Professional Documents
Culture Documents
Creative Curatation
or, knowing the rules, and when to break them
I dont think they should all be broken - the key thing is not to take them as
natural .
Note: these rules are fairly recent - museum history can help us see them in
their cultural context. When did they come to be accepted? What
circumstance made them seem proper? Do those circumstances still stand?
We all have a pretty good idea of traditional exhibits - what the rules are
paintings on wall, objects in cases, narratives
Before you can break the rules, must know what they are
a quick set - not definitive, but to get you thinking
and mostly these are good! Need to know when to break them.
Curatorial rules
Good reason for all of these rules - but these are fairly recent, in the history
of museums - Some 18th century museums encouraged touching; some
19th century museums traded objects, dispersed them.
These more art museum rules; history museums have become more
interested in the way objects are used.
To what extent are curators thinking of the big picture of the museum, to
what extent their own work? what structures shape collecting?
Object rules
Collecting rules
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The last rule seems so central to museums - but broken now in every other
medium - look at creative nonfiction writing for a strong contrast.
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Curator Rules
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Exhibition rules
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Display rules
Conveys authority
Audience Rules
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Story Rules
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Exhibits are designed around traditional museum spaces. Those spaces are
changing as museums change, and especially as the material and the virtual
begin to overlap. How should the exhibition rules change?
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On the final rule: If you can read the museums organizational structure either divisions between curatorial and other departments, or the way
curatorial departments divide up subject matter - in the exhibition, thats bad.
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In one place
At one time
Structure rules
Front-of-house (exhibits, public space) and back-ofhouse (storage, research) clearly separate
Some Examples
Haffenreffer
Museum,
Exquisite
Objects,
curated by Ian
Alden Russell
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Haenreer Museum at Brown - Ian Russell exhibition. what is odd here: not
in museum, writing not typeset, on outside of case, no single narrative,
visitors could add their interpretation. More information at
exquisitethings.info
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New work from about 80 artists, based on information about the collections
of the museum.
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The altar: Haitian mambo mined our collections - not Haitian collections - for
objects she thought spoke to the spirit of La Sirene.
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Haitian Voodoo,
Haffnreffer Museum
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Not authentic artifacts from the house; words and artifacts mixed
promiscuously; many dierent voices overlapping.
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Breaking down barriers between museum and memorial. See also the 9/11
Museum.
America on the
Move, NMAH
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An artist re-imagines a period room. Breaks most of the rules! Feet on the
table! Images from presentation by Franklin Vagnone, Executive Director of
The Historic House Trust of New York City
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Maira Kalman
Selects, at Cooper
Hewitt Museum
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Breaking Rules
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Bring in artists
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Models to consider
Childrens museums
Indigenous museums
Memorial museums
Public art