Professional Documents
Culture Documents
Tel Aviv It was the spring of 1971, and the 1960s spirit of revolution still throbbed
in the streets of America and Europe. On the streets of Jerusalem, knots of young
Sephardi Jews could be seen protesting, too calling for the overthrow of Prime
Minister Golda Meir and for their own liberation in Israel as an oppressed people.
They called themselves the Black Panthers of Israel. Inspired by film reels about
revolutionary movements from around the world then, they strongly identified with
the black American radical group of that same name.
The Black Panthers turned out to be a short-lived phenomenon in the end. But their
sudden surge onto Israel's political scene hit the country's Labor Party establishment
hard where it was most sensitive on its claim to embody egalitarian redemption for
Jews returning to what they viewed as their historic land. They were young
Sephardim demanding freedom after decades of quiet desperation among the
hundreds of thousands of Jewish immigrants from North Africa and the Arab world
who had been settled and more or less forgotten in low-income caravans and dusty
towns on the geographic and social margins of the country.
And it turns out they even produced a Passover Haggadah that year to make their
point. Rediscovered now, some 44 years later, the Black Panther Haggadah
decontextualizes the struggle for liberation as a tale of their own struggle in Israel,
with Golda as pharaoh and the Panthers as Moses. Reading it today is like taking a
time machine back to the heart of those times.
The afflictions in this Passover tale are the overcrowded Sephardi ghettos, the
discrimination against non-Ashenazim at the employment lines and the lack of
secondary school education in many places where they had been settled. The song
Dayenu describes the modern exodus from Egypt (and other Arab countries) to
Israel as a story of alienation and disillusionment.
Inspired by secular leftist ideology, the Black Panthers left God out of their quest for
redress. Instead, this Haggadah confronts the oppression of Sephardim by inflicting
10 plagues of protests, hunger strikes, and solidarity rallies upon the government,
until it is compelled to change policies that favor Ashkenazi Jews. Redemption is the
moment when the socioeconomic gap between the two communities is finally closed.
But the Panthers were not concerned with economics alone. In a forward to the
Haggadah, they lash out, too, at the political establishments systematic erasure of
their distinct culture.
It is a crime to destroy the culture of an entire people,
the Haggadahs authors wrote. You took our culture that we
brought with us from the Diaspora and promised a different one
in its place. But you forsook us and discriminated against our