Professional Documents
Culture Documents
out some remaining possibilities in a postmodern remix of Performance Art, Conceptual Art,
Appropriation Art, Institutional Critique, and conceptual directions in photography, film, and
digital media." (p.4). But students of art schools are going to the streets to create his works along
with the old artists who already used the streets. Creating a network of street performers in 2000.
the author wrote, "A new generation of art school-educated artists heard the call and joined the
ranks of those already on the ground; they combined punk and hip-hop attitude with learned
skills and knowledge of recent art movements. By 2000, street artists had formed a global urban
network of knowledge and practice disseminated by proliferating websites, publications, and
collective nomadic projects. (p.3).
The film Exit Through The Gift Shop shows the evolution of street art. It was originally
something despised by most but always had a goal. The goal could be to express an opinion,
make people reflect or simply to make people laugh. As an example of works, the red phone
booth, modified frames with pictures of famous and other works were show. The film was shown
at two art exhibitions and both were a success. The first showed that television crews were
filming the event, showing the importance and the recognition that the works were gaining. The
second event showed the great interest of the people, as many people came to visit the exhibition
and many works were bought. The exhibition made a profit of one million dollars. At the end of
the video it was clear that street art has gained recognition from people. It is now recognized as a
form of art. The expression of opinion is creative works and that depends on the talent of the
artist.
REFERENCES:
Irvine, M. 2012. The Handbook of Visual Culture. Ed, Barry Sandywell and Ian
Heywood. London & New York: Berg.
Cushing, H. D'Cruz, J. Gay-Rees, J. Banksy. 2010. Exit Through The Gift Shop. United
Kingdom: Paranoid Pictures.