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Poetry

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U pA WdK dO ` t uH

UO) U qIF U c UMU s wU( qBH uM

eU?A d?O?N?A? wd?H d?U?A U?L?N?U? 5K?DB? s b?L???

Phantoms Of Imagination

Phantoms of Reason

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qIF U WNu qUI w ULNF{

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los Caprichos

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228

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Sleep of Reason

qIF

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230

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S.Packer

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P.Hofer

u XK Wu 5UL UMK UL Ub mK w

dO?u VOKO

los Caprichos

U?bM Uu? U?NMO 5F_ YU? VOd? u?u ZM qI?F

U?NM vU?F?? U? b? W?O?L?? W?O??H U?{d? w?U?F U? U?N?L?
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M. Pizzato

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bO?? U t?A U0 eO2 b t?O uI c Z?O uJO
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c wU??I?? U* q?9 w W??O??U?; W??N??O????A u??BK
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UMb

simulacra

d u?B WOU? WOI?OI dO? u

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w u???u* U???LM s u???B ??? WDu? u??B b???Ou???
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simulation

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Reproduction

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s Physionomic W?Od? WU?F? U? q W?OEH U?F?

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Metamessage

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Count Kounitz

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W?O1U_ qL?? UN?O? `{u w ed?O UU Wu?d? v Xu

VBM* cN XLdO `Od b uB

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Wu
(1) Cocking, J. M. (1991) imagination A Study in the history of ideas.
London: Routledge, 123.
(2) BYRNE, R (2007). THE RATIONAL IMAGINATION , HOW
PEOPLE CREATE ALTERNATES TO REALITY. COMBRIDGE: MASS
THE MIT PRESS

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(2) Shlain, L. (1991) Art and Physics, Parallel visions in space, Time, and
Light, N.Y: Perennial, 305 -6
(3) ibid, 306.
(4) ibid, 307.
(5) Bachelard, G. (2002). Air and Dreams, an Essay on the imagination of
movement. Dallas: the Dallas institute of Humanities and culture, 2.
(6) ibid, P39.
(7) ibid, 21 - 22.
(8) ibid
(9) Zaidel, W. D. (2005). Neuropsychology of Art, Neurological, Cognitive
and Evolutionary perspective. N.Y: Psychology press, 11.
(10) ibid, 12 - 14
(11) Spivy, N. (2005). How Art made the world. A Journey of the origins of
Human Creativity. N.Y: Basie Books, 17 - 20.
(12) ibid, 25.

485

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(13) ibid, 27 - 30.
(14) Surkin, M & Cartright, L. (2001). Practices of Looking. An introduction
to visual culture. Cambridge: Oxford university press, 129.
(15) Popper, F (2007). From Technological to Virtual Art. Cambridge, Mass:
MIT Press .
(16) Ibid.
(17) Ibid.
(18) Smith, A. (1996). Julia Kristeva Readings of Exiles and Estrangement.
N.Y: MIT Press, P 3.

Wd?? A?  W??F? ?O? D? b uM' u?? I U??O? ) q?O? O q?? O

. UJOF WJ Ud wu_ dU WLd
(20) Hamiltan, E. (1969). Mythology. NY: Little, Brawn, and company.
(21) Kearney, R. (1988) The wake of imagination, Towards a postmodern
culture. London: Routledge, 85-87.
(22) Ibid.
(23) Samuels, M. & Samuels, N. (1975). Seeing with Minds eye. N.Y.
Randam Havse.

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486

guN
(31) Cocking, J. M. (1991) imagination A Study in the history of ideas.
London: Routledge, 116 - 117.

W?? O?N d?U?I t??HzU tU?u??N?H?  U?O?) u?? nU? d??B

. UJK WUF WdB*
(33) Cocking , op. cit, 117.
(34) Worley, A (2005). Empires of the imagination. London: McFarland &
Company. Inc, Publishers, 7.
(35) Engell, J. (1999) . the Greative Imagination, Enlightment to
Romanticism, Harvard umil. Press.

w?? H?M qO?K??  U?? ?KDB?? ? r?? F? ? fO?U?? M g?

W?OF?U' U?bK WO?F?U' W?R* d?O U? vHDB? WL?d
lu dAM
(37) Charles, D. S (2001). Image and Mirage, Art Therapy with Dissociatio
Chierls. N. Y: Springfield: Charles Thomas, Publisher.
(38) Ibid.
(39) Bronowski, J. (2001) The visionary Eye: Essays in the arts, literaluse,
any scince.
(40) Modgell, A (2003) Imagination and the meaninigul Brain Mass. MIT
Press, 108.
(41) Takaya, K (2007). Imagination in the Contrct of Madern Educational
Thought. In: Egan, K, et. al, (eds). Teaching and learning autside the box,
inspiring imagination across the curriculum, N.Y.: Teachers college press, 23.
(42) Koufman, J. & Sternberg, R (2006) The International Harndbook of
Creativuty N.Y: Cambrige Univirsity. Press, Ch. 1.

jUb? WLd wU?L wLKF UO?) X eKO

W??O? ?F? U?? ' W??d?? F* Wb?MJ u?? N U?? w?DF*b?? ?
WdH lO{u
(44) Mcbride, K. (2005) Collectine Dreams: Political imagination and
community. N.Y. Penny Ibrams university press.

487

UO)

.b?I W?L?d U?OKO? l?L?: f?O?Q u?OKOu? Uu??U?

. b* oA ndA dU
. rd* WbI oU ld*
(47) Steele Meili, S. (2005) Hiding From History, Politiec imagination and
publics Ny.: Carnnel University. Press.
(48) Tong, T. (2008) the Geographical imagination of Modernity, Geagrephy
literature and philosophy in German Romanticism. N.Y. Stanuard University press.
(49) White, H. (1975) Metahistory. The Historical Imagination in Nineten
Century Europe, London: The John Hopkins University Press.
(50) Seashare, C.E (1967) Psyclnole of Music. N.Y: Daver publication, inc. 165 - 6.
(51) Spitz, E.H. (2006) The Brightening Glance, Imagination and Childhoad.
N.Y: Pantheon Books, 211 - 2.
(52) Ibid, 212.
(53) Brann, E.T (1991) The world of Imaginaiton, Sum and Substance. N.Y.:
Rowman & Littlefield Publishers, inc. 516-17.

WFU WFD dA dUI rKF dB q bL

(55) Osborne, A (1953) the Applied imagination. N.Y.: Charles Scribers
sons, 1.
(56) Harris, P. (2005) the work of imagination Victoria, Australia, Blackwell
publishers.

5LK* W?H?H bM dF?A WdE UL? bL? XH e?eFb?

UJK WUF WdB* WON dUI b s v bMJ s
(58) Cocking, op. cit.
(59) Brann, op. Cit.
(60) Dilthey, W (1985). Poertry and experience. Ed. By: R. Makkreel, & F.
Rodi. N.J: Princeton University press.
(61) Engell, op. cit, vii.
(62) Ibid, ix.
(63) Brann, op. cit, 107.

488

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(64) Brann, ibid, 106.
(65) Ibid, 110.
(66) Engell, op.cit. 196 ? 200.
(67) Ibid, 197.
(68) Ibid.
(69) Engle, op. cit. ch. 13.
(70) Dickerson, M & O? Hara, D (2006) From Homer to Harry potter a
Handbook of Myth and Fantasy. Michigan; Brazos press, 50.
(71) Engle, op. cit.
(72) Kearney, op. cit, ch. 1.
(73) Vanderwall, C.H. (2006). The Evolving Brain: The mind and the neural
control of Behavior, London: Springer, 67.
(74) Berns, G. (2008). Iconoclast. Baston, Mass: Harvard univ. press, 49 - 52.

WO? WKO WKO n h w qO* W?OM vHDB* sHu

. WUD WUBK bu

(1) Duffy, B. (1998). Supporting Creativity and imagination in the early

years. N.Y.: Open University press 53 - 54.
(2) Harris, P. (2005). The work of imagination, Victoria, Australia:
Blackwell publishers, 1 -3.
(3) ibid.
(4) ibid, 40.
(5) Singer, D. & Singer, J (1990) The House of Make - Believe, chichrens play and
Developing imagination: combridge, MASS: Harvard university press, 46 - 49.
(6) ibid,
(7) ibid,
(8) ibid, 40.
(9) Harris, op. Cit,

489

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(10) piaget, J. (1962). Play, Dreams, and imitation, N.Y: Norton, 145.
(11) Harris, op. cit, 6
(12) ibid, 3 - 4
(13) Mitchel, R. (2000) Pretenting and imagination in Animal and children.
N.Y.: Cambridge university press, 31
(14) ibid, 31 - 32
(15) Harris, Op. cit, 6 -8.
(16) ibid, 9
(17) ibid, 32
(18) ibid, 30 - 33
(19) Walton, K. (1990) Mimesis as make - Believe. (on the Foundation of
Representational Arts). Cambridge Harvard university press.
(20) ibid,
(21) ibid,
(22) ibid,
(23) Harris,
(24) ibid,
(25) Taylor, M. (1999) Imaginary Companion and the children who create
Them. N. Y: Oxford university. Press.
(26) ibid, 32.
(27) ibid, 33 - 37
(28) ibid, 8 - 9
(29) ibid, 16
(30) ibid, 10
(31) ibid, 10, 166
(32) ibid, 110 - 50
(33) ibid, 62 - 63
(34) Cohen, D & Mackeith, S (1991) The Development of imagination, the
private world of childhood, London: Roautledge; 103 - 104.

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(35) Packer, S (2002) Dreams in Myth, Medicine, and Movies, London:
Preager, 50 - 51.
(36) Gendles, T.S. (2000) on the relation between pretence and belieg. In:
M. Kieran & D. Lopes (eds) imagination, philosophy, and the Arts. London:
Rautledge, 125 - 14.

(1) Brann, E (1991). The world of Imagination, Sum and Substance, N.Y.:
Rowman, Littlefield publishers, Inc, 35
(2) Plato, (1987) Philebus. London: Clarendon.

W??? O?N d?U?I? W?L? d W?? u?? Wu??N? L? R?? Ud??

. UJK WUF WdB*
. oU ld*
. oU ld*
. oU ld*
. oU ld*
. oU ld*
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oU ld*
(13) Plato, (2001) Timaeus. translation, Glassary and introductory essay by:
Peter Kolduge, New Burypart, MA: Facus Publishing, 36.
(14) Brann, Op. Cit, 36.
(15) Ibid, 37
(16) Plata, Timaeus, op.cit.
(17) Brann, op. cit, 36
(18) Ibid, 39
(19) Ibid.

491

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(20) Kearney, r (1988) The wake of imagination. Towards a poslmadern
culture. London: Routledge.
(21) Ibid.
(22) Kearney, op. cit.
(23) Cocking, J. M. (1991) Imagination, Astudy in the History of ideas,
London: Routledge, 268 - 270.
(24) Schofeld, M (2003) Aristotle on imagination, in: N. Nussbaun & A. O.
Rotry. Essays on Aristotle?s De Anima N.Y. : Oxford, 249 - 278.
(25) Ibid.
(26) Aristotle (1986) De Anima (an the soul) London : Perguin Books, 111 - 2.
(27) Ibid.
(28) Lorson - Tancred, H.C (1986) Introduction to: Aristotle. De Anima (on
the soul) London: pengwin.
(29) Aristotle (1986) De Ammic Can the soul London : Perguin Books, P
111 - 3 (426 - 18).
(30) Ibid.

b sL?? db??? ? oO??I? ?% W??L? ?d fHM? w fOU? uD

WdH lO{u WdB* WCNM WJ dUI
WdH l{u oU ld*
oU ld*
(34) Frede, D. (2003) The cognitive Role of Phantasy in Aristotle. In: Nussbaun
& Rotry (eds). Op.at, 279 - 295.
(35) Brann, op.cit, 57.
(36) Cocking, op.cit, 24-25
(37) Kearney, op.cit, 111-112

W?? L? ?d l rK?F W?? H? ?KH w? WbMJ? W??b??  R??  Ud?? 

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.

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. oU ld*
. oU ld*
oU ld*
oU ld*
oU ld*
oU ld*
WdH l{u oU ld*
(50) Breyfogle, T (1999) Memory and imagination in Augustine confessions.
In: T. Breyfogle (ed) literary imagination, ancient & Modren. Chicaogo: The
univ. of Chicago press, 138 - 154.
.

oU ld*

(52) Cocking, op.cit, 272-3, Brann, op.cit, 48 - 52.

(53) Veenstra, J. (2004) The subtle knotx Robert Kilowardby and Gianfrancesco
Pico on the imagination, In: L. Nauta & D. Potzold (eds), imagination in the
later Middle ages and Early Modern Times. Dudley, Ma: Peeters, 1 - 20.
(54) Cocking, 76 - 80.
(55) Ibid, 104 - 112.

WO ld* vK ? w UO?)U U) e' c WU? w UbL?

U qJA

Cocking, 1991, op. cit., 104 - 112.

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W??U??F W?d??B* W??? O? N dU?? I b?? s v?? b?MJ s 5L?K*
. UJK
493

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d?? oOK?F .b??I W??H? ??H? XU??N b??L? ?  b??U?? u? we??G

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WdB* WO?N dUI tHzU tUuNH UO?) u nU dB
. WdH l{u UJK WUF
d??O WK{U??H WMb?* q wU??H d?B? u U?C? dE
WdH l{u N WJ
(57) Steenbakkers, P. (2004) Spinaza on the imagination, In: Natula & patzold,
op. cit, 175 - 194.

d??AM? W??U??D?K duM? d??O uM?O? ? R?? U?d?? R??

. lu
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. oU ld*
(62) Gatens, M & LLoyed. (1999) Collectine imagining, Spinoza, Past and
present, London: Routledge, 10.
(63) ibid, 16 - 25.
(64) Hobbes, T. (1996) Leviathan. Cambridge: univ. press, 15 - 18.
(65) Brann, op. cit, 83 - 85.
(66) Ibid, 85.
(67) Ibid.
(68) Engell, J. (1999). The Creative imagination, Enlightment to Romanticism,
Cambridge: Harvard univ. press, 128.
(69) ibid,134
(70) ibid, 136 - 139.
(71) Makkreel, A. (1990) Imagination and interpretation in kant, the
Hermeneutical import of the critique of Judgment. Chicago: the univ. of
Chicago press, 9 - 18.
(72) ibid, 9 - 11.
(73) ibid, 31 - 32

494

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(74) Brann, apct, 99
(75) ibid, 98 - 99
(76) Kant, E. (1974) Critique of Judgment. N.Y.: Hafner press.
(77) Kant, op. cit, 55 - 78.
(78) Makkreel, ibid, 46 - 49,
(79) engell, ap. At, 138 - 139.
(80) Rundell, J. (1994) Creativity and Judgement: Kant Reason and
imagination in: G. Robinson & J. Rundell (ed.) Rethinking imagination.
London: Routledge 87 - 117.

W?LEM* d??O UM +U? W?L?d? rJ( WJK b?I qu?U? jU?

WdH l{u WLdK WOdF
(82) Sartre, J. P. (1974) The Psychology of Imagination (University
Paperbacks). London: Routledge.
(83) Sartre, J. P. (2004). The Imaginary: A Phenomenological Psychology of
the Imagination. London: Routledge.
(84) Stevens, J. (2004). Imagining Bodies, Merleau - Pontys Philosophy. Of
imagination. Pettsburg: Duquesne univ. press. 70.
(85) Ibid, 1 - 3.
(86) Ibid, 6 - 8 & 22 - 28.
(87) Brann, op. cit, 743.

WK?? w U??I? ??U bM U??O?) Wd?E wK b??L??  dJ

wU bF bK: WOuJ dJH rU
(89) Sallis, J. S (2000) Force of Imagination, ohio: Bloomingtion: Indiana
univ. press, 215.

d?O? U?K VU?? W?L? d UJ* U?OU??L? u???U? ??U

dAM UbK WOFU' WR*
(91) Kearney, R (2004) on paul Ricoeur, The owal of Minerva. London:
Ashgate, 35.
(92) ibid, 36 - 38.

495

UO)
(93) ibid, 38.
(94) Rcoaeur (1994) Imagination in Discourse and in Action, in: Robinson &
Rundell, (eds) op.cit; 118 - 135.
(95) ibid,
(96) Brann, 89
(97) cocking, 268 - 9
(98) ibid, 270 - 82.

(1) Dickerson, M. T. & OHara, D. L. (2006) From Harror to Harry Poter. A

Handbook of myth and fantasy, Michgan: Brazos press, 21.
(2) ibid, 76.
(3) ibid, 26.
(4) ibid, 26 - 29
(5) ibid.
(6) Jackson, R (1981) Fantasy: The Literature of Subversion. London:
Methuen.
(7) ibid.
(8) ibid.

U?? ? ? W??L? ?d? l u?? _ W uU?? ? uMO?? HU?? 

UL b
tH oU ld*
(11) Jackson, op. cit.
(12) Ibid.
(13) Ibid.
(14) Jackson, op.cit.
(15) ibid.
(16) ibid
(17) ibid.

496

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(18) ibid.

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. lu dAMK UOd dUI u
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. oU ld*
tH oU ld*
(25) Bacheland, G. (2002) Air and Dreams, an Essay on the imagination of
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(26) ibid, 151.
.

oU ld*
. u
oU ld*

(30) Jackson, op.cit.

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bOF bU UNLd dOu dUA WbI* c
(33) Jackson, op. cit, 8 - 10.
(34) Ibid.
(35) Ibid.
(36) Kearney, R. (1988) The wake of imagination, Towards a postmodern
Culture. London. Rautledge.
(37) Roh, F (1925) Magic Realism, Post Expressionism, In. P. Zamoza, P. &
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d?AMK UbM dU?I Wd? W?O?Fu w b?U? bL? u

. s lu
oU ld*
(41) Zamora, op. cit.
(42) Sallis, J. S (2000) Force of Imagination, ohio: Bloomingtion: Indiana
univ. press, 215.
(43) Smith, A (1996). Julia Kristeva, Readings of Exile tile and
Estrangement, N.Y: Martin press,
(44) ibid.
(45) Smith, ibid.
(46) ibid.

b?O?L?(b? d?U? W?L?d WO?JOJH? b?IM U? w?O u?U?

. dUF* sH WK
oU ld*
oU ld*
(4) Hammacher, A. M (1981) Phantoms of imagination. N.Y.: Harry N. Abrams.
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creation myth poaston: Brill, 208 - 9
(6) Packer, S (2002) Dreams in Myth, Mediane, and mavies London,
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(7) Gay a, F. (1969) Los Caprichos N.Y.: Dover publications, in:
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(8) Pizzato, M. (2006) Ghosts of Theatre and Cinema in the Brain. New
York: Palgrave.
(9) Hogles, J. (2006) The Gothic Ghost of the Counterfit and the
Pricess of Abjection, in. D. Punter (ed.) A companion to the Gothic,
London. Blackwell.

498

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dU? W??L?d U??OKO? lL???: fO??Q fUu?? U? u?OK?Ou?
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(12) Zamora, P. (2005) Magical Romance, Magical Realism: Ghosts in U.S.
and Latin American Fiction in: Magical Realism, Theory History,
Community. Ed.
(13) Wolfres, J. (2002) Victaian Haunting, Spectrality, Gothic, the Uncanny
and literature. NewYork. Palgrave.
(14) Briggs, J. (2006) The Ghost story. M: A companion to the Gothic ed.
By David Punter. Blackwell Publishing, Oxford, 122 - 131.
(15) Jackson, R (1981) Fantasy, the literature of subversion London: Methuen.
(16) Vidler, A (1992) the Architectural Uncanny, essay in the modern
Unhomely Cambridge. The MIT Press.
(17) Vidler, ibid.
(18) Vidler, ibid.
(19) Gunter, E (2005) A Magic Realism, New objectivety and the Arts
during the Weimar Republic. M: P. 7 Zamora and w. Faris (eds)., 33 - 74.

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http://www.nizwa.com.volume16/pp.55-66.html.
(21) Collins, J. & Jervis, J, eds. (2008), uncanny Modernity, Cultural
Theories, Modern Anxieties. N.Y.: Palgrave, Macmillan, 10.

(1) Http/ en. Wikipedia, org/ wiki/ Science fiction.com.

(2) Clayes , G & Sargent, L. T (1999). The utopia Reader. N.Y: New York
Univ. press, introduction 1-20.
(3) Ibid.
(4) Ibid.

499

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(5) http. Wikipedia, op.cit.
(6) Roberts, A (2006) > Science fiction , London: Routledge, 11-12.
(7) Wasik, P. (1980) The cylernetic imagination in Science fiction
Cambridge, Mass: The Mit Press.
(8) Ibid, 1-3.
(9) Ibid, 80-81.
(10) Clute, J (2003) Scince fiction from 1980 to the present, in: james
mendlesohn op, cit, 64-76.
(11) Wikipedia, op. cit
(12) Warrick, op. cit, 82-86
(13) Stableford, B (2003) Science fiction before the Genre, in: E. James & F.
Mendlesohn (ed), the Combridge companion to Science fiction combridge:
Univ. press, 15-31.
(14) Warrick, op. cit, 29-34.
(15) Ibid.
(16) Cocking, J. M(199) imagination, A study in the History of ideas,
London : Routledhe, 172
(17) Warich, op. cit, 29-32
(18) Ibid.
(19) Csicery- Ronay, (2003) Marxist Theory and Science fiction in: James &
Mendlesohm, eds, op, cit, 113-124.
(20) Slonczewski, J. & levy, M. (2003) Scienve fiction and the life Sciences
in: James & Medlesolm , eds, op. cit, 174-185.

uB WK wLKF UO) U_ dGB* Wuu* uL rU

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(1) Holton, G (1998 The Scientific imagination. Cambridge: Harvard Univ.

press, 231 - 232.

500

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(2) Hankins, T. & Silverman, R. (1995). Instruement and imagination. New
Jesey. Prinetonunin. Press., p. 3.
(3) Ibid.
(4) Miller, A. (1986) Imagery in scientific Thought. Cambridge: The MIT
press, 221 - 222.
(5) Ibid
(6) ibid
(7) Miller, A. (2000) Insight on of Genuis. Op. cit.
(8) Botzer, G. & Reiner, M (2005) Imagery in physics, learning from physicists,
practice. Native students? understanding: J. Gilbert (ed) visualization in scince
education., the Netherlalds: Dordrect, 140 - 152.
(9) Botzer & Reiner, 154.
(10) Miller, A (2001) Einstein, Picasso, space, Time and Beauty that cause
havoc. N.Y. Basic Books. 185 - 188.
(11) Ibid, 186.
(12) Holten, op.cit, 232
(13) Medawar, p. B (1969) Induction and intition in scientific thaught
American philosophical society. 1 - 57
(14) Medawar, Peter, op.cit.
(15) Beveridge W. I.B (1957) the Art of Scientificy investigation. N.Y.:
w.w.norton & company, 55 - 56.
(16) Ibid, 56
(17) Ibid, 45 - 55
(18) Ibid, 57
(19) Ibid, 58
(20) Ibid.
(21) Gilbert, J, ed (2005). Visualization: A Metacognitive skill in science and
science education in: G. lbert, J(ed) visualization in science Education.
Dordrect, Netherlands, Springer, 9 - 27.

501

UO)
(22) Botzer, G & Reiner, M (2005) Imagery in physics learning from physicist,
pratice to naive students understanding, In: J. Gilbert, ibid 147 - 168.

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(26) West, G. Thomas (1996) in the minds eye. NY. Prometheus books, p. 100.
(27) Ibid, 106 - 110.
(28) Miller, op.cit,2001,243
(29) Ibid, 243-5
(30) Ibid,186-187
(31) Ibid, 187.304
(32) Ibid, 246-250
(33) Shlain, L (1991) Art and physixs, parallel Visions in: Space, time and
light. N.Y: perennial, 305
(34) Ibid, 307-308

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(35) Miller, op. cit, 2001, 246-250.
(36) Ibid.
(37) Miller, ibid, 191.
(38) Botazer & Reiner, op.cit,244.
Miller, 1986, op. cit.

UC dE(39) Ibid, 248-249

(39) Ibid.

(1) Warner, M. (2006) Phantasmagoria, Spirint visions, Metaphors, and media

into - the twenty - first century. N.Y.: oxford Univ. press, p. 160.

502

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(2) ibid, 160-162
(3) Gombrich, E. H (1992). The Mask and the face, The perception of
physiognomic likeness in life and in Art. In: E.H. Gombrich. Et al., (eds)
Art, Perception and Reality London: John Hopkins Univ. Press, 28-30.
(4) Summers (1998) The problem of Art historical description in: The Art of
Art History, a Critical anthology ed by: preziosi. N.Y: oxford Univ. Press.
(5) Wolffen, H (1990) Principles Art History, the problem of the Development
of styles in later art N.Y: Dover publications.
(6) Summers, op. cit, 128-129

W??? O?N d?U?I? W?L? d W?? u?? Wu??N? L? R?? Ud??

. UJK WUF WdB*
(8) Gombrich, E.H (1989) Art and illusion, A study in the psychology of
pictorial Representation. N.Y. Princeton Univ. Press, 181-182.
(9) ibid, 183.
.

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(11) Gombrich.
(12) Gombrich , op. cit. P.183
(13) ibid, 183-186

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(16) Gombrich , op . cit, 190-191.
(17) ibid, op . cit, 196-200.
(18) Ruskin, T (1906) Modern Painters Vol.2 london: Georfe Allen, P
151-153.
(19) ibid, 153
(20) Ibid, 159-161
(21) Ibid, 163
(22) Ibid, 177-179

503

UO)
(23) Ibid, 180-209
(24) Ibid.
(25) Furlong, E. J (1961) imagination. London : George Allen & Uniwin
LTD, P.85.

WdH l{u oU ld Vd dOL

(27) Qates, J.C ( ???) The Madness of Art 4-6, in: M. Castle (ed) on writing
Horror - ghio, F. D. Publication.

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(2) Sartre, J.P (2004) The imaginary, Aphenomenology of the imagination .
London Routledge.

5 u W?? L? d d??* w? u u??? ? ? ZNM u u?? ? ?

wd dLK wb dUI UdN dUI
(4) Nancy Kindelan, (1996) Shadows of reality by dramaturgyand practices
of modernism. Praegers, p 1-2.
(5) ibid.
(6) ibid, P. 3.
(7) Davis, D.R (1995). Scenes of Madness, A phsychiatrist at Theatre.
London: Roultledge, 17.
(8) ibid, 70-71
(9) Moffiti, J. (2005) inspiration, Bacchus and the cultuzal history of A creation
myth. Boston, Brill, 282 - 4.
(10) Pizzato, M, (2006) Ghosts of Theatre and Cinema of the Brain. N.Y:
Rilgrave, 97 - 90.
(11) ibid, 155.
(12) pizzato, op.cit, 151.

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(15) pizzato, op.cit, 151.

(16) Daggan, M & Grainger, R (1997) imagination, identification and
cathersis, in Theatre and Therapy London: Jessica Kingsley publishes, P. 38.

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dUF* sH WK
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. dUI wU e' uMH WO1UQ WLd
(19) Jones, R. E (2004) the Dramatic Imagination, Refection and speculation
on the Art of Theatre, London: Routledge. 88.
(20) ibid, 89.
(21) ibid, 138

dU?I oO?u bO?F? W?Ld qO?L?' wK& u?Oe?U dU?

. WUIK vK_ fK:
(23) Duggan, M & Grainger, R (1997) Imagination, identification and
cathasis, in Theatre and Therapy. London: Jessica Kingslay publishers, 38.
(24) ibid, 38 - 39.
(25) ibid, 40.
(26) ibid, 40.
(27) ibid, 83 - 4

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(42) lecoq. J. (2006) Theatre of Mimee and Gesture. (Translatod by Dvlid
Bradly et.al) London: Routledge, 73-8.
.

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(48) lecoq, ap. At, xiii.
(49) ibid, xvi.
(50) ibid, 1-2.
(51) ibid, 2-4.
(52) ibid, 3-5.
(53) ibid, 4-5.
.

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Lecoq. Op. cit,66

(1) Worley, A (2005) Empires of The imagination. London: Mcfarland &

company, inc, 17.
(2) Baters, A. (1988) The way of the Actor path to knowledge and power
Boston: shambhala, 20-3.
(3) worely, ibid, 15-18.
(4) Mannoni, L (2000). The Great Art of light and shadow, Archaelegy of
the cinema. Exter, u.k.: univ. of exter press.
(5) ibid, 173.
(6) ibid, 173-175.

dUI sb e  WLd s W ULMO d uu

(8) Bradley, L (1995) Film, Horror, and the body Fantastic. London:
Greenwood Press, 40.
(9) ibid.
(10) ibid, 41-44
(11) ibid.
(12) ibid, 41 - 2.
(13) warner, M. (2006) phantasmagoria spirit?s visions, Metaphors, and
media into the twenty First century. N. Y.: Oxford univ press.
(14) ibid, 148.
(15) ibid, 148- 150.
(16) ibid, 150 - 153
(17) ibid, 154 - 156.

507

UO)
(18) Worley, op.cit. At, 17.
(19) Robinson, D (1993) Greorge Milies, Father of Film Fantasy, London:
Routledge.
(20) Worley, op.cit, 19.
(21) ibid, 20.

W??O?N d?U?I W?OzU?LMO?? U?KDB* r?F? Wd??O? ?A?

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(23) Worley, op.cit, 20.
(24) ibid, 21 - 23.
(25) ibid, 22 - 24.
.

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(27) Konigsbeg, I (1997). The complete Film Dictionary, N.Y. : Penguin,

Futman, Inc.
(28) ibid.

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(32) J. Clute & J. Grant (1997) Encyclopedia of Fantasy. N.Y. : St. Martins,
Griffins.
(33) Giannetti, L (2004) Understanding movies, N.Y: prentice Hall.
(34) Ibid.
(35) Ibid.

oU ld eKuJO dO
(37) Worley, op. cit, 11 - 12.
(38) voytilla, s. (1999). Myth and the movies, Discovering the mythic
structure of 50 unforgettable filmes N.Y. Michael wiese production. 74.
(39) ibid, 11 - 15.
(40) Worley, op. Cit.ch.1.

508

guN
(41) Ibid.
(42) badley, op.cit, 2 - 3.
(43) ibid, 6 - 10.
(44) ibid, 6-7,29.
(45) Kovacs, L. (2005). The Haunted Screen in literature and Film. London:
McFarland.

(1) Vidler, A (1992). the Architerchural uncanny, Essay in the Modern

unhomely, Cambridge. The MIT press.
(2) Boismont, B & Hulme, R. (1860) Hallucination. London. Joseph &
Reley & Co., P.
(3) Horowitz, M (1978) Image Formation and Cognition. N.Y.: Appleton Century - Croft, 26 .
4. Hartman, E. (1984) Nigtmare, The Psychology and biology of terrifying
Dreams. N.Y. Basic Baoks, 10.
(5) Ibid, 124.
(6) Hartman, op. cit 136 - 157.
(7) Ibid.
(8) James, p & Morley, J. (eds). Imagination and its pathologies.
Cambredge, Mass: The MIT press, 1 - 2.
(9) Kriss, E (2000). Psychoanalytic Explorations in Arts. Madison: The
international univ press, 129 - 130.
(10) Ibid.
(11) Ibid, 140.
(12) Ibid, 141-142.

(1) Egan, K. (1986). Teaching as story telling. An alternative approach to

teaching and curriculm in the elementary school. They univ, of Chicago press.

509

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(5) Eegan, op. cit. 152.

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(7) Egan, K. etal., (2007) Teaching and learning autside the box. N.Y.:
Calubia univ press, 17.
(8) Kearney, R. (1988) The Wake of imagination, Towards a postmadern
Cultre. London: Routledge, 7.
(9) Egan, op. cit, 2007, 9 -11.
(10) Takaya, K. (2007) Imagination in the context of Modern Educational
Thought. In: Egan, et.al., op. cit, 42.

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152 / 153 / 193 / 194 / 195 / 196 wK (00965) 2416006 Wb

519

520