LAWISWIS KAWAYAN

Katutubong Awitin / Folk Songs

Ako magtatanom lawiswis kawayan

Akon la kan pikoy palataylatayan
Sabahis nga pikoy ka-waray batasan
Sinmulod ha kwarto, kan inday higdaan.
An panyo, an panyo nga may sigarilyo,
Ginpiksi ni Inday kay may sentimiento
An nasisinahan, an nabi- an nabibidu-an
Tungod la han gugma nga waray katuman.
An ine nga hugpo lawiswis kawayan
Diin an higugma nga may rayandayan
Magtutugtog dayon mga ginlatayan
Maglipay ngatanan mga kasaangkayan.
An ine nga pikoy nga pikoy paglupad murayaw
Natuntong han sanga dagos paparayaw
Binuklad an pako, an pako daw hilaw nga dahon
An iya pagrayhak nga ak ginkinantahan.
Hi Mano palabio mahal magbaligya
Adobo sitsaron upod an mantika
Ginpadisan hin luyat nga tarong
Hi mano Palabio mahal la gihapon.

MANANG BIDAY
Katutubong Awitin / Folk Songs

Manang Biday, ilukatmo man

'Ta bintana ikalumbabam
Ta kitaem 'toy kinayawan
Ay, matayakon no dinak kaasian
Siasinnoka nga aglabaslabas
Ditoy hardinko pagay-ayamak
Ammom ngarud a balasangak
Sabong ni lirio, di pay nagukrad
Denggem, ading, ta bilinenka
Ta inkanto 'diay sadi daya
Agalakanto't bunga't mangga
Ken lansones pay, adu a kita
No nababa, dimo gaw-aten
No nangato, dika sukdalen
No naregreg, dika piduten
Ngem labaslabasamto met laeng
Daytoy paniok no maregregko
Ti makapidut isublinanto
Ta nagmarka iti naganko
Nabordaan pay ti sinanpuso
Alaem dayta kutsilio
Ta abriem 'toy barukongko
Tapno maipapasmo ti guram
Kaniak ken sentimiento

PAMULINAWEN
Katutubong Awitin / Folk Songs

Pamulinawen pusoc inding amman

Toy umasasog agrayo ta sadian
Panunutan man di ca pagintulungan
Toy agayat agrayo ta sadian
Itdem canian calipatan
Ti nasudi unay a nagan
Uray sa di ti ayan
Lugar sadi no man
Aw-awagak ti aysarday
Ti nagaan mo kasasamitan
No malagip ka
Pusoc toy mabang aran

PARU PARONG BUKID

Katutubong Awitin / Folk Songs

Paruparong bukid na lilipad-lipad

Sa gitna ng daan papagapagaspas
Isang bara ang tapis
Isang dangkal ang manggas
Ang sayang de kola
Isang piyesa ang sayad
May payneta pa siya uy!
May suklay pa mandin uy!
Nagwas de-ohetes ang palalabasin
Haharap sa altar at mananalamin
At saka lalakad na pakendeng-kendeng.

SITSIRITSIT
Katutubong Awitin

Sitsiritsit, alibangbang
Salaginto at salagubang
Ang babae sa lansangan
Kung gumiri'y parang tandang
Santo Nio sa Pandakan
Putoseko sa tindahan
Kung ayaw mong magpautang
Uubusin ka ng langgam
Mama, mama, namamangka
Pasakayin yaring bata.

JUAN LUNA

Juan Luna y Novicio (October 23, 1857 December 7, 1899) was a Filipino painter, sculptor and a political
activist of the Philippine Revolution during the late 19th century. He became one of the first recognized
Philippine artists.

Spoliarium, 1884. Spoliarium depicts bloody

carcasses of slave gladiators being dragged away
from the arena where they had entertained their
Roman masters, with their lives. The painting was
submitted by Luna to the Exposicin Nacional de
Bellas Artes in 1884 in Madrid, where it garnered
the first gold medal. In 1886, it was sold to
the Diputacin Provincial de Barcelonafor
20,000 pesetas. It currently hangs in the main
gallery at the ground floor of the National
Museum of the Philippines, and is the first work of art that greets visitors upon entry into the museum.
Una Chula II, 1885. Una Chula II is a 1885 painting portraying a lower class
Madrilea (woman from Madrid) sitting squarely with arms resting on a chair, a
pose that almost mannishly exuding sexual confidence and worldliness, holding
a lit cigarette between two fingers in a flirtatious way. The burning tip of the
cigarette acts as an enhancement to the females painted lips that supports a
slight smile.

The Parisian Life, 1892. The Parisian Life, also known as

Interior d'un Cafe, literally meaning "Inside a Caf", is a
1892 oil on canvas painting. It portrayed a scene inside a
caf in Paris with a woman identified as a courtesan or a
prostitute representing "fallen womanhood", who was about
to rise from a sofa overshadowing three men placed at the
far left corner of the painting.

FERNANDO
AMORSOLO

Fernando Cueto Amorsolo (May 30, 1892 April 24, 1972) is one of the most important artists in the history
of painting in the Philippines. Amorsolo was a portraitist and painter of rural Philippine landscapes. He is
popularly known for his craftsmanship and mastery in the use of light. Born in Paco, Manila, he earned a
degree from the Liceo de Manila Art School in 1909.

Afternoon meal of the rice workers, 1951, oil on canvas.

Won first prize at the New York World's Fair.

Mango pickers, oil on Canvas, 1936.

Fruit Gatherer, oil on board, 1950. A specimen of

Amorsolo's conception of an ideal Filipina beauty.

CARLOS FRANCISCO

Carlos Modesto Villaluz Francisco (November 4, 1914 March 31, 1969), popularly known as Botong, was
a muralist from Angono, Rizal.

Muslim Wedding, 1958

Fiesta by Carlos "Botong" Francisco

First Mass in the Philippines

Untitled (Fiesta with Higantes, Angono in
Rizal Philippines), 1958

FELIX RESURECCION

Flix Resurreccin Hidalgo y Padilla (February 21, 1855 March 13, 1913) was a Filipino artist. He is
acknowledged as one of the great Filipino painters of the late 19th century, and is significant in Philippine
history for having been an acquaintance and inspiration for members of the Philippine reform
movement which included Jos Rizal, Marcelo del Pilar, Mariano Ponce andGraciano Lpez Jaena, although
he neither involved himself directly in that movement, nor later associate himself with the First Philippine
Republic under Emilio Aguinaldo.

Cottage in Normandy, a study in charcoal

Laguna Estigia

After the Typhoon, undated,oil on canvas,

private collection

Interior de una Casa, undated, oil on

canvas, private collection

ANG KIUKOK

Ang Kiukok (Chinese: ); born Ang Hwa Shing; (March 1, 1931 May 9, 2005) was a
leading Filipino painter and aNational Artist for Visual Arts.
He was born Ang Hwa Shing on March 1, 1931 in Davao City, Philippines to Chinese Filipino parents, Ang
Pang Suy Gong (later Vicente Ang) and Lim Chin, who had emigrated from Xiamen.[1] He pursued Art Studies
at the University of Santo Tomas, where he was taught by Filipino art masters, most notably Vicente
Manansala who was to become a lifelong friend and mentor.

Ang Kiukok, "Thinking Man," 1979,

Watercolor on Paper

Ang Kiukok, "Cockerel," 1976, Watercolor

on Paper