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FOOTBALL
2EMEMBER YOU WANT TO KEEP THE SHUTTER SPEED AT OR HIGHER
)F YOU DONT HAVE A FAST LENS TRY USING A mASH SHOOTING AT
AND INCREASING THE )3/ 4HEN SAVE MONEY FOR A
NOTES
WIDE ANGLE
MM
MM
&ROM THE GOAL LINE
TO THE
YARD LINE
$/.4 SHOOT FROM THE
PLAYERS AREA %6%2
!NYWHERE
ALONG THE
GOAL LINE
WHEN
TEAM IS
WITHIN
THE OR
CLOSER
MM
MM
VOLLEYBALL
7HEN TEAM ON THIS SIDE OF COURT GOOD SPOT TO
8 SHOOT DIGS AND SETTING SHOTS !LSO SHOOT BENCH
WILL WORK GREAT FOR VOLLEYBALL
4EAM IS ON
FAR SIDE OF
COURT 3TAND
RIGHT IN THE
MIDDLE #AN
EVEN PRE
FOCUS ON
PLAYER RIGHT
BEHIND NET
'REAT SPOT
FOR SHOOTING
BLOCKS AND
KILLS
7HEN TEAM
ON THIS SIDE OF
COURT GOOD SPOT
TO SHOOT SERVES
BASKETBALL
l 7HEN CLOSE TO SCORING MOVE TO THE END
ZONE FOR THE STRAIGHT ON SHOT )F YOU HAVE A
MM YOU CAN SHOOT QUITE A BIT OF THE
GAME FROM THE END ZONE FOR SOME GREAT
STRAIGHT ON SHOTS
l 7HEN ON DEFENSE SET UP BEHIND THE
LINE OF SCRIMMAGE SO YOU CAN SEE YOUR
PLAYERS FACES
l )F YOU HAVE MORE THAN ONE PHOTOG
PLACE ONE WITH THE QUARTERBACK ONE
AHEAD OF THE lRST DOWN AND ONE AN THE
OTHER END OF THE lELD YOU NEVER KNOW
WHEN THERES GOING TO BE A LONG PASS OR
AN INTERCEPTION )F ABOUT TO SCORE HAVE
ONE PERSON IN THE ENDZONE ONE AT THE
CORNER AND ONE AROUND THE
NOTES
l 4HE BEST PLACE TO SHOOT IS ACROSS FROM
THE TEAM DEAD MIDDLE AT THE BACK OF THE
GYM 9OU CAN AUTOFOCUS OR MANUALLY FOCUS
ON THE MIDDLE FRONT GIRL BEHIND THE NET
AND THEN JUST WAIT FOR THE KILL AND BLOCK
SHOTS 3TART AT MM GET COMFORTABLE TO
WHERE YOU CAN ZOOM IN TO OR MM
l .EED SERVES DIGS AND SETTING SHOTS
-OVE TO THE SIDE -OVE CLOSE TO THE NET
FOR DIGS AND SETTING $ONT FORGET ABOUT
THE BENCH AND REACTION SHOTS ON THE
COURT
l &EELING CREATIVE 4RY SITTING AT THE BACK
OF THE GYM IN THE MIDDLE BEHIND YOUR
TEAM 3HOOT SETTING SHOTS WHEN THEY TURN
TO YOU AND GET GREAT REACTION SHOTS ON THE
COURT "UT ONLY TRY THIS AFTER YOUVE GOTTEN
PLENTY OF OTHER SHOTS
NOTES
8
8
!NYWHERE FROM
THE CORNERS IN IS
GOOD
MM
5NDER THE BASKET
IS GREAT PLACE FOR
LAYUPS DUNKS AND
REBOUNDS
l 7HEN ON OFFENSE LINE UP WITH THE
QUARTERBACK AND FOLLOW THE BALL
l &OLLOW .#!! RULES AND SIT TO THE RIGHT
OF THE BASKET ON RIGHT CORNERS
l )F YOU DONT HAVE A LONG LENS SIT UNDER
THE BASKET AND GET GREAT SHOTS 3HOOT
VERTICAL
l )F YOU DO HAVE AN
REMEMBER
TO SHOOT CROSS COURT 3HOOT YOUR TEAM
PLAYING DEFENSE BLOCKING SHOTS GRABBING
REBOUNDS AND HEADING BACK WITH THE BALL
3OMETIMES THE BEST SHOTS HAPPEN AT HALF
COURT OR AT THE OTHER END
l $ONT USE A mASH %6%2 $ONT SHOOT
FREE THROWS )TS DISTRACTING TO THE PLAY
ERS $ONT FORGET TO SHOOT THE BENCH AND
REACTIONS
SHOOTING SPORTS
SWIMMING
3HOOT
STRAIGHT
ON WITH
THE
SWIMMER
COMING AT
YOU #AN
ALSO SHOOT
DIVING IN
NOTES
l -OST POOLS ARE INSIDE SO YOU WILL NEED
A FAST LENS )F YOU GET LUCKY AND HAVE
AN OUTSIDE MEET TAKE ADVANTAGE OF IT FOR
BETTER CLEARER PHOTOS 9OU COULD USE A
TELEPHOTO BUT IT WOULDNT HAVE TO BE A
FAST LENS
l $ONT FORGET TO BRING A WIDE ANGLE TO
SHOOT STRETCHING PLAYERS HANGING OUT AND
AWARDS
MM
3HOOT ANYWHERE ALONG THE SIDE -IGHT BE ABLE
TO USE A SHORTER LENS IF IN A CLOSE LANE
BASEBALL SOFTBALL
l 4HE KEY WITH SWIMMING IS TO SHOOT A LOT
BECAUSE YOU WOULDNT BELIEVE HOW OFTEN
THE PERSON IS UNDER WATER OR THEIR ARM IS
IN THE WAY
l )F YOU HAVE A LONG LENS PLAY WITH IT FOR
SOME INTENSE TIGHT BREATHING SHOTS
NOTES
l -Y PREFERENCE IS TO SHOOT ON THE lRST
BASE SIDE BECAUSE THERE ARE MORE POS
SIBLE SHOTS YOU GET BATTING RUNNING TO
lRST OUTS AT ND RUNNING TO THIRD RUNNING
HOME SCORES AND OUTS AT HOME
MM
MM
3HOOT ALONG THE
THIRD BASE SIDE FOR
RUNNING FROM lRST TO
SECOND OUTS AT SECOND
RUNNING TO THIRD AND AFTER
REACHING HOME PLATE SLAP
PING HANDS
l "UT YOU CAN GET A FEW COOL SHOOTS FROM
THIRD !ND YOU WILL NEED TO FOR SOME PITCH
ERS AND LEFT
HANDED BATTERS 0LUS YOU CAN
GET SOME NICE SHOTS OF PLAYERS SLAPPING
HANDS COMING BACK TO THE DUGOUT
8
8
MM
MM
3HOOT ALONG THE lRST
BASE SIDE FOR RIGHT HANDED
BATTERS RUNNING TO lRST OUTS AT
SECOND RUNNING TO THIRD AND GREAT
HOME PLATE SHOTS
MM OR MM
&OR A COOL STRAIGHT ON SHOT OF THE PITCHER GO RIGHT UP TO
THE FENCE BEHIND HOME PLATE 0LACE THE LENS RIGHT AT THE
FENCE BETWEEN ON THE HOLES AND lRE AWAY
TRACK lELD
8
MM MM
OR OTHER TELEPHOTO
7HEN SHOOTING lELD EVENTS
MAKE SURE TO PLACE YOURSELF IN
THE RIGHT SPOT BUT NOT IN THE
WAY OF THE ATHLETES
&OR LONG AND TRIPLE JUMP PLACE
YOURSELF AT THE END OF THE
SAND PIT
8
MM MM
OR OTHER TELEPHOTO
3HOOT THE BEGINNING OF THE RACE )F ITS A LONG
RACE YOU CAN RUSH TO THE OTHER SIDE OF THE TRACK
TO SHOOT HANDOFFS AND THE END OF THE RACE
&OR HIGH JUMP AND POLE VAULT
YOU SHOULD BE BEHIND THE MAT
&OR DISCUS AND SHOT PUT YOU
NEED TO BE IN FRONT BUT OFF TO
THE SIDE OUT OF THE TRAJECTORY
PATH "UT $/.4 SHOOT BEHIND
A NET
l 4RY GETTING SOME COOL SHOTS OF THE PIC
TURE BY SHOOTING THROUGH THE FENCE BEHIND
HOME PLATE "UT GET UP CLOSE TO THE FENCE
9OU MIGHT HAVE TO STAND UP STRAIGHT TO NOT
HAVE THE UMPIRE IN YOUR WAY *UST DONT
STAY FOR TOO LONG AND TICK OFF THE CROWD
l 4AKE ADVANTAGE OF DAY GAMES AND THE
LATER SUNSET FOR BETTER SHOTS ESPECIALLY IF
YOU DONT HAVE FAST LENSES
NOTES
l )F YOU DONT HAVE FAST LENSES TAKE
ADVANTAGE OF THE DAY RACES AND EVENTS TO
SHOOT
l -AKE SURE TO SHOOT THE BEGINNING AND
END OF RACES AND ALSO HANDOFFS ON RELAYS
l 7ITH lELD EVENTS SHOOT EVERY TRY )TS
NOT ALWAYS EASY TO GET THE SHOT PUT IN THE
FRAME
l )F YOU DO HAVE A FAST LENS YOULL NEED IT
FOR THE NIGHT RACES
l $ONT FORGET TO SHOOT STRETCHING PREP
PING FOR RACES COACHES CHATTING WITH
ATHLETES ETC
EXPOSURE
l !PERTURE AND SHUTTER SPEED ARE USED TOGETHER TO CORRECTLY EXPOSE THE PHOTOGRAPH
l 4HE APERTURE CONTROLS THE LIGHT WHILE THE SHUTTER SPEED CONTROLS THE LENGTH OF TIME THE LIGHT HITS
THE IMAGE
l 4HE TWO WORK HAND
IN
HAND IN PROPORTION TO EACH OTHER 3O IF THE APERTURE GOES DOWN THE
SHUTTER SPEED GOES UP
l %ACH CHANGE CALLED A STOP IS EXACTLY ONE HALF THE AMOUNT OR TWICE AS MUCH LIGHT OR SPEED DE
PENDING IF ITS THE APERTURE OR SHUTTER SPEED 3O F LETS IN TWICE AS MUCH LIGHT AS F ,IKEWISE
IS TWICE AS FAST AS
#OMMON APERTURES
ALSO KNOWN AS F
STOPS
#OMMON SHUTTER SPEEDS
OFTEN SHOWN WITHOUT FRACTION
#ORRECT EXPOSURE
SAME EXPOSURE DIFF SETTINGS
F
F
F
F
F
F
F
AS ONE GOES UP THE OTHER GOES DOWN
5NDERSTANDING APERTURES
l %VERY TIME YOU @OPEN UP THE APERTURE THE F
STOP BECOMES
SMALLER $ONT LET THAT CONFUSE YOU 4HE SMALLER THE NUMBER
THE BIGGER OPENING THE MORE LIGHT LET IN
l 3O DURING THE DAY WHEN THERE IS A LOT OF LIGHT OUTSIDE YOU
DONT NEED THE CAMERA APERTURE TO LET IN A BUNCH OF LIGHT
(ENCE YOU CAN @STOP DOWN TO F OR ETC
l "UT AT NIGHT OR IN A GYM WHEN THERE IS LITTLE LIGHT YOU NEED
THE CAMERA TO LET IN AS MUCH LIGHT AS POSSIBLE HENCE YOU
WANT TO SHOOT AT F THE LARGEST OPENING ON FAST LENSES
5NDERSTANDING SHUTTER SPEEDS
l 4HE FASTER THE SHUTTER SPEED THE FASTER THE SHUTTER CLOSES
EXPOSING THE IMAGE FOR LESS TIME THUS STOPPING THE ACTION
l 3O IF YOU WANT TO STOP THE ACTION YOU WANT A HIGHER SHUTTER
SPEED IS THE PREFERRED LOWEST YOU SHOULD GO AT NIGHT "UT
DURING THE DAY A SHUTTER SPEED IN THE THOUSANDS WILL REALLY
HELP YOU FREEZE THE ACTION AND THE BALL
+ELLY ,EMONS #ONNALLY (IGH 3CHOOL JOURNALISM *UNE