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Emerging Greatness
As his work in Weimar became known, his growing mastery of compositional forms,
such as the fugue and the canon, began to attract a lot of interest from the musical
establishment. He was soon recognized as a brilliant, yet inflexible, musical talent,
sought after for his abilities on the organ, and performing regularly as a solo
virtuoso. But, like many people with great artistic talent, he lacked the ability to
play political games, and as a result, was passed over for the much-desired
position of Kapellmeister (Chorus Master) of Weimar.
Partly in response to this rejection, he left Weimar in 1716 to become the courtconductor in Anhalt-Cothen. During this phase in his career, he turned his
attention to instrumental composition, producing one of his most beloved works,
the Brandenburg concerti.
After seven years at Cothen, Bach took a highly prestigious, though demanding,
position as the cantor for the St. Thomas Church in Leipzig. His duties included
composing cantatas for the St. Thomas and St. Nicholas churches, conducting the
choirs, overseeing the musical activities at numerous other churches, and teach
Latin to boys in the St. Thomas choir school.
Again, he experienced some difficulties getting along with the court and the
Leipzig church officials, but his persistence and skill ensured his continued
employment there. Bach held the position in Leipzig until his death in 1750
More than 1,000 of his compositions survive. Some important and familiar
examples include:
Art of Fugue
Two & Three Part Inventions
Brandenburg Concerti
Goldberg Variations for Harpsichord
Mass in B-Minor
Motets
Easter and Christmas oratorios
Toccata in F Major
French Suite No 5
Fugue in G Major & Fugue in G Minor ("The Great")
St. Matthew Passion
Jesu Der Du Meine Seele.
The Bach Family
In 1707, the same year that he left Arnstadt, he married his cousin Maria Barbara
Bach. Together they raised four children. Maria Barbara died while Johann
Sebastian was employed in Anhalt-Cothen. Shortly after her death, Bach remarried
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Anna Magdalena, for whom he composed the charming pieces that comprise the
Notebook of Anna Magdalena Bach. Bach had 13 children with Anna Magdalena
six of whom survived childhood.
The family talent for music, which had been evident in J.S. Bachs father and
siblings, was passed on to Bachs own children. Three of his sons: Wilhelm
Friedmann, Carl Philipp Emanuel, and Johann Christian Bach, are recognized as
very fine composers in their own right. Altogether, the Bach family produced 53
highly regarded musicians over a period of 300 years.
References
Boyd, Malcolm. Bach. London: Dent, 1983
Grout, Donald Jay, Cornell University, and Claude V. Palisca. A History of Western
Music. New York: W.W. Norton & Company, 1960.
Geiringer, Karl. Johann Sebastian Bach. New York: Oxford University Press, 1966.
Weiss, Piero and Richard Taruskin. Music in the Western World: A History in
Documents. New York: Schirmer Books (Macmillan, Inc), 1984.
The J.S. Bach Homepage. 2008. Jan Hanford and Jan Koster. http://www.jsbach.org./