutch seventeenth-century
artist
as this.
life
understood
to the objects he
A Vanitas
Still Life.
1645.
Oil
on panel. h39 x
at the time.
commonly admired
m-
Hals,
De Heem,
1661
w61
cm.
hl5H x w24
Such paintings
would often be
tones,
symbolizes
skill.
in tone, but
in.
Private collection
Kalf,
Ruysch, Snyders
rich
Claude Lorraine
This magnificent, spacious scene
landscape painting
is
Landscape with
an example of Classical
move
atmosphere
is
Roman
countryside.
Classical
The
figures, representing a
in
his
pastoral scenes
long creative
Oil
on canvas. hl76 x
life
shown
here,
in
Claude was
and around
his vision
Upon
were
/a
in.
seeing the
setting.
painting
scene
Apollo
delicate
from
The
Rome. His
across and into the scene. Claude has captured the solemn
grandeur of the
sacrifice to
constructed,
a Sacrifice to
it
Clemente Francesco
The naked
who
feels
birds rest
series
of
penetrating gaze
compelled to return
on
his look.
large, calligraphically
Self-portrait:
the viewer,
host of different
first in
Clemente's
self exploration
The
on
figure
is
treated in
as
The
First
work done on
a large scale.
way
Italian
Towards
partly as a reaction to
may be
seen
art
scene for
many
supremacy of
work
is
subjectivity
known
Schnabel
The
First.
ink
wl47
cm.
Private collection
C^lOUCt Francois
Portrait
and dressed
in
at
us with a slightly
bemused expression on
is
renowned
for his
an
of France looks
his face.
Clouet
King's
his
attire
depicting
him
in
all
his finer}-
homage
on
the top of a
hill
Henri
II
Francois
his
ruler
of an extensive
a prolific painter
to four
II,
on Horseback
King was
fame for
Oil
in.
He
I,
by
on panel. h27 x
portraits.
1572
on Horseback. cl540.
of royal
arms and
to his master
his
rider
him
of Francois
Gallena degli
Uffizi.
Florence
Cole Thomas
Massive outcrops
in this craggy,
or"
circle
show every
rock overwhelm a
artist
in
of small figures
an autumnal
illustrates a
scene
New
Hudson
who worked
River
mainly around
Thomas
of the
Mohicans. 1827.
Oil
untouched bv man
to bring religious
once wrote
of God', and
became
is
his paintings.
Italy,
He
visited
Cozens,
Frieclrich
1848
w35M6
in.
England,
"
He
France and
saw
particularly
Wadsworth Atheneum.
Hartford.
CT
quality, full
Constable John
A man
struggles to
hold a barge
still
silvery highlights
open
a lock, as his
in a current
and
The Lock
companion
tries to
is
lies
a carefully
the Royal
its
sell
any work
in
England. This
was not
painter, Constable
sought to
scene.
bits
where
mood
of a
of paint, however,
Oil
on canvas. hl42 x
wl20
his paintings
cm. h56 x
w47^
were
Through an
in.
mood were
an
Copley jo hn
his life slowly
back
dramatic scene,
it is
described in great
country whose
first
in 1781.
detail.
and
truly
lit
and
becoming known
fires
Copley
is
at the
repelling a
Singleton
settled in
sitters.
painter.
modern
history
such
of
Oil
of a
waving overhead.
on canvas. h252 x
w366
America
first
to treat subjects
left
West
The Death
In 1774 he
cm. h99 x
wl44
in.
from
in the
Cornell
\
:ph
Untitled
frugal
for the
wooden
also a treasury
and evokes
of curiosities
mood
that
is
im taphot
items.
It
is
compelling to explore
is
in a
known,
reflects
elements of
magical
'MR
-"*
IM
lr-l
'..si
mnfiiBg
'W^fiiirar
in
a wooden box.
h38
in.
Private collection
this.
become
metamorphosed
childhood pastime.'
HOTEL DL'lig|gJ55S!
Untitled.
Cornell's
why he
The randomness of
the
V^
L Jean-Baptiste-Camille
Ville
spanned
atmosphere.
on
is
and
this painting.
at Ville
Throughout
his
d'Avrav near
of
greatest
cl867/70.
Oil
on canvas.
d'Avrav
and the
first
'last
is
work of
thought to have
1875
h49xw65cm. hl9&xw25!in.
of the Classical
DC
Correggio
The
glare.
woman
at his feet
staff
in turn
is
point
typical
down towards
of Correggio's
it
up towards the
on the
angels,
late style.
inside
of the
Evangelist, Parma,
figures.
The movement
in
is full
picture
executed
of movement. The
who
Nativity
which
is
a dizzying
city's
style.
Best
known
The
Nativity.
1530.
Oil
on panel. h256 x
wl88
cm. hlOOfc x
1534
w74
in.
Staatliche
Kunstsammlungen. Dresden
life in
Parma,
outstanding painters.
the
mass of swirling
fresco
Del CO SSa
It is
May
Francesco
sits
typical
artists
of that
area.
The
time,
one
dei
in a series
of
Borso d'Este
other
in Ferrara.
artists to
is
of the
Duke
cycle,
The
fresco
is
is
Ferrara,
lodged a
subsequently
do not seem
cm. hl25'^ x
wl26
in.
We know
letter
left
that Cossa,
Bologna.
w320
to
upset that he had been underpaid for his work on the fresco
Courbet
In
May
1854 Courbet
c,
aimed
at
at
the
moment
the painting
champion of
influence
his
was exhibited
Exhibition of 1855.
new,
at the Paris
anti-intellectual type
of
away from
stir
have replied,
to
and
religious
the Impressionists.
World
natural world
and
a walking-suck
when
arts.
'I
church, he
Show me
When
is
said
an angel
as the
art that
was
free
fjl
m
Sim
'
frfr-
1/
1
>
Ami
W.^^j
~\
uflH Wt
BI
'^HSfihMW
pr
^m
*~*^9fc'
'
mm
..
*^r^m
s^K^^
-
i
jP
Hi
Gustave Courbet. b Omans. 1819. d Tour de
Peitz.
1877
w58&
in.
Musee
Fabre, Montpellier
Cozens
A
traveller
above the
John Robert
on horseback and
tree-line in the
his
companion
cross a pass
unassailability
size
most
of nature. Cozens
He had
century.
John Constable;
summit of the
travelled
Aiguille Yerte.
From 1776
through Switzerland to
to 1779
Cozens
marked influence on
M W Turner and
was the
lost.
two works
in oil,
paper. h43.5 x
1
w61.6 cm. hl7i* x W24 /*
in.
is
known
one of which
Martin. Turner
'greatest
is
Private collection
is
now
Cra
The
artist
Tony
Eroded Landscape
so stabilizing
The group of
in
something
It
bottom
right
and
left
consumer waste,
takes
on
the feel of a
stability.
Greek temple,
in
the
mean
The two
to their
their influence.
any home.
is
in.
still life.
Cranach Lucas
Venus wears only an
necklaces. She
out seductively
because
is
and
at the viewer.
artists at this
Her body
the Elder
often
shown
is
live
idealized,
perhaps
female models.
this
The
Oil
Elder, b Kronach.
this picture
Protestant.
We know little
seemed
w9%
in.
was
to appear suddenly,
and produced
his best
Court
painter.
the
first in
and
style.
He
is
a dynasty
called
work
life
of
of artists
who
the patron
carried
on
his traditions
Cuyp
evening.
The warm
light
is
bathed
the golden
in
permeates every
a
Cattle with
\elbert
luminous
detail
effect,
glow
ot*
of the
scrutiny of nature.
very different
He
is
particularly
in their
and bought by
artist in
order to
show
in fact closely
Cuyp
light
As
century.
of the sun.
effect
is
studied by the
"
on
Oil
on panel. h38.1
w20
his river
and around
first
Hobbema. Ruisdael
in.
his
appreciated
British art.
in
a result
Cattle with
close
admired for
Dali Salvadc
Sleep
dreamer
The
is
seen, against a
delicate balancing
single crutch
fail,
the
dreamer
will
awake;
that,
this
should
demonstrates
As
member of the
Surrealist
in his art.
on
films such as
still
Oil
w30%
in.
Dali's
worked
in Paris
and
New
whom
pictures.
Sleep 1937.
Un
Private collection
blgnV Charles-Francois
JLJ 3,11
The Lock
her dog
is
painted with
tones. This
on
method
Oil
on canvas. h92 x
of the Barbizon
who
cm. h36VS x
scene into
was Daubigny's
Impressionists.
Bingham.
1878
wl62
this
on Corot's genius
later to
were
of Camille Corot,
site.
that
retains
{enplein
who
dreamy landscape
Optev.
School,
predominandy cool
its
ideals
It is
at
w63&
in.
Musee des
Beaux-Arts.
Rouen
to the
Daumier
Two
elderly
The
Hoi
is
pretending to be knowledgeable.
The
the artist's
works
own
bitter
comment on
picture
supreme
saurist, able to
single stroke
of
his pen.
Daumier was
He was
well
known and
Print Collectors
He was
artists
feared for
comments on
political issues.
Daumier had
Print Collectors.
cl878.
Ink
in.
Victoria
and
of which he produced
The
what would
David Gerard
The
its
intricate details
of
at the feast,
of the composition.
Netherlands
at this
It
was usual
altarpiece.
at
Oil
Cana
and he excelled
life
in painting landscapes.
in decline,
Although the
wl28 cm.
h39?4 x w50V,
in.
Musee du
of
city
1523
on panel. hlOO x
masters of the
of the
his
Bruges was
in the
and
rime,
at
of
all
Louvre.
Pans
most passionate
leaders of the
commemorates
his
wound,
to
tell
the
letter
Rococo
style
Classical 'deals.
a return to
realism, a strong
powerful image
this
He was
which
was
execution of Louis
Napoleon,
whom
he painted
He
an ardent supporter of
number of times.
The
The Death
of
Marat 1793.
Oil
in.
Belgique. Brussels
Davis
Stuart
of form,
line
about. Painted in 1927 and 1928, the 'F.gg beater Series' was
in this
angular
flat
work shows
beater.
Much of the
artist's
from petrol
landscapes.
4.
1928.
Oil
New
on canvas. h68 x
York. NY.
1964
w38VS
in. Phillips
Collection.
Washington DC
a pair
of
abstract
first
artist in
life
ten
as his subject
stations to
Deacon
Although
this
Richard
sculpture wears
rivets
sculptors
blown dry by
them an
makes
a desert
who emerged
shares with
construction on
its
it
One of a
and
vessels.
The body
is
Often room-
wind.
Out of Water
sleeve
layers
skeleton
its
Fish
- from
parts
Deacon
of everyday
life.
viewer.
m~
are,
body
generation of
in.
Hirshhorn
Museum and
DC
Degas
We
movement of the
and
is
appear
totally
random: the
figure
on the
top of the
seconds more,
Edgar Degas, b
Paris.
it
stairs
Paris.
Galleries,
The
ballets themselves;
Glasgow
was not
in the ballerinas
The
or
1917
The Rehearsal. 1873-4. Pastel on canvas. h59 x w83.8 cm. h23V5 x w33
in.
executed with
1834. d
been sketched
is
composition appears
ight
icted the
Rehearsal
artist is
arsal studio.
etui
The
Kck
Burrell Collection,
Delacroix Eugene
So
real
Henry
is
III
this
heard. Despite
composed.
its
battlecries
IX over
dominated by Louis on
it
managed
to free himself
dominated French
spirit
from the
of Delacroix,
stiff
of Taillebourg.
1835/7.
Oil
his
warm
who
Exhibition of 185
and
a vivid
artistic
commentary on
world of Paris
the
in the first
Classicism that
much
compactly
Battle of Taillebourc
can almost be
is
The
He was
Paris,
on canvas. h485 x
1863
w555
cm. hl91 x
w218&
in.
Musee
National
Domaine de
Versailles, Versailles
Delaunay Robert
Homage
large collage
form
Tower on
an aeroplane on the
forms
a lyrical
On
we can
paper to
jot
down
is
ideas
tide that
hangs
in the
Delaunay developed
his
his use
was
called
Orphism,
909.
a preliminary
sketch for a
Homage
h78
of
floating
in Basel.
see
of the same
Kunstmuseum
closer inspection
to Bleriot
w26H
in.
Musee
d'Art
Moderne de
la Ville
de
Paris. Paris
term
Delvaux
In a moonlit
town Venus
Asl eep
Paul
lies
asleep,
watched over bv
dummy. She
lies
then Expressionism.
it is
circles
the
and horror,
that
makes
this
painting so disturbing.
It
popular
in fashionable art
impressed by
Roman
architecture.
He
is
known
were inspired by
it*"
L.
jV.
*\
wit
buildings.
~ De
^ '^?=_
^_ \
k
'
women,
late to
Tanguy
//
'
11s L
for his
in
was
its
He was
ii*
V f
\v
111
If
1u
7
%
2ft
Oil
-v
\
_
it
1994
on canvas. hl73 x
wl99
cm. h68 x
w78%
in.
9.
Denis u,
Portrait
The
folds
figure
dominate
tree trunks,
group of painters
who
was
member of the
or
this
combined
lines
of
Nabis, a
of Yvonne Lerollc
some anecdote -
colours assembled
is
confirms the
The
its
later
often
Maurice Denis, b
Portrait of
Granville,
Yvonne
Lerolle.
Musee Departemental du
1870. d
1897.
Paris,
Oil
woman
history of religious
art.
Maillol,
1943
on canvas. hl66 x
Prieure. Saint-Germain-en-Laye
subject matter
Bonnard. Gauguin,
in.
shown here
is
painting
not as important as
covered with
in a certain order.'
Mucha,
in
which
is
very
1939 he published a
Vallotton, Vuillard
at
D erain
shimmer on
The
And,
artist
silhouette of
Tower Bridge
is
irrelevant.
in
in
style,
The
become
as
of London.
1906.
Oil
on canvas.
the
a desire to
when
they
first
'wild'
in.
beasts,
subject matter.
nearly
artists'
exhibited.
made colour
artists,
an expression of their
The Pool
group of like-minded
came from
Along with
Der?in's inspiration
Signac. Vlaminck
Diebenkorn
Geometric
Richard
of colour, evoking
the local tones and light of the sea, sky and tawny
Ocean
Park, California.
The
to
of
which
hills
like a
window through
it.
The
painting
because up
subject,
until this
and
similar paintings
may be
of the same
Oil
New
York, NY.
The
painting
is
Expressionists,
who were
on Diebenkorn. There
Expressionist
whom
which
is
is
work - notably
Diebenkorn taught
that
at the California
1994
w81
in.
Private collection
School of Fine
Dine
A
My Name
glitzy
like a lurid
lie
used
real objects
He
My Name
is
Jim Dine
2.
to
its
best
familiar
attach to
name of the
is
to
Oil
object
of paintings,
artist's
1935
1992.
series
but
it
Art, a
in
such as
beside
He sometimes
draw attention
background of iridescent
brushwork.
Jim Dine
looking
is
in.
Pace
Gallery,
New
York,
NY
ability
of
Dix Otto
The
is
Portrait
von Harden
woman -
a gilt chair, a
marble-topped cafe
table,
and suspense
a sexual
is
feeling
most
of tension
element
is
one of Dix's
down
finest,
society
example of
its
subject
New
Its
excellent
He began
1969
1926.
Oil
on panel.
hl20xw88cm. h47^xw34%
in.
Musee
Dobson w
It is
through the
all
Endymion
illiam
and
this
show
that this
is
a cultured
Endymion
to Charles
his prime,
rifle
man, known
Porter was
in the years
Dobson was
buttons
pursuits.
cuffs, pearl
all
of the elegance
Oil
1646
on canvas. hl50
Porter
in
most
England hath
as 'the
sumptuous
to have
of
fabrics in paint
is
ability to
a hallmark
living',
excellent painter
of
irregular in his
way
his release.
evoke
Van
A
sense of
DoesburgTheo
movement and
perspective
is
created in this
interest in architecture.
The
artist Piet
Stijl,
this
size
of the
simple square
on
Arithmetic Composition
Utrecht,
Oil
same group.
De
Stijl artists
tended to use
flat,
devoted much of
his life to
promoting
art
De
m-
wlOl
cm. h40 x
w40
Stijl's
Private collection
ideas
and architecture.
in.
primary
Van Doesburg
Van Doesburg's
on canvas. hlOl x
founded De
Mondrian strongly
artists
Domenichino
Abraham
God
sword
An
the
ram
in the
The
to sacrifice his
son
bravely accepts
is
dominates
of Isaac
who was
palaces, villas
characteristic swirls
offer
and chapels
hostility in
in
Bologna.
of Isaac.
C1620/21.
Oil
h57% x w55
in.
effects,
in his style.
unfinished.
figure,
He became
surrounded Rome.
For
Academy
that
and painterly
played out
many
artist
in blind obedience.
Abraham should
Sacrifice
popular
Museo
its
Domenichino
this
he met with
city, his
many works
Donatello
David
feet
mood
in a
dreamy,
whose head
lies
style.
Cosimo
il
combine
human emotion
gift.
As one of
and painters
I
lorence, he
This
in Classical statues
ability to instil
who
i>-
life.
brought about an
artistic
cast since
in.
influential
of
first full-sized
all
Renaissance
Ancient times.
1466
Museo Nazionale
artists.
revolution in
fe^
David. cl433. Bronze.
by
architects
artist
He was
V3,n UOngCIlKees
The
artist's
daughter
intense colour.
exotic style.
is
painted in
Her
sensuality
is
hat.
was
is
conveyed
in
an
face.
He was born
extravagant
Some
green tones
in
lifestyle
C1911.
Oil
w46 cm.
became somewhat
superficial.
He
on canvas, h.55 x
to paint portraits
Holland but
in 1929.
master colourist,
in the delicate
of Dolly
settled in Paris
decorative sections of
child
as
flat,
Portrait
h.21% x wl8i
in.
Private collection
Dossi Dosso
Alfonso
principal
Alfonso led
leader.
his troops in
many
As Duke of Ferrara,
the
Pope
artists
d'Este
in his
arts
who
portrait
all
frescos.
The
art;
in fact a derivation
it is
style
of
this portrait
later
his efforts,
fulfil
any of
his requests.)
Luterl). b Ferrara.
Oil
C1490. d
Ferrara.
Altdorfer,
1542
is
of a
ambitious commissions
and decorative
reminiscent of Venetian
attempted to
w44
in.
Gallena e
Dou
Maidservant
Gerrard
young
woman
The
shows
artist
window framing
the
such as the fraving cloth, the terracotta pot and the birdcage,
Rembrandt, and
some of Dou's
it is
Dou was
a pupil
of
earlier pictures.
He
delighted in depicting
Oil
filled
with
wealth of
Window
- he would sometimes even
at a
used
interior,
in the
with
use a
theatrical
and respected
filled
with students,
" Van
Eyck.
Dou was
in.
a prosperous
artist for
eighteenth century.
1675
on panel. h37 x
its
Museum Boymans-van
Beuningen, Rotterdam
Dove
A
Me
\rthi
this
composition.
series
of
moon, or
moon, dominates
lines
it
should
air
of the
soul.
sound.'
The
Born
return to the
paintings in
literal
in a metaphysical, rather
He
wrote:
it
in
New
York
to the
'I
USA
state
art,
certain aspects
in.
Phillips Collection.
Washington DC
in
On
first
his
abstract
1946
motif
done with
he visited Europe
modern
as a
than a
of melancholy
Moon
like
and the
Dubuffet
The members of a
static frieze.
in
jazz
band
line
in a
The
graffiti-like effect is
Loosely
allied to the
a naive, childlike
Jazz
Band (Dim-
artist.
Style Blues)
an
art critics,
Band
Paris.
1944.
Oil
become
1985
on canvas. h97
mocked by
widely respected
to
art"),
in.
Private collection
Twombly
artist.
Duccio
The
The
Rucellai
colour.
Madonna
thirteenth
this
is
same image,
unusual
The
in
is
Florentine confraternity
traditional
enemies
was commissioned by
when
attests to
gowns,
Duccio
di
of
** Campin, Cimabue,
in.
in
Duchamp
This work
originally
is
a replica
art exhibition.
this
work
it
that
which was
1917 from
plumbing
The
in a
it
for an
commonplace
and placing
artist in
Fountain
a porcelain urinal
purchased by the
supply firm in
taking a
of
Marcel
object out of
new and
Duchamp
its
customary setting
unfamiliar one.
first
It
was through
Blainville,
sculpture in 1917
Duchamp
preconceptions of what
art
challenged traditional
is.
He
stated that
1887. d
Neuilly,
hl4
was not
his
own
it.
Therefore the creation was not important but the idea and
selection was.
1968
in.
it
important whether or not 'Mr Mutt' had made the work with
Marcel Duchamp. b
Museum. Bloomington,
IN
DufyRaou
The
The Paddock
captured
in this
horseback and
gendemen
a sailor
in
propping
is
who
Dufy
Although he had
is
littered
with cruise-liners
From
Poiret. It
was
on canvas. h81 x
recalls the
in.
in the light
textiles
largest
1953
wl25
mode of expression
Dufy's personal
illustrates
designed
visited racecourses
who came
earlier
Poiret
fashionable ladies
Private collection
murals ever,
DiirerAibrecht
The technique of placing, the
Self-portrait with
sitter's
artist's
arm on
illusion
sill
was
of proximity
Gloves
(as
on
An
Mono
Lisa,
different aspects
Italy.
Diirer painted
not
common
at the
promotion of the
reproduced
many
travelling in
in paint,
why not an
artist?
1498.
Oil
on panel. h52 x
well-known for
his
fame
far
European
of Netherlandish and
his
art
and wide
1528
w41
cm. h20VS
van Eyck
artist,
by combining
Italian art.
He
is
also
patron can be
was
was
Rosa
Europe.
Van
DycksirAn thonv
apparent that
to Charles
1,
this
is
the artist
King's majesty to
all
man
demeanour -
Charles
it is
was commissioned
who saw
it.
to
convey the
on Horseback
saying she
felt
'very ill-favorede',
then on to
at
painting,
Italy.
which he kept
Van Dyck
all
his
life. It
was
It
lokes lyke
all
on Horseback. cl636.
Oil
on canvas. h367 x
'quite
it
on
- but
pleases
tis
in.
Me was
were
and
Charles
but not
Sir
all.
is
slim figures.
sitters,
me
truly
not
think
Eakins Thomas
It is
Between Rounds
crowd, the smell of cigar smoke and the sweat of the boxer
coming from
this painting.
The
is
fighter,
caught
few
in the
in
He had
Thomas
travelled in
Oil
It
was
much
nude
of
as
light
He
a feeling
of drama,
1916
in.
Philadelphia
Museum
of Art. Philadelphia, PA
Elsheimer
St
The Stoning of
\d
to
demonstrate that
was stoned
down on
in
many
His
own
his
life.
in his plight.
Elsheimer has
Saint Stephen
Elsheimer travelled to
Italy in
influenced by Venetian
own
artists.
He combined
understanding of
works
as this.
light
their use
Many of
his paintings
his influence-
the
Adam
Altdorfer,
The Stoning
of Saint
Stephen. C1602/5.
Oil
wl
of
and emphasis on
Ensor James
Two
skeletons fight in
futile
for the
body of
astonishment
We
at this
thoughts and
futile
movement. He exerted
figures stare at
in
artist's
The
own
which disconnected
With
its
Emile \<>lde,
who
a particularly
visited
him
in 191
powerful influence on
1.
Ensor
bitter,
becoming
James
artists
Skeletons Fighting
Koninklijk
Museum
for
1949
Oil
on canvas. h59 x
w74 cm.
t\23Y
x w29^
in.
satirical,
Nolde, Pechstein
Epstein
Sir
Elemental
Jacob
way
compact form of
the head
is
this
is
conveyed by the
the
unknown powers
above.
The
The
unborn
life,
Sir
on
lies in its
and
file
/6 in.
inspiration
his
own
unique
style,
which
Private collection
illustrates direct
Throughout
visits to
the Louvre
worked
in
museum
Winston
Churchill.
in
two ways,
marks
developed
is
more
a bust
of
Ernst Max
The
The Forest
sign of
life is
The
tangled trees
bird in wild
his time,
and
petrified
in
many
collection of collages
artisr
enchantment and
was
Ernst worked
enormous
seem
media.
many
and introduced
subconscious.
ardsts of
He produced
also seen as a
The
method of gaining
an
created,
a technique
make
Max
on
Ernst, b Bruhl,
preoccupations.
1891. d
Oil
Paris.
"
Dali. Gorky,
1976
w32
in.
it
sheet of paper
creating, frottage
access to the
has
Estes Richard
Is
it
real
- or
is it art"-
Gordon's Gin
advertising billboards,
is
a celebration
is
a surprise
photographed
appeared
it,
in the
many ways
movement
that
the ic^os.
and
it
cxactlv as
art
the point
it,
Americans. In
in
art
IL.
something very
reality
this
way
and
in
artists
illusion
came
different.
reality.
perfected their
the everyday
was transformed
1936
w32
in.
Private collection
work
scene since
"
Gone
Bv using
to
fine art.
where
it
was
delight. Hstcs
- he simplv chose
born
of American popular
into
Etty William
his lover
herself
a stretch
of sea to
One
night, during
from
embrace,
are
shown
The
sombre
sea
Hero seem
particularly
Romantic
as a
painters.
Oil
W Blake.
1849
on canvas. h77 x
w95 cm.
h30V6 x w37V4
in.
Private collection
Van Eyck
An
Italian
merchant
The
fan
living in Bruges,
Giovanni Arnolfini,
on
tO
all
this
on the window
a nail, the floor
commemorate
on
witness in a
The
in
Arnolfini Marriage.
The
de eyck
Arnolfini
Mar
and
a third figure,
event.
The
who
painting's
is
oil. It
Eyck and
Van Eycks'
" Campin,
style
Oil
in.
varnish.
Using
Hubert
are
having 'invented'
was often
oil painting.
this
The
1434.
his brother
Wood
Fabritius Card
Set against a creamy background, a
green perch.
The
it.
The
However, he reversed
light
brilliant
skill
goldfinch rests on a
real,
simplicity
little
goldfinch seems so
Fabritius
The Goldfinch
it is
tempting to
and intimacy of
with which
it is
this
painted.
]an Vermeer,
who was
work and
its
of Vermeer's work.
of a small number of
technique of painting
artist
of Rembrandt's pupils.
his master's
influenced the
his
works
painting
that
store in Delft
shown here
have survived.
1654
Oil
on panel. h34 x
w23 cm.
hl3*/4 x
w9!*
in.
Mauritshuis, The
Hague
Kalf,
The
Tragically, Fabritius
gunpowder
The
his student.
startling simplicity
Rembrandt. Vermeer
is
one
Fantin-LatourH enn
m
this picture
seem
to
their
been formed by
a thick stroke
of
paint.
The
Fantin-Latour
figures.
is
well
known
grouped around
a portrait
a series
of lithographs
illustrating the
Oil
1904
on canvas. h37 x
w32
cm. hl4V
fl2V*
in.
Private collection
music
Fautrier Jean
The
Sarah
picture
shows
most
largely
powder bonded
He
more
The
world.
which the
artist
in this
which
his
images were
express
painting was
began to work
varnish. Fautrier
his
The
in
this
order to
free
School
at the
age of
Oil
14.
He was
work
at the
Royal
in.
Private collection
Academy
sculptures.
Tapies
Feininger Lvonel
Overlapping
triangles
Sailing Boats
sails
of the boats
Wassily Kandinsky
Although born
artist
in
New
Europe. While
He met
influence
on
his
he
in Paris
in 1935.
who became
artists
was
major
among
others.
At
this
few years
many
aspects of
modern
life,
Lyonel Feininger b
New
York. NY,
1871. d New
Feininger
York. NY.
1956
x
w28&
in.
he
USA. He
but favoured
shared an interest in
later
interested in
architectural
Flavin Dan
from
industrially
a three-dimensional, pillar-
to celebrate the
Its full
name
is
same shape,
3.
By using
on the appearance of a
Dan
Flavin, b
New
York, NY.
New
its
limits.
does
it
light,
is
The
light radiates
which
art
it is
work with
the Minimalist
Nauman,
Viola
1933
York,
NY
light.
beyond
shown and
movement.
Untitled (To the Citizens of the Republic of France...). 1989. Blue, red and white fluorescent
The
Fontana Lucio
After painting the canvas
slashed
it
vertically
dramatic image
in
Spatial
monochrome
it
blue the
sharp knife.
it
of
its
tautness,
lies in
The
By slashing
painting's primary
physical escape
has
artist
flat
and
over
Concept
wooden
canvas the
sense of
artist
infinity.
movement which
were
as
Fontana was
stressed that
w52
cm. h20v6 /
w20H
where Fontana
life.
1968
in
Argentina of
his
and conveys
Private collection
Malevich
of
JT
Young
outline
is
artist
was
only a small
is
especially noticeable
was a master of
convey
The Japanese
a sense
tradition
Tsugouharu (Leonard)
in
how
he used simple
of
art is
Oil
purity.
Foujita. b Tokyo,
continued
this tradition
absorbing Western
Young Girl
holding
The
black paint.
lines to
girl
years old.
including
Marc
Born
in
where he joined
Chagall,
Tokyo, the
a circle
of
Modigliani. His
illustrations. In
changed
his
name
to
Leonard
in
homage
to
Leonardo da
Vinci.
"
artistic influences.
h20xw25&
in.
Private collection
Fouquetjca
Apparently
a religious
is
more
earthly subject. It
actually a portrait
is
rumoured
that the
by Piero
della
artists.
His
crown and
man named
demonstrate
Chevalier
this
that
it
as a
was commissioned
as a
Agnes died
memorial to
his illuminated
her.
it is
possible
Well
his
debt to northern
artists
Eyck.
known
manuscripts,
in.
Koninklijk
Museum
Fragonard jean-Hew
With an
air
of
flirtatious
The Swim
characterizes the
girl
rustle
of petticoats as
undergrowth. Bathed
is
in a shaft
viewer's eyes
painting, with
- and her
its
lover's
frivolity
Her porcelain
movement
Oil
- Fragonard's own
is
known
master, Francois
artifice,
1806
7
on canvas. h81 x w64.5 cm. h31 /s x
w25 3/s
in.
for
finish.
of
Paris,
time
period. Fragonard
greatest heights.
bring the
girl
perfection,
all
artists at that
its
Rococo
Watteau
Francis Sam
Around
to allow
areas
if
The
painting
is
left
untouched.
it
Francis, b
in this
his
movement without
emotion without
group.
He was
also a
he created
in the
restraint,
reality.
are
master of watercolour.
- De Kooning.
Pollock, Rothko.
Still.
Tobey
Oil
colour without
Sam
outline,
the Blue<
Some of
Ball' series
which
Frankenthaler Helen
Large splotches of blue, green and red decorate
impressive yet delicate and
lyrical
this
composition. The
it
where
is
as
to
it
her
first
forms and
Its rich
Oil
colours, fluid
on canvas.
on
adopted
random
to
innovative technique.
The
abstracted quality of
quality
all
invariably large
and evoke
delicacy.
i- Gorky, Hodler, Louis, Noland, Pollock, Rothko
this
a substantial influence
artist
DC
in.
Freud
The
artist's first
recline
on
the scene
Lucian
woman and
is
almost a
the dog, as
renowned
human
flesh,
painting
is
with
all its
no exception,
as seen in the
Girl
Dog
into a scene
a
become
looser and
more expressive
Grandson of
moved
woman's
to
human
Oil
London
w40
in.
figure
still
continues.
Dix, Kossoff,
1922
drawing him
is
White
a striped sofa.
is
Girl with a
Schad
glow.
The wrecked
ship, part
comparison to the
ice
itself to
on
the right,
is
tiny in
in the
Caspar David
The Wreck
Friedrich. b Greifswald,
its
of
He was
light
landscapes
the
Romantic
realistic yet
spirit,
unique.
'" Bierstadt. Church, Cozens, Nash. Turner
w50^ cm.
Kunsthalle,
and
and
eerie
embody
stretches of sea
in strange
Hamburg
yet
symbolic
remain
totally
Frink Dame
1
Goggle Head
Elisabeth
menacing head,
its
own
identity
henchmen, or even
Smooth
in outline,
it
cover
Random
its
to create
Dame
surface.
works
is
lell's
in the
sensitivity
rink
first
Neo-Expressionisl
in.
vulnerabilities.
She
is
ler last
Risen (Jim/, a
high that
is
now
portraying her
m~
1993
Beaux Arts
Gallery.
London
lis
known
equally well
illusttat(
the
major
figure
metres
of The
feet)
of Liverpool Cathedral.
British sculptors
style,
its
shape of a
in a
Angels motorbike
executed
feelings
Strengths and
Ir
Houdon
Froment
While tending
Nicolas
Moses
is
astounded
On
him
telling
God
that
the left
burning bush,
Israelites
from
in
Oil
Uzes,
central section
known about
as
this
French
artist
subde
effects
of
hl61& x wll9%
in.
virgin.
it still
who worked
light
in
detail
is
and around
and great
1450-90
this
sensitivity to
who
their
symbol of Mary
Gabo n
A
nylon string
is
Linear Construct
intersecting sheets of
complex three-dimensional
pan of an
unrealized
Esso building
in
New
-metre
York
(1
in
949.
It
-foot)
was conceived
Gabo
it
conveys
Space No.
sense of
With
or end,
movement
in the
way
expansion of space.
infinity.
work
that
Gabo
is
Gabo was
it
left his
this
American
has achieved an
citizen. In 1952,
he combined
suspended from an
Naum
invisible
to float as if
department store
" Hepworth.
in
Rotterdam.
Lissitzky, Malevich.
Rodchenko, Tobey
Linear Construction
in
Space No.
2.
an example of the
string
in.
Private collection
monument
for
Ct2,QQ1 Taddeo
In the Middle
workshop
the street
would
Ages
artisans'
in this painting.
The
large
like the
living painters
It
Gaddi was
of his time to
'predella', a series
would have
a priest, so
was
to
tell
is
shows
The
saint
was
a story.
Monaco. Orcagna
in
in.
Museo
The use of
as a narrative painter.
as
his master's
of panels appearing
altarpiece.
shown here
was popular
he
Shop
and
He
abilitv
Gainsborough Thomas
Mr and Mrs Andrews arc resting after an afternoon of
To the right, their estate extends tar into the
shooting.
distance.
tell
Gainsborough possibly
us
it is
autumn, and
that he has
Mr
(
'.arter
were married
Mr
been hunting.
Unlike
many of
in
November
was painted
his
--4s
and
it
as a celebration
is
of
thought
this event.
paint,
the artistic
is
visible
on her
lap.
is
unfinished
the outline
of a
Oil
d London.
British countryside.
m-
1788
w47
in.
Gaudier-Brzeska Henri
Pulsating with
all
the
power and
vitality
of an African
geometrical rhythms of
distorted to reflect
artist's
its
vigour, the
when
human
the artist
appreciation of the
made wood
movement. Despite
evokes the
its
tribal
The
who
Gaudier-Brzeska worked
form. This
was
was concerned
as a
great
artist,
he was
at the
in
England and
settled in
London
in 191
1.
In
Red Stone Dancer. 1914. Red Mansfield stone. h85 cm. h33&
in.
1915
age of 23.
Gauguin
Melancholic and sensual,
Woman
Paul
this beautiful
Polynesian
woman
with a Flower
is artificial
and conventional.
Here
The forms
artist
and there
is
no
primitive
art.
first
nature.' In Tahiti
Leaving
his family
Tahiti. In his
Woman
Tahiti.
Oil
life.
live in
he wrote,
'I
1903
on canvas. h70 x
in.
contributors to
Gentile da Fabriano
The
born
three
Magi
Christ.
this altarpiece,
gold
a subject,
to
and gold
show
The Adoration
of the Magi.
in Florence
(lapis lazuli)
free use
leaf.
many
came from
work
is
typical
Fabriano reveals
birds
and plants
many of his
of animals,
paintings.
of
This
Gozzoli, Lorenzo
1427
of the
painted in
their
w220
cm.
h68% x w86%
Galleria
degh
Uffizi,
Florence
Gentileschi a
Judith
is
shown
at
the
rtcmisia
goriness;
Her determined
look guides her steady hand, even though blood gushes out
from the
left
all
The drama,
and colouring of
The
this
work
are typical
of
Baroque
and Holofernes
Judith
by
is
difficult to
living in the
imagine
this painting
seventeenth century.
respected painter.
important and a
fine artist in
her
own
Oil
1652
It
w64
in.
made
was
in fact
a well-
painting.
being
in the
lighting
it
woman
Gallena degh
Uffizi.
Florence
Rem
right.
Gericault Theodore
A
a rearing
The drama
is
composition
his
tail
from top
its
right to
flying
lit
by
was
bottom
which
interested in horses
developed a
brilliantly rapid
horse's
fires.
which was
>
rl04%
in.
Musee du
Louvre. Paris
of
to be such a great
Eugene Delacroix.
The
main
a sense
method of capturing
mane, the
body of
mount
The
Stubbs
Gertler Mark
The open-mouthed
figures
The Merrv-Go-Round
like brightly
quality.
As
viewed as a
beginning to
known
on
of the
dawn on
paintings,
it
First
it
was
the public.
at this
now
time
just
One of Gertler's
his
still lifes
speaking community.
of
parties,
Oil
style.
Renowned
striking
Exhibition. Gertler
was
He committed
suicide in his
Bomberg. Van
w56
life
and soul
London
best-
London Group
is
well-known for
also
coloured mechanical
Gallery.
London
Nash
Ghiberti Lorenzo
The
height of Florentine
artist
shallow
relief.
mastery of
Many
The scene
is
one of
The doors
are
made up of
to express the
artist to
have survived.
Gilt
bronze. h79.5 x
last years
in.
Battistero di
is
of
his life
the earliest by an
Ghirlandaio d
'Would
oi
comment on
more
and
beautiful.'
sitter,
virtue.
No
Despite
this
is
sitter's
was
portraiture.
sitter
on her
profile.
This was
convention
The
portrait
it
is all
the
more poignant
his use
of naturalistic
style
of
detail
and
Michelangelo, Pisanello
r
\ AV l v
I
1
fcAKUA KJRFT
HP
1 ^B
W^^fctei
Portrait of
1494
as the
after her
w49 cm.
h30!4 x wl9VS
in.
at
his times.
HKL
Domenico Ghirlandaio. b
undertaking. Ghirlandaio,
and
this,
elegance. She
Giovanna Tornabuoni
Portrait of
life
Giacometti Alberto
This emaciated, monumental figure with
is
signify solitude
roughly pitted
Through
hauntingly powerful.
is
its
intended to
It
ephemeral nature of
human
Man
it,
Born
in Switzerland,
styles
cast.
him
apart
of painting and
and the
in 1922.
restless,
material
Walking
mass of
chiselled to find a
start
form
with a metal
1966
in.
Private collection
Made up of sharp,
beautv.
Giambologna
Swirling with
furious
tightly
feeling
its
this
twisting oudines,
creates
illusion
of writhing motion
is
initiated
by the Sabine's
of the
Roman
man
straddled below.
it
equally
invites us to
from
all
The
from
a single viewpoint.
convey
style.
a fervid
new
=3S==
in.
his
number of
walk around
sense
Giambologna
ability to
^ags
The Rape
Rosso
Fiorentino
Gilbert and
Two
appear
in
what seems
to be a
George
and white clothing
window.
tall
seem
to
be posing
lived
art.
Gilbert and
taste.
With
it is
usually with
George have
scale,
and
values,
it
ridicule.
in the
way
it
its
debunks
Gilbert and
George
(Gilbert
wl42
cm. h66! x
(Gilbert)
w56
in.
" Koons,
Lichtenstein,
Sherman, Warhol
large
traditional art-historical
self-styled 'living
deliberate
make
humour and
in a deliberately
ing
bad
building in the
(jilmann:arold
An
in a
humble
shallow space
in
painting was
a grid
still
The sup
title.
Oil
With
its
a tine
example of work
Group. Sometimes
lis
b) an artist
intensity of colour,
of the
often met
in
this
group of
its
in
artists
Camden Town,
name.
smaller
clear, accurate
Modersohn-Becker, Orpen.
Sickert. Vuillard
1919
in.
II
Camden Town
is
wet.
louse
artist
decorative colour
flat
painting hears
The
Bating
interior
Giordano Luca
Sleeping
wisdom,
him
the
sits
with
of
for
which Solomon
is
to
are
building behind
is
and
Temple of
The scene
late
Presto' because he
its
The
a vision
angels.
on
worked so
is
Oil
on canvas. h245
)Vi
wl42
in.
Museo
del Prado.
Madrid
Giorgione
\\ In
is
.1
naked
woman
thunderstorm looms
an excuse to depict
in
No
one has
in fact
There
are
much
it
been able
many
have
to identify
theories have
controversy surrounds
Of all
greater significance?
The Tempest
are
all
many of Giorgione's
Nicolas Poussin.
Oil
on canvas. h79.5 x
w73 cm.
\\31'A x
vt28%
in.
still
much
matters are further confused by the fact that after his early
death,
lis
Giotto
A
group of
The Lamentation
the
real life, in
di
bends over
is
many
of
life
static,
modern
is
painting, as he
city.
of the
7
3
The Lamentation. C1305. Fresco. h200 x wl85 cm. h78 /4 x w72 ^
art.
architectural knowledge.
a flat surface.
in painting.
Giotto
grief as she
Virgin,
Man's
development of Western
his
Romano
Giulio
The
artist
to ceiling.
has painted
Standing
entire
ail
in the
room
in fresco
Room
from floor
if
of Mount
)l\mpus
illusionistic perspectives
Giulio
Romano
Room
of the Giants.
(Giulio Pippi).
He began
Romano was
his career as
del Te.
With
of the Giants
Mantua
one
unfinished frescos
in the
number of Raphael's
moved
to
an architect.
He
W Mantegna.
own house
in
Mantua.
Van
Goes Hugo
der
is
in this depiction
The
of the
typical
stretches her
arm
to reach for a
bite
of the
care with
which each
individually painted
plaits
iris,
on top of
leaf,
is
The
clear,
is
artist's
Netherlands
fame spread
shown here
as far as Italy,
where one
He
his altarpieces
to
481; he died,
still
Man. cl470.
made of two
in.
Kunsthistorisches
is
said
1482
7
Oil
Bouts. Campin.
are
in the fifteenth
of
Cologne
The
in the
The
of painting
century.
The
first.
Man
strategically placed
of
Fall
Museum. Vienna
Van Gogh
Brilliant
and
startling, this
Vincent
Sunflowers
the
paint,
on
yellow and
brown - and
to a relief.
from the
this
agitated,
Oil
w73 cm.
who
trees seen
A Dutchman
emotionally fraught
by
life
from
birth,
on 29 July 1890
in the
of Auvers-sur-Oise.
reflects
" Auerbach.
h36i4 x w28V$
in.
his
Perhaps the
almost manic -
on canvas. h92 x
painter
life.
work was
like a
artist's state
tragically short
that he
imaginary-
his
French town
Gontcharova
In a tranquil street, a
woman
coachman calmly
is
woman's
circles
in
muted
in
Moscow. 1909.
no
art
Oil
air
own work
came from
popular folk
exuded a
this interest.
in the
for a time
In 191
<W
on canvas. h65 x
Rjtsses.
1962
w79 cm.
h25K> x
w31
in.
Private collection
number of stage
Street
An
been painted
sadness.
waits in
Moscow
Street in
Natalia
she
sets
Gorky
The
\rshile
wood.
trees
based on
small
at
strong impression of a
Born
One
of the work
spiritual
lies in
sound of
falling water.
in
The beauty
critic
whom
Waterfall
evokes
It
is
art
to the
USA
became
images from
Gorky, b Khorkom
Oil
Vari.
ing
on canvas. hl54 x
of
in 1920.
exile, for
in.
Goya
Dressed
Francisco
Portrait
air
of
aristocratic beaut)-.
is
described with
a cloudless sky,
she seems
prominent
figure in
Madrid
society. It
Goya
is
likely that
at the time,
she was
suggested here
fact
that "Goya'
Goya
spent
more time
creating
many of his
five
lithographs.
"
1828
h210x wl48 cm. h82&xw58^
Duchess
of Alba.
1797.
Oil
on canvas.
At the
hundred
in.
New
York,
NY
Van Goyen
The warm, brown tones
its
A Castle
Jan
its
turrets
air to
the
is
Dutch
flat
which takes up
of the
and atmospheric
first
scene appears
many
emphasized by the
painters and
his paintings
Shipping
at a
Quay
that
it
to seventeenth-century
Most of
a River with
strength.
effects.
by
in a
number of his
and was
paintings.
He produced
countless works,
on landscape painting of
nil'
Hobbema, Ruisdael
1656
h40'/> x
w55^
in.
Private collection
Gozzoli Benozzo
Fur-trimmed capes, gold
horses
this
is
truly a
bridles, velvet
magnificent procession.
The
subject
young Magus
de' Medici.
The
decoration.
highlight their
as a fresco
Cosimo
on
own
was unusual
to
have a
in the
fresco
is
gold robe
is
said to
and contemporary of
rich sense
many
traditions
Pistoia,
1497
be Lorenzo
of
El Greco
The
Toledan
dignitary
who was
miraculously
at his funeral to
his soul
his
body
of the
local nobility
Greco
trained in Venice
El
lower
so
and
Rome
Count Orga
members
of
Oil
movement
at its height.
in Crete, El
Greco
own
elongated forms,
before moving to
stvle at that
its
his
Andrea
The Burial
Titian. El
Above,
Burial of
wl42
in.
to
Greuze
Dressed
young man
guitar.
at the struggles
life.
This
details
is
The
Jean-Baptiste
in theatrical clothes, a
His
tired,
listens intently as
of
his
outwardly
complete with
all
became
life
tried to emulate.
Greuze's scenes
tale to tell.
These pictures
When
classical artists
cl760.
Oil
on canvas.
as
in
an insincere and
many of his
"
J-L David,
1805
Neo-
The
jovial
the
Guitarist
Diderot.
Beaux-Arts, Nantes
Grimshaw/
\tkinson
full
moon
dominates
Thames and
reflection of light
dome of St
Nightfall
on the water
on
it.
light
The
and smooth.
It is
vertical pattern
painting
it
is
Grimshaw
is
best
the
known
lit
Thames
for this kind
London
thought
who
supposedly commented,
would look
moonlights',
symmetrical
Thames.
Grimshaw had
skyline.
Oil
hl5% x w24%
Leeds
until
Leeds
'I
saw Grimmy's
of night townscape,
in daylight.
green
down
River
Gris
Glasses,
The
artist
this
unusual interpretation of a
glasses,
The
objects
Newspaper and
new
was never
of
importance of
this
Gris. b Madrid.
work
lies in its
innovative
in.
Private collection
lived
Cubist by intention,
most of
remained
kind of
his
working
this
style.
life
essentially Cubist in
reality.
work
"
The
Although Gris
is
seen as an
in Paris
form
and
his
work
The
method of
of Wine
a Bottle
Gros
A
victorious
Arcole
\ ntoine-
Napoleon defeats
in 1796.
The strong
This
is
not
Although trained by
Gros became
compositions were
a rc.u
In the
820s, however,
Neo-Classical
a leader
1835
Oil
&
Neo
style,
and
official
Gros attempted
to return to a
committed suicide
on canvas. hl34 x
in.
He
in 1835.
French
in
Afcole
don
sombre
Petersburg
naturalistic
Classicists.
and
at
very
Neo-
palette
the Bridge
of
contemporary
a generalized representation
Napoleon Bonaparte on
ean Baron
Lawrence
Hermitage Museum. St
more
Grosz George
An
Berlin Streetscene
nose
at a
dapper gendeman
fashionable street.
Only
who winks
interested in their
own
man
in a threadbare
satire
on
began
George Grosz. b
artist
Berlin,
Berlin Streetscene.
produced
1893. d
Berlin,
1930. Watercolour,
that
at a
it is
satire
( Daumier, Dix,
and
oil
on paper. h60 x
came
Private collection
to
romanticism.
and became
Hausmann, Schwitters
in.
gradually
new
to vent his
and eventually
He
a leading
1959
ink
one
have a nightmarish
him
satirical caricatures,
to emigrate to the
combine the
selfish
Grosz's disgust
flirtatious
quality.
her in a
at
Griinewald Matthias
The
A book
aim was that the viewer should be moved with the same
in
behind
must
his
arm
increase, but
must
festering
in his side,
me autem
miniii
and
of the
nails,
his flesh
is
blood
covered
trickles
at the foot
intensity
of the
Ironically,
on panel. h269 x
name was
in fact
seventeenth-century biographer.
"
Durer,
E!
He was
7
w307 cm. hl06 x wl20 <*
in.
Musee
as popular.
Man-
in the painting.
Mathis
in
cross with her perfume pot beside her, and the Virgin
faints into the
('He
crescere,
Crucifixion
d'Unterlinden. Colmar
Guardi Francesco
Through an arcade
leads
up
to a
a piazza
monumental
with incidental
detail,
An
building.
The scene
staircase
peppered
is
Although
of
it is
this
owes much
whom
to the
example of Canaletto, an
artist
Architectural Caprice
however, Guardi's
style
is
of
light
Oil
on canvas.
is
absent from
city.
with
who was
"
Bellotto.
same
h54xw36cm. h21^xwl4!<i
in.
Guercino
The
elderly Jacob
is
seen
at the
whom
The
given the
canvas with
cloak
is
robust monumcntality.
its
of the Baroque
stained with
spirit.
intensity
right
hand and
killed
rolls his
rests
on the appearance of
against a
by
sombre
eyes heavenward, as
on
a
if
mortuary
slab.
Guercino was
been softened
to
art.
"
Oil
on canvas. hll5.5 x
w94 cm.
been used,
in this painting
h45V6 x
w37
in.
and
masterpiece
Dramatically set
this a
of Caravaggio's
pleading with
The condensed,
his jealous
it
has
Guston
A
Sleeping
Philip
and gloomy
place.
The cartoon
dark
lies in a
wanted
to
'I
tell stories.'
career, this
society.
work
is
last
phase of the
artist's
abandoned
awarded
Oil
w69
1950s
Guggenheim Museum
i* Baselitz, Kline,
1977.
comment on
Ku
Klux Klan.
when he was
his international
raucous form of
his paintings
Private collection
De Kooning,
in 1962.
Pollock,
Rothko
Hals Frans
Portrait of a
the
spontaneity.
The
artist's
youth,
whose
real
presence
is
movement
in the boisterous
is
probably not
a true portrait
life.
on the
The
but what was known
The
a Skull.
quite different
sitter.
1666
C1626/8.
Oil
on canvas.
h92xw81cm. h36xw32
in.
from
insight into
of death
inevitability
painting
with a Skull
Young Man
his
Hamilton
Richard
art.
The
artist
lollipop
to the
is
crucial as
it is
landmark
in
consumer paradise
The 'POP' on
probably the
Just
is
first
the oversized
visual reference
in art.
Pop Art
What
is it...?
Tomorrow',
Hamilton
in
made
'Woman Food
History Newspapers
is
now
- P
What
is
it
That
Kunsthalle, Tubingen
Different,
TV
using computer
Just
is
Blake.
Pop
in.
Hammershoi
Wilhelm
viewer.
grey,
coloured wall.
The
which
is
enclosed by a pale-
of Japanese
vitality,
light.
interiors in
and
it
work, he was
much
1901.
Oil
on canvas. h56 x
in.
has a
flooded
colours, chiefly
art
it,
artists
his
Hammershoi was
muted
past.
whole
is
and
suggesting the
Private collection
Hartung H;
Harsh, dramatic
lines
background. There
is
a pale,
French
bland
is
as
Art Informel.
when he
is
Chinese
known
that
He became one
painters.
citizenship.
French abstract
1956/7
art,
Foreign Legion
and
lost a leg in
at the
1
He
944.
Hartung setded
Hans Hartung. b
in Paris in 1955
Leipzig.
T 1956/7. 1956/7.
Oil
1904. d
Paris.
"
1992
on canvas. hl61 x
Private collection
Hassam
A woman
in a
Childe
a divan, lazily
training hindered
reading
chairs,
New
used
it
principles.
in a light-filled
to entertain poets
Hassam worked
as a
and
wood
artists
was converted
to
Childe
Hassam
The Room
of Flowers.
1894.
Oil
fleeting impressions
his initial
New
own
lifetime,
w34
in.
1935
twilight, stress
He
academic
York, NY,
snow or
its
atmospheric
who
Many of
Private collection
in
Hausmann
Holding
Venus
a sharp
both
critical
really
speak?
And whose
is
In 1923,
he on?
One
is
Critic.
world of cynical
objects into
Hausmann abandoned
The Art
his
of the
work
a 50
Hausmann's
and controversial.
really see?
payroll
imagery. This
segment of
in his neck,
Critic
mouth hidden by
The Art
Raoul
in.
Hayter
Claducgne
Stanley William
members of
almost of
a feeling
pattern,
this
electricity.
a swirling
rhythm and
mark
give this
Most of
acidity that
as a
the Surrealist
his life
was spent
workshop where
of
Picasso,
long
line
of
industry before
artists
of
artists,
in
new
War,
techniques.
earliest
Marc
where,
artists
of
all
17,
in 1926,
he
an experimental
nationalities,
such as Pablo
it
moved
in.
to
New
Yves
1988
his greatest
and colours
in the oil
in Paris
Private collection
in 1950.
Heckel
Waves of bright,
Windmill, Daneast
Erich
sweep up the
brow of
museums by
Vincent van
Gogh and
artists
who*c
the Fauves
paintings were
full
of distortions,
flat
patterns
group
lyrical quality.
Germany
to Switzerland in
He
fled
from
artistic
wished to
free
connection of their
his
who
art to that
of the
Hemmenhofen, 1944
on canvas. h69 x
w31i*
in.
future.
Wilhelm-Lehmbruck-Museum. Duisburg
De Heem
A profusion of
laid table.
Still
fruits
of ornate goblets,
Jan Davids/
jars
sumptuously
Life
considered by
painter,
of Dessert
that he
many
whose deep,
may have
most
to
brilliant
still-life
and inspired
He was
the
composed with
artists
would display
their skill
by painting
Christian, philosophical
however,
is
and metaphysical
ideas.
Dessert. 1640.
Oil
on canvas. hl49 x
of a family of
as Henri Matisse,
wide range of
gifted
that he
made two
who admired
copies of
this particular
is
- Arcimbcldo,
1683/4
cm. h58Vt x
Louvre, Paris
still-life
work so much
it.
This work,
De Heem
w203
artists,
HepWOrth
Holes
in the
Made from
wood
invite the
Barbara
its
hardwood
natural world.
Hepworth began,
sense of
like
Interior.
1963.
harmony with
Ives,
often using
Although
Partially
sea,
own
Henry Moore, by
which may
insides, as in caves
WTiite Interior
and landscape.
1975
painted guarea wood.
in.
Gimpel
Fils.
London
its
in St Ives,
dramatic
Hilliard Nicholas
The motto 'My
in Latin at the
top of
this portrait,
suffering', inscribed
have been
his love
a gift to a
was
woman
sincere. Hilliard,
with him.
for the
Queen
money. He
achieved
jewellery.
according to his
own
account,
Queen
Elizabeth
sitter,
agreed
age of
3.
He
>*
set a
new
in his larger
his miniatures,
Dobson, Holbein.
worked
sums of
works
shop and
later
Moroni
1619
(portrait miniature).
and
as a
at the
of
the
He
Against a Tree
w7 cm.
h5y*
>
and delicacy
actually
worn
as
Hiroshige Ando
Trudging wearily across
wooden
Moonlight, Nagakubo
shown
group of
figures in the
moon.
foreground
filled in
The
more
realistic in
day
as
merely popular
on European
effect
when
Monet
:*
collected a large
on paper.
h22xw34cm. h8^xwl3&
Seen
landscapes had
artists at the
end of the
were profoundly
number of his
prints.
1858
art, his
own
nineteenth century,
more
in their
an electrifying
is
Japanese
Ando
Japanese
In
Hobbema
\\
of depth.
Road on
Meindert
this peaceful,
autumnal scene.
Hobbema was
meticulous
on every
leaf
in
reproducing
the
Dvke
drama, while
Hobbema
of his powers,
moment
his painting
dwindled almost to
last
landscape
itself;
energy not to
hidden by
trees.
Hobbema was
men
a friend
art
Oil
life,
he devoted
40 years of his
w50&
in.
Private collection
his
tax,
Hockney David
Under
A Bigger Splash
a splash in a pool.
Hockney applied
its
skilled
it.
Kitaj,
moment with
A conscientious
and from
his earliest
art
this
very
the
much
a painter
of a
city
varied
* P
associated with
and
work
brilliant
(where he
swimming
draughtsman, and
point in time, he
by fellow-student
work was
to California
objector
A Bigger
A visit
RB
sound exploding
who worked
the
w96
in.
Hodgkin Howard
Al
first
represents a
lovers
is
colour.
memory of a
seems
real
encounter.
As
is
his habit,
Lovi
The
swirls
must
it
relate to relationships,
captured
at a precise
He
in his use
of
scale works.
of intense
incorporating
it
ecstasy of the
personal.
An
developed
itself,
art. Its
style,
however,
is
entirely individual
moment,
reflecting
some
UK Turner Prize
field.
for
In 1985,
contemporary
intense,
Private collection
and
His
Hodgkin won
Lovers. 1984-9.
brilliant
art.
H OdlCr
Lake Thun
Ferdinand
this
air
glow of the
restricted, flattened
rising sun.
and simplified
composed
in a
his paintings
pink,
Our view of it
has been
all
its
showed
hidden meanings
He was
the
Oil
on canvas. h80.2 x
wlOO
cm. h31!^ x
of
his career
artist's interest in
in objects,
and
in
w39H
later
The
as
style
parallel
but
Symbolism, with
an
unnecessary detail
effects.
as if to present us with
is
Musee
d'Art et d'Histoire,
Geneva
its
Hofmann
Hans
Fairy Tale
mingle together
sought
He
in a
deliberately avoided
would
how
he
in his
mind's eye,
Hofmann even
Fairy Tale.
1944.
Oil
on wood. hl52 x
York. NY,
mood
teacher,
work
in.
artistic
conventions, was
lived in
his
in Bavaria,
Private collection
all
greatly influenced
1966
Hofmann
known
itself,
Hofmann
USA
in 1932.
De Kooning,
Pollock
Hogarth w
It is after
noon, a chair
lies
illiam
la
Mode
mocks
of
taste
florid, fantastical
more
was
also criticism
like a
of manners and he
on
pig than a
Roman
noble. Apprenticed to an
la
social conditions,
1764
Mode cl745.
Oil
w36
in.
on
Hokusai
Majestically simple
much
many,
venerated
this
is
and unsophisticated,
Mount
Mount
Katsushika
Fuji
is
direct
this
woodcut designs of
view of the
most
skill,
in
worW)
everyday
dashing off
in a
school,
life.
He
few strokes
straight
from
appeared
engraver
his imagination, a
in his
who
illustration,
mind's eye.
view
He was
as fresh
and pure
apprenticed to a
as
it
wood
his designs
artists,
his circle.
but he
later
abandoned
coloured
Mount
Fuji in
on paper. h27 x
wl5
in.
British
Museum. London
and
Holbein Hans
The two
sitters,
The Ambassadors
George de
Selve,
Bishop of Lavaur.
and
An
elaborate
must end
all
in the grave,
this
am on
on
if
The
portraits
April.
of Henry VIII,
character.
He
his
"
Oil
w209
in.
time
illustrate
his
them
scientific
his
Homer
Three young boys and
side
of a sailboat
same year
Up evokes
as
it
W'inslow
a
outside that
is
century. His
work
typical
is
small boat
small
town on
is
air
life
in the
the
New
England coast
that
amongst
artists
during the
and
his
and where
870s.
Oil
on canvas. H61.5 x
w97
:
cm. h24 ^ x
w38 /6 in.
manv summers
is
Homer
them. With
Thomas
the leading
realistic
Eaktns, W'inslow
spent
was popular
Homer
sometimes compared
and summers
The
the starboard
of childhood, fresh
a sense
down
fisherman weigh
that
Up
Breezing
DC
is
considered
Honthorst
Musical
frolics
and fun
spill
The Concert
Gerrit
out of
of
and bright
When
in
Rome
red
the figures.
The
lutes.
Oil
of
the Night'.
a tradition
On
of painting
in this style
changed
and
he helped to establish
and, on
visits to
source and
du Louvre,
Pari;
England,
used strong
on canvas.
his followers,
his career,
who
light
Caravaggio and
were so well
De Hooch
Woman
Picr
up of
tiny,
it
onto a
is
The
enclosed world
to a brightly
favourite device of
a
a
with
De
lit
life,
is
Maid with
its
a Pail in a
light.
De Hooch's
His
simple
homes
people
in
later
Courtyard
showed two or
figures
clear light
in a timeless,
Woman
carefully built
and
room flooded
them became
life.
The
light.
an
but there
is
Dou, Metsu,
Amsterdam. 1684
Pail in a Courtyard.
1660-65.
Oil
wl6
lit,
HOpper Edward
Fully clothed, silent
The
stillness
and shadow,
was
in
all
is
the major
strongly contrasting
theme
and he uses
in this
it
unaffected by contemporary
European
In
Oil
art
to create
style
anonymous and
One of North
banality
and
also the
was
* Boudin, Hockney,
Segal. Wyeth
1967
h40%
artists,
world.
movements or by
York. NY.
Hopper wanted
as
if
work,
withdrawn, as
its
American
sit in
from the
w60%
in.
Smithsonian
Institution,
Washington DC
Houdon
ean-Antoine
still
wet
clay.
the
is
Roman
a study
is
model gives
developed
same
include
style
of
this
mind of the
rougher working
artist as
greatest
men
in.
Musee du
which
in the
Algardi,
1828
hl6^
are portraits,
some of the
he
Bust
Louvre.
Pans
Canova.
Frink. Roubiliac
it
a statue
his victory
stands in the
Hunt
Looking into
woman
start
William
this typical
up
guiltily
Holman
from her
is
lover's knee, in
doing
is
see a
mid-song,
principles.
its
Of all
who
remained
he and Ford
fabrics, grainy
to be
woods,
detail.
Millais
Victorian
life.
Hunt
With
He completed few
one out
h29^xw21%
in.
as if
1910
on canvas, h76.2xw55.9cm.
interested in
he founded
Oil
faithful to
was intended
wrong. Victorian
we
he
Ingres' Bather of
who
/,
alpin$on
is
first
bought the
a calm representation
human
picture,
The
of
little
Renaissance
Raphael.
idol,
of the human
work was
face.
inspired bv his
tradition
idealized
and exotic
although
all
the detail
travelled outside
voluptuous nudes,
Europe.
his subjects
and
Boucher, Canova.
The Bather
of Valpincon
1808.
Oil
h57^xw38Min. Musee du
Louvre. Pans
Prud'hon
Ivanov Alexander
St
John the
two things
bapusms he
the
to his followers.
that mattered
most
to this
Ivanov
in
On
the
Biblical
was spent
combined
left,
rough
God
to the People
a sense
of mysticism with
stage, they
historical accuracy
the
hoping to achieve
Oil
on canvas. h540 x
in.
Tretyakov Gallery,
Moscow
and
Jawlensky
This strong, reflective portrait
been painted
in
bold outlines.
Alexei
of a fashionable
The
Schokko
von
woman
country.
seen
mysticism of Russian religious icons. This can be
on colour to
painting lies in Jawlcnsky's complete reliance
power. The
construct the image and to give it its emotional
title
for a
{schokko)
where features
paintings, 'Meditations',
life in
Wiesbaden. 1941
Alexei von Jawlensky. b Kuslovo. 1864. d
h75 x w65 cm.
1910. 0,1 on board mounted on canvas.
face
W Van Dongen.
h29* x w24V*
in.
The
human
it
became
of
symbol of tragedy.
Pnvate collects
in
series 'Heads',
was
Schokko.
It
or the
outlines and strong colour, with those of peasant art
Germany but
has
John Gwen
Cool tones dominate
reading.
this
book
is
in
special
Wales,
Gwen John
School
in
it,
and the
picture's
girl
cradles the
title itself
in Paris
at
once
(usually
Gwen
delicate
Oil
She modelled
in obscurity
and
self-neglect, she
Augustus, but
now
is
artist.
1939
on canvas. h26.4 x
and
one-sided and
portraits in particular
quality.
his mistress
this
imply
was
to
in
London, studied
moved
Private collection
She
Johns
Three Flags
Jasper
was
paint the
rind.
flag
flag
most
What
not because he
he was looking to
does not
fly
from
were pinned on
a wall.
presented us with a
believing that
it is
mast
in glory,
It is flat, like
would be
flag.
real,
not carried by
it is
a real flag
He
is
flashing light
fellow
optical effect.
but
*****,
,
*^ *
+
? v ++ *
**
* *r 22
* * **
-kit
***** *
1930
is
like a
With
regarded as
if it
a flag
surface.
victorious soldier.
:w45'<4
in.
Whitney
Museum
of
American
Art.
New
York.
NY
Art.
OneS
One of a
series
Man Woman
Allen
into
is
in fact a self-portrait
of the
artist.
Man Woman,
title
is
a visual
tie
In his preoccupation
was
tell
another
upon
Oil
artists
Hamilton.
De Kooning,
1937
on canvas. h213
in.
a story.
Polke. Warhol.
Wesselmann
Jordaens Jacob
The tour Evangelists contemplate
turn inspire their
own
writings.
The Four
the Scriptures
which
in
on
a table.
The
a glint
of
sky.
far
more
style
to the influence
of Caravaggio, however,
developed
was
later
The vigorous
skill in
as
an
portraying
Oil
on canvas. hl34 x
works by
in
half-length
owes
whose
Evangelists
in.
Musee du
Louvre.
Pans
Judd Donald
Untitled
It
and
cube.
as a whole,
is
sculpture,
surface,
and reduces
Minimalist in
work
and
anything, nor
is it
'composed'
in
his
Donald Judd. b Excelsior Springs, MO. 1928. d New York. NY, 1994
Untitled.
Judd designed
own
To
in.
Private collection
art
should be looked
at
Ryman
furniture
and designed
Kahlo
The
artist's
painting.
It
What
Frida
most complex
shows
and
bathtime reverie,
many of
Kahlo's
her pictures,
own
it
is
legs painted
on
of
in
which images
oi
As
in
a serious
its
road accident
at the
irrationally
Trotsky, she
ot
all
arranged
later
Me
detail.
multitude of minute
a lover
most
Surrealist,
is
from
Carra.
in.
De
eon
become something of a
ler
also the
I.
of
age of
spinal
its
At one time
Water Gave
the
Private collection
to paint,
Kalf
A
collection of exotic
table
Still
laid
out on the
is
colour.
of
W'ilh
lobster, a drinking
silver filigree
work,
horn with
crystal goblets, a
its
glittering
lemon and
mount
Turkish
and could be
group forms
warm
Willem
light
Kalf.
Still Life
texture.
and
their rarity,
Horn and
Glasses
sumptuousness and
his
painter
when
still lifes
lived
in
rich colours
of the paintings of
this
influenced by the
work of
The
a luxurious,
Claesz.
1693
Oil
in.
Kandinsky
Colours, lines and shapes,
blend together
painting.
There
hills
Cossacks
\\Zassilv
great beauty in
its
artist
Having
Kandinsky
Munich
the
for a
were
in the
world of
art
He
first
and
returned to
Oil
on canvas. h95 x
wl30 cm.
h37*,
in his
art.
For
in
a time, he taught at
the
power of abstract
art after
he saw
it
was one of
Cossacks. 1910/11.
and folk
became aware of
originally trained in
his
Kapoor
Anish
beacon
(// is
Installation: It
a prehistoric site,
in a
the sandstone
mysterious aura. In
librcglass,
involve
They show
ideas
on
weightless quality,
kapoor has
that
tried to
in these
combine
the spiritual
of sculpture
that there
is
in a
poetry
in
Man, Untitled
ethereal,
is
II
Parts
tsits
life
some of his
pieces take
in
terms of
on the character of a
Gabo,
Klein, Long,
Moore, Noguchi
Grenoble.
Now
at
II
gathered
Parts. 1990. Slate and pigment. Installed at Centre National d'Art Contemporain,
Kauffmann a
David Garrick
Angelica
Kauffmann has
The way
in
around
look out
at the
in his chair to
intimate; he
pose, as
if
go
to
viewer
1,
is
in a highly
portraits
of
in
on canvas. h84 x
and
his brother,
whose
soft
dramatic
Many
engravings were
idyllic
Switzerland,
Joshua Reynolds
Classical
d'art; their
popularity
made of
made
her
name famous.
to
Adam
touching and
Italian notables at
Sir
mos
Kelly Ellsworth
hand, in
flat
A yellow
at right-angles to the
it
artist's
panel
main
Beaux-Arts in
of two
flat
surfaces, this
work
Post-Painterly Abstractionist
Margo Leavin
movement of the
as 'Specific Objects',
1960s. It
Paris.
Boston and
His work
is
at the
Academie des
is
Albers, Louis,
Newman, Ryman,
Stella
1923
Gallery,
of the
hovering
relief
between painting,
Los Angeles. CA
Kiefer
Vnsclm
ploughed
fields
under
a raised
myth of
for his
Holocaust.
of a
(the revival
style that
emphasized the
work
photographs or woodcuts.
"
Kiefer. b
of the
Baselitz,
of the experience
Kitaj
Donaueschingen, 1945
Wayland. 1982.
Oil.
in
in.
context
reaction to
woodcuts
in
facts
artist's
Private collection
Song
itself).
vitriolic
Self-portrait with
The
that
is
characteristic
Expressionists
who
of the
and angular
was part of
group of
bridge, implying that thev connected the art of the past with
cl910.
Oil
rivalry
between himself
Model
his
works too
early, trying to
Kirchner lived
suffering
in
Switzerland
on
prove
1917
health grounds as he
was
as 'degenerate';
r Van Gogh,
1938
From
in.
Kunsthalle.
Hamburg
he committed
KitaJRB
The Gatehouse
at
If
clearly the
The theme
panoramas of
in the
hearing-aid. This
S Eliot's
poem
If
Kitaj.
Oil
is
cruel, in
movement. A
in
England.
b Cleveland. OH,
"
is
1932
painter of
he often portrays
which he
works mosdy
artistic references,
R B (Ronald Brooks)
Art
with the
man
Pop
literary allusion,
Not, Not
w60
in.
Modern
Art,
Edinburgh
lives
and
Klee
Paul
Senecio
human
face
is
performer Senecio,
relationship
it
between
portrait
of the
art, in
From
own words,
writings
exiled
on
his theory
of
art.
Two
artist's
mind. In
Senecio. 1922.
Oil
his
1940
in.
Kunstmuseum. Basel
his
galleries as 'degenerate'.
which
many
the graphic elements of line, colour planes and space are set
in
to 'take a
artist-
Klein Yve
1KB
1KB
colour
is
Most of
spirituality
and exert
is
The
Klein, b Nice.
of
1928. d
Paris.
work
a style
was
a leader
Yves
Dada movement,
Its brilliant
blue pigment.
79
is
which female
accompaniment of
of a heart attack
his
at the
own symphony.
age of only
1962
1KB 79. C1959. Pigment and synthetic resin on canvas. hl39.7 x wll9.7 cm. h55 x w47V6
in.
34.
Tragically, he died
Klimt Gustav
The Kiss
field
is
on the
The
clothing.
line,
world that
is
also luxurious
generation. Their
produced
some
new
style
is
large allegorical
and mythical
who
The
Kiss.
1907/8.
Oil
on canvas. hl80 x
wl80
cm. h70% x
w70 4
7
in.
Kunsthistorisches
Although he
paintings.
He
Museum. Vienna
Schiele
Kline Franz
A
total
of
five black,
Untitled
wide brushtrokes
float
on
a thickly
was inspired by
the
was influenced by
brushstrokes. Kline
railways, scaffolding
of the painting
between
open
lies in this
Untitled.
1951.
Oil
New
York. NY,
w78
oriental calligraphy
schemes
to black, white
in.
and
"
1962
his colour
demonstrated bv the
vast,
is
Private collection
Still.
Tobey
Kjieller^r Godfrey
Everything about
white
wig
silk,
all
fluffy
as a
gold braid,
be identified
sitter.
He may
of British
here.
Sir
then
fill
in the face
when he was
John, First
Duke
of Marlborough.
cl705.
Oil
on canvas. h218
On
sitter in
the flesh.
became
workshop with
a large
his arrival in
He
established a
team of specialized
which
assistants,
He
gold chain, the blue band around his calf and the
embroidery on
Duke of Marlborough
John, First
this
one.
II to
George
God
* Dobson. Van
consulted him
Dyck. Hilliard,
Lely,
II,
at the
Creation.
Moroni
a better
Kokoschka Oskar
All the contours
and
peculiarities
of the
artist's
Portrait
self-proclaimed 'degenerate
artist'
shows Kokoschka
whose innovative
Artist'
face are
of a 'Degenerate
art
as a
was
of
his
also
movement
at the
were
behind
it
there
is
The
Germany
politically symbolic.
tense situation in
to
this
* Beckmann,
1937.
Modern
Art.
Oil
on canvas. hllO x
Edinburgh
w85 cm.
h43V4
Durer, Ensor,
to
Dresden
iJC iVOOningwillem
Marilyn
The
exhibitionist
beautiful
and
Hollywood
star
is
layer.
belongs to one of
phases.
He
Monroe
is
De
a series
up the image
often viewed
like all
more
as
layer
entided 'Women',
Kooning's non-abstract, or
recognizes that,
who
by
of the stunningly
figurative,
Kooning
Oil
figure.
His
artistic
career
human
(particularly female)
De Kooning was
is
Abstract Expressionists,
female sex-symbols,
New York-based
canvas. Unlike
dummy,
Monroe
w30
In.
Private collection
in
Koons.ieff
Puppy
like a
war memorial
of an eighteenth-century building.
living plants,
is
Koons' works
in
which
metaphor
are
for the
puppy,
Kiiom was
monuments of glitzy
kitsch, or
life.
bad
trader,
and he
:.
likes to
vacuum
entombed
more
effect
new
made
for a piece,
material specially
sometimes
Dine.
Duchamp.
Lichtenstein.
Sherman
Jeff
ft.
When
appear, the
in a slab
cleaner or a basketball.
enormous expense.
taste,
include
self-
impermanence of
commodities
of plexiglass may be
colour, while
work's
forecourt
consists entirely of
destrucdon,
It
a small
in the
Originally at
Now dismantled
at
Kossoff Leon
This imposing church
the scene in
muted
in
Christchurch N<
London's
Spitalfields
dominates
a sort
of
even-day
life is
End of London,
work. In
fact
he
is
there
more often
is
up
in
memory of
Neo-
the
it is
local scenes
this area
vividness of his
and
w39^
in.
Kroyer
Immersed
women
in their
walk on
own
private world,
deserted beach.
The cool
on
blue tones of
Summer
Peter Severin
or" clarity
and
a great deal
of effort
how
lamplight
is
for their
moving pathos. He
later
became the
under the Arctic sun, and avoiding strong colours and deep
dogged by mental
shadows. Born
"
particularly
1900
Summer Evening on
on canvas. hlOO
Oil
realistic
in
and
last years,
illness.
'wl50cm.
h39v$ x
w55
in.
leader of a
Denmark, and
his
however, were
Kupka
Composed of a
Frantisek
Cathedral
in Paris
an almost mesmeric
quality.
The
seem
to
where he pursued
his interest in
and practised
as a spiritualist
medium. He and
abstraction, derived
convey the
light,
Born
in Czechoslovakia,
tried instead to
and
like,
Oil
on canvas. hl80 x
wl50
as
an
he
illustrator
h70^ x w59
in.
style
structures
it
Private collection
(a
was the
W'assily
'pure',
which
their imaginations,
study
of God)
of pure
and made
1957
cm.
theosophy
intuitive idea
real.
they
Lam
Gathered
The Jungle
Vttlfredo
at the
edge of
a jungle, into
is
which
group
or"
their long,
voodoo,
strange creatures
which inhabit
and
tribal
brings together
artists to
fruits.
Lam
its
folklore, totems,
images. Both
Lam
and
his friend
African
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w230 cm.
H94t4 x
w90^
in.
Museum
of
Modern
Art.
New
York.
NY
Lancret Nicolas
Lady and
cups
in a
setting.
Although
this is a refined,
formal scene,
it
abandoned her
is
doll in favour
of
a taste
all
Two
at these pastoral
galantes, pictures
Girls in a
of figures
famous for
his portrayal
in the style
of
his
away
his
forever. Failing as
days painting
in pastoral settings.
of
Garden
evocations of aristocratic
it
a history painter,
also
Gentleman with
Lancret excelled
life,
which
fairs, balls
and
village
weddings
The
one
side
A Lady and
in the centre.
1743
Girls in a
Garden. cl742.
Oil
fetes
He was
in.
Landseer
As
the
if
showing
their
cows dominate
Sir
Edi
proud defiance
this
Wild
in the face
of adversity,
of Tankcrville
fine painting
at
this
the semblance of
taste
bv
Romantic novelist
Sir
Walter
Chillingham
lis
father
life
human emotions.
Sir
(battle at
Queen
are the
Oil
on canvas.
lions in
evidence of
to his
mental breakdown.
He
may have
died insane.
in.
to
first
Victoria's favourite
bronze
when he
is
some
contributed
Lanyon p
The white mass,
Fly
ete r
fluent brushstrokes
this heavily
painted
on
the right
a totally
this in
becomes
line
new
glider
Away. 1961.
Oil
on canvas. hl22 x
an
artist
for
who
most of
Naum
his
Lanyon
Gabo, Patrick
life.
He
is
1964
atmosphere. Born in
harbour, and the red and yellow shapes assume the forms of
Fly
in the
acknowledged
vision of the
lived
up
Away
in.
Gimpel
Fils.
London
De Kooning, Nicholson
La Tour
The
The Cheat
G< arges de
is
The
the areas of
is
warm
background
light.
Although
geometric simplicity
of the earlv
is
Italian
Georges de La Tour, b
Lorraine.
in total
this
is
Baroque
woman -
for
in
Vic-surSeille.
of
1593. d
Luneville.
Diamonds. cl647.
Oil
of
artists at this
French province of
le specialized in candlelit
his paintings
who
liked
it
was accepted
so
much
as a gift by the
that he
had
all
the
1652
on canvas. hl06
their
One
France,
the
Ace of Diamonds
luminous quality
painting, there
example
effects with
darkness, intensifying
in the figures
Many
Franccsca.
La Tour spent
with the
Louvre, Pans
King of
works bv
Laurencin:Marie
The Dancers
demonstrated here
in a straightforward portraval
of the
movements
in this
quality.
Her
by beautiful young
mood
of the 1920s
girls,
in their lighthearted
and
movements
in art
Marie Laurencin. b
Paris.
Oil
own
- Degas.
individual stvle,
Private collection
mam
artistic
Lawrence
Although the inscription on
the
Duke appeared
Sir
this
at the battle
Thomas
work
The Duke
of Waterloo,
it is
how
is
pose with
approach
more
staid
Antoine-Jean Gros
and
in the
less realistic
windswept
like
furthermore,
Sir
victorious one.
Thomas Lawrence, b
The Duke
of
Bristol.
Wellington 1818.
royal painter
on
at the
to
innkeeper, he
to paint
all
work has
in
constant
difficulty.
Oil
With
and
The son of an
Charlotte
George IV
than that of
was famed
Queen
most
of Wellington
w96
in.
huge income
Leger Fernand
The massive
scale
The
of the building
is
cleverly
its
in
evidence
it
in this painting
worked
The massive
Builders
conveyed by
robot-like workers,
for the
in
many
and
its
focus
was
New York.
dynamic
The
Builders.
1950.
Oil
Gif-sur-Yvette,
on canvas. h299.8 x
w200
w78%
in.
Among
for the
UN
1955
cm. hll8 x
Musee
its
on machinery. Leger
is
in
first
his last
building in
reflection
The
soft yellows,
tall,
is
thin shape
who
as the
still
studied art in
1890.
Oil
opposition
was purchased by
later elected
and
The Bath
Queen
in direct
elongated body
to the
Alma-Tadema,
1896
in.
President
Lely
Sir Peter
Glancing nervously
letter
The
opener.
lack of intimacy
was
Charles
portrait
sisters, lived at
allowed, this
Sir
is
visits to
the
with James,
Duke of York
in the
and
the
King were
years after he
King
in
portrait painters
with James.
Duke
of York.
1647.
Oil
in.
Master
painted
influential
1680
on canvas. hl26.4
flood of portraits
succeeding
became
followed which
Charles
Sir
this
his brothers
The choice of
as
style.
Charles
a prisoner at
Leonardo da Vinci
Mona
The Mona
L/sa
famous
is
all
debate
a
The
still
identity
controversy
this
sitter
woman, but
above
of the
its
is
indeed
the
oil
Leonardo da
Mona
Lisa.
painting technique
Vinci,
man
haunting landscape,
in the quality
of
its
execution.
(known
its
Oil
on panel. h77
or
rises
Equally adept
as sfumato) created
in.
in
Durer, Griirlandaio.
Musee du
Louvre. Paris
of
and
scientific
remarkably small
beauty
execute subtle,
1503/6.
artist to
Vinci.
Lisa
this genius.
to
Lewis Wyndham
The
shown
as a series
appear as
rigid
smoke from
Western Front,
is
painted in harsh,
his
first as
bomb
in the
is
craters
background
bombadier, then
as
war
artist.
This,
down
Battery Shelled
was
experimentalist of British
movement,
most
a kind
art.
and superb
influential
He founded
its
brutality
makes
it
clear that
he thought war
suggest
its
Wyndham
A Battery
Shelled. 1919.
Oil
itself
England, which
of
his
life.
war, yet
the Vorticist
in
'-
Bomberg, Braque,
Friedrich,
Nash, Picasso
1957
in.
Imperial
LeWitt
Open Geometric
Sol
is
based on mathematical
are defined
to
The
work's
rigid
calculations
work
to
we
actually
Conceptual Art.
movement can be
seen
in the
its
Structure IV
'structures'.
He
itself,
1928
IV.
w438
is
is
more
more
of
in.
lines, are
He
called
and
artist
an
~ Andre,
in.
own
draw them
LichtensteiriRov
Lichrenstein's
impact with
blown-up comic
its
strip creates a
In the Car
original cartoon
is
faithfully
stvle.
The
making
powerful
Day
scale,
dots) that
comment on
make
prime
mass
a social
forms
popular imagery
in his
exhibition of his
industrial
in
is
Art
"
in
which
life
artefacts,
were used
continued to use
Museum
New York.
in.
as art
Modern
Art,
Edinburgh
of Modern
Limbourgjean and
A
fine
this
Paul
is
January
page from
Januan,
identified
by the
stellar
1410 and
art.
for
banquet depicted
the
Due
de Berry
in the
who commissioned
Most
bv three brothers
who
all
its
unprecedented attention
of
He
is
wearing
(if
a portrait
the manuscript.
who
devotion.
It
to
everyday
A Book
a prayer
of
book
lours
praised
and for
was used
for private
this particularly
sumptuous
is
detail
in.
Musee Conde.
Chantilly
its
-L/IO T.2LL
Q Jean
of chocolate
is
striking for
Etienne
maid carrying
its
direct
clarity
cup
a tray with a
work has
and
it
whose
emphasize the
and
his return to
slightly
Europe he continued
to
h32'/4 x
lighting,
On
this
gave
like to please'.
1789
even
clear tones
years in Constantinople,
figure
all
some
spent
w20V5
in.
Staatliche
Kunstsammlungen, Dresden
LipdlitZ Jacques
The
strict,
layers
Half-standing Figure
mathematical composition of
this
work, with
its
while creating a
of the
lyrical,
earliest sculptors to
Cubism and
to apply
to three dimensions,
and formal
qualities
Jacques
Lipchitz. b Druskieniki.
figures
called 'transparent
and animals
mainly
in the
sculpt a
in Lithuania,
developed
in.
in
USA
Madonna
bronze
lived
for a
was commissioned
modern church
in France.
and
very
making what he
work of
terms of space
in
of composition. Born
commissions
them
to
Lippi Filippino
Portrait
The
whose
portrayal
straightforward.
looking direcdy
seen.
The
is
striking because
He
sits at
at the
it is
unknown,
yet
be
his
his
Roman
painted
in
when
his father,
Portrait of an Old
to
complete
they
Rome
in.
Florentine fresco
left
have made
in his
later
became so important
in
remains, which
it is
work. Aged
former pupil of
sdll
is
Botticelli, a
much of
which
so direct and
Sandro
Man
of an Old
to
him
that
not.
Masaccio
Lippi
An
PP
The Coronation of
<
saints, clerics
and donors
who
look
on
at this coronation.
panning.
The
cleric
portrait ot Lippi,
at the
unstated to the
model
rules
way.
means of
The viewer
is
drawn
into the
crowd
in a
composition by
left
who
Virgin.
who was
age ot eight to
for
released
life,
many of
from
his
the Virgin
sent as an
become
le
his
vows
monk
eloped with
far left
orphan
is
to a
a self
monastery
important Renaissance
"
artist.
1469
in.
the
later
Gallena degh
Uffizi.
Florence
Monaco
Lissitzky m
Composition
in delicate
colours
sense of
appear to be floating
depth and an
illusion
at the art
series
of 'Prouns'
is
well-known -
was developed
in Lissitzky's later
works. In
its
form invented
El Lissitzky
first as
an engineer, then
as
architect.
no suggestion of depth.
lines,
figures.
an
1941
in.
Private collection
Lochner
God
symbol
or"
The
Stefan
and
in
its
the
The
sits is a traditional
given the
name
do the images of
painting, as
some contemporary
last
is
the earliest
illuminated manuscripts.
known
of the Gothic
artists,
in
in
Oil
1451
on panel. h50.5
was
its
work bv
his figures
'soft style'.
w40cm. hl9*^xwl5'/4
in.
Wallraf-Richartz
Museum. Cologne
Long
Richard
at
random, but
accommodating
its
massive
size.
to
is
carefully placed in a
Long
line
Richard Long, b
Bristol.
at
in different
all
ways; he
may
of
line
years.
basic shapes
Some of his
of rocks
He marks
his
laid
journey
of stones,
known
to
man
photographs or maps.
* Andre, Buren,
Christo. Judd
1945
Now
taken him to
for millions
In.
Longhi
Painted with
almost
scientific curiosity, a
enclosure, placidly
rhinoceros stands
munching
Exhibition of a Rhinoceros
Pietro
in
in
all
costume
William
an
a
capitals
by
never
life
were
theatrical
and
example, those bv
Oil
on canvas. h60 x
somewhat
show no
many
pupils,
form
paintings
and although
a valuable
" Agasse,
1785
if
they
its
witty, but
Ver
logarth in England).
at
w47 cm.
h23'/S x
wl814
in.
LorenzettiAmbrogi
Dominating the composition from
sits
his magnificent
throne
the personification of
as a judge in black
Allegory of
symbolize the
city's
Roman mythology
ancient origins.
On
the
used to
left is
Peace, a
reclining
are
on
a suit
members of the
and
in
Good Government
is
part
of
a cycle
Good Government
painted
on
chamber
in
is
highly
original artists
brother Pietro,
civic
"
cl348
for
and
his
numerous
brilliant
Lorenzo Monaco
The Coronation of
The construction
(if this
Renaissance altarpieces.
by smaller paintings
painting
The
in
of
typical
life
is
show
Above
The way
in
surrounded
is
The sequence of
combine
to
form
are scenes
is filled
from the
with
Monaco
periods.
Lorenzo
began
this
late
\va< a
famous
for
as a miniaturist
him
in the transitional
monk and
its
took
his
vows
altar
of Santa Maria
degli Angeli in
C1424
in.
He
in a
illumination of manuscripts.
Florence.
the saints around the Virgin and Christ, and his use of a
Lorenzo
monaster),-
individual saints.
of early
principal scene
the Virgin
Gallena degli
Uffizi.
Florence
Lotto Lorenzo
The
clearly
meant
Roman
lire is
Lucretia
who,
after
live as a spoiled
early
works show
his
Lady
style
as Lucretia
was
success.
vividly to
many
(a rare
a difficult individual
in
colour and
who
achieved
life,
his career
he became a
lay
his
own
idiosyncratic
m~ Giovanni
A Lady as
Lucretia.
cl530.
Oil
in.
little
his native
brother in a monastery.
Bellini,
His
financial
light.
Venice to
his
death
Louis M(
Thinned
acrylic paint
is
poured
bare canvas.
Alpha Phi
dazzling near-emptiness
spirit
in
As
irresistibly
suggests a
way of painting by
rejecting shape
and
in this
light in
Zen
new
favour of
is literally
soaked
worked on
series
movement
of paintings
at
vertically
flatness
ISA. Louis
down
most of
its
area,
visible brushstrokes,
in the
like
work
usually
of the
1962
Alpha Phi. 1961. Acrylic on canvas. h259.1 x w495.1 cm. hl02 x wl94'4
in.
and
Lowry LS
Coming from
affection
and captured
in
muted
Lowrv's raw
style
the Mill
of painting
colours, the scene has been painted straight onto the canvas
individual, uninfluenced
eye,
of movement,
vital
and
alive.
clerk
all
His
working
he studied
until 1939,
This work
his
first
is
who
its
52,
W Blake.
Burra, Gontcharova.
H Rousseau
Mill.
1930.
Oil
on canvas. h42 x
w52
cm. hl6!4 x
w20&
in.
today.
entirely
of England, with
and
life
when he was
memory
idiosyncratic
Salford
Museum and
The Card
Fashionably dressed
although
in felt hats
women
sit
round
more
active interest in
its
fresh
appealing.
superb draughtsman,
and Mabuse
is
Van Levden
life.
painters,
profusion
Players
his father's
all
and he
and
engravings:
Van Leyden
is
in his
lost.
The
At the age of
said to
Diirer,
Oil
on panel.
h34xw48cm. hl4xwl8
in.
local
influence of
liked to
Van Levden
banquets for
first
.Lllini Bernardino
The
to
Baptist's
head
is
in
gesture
is
Head
to
Herod
in rich colours,
skill
to create soft,
smoky
the Baptist's
da Vinci,
who
and
more
in the
his picture
than
Bernardino
Luini.
his
Uffizi,
Florence
1532
the
drama
him one of
Mabuse
Sr
Luke
sirs at a
Saint
lectern in
trip
Flemish painters
r<>
.1
.in
angel.
visir Italy,
in the
this
the light
in the
lyrical folds
Mabuse
was one of
Romanists',
group of Netherlandish
who wanted
saint.
artists,
poses and
details, the
1527 he travelled
in
Oil
of the
their
in.
'the
Italian
Flemish
borrowed
Mabuse
nicknamed
in the
(Jan Gossart). b
Renaissance-inspired
way
in the
Kunsthistorisches
Museum. Vienna
Magritte Rene
something
as
that
denying that
what
it
obviously
is.
By
at the
naming
same time
writing 'This
is
and
real.
One
is
not as
it
society
see
is
assault
on
the accepted
way
in
which people
by Giorgio de Chirico,
as a
steam
train
emerging from
commercial
artist,
and
this
may be
reflected in
Bellmer, Brauner,
The Treachery
and an
and
in.
De
Museum
Tanguy
CA
Maillol
\ristide
He was
this
and weightiness
restrained
in
its
movements. Although
on
Maillol's
solidity
fleeting expressions
Classical representations
girl, is
also typical
tapestries, in the
fluid
of
his life
he concentrated
which
figures
Botticelli.
in.
had
a fixed
fifth
and monumental
second half of
concept changed
more-
Private collection
century BC,
quality.
Malevich Kasimir
Geometric elements painted
as
it
Suprematism
in basic colours
appear to
or"
to
float
convey
Suprematist work,
on canvas. hl01.5 x
what he
Gabo,
Lissitzky,
1935
conclusion
in.
Stedelijk
Museum, Amsterdam
in
on White', consisting of a
method
Oil
entitled "White
Suprematism. 1915.
of works
he took the
founder of Suprematism,
a series
white square on
it
development of non-objective
all
Man Ray
Displayed on
Tomorrow
in
its
the
new techniques
new medium.
lis
techniques as an
Dada, an
Man
anti-art
York,
leading figure
moved
to Paris,
where he made
in
the
In the 1920s he
photographic
in
rich, fertile
movement intended
Tomorrow. 1932.
New
in
Triple
to
generations of
"
h!6%
in.
artists.
1976
Private collection
Sherman
at
Manet Edouard
A
woman
nude
two young
canvas
is
sits in a
gallants in
contemporary
clothes.
The
large
of Classical
art
condemned by
the critics
was
to liberate artists
and
literary subjects.
the bare
minimum. Basing
his figures
on
composition by
brilliant
when
first
An
technique with
artistic rebel,
much
he developed a
that he scandalized
Renaissance
art.
tried to
ideals
of
- contemporary bohemian
Edouard Manet, b
Paris,
life
1832. d
Oil
Paris.
conventional
both
artists like
art critics
w271
Titian.
1883
on canvas. h215 x
in.
Musee dOrsay.
Pari;
It is
ironic
MangOld
Robert
One of a
series
of 28 and named
the Metropolitan
Museum
in
after the
New
York,
movement. Mangold
this
things.
than
turning
it
in
Minimalist
is
without
in
roller.
Greek pots
is
into a
in
which we perceive
in the preparation
is
whole, and he
likes
an element of visual
included spray-painted
wood
content. In the
last
palette reminiscent
III.
1990.
Acrylic
in
more
of Henri Matisse.
of an idea
fascinated
Through
illusion.
the years Mangold's painting has been highly varied and has
w310 cm.
h90! x
wl22
in.
Private collection
Ryman
lyrical
Mantegna Andrea
The Agony
crowd of
on
soldiers are
their
unaware
way
Andrea Mantegna. b
The Agony
In
painted in
is
of other Renaissance
and
that Judas
minor
artists
artists,
of
painter,
his time.
birth,
but
becoming one
His
sculpture.
a
in the
Garden
his
life
for
whom
of
art.
Isola di Carturo.
to the
grisaille,
For much of
Duke of Mantua,
He was
of engraving and
Durer and
others.
style, as that
relief.
in.
his
Manzu Giacomo
With only
of
his
hand appearing
voluminous robes,
beneath.
geometric unity
to disturb the
orifice.
represents a thread of
lyrical qualities.
harmony and
Manzu's work
figurative order
running
The
is
Giacomo Manzu.
whom
museum was
7
The Cardinal. 1955. Bronze. h208 cm. h81 4
in.
lyrical,
Cardinal
The
the son of a
a plasterer
to study art.
Ie
and
was
commissioned
for
He
later
working
in
art.
created
"
Algardi.
Bacon, Brancusi,
Maillol, Marini
1991
Galleria Internazionale d'Arte
Moderns
di
bronze.
Marc
Franz
Little
hilly
landscape.
is
colour,
Yellow Horses
inner feelings
it is
of Expressionist
good example of
artists called
the
Der Blaue
rider').
It is this
of
a life-force
make
that
the
way
it
this
and
as projections
of the
as
symbols
imagination,
artist's
Oil
artist's
horses,
Kandinsky
Most of Marc's
but from 191
he was
Verdun
liked
liked blue.
abstract. Tragically,
in 191 6.
1916
2 his
killed at
liked riders
Staatsgalerie, Stuttgart
Marin John
Painted as
if
Maine Islands
this
watercolour plays
and simplified
it
into
its
most
room
itself
look
he
playing a visual
is
like a flat
window
painting
hung on
a wall.
By doing
worked
as
flatness
his early
He went on
style, filtered
to
develop
this
and
an architect,
Islands.
distortions,
(with
flat
its
oils,
he
is
best
known
Davis.
of architecture.
Maine
its
Cubism
and
Whistler.
hl6^xwl9&
in.
Phillips Collection,
Washington DC
Marini?Marino
Horseman
conveys
a primitive
produced
sense of
rich in pathos
a series
vitality
its
simple outlines
and power.
and poetical
It is
feeling.
formal
that
of
it
rider,
Marini
any
artistic
to his
own
individualist,
never part of
The only
influence
Marino Marini. b
Pistoia.
faithful only
"
Museum
of
Miller
and the
that of
Henry
Chagall.
Modern
Art,
New
York,
NY
Manzu
artist
Marc
Martin John
Concentrated into
dark sky, are
all
could muster to
nothing
fires
less
this
the intensely
show
the
dramauc
effects that
awesome power of
Martin
nature.
It is
fall
as
God
shame and
in
Oil
fertile
\\"
England
showed
Biblical subjects
on
Paralysis
from
a stroke
a vast scale,
and
brought
lurid,
peopled with
menacing
his career to
1854
on canvas. hl96 x
this
before his
in.
tiny
skies.
an abrupt end.
Martini Simone
This painting depicts the
when
Gabriel
she
to
is
first
moment
The Annunciation
in the
Annunciation
from
his
are
just arrived.
mouth
at that
very
moment. Mary
him and
white
lilies
Simone
The
away from
With
its
work
is
century Gothic
style.
Simone worked
for
Anjou.
traditional attributes
of
*-
Monaco, Tintoretto
1344
The Annunciation. 1333. Tempera on panel. hl84 x w210 cm. h72H x w82%
in.
Masaccio
The
The Holy
is
a perfect illustration
of
short
Florentine
sightlines
artists.
Masaccio painted
converge on
on
The
Masaccio (Tommaso
The Holy
Trinity.
The
renewed
figures
presence, of a solidity
di
scene so that
a straight
at the rime.
this
we would
all
the
unknown
Giovanni), b
real,
a situation
a telling
and
of
light
his
* Grunewald. Masolino.
wl24 /6
7
in.
glance or
real
was
through
gesture,
physical
who
see
columns and
have an impression of
this
life,
Trinity
sense
frescos.
50.
Masolino
The two
saints
may be
identified
by the objects
in their
him by
Christ.
style
Maggiore
in
Rome,
this
Masolino
is
the
more
delicate artist
so
working out
of
The
Tom' and 'Bij
in their collaborations.
elder
'Little
to
tell
them
the two, as seen here in the soft features of Peter's face, and
Giotto, Lorenzo
Monaco, Masaccio,
Sluter, Uccello
Oil
apart.
Philadelphia
Museum
of Art, Philadelphia,
PA
MaSSySQuenrin
The
documents
man
is
Portrait
someone who
known. There
is
a directness in the
in the
is
not
Mono
influence:
certifies
of a Notary
hisa : There are other indications of Leonardo's
.
some of his
at the
women,
called 'grotesques'.
who
A
was
arcade. Massys
original
and
ironical
a blacksmith
painter,
C1510.
Oil
h31*
w25^
in.
realistic portrait
men and
seen
similar to that
drawings are
of old
Matisse h<
A
flurry
is
woman
harmonized into
wall,
flattened, distorted
dazzling painting
laying a table.
The
this
and
simplified. This
enhances the
lyrical
in
Red)
He and
his
his style
manner
continued to
however,
as
can be seen
in the
in
Red). 1908.
Oil
1954
on canvas.
his
in.
Matta Roberto
Sebastian Fxhaurren
Untitled
turned to painting
to direct
rhythm.
them
An
They seem
into a
like
result
of
a bizarre
Untitled.
1950.
Oil
on canvas. hl30 x
Chile.
Ic
movement. His
style
is
typical
in.
Latin
New
symbiosis
h51'^ x vil&%
in
1911
wl95 cm.
to inspire
Surrealist
first
in 1957.
Hills.
CA
Memling
H;
moment
men who
in the Christian
latter's
story has
been reduced
support Christ's
body, and
cross.
The
to three
figures are
crowded
behind
is
became
his life in
artist. It
may be
popular figure
in the history
of
art.
His
Hugo van
der
in
Bruges, where he
of
realistic faces,
influenced by
this lack
artifice
the
in.
Capllla Real.
Granada
Weyden
JVLCnP^S
Dressed
Mengs
in a
simple
Anton Raphael
brown cloak with
Self-portrait
into the character
a red underjacket,
are excluded.
unkempt
Rome
hair
Many
known being
swollen eyes
tired,
painters have
of the
artist.
made
A German
by birth
of the Xeo-Classical
Oil
who worked
a painter
all
glimpse of his
he has
real personality.
searching introspections,
in.
mostly
in
of religious and
C1774.
Self-portrait.
Vigee-Lebrun
let
us have a
Merz
The words
Mario
Unreal City
unreal
statement on the
artificial
contemporary urban
puzzling work.
city')
framework.
life
are inscribed in
It is a
neon
brash, succinct
- but
also
an enigmatic and
Its
Merz's interest
in
processes of thought as a
standardization of
comment on
modern
the bland
technological culture.
developed
As
the
name
which aimed
effect; banality
was
metaphysical significance.
Merz was
Nauman, Oldenburg,
Viola
Iron, wire
light.
at
Stedelijk
Museum, Amsterdam
of
Metsu
A
delicate air
which
Gabriel
of mystery enshrouds
man and
woman
is
achieved by
its
Gabriel
Metsu
Oil
intruding.
Metsu was
chair, with
pupil of Gerard
few diagonals
Dou, who
century.
The
b Leyden. 1629. d
is
composition
carefully structured
Amsterdam. 1667
hl5Hxwl2%
in.
Ter Borch.
Vermeer
Michelangelo
With
its
monumental
masterpieces of Western
art.
The
is
and
The
it
was owned by
round
it is
just a painter
composition.
skill
human
body.
and
The
is
is
the
brilliant
(revealed
Doni
{tondo) in
family in
shape.
considered to be one of
iW
Rome
in.
is
Mariana
Everett
movement.
reminiscent of a jewel
The
entire
room, with
Victorian
its
Millais
artists.
atmosphere,
- from
from
table
to
emulate painters
- and
the
a style
HVv
JHUtfl^l
.'vj^^d'v'H
<fm
fofl
Hj:l &mt
;,
jj
H^^'t^jp
PH
fOSafl
"''HH
'
jjf
^f^fl
ra
v9b3
"By'
ill
.tW^^^M
)fjy
IBHH^H
Mariana. 1851.
Oil
of fresh Christian
"
Sir
earlier than
mam
all
iuw
ml
of
superbly
on the
The
filed
in.
Private collection
JVLlllCt Jean-Francois
The Gleaners
Three peasant
women
harvest after
it
golden
light gives a
painting
is
more than
a harsh social
comment on
are far
also
by the
rich,
form and
their
1875
h32%
provoked
monumental
qualities.
of peasants and
this
life. It is
left
toil
cool,
but
figures,
who
The
of the
x w43V4
in.
Musee
d'Orsay. Paris
Rousseau
Miro
Women,
Bird by Moonlight
this
away
to
show
The background
it
raw,
Spanish
artist's
works. In
its
seem
portrayal of weird,
to spring
is
all
their freshness.
and
is
The
'Women and
executed
Birds'
all
throughout
"
ballet
Romeo and
his
life.
w26
in.
of the
prominent
Juliet,
and also
Women.
from
typical
Modersohn-Becker
Gazing out
in a
deep
reverie,
She
an old
sits at
woman
firmly holds
The
flowers, bottle
and
woman
are
Modersohn-Becker's
sensitivity to colour
all
fill
is
painted with
in
luminous yellow-green
there
light.
\\(
of Vincent van
Gogh and
the solid,
last
year of Modersohn-Becker's
age of
the canvas.
equallv
German
life;
she died
of
Expressionism.
most of her
life,
the artist's
Woman with
Oil
on canvas. h96xw80.2cm.
h37%x w31V$
in.
Modigliani
Nude
\mcck
which provides no
any
beauty.
and
this
is
portrayals.
also
one of
his earliest
works.
The
The
in Italy,
he went to Paris
I'
is<
1)
affiliated to
Born
girl's
<
movement although
his
When
in
at
he died, aged
;s,
Amedeo
his
Nude. cl912.
Oil
on canvas. H92.1 x
own
individual,
in.
of
* Boucher,
1920
rest
of tuberculosis,
an exhausting pace.
Moholy-Nagy u
A
this painting.
The
artist
CHX
S2 io
is
created by
Moholv-Nagy was
his notable
importance of
ability
way
infinite
it
explores the
in a
seemingly
Constructivist
movement,
geometric forms of
all
Oil
from 1920
IL,
h29% x w38
1946
in.
to 1937
Institute
when he
Private collection
settled in
of Design.
One of
CHX. 1939.
The
Rodchenko
to
Germany
Mondrian
A
Composition
Pict
of primary colour
is
a style that
banished the
He wished
-
straight lines
line.
until
was
reflect the
of discipline
order of the
universe.
The
Mondrian was
in 1938,
and
a leading
travelled to
De
movement, of which
Stijl
member. He
Oil
on canvas. h45
native Holland
his studio
was
York and
his
reflecting the
compositions became
more
restless
slightly
rhythms of
more
life in
Composition 1929.
left his
London, where
Museum. New
York.
NY
New
colourful,
the land
of
Monet
Claude
Waterlily
achieved
is
airy
this effect
by covering
his
the
reflections, this
light.
Monet
blues, reds
and greens
When Monet
became
a subject
death. His
house
pictorial possibilities
and
Paris,
1840. d
Paris,
air
movement, but
his
member of the
eye, but
it
God what
an
eye!'.
until his
in
- Cezanne.
1926
art.
in
Impressionist
on the surface of
at his
first series
Claude Monet b
its
water-garden
and
built a
variations of light
has
water.
Pond
in.
Sisley, Turner
Moore
ik tin
Recumbent
this
man. Semi-abstract
outlines suggest the
in
form,
work of
its
the
at
primitive sculpture,
Moore
vitality
same
of ancient and
of"
and rock. As
a result, the
direct
works he
Ienry Moore's
open
air,
>nc of the
works
in.
are
and several of
igure
his
North
Morandi
Remote and imprisoned
collection
of
jugs,
Giorgio
Still
in their austere,
is
enveloped
in a
vacuum.
scene.
With
variations
it
conveys an
his
of meditative
air
throughout
still
long career.
He
lifes
serenity.
Morandi
1960.
Oil
contemporary
hl4^x wl3i*
The
many
that
of his contemporaries.
W Cezanne,
1964
artists.
Still Life.
Life
cool tones, a
in.
Private collection
Chardin.
De
He
is
also
Chirico, Nicholson.
known
De
Stael
Moreau
A
sensual,
which
is
naked nymph
fantastically
Gustave
sits
Galatea
watched by an
based on
eerie, three-eyed
a story
telling
is
is
of the
Moreau was
Gustave Moreau b
Paris,
Galatea. 1880.
Oil
Paris.
1826. d
on panel. h85 x
associated with
in.
painters
Moreau
Private collection
in
" Bonnard.
1898
movement, whose
the Symbolist
his
Klimt. Modigliani,
contemporaries.
Mucha, Redon.
Vuillard
Morisot Berthe
A
young mother
baby
in a cradle.
is
The Cradle
and
two
delicate
behind the
veil
woman
enhance
all
of
its
own.
Oil
Paris.
on canvas. h56 x
1895
in.
Musee
d'Orsay, Paris
feminine
Moroni g
Splendidly regal, this
all
his
pompous
man
iovanni Battista
Portrait of the
He
in
sumptuous
effects
background
distinction to the
conflict.
restrained
and
is
citv in
am
with no
fear,
times of
in the inscription
and of death
is
Duke of Albuquerque
on
have no
people)
of picture
Duke
of
Albuquerque 1560.
Oil
"
1578
on canvas. hll6 x
w86 cm.
M5% y w33>
in.
Private collection
Motherwell Robei
on
in
black paint
power
to suggest so
The
many
Civil
painting's quality
rich
be.
in themselves,
the
title
suggests
it is
It
has
become one of
artist
principal
members of
numerous drawings,
Collection, Cambridge,
MA
prints
attention to
wll8&
in.
made
Graham Gund
one
War.
34
lies in its
As
Ryman, Soulages
Moulins Master of
contemporaries.
painters, he
bathed
in a mystical light.
Behind them
The
is
a fantastical
moon
in the
in
One
Moulins Cathedral.
his real
of the great
was named
him
Little
is
Some
work,
Master
of Moulins. Active
Van
1480-1500
Oil
on panel. hl57 x
wl42
w55 ^ in.
7
including
a triptych
his identity.
Weyden
the
MuchaMphc
As noble and
spiritual as
La Trappistine
Joan of Arc,
yet sensually
hand on
like a
style
attempted to blend
Mucha was
Style's
flowers
Mucha
is
an example of
artists
sets
in.
the
many of
all
on
Klimt.
Munch
\
Edvard
The Madonna
in a
pose of naked
but there
is
The
Munch's own
Horn
in
life
Norway, he began
frenetic energy
made him
Expressionism,
and nervous
The
paintings
troubled soul.
illness
in
Oil
on canvas. h91 x
founder of the
style
Bernini. Gauguin,
known
maximum
in.
Nasjonalgallenet. Oslo
art.
Ins intense,
expressiveness.
interested in
Instead
swirling,
crises.
a challenging
the
as
Munllo's
this
depiction of the
commissioned
Sacerdotes
Madonna
in the
in Seville.
The
softness of the
brushwork and
devotion.
Zurbaran, Murillo's
style
is
pntti
like
Swirling, playful
an aureole. The
century.
W Andrea
Bartolome Esteban
Murillo. b Seville.
1618. d
of the Escorial.
Seville,
cl678.
much
in
sentimental,
artist
fired
with
1682
Oil
Correggio.
Escorial
Compared with
on canvas. h274
wl90
cm. hl08 x
w74%
in.
Museo
Nash
is
Dead Sea
Paul
a vast, static sea
German
of wrecked
aircraft near
artist at a
dump
for
wrecked
essentially an artist
Romantics,
bleak
as
an
official
style
war
Oil
who
of painting
" Bomberg,
in the
1946
w60
photography.
artist to the
is
range
one of Nash's
It is
in.
Wadsworth
Nauman
Flickering
in
neon
coloured capital
enchantment
is
Bruce
lights flash
letters.
Life Death,
words which
sense of
wonder and
like
arbitrary sequences.
to
flash
idea to
on
its
ultimate expression by
IA. 1941
Knows Doesn't Know. 1983. Neon
Beuys.
Flavin,
itself
Life
Death.
become
Nauman
takes this
means of representation
ambiguities inherent in
art (especially in
judgments
and symbols
signs
.203.2cm.diam.80in.
the
Newman
Austere
of red
in its restraint
is
and
Covenant
Barnett
direct in
its
artistic
techniques have
make
on
stnpes.
Barnett
Newman
Covenant. 1949.
b
Oil
New
York. NY.
as 'zips',
1905. d New
us.
These
were to become
York. NY.
trademark of Newman's
minimalistic of the
style,
Amencan
Abstract Expressionist
Newman
sought to suggest
only look
at his
spirituality
sheer
He was
size.
their colours
Ryman. Serra
1970
Museum and
and
the 1960s.
a
we should not
son of mystical
DC
Nicholson Ben
A
series
work
of
lyrical,
in the 1950s,
arabesque
lines, typical
of Nicholson's
from
abstract
essence of the
flat,
Only the
Nicholson played
is
still-life
his revolutionary
prints.
split
(Val d'Orcia).
1956.
innovations of
August 1956
Oil
caned
reliefs, paintings,
w214
drawings and
1982
European avant-
cm. h48 x
w84
in.
Noguchihamu
Suspended
solid
in
midair
unashamedly, as
are
more
if
Its
vitality
magical object, a
sheer rawness
is
presented
cast, to represent.
like a gravity-defying,
it
could be caned, or
space, the
continuum of our
to
existence'.
be
'the
invested with a
new
briefly
York. NY.
elemental
itself
is
the
Noguchi concerned
even playground
facilities.
perception of
Working
New
1988
Stone of Spiritual Understanding. 1962. Bronze, wood and metal. hl33 cm. H52VS
in.
Museum
of
Modern
Art.
New
York.
NY
Nolan
A
his
evoked
The
Gray Sick
sir si dne<
hands clenched and an intense
he died
is
relentless heat
August i860
In
men
first
left
Melbourne on
the
camel
from
Australia.
group of
18
its
objective
Charles
it
lives
oil
on board. h92 x
wl20
cm. h36 x
w47
upon them. He
Ned
modern
Boyd, Cole.
Kitaj.
Manni
West Green
toll
in.
outback of
to paint in the
school of painting.
rray,
Sir
17 April 1861. In
expedition to cross
in disaster.
on
Melbourne
at sunrise
his native
Kelly.
Nolan
Australian
of
of
is
Noland Kenneth
Concentric
the
movement
the paint
(
is
.is
it
produced by the
is
target.
oncentradng the
order to achieve
effect
of colour
Noland
maximum
In using
Leaves
area unpainted
visual intensity.
first
in this
le
was one
1962.
Acrylic
on canvas. hl82 x
'
w72
in.
movement
in
is
in
becomes
part
connected
of the weave of
us exploitation of the
flat
which
in series,
shapes.
Albers. Frankenthalet. Louis.
This painting
Abstractionist
a visual
as.
thinned acrylic
.1
a large
of the
This illusion of
Gift
circles
Ryman,
Stella
Nolde Emil
Red Poppies
Nolde included
was
trained
initially
to be
officially
characteristic
artists
of whom
art
what
it
lies at
Hitler as a
menace
spirit'.
Common
"
subjects for
He
and worked
nevertheless continued to
in
Germany
h34.3
wl9
in.
He
and
do so and
1956
paper.
beliefs.
to society
with one's
own
whatsoever.
lived
his
condemned by
are
Biblical scenes
life.
O'Keeffe
Radiator Building
reorgia
New York
md
topped by
is
windows, giving
night sky.
it
the appearance
of a
work
night
glowing
ret!
scale.
right.
Balancing
this
on
the left
light.
is
As
Her
clear,
pioneer of
is
known
new modernism
llll
III
III III
mi
II
:
Ml
iiiiini
ill
ir
|
" "
llll
llll
I
II
IIIJIIIII
inn
Prairie. Wl.
Oil
1887. d Santa
Fe.
HUH
mini
in
III
HIIIIII
ii i
III
II
nun mi
i
because of its
nun
ii i
llll HIIIIII
inn mini
NM. 1986
w30
in.
Rsk
of
often
on
a giant
O'Keeffe's
'Precisionist'
clarity.
emanation on the
sometimes termed
Its
of the
lights
is
machine-like
tall
University. Nashville.
TN
in the
USA.
Oldenburg
Absurd and
of a
He wanted
sense of incredulity.
The
all
desire to imitate
Not only
its
Giant Hamburger
Claes
soft
form
it
crushes
all
an American Pop
its
power and
artist
preconceived notions of
art
contemporary, everyday
in its
its
at
meteoric speed,
Oldenburg established
shop
in the 1960s.
in
Green
In 1964
Street,
New
from
"
Dine.
Duchamp. Hamilton,
H132
w213
in.
life in
its
Orcagna
Both the centra] figure
in this
Sainl
work
to
who commissioned
tins
style
of
background,
idealized, colourful
artistic
Orcagna (Andrea
Saint
its
di
predecessor
in
in
the
Florence) or
of his Life
his real
In this case,
in his style,
in later
working
in a single
work was
finished
of the workshop.
Monaco
1368
his Life
Ins assistants,
(
member
this
work of Giotto
Matthew, the
painting
in.
lpleted,
Organ
The
Prince of Wales
Bryan
sits in
blue and green, only a few elements in the painting are not
in these
his
boots and
traditional
shirt collar.
Organ revolutionized
face,
and
the
sitter
with the
He has
pomp and ceremony
now hang
in
London's National
Portrait Gallery.
man who
game of polo.
Organ was
non-French
commissioned
to paint a
hl77
wl78
in.
of
citizen to be
Mitterrand).
Richter, Sutherland
insightful portrayer
In the 1970s
OrOZCO
This sensational image
portraying Christ as
cross.
A mountainous
modern
is
artist
scene from
developed
this
is
modern
Modern Migration
of the Spirit
City,
politics, religion
this fresco
is
and
society.
implicit in
its
The
Spirit
Expressionist nature of
principal
theme of dramatic
civilization rises
work, the
his
Jose Clementc
was
a politically
committed
artist
life
calling for
1949
He
Tamayo
Orpen
Under
Sir
William
gathers together.
The
stiff
of successful
of Orpen and
group
portrait
artists
Alfred Rich.
two of the
Orpen has
figures chatting
between
Sir
his friends,
tables.
in his day,
in
London 1912.
Oil
London
sitters.
which was
are engaged in
Orpen
a type
famous of these
is
and other
grouped
artists
his
Homage
to
his
Bazille.
wll4
cm. h54/ x
w44 %
of Edouard Manet's
MuseedOrsay,
Paris
sitters
the
most
in front
1931
on canvas. hl38 x
specialized in 'conversation
highly
Orpen owed
in
Van Ostade
In a chittcred interior, a
as three boorish
The household
men
is
mother and
carouse noisily
clearly
Vdriaen
child
sit
by
window
background.
in the
who
of the
poor.
idle rich
The
its
mother's food
who
Peasants. 1663.
Oil
on panel. h34 /
may
what
is
One of his
this type
- P
hl3V^
featured peasants in
pupils
who
also depicted
Bruegel.
wl5/i m. Wallace
Collection.
London
i^
a prolific artist
1685
w40 cm.
was
refer to a
refuse
many of which
baby's refusal of
from
genre' paintings;,
moralizing. Ostade
OVCrbCCKjohann Fnedrich
Figures based
which recedes
The Adoration of
landscape
all
are elements
more appropriate
to a fifteenth-
Overbeck
German
even painted on
wood
panel, in the
style.
This work
manner of
left
is
co-founded an
'Na.^arenes'.
early
artistic
of the
Magi 1813.
Oil
on panel. h49.7 x
Roman
in
influential
on
an abandoned
cloister.
set
w66
cm.
in.
their
hl9^ x w26
up
Germany
as the
workshop
Catholicism and
The Adoration
Magi
dominated by
the blue and gold robe of the Virgin and the subject of the
Adoration:
Rome where
for
the
Kunsthalle,
Hamburg
da Fabriano, Gozzoli
Palma Vecchio
Colour and
its
subject.
fluctuate
The tones
from dark
in
important to
this painting as
is
painterly tradition
an
idyllic,
characteristics
Vecchio specialized
in
These
in
artist,
Sweet faced
artist's style.
was an accomplished
le
These included
pastoral setting.
Uffizi.
Florence
and
is
composition called
Oil
on panel. h87 x
wll7 cm.
h34V4 x
a sacra
hallmark ol the
The Holy Family with Mary Magdalene and the Infant Saint John. C1520.
Galleria
portrait painter
Palma
w46
Roi
Capriccio
monuments
in
glorious past.
The
a celebration
is
Arch of Constantine
free
in
Dying Gaul.
in the
On
is
of
its
(such as the
the
in front; at
specialize in views
its
background and
a set
moved
to
Rome where
Oil
the
painter to
tourists, equal in
own.
1765
wrong context
first
the city's
this
in the
He was
Roman
of
here).
and imaginary
of three
Piacenza, Pannini
work shown
life,
w53
Maidstone
Museum and
Art Gallery.
Maidstone
some
style
was
Parmigianino
The
- hence
this painting's
the static
harmony
popular
is
crowd scenes, so
his figures.
there.
as to lay
of
artists
"
Correggio,
in
Rome, where he
El
wl35 cm.
h86Vi x w53i
Palazzo
Pitti.
Florence
after
studied the
in.
his life
made
such as Raphael.
1540
on panel. h219 x
native of
Oil
He
rather than
working
Style.
Long Neck
and languor of
its
title.
because of
artist
the
he
work
Patenier joachim
Fantastic geological structures
Saint Jerome in a
dominate
this visionary
The
is
Rocky Landscape
finish
punctuated
typical
on Flemish
had
anticipate the
it
in particular.
earliest real
landscape paintings - a
Altdorfer, Antonello,
in.
of
Pechstein:Max Hermann
All
elements of
perspective
is
this
Meadow
At times
it is
type of
or"
the scene.
The
paint
varying degrees of
in
of a more expressive
artists
at
Moritzburg
with
who
linked themselves in a
movement
one of the
first artists
Perhaps
this
is
of
this
was
artists
work of Henri
353
in.
New
York.
NY
Perugino
The
tilted
customarv
of Alexandria,
saint's
life.
were used to
to
pull
out
all
faith.
The
As was
worked throughout
perhaps best
works
known
Italy, especially in
as the teacher
Umbria, but
and
" Andrea
in.
is
of Raphael whose
gracefully elongated,
style.
at the
early
Picabia Francs
There
its title
is
Amorous Parade
triggers
this
machine, but
complex contraption
comment on man's
activities
is
with Marcel
primarily intended as a
and experiences.
It
USA. He
could be
making. In
its
playful ambiguity
it
30s
Duchamp
Davis,
helped create
Dadaist group
remarkable
series
of collages.
1953
w29
in.
leading
in the
later
produced
displays Picabia's
irrational
sexual
Private collection
Picasso Pablo
The
scaring
woman
is
\\
rigid paint-strokes.
The
viewer's attention
this distraught
with sorrow.
The
figure
massacre of
women
is
literally
and children
same
in the
year,
Woman
woman's
face has
development of Cubist
in Spain,
Picasso
on canvas. N60.8 x
is
with Georges
his
moved
He
is
long and
to
Pans
much
in 1901
publicized
in.
artist
life.
twentieth century.
"
who
broken up
ideas. Picasso,
mouth and
a series
and
immediately
is
eeping
Born
rest
of the
of
distance,
in the
man removes
he too can he
blessed.
in their hair
heavens.
The
tranquillity
and serenity of
of vertical
this
lines
composition
formed by the
Renaissance
artists
is
Piero
which decrease
abandoned painting
scholarly treatises
to concentrate
it
The Baptism
of Christ.
artists
wll6
cm. h66 x
w45%
in.
on writing
standing figures and tree trunk and the gentle bends of the
river as
in
life
Piero di
Fantastic, curlv crests
Cosimo
Perseus Freeing
which once hung
who
is
Florence. Piero di
chained to a rock.
bizarre fashion,
is first
He
Andromeda
in the palace
which
led to
manv
depicted flying into the scene from the right, and later
behaviour.
is
festivals
texts,
Piero
dl
Cosimo
work
Oil
is
one of a
an unlikelv
lived for
tale.
He
also
worked on designs
and processions.
series
Botticelli.
1521
on panel. h66 x
wl52
in
in
his subjects in a
for
is
which
masques,
Pietro da Cortona
Painted
on
the ceiling
this
ambitious fresco
is
It
its
composition
is
based around an
architectural structure,
which
is
as sotto
Baroque
sin
The
from under")
is
typical
spectator's attention
- representing
ceiling decoration.
member of the
himself a
illusionistic
brilliant light,
Baroque
known
focal point,
St Peter's keys
also represents an
allegory
Urban YIII
celebration of the
this
is
making
this
art.
Bernini.
Rome. 1669
Rome
and
of
is
tiara
Piper John
Holkham, Norfolk
water
in the
fountain.
foreground
brooding
feeling,
The
and
landscape tradition.
with abstract
art in the
synthesis of
artist
to
in that capacity
produced
book
bombed
Oil
this picture
w76
cm. h20 x
w30
in.
was
characterized bv a
areas of Bath
worked
Turner, Siberechts
Private collection
official British
war
number of
is
as
had returned
and
Coventry.
naturalistic
with the
distilled into
more
and
in fields as varied
Pisanello
Her
in
is
hair pulled
Ginepro d'Este
back to reveal
identifiable as a
at
in Italian)
name. She
pinned
is
main
is
The
sleeve.
in profile, a
pose which
Italian
exponent
after Gentile
da I'abnano.
of nature.
recalls the
The
in this painting.
profiles in his
Such
Mantegna
a,
^k
nfl
A
*
.,
^1
ill
^e
If ill
Bl
wl2
lis
to the
sitter's first
shown
woman
member of
this elegant
in.
Musee du
Louvre. Paris
Pisano
Vndrea
Saint
bronze
relict'
shows
St John baptizing a
Behind him
is
group of people
mountain with
in
patron
trees,
saint.
fifteenth century by
within
trained as a goldsmith.
to apply refinement
Such
a skill
and meticulous
comes from
the
first
of three
sets
a quatrefoil
Gothic France.
della
He
at Florence, for
life
sets
1330/33.
Gilt
bronze.
h50
w43
cm. H19V, *
wl6 ^
in.
Battistero di
in the
set
Robbia.
is
of
of
city's
which Pisano
Pissarro
Landscape
at
(lis
and
a restricted palette
With
feeling
landscape which
with very
little
is
is
to
web of rapidly
is
typical
artist
sit
Chaponval
seem almost
and
circle.
Oil
on canvas.
made up of
held,
* Boudin. Cezanne.
1903
h54xw65cm.
h21'/4x v25'^
in.
Musee
d'Orsay, Paris
Indies,
a prolific
He was
West
where he became
Impressionist
all
of the
in the
PoliakoflF Serge
A
series
make
composition
apparent
Abstract Composition
in
is
the
is
is
this picture
demonstrated by
in
de Paris
"
among
Oil
on canvas. h89
wl30
cm.
h35x w51%
to Paris
in 19;^.
He
achieved fame
steadily
towards
in the 19SCS.
in.
his
who came
194^,
foremost position
Russian emigre
compositions
Informel movement.
The geometric
Polke Sigmar
The female nude
is
Three Girh
represented by a chorus
line
Conventional
fine art
is
symbolized by
images -
Sigmar Polke
soft porn.
in the 1960s.
formed
emerging
left
a flightless bird.
East
of
male
and the
Germany
for Diisseldorf
fiction.
between
'high' art
matter
is
and
of bodily
fluids,
history.
Baselitz, Jones.
Girls.
camps and
h99.8xw69.9cm. h39*xw27/,
in.
traces
Pollaiuolo Antonio
Daphne
seen
is
laurel tree in
her,
in the
he subsequently wore a
laurel
is
wreath
not clear
furniture.
if this
in
in
often
it
Antonio and
his
is
V>atik oftbt
variety
the
city
also
famous for
Nudes
in
who
executed
first artists to
its
dissect the
human body
Botticelli.
on panel. h29.5 x
in.
in
order to
and
in a
understand
cathedral,
its
as the Medici.
of Florence and
Antonio
deference to
this size
Pollock Jackson
lock's violent
Number
around
landmark
strikingly
it
hard wall or
floor.
1948
make
this
work an important
post-war international
in
Abstract Expressionism
lies in its
art. Its
random
as they
express
my
may seem;
no
abandonment of
easel painting
and the
lack
of
is
Oil
wl04
in.
want
Museum
of
Modern
Art.
in a car
to
New York. NY
is
no
crash in 19^6.
De Kooning, Motherwell
Jackson Pollock b Cody. WY. 1912. d Springs. Long Island. NY. 1956
I
'I
are not as
ame known
as
connection with
been tacked to
k
is
ia,
traditional perspective
paint
Pontormo
The
jacopo
who
is
whole
to the
Visitation
example of Mannerism
The emotion of
its
height.
He
trained in the
of
is
at
sometimes
a pupil
to the point
of obsession.
and follower.
sunken
eves. Distorted
are characteristic
or"
Pontormo's
style,
brilliant
hues
which provides
a fine
Oil
on panel. h202 x
wl56 cm.
h79V$ x w61VS
in.
Pleve
di
Popova Mubov
(
Space-Force Construction
muted
colours,
and diagonal
lines
is
circles,
curves
which contribute
sense of depth
to extend
is
beyond the
picture. In
its
light.
From
192
costume and
further
set design. In
artistic
Lissitzky, Malevich.
of
One
me
worker buying
such
a
of the most
h30% x w30%
in.
at the height
Moholy-Nagy, Rodchenko,
1924
textile,
Oil
spirit
of a peasant or
towards
talents
Private collection
of her career.
Tatlin
Poussin Nicolas
\n elegiac inscription
I
[ie
Death]
am
present')
/;/ in
- on an ancient Roman
Its
group of shepherds.
idyll
is
spirit,
more
carefully
shepherds' pastoral
Baroque
work
as Peter Paul
Rome.
Oil
this
Rubens
1665
Musee du
Louvre, Paris
Rubens
Powers
The Greek
Hi
inspection,
we
Greek goddess,
to the
Greek
The
Turks
\\ ar
On
woman
American sculptors of
closer
be
left.
at
At
first
second she
is
Greek
Christian, sold
soft surface
Slave
calm and
in.
in
many
one of
He
achieved
his best-loved
him
American
sculpture.
m- Canova,
New Haven. CT
Romans -
Moore
are
Neo-
European and
all
Primaticcio francesco
Danae
is
on her bed
tails a
murder by
summoned
Florentine)
in a
was
to
seduce her. In
bv Francis
M32
to France, to
in the
form
his
of" a
a Dainter,
here. Primaticcio
combined
He
schemes have
~
at
shown
Cellini. El
its full,
style,
now been
but sadly
many of his
destroyed.
Danae
533-40.
Oil
reliefs.
hl05
w254
cm.
h41*
wlOO
in.
skills
opulent
French Renaissance
Primaticcio was
in a
shower of gold
schemes, specializing
putt/ in
in a
Danae
decorative
Prud'hon
A
shawl
st\ le
in
in a
rockv glade.
The
Pierre-Paul
young
woman
delicate sleeve
rests
on
Napoleon commissioned
red
Once married
who was
to a viscount
in 1796.
Riddled with
Oil
A Frenchman
birth,
is
known
Canova.
Prud'hon
1>\
1823
on canvas. h244 x
by
husband
son, and the marriage was declared null and void in 18 10.
the
rival
consecration as Emperor.
of her F.mpire-
in.
Musee du
Louvre.
Pans
for his
women.
became
Madonna's
her an
human
air
solid
The
in
graceful
gown
lend
apparent
movement
Madonna and
a lyrical
left foot,
of the
saints.
'S'
Such
curve
the
new
movement from
a typical feature
of Gothic
art,
although Delia
solidity characteristic
his
very" well
copied one of
Sistine ceiling.
emphasized by
contrapposto)
of
contemporary of
became
is
is
is
a delicate swaying
In.
Raeburn
Revelling
in die
Sir
lenrv
Edinburgh suburb,
is
depicted
lis
Sir
humour of the
sitter.
humour and
The depiction
in
such
and
portraits.
scholars, philosophers
pose.
manner
George IV
joviality.
in
Limner
Oil
his death,
a few-
for Scotland.
on canvas. h76 x
said to have
who were
le is
months before
Ramsay
Allan
of tenderness and
with
feathery sense
conveyed with
demeanour of
flattering delicacy.
in
muted, pastel
poet,
Allan
Ramay b
to
George
his studies
portraits
captivating
charm and
to
of
develop
sensitivity.
Pompeo
Batoni
He was
own
style
also
much
of
trained in
contemporary
to
first
in Italy.
The son of a
he
in
III in
art.
i-6c.
Batoni. Gainsborough.
1784
Lady Robert Manners. cl756. OH on canvas. h74.3 x w61.6 cm. h29V. x w24'/i
,n.
Raphael
A
The School
compass and
slate to
group of
of Athens
artists to
\h,
Younger than
liberal arts.
The two
either
art.
Aristotle, the
two
greatest philosophers
world. In October
so8
Pope
fulius
II
of the Ancient
commissioned
prolific
greatest
w770
cm.
w303
in.
is
draughtsmen ot Western
is
Rome
Rauschenberg Robert
Reservoir
An assortment of commonplace
gap between'
objects
was
set
when
the artist
was
set to
began
The
to
is
boldly displayed
work on
the painting;
illustrates
Rauschenberg' s method
mundane
art
and
the
life.
Rauschenberg incorporated
work
provided
many artists
much of the
the USA. One of
as naturally as
paint. This
in
gallery-owner
objects.
Reservoir 1961.
National
Museum
Clert
if
Iris
American
Art.
wood and
metal. H217.2 x
Washington DC
say so
is
a portrait
- Robert Rauschenberg.'
of
Iris
in.
of
Redonodi
In this scone
he
is
The Cyclops
Ion
was
hopelessly in love.
The
nymph
giant's
Galatea, with
More
longing
belief in an
or"
on
inspire
lis
of
horrifying than
to rind a
whom
the
Redon
also
a tcrrifyingly
younger Symbolists
Bonnard,
Oil
who
1916
on panel. h64
xw51
cm.
h25Mxw20X
Rijksmuseum
Kroller-Muller. Otterlo
Rego
An
The Family
Paula
is
undermined by
who conveys
an incestuous sexual
The main
his
thrill
action
sinister,
determined
as she presses
children.
Rego has
women
and
on her own
interpretation of nursery
is
all its
internationally
rhymes and
stories.
which
Acrylic
w84
in.
Reinhardt
A glowing
VI
and immaculate,
pure surface
its
isible to the
is
violated only b)
naked
eye.
verj
A shrouded
is
been treated
ejualities
an abstract
of colour to
their fullest
intensity
essence,
Ad Reinhardt. b
in
Buffalo. NY.
1913. d New
Oil
USA, he
entirely
eschewed
all literal
is
nothing but
art.'
Only
was adamant
life,
and everything
is
York. NY.
Kelly.
1967
on canvas. h274.3
in.
Private collection
is
life
from
everything
art,
saying, 'Art
else. Art-as-art
and
else
expressionists in the
of statements. Also
Rembrandt
Jacob Blessing
his
grandsons,
is
episode,
in
the foreground,
The
artist's
it
up with
glazes, gives
treated with a
modest
monumental
Rljn b Leyden.
on canvas. hl76 x
w210
cm. h69'/4 x
w82%
of Calvinist Holland.
Oil
yet
in
is
drapery
in
elderly patriarch,
in.
Staatliche
Kunstsammlungen, Kassel
Rubens
spirit
Reni Guido
^ense of
vision of
arduous
task.
The imposing
naturalism
is
figure
of St Jerome, swathed
in
expressed
in the saint's
movement and
Academy
in
style,
which employed
early
a dramatic
1640-42.
Oil
on canvas. hl98 x
were
Bologna.
his paintings
wl49
cm. H78 x
w58%
in.
in
chatter, drink
women
in pretty dresses
lights
of
painted
it
bv the
number of
light as
it
and
moving around
made
Pierre
all
as
he sat
At
in
Moulin de
la
Galette. 1876.
Oil
Don
wll4
dance
his canvases
back and
la Galette
was
landscape.
With
his
'rainbow
it
scatters across a
palette',
Impressionists, Renoir
on canvas. h78 x
Galette
moving
Bazille. Cassatt.
Monet. Morisot.
Ball at the
la
in the
the
life
floor.
Moulin de
painted from
assisted
this
famous
Ball at the
in.
Private collection
fields.
Sisley. Toulouse-Lautrec
Reynolds
The tenderness of
way
the delicate
this
Sir
charming
countess's dress an
skilfully
cloudy sky
known
continued
in
Sir
emphasized by
and
silk
rather loose
manner
Italian
in
Although grandeur
Reynolds
manner of
is
Style
masters.
that
when
lis
the
The
Earl
Spencer. Althorp
Oil
on canvas. hl22 x
of the great
of George
Italian
III
Lely.
wll5
cm. h48 x
President.
Morisot,
minimized
of the
is
aristocracy.
in this picture,
minimum
tor the
of the great
in the
lace
painted with a
is
in
painting
[oshua
portrait
w45^
Ramsay
was such
in 1768,
Riberaj usepe
Si
Paul the
lermit
was the
first
is
spent
in the
skull
is still
fired
life
depicted
life
by religious
brow and
Hermit
is
and
{chiaroscuro)
its
of the repulsive'.
expressive
Caravaggio,
El
Oil
on canvas. hl43 x
in.
Museo
critic
has
Richter Gerhard
[Tie .mist's
letail.
She
:lose-up
daughter Betty
sits
is
Betty
camera
railed a portrait
shot.
The
of Betty, however, as
it
teaches us very
md
is
invisible. Instead
little
he has concentrated
expression, Richter's
the
background of
different abstract
monochrome,
Dix, Estes,
w28V
in.
turns
work
is
back on
extremely diverse.
this painting
works
its
new ways of
The
wall in
These
"
literally
Organ, Schad
Riley Bridget
Cataract
its
sensation
the
and
Op
on
Art
lines
fallibility
the spectator.
movement
is
which produces
The
powerful
in the interplay
of
their formal
and colouristic
apparent
a
illusion. Rilev's
of colour
1960s,
were almost
all
in
w222 9
cm.
hills.
More
much a
a sum
than
work has
1931
scientific,
h87* x w87 /4
3
in.
British Council.
London
da
Silva
Riopelle jcan-p,
Irregular patches
Large Composition
.1
lyrical
image,
like a
The
is
connect
this
born
ihrc.uls <>f
>n
the ink
which
are
interwoven with
this
painting
is
couple of years
earlier,
combining
one of the
to the Art
to
work
on board. hl70.2
>
in Paris
in
since 1948.
paint application.
1923
Oil
first
work
based
in
in.
Private collection
looser
Rivera d
Tlu- peace
women
and
The
lego
tranquillity
of
this kitchen,
simplicity
where peasant
at a
time
when
Tortilla
the essential
Maker
human
dignity of people.
earlier influenced
by Cubism,
Rivera's ability to
work
cultures. Rivera
painting
the
wav
lies in its
in
which
The importance of
The
Tortilla
the
Maker 1926.
Oil
City,
about
throughout
artist.
He
is
was
He was
his career
renowned
remained
a politically
committed
Tamayo
1957
in.
using the
to his heart.
demonstrates
Although he was
this painting
University of California,
San Francisco, CA
Delia Robbia
'Delia
the blue
is
Madonna and
Robbia
family.
The depth of
this arc
fall
pure
categorized neither as
Robbia
della
effects ot a painter.
this sculpture
as
Angels
artistic
nephew, Andrea,
sculptures.
"
terracotta
Two
The
Child between
who
workshop was
inherited by his
Rodchenko
\lexander
on
illusion,
which
is
of the
triangles.
dimensional
The
flat
forms are
in
painting
Rodchenko exhibited
his
Constructivist
compass and
ruler,
same year
famous Black
St Petersburg.
this
group he
industrial design,
later
He was
abstract,
in
favour of
particularly active in
on Black
on White'
w62
its
latter
as this
to
of
Alexander Rodchenko b
Composed of
shapes
series.
cm. h30*. x
w24% in.
Art.
London
Rodin
Fwo
The
uguste
\uu
The emotional
Ik-si
known winks
tit
art.
The
it
softly
Kiss
i"i
le
in
In .in
belongs to
product of
late
universal tradition
Romanticism
fol
Michelangelo.
of sculpture and
anil a herald
The
rendered so believably
one
critic
put
Auguste Rodin, b
it
'the
Paris,
in
in.
Musee
both
art.
as
is
of modern
artists.
Romneyceo^
powdered
cape and a
hair folded
silk
Mrs
Man
Yak
at
Robinson was an
fter
the
actress,
formal
Drury
I.
ane Theatre
in
London. An
style.
Winter's
attractive
Prince of Wales around the time that this portrait was made.
le
Oil
on canvas.
'Perdita'
at
visit to
Rome
he dreamed of
this
dream was
London
1802
in.
where he
Ramsay, Reynolds
died.
ROSaSalv;
Regarding us over
expression, the
his
artist
Self"
shoulder with
words, 'Be
silent,
Ribera,
a rueful, disdainful
on
is
better than
appears to
threateninglj
above
us.
Romantic landscapists of
his
hand
to engraving, poetry,
Durer, Kauffmann,
AVT
cl640.
Oil
Rome, 1673
on canvas. hll6 x
in.
own
poetic
Rosa was
of (usepe
his
in his
Self-portrait.
settled in
'savagery'
silence."
him an almost
who had
much-admired
portrait
Rosenquist
The
its
Monroe) obscured by
brash
perfectly
manicured
nails
stick
flat,
facile
Forks. NO,
Study
962.
Oil
with the
is
in
Pop
of popular
America.
artist: his
He
i960.
'"
w36
painting
De Kooning,
1933
it
why
for
imagery Uoks
early years
The
in.
Private collection
Wesselmann
Rosselli Cosimo
The
simple harmony of
this
The
composition
is
The presence
dictated
ease. St
more than
The
Andrew and
St
in a
of an
altarpiece; in this
commissioning
Cosimo
client.
Blue paint,
made of ground
lapis
lazuli (a
of
typical
more expensive
for the
it
an issue of great
Here
marble floor
" Masaccio.
The
artistic
Rosselli's use
tiles.
in a painting,
use of perspective
debate
in
in
such as the
painting was
Renaissance Florence.
of one-point perspective
is
visible in the
1507
The Virgin and Child Enthroned with Saints. C1478. Tempera on panel. hl90.5 x wl75.2 cm. h75 x
The Rtzwilliam Museum. Cambridge
all
in a painting,
w69
in.
Cosimo
Cosimo.
no indication
The Day-dream
as to the nature or
woman,
lie
is
so
on
consuming
the branches
in the folds
which enshrine
works
womanhood.
it
that
was
artistic
aim was
to return to
High Renaissance
artist
contemporary Victorian
her,
add to the
As with many of
The Day-dream
whose
Rossetti
Raphaelite Brotherhood,
artists.
This work
illustrates certain
of
'
Victoria
to
Moreau
Rosso Fiorentino
jethro's seven daughters
their father's flock
by
muscular body
is
seen
in the
daughter top
Moses and
on
whom
The
static,
and the
di
left his
of France
native Italy to
at
Fontainebleau. Rosso,
earned his
name because of
rumoured
to
his
shock of red
it is
who
hair,
more
was
likely that
show Rosso
stability
artists
Rosso
of Francois
stunned
left,
Renaissance
his career,
the floor.
on canvas. hl60 x
Romano. Pontormo.
1540
in.
Primaticcio
Rothko Mark
Untitled
make
upon
the
An
scale.
tension of
containing
some burning
Oil
USA with
Yorti.
on canvas. hl89
NY.
wlOl
of intimacy.
transaction;
it
w39fc
takes
in a total
A large picture
you into
it.'
is
an
Rothko was
spirit
Heron.
Kelly.
1970
h74*
he usually worked on a
reate a state
Bom in
his parents in
cm.
to
He wanted
ethereal
all
huge
in.
Tate Gallery.
London
Newman.
Pollock.
Ryman. Se
human
psyche.
ROUault Georges
he
composibon and
fills
The
to the
glass
on
the Cross
crudely
Christ
is
heavy black
lines
of his work
of Gustave Moreau
The
ic:
stre_
-". r.c-
contt
Rouauh
iCtenzed by br
to train as a
recalls
painting. Nevertheless,
reminiscent of stained
harsh
IVOUbllllC
This statue
of Six Isaac
Louis Francois
Sir
Newton - mathematician,
marble
to
is
man of unique
talent.
presence.
The
wished
towering
vitality
The
Isaac
Newton
755. Marble.
hl83 cm.
h.72
Gardens.
College,
of
men
caned
for
native
name
London's Vauxhall
portrait busts
- Canova. Houdon.
1762
in. Trinity
He became
the calm
left his
in
statues
work exudes
Roubiliac's
its
as if Roubiliac
his
Age of Reason,
century
The grandiose
Newton
Is
physicist,
Cambridge
and monuments.
Moroni, Powers
Rousseau Ha
Three
monkeys
The Monkeys
on
a delicate
who
The
is
typical
of Rousseau's view of
Rousseau's numerous
its
visits to
Oil
from
le
academic
customs
Customs
training.
agent')
Rousseau's nickname
Laval.
1844. d
on canvas. hl45.5 x
Paris.
wll3
l.e
in
service.
1910
cm.
H57H x w44VS
in.
Philadelphia
Museum
of Art. Philadelphia.
PA
his circle
untrammelled by
Henri
inspiration
Style.
when he
Douaniet
('the
the French
Rousseau Theodc
\
times.
Composed
painting
is
is
the
its
un-academic
The cows,
pale, subtlv
changing dawn
light.
damp
of
Paris.
1812. d
Paris.
life
of
their
" Constable.
Theodore Rousseau b
to introduce a freer,
Corot. Daubigny.
Hobbema.
Millet
1867
Oil
on canvas. h98 x
who aimed
to
adopted locale
in
Inspired by
The Forest
style
are delicately
air,
wl34
cm. h38V6 x
w52 3/S
in.
Rubens sn
to P. ins.
They
The Judgement
Peter Paul
h.is led
three goddesses
who
little
else, the
three.
Gorgon's
women
will
award
this
or"
the
Baroque
Style that
he pioneered.
Sir
The Judgement
of Paris.
1632-5.
Oil
of Paris
To
achieve
this,
Rubens used
a lyrical
tenderness.
compositions, contributed to
greatest
* Van
ot"
1640
in.
emotion
the Alps.
rich
by the
riuid
or"
autumnal tones
It is
not a
static
is
about to change,
ns<
if
both the
power of natural
his
painting demonstrates
the sky
became
how
increasingly important to
Dutch
breathing
air
Torrent.
cl655.
Oil
painters,
acclaimed by
lies in its
many
naturalistic approach.
as the greatest
and most
Hobbema
on canvas. h77.5 x
in.
Private collection
He
is
versatile
Torrent
RuisdaeFs work
of all
Ruysch R
Resplendent against
achcl
and the
of depth and
rich,
creamy
artist's brilliant
light
technical
skill is
commonly used
Dutch seventeenth-century
of
this painting.
veil
of
softly depicted
were
of
Rowers. 1689.
Oil
on
even natural
life
earth:
painters of floral
still lifes,
Fantin-Latour.
<
w21 %
in.
De Heem,
Private collection
the
mosi
excelling at
of nature hut
flowers, a
Dutch
naturalistic depictions
on the
successful
painting.
as a celebration
as a
device
of Rowers
local arrangement.
Life
popular subject
Still
Kalf,
Vermeer
Ryman
Robert
Courier
form an
which aims to
illusion.
integral part
tranquillity that
is
a thin,
constant
unframed
the materials
(canvas; plastic,
also
II.
Nashville, TN.
is
attention
Andre,
Kelly.
1930
wl6
its
qualities
of
support
Ryman. b
used both
These
in its intensity;
II
Private collection
to
experiment
Salvia ti
Salviati
was
Charity
Not
only
is
Dom
rhis
While
and has
Tondo for
from Michelangelo.
is
encumbered by
become somewhat
of the converts to
his
Roman
ideal
of Mannerism. Me took
self-
Francesco
Salviati. b Florence.
Charity 1543/5.
Oil
work
is
characteristic
of the
on panel. hl56 x
wl22
cm. h61i< x
w48
in.
Sanchez-Cotan
Still
simple
still life is
startlingly illusionistic.
vegetables assume a
monumental
The
fruit
either
northern
still lifes.
it
of
their
artist.
is
The
highly
its
if
any,
is
seem
the painting
Cotan's
monk
Granada and
set table-pieces
in
trappings. Here, by
" De Heem,
Ufe.
C1600-10.
Oil
t\27'A x
w38
in.
a status that
Carthusian
to imply
still lifes
Kalf.
unconventional since
and
quality as a result
Life
Private collection
in
Seville.
Sargent
Even though
known,
the
names
nhn Singer
sits
on
bank
direct observation.
would
paint
is
for the
)ld
from
Me
is
clearly trying to
emulate their
Velazquez. Born
its
Sargent settled
in
in Italy
a prolific
also
moored canoe
is
an exercise
in
Oil
w32
York.
NY
and
Sassetta
This scene depicts the
his family in favour
to the
of
moment when
life in
appealed to the
civil
St Francis
renounces
who
then
altarpiece
which
Renouncing
of the
life
of St Francis and
centurv were
less interested in
nut as
realistic as a
would
be.
abandoned
who
Sassetta (Stefano
dl
offers
of
both
scene he has
his
real
and symbolic
a large
double-sided
town
in the
in its
**
What
it
Florentine
is
therefore
lacks in realism,
however,
it
makes up
1450
Saint Francis of Assisi Renouncing his Earthly Father 1444. Tempera on panel. H87.5 x
National Gallery, London
in.
for
Savery r
Surrounded by
of die
forest,
.1
(]
He
is
who
.ire
drawn by
Kindt
seen playing
die irresistible
rocky,
in a
wooded
a violin, the
charm of
glade near
his
)rphcns
tact
Switzerland
in
paintings of
him
honeyed tones of
He made
Orpheus and
the
several
dozen
crammed with
detailed paintings,
lively,
incident,
show
which
much
in the
%S^^
;-
is
in
di
Cosimo
---_A^^^^I
1
1
.#W^J
yL
T^
*s
W*0
3^
:'
**f
^^^l
pHr JH
%A
'
on panel. h53 x
w32
in.
f
..
Orpheus 1628.
'
are
(Mi,
Schad
With
Portrait
Christian
candidl] out
of the painting
lover, a
model
of her
Christian
to arrest him.
in politics
The
was almost
failed marriage,
uninterested
stares
when he
and
in
and introspective,
degree of
New
reality.
who aimed
realism. His
on
to achieve a
work has
surgical operation,
new
all
and
a hallucinatory
as the coldest
German
Keilberg,
(-
Beckmann,
Dix,
this painting
is
typical
of his
style.
1982
in.
of
artists
the
it
committed
called Sonja.
this painting
Doctor Haustein
at us.
of Doctor Haustein
Schiele Egon
(
barged with
on
seated
at
the
less
I
ler
the
Seated
ground
in
threatening than
is
portrayed
and pose
many
ofSchiele's portraits of
women.
make
this
uncompromising
in their
all
the
more
expression of
human
feeling.
is
Woman
Knee
with Bent
and
insecurities.
lis
The
the
brief
explicit.
Woman
movement. He died
just as his
w30 cm.
hl816 x
with Bent Knee. 1917. Gouache, watercolour and black crayon on paper. h46 x
many
tin
Munch
anxieties
prematurely of influenza,
own
wl2
in.
Schmidt-Rottluff Karl
The dark
rich colours
in a
vitality.
Flowering Trees
forceful
and dynamic
Gogh
style
earlier,
and
impassioned
state of
style
of
this painting,
Oil
was
own
galleries
reinstated in 1945,
who removed
all
W Van
1884. d
Berlin.
on canvas. h69 x
1976
w81
Private collection
his paintings
paint.
East Germany.
of
from German
layered planes
German Expressionism of
a leading
which
20 years
His work
artist lived in
Schnabel
The
Mclc
Julian
from
bits
painted. Schnabel
Guell
in
was inspired
bj
some
Surrealists'
Me was
mosaic of
to
come
directly
Schnabel. b
1987.
Oil
New
York. NY,
immediate
effect.
The fragmented
medium
enfant terrible
form o
from the
Motherwell, Rauschenberg, Schwltters, Twombly
this
1951
on
othl
made
ceramic fragments.
art
is
in.
Private collection
of -American
Schongauer Martin
It
is
Madonna and
in a different
world, even
shadow
parallel the
manner
in
light
and
was
a pioneer in
Durer.
He
documented
shown
here. This
is
Schongauer's only
art,
of the
Oil
on panel. H200 x
and birds
in.
much
The Madonna
of
in this painting.
Weyden
Schwitters
\n
.ism
irtment
if
Picture of Spatial
Kurt
tpe,
meaningful.
.1
attached to
at
piece
is
tr.uliM011.il
random
notion of
collection
art as
The
made from
paint, they
a collage.
art
Growths -
public's
from
191
to 1922,
Wlerz', a
Man
to the Berlin
own branch
to disrupt the
traditional values.
in
Dada
lanover which he
the proper
Comwcr^bank.
* Duchamp,
Dogs
Schwitters
membership
his
Small
artist,
who wanted
named
out of
1948
Two Small Dogs. 1939.
Two
something expressive, or
Picture with
Ray. Schnabel
noun
Van
The
Scorel Jan
lush trees
and with
the distance,
Scorel
a river
dominate
was much
this
travelled
Adam
Adam
landscape winding
its
way
Renaissance
into
artist
his style
and
of painting
art.
The bold
of Scorel's
style
fill
540.
Oil
lived in
whom
Ghent
of
Italian
the
roots
religious painting
artists
knew when he
and
and Eve
in.
Private collection
Sebastiano del
Piombo
by
slain
a boar, lies
dead
in the
background. The
also
where he came
on
movement
style
which
paintings.
create
free
from the
rigidity
of eadiet Renaissance
of the
art
artist's
solid,
of Adonis.
C1511.
Oil
who
Rome
was more
muscular bodies
Michelangelo's nudes.
are bathed
of Sebastiano's
on canvas. hl89 /
in
deep understanding of
"
The Death
worked
w285 cm.
h74M> x W112VS
in.
in this
Segal George
Four ghost-like
in
figures
plaster casts
itj
Bus Riders
mundane,
of riding on
society in
.1
alienation in the
in
performed by
all
of
sit
Although
us.
on
.1
sitter's
which we
typical
plaster
activities
of Pop Art, a
America
imposed on us by the
of familiar
live,
The
in the 1960s.
Segal's intention
was
to portray the
York. NY.
anonymity of the
Wesselmann
1924
>
w76
in.
Hirshhorn
Museum and
DC
portrayal
relate to
in
was
Serra Richard
Two immense
drawn by an
Clara, Clara
irresistible,
resonating force.
The
surrounding
it"
power
or" its
York, works
in a variety
who
of commonplace
lives in
New
materials,
demonstrates
in a
Conceptual way
Clara. Clara.
in
1983. Cor-Ten
steel.
to
its
Clara, Clara
is
new
also
much
controversy.
of
world
free
To some
it
a material's ability to
structures
express energy and develop tensions with the
amplified into
simple, unadorned message of purity of form
dimension. Serra's work has kindled awe, despair and
square in which
dominates rather than decorates the public
presence aggressively stating
it stands, its uncompromising
the
its
Minimalism taken
sculpture
m-
1939
wl20 ft.
Ongmally
,n
la
Concorde. Pans.
Now
SeUr at George
Seurat has painted a typical
pular site
north west of
months
tor six
P. ins.
to
on an
1
Sunday afternoon
at the
Grand
[e \ isited
the
child,
his studio.
When
this carefully
the painting
was
planned composition
first
shown
it
Paris.
1859. d
Paris.
of the
known
as
is
When
was
884-6.
Oil
The
viewed
at a
Duty,
1891
Grande Jatte
as 'Pointillisme'.
Georges Seurat b
the
before creating
They
painting technique,
woman
critics.
new
Jatte
on canvas. h202 x
w300
cm. h81 x
wl20&
Severini Gino
number of
dtll'arte, sits in
room
his black
and writers
who
movement,
group of
art.
He was much
this painting
became
stiff
folds
figures in
Oil
on canvas. hl30 x
friends with a
w89 cm.
h51vt x
The calm
of Pierrot's
"
in.
Museum Boymans-van
Terbrugghen
1924.
>.
Picassi
artist's
composition of
the
mask of
w35
Beuningen. Rotterdam
Sheeler Charles
Windows
The windows
who
live
and work
to the
of
work
a pristine, static,
unpopulated approach
to
make
complex arrangement of
inspired
him
to
make
These images of a
buildings,
photography.
Along
Schad
1951.
Oil
in.
in styles
Hirschl
Inc.,
New York, NY
The
been influenced
in his
Sherman
This photograph
is
Cindy
Untitled No. 96
reminiscent of Victorian
art in its
woman becomes
section
of"
teenager; the
'letter'
she holds
is
is
one of an ongoing
series
Sherman
is
the
'star'
of
all
gurjtwl.
in
as a corpse
is
and
woman
of
and
"
1980s have
late
is
pornographic prosthetics
.1
directs
young
art.
Her
drawn
increasingly
in a violent
as victim.
to
form
approach.
Man
Ray. Millais
1954
h61
wl22
cm. h24 x
w48
in.
Siberechts Jan
Longleat
is
one of the
largest
monuments of Elizabethan
Flemish landscape painter
A View of Longleat
who
lived in
Renaissance
erection of a
.1
just as a
modern
could be
in the
life,
said,
work of high
art.
managed
made
1703
1675.
Oil
rather
little
to
figures lingering
indication of courdy
symmetry and
it
The few
of Longleat.
and
of the English
A View
it
building than a
was commissioned
and,
architecture. Siberechts, a
stiff
h44xw68i
.ii'
<
'Ik
to
Sickert w
Time seems
puffs
on
woman
painting
to stand
his cigar
head
in
on the
still
and
in this
languid setting.
A man
and portrayals of
Ennui
alter
in
at a
was trained
in Paris,
where he became
in his use
his
Oil
reflected the
w44
in.
same
His studio
in
from
work
is
British Impressionist
in
These
meeting-
life.
although
London. He specialized
them
Sickert
at a
daily
Signac Paul
The Papal
at
Avignon.
On
the
left,
'Pointillist'
is
a series
a distance.
of
The
how
purples
Avignon
of the cathedral
technique,
Palace,
his ideas
at
From around
"
1935
Oil
to
in.
Musee
d'Orsay, Paris
Signorelli LUCa
Christ, tied to the
is
being beaten
at
column
at
The
the behest of
Fontms
Pilate
who
does not
sculptural reliefs in
believe
th.it
he
is
the
from
reflect
classical Antiquity.
on
Flagellation of Christ
greatly influenced
by Piero
The muscular
before Michelangelo.
the
Oil
on panel. h85.5 x
w62 cm.
body
della
h33Vi x w24!<,
in.
Pinacoteca
di
Brera. Milan
of
as if in anticipation
lies
The crowd's
futility
of
Revolution.
in
Mexico
Acrylic
City.
on panel. h76 x
reminiscent of the
activist
exiled
of
free mixture
Surrealists
artist's
work
reality
and
and Mexican
in murals.
folk art,
political
many
life.
His impassioned
vitality-
and
is
its
1974
w96
cm.
h29^ x w3734
in.
Museo de
Arte Alvar y
Carmen T de
Carillo,
style
ripe with
meaning.
after the
painting,
is
by the
(with
of colour and
fantasy, influenced
cliff-top in
striking use
Mexico
City
Sisley
Snow
Vlfred
The
as if it
is
thickly
light led
him
to
experiment
He was
Snow
at
in
Louveciennes
at
he evolved an impressionistic
and tones
became
trees.
is
a leading
Oil
on canvas. h61 x
Sisley
a
of purpose and
and
of luminosity
which
W Avercamp.
Louveciennes 1878.
Their search to
varying atmospheric
greatly influenced
style.
of the
conditions.
this
and
snow
The
whom
in.
Museed'Orsay. Pans
Corot
snow
Sittow Michiel
1).. win. ist
headdress and
tranquil
Katherine of Aragon
and pensive
portrait.
It
is
mood
of
this
demure,
in Italy
The
alternating
unlikely that a
more
it is
exquisite religious
style
is
very
smooth and
photograph of this
artist's
in brilliant
number of Sittow's
rj
Sit*
Bruges under
>\v
was an Estonian
lans
artist
who
Katherine
trained in
fine
"
Oil
example.
1525/6
/,
x w8!*
and
be any
works painted
gold necklace and the shells which ring the bodice of her
is
realistic
woman would
cum. Vienna
but subde
beautiful
and
including this
Sluter Glaus
1
he
dements
intricacy
of his loosely
founded
in
European
personality. In
realistic facial
man
France. In the
at
Sluter,
all
the
sculpture.
six life-size
wooden
with an individual
Duke of Burgundy,
Champmol near Dijon
in
monuments
his
Carthusian monastery
prophets carved
crucifix
and
h66&
in stone,
five statues.
the
figures,
which
in.
surmounted by
These
Isaiah
Smith David
VB XVII
become
a series
to
make much
work
larger sculptures
influential
a car factory, is
considered
first
his sculptures
American
He
VB
XVII
IA,
1906. d Bennington.
in.
Always
a pioneer,
styles yet
VT.
1965
Collection of Candida
new
in
he always evoked an
later
Smith experimented
reflects the
more
power, movement,
steel.
Snyders
A man
in a
i
market
stall.
this
whole
A Game
a
stocked
effect
canvas
^s
ol
on
is left
gourmet drama
display.
free
that
is
of meticulous
feeling.
No
in
specialize in animal
fruit,
still lifes
(large
game and
flowers, dead
compositions featuring
including Jacob
Rubens with
part of
marvellously rendered
Stall
ordaens and
whom
sumptuous
first
painter to
1657
A Game
Stall.
1620s.
Oil
on canvas. hl70 x
wlOO
Fabritius,
De Heem,
Kalf,
Rubens, De Troy
still-life
and
Sodoma
ibranq to
from the
this
cross.
Sodoma's work
is
down
characterized by beautiful
The background
in this
painting
is
believed to
although
many
Sodoma
background
this
Leonardo da
Despite
this
team
effort, the
Lombardy, he worked
received
feature.
painting
would
in
w264
in
Rome where
cm. hl63 x
have been
1549
on panel. h414 x
figures.
still
landscape.
artists,
the Cross
wl04
in.
Weyden
he
Soulages
Painting 16
p.cn-e
The
painting
down
the canvas
gleams of
light,
aspect.
It is
gives the
Remonstrated
h\ the constrained
movement
is
in
in
w51
in
an
as black
and shiny
Auvcrgnc.
freedom of the
Pans
one
is
in
this skilful
Soulages settled
in.
Private collection
Soutine Chaim
The
The
distorted forms
this picture.
air
of
work of Vincent
like the
work of
his
own
Chaim Soutine
The
Little
to despise the
unique
style
and declared
Oil
He
preferred to
a close affinity
Cook
Soutine
lifes,
moved
to Paris in 191
moving
w54
stil
trees
- and
embody
the spirit
as Expressionism.
1943
on canvas. h72 x
3.
valets
was
Little Pastry
in.
Musee de
I'Orangerie, Paris
known
Spencers
Sir Stanley
nd
Lip to
the skv.
back towards
.is
he looks
him
as if in adoration.
cam
as;
strangely, his
in
The
large figure
dominates the
Sir
and
lively
as a living,
good
of
Cookham
in Berkshire. Francis
as the
who wore
model
his
brown
is
clad in green
its
w61
cm. h28 x
taste.
everyday
1959
h71
the arbiters oi
painting was
humour offended
village
outrageous
w24
in.
Rousseau. Sassetta
slippers,
SpilliaertLeon
At
first
this picture
viewer's eye
a
Moonlit Beach
make
it
look
like
an abstract work of
becomes accustomed
art.
to the painting,
moon
highlights
at first
seem
light
of
which
the
however,
the
As
limited
- become
colours
mood
of
Leon
Spilliaert b Ostend,
Ink,
moon. The
of human
life.
Kroyer, Marin,
Mucha
h50
haunting landscapes
< Grimshaw,
has
in
Most of these
artist
economy of form
at night
in.
Private collection
paintings were
De
The
Stael x.coias
vibrant luxuriousness
used by
De
Stael to
evoking
importance
of the paint
convey
in this
in the
still life is
a sense
lies in its
its
of abstract and
interplay
Oil
on canvas. h73 x
wlOO cm.
his
freely his
themes
from
this
De
Stael
1955
in.
began
was painted.
h28ft x w39&
1c
as
De
became more
lifes.
between and
paintings
delicate balance
which characterizes
Bottle
feature
is
Red
Private collection
still
Steen
A
The Christening
j,
relations gather
round
his
new-born
to gossip,
Feast
and
Goyen, he
went on
women on
brcvT, he supplemented
the right
(if
to depict scenes
initially
painters.
of middle-class
his artist's
life.
The son of a
becoming an inn-keeper.
artist
at that time.
mortality. This
is
everyone, even
at the celebration
to
It is
of a
birth.
"
'
t.
^^pTI
S4
m 1 *? *'
tft
-'
%A
'*
ifr"''
Ik 1
^fc*'
^^vE
Oil
\M
1679
on canvas. h89 x
wl09
cm. h35 x
w42%
in.
Ka
>
Stella Frank
Kastura
brightly painted
fixed to a
monumental
of
it^
quality
behind.
industrial
to see
The three-dimensional
grille
structure
Museum
of
Oil
Modern
made by
in the
method of enlarging
the
artist.
Another
is
Minimalism,
Abstract Expressionism,
monumental
some of which
in size.
Ryman
1936
New York. NY
is
work
and epoxy on aluminium and wire mesh with metal tubing. H292.1 W233.7 cm.
Art.
these
freedom
Kastura. 1979.
demonstrated
hll5xw92
m.
are
Still
The
Painting, 1944
Clyfford
is
fire.
in
is
like
Typical of
formative period
it
Still
and
Clyfford
Still,
Painting,
1944 1944.
Oil
his thickly
he lived
in rural
York
art
Burri.
Man-land
Motherwell.
Newman.
Pollock,
Rothko
in.
Museum
of
Modern
Art.
New York, NY
and Mark
From
1961
from the
New
scale.
in virtual isolation
Abstract
Newman
Still
his fellow
Rothko,
and
literary subjects
Stuart Gilbert
George Washington
of the
first
is
an
which
is
in
London
\\ esi, a
anil studied
fellow countryman.
He
Sir
portraitist.
le lived to
paint
all
of the
first five
Oil
Joshua Reynolds,
a characteristically frank
image on dollar
is
bills.
Presidents.
lived in
in.
Metropolitan
Museum
of Art,
New
York,
American
NY
StubbS George
With
a deft
delicately
faithfully
and
details,
such as the
tail
hairs
of the oak
tree,
To
assist
studies
the
him
in his
Land scape
understand
how
detailed anatomical
angle, thoroughly
examining
to portray the
mechanics of movement.
composition.
George Stubbs b
Liverpool.
in
Marini
a Landscape. 1763-8.
Oil
w62^
in.
Sutherland c^am
ham Somerset Maugham,
rwright,
niried.
sits
Portrait of
His features
.ire
had
much
head
many
years
ions.
became
[is
artists
semi-abstract
style,
balanced by
in his
criticized for
madam
in a
When
this
Oil
brothel
in
first
appeared
like 'an
destroyed
superb
Auerbach. Bacon,
it
in.
it
was
old Chinese
of the
on canvas. hl37 x
painting
his
his
Maugham
and
Somerset
that she
Tamayo
Rufii
red
on
a chair.
woman
wearing a
sits
upright
the figure
is
or"
Tamayo was
it
artist
one of the
is
first
was painted
straight
1940.
Oil
City.
themes with a
diversity
of European
styles, chiefly
demonstrated the
pictorial values
and
their folklore.
visit to
the
Europe
in 1950.
He
also
worked
USA.
1991
on canvas. hl21 x
w85
cm. h54/6x
folk
Cubism,
deeply influenced
w33 /4
J
in.
Private collection
first
Tanguy
The
Y\
and appear
sky.
to float
upwards against
his
menacing, clouded
movement
after
theme
in 1925.
The
title
and theme of
who have
this
Yves Tanguy. b
Paris.
1951.
Oil
Invisibles.
on canvas. h98.5 x
w81
cm. h38 7^ x
whose existence
much of his
Surrealist art,
w31%
is
is
common
where amorphous
and these
paintings.
is
The
in
his personality,
animals
subconscious to
the Surrealist
Invisibles
in.
Bellmer, Brauner,
De
Tapies Antoni
The
Grev Ochre
its
conveys a certain
partial destruction.
oil
apparently
artist's
work
worn by
hand,
its
is
is
paint
artist
and
his
chairs.
Oil
work has
Tapies
of the
sense of
<W
Burri,
1923
in.
as baths
and
1 atlin Vladimii
Created
spiral
in a
Monument
moment of political
was designed
State Building in
central sections.
compartments
New York
Space
is
of the Empire
each other
artistic
more
movement
utilitarian
Tatlin.
concerns.
He advocated
that
later
hanging
as
as in a
'artist
relief
wood, metal,
glass
grew out of
turned to
* Gabo.
is
modern
replica
Lipchitz, Malevich,
Monument to the
Wood,
iron
of
in.
Musee
Teniers David
A
patchwork of paintings
is
on
when
vast
in
an
widespread
aristocrats,
noblemen and
rich bankers
room
is
accumulated
artists
and
crammed with
Gallery
He made many
collection
of subject, during
his
long and
prolific career.
among
others,
Bazille.
Oil
cm.
h50xw64
In.
stylish
Dancing Couple
uniform asks
in military
sumptuous white
silk
gown
on the
fall
into
shadow.
life
knowledge of almost
artists,
style
including
Oil
on canvas.
Ter Borch
silk
and
charm
travelled extensively
all
satin.
"
classes.
doll-like
Haarlem middle
detail
his figures
The
of
in a
h76xw66cm. h30xw26m.
yet his
Terbrugghen Head
A
in a striped
brocade
subject.
overtones -
pure evocation of a
Dutch painting of
this
free
from
of
all
of Music, or may
illustrate
picture
is
may
light
light, joyful
this picture
fills
in
called Utrecht
represent
Hearing, one of
is
Oil
w21 ^
7
in.
Staatliche
Kunstsammlungen, Kassel
early
work of
and together
members of the
unusual: the
Rome
be
Flute Player
with baggy
The
rick
shirt
so-
in transporting
Thiebaud Wayne
A
colours - making
Various Cakes
been painted
in bright, lurid
false
and
shape,
work was
which he executed
thick, juicy
pigment.
He
an impassive,
in
The
Wayne Thiebaud
on
display in a cafeteria,
b Mesa. AZ.
Oil
using
spectator.
realist style
consumer
items, concentrating
American Pop
Art.
Thiebaud worked
become an
in
on
and
artist at the
as a freelance
New York
age of 29.
before deciding to
He now
lives
and works
environment.
<" Dine, Morandi, Oldenburg, Rosenquist,
1920
Wesselmann
Tiepolo Giovanni
Battista
down
the
in a basket.
woman
blue on the
left (to
possibly Miriam
is
Moses'
many
ed by
Rococo,
a style
to be
of
He was
a leading
characterized bv
Moses. C1730.
Oil
sister.
the
who,
Tiepolo
artists
of
its
compositions.
effects.
its
airy frivolity,
on canvas. h202 x
cm. h79 x
is
The
last
ceilings.
for
partly
and daughter.
1770
w342
His work
exponent of the
The Finding
whom
is
girl in
are pointing)
unknown
The
wl34
in.
Tinguelyjea
This ramshackle sculpture
is
Trophy of Chasse-Le-Golem
together with
transformed into
current
is
motor enables
a living
work of
art.
art,
its
make
the electric
it
He
is
renowned
for organizing a
Art
movement can
occurred
March
"
at
the
Museum
Fits,
London
example
Iron, steel,
number of
of Modern Art
in
i960.
Calder, Klein,
Nauman.
Viola
Gimpel
a late
The
to the Kinetic
it
machines.
while
exhibitionist nature
create a
its
When
work of
New
movement, based on
of
hl77.8cm. h70in.
New York
in
Tintoretto Jacopo
The Archangel
Gabriel,
violently bursts in
upon
The Annunciation
is
carpentry,
Little
be
is
on
In contrast to
his
and
prolific career
he
left
a pupil
Italian
Mannerist
style
and
his
work
is
marked by
its
Palma Vecchio.
Martini. Titian
Oil
w214*
in.
Scuola Grande
di
the un-
TiSSOtjames
life in
French
to that
the
shade
group ofwell-
in the
and exquisite
detail.
artists
In his depiction of
of the Impressionists,
style
is
crystal-clear vision
Tissot. b Nantes.
1836. d
Oil
Bullion,
many
years they
in the latest
were regarded
as the
society'.
also akin
at exactly
Duty. Fragonard,
1902
women, adorned
backyard of Tissot's
same time
James
tree
h30x w39%
in.
epitome of
late
Titian
Sumptuous
colour, captivating
composition mark
The
this as a
virgin huntress
crescent moon),
remote grotto
who
is
in the forest.
Diana
is
(identified
nymphs
him
into a stag, to
powers reached
b Pieve
On
Oil
di
his
own
During
was the
pfi&iters.
Impressionists in
its
hounds.
In.
developed a
work of the
of form.
myths which
greatest of
Classical
in a
on canvas. hl84 x
and
Venetian
so incensed at Actaeon
be hunted to death bv
1 5
by her
Titian's imaginative
Tobey Mark
the paper
White Journey
abstract signs
pattern.
The
frenetic
delicate lines
is
typical
sophistication and
ofTobey's
dynamism
style;
that has
it
is
intricate
his
Expressionist
pursued
members of
work so
unique
parallel
is
similar
development
first
American
intellectuals to
Pollock,
strong reputation
in
become
interested in
Zen
Tobey
partly through
m-
Ryman
-.
^mmmmim
Centreville. Wl.
He was
in
the
v-
Mark Tobey. b
East.
his
the Abstract
and
this
made
h44% x w35Vi
in.
Toulouse-Lautrec h<
The Moulin Rouge,
exists today.
At
dance
hall in
Montmartre,
Paris,
it
still
was
accompanied by
women
in
centurv French
artists,
best
known of all
stars
somewhat
Henri de Toulouse-Lautrec b
Dance
Albi,
Moulin Rouge
An
aristocrat
by birth
who was
He
felt
preferred the
it
as
he
isolated
from
company of the
and
who became
the subjects of
his paintings.
(*
sat in the
severely disabled
nineteenth-
hall.
The
at the
seedy world.
work show
dance
Dance
de
Philadelphia
Museum
of Art, Philadelphia, PA
1^/\Z
Inside
-L
lU y
Jean-Francois
De
on the
left
such as
in the
XV
The
on canvas.
at Versailles.
De Troy
enjoyed
much
and genre
painter.
activities
and
Academie de France
died of grief
upon
in
Rome. There he
m- De Heem,
Kalf.
in.
Musee Conde,
day
spent
artistic
is
alleged to have
news
woman
1752
He
in
painting
details,
of oysters
Chantilly
Titian
that he
was
he loved.
to
Turner
A
small ship
to
keep
is
afloat.
caught
The
movement
in
sea,
the ship's
life
modern
abstract
in pale
capture
all
li.e
artist.
hours
work during
weather.
his lifetime
most masterly of
and
oils
but today he
is
regarded as the
work
off a
in
light,
of a storm, he
(at
Church. Cozens.
Friedrich. Martin,
from Harwich
Monet. Pollock
Oil
on canvas. h91 x
in.
and
is
said to
watercolours
colour and
his
Mouth
\\
in
bad
Twombly
Random
Boh
C\
The
loose,
unordered
of
lines has
its
own
meaning may be
deliberately
inexplicable.
in the
imagination.
The
artist's
to represent
The system
Twombly
is
totally
this
paintings are
something
unintelligible or
white background.
Bolsena 1969.
Oil.
VA.
lyricism
and harmony.
"
1928
with
W/
Cy Twombly. b Lexington.
affinity
unhindered by traditional
form the
unclear.
meant
style
in.
Private collection
Uccello Paolo
This
is
were
in
originally
at the Battle
hung
The
of San
Romano
in
1432 which
mounted on
is
if
Romano
here above
forms ?nd
all
in the
lie
on
"
background.
The Battle
however, expresses
to depict
the ground as
of San
a white horse
how
Battle
h71^x wl26
in.
Utamaro k^
Tun
that
Lovers
garden
terrace.
room
in a
silk
lyrical lines
is
woodblock
first
become
print,
well
tradition,
century,
composed of flowing
Utamaro was
known
in
the
fresh
is
master of the
Japanese
artist to
flat
Western
who were
seeking a
way of viewing
Poem
of the
Pillow).
1788. Woodblock
books
also depicted
Cellini,
wl4 3/4
Victoria
Utrillo
Maurice
>
An
dominates
air
of
tranquillity
town where
Flag
this
town
hall
is
artist
abuse which
the
Town
afflicted
Hall
him throughout
An
and model of
Maurice
Utrillo
enhanced by
Hall.
1924.
Oil
spawned countless
* Degas.
wl30 cm.
h38V6 x
L'tnllo
street scenes
1955
on canvas. h98 x
and he
Town
life,
his
intense feeling of
Over
w51&
Musee de
I'Orangerie,
Pans
Vallotton
The
Feiix
been reduced
Vallotton was a
is
The
trees
have
member of
the Nabis, a
group of late
who were
Felix Vallotton b
their
from
preferring to focus
before him.
The
on
result
Oil
on canvas. hlOO x
w73 cm.
He
through which
Japanese prints
in
1890, Vallotton
h39V6 x
became
a prolific
engraver.
Bonnard.
life.
w28 A
i
in.
Musee des
Beaux-Arts. Quimper
wood-
Vasarely Victor
Pal-Ket
float
on and
artist,
distort the
how
movement
to the painting.
to shift
under
Pal-Ket.
1973-4.
Acrylic
drawings
art,
reai
is
work
w59 3,6
in.
Museo de
relies
its effect.
1908
on canvas. hl51.2 x wl50.8 cm. h59'^ x
moved
on
and
the
to
Vda2qUe2
The
five-year-old daughter of
Diego de
King
Philip
Las Meninas
Silva v
IV of Spain, the
of die canvas
of Titian's work
in the
in
while and
huge
portrait
left
Velazquez
this
work
He was
who
portraitists
of
little
Diego de Silva
influenced by other
artists
Oil
on canvas. h318 x
all
Italy.
in 1623
is
is
with atmosphere.
- Goya.
El
1660
in.
Museo
visit
he
also
time and
final years.
although
can be seen
1-
is
He
Vermeer
Lady Seated
Jan
painting
on
young
with a viola da
gamba
to her left
feeling
of space
and
We
only gradually
he surpassed
all
Dutch
painters
light
and
at a Virginal
1 1
nineteenth century.
- Dou, Van
Eyck.
W
Delft,
1632. d
Delft,
1675
Oil
on canvas. h51 x
w46
countryman
little is
Jan Vermeer. b
his fellow
Veronese
The
silk
it
is
tempting to touch
subjects in
is
figures,
its
them
all.
The deep
implies,
oi
Veronese
work of Titian.
also be admired.
Veronese specialized
;;
-rM-
St.
mm
r
1
Veronese (Paolo
The Finding
of
Caliari)
Moses. cl580.
Oil
on canvas. h50 x
1588
w43 cm.
111924 x
wl7
in.
Museo
As
his
name
in
,;
originally
settled in
\.isi
monumental
the dresses displaj his loudness for rich hues and bright
brushwork can
blues, ochres
accompanied by
tin
Verrocchio
The
of
this
woman's
out and
to be
slightly
shown
breast.
versatility
artists
Holding
number of artists
workshop
looks
first
in
to
as a goldsmith,
style
he was
and
his
Yerrocchio's
are
founded on
own
in
h23^
in.
Museo Nazionale
his master's
some of
Woman
Nosegav
Bust of a
The head
Woman
Although Florentine
proficient in
Bust of a
\ndrea del
Vieira da Silva \h
d
colours and
Elena
in soft
muted
The
system of perspective
of gentle
light
is
origin.
Silva. b Lisbon,
Checkmate. 1949-50.
Oil
She
initially
worked
contrasts, often
multitude
as
"
on canvas. h89 x
not disturbing.
Checkmate
a sculptor
in.
Private collection
Vigee-Lebmn
The
artist sits
palette,
at
work on one of
is
brought to
life
a neutral
by the
artist's
which
is
Marie-Louise -Elisabeth
repeated on the
tip
is
Oil
herself in the
full
flattering style
bloom of innocent
women
waist,
sense of her
around her
confirmed
when
Antoinette
who
she
is
said to
3 5
at the
time of
on canvas.
hl00xw81
cm. h39!x
"
have painted
1842
w32
in.
in portraits
artist
1790.
Self-portrait.
which
this self-
charming personality
the portraits
ground,
Self-portrait
this painting,
Sherman
was
of
Viola hi
The
cycle
To
cycles,
computer programmed
days
week.
A disembodied
excerpts from
\\ alt
devotional object:
is
it is
title
almost
video installation.
Hours,
TV
screen in 12-hour
washed out by
as
a specific
itself like a
- Beauneveu.
Flavin,
Limbourg, Merz.
Nauman
^9&
Viola, b
New
York. NY,
Bill
.1
and information
daylight
is
contemporary Book of
in this
when
of man, from
1951
I.
riots in
an
Vlaminck:Maurice de
The
Paris Salon.
most
basic shapes.
The
taught,
met
Vlaminck was
the artist
in
he became
he
Oil
its
dubbed them
work
flat
patterns
Initially
Gogh, from
who
on canvas. h60 x
in.
Some
"
traditional subjects.
With
that a critic
self-
Andre Derain
seriously. In 1905
movement,
Circus
Private collection
in
favour of
Vouet
Sim*
an old
sevthe that
in his left
lies
hand
personifications of
right);
us that he
Hope
(on the
left)
women
are
is
Man Time,
movement of
Baroque
style
of painting. His
richly
He
painted
artistic
many
most of which
extravagant gestures of
all
Paris.
" Bronzmo.
1649
Oil
on canvas. hl07 x
wl42
cm.
h42^ x w55 ^
7
in.
Museo
Vuillard Edouard
Two young
boys play
in a public
Two
Schoolboys
inspired by the
paintings
is
Vuillard
was commissioned
The
panels were an
amalgam of
his
rcnovned
harmonies,
town house.
the mysterious
at
Givernv. Vuillard
impressions of the
charm ofeveryday
life.
light.
Vuillard
was
Two Schoolboys
w96
cm. h83'/
<
w37>5
in.
Belgique, Brussels
Wadsworth Edward
utical
rine
relict"
against a
dsworth's technical
ability
and the
difficult
is
an intellectual pleasure
usual
still life.
The
much
painting
greater than
comes
During the
First
is
Wadsworth
As
the
also executed a
number of mural
offered by
close to Surrealism in
linen.
hyper-real
Carra,
De
its
and meticulous
its
clarity.
w40
in.
Nash
Wallis Alfred
A
town with
its
from
point.
St Ives with
The work
has a
optical
mannerisms such
is
flat,
it
is
depicted from a
completely tree
the
worked
as a
his 60s.
all
his life
1942
and
Oil
pencil on card.
worked on
on
the
mainly of ships,
life
but were
fisherman
drawn from
his effect
left visible,
through
naive quality,
as perspective or a vanishing
Godrevy Lighthouse
more
was
later
emulated by
in
" Gontcharova,
in.
Private collection
Wadsworth
Warhol Andy
Marilyn Monroe's face
is
Marilyn
in bright
in ten different
colour
consumer
work
to the
artist
maker, was
He
lurid
manner. Monroe
subject
le
used
is
still
power of
the
most
Andy Warhol b
tragic
of
paintings,
it's all
at
and
film-
remained,
the surface
all
" De Kooning,
know
and
a cult figure
a publicity
a startlingly
if a
American Pop
in.
Museum
of
Modern
Art.
New
York.
NY
of my
Waterhouse John
The luminosity of this
painting and
detail
poem.
)ne
doomed
girl
cm
almost
begins her
feel
in this
is
an exercise
careful attention to
artists
in closely
the water.
Waterhouse was
though,
it is
of Shalott.
1888.
Oil
w200 cm.
from
artist's
h60'/, x
w78%
in.
all.
popularity.
on
on canvas. hl53 x
He
The Lady
each rush and reed has been painstakingly depicted and the
and continued
final
work
its
William
Tate Gallery,
London
Watteau
Verdant
trees,
The Embarkation
\ ntoinc
type of idyllic,
The
which
this
reached before.
sumptuous
Arcadia
is
silks
love.
eensuousness. lake
it
many ofWatteau's
There
at
nothing
has an undeniable
paintings,
is
its
the transitoriness
magical
is
typical
of the Rococo
1
[e
style, to a height
who was
the
main influence on
French and
reflect the
XIV
pomp and
this
* Boucher.
The Embarkation
for Cythera.
1718.
Oil
on canvas. hl30 x
wl92 cm.
work of
his
extravagance of the
at Versailles.
to hint
never
of Louis
the
for Cythera
H51V4 x w75!4
in.
)ourt
Weight Card
\\ eight's
scene; in a mysterious
way
is
An
individualist
human
The
feeling.
who
urban and
figure as she
originality
of the
rural
Oil
if
London where he
lives
and works.
1908
life
of the
the subject
Daisy
us.
work.
intensity
w40
in.
Private collection
in
south
Wesselmann Tom
The
erotic
Great American
is
left
juxtaposed
one of a
series
1960s in which he
in the early
in flat, clear
The
painting's importance
lies in its
still
Nude No.
27
consumer
American
YX'esselman abandoned
felt-tip
or ink drawings.
conspicuous
at a
rime
when
rare,
and
paint
its
inclusion
w36
in.
Mayor
Gallery.
London
West
\\
ilium Penn
is
Benjamin
depicted making peace with the Lenape
colony. This
representation of a
imposed
dress,
W est
is
a Classical
typical
documented
event, in
of the
historical paintings
London
in Italy
Historical Painter to
inaccurate
Joshua Reynolds
was an extremely
contemporary
in
which earned
in
North
American
for
art.
George
PA,
He had enormous
flair
and
His studio in
Oil
on canvas. hl92 x
He was
later
London was
development of
the training
in.
appointed
replaced Sir
and
popularity-.
III
as President
before setting up as a
in 1763.
versatility
composition on figures
of the Pennsylvania
artists
ground
of the
V2.n ClCr
W CyClCn
Rogier
the Cross
of a
way
hands
keen observer of
the figures
in
life.
crowded
more
early
Oil
on painting
in
w262
le
Continent.
if
like a
on panel. h220 x
the
achieved
extremely profound for a long time after his death, not only
work shows
clasps her
a
falling
real event.
cm.
h86% x wl03H
In.
Museo del
Prado. Madrid
Symphony
Hiffernan
is
a study in the
shades of white.
centre,
cropped
marked
into
Japanese
in the
Europe,
is
1860s
on
shows Whistler's
when Japanese
art
was finding
Symphony
art.
its
of the
way
2: Little
White
Girl.
1864.
Oil
White No.
2:
Little
White Girl
of
his
work by
and
fan,
White No.
its off-
in
1903
w20
Wilkie
\
Sir
gentleman
who
regards
The
David
a letter
of introduction
to
an elderly
lad's
our
of a
life
spent
in the
corrupt
city.
Wilkie
Sir
Fife.
of Introduction
1785. d At sea
1813.
Oil
Much of
(off Malta).
on panel. h61
Sir
forms with
lenry
in Fife,
art.
M W Turner painted
at learning
Lely.
Burial at Sea to
a trip to the
Middle East.
1841
in.
Wilkie
triumvirate of Scottish
to
of Robert Burns
painters such
The Letter
and
attitude
Letter of Introduction
Wilson
Bucolic
hills
pastoral scene.
become
as
The horizon
livestock, are
in
is
worked
View
Richard
not here to
tell
travelling to Italy
Italian paintings
Upon
returning
received
many commissions)
as the subjects
in
Oil
was
of Claude Lorraine
home, he continued
on canvas. hl04 x
of
his paintings.
in
in
obscurity.
* Agasse. Claude.
View
of
where he
London before
in
w54
in.
National
Museum
of Wales, Cardiff
in
Witz ko,
The
figures
I
akc
naturalistic detailing
(visible
is
striking for
of the
first
of
its
clarity
art for
and
known of his
life
suggests that he
in the shallows
is
containing one
spaciousness of the
that
although
hills
artists. Little
is
Oil
distance-
this
Schongauer
work of
The luminous
Van
is
realistic style
show
Fishes
German
In.
Musee
Geneva
calculation.
Wood
Wood
saw
was captivated by
in a small
town
sister
and
in
used his
American Gothic
Grant
which
his dentist as
it
evoked
models
in his
mind.
He
Wood was
made
the
work
as a
homage
to the down-to-earth,
Wood
IA,
Oil
IA,
common
artists
in
North America
Wood
had studied
* Van
in
Europe
in the 1920s.
Wyeth
1942
style
A lifelong
1892. d Anamosa,
this
in.
was
hi-
workers
in the
work of
to pay
make
is
him
a visit).
scene as
painting the
Although the
artist
realistic as possible,
in
some of
is
* Brown, Caravaggio,
Correggio, Honthorst
Oil
w52
in.
derived
the pioneers
wealthy
has attempted to
chiaroscuro, the
this
from
.1
The Forge
contrived vision of manual labour depicted for
Collection of Lord
Wyeth
A young
at a
girl,
figure
Christina's
and desolation
is
sits in a field
hill.
sunlight,
in
is
and gazes up
sense of melancholy
executed
Andi
of
\\ veth's style
which
is
characterized by
World
emotional themes in
of r.iigazine
areas
a highlv detailed
illustration.
manner reminiscent
most of his
life.
in its
Ford. PA.
Wood
1917
wl21 cm.
h32'/S x
w47%
in.
in the
lived for
photography
Museum
of
Modern
Art.
New
York.
NY
Yeats Jack
The
Butler
freedom of the
The passionate
artist's style
free
Basin in
Which
in iis
Pilate
Washed
his Mantis
le
was admired by
his
work
friend
draws
of the poet
W H Yeats.
and watercolour
until 191
at
artist
le
began
dissolve
lis
style
an illustrator
in oils
became mcreasingly
The Basin
in
Which
Pilate
Waddington Galleries
Ltd.
Washed
London
his
Hands 1951.
his Impressionistic
Oil
in.
Zoffany Johann
Marble
are
athletes,
crammed
on
of
this collector.
portrait busts
Towneley,
dog
at his feet,
is
all
bust of Clytie
on
the desk
is
said to
German by
birth,
it
He met Towneley
and
up
set
scenes.
in Italy.
became
The
as a painter
le
to paint a
of
in
London
portraits, interiors
and
attention of
King George
where he made
III.
in
Park Street.
783.
Oil
on canvas. hl27 x
went
to India
w99
1760
theatrical
In 1783 he
Kauffmann, Teniers
men
number of conversation
as his wife.
in
cm. h50 x
w39
in.
Towneley
Zorn
Like
of
nymph watching
a lake, this
absorbed
soft
Dagmar
Anders
her reflection
nude perches
in quiet
at
rippled surface
in the
is
echoed by the
Although there
is
figure,
is
this
artists
of
and moving
his solid
light
and colour
~ Boucher.
w63 cm.
h34'/4
w24
/4
him
Private collection
in
dancing brush
to the Impressionists,
in this
work
'"ill
J06L
Oil
ally
his
made
his
cosmopolitan
he travelled extensively
^TfTlMi'ii
Dagmar. 1911.
his time,
can be seen
an etching of
Swedish
^ -
W\
Zuccarelli f,
background and
tlu story
and
manner of
Roman town
swims ashore
to
who
playing.
He
entices
and pleasing
style
of landscape painting
Zuccarelli
Academy
London.
her to climb onto his back and carries her away to Crete.
Francesco Zuccarelli. b
Pitigliano,
di
Cosimo, Wilson
of Europa.
cl750.
Oil
on canvas. hl31 x
worked
principally in
where Europa
is
wl68 cm.
h51'/4 x
w66
in.
Private collection
Zurbaran
The image of St
Francisco de
Francis standing
thirteenth-century apocryphal
in his
tale.
of
Baroque paintings of
difficult to
made
more
left
startling
through the
his
dark
robe and ecstatic face and casts the right side of his body
into dark
is
C1650/60.
Oil
was challenged
to the Spanish
in particular
by the
rise
in
painting and
of the young
to re-establish his
once high
inspired by Caravaggio's
his
common
on canvas. h209 x
1664
in.
Museu Nacional
d'Art
de Catalunya. Barcelona
it
A form
around
The term
us.
tional art'
art
is
twentieth-century art
in
\\ assilv
among
of
art as imitation
the properties of
of
a variety
Meaning
in the
1940s,
from
(see
washes
thin
David Alfaro
combining some of
It
(see
as fresco
secco,
which
it
as bnon
fresco,
up
from the
late
is
laid
or true
plaster,
known
Italy
Siqueiros).
known
is
powdered form
of wet, freshly
a surface
far less
is
ticularly appropriate to
Morris Louis) to
kind of wall
and watercolour.
oil
effects
brushwork
used
first
art.
Fresco
fresco, to distinguish
synthetic paint,
thick
is
Acrylic
of
par-
is
Middle Ages
da Cortona).
Antique, Classical
Genre painting
Terms
Rome, and
on
their influence
The
the
was
ture; this
as architecture
popular theme
a particularly
and sculp-
cm
lir.1111
light
and
'light-dark' in Italian
and shade
in a
work of
is
known
of
this
when
Rembrandt
with the
Pietro
pop-
particularly
in the
often
artists
in Italy
The
style
eighteenth century
Longhi
ments
(particles
in
France,
in
England.
known
also
as
body
colour.
The
pig-
Gouache
are
used to describe
particularly
art,
life
Opaque watercolour,
means
of
in the
Gouache
Powers).
Chiaroscuro
the use
Holland
l).i\ id,
ular in
in the eighteenth
mean-
particularly popular in
lighter than
is
it
it
when
has
dry,
Photomontage
Collage,
technique
stick*), is a
puns
which
in
were the
I"
first
|uan Gri
Phi
1
I
in
Dadaism
n
(se<
used
ollagi
miontagi
olographs;
it
particularly popular
.1
surface.
S
applies th<
The
'to adorn'.
artistic tech-
same
princi-
Pop
\rt
In
artists
Oil,
a< uti
ichard Estes) 01
en
b<
or vellum
Figurative
to the Renaissance.
such as Richard
[amilton.
is
The term
us.
Oilstick
onsists of
oil
few
pn iduced.
medium,
usually linseed
oil.
Its
invention
is
usualh credited
Byck
to fan van
in the fifteenth
brush (see
Kan
method,
this
and shade
light
as
can be
in
the
sen
Mima
in
(particularly poplar)
were used
in earlier
more
of the properties of
oil
recent invention,
They come
hand
in
combining some
Stucco
and applied
\ light plaster,
architectural decoration.
It
like a pencil
'neat',
is
Rococo
st\les (see
in
A drawing
paper and
a variety
gum.
resin or
of
effects
means
from marble
on
generally used
Its
nature of pastel
in the eighteenth
century
when
medium underwent
work of
became pop-
it
paint
was
prints, including
are
known
is
away
cut
comparison
in
e case
engraved on a metal
is
plate,
or
in
ade from
silk)
is
ith
me
is
(see
is
a slab
of
lich receive
and
phonse Mucha).
arabic.
it
word
elt
i
into
one another
Vinci put
it,
ft/mo,
produce
a 'misty' effect, as
noke'. I^eonardo
a water-soluble
medium such
as
often
of atmospheric
to the creation
left
broad areas
in
exposed to create
one another
to achieve gra-
painters such as
and was
effects
particularly
pop-
Waterpaint
A
of
that they
Ixonardo
manner of
emulsion paint.
the texture of
oil.
oil
paint
In this sense
medium,
the Italian
is
however,
This
translucent,
is
as
it
large-scale
rom
Balla
forced
Andy Warhol).
to oil there
Giacomo
image
(see
gum
known
Watercolour
where
(see
nature of
The absorbent
support.
larity in
lief
wooden
virtually impossible.
praeddoners: see
technique
artist
">odblock,
common
of easel paintings
applied in layers to a
a revival in the
bound together
(colour)
tury (see
variety
to the touch.
warmer
of glue
only distinguishable
is
The powdery
heyday was
is
it
stucco
Tempera
when
in that
Good
and
the six-
particularly suited to
medium.
Pastel
between
Lisa.
of
it
is
it
when wet
is
similar to
crack-resistant,
work such
It
has
gouache.
making
it
as wall painting.
an
L'nlike
ideal
gouache,
medium
for
twentieth century
Glossary of
artistic
Abstract Expressionism
A movement
York
in
had the
American painting
that
developed
They
tic
New
in
the 1940s.
in
movements
energetic
that
it
was
artisans
style
Other Abstract
a centre
of communist
its
continued to teach
staff
Kooning and
Newmann
movement was
this
abstract (see
Guston) or expressive
Philip
artists'
it
Barbizon School
number of French
the
all
Willem de
(see Barnett
of
their
The
Barbizon and
village is called
on the
lies
outskirts of the
citv life,
these artists were able to take their easels into the countryside
work
their
artists travelled to a
approach to
its
all
work from
Although the
intellectualism.
refined. In
and
artists
Bauhaus
uncon-
in the
at
open
work
They painted
air.
gentle
in the fields,
scious minds.
of
fleeting effects
rancis, Frankenthaler,
De
Art Informel
number of
informel
new way
and atmospheric
Still
forgotten, and a
light
to create
forms used by
Cubism and
Millet,
Rousseau
The Baroque
style flourished in
Rome
to discover a
new
artistic
language.
They
The work of
thej
Likt
Art Informel
Europe
artists
is
meaning
the
\rt
\,
Informel
is
Hartung) painters.
and non-figurative
(see
Madonna
in a swirl
mythology were
and
Italy
the Italian
is
word
barocco,
generally typified by
show
its
The
the saints or
also popular,
its
Spam,
art
exaggerated manner.
influence reached other parts of Europe, notably
Baroque
Hans
bizarre or zany.
the
in
teenth century.
1600s and
in the earlv
tonus and
attrib-
innovatory
Baroque
virtually
have been
techniques.
rather than
have been
artists
their discoveries
who
on the world
effects
Not
all
as subjects
art
from Ancient
in the
same
artists
such
as
lermany.
equally termed Baroque.
10 is
De
Soi.l.iges,
Tapies
Bauhaus
\n English group of painters formed
at
ign
isi
currents
in
Weimar
German]
di
in
the 1920s.
Europ<
.n
th<
R,efl<
Bauhaus Stud
sculptors and designers
daily
life.
should
I
b(
practical
the social
to
as
craftsmen
studied together in
workshops
life
in
much of
191
1.
The
greiup
artists
Gogh and
Paul Gauguin. In
*~ Gilman,
as
in
and affordable.
who
took
In
Gropius believed
hould be considered
that artist!
,\
and
often met
in
in
Si< kert
become
the
London Group.
Cubism
Cobra
An
of
international association
of the
ciation
were
The aim of
living
Europe
1.
cities in
the
which the
original
members of
the
the asso
Cobra
was
artists
promote
to
free expression
to give their
work
and
vitality
They
force.
objects.
These
are 'flattened'
docs
first
may appear
it
that different
art
- Appel
of Western
Conceptual Art
art
image was
in the
sides
artists
a pictorial
an extraordinary reassessment of
rise to
art forever.
Conceptual Art
is
it
of the
skill
making
artist in
non
in the
The
ideas or 'concepts'
1960s and
its
that
is
impor-
may be communicated
texts,
becomes an
integral
site.
pan of
In
some
the
using a variety
art'
it,
tant.
in a gallery
or
artist's
work,
as in the 'land
The
Christo.
and
artist as a
political activism.
maker of
tional ideas
The notion of
work have
artist
the Conceptual
undermines
and the
tradi-
art object.
Italy in the
is
deliberately meaningless
'anti-art'
movement
main centre of
to 1922. Its
would gather
that flourished
from 191s
activity
artists,
writers
in
and musicians
was
Dada
means within
bourgeoisie.
its
typical
Dada work of
as
art
from
of the
to use any
amongst the
its
'art'.
was important
in
with
cult
its
*" Arp,
De
Stijl
An
Constructivism
An
abstract
an movement founded
in
Russia
in
ing that
it
art,
believ-
component
Piet
order and
of
De
clarity in a
Stijl
square forms.
straight lines
It
should
'pure'
years
by
space
in
of the Revolution,
artists
its
verse.
in
The work
in
in
men
suspended
Holland
in
Mondrian. These
1915.
artistic
191- by
some way
reflect the
arts in
to an
end
profound
Europe.
1951 after
effect
on
Van
architecture
Expressionism
An
artistic
move towards
Germany from
is
intense, pas-
typical
not surprising
asm and
ings
'les
which included
room
One
passion.
- French
fames'
dubbed the
critic
mainly
- and
in the
name
the
a fantastical, joyous
stuck.
life.
their pictures,
Matisse, Vlaminck
in
Milan
in 1909. Its
modernity.
to glorif)
The
Futurists
its
mem-
past and
vey
sense of dynamism.
was
art
its
One
attempt to capture
were used
movement and
speed: this
or figure
in slightly differing
the impression of a
positions
at
the
same
Balla,
was
time, giving
is
mo
to 1500),
of Europe. Altarpicccs
space.
dure
The
is
first
move-
also
be applied to works of
art that
wilder,
Tinguely
Mannerism
ly
style,
Mannerism
is
style
general-
was
Hum" of movement.
the Middle
this
Sunrise.
tions,
made during
coined in derision by a
sculptures).
by
this
initially
same object
Gothic
in
of subject
may be
Boccioni
Predominant
Caillebotte, Cassatt,
prevalent
*"
Kinetic Art
to con-
in
Renoir, Sisley
*"
sculpture, angular forms and powerful lines
- whether dawn,
entitled Impression
its
movement founded
They were
They were
Futurism
avant-garde
in the 1860s.
Term used
Van Dongcn,
France
journalist,
strong colours,
and colour.
*" Detain,
often
'*"
itself
is
to
An
light
brushstrokes.
They seemed
it
Impressionism
A movement
between
full
one country,
Fauvism
colours.
to
daylight or twilight.
in Paris
Delia Quercia
was held
common
In 1905 an exhibition
vitality. It is
demonstrating emotions.
that
forms
their
1905
often
little
is
usually
random and
in
Italy
It is
characterized
word
waniera,
meaning
The term
'stylishness'
and signifying grace, poise and harmony. The word has devel-
*" Bronzino,
skill,
virtuosity
Cellini, El
and
who
caprice.
it
is
openly demon-
Op Art
Minimalism
trend
\
I
SA
in
Minimalist Art
pared
is
down
to
its
and anonymous,
abstract, objective
name
essentials;
implies,
it
purely
is
is
mono-
and of
it
states
in series.
on
as a reac-
art
method of painting
pure colour.
in
'Remember
some
by broad surfaces of
book
who were
that a picture,
kind of anecdote,
flat
colour or patterns.
illustrations, textiles
in print-making,
dummies and
tailors'
it
meaning
developed
aims were
of previous
movement
it
is
of the
In art
art.
its
and
symmetry, and by
its
frecjucnt
Expressionist characteristics
USA
common
in
in its
with
concern with
De
Chirico, Delvaux
Pop Art
A movement
in the
society
and pop
its
USA
culture.
produced objects
inspiration
all
in the
Comic
strips, advertising
and mass-
its
low
cost,
subject matter
common
in
is
in
Pop
Art.
Kitaj,
Thiebaud,
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YX'esselmann
in
the
work of
An
particular artists
in the late
1970s.
association of
Dismayed
at
young English
formed
artists
as the
decadent
in
state
evoke the
1848.
of British
sincerity
of
as
strongly theatrical
Ingres,
Auerbach,
Baselitz,
mass-produced,
in the
much
has
from Surrealism
movement
differs
body.
Metaphysical
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The brashness of
The
human
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1917 by Giorgio
in Italy in
characterized by distorted
It is
is
posters,
is
As
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rigid
are characterized
)p
Their approach
of the human
of movement.
illusion
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the 1960s.
in
fallibility
By placing objects
Stella
games with
shimmer and
to
using
of Abstract Expressionism,
plays
artist
which appear
exploits the
art")
no
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The
eye.
developed
\rt
of surface decoration or
free
A movement
rink, Kiefer,
exemplified by
artists
such as Sandro
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and Filippo
and
on
social
religious scenes
artists
painted
show
of flowers and
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nchK
particular
fabric.
Waterhouse
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Throughout
man
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God
of
lived in fear
and Neo-Expressionism.
and
'*"
man began
From
earth.
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little
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what was
importance and
effect
showed
happening on
more
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life-like,
on the world.
in art: figures
real
and the
human
main
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Artists painted
which
in
unnerving and
this
stylized
monumental
aim
widely.
from
collections of everyday
objects, or
creations of
w^as to
of dream and
illogical
ease.
its
point of view.
reality',
As
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its
became more
Expressionism
the Middle
figurative, represent
itself.
Renaissance
Germany and
in
artists laid
German
,i
"
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illusion
Wadsworth
Symbolism
ail]
in
literary
and
artistic
movement
rather than simply describe the visible world. Their styles var-
ied
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interest
was
in
Subjects of
Rococo
light, plavful
and decorative
emerged
stvlc that
in
rocailk,
meaning the
Rococo
the
is
typified by
the French
rockwork used
style
.1
in
the
word
to decorate
of interior deco-
lis
and the
single definition
away from
is
is
late
so varied in
its
manifi
intellectual disciplines
'
Europe
artists
turned
English avant-garde
Lewis
1914.
The movemi
were
common
themes.
remark that
all
lied
the Italian
creative art
employed
dynamic
style in
both
it
was
Romanticism
centuries.
An
sin
Redon
Vorticism
War
Romanticism
in
A movement
a religious
France
common
mind
the first
movement towards
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National
of
American Art
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Street,
215) 9727600
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202) 3572700
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Reservoir
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01 28
216) 4217340
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Cleveland
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Museum
1600
Street
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(1 212) 3603500
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412) 6223131
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Washington
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718) 6385000
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94s Madison Avenue,
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Brooklyn,
60603
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1944
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Art Library:
Butler, Claire V:
Stirling
ladelphia
Photographic
Fundacion (jjccflin
Acknowledgements
Bornemiszaf lrf^Jd:-+7V,>-'
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Gimpel
459;
Institute
496;
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26, 424,
Munich:
ithek,
London: 214,
Fils,
Giraudon/Bridgeman Art
Library:
8,
2S,
t'*ller\,
IJouglas
Royal Collection
The Mayor
419;
;-3'8o,
.255,
New
New
Art,
Museums,
56;
Bridgeman Art
Library:
123;
Marian
Goodman
Gallen-,
New
Michael
Goodman:
&
14,
M4
IlK, 151,
16,
Adler Galleries
50;
Inc.,
New
Museum
491;
141,
New
175,
the
of Joseph
Hirshhorn,
422;
Galleries,
416;
3i 9 ,
New
[ndex/Bridgeman Art
Indiana Universit)
An
Museum,
4">2,
her, Pans:
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1
1
New York/photo
New
Gallery,
Mr and Mrs
Marlati Fund:
Paula
courtesy
160,
Clevi land
\n,
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looper
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Yorl
)erom
Brussels/photo Vincent
Everarts: 442;
Vnthony
<;X;
iiir
\n,
New York,
Mr David Whitney:
Museum of Modern Art,
of Modern Art,
gift
of
New
York, Inter-American
Museum of
Modern \n, New York, purchase: 19, 367, 498; Museum
1
und:
2<>i
of Modern An,
New
Harriet Janis
York,
Crane kalman
London: 223;
Gallery,
}6X;
Ltd,
An
London:
Sotheby's
Inc.,
New
Museen, Kassel:
382; Alfred
London:
1,
MO,
Museum,
London:
Library,
London:
Waddington
325;
Wadsworth
Atheneum, Hartford:
Wallraf-Richartz
104;
Museum,
Weber
Cologne/photo Georges
Gallery,
York/
New
Yale
New-
&
Eduardo Calderon:
436;
Museum voor
Koninklijk
Patrick
Li
11
Florence/Bridgeman
(.alien
William
Library:
\iuhK
London: 280,
of Mrs
Partial Gift
of Modern Art,
Mr
485;
Museo
j8,
201;
207;
Zimmerman:
[74,
of
New
4; Scala,
York:
Museum
d'Unterlinden, Colmar/photo
Hirschl
Museum
New
Gallery,
York/photo
The Queen:
204; Metropolitan
The
1994 Her
Marc Blondeau:
Majesty
129, '249,
21,'.
McK.ee Gallery,
102; courtesy
km,
courtesy of
I.
aim
Beverh
(ills,
The Pace
New York/photo
ilson:
lalifoi
(London) Ltd:
9;
Burrell Collection:
17;
Art:
rallery,
of
photo
Paris: 364;
<
York:
do Baldacci
RMN,
Parker:*24U;
Pai
New
Museum
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