Professional Documents
Culture Documents
CARAVAGGIO
Michelangelo Merisi (Michael Angelo
Merigi or Amerighi) da Caravaggio (29
September 1571 in Milan 18 July? 1610)
was an Italian painter active
in Rome, Naples, Malta,
and Sicily between 1592 (1595?) and
1610. His paintings, which combine a
realistic observation of the human state,
both physical and emotional, with a
dramatic use of lighting, had a formative
influence on Baroque painting.
REMBRANDT
Rembrandt Harmenszoon van
Rijn (15 July 1606 4 October 1669) was
a Dutch painter and etcher. He is
generally considered one of the greatest
painters and printmakers in European
art and the most important in Dutch
history. His contributions to art came in a
period of great wealth and cultural
achievement that historians call the Dutch
Golden Age when Dutch Golden Age
painting, although in many ways
antithetical to the Baroque style that
dominated Europe, was extremely prolific
and innovative, and gave rise to important
new genres in painting.
JOHANNES VERMEER
Johannes, Jan or Johan Vermeer (1632
December 1675) was a Dutch painter who
specialized in domestic interior scenes
of middle-class life. Vermeer was a
moderately successful provincial genre
painter in his lifetime. He evidently was
not wealthy, leaving his wife and children
in debt at his death, perhaps because he
produced relatively few paintings.
RENAISSANCE PAINTERS
MICHAELANGELO
The School of Athens, 1509
LEONARDO DA VINCI
RAPHAEL
Raffaello Sanzio da Urbino, known as
Raphael, was an Italian painter and
architect of the High Renaissance. His
work is admired for its clarity of form, ease
of composition, and visual achievement of
the Neoplatonic ideal of human grandeur.
TITIAN
RENAISSANCE PAINTERS
Tiziano Vecelli or (c. 1488/1490 27
August 1576), or Titian was an Italian
painter, the most important member of
the 16th century Venetian School.
Recognized by his contemporaries, Titian
was one of the most versatile of Italian
painters, equally adept with portraits,
landscape backgrounds, and mythological
and religious subjects. His painting
methods, particularly in the application
and use of color, would exercise a
profound influence not only on painters of
the Italian Renaissance, but on future
generations of Western art.