Professional Documents
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OPERATORS HANDBOOK
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CONTENTS
1
Introduction
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2.6.1
2.6.2
2.6.3
2.6.4
2.6.5
2.6.6
2.6.7
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2.7.3 Load
2.7.4 Append
2.7.5 Insert
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2.18 DVE Events
2.18.1 About DVE events
2.18.2 Examples of DVE events
2.18.3 Creating a DVE event from scratch
2.18.4 Adding a preconfigured DVE event to the schedule
2.18.5 Modifying a DVE event in the schedule
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2.21 MediaBalls
2.21.1 Example of a MediaBall
2.21.2 How to add a preconfigured MediaBall
2.21.3 How to create a MediaBall
2.21.4 How to export and import a MediaBall
2.21.5 How to Edit a MediaBall
2.23 Transitions
2.23.1 Transition types and their associated parameters
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3.2.1 Segmenting a programme using long file IDs
3.2.2 Segmenting a programme using short file IDs
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4.2.1
4.2.2
4.2.3
4.2.4
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Introduction
Morpheus Enterprise is Pro-Bels flagship TV transmission automation product, and is a powerful,
highly sophisticated, stable, fully scaleable, feature-rich system offering facilities which satisfy the
most demanding TV Transmission requirement.
Morpheus Automation has a large worldwide customer base. It is used by broadcasters of all
types; from single channel, fixed play-list operations, to large-scale, multi-channel systems with
live programming and events rich in secondary content. It can control virtually any broadcast
equipment, and its many resilience features can be fully tailored to suit any requirement.
Morpheus Enterprise has unlimited channel, device and secondary event structure, and provides
the user with tools for customising their configuration with complete flexibility.
This handbook provides the operator with a complete guide to operating the on-line and off-line
edit workstations.
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The schedule area is arranged in the form of a table. The rows in the table represent the events,
and the columns contain the parameters of the event, such as what clip is required, when it
should be played out, how long is it, what kind of transition is to be used to get into it, what device
is it to be played out from, and are there any audio overs, keyers or DVEs associated with it.
The Editor is available as two versions, Online and Offline. Both have essentially the same
features with the important difference that the Online version accesses the on-air schedule, and is
easily recognized since it displays the system time in the top right-hand corner. The Offline version
does not access the on-air schedule, and displays the caption OFFLINE where the system time
would normally be displayed. It used for viewing, editing and checking material for any schedule
configured for that channel.
2.1
The schedule
The schedule is the list of events to be played out. Each automation channel has its own
schedule. Each event has a number of parameters, which may be related the material being
played, or to information loaded with the schedule. Some of these parameters are essential, such
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as start-time, source and duration; many others are optional.
The automation system communicates with the Morpheus Database, which holds all necessary
metadata (that is, the various parameters associated with each piece of material) for video server
and tape-based material. The automation system extracts information from this database and
uses it to populate the relevant fields of the schedule. This process is fully configurable, and it is
usually the job of the operator to determine if material parameters, such as duration or title, are
taken from the database, or manually edited.
The event which is currently playing out is called the on-air event
or current event.
The event which is to be played out next is called the preset event.
A range of events can be highlighted by clicking the first and shiftclicking the last.
sign in
When an event is in the past, it is greyed out for 1 minute (or other
time if configured), then removed from the schedule and appended
to a temporary file. At the end of the 24-hour period this file
becomes the as-run log and a new temporary file is started. From
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this point on, past events are appended to the new temp file.
Blue text indicates that the event is a follow-on event. (Blue is the
most commonly-used colour but can be changed in the
configuration: see section 4.2.2)
Red text means the event is a fixed-start event. See section 0 for
details. (Red is the most commonly-used colour but can be
changed in the configuration: see section 4.2.2)
Underlined text means the event has been set for manual take (see
section 2.6.6) and therefore requires manual intervention.
If two start times are shown, the upper one shows the time the
event was set to start, the lower one shows the earliest time it can
start. Such an event will not play without manual intervention - see
section 2.6.3
Link column
sign if
collapsed
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which uniquely identifies a piece of material. It is generated by the
broadcaster using an agreed formula and may incorporate
elements which relate to the date, the channel, the production
company, the client, and so on.
Duration column
The duration of the event in hh:mm:ss:ff extracted from the database.
Transition column
The mixer transition chosen for the start of the event.
Transitions other than cuts are only possible if the system includes
a mixer.
Source column
The device from which the event will be played out, such as a server port or VTR.
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Table 2-1: Secondary event types
DSK event
DVE move
GPI
Audio over
The status of the secondary event is indicated by the background colour of the icon as follows:
None
Red
There is a problem with the event, such as a device allocation conflict. It will
not play
Green
Greyed out
The event is in the past (note that the parent event may still be playing out)
Status column(s)
The status of an event is indicated by means of two barrels.
The left-hand barrel indicates the status of the item in the material
database
If the two barrels are the same colour they are combined into one
larger barrel.
Here is the full list of status icon colours and their meanings:
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Status
Symbols
Symbols
on the left
are from
the
Decorator,
& on the
right from
the Bridge,
a single
symbol
denotes
the same
status
from both
Guard column
This field shows the status of the guard, or backup, event in the same way as the main event. If
there is any problem with the status of the guard source, resilience will be lost.
Notes column
This field shows the notes icon to indicate that a note has been added to the event. The note
itself appears in the notes field of the property inspector.
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2.2
The Palette
Items can be dragged and dropped directly from the palette into the
schedule.
The palette has three parts, namely, the search criteria area, the
search results area and the icon area.
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SEARCH
CRITERIA
(PARAMETERS)
SEARCH RESULTS
SEARCH
CRITERIA
(DEVICES)
ICONS
Figure 2-4: The Palette database query window layout
The simplest possible search is one that lists all items in the
database. To do this, leave all fields blank and select All in the
type dropdown. Then press the Search button. The results are
displayed in the results pane of the palette window.
The actual number of items retrieved is shown just below the results
pane
Enter additional information into the other search fields: Material ID,
Title, Type (dropdown), duration (inclusive upper and lower limits),
Device ID
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Highlight the desired device, then drag-and-drop the event from the
palette into the schedule;
Or (if enabled in the editor configuration for the current role) an item
can be double-clicked in the palette to insert it below the highlighted
event.
The above example shows the pop-up menu for a default DSK
event.
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2.2.3 Material type
The Material Type allows a category of material to be entered into the event parameters which
aids searching, and since they are displayed in different colours in the schedule, they also aid
rapid identification of items on the screen. There are five Types:
Display colour
Description
Programme
Blue
Commercial
Magenta
Revenue-generating advertisements
Junction
Red
Live
Brown
Live record
Brown
2.2.4 Hotlist
The hotlist facility allows frequently-used material to be kept in a scratchpad for quick access. It
is accessed by pressing the Show Hotlist button in the palette when in the Database Query
window.
To bring material into the hotlist:
With the hotlist open, right-drag and drop from the schedule directly
into the hotlist, OR
Left-drag and drop material from the palette search results window
onto the Show Hotlist button.
Right-drag and drop from the hotlist into the schedule area of the
editor.
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2.2.5 Browse preview from palette
Material can be browse-previewed from the palette if a browse (low-resolution) copy of it exists on
a browse server. This is indicated in the Source column of the search results window.
2.3
Keyboard alt
CUT
Ctrl+X
COPY
PASTE
PASTE
TOP
Menu
Function
Alt+E, T
Ctrl+C
Alt+E, C
Ctrl+V
Alt+E, P
(None)
Ctrl+N
Icon bar
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Deleting an event
To delete an event from the schedule completely, highlight it and
press Del on the keyboard. There is no are you sure and no
undo. Use with care.
Clearing a schedule
2.3.2 Ripple
About rippling
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2.4
Example
Field
Indicates
Red
21:29:30:00
Start time
Black
21:29:30:00
Start time
Follow-on event
Black
PRO-BEL TV IDENT
Title
Programme
Purple
PRO-BEL TV IDENT
Title
Commercial
Brown
PRO-BEL TV IDENT
Title
Live event
Green
PRO-BEL TV IDENT
Title
Blue
PRO-BEL TV IDENT
Title
Junction
Underlined
21:29:30:00
Start time
Manual take*
Green
Title
Break header
* Note that setting the present event to manual take is the same as holding the
current event. See section 2.6.3
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RGB values
Description
Meaning
192,192,192
25% grey
Event background
255,185,185
Pale pink
131,131,131
49% grey
255,250,240
255,165,0
Orange
173,255,47
Light green
255,255,191
Pale yellow
Break header
255,99,71
Salmon pink
Back-to-back sources
255,255,255
White
Opt header
255,255,255
White
Region header
255,192,203
Pale lilac
135,206,250
Baby blue
245,245,245
4% grey
Tracked event
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These colours can be changed in the editor configuration for a channel and role:
see section 4.2.1
The database warning icon also appears next to the icon for the
relevant channel in the channel bar, thereby alerting the operator if
the displayed schedule is for a different channel.
Figure 2-5: The editor status bar showing the function of each part
2.5
Guard Source
A guard source is an alternative playout device to be selected in case of a fault with the primary
device. Its purpose is to give resilience and minimise the duration of any disturbance to the
channel output.
Plays out the same material at the same time as the primary playout
device
Can be selected from the MIP by clicking the Take Guard button, or
by cutting to the appropriate source on the PGM bus on the TX
mixer panel if present.
The guard source can be invoked for the preset event by clicking
the Take Guard Preset button in the MIP, or by cutting to the
appropriate source on the PST bus of the TX mixer (if present)
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It will remain activated for every event using that device until deactivated either from the MIP or the TX mixer panel.
2.6
Aborts the on-air event and plays out the preset event.
This button has exactly the same function as Preroll And Take on
the Pro-Bel TX Mixer panel. (Take on the mixer panel is not the
same.)
All follow-on event timings up to the next fixed event will be modified
(see also section 0)
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If the preset event is on the same server port, there will be a delay
as it prerolls.
The Take Next button has an arrow button next to it. This brings up
a further small window in which any subset of the list of channels
can be selected for Gang Take, that is, performing a Take Next in a
number of channels simultaneously.
The as-run log reflects the schedule as actually played out, in other
words, the shortened duration of one event and the earlier start time
of the subsequent ones are shown in the log after pressing Take
Next.
2.6.3 Hold
Holds the current event until either (a) Take Next is pressed, or (b)
Hold is pressed again to release it, (c) Preroll And Take is pressed
on the Pro-Bel TX mixer (if present) or (d) the manual take
checkbox is unchecked for the preset event.
. . . unless the start time of the fixed event has already passed, in
which case it will not play, and the current event will be held
pending manual intervention.
The as-run log always reflects the schedule as actually played out,
in other words, the extended duration of one event and the later
start time of subsequent ones are shown in the log after a Hold has
been performed.
Deletes the preset event, and the event after it becomes the new
preset event.
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the best thing to take out is the preset event
Pressing this button changes the legend to Auto Is Off. This inhibits
all that channels commands to its devices
Compound preview
Junction preview
If there are any wipes or crossfades, the preview channel will need
two ports and a mixer assigned to it.
Preview
If the preview channel is also the +1 channel, previewing is overridden by using it as +1.
N+1 Synchronise
Morpheus allows the use of a flexible channel which acts as a
spare for all other channels.
When the +1 channel is taken, the viewer sees the output continue
as intended.
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is now in in the MIP
When checked, the event will not start until either (a) Take Next is
pressed in the MIP or (b) Preroll And Take is pressed on the
hardware panel or (c) Manual Take is unchecked in the property
inspector.
While waiting for the take command, the start times of all schedule
items after the manual take item will be continuously updated.
2.7
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2.7.2 Save As
2.7.3 Load
If there was an active schedule running, the on-air event will remain,
but ALL OTHER EVENTS will be replaced with the new schedule.
If the loaded schedule contains a fixed start event later on, this
event and events following it will be delayed to the first date which
has that time slot free.
2.7.4 Append
Appending is useful when a schedule for (say) the next day or time
period has been created off-line and saved. The next days
schedule is simply appended to the current days schedule.
2.7.5 Insert
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2.8
Schedule summary
This feature is useful for viewing statistics of, for example, the
number and total duration of commercials in a schedule.
If statistics are required for part of a schedule, for example, a twohour slot, highlight the desired range of events and right-click.
2.9
It is not connected to the live system but has many of the features
common the Online-Editor.
Its appearance is the same as the on-line editor, except that the
word Offline appears in place of the clock display, and there is no
live event countdown.
It can be used for building up schedules for the future without any
risk of jeopardising the on-air schedule.
It can be useful for checking the timing and flow of sequences prior
to inclusion in the on-air schedule.
The off-line editor can be used to check the status of material in the
database by highlighting the item and selecting Tools > Check
Material.
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and is therefore unable to display device status.
Save the schedule using save or save as in the File menu, or use
the icons.
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2.10
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Certain fields in the property inspector are populated from the database
by an application known as the material decorator, using the Material
Id as the identifier. These fields can include:
Duration
In point
Material type
Title
Notes
Quality check
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A schedule event consists of two or three parts. The server or
tape event consists of an instruction to play out the material.
The main event consists of the router or mixer event which goes
with it. The property inspector displays the properties of the
mixer event at the top, and those of the server event lower
down. If a guard source is configured (see section 2.5), two
such events will be shown. A darker coloured band separates
the mixer and router events. This is shown in the screenshot
here: the divider between the main event and server event is
where the title HOLLYWOOD HILLS appears again about three
quarters of the way down. If a backup mixer is present, its event
parameters can also be set to appear in the property inspector.
Query
This allows quick entry of material whose Material_ID is known.
If the Material_ID is entered, pressing Query will retrieve the
other main parameters (title, File ID, inpoint and duration) from
the database. The subset of fields to be populated is
configurable - see section 4.12
Manual take
This box is checked if the event is to wait for manual intervention
either from the MIP or the mixer panel.
Is Guard Event
If a guard source is set up for an event, the material event
relating to it is shown at the bottom of the property inspector with
this box checked.
Cancel
Abandons any changes and reverts all parameters to their
previous values.
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2.11
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2.12
The channel bar is to be found down the left-hand side of the editor
window.
Channels are shown along with their chosen icons. If no icons are
chosen, default icons based on the channel number are displayed.
2.13
To display the schedule for a channel, simply click the channel icon.
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Table 2-6: Icons in the editor tool bar
Open schedule file
Append Schedule
Save schedule file
Save as
Clear schedule
Cut
Copy
Paste
Paste top
Search and replace
Palette
Configuration
MIP: MIP inactive, press to activate; MIP active, press to close
Ripple
Go to top of schedule
Go to end of schedule
Collapse secondary content
Expand secondary content
Collapse all break headers
Expand all break headers
Track programme event:
Enabled, press to disable; disabled, press to enable
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Add a default event
2.14
Loads a schedule, overwriting the active schedule apart from the current
event.
Inserts a schedule immediately below the highlighted event
Appends a schedule to the end of the active schedule
Saves the active schedule to the source filename.
Saves the active schedule to a new filename
Changes the current role without closing the editor and logging in again
Clears the active schedule from a given time onwards
Clears the active schedule apart from the current event
Shuts down the editor
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2.14.3 Tools Menu
Configuration
Ripple
Missing Material Report
2.15
Ensure that the relevant live event actually has live as its
programme type as shown in the property inspector, otherwise the
countdown will not be activated.
2.16
Event types
2.16.1 Main Events
A main event is a top level event which is not the child of another event. It does not
necessarily have any child events of its own. Sometimes called a primary event.
MORPHEUS NOMENCLATURE
The terms Primary Event, Top-Level Event, Parent Event and Owner all
basically mean the same thing. The terms Parent and Owner tend to be used
when the event has secondary events or child events associated with it.
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2.16.2 Start mode
The start mode of a main event determines how its start time is set. This is viewed and
edited in the property inspector. There are two start modes:
Fixed
Used when the event is intended to start at a specific time regardless of anything else. In
this mode, if the timing of a previous event is changed, the start time of the fixed start event
remains fixed.
A fixed start event in a schedule can cause confusion if a change is made to an event
timing before it.
If a previous event is modified to end earlier, leaving a gap in the
schedule, this is flagged by means of an additional time shown in
the duration column of the schedule. The implied plus sign (+)
means that material needs to be added to the schedule. If the
schedule is left to run in this condition, the broadcast result will
depend on what the previous item is. If it is a server event, it will
simply run to its end and stay there on a still frame or black until the
fixed event starts. If it is a tape event the tape will play on until the
fixed event starts. This could of course result in unwanted material,
black or shash being broadcast.
If a fixed start event follows an event which is held using the hold
function (see section 2.6.3), two times are displayed in the start time
column of the schedule: the upper one indicates when the event
was intended to play out; the lower one indicates the earliest time
that it can be played out (i.e. if the hold is taken off the current
event)
If a fixed start event follows an event which is held so long that its
intended start time is in the past, the fixed start event will not play. It
will be put into manual mode pending operator intervention.
Follow-on
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2.16.4 In point
The start type of the first child event is always fixed, even if the
parent event is a follow-on event.
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2.16.7 Offset
This setting determines the difference in time between the start of the secondary event and
the start or end of the primary event.
A positive offset means that the secondary event starts after the
start (or end) of the primary
A negative offset means that the secondary event starts before the
start (or end) of the primary.
Reference to
parents end
Sign of offset
Result
Offset is positive
Offset is negative
Offset is positive
Offset is negative
Makes the secondary event end at the same time as the primary
event.
This duration mode can also be used with a positive offset and start
mode Referenced to the parents beginning.
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Use children
Sets the duration of the event to be the total duration of its child
events.
Relative to owner
This mode allows two offsets to be set, one from the start and one
from the end of the parent event.
This is the only mode which uses the End Time Offset setting (see
below)
A positive offset means that the secondary event ends after the end
of the primary
A negative offset means that the secondary event ends before the
end of the primary.
The End Time Offset setting is only used for duration mode
Relative to Owner.
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2.16.10 Secondary Events Duration Mode Reference
PARENT EVENT
CHILD EVENT
Offset (negative)
CHILD EVENT
PARENT EVENT
Duration mode: End With Owner
Start mode: Reference to parents end
Offset: negative, equal to duration of child.
Offset (negative)
CHILD EVENT
PARENT EVENT
Offset
CHILD EVENT
Offset (negative)
CHILD EVENT
PARENT EVENT
Offset
CHILD EVENT
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2.17
DSK Events
2.17.1 About DSK events
A DSK, or Downstream Keyer, event, is a secondary event which controls the
superimposition of a video signal, such as a logo, over the main programme. This can
either be done using one of the built-in keyers in the Pro-Bel TX mixer, or an external
device.
If available, drag and drop the System Default DSK Event into the
schedule
If desired, right-drag and drop it back into the DSK tab for future
use. In the dialogue box which opens, enter a helpful name and
choose a suitable icon. (The name then appears in the tab and will
be used in future for selecting the appropriate event)
Left-drag and drop the desired DSK event onto an event in the
schedule
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2.18
DVE Events
2.18.1 About DVE events
A DVE, or Digital Video Effects event, is a secondary event which controls a DVE move,
such as a squeeze, spin, roll, page turn or any of the wide range of moves which exist.
This would normally be done either using the optional DVE in the Pro-Bel TX mixer.
Spin & condense a final still to a point in the centre of the screen
If available, drag and drop the System Default DVE Event into the
schedule
If desired, right-drag and drop it back into the DVE tab for future
use. In the dialogue box which opens, enter a helpful name and
choose a suitable icon. (The name then appears in the tab and will
be used in future for selecting the appropriate event)
Left-drag and drop the desired DVE event onto an event in the
schedule
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2.19
GPI Events
2.19.1 About GPI events
GPI (General Purpose Interface) is a facility found on some equipment which enables it to
be controlled by an external switch. In Morpheus, the control card is the switch, a cable
connects this to the equipment, and the operation of the switch is a timed event in the
Morpheus schedule. Usually the function needs the GPI to stay active for as long as the
function is required. Some equipment has an on GPI and an off GPI.
If available, drag and drop the System Default GPI Event into the
schedule
If desired, right-drag and drop it back into the GPI tab for future use.
In the dialogue box which opens, enter a helpful name and choose
a suitable icon. (The name then appears in the tab and will be used
in future for selecting the appropriate event)
Left-drag and drop the desired GPI event onto an event in the
schedule
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2.20
Audio-Over Events
2.20.1 About Audio-Over events
An audio-over event is one which plays a sound over the main programme sound. It could
be live or recorded. It is mixed using the programme audio mixer which also comes under
automation control, just as the video mixer does. Audio material may be stored on a
separate server.
If required, right-drag and drop it back into the audio over tab for
future use. In the dialogue box which opens, enter a helpful name
and choose a suitable icon. (The name then appears in the tab and
will be used in future for selecting the appropriate event)
Left-drag and drop the desired Audio Over event onto an event in
the schedule
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2.21
MediaBalls
A MediaBall is Pro-Bels proprietary name for a collection of secondary events which can
regarded as one entity for ease of transferring to another primary event. Although
principally used for collecting secondary events together, in fact resources permitting, any
events can be gathered as a MediaBall if desired. These are very useful for channel
branding and the creation of a house style. Note that MediaBalls have to be enabled in
the editor configuration for a given role.
The MediaBall header should have the same start time and duration
as the parent event
Verify using the event ruler and preferably by previewing, that the secondary events in
the proposed MediaBall behave as intended.
In the schedule, highlight the events to be gathered together in the MediaBall. They must
of course be contiguous
Right-drag from any of the highlighted events into the MediaBall tab.
A dialogue opens which asks the user to select an icon and type in a name for the new
MediaBall.
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Click the small export button below the event types list window
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2.21.5 How to Edit a MediaBall
Each parameter of the mediaball can be edited separately in the event type parameters
section under the all parameters tab
2.22
The Kernel Parameters tab only lists parameters which are needed by the kernel.
Header Events
A header event is a dummy event which is used as a label or wrapper for other events which it is
convenient to manipulate together as one entity. There are three types of headers: Break Header,
Opt-out Header and MediaBall Header.
A break header is used as a wrapper for the commercials in an advertising break. Its
default title is Default break header but this can be changed in the Property Inspector.
The duration mode use children is useful for ensuring that its
duration is the total duration of the commercials within it.
To insert a break header, drag the icon (right) from the palette
window onto the item immediately before the intended position of
the break.
If the opt breaks in the opt-out channels are not the same, large + and signs appear
against the durations of the break headers to indicate this.
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The opt-out header has no use in a single channel system, or in a multi channel system
where the channels are independent.
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2.23
Transitions
A transition refers to the way in which the viewer sees one item move on to the next. In the
Morpheus editor, a transition is associated with the NEW item, in other words, the transition
type tells you how you transition into an item, not out of it.
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V-fade
This means fade the current item to black, cut to the new item, and fade it up.
The diagram makes it clear that the transition duration set in the Property Inspector
includes the fade down and the fade up. The fade-down of the current event begins n
frames before the new event start time, and is complete by the start time of the new event.
The fade-up of the new material begins on the start time, and is complete n frames later.
On the nth frame after the new event start time, the picture consists of 100% new material.
It is not possible to set the two fade rates independently on a V-fade; if for example a slow
fade down and a quicker fade up is required, use a U-fade (see section 0 below) with
parameters chosen to give zero black duration between the fade-out of the old and the
fade-in of the new material.
Take and fade
TRANSITION
DURATION
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In a fade and take transition, the effect is that of fading down the current event at a rate set
by the transition duration and immediately cutting to the new event. There is no actual
frame of black during this transition.
Cross-fade (also known as X-fade, Mix or Dissolve)
A cross-fade consists of simultaneously fading the current item down and fading the new
item up, and superimposing the two, so that at any point during the transition, a certain
proportion () of the new picture will be superimposed on a proportion (1- ) of the old.
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2.24
The main purpose of the transition editor is to provide a useful visual method of setting
transition parameters. It can be used either way - the handles on the graphic display can
be dragged to produce the desired transition rates and timings, and the settings in the
parameter boxes change accordingly; or, the figures can be entered into the boxes and the
effect observed in the graphic.
Use the drop-down box to select the desired transition type. The default profile for
that transition appears in the graphic display.
Press the Synchronise With Video button to make the audio transition match the
video transition. It can then be edited again if desired.
The audio transition will always follow the video transition if the Track Video box is
checked.
When OK is pressed, the figures in the transition editor are automatically passed to
the property inspector.
Press Cancel to abandon any changes made.
Note that the transition editor has to be enabled in the editor configuration for each role. If
it is not, the transition editor button will not be displayed.
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There are two types of parameters in this context:
Parameters which affect the timing of the audio fade;
Parameters which affect the rate of the audio fade.
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Term
Definition
Comments
EARLY
LEAD
Very common
LATE
LEAD
Less
common
EARLY
LAG
Less
common
LATE
LAG
Very common
LEAD
RATE
LAG
RATE
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Table 2-9: PARAMETER DESCRIPTIONS
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Parameter
name
Definition
Comments
Audio lag
Audio lag
out
Audio lag
out rate
Audio lag
rate
Audio
Lead
Audio
Lead
Rate
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The following diagrams make this clear:
EVENT 1
EVENT 2
EVENT 3
audio for event 3
LEAD begins at
the transition time
Changing Audio
Lead alters transition
start time:
early lead = negative
Changing Audio
Lag alters transition
start time:
early lag = negative
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Previous event
lag can be set
in present event
parameters Audio Lag Out
EVENT 1
EVENT 2
EVENT 3
audio for event 3
An AUDIO LEAD
begins at the
transition time +/the Audio Lead
time setting
Changing Audio
Lag Rate keeps the
transition start
point the same and
changes the end
point
Changing Audio Lead
Rate keeps the
transition start point
the same and changes
the end point
An AUDIO LAG
begins at the
transition time +/the Audio Lead time
setting
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These two editor screenshots illustrate the relationship between Audio Lag Out for one
event and Audio Lag for the previous event:
Figure 2-15: the audio lag parameters for GORDON'S GIN. The audio lag setting is 11
frames
Figure 2-16: Shows the audio lag parameters for KELLOGGS CRUNCHY NUT. The audio lag
setting for GORDONS GIN has been copied to the Audio Lag Out setting for KELLOGGS
CRUNCHY NUT, and the audio lag out icon is shown in the transition column for KELLOGGS
CRUNCHY NUT
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3.1
File Ids
Material stored on a video server appears as a file, similar to files on a PC hard drive, and each
file has a name, known as a File ID. One File ID corresponds to one complete recording. Pro-Bel
originally used a system which generated File Ids using an 8 digit number (also known as a short
file id), but has recently introduced a system known as Long File ID, where the file name is
generated from the Material ID of the material it represents. Using Long File Ids has two distinct
advantages; material can be easily identified when examining the video server hard drive, and
material can be easily segmented. Segmenting is the process of dividing a complete recording
into sections so that they can be inserted into a schedule as multiple parts.
If the system is configured for Long File Ids, segmenting is usually performed at the ingest stage,
using Morpheus Acquisition, but it can also be done using the Morpheus Editor, as explained in
the following Sections.
3.2
Segmenting a programme
3.2.1 Segmenting a programme using long file IDs
If long file IDs are in use, this gives a simple way of segmenting programmes to allow the insertion
of commercial breaks.
The procedure is as follows. The example refers to dividing a film, Casablanca, into five
segments.
In the property inspector, edit the material ID of the first occurrence by adding the suffix
-1. Add suffixes -2, -3 and so on to all the segments. Ignore the database errors
flagged in the status column.
Edit the title of each segment, adding for example SEG 1, SEG 2 and so on to each.
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different inpoints and outpoints. See the companion manual, Morpheus Acquisition.
3.3
X-ing out
This section describes a method that allows the modification of fields in the property inspector
which would ordinarily be locked. Once an item has been brought into a schedule from the
palette, the file ID is established and the material is capable of being played out. If the material ID
is modified by appending -x, this has the effect of unlocking the parameters in the property
inspector (since the locking is associated with the original material ID). So for example the inpoint
and outpoint of a clip can be edited using this method. The database no longer recognises the
material and will give an error flag in the status column of the editor, but this can be disregarded.
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4.1
The above screenshot shows the upper part of the editor configuration window.
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DESCRIPTION
Configuration password
Operator station
Lock workstation
4.2
Debug mode
Highlight the required item in the tree window. Click in the selected
colour box and use the Windows-style colour selection dialogue
box in the usual way.
To change the font used in the schedule window, click on Tree Font
and use the font dialogue in the usual way.
To change the font colour for a material type, in the tree window
under Text colour\Material Types, highlight the desired material
type, then click in the selected colour box and use the windows
style colour selection box in the usual way.
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4.3
Table of terms
TREE DISPLAY
Grid
Backgrounds
Main Events
Grid background
Normal event
PGM event
Selected events
Selected event unfocussed
Focussed event highlight
colour
Searched events
Break headers
Back-to-Back sources
Opt headers
Region headers
Insertion point highlight
Main event overhang
DESCRIPTION
The lines separating the rows and columns
of the grid
Tracked event
Guard source taken
Material types
Start modes
Palette/property insp background
HUD
Overrun message
Underrun message
Event countdown
Live event
Selected event
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4.4
Displayed columns
In the editor channel configuration dialogue, select Appearance tab > Columns sub tab.
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4.4.1 Order and width of the schedule columns
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4.4.2 Source column configuration
Select appearance tab, Display Options sub tab, Source Column Display box
Video source only displays only the video source in the source
column
Video source and device displays both the source (i.e. the
router/mixer) and the device in the source column
Video and audio source displays both the video and audio sources
in the source column of the schedule. OR DOES IT??? xxx
4.5
4.6
Editor Toolbar
Select Appearance tab, Display Options sub tab, Toolbar Buttons box
4.7
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Select the
channel
whose rolling
hour is to be
configured
Click to
reference the
rolling hour to
the on-air
event
Click to
enable the
rolling hour
function
Click to
reference the
rolling hour to a
highlighted event
Select the
programme type
whose occurrences
are to be quantified
Select to analyse a
complete clock hour
Select to analyse
a time period
based on the
current or
selected event
Specify the
precision of the
editor status bar
indication
Figure 4-1
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4.8
4.9
Additional checkboxes
ADDITIONAL
CHECKBOX
Display frames
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Barcodes configuration
BARCODES CONFIG ITEM
DESCRIPTION
Enabled
Port
Timeout
Default = 00h02m00s00
4.10
Browse settings
If the system includes a Browse Server for viewing low resolution copies of material selected in
the Palette or schedule, the server location is set here:
DESCRIPTION
Enable browse
Browse Device ID
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4.11
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CONFIGURATION ITEM
DESCRIPTION
Hostname
Port
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4.12
4.13
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4.14
Function
Enable
Include title in duplicate check
Include title mismatch messages
Video servers box
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Description
The activate the missing material report
feature
To highlight title mismatches between the
database and schedule
Must include all video server device ids which
require to be checked
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Add/delete servers
Number of events to pass to the
application server
Default PID
Report columns
Channels
4.15
enabling and disabling different buttons in the MIP for each role;
4.16
Enter the name of the new role in the New Role Name field. The Clone Role
button is now enabled.
Select a role to clone from the Source Role Name drop-down box
Select the new role name in the drop-down box along with the password if used,
and press OK
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Any changes made to the editor configuration will now be assigned to the new
role.
4.17
Type a name for the new role in the New Role Name field. The New Role
button is now enabled.
Select the new role name in the drop-down box along with the password if used,
and press OK
The default configuration of the new role is minimal. Many icons will be disabled
and schedule columns will have zero width. See section 4.6 on enabling editor
icons. Column positions can be changed by dragging and dropping the column
headers. Column widths can be changed by dragging the column header
boundaries.
4.18
To delete a role
Select the role to be deleted in the Source Role Name drop-down box.
Press Delete Role. The role is now deleted. There is no are you sure prompt
and no undo.
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