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REMEMBER:CUTorDIPbeforeBOOSTING!
INSTRUMENT
FREQUENCY
Boost / Cut / Dip
C 50Hz & Below
B 80Hz
KICKDRUM
SUGGESTED
B / D / C VALUE
B 5 7Khz
B 1 2Khz
D/B 40 50Hz
2db
B 100 150Hz
B 200250Hz
BASSGUITAR
B 400Hz
B 800Hz
B 1.5Khz
B 3Khz
B 5Khz
Enhances Bass
Guitar Presence
More Snap/Attack
Standout
Presence
+4db
+2db
TOMDRUMS
(a.k.a.TOMS)
C 100Hz
D 300 800Hz
D 400Hz
B 5Khz
B 7Khz
Yes:Moreonrealmic'dkick
recordingsbutlessonsomepre
compressed'samplesets'.
(ATransientEnhancementPlugin
maybeanotheroption.)
Feel free to dip any frequencies in between the boosts listed above to make all the other
instruments in your mix stick out. For example, if you dip the 300hz area suddenly the guitars
will stick out more. A roll off from 60hz will help a mix's overall high end come through. And
try not to to boost ALL of the frequencies listed above at once. Try one, then another and what
you don't need to boost, leave alone or DIP.
SNAREDRUM
COMPRESSION
Yes?/No?
OTHERFX
SUGGESTIONS
PLUGINS
NEVERS&
DON'TS!!
D 160Hz, 800Hz
& 1.3Khz
D 200 400 Hz
DESIRED
RESULTS
Mix Distiction
Fullness
Small Dips
Snap
More Distance
More Snap. Fullness.
Unveiling Harmonics & Killing
Low End
Decrease Cardboard sound
More Attack
Attack (more Metallic Sound)
BXBOOMbyBrainworxisagreat
choicetosupplyakickwithmore
Neveruseabigreverbonakick!
Ifasampledkick,addatinybitofa
Maybeforaspecialeffecthereand
'Oomph'butwatchthe
'room'usingareverbpluginifthe
overpoweringlowenditservesup. there,butitwillmushifyanymix
samplerdoesn'tallowforthat
Other'BassEnhancement'plugsare instantlyifaddedthroughouta
already
outtherejustdon'tgocrazywith
song.
them!
DistortionandTapeSaturationgoes
alongwaytomakingabassstick
out.TrythisbeforefloodingtheEQ
spectrumwithboosts.
YES:Lotsofpresetscomewith
mostcompressionplugins.Try
themall,andtweaktoyourheart's
(andear's)content.Longer'attack
times'meanmoretransientscome
through.
BassRiderbyWaves
PSPVintageWarmer
I.K.MultimediaAmpegSVX
Nevermuddy/chokeyourlowend
withbassbooststhatusethesame
EQfrequenciesusedforyourkick!
BASSGROOVESpecificInfo:
BEATLEBASS
100Hz(+23db)
3Khz(+36dbifnopick)
1218Khz(Dipforwarmth)
TWANGTHANG
200250Hz(6db)
1Khz(+6db)
100Hz(+1to+2db)
SILLYLOVETONE
100Hz(+23db)
500Hz(+6db)
300Hz(3db)
12Khz(6db)
MOTOWN/REGGAE
1Khz(5to6db)
200Hz(+3db)
HighEQ(6dborso)
AddmoreBottom
ENTWISTLEBASS
12Khz(+6to+9db)
200Hz(6db)
100Hz(2to3dboptional)
MOTOWN(Punchier)
5Khzinsteadofthe1Khz(6dbormore)
(restisasabove)
JACOJAZZ(andFretless)
1Khz(+6db)
200Hz(9dbormore)
100Hz(+1to+2db)
12Khz(1to2db)
(trycutting800Hzratherthan200for
variation)
Yes:Moreonrealmic'dsnare
Reverb,sometimestapesaturation
PSPAudiowareplugscangiveyou Toomuchtimemixingmusicwill
recordingsbutlessonsomepre
ordistortion.Mostdrumsample
whatyouneedforsnare'pop'. causeyourmindtothinkyoursnare
compressed'samplesets'.
setshavemultiplemicpositions:
Voxengoisaclose2nd.Wavesstuff isn'tbrightenoughdon'tboostEQ
(ATransientEnhancementPlugin takeadvantageofthemtogetmore
verypricey!
highstocompensate!
maybeanotheroption.)
'roomsound'orless,asdesired.
Useslightlylessreverbonthetoms
Yes:Moreonrealmic'dtom
Don'tletthe'presampled'drum
thanyouwouldonthesnare.Toms
recordingsbutlessonsomepre
kitsdeterminethestereoseparation
'ring'whilesnaresdon't(asmuch). Sameasforsuggestedpluginsfor
compressed'samplesets'.
ofthetoms.YOUdeterminehow
SnareDrum.
Learnto'Gate'thetomsusing
(ATransientEnhancementPlugin
wideyouwantthemspreadout.
pluginsthatlessenthe'ringingtime'
maybeanotheroption.)
Lessissometimesbetter.
oftheskin.
INSTRUMENT
FREQUENCY
Boost / Cut / Dip
C 200hz
SUGGESTED
B / D / C VALUE
Highpass filter mode
HIHAT
(Cymbal)
CRASHES&RIDES
(Cymbals)
PERCUSSION
(ingeneral)
B 5Khz
High Shelving
B 12.5Khz
High Shelving
C 200hz
D 400Hz
C 200hz 400hz
B 7Khz
D 800Hz
B 500Hz
GUITARS
(allofthem)
4db(upto)
B 400Hz
B (300350Khz)
D 1.5Khz
B/D 3Khz
+3db(upto)
B/D 5Khz
B 6 to 7Khz
B 10Khz
PIANO
B 3Khz
B 3Khz
B 100Hz
B 5Khz
B 7Khz
B 10Khz
B 5Khz
B 7Khz
ORGAN/SYNTHS
B 15Khz
COMPRESSION
Yes?/No?
OTHERFX
SUGGESTIONS
PLUGINS
NEVERS&
DON'TS!!
More Presence/Attack
D 80150Hz
B/ D 100Hz
DESIRED
RESULTS
YES:Unlessyourdrummerhasthe SimilaradvicetoHiHatrollofflows
AswiththeHiHat,don'tbe
BBESonicMaximizerorother
controlofJohnBonham,compress butexperimentwithhighshelving
temptedtomaketheselouder&
'HarmonicEnhancement'typeplugs.
brighteraftermixingforawhile.
thesebabies!
toonottoomuch.
Ilovegettingsomestereo
Shakersarehardtogettheright
NEVEREVEREVEREVERsaytothe
enhancementonthebrightertypes
tone.UseparametricEQfilter
guyatthemixingconsole,"Weneed
Depends:Ifit'sawildcongaplayer,
ofpercussionYoucanusedelays
sweepstofindsweetspotsorweed
morecowbell!"Hewillnotthinkit's
yeahanevenkeeledshaker,nah.
forthisordedicatedstereo
outyucktones.Orusesampled
funnyandhemayslapyoubefore
enhancementplugsfromVoxengo,
stuffeasierattimes.
walkingawayforseveralhours.
PSPAudiowareorothers
Endless
Yes:Workwithyourpresetsand
fiddlewithyourattacktimes.You'll
findyou'llcompressdifferentlyeach
Usewhatevertoolsatyourdisposal
timeandit'sdependentonwhether
tocreatestereoseparationonlarge
yourguitaristisapicker,strummer,
mixes.Alotofthiscomesfrom
popper,plucker,slapper,tapperor
smartEQingtechniquesandnot
thrummer.
fromplugins/FX.
Yes:Usepluginpresetsandtoy
aroundfromthere.
ALWAYSRolloffanylowendyou
don'tneed!
YourprimaryFXtoaddarereverb,
stereoimageadjusters(tounwiden
theimage,mosttimes),andeven
delaycancreateadifferentkindof
stereoimagethat'squitedecent.
Othersmightincludetape
saturation,chorusandharmonics
enhancement(tobeusedinplaceof
highshelvingEQ)
Endlesstothepowerof11
Sometoconsider:
N.I.GuitarRig,PeaveyRevalver,
OverloudTH2,I.K.Multimedia
Amplitube,WavesGuitar,Vox
Jamvox
NEVERrecordwithanoutoftune
guitar.Doesn'tmatterthat
MelodyneDNAisouttheretofix
that(somewhat).Justhaveyour
SlowhandorVanHalenwannabe
tunethedanginstrument!
Sampledpianoshaveatendencyto
betoowide:DONOT:letthe
stereowidthofthesampledpiano
BBEproducts,PSPAudioware&
Voxengoallgood.Tone2AkustiX determineit'spositioninthestereo
field!YOUdeterminethatas
Enhancergreatforbrighteningall
befittingthesong.WavesS1
sortsofinstrumentsandithaslots
Shufflerandsomeknobsonthe
ofgreatpresets.Affordabletoo.
samplersthemselvescancontrol
stereospread.Use!
ALWAYSRolloffanylowendyou
There'sagazillionsyths.Dont
don'tneed!
forgetyouroldsynthgatheringdust
NEVER:PlayV.H.'s'JUMP'ona
OCCASIONALLY:Mostsynthsbuild Giveharmonicenhancementand inthecorneroldstuffcansound
synth.Somethingverybadwill
theirpatcheswithallFXin,including distortion(tubewarming)awhirl new,dependingonthetrack.Best
happentoyoureaditonafortune
compression.
nowandthen.Addingextrastereo
organsoutthereincludeN.I.'s
cookie.
widthordelayscanbegreatfor
VintageOrgans(orB4II)andUSB's
enhnacingthestereofield.
'Charlie'
INSTRUMENT
FREQUENCY
Boost / Cut / Dip
SUGGESTED
B / D / C VALUE
B 5Khz
STRINGS
D 100 125Hz
Brightness
Highpass filter mode
6db or more, as necessary
D 200 300Hz
D 900Hz
D 500Hz 1Khz
D 150 500Hz
B 100 250Hz
B/D 200Hz
LEADVOCALS
(alltypes)
+ or
from 2 to 4db
B 1 3Khz
D 2 5 Khz
B 3.5Khz
B 4 10Khz
B 5Khz range
B 15Khz
D 400Hz
D 14Khz
BACKGROUND
VOCALS
(otherwiseknownas
B.G'sorbackingvox)
B 3Khz
D 5Khz
B 89Khz
COMPRESSION
Yes?/No?
OTHERFX
SUGGESTIONS
PLUGINS
NEVERS&
DON'TS!!
Yes:Usepluginpresetsandtoy
aroundfromthere.
ALWAYSRolloffanylowendand
dipoutanyotherfrequenciesyou
don'tneed!
Again,agazillionsamplesetsout
there.Usestereowidenersand
harmonicenhancementplugs
insteadofEQonceinawhile.
NEVERFORGET:Violasarepeople
too.
Presence
B 15Khz
D 60hz
DESIRED
RESULTS