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b. Present the important structural moments as being oriented around the axis
created by these dyads
i. Letter C
ii. Letter G
iii. Letter K
iv. Letter S
v. Letter U
c. Other continuities:
i. The horn melody, itself an octatonic continuity
ii. The lower neighbor motif
IV.
V.
b. Who is are the consumers of this music? Ads is not a composer supported
by the state, so in a sense this music is music for the marketplace. This is a
principle which we havent really encountered yet in the course.
c. This piece lacks the direct political implications of much of the music we
have studied, particularly the other pluralist pieces which had very clearly
defined political agendas (Symphonia, Maxwell Davies pieces etc.)