Professional Documents
Culture Documents
Development
Bars 227-236
Motif c: Short-long
E flat major
Chords:
Followed by short-long motif by VIOLINS for rest of phrase
Bars 237-249
G MINOR
+ DOMINANT D PEDAL: Clarinet, Trumpet, Oboe, Flute
Violin play syncopated downward scale, bassoon and lower
strings play scalic bassline
End with PLAGAL CADENCE (D major)
Orchestral Exposition
Solo Exposition
Development
Recap
1st
Subject
C minor, P
Imitation
1. Strings
2. WW: Oboe, Bassoon,
Horn echo
Bars 249-256
C minor, FF
PIANO!
Imitation
1. Violin
2. Violin
3. Flute
Chords:
Piano play 1st Subject in
FORTE (C MINOR)
Increasing Harmonic
Intensity Keep changing
chords
In Octaves triplets +
decorations,
unaccompanied
Harmony similar to orchestra,
more decorated
Strings play simple
accompaniment
harmonic fillers
End with PERFECT CADENCE
Bar 257-266
Piano play 1st subject in
PIANO
(G MINOR)
Accompaniment More
rhythmically intense:
Quavers in strings
1. TUTTI
2. WW: Oboe,
Bassoon, Horn +
CLARINET
Transitio Part 1
n
Continue the extension of
motif
C minor E Flat Major
Bars 279-291
Bars 317-325:
Similar to Dev.
Strings vs Woodwind
Chords
Chords
Part 2
E flat Major
Orchestra vs Piano
Motif a + b + extended b
Chords
vs Piano Bravura:
Chromatic Runs
4+4 Phrasing
vs Broken
Short-long motif
exchange between
strings and ww
New Technicality
demonstrated Alternate
broken octaves between LH
and RH
Chords:
st
Bars 326-329
Neapolitan 6th figures
Piano plays syncopated
motif b (scalic descent)
with string
accompaniment, solo
-
Triplets in left
hand, Arpeggio
Scales (same as in
solo ex)
Quintuplet descending
scales instead of just trills
on the piano
DOMINANT G PEDAL:
appearance of E flat
major as 2nd subject
2nd
Subject
PIANO
IMPERFECT CADENCE
+ Extension: Flute,
Oboe, Piano
1st Appearance, p
Bars 340-362
1. E FLAT MAJOR
1. E flat major
1. C Major
Violin 1 + Clarinet
Flute + Oboe
2. E flat major
- Clarinet and Violin 1
play subject
++ Surprising 2 bar piano
solo on the appoggiatura
figure from the 2nd subject
2. C Major
-
Flute + Violin 1
missing in Dev.
Part 1 Transition
Codetta
Transition
Part 1
st
1 Subject Appearance
again, in imitation
1. C MINOR
-
2. F MINOR
-
Violin 1
Chords:
Ending: PERFECT CADENCE
(E flat Major)
Ending: PERFECT
CADENCE
(C major)
Codetta
C MAJOR C MINOR
(abrupt)
C MINOR/C MAJOR
Extended motif d
(chromatic descent)
on PIANO TRILLS
+ Short-long motif
imitation
Exchange between
by strings (fugal)
ORCHESTRA
Horn + Trumpet play
short-long motif
throughout
1. Horn vs Strings
2. Clarinet + Bassoon
vs Strings
Short-long motif in
IMITATIVE MANNER
accompanying piano
bravura
-
CONDENSATION OF
THEMES
Part 3
1st subject in CLARINET +
HORN, E FLAT MAJOR
-
PERFECT CADENCE
3 Tonic Chords at FF
Strong and Symphonic
ending
PERFECT CADENCE (F
minor)