Monthly learning the foreign News Channels from Facebook is the fruit salad for good policies

In scripts of THE SOUND OF MUSIC

Written By MS. Chawanlak Kaothong
Email : onkaothong@hotmail.com
Keywords: Language Studies in English in Musical Books, Westernization and Era, English language and
News Channels from Facebook
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over best wherever sourced of how to presenting anything as broadening or at least. Posting and Commenting
are as from beliefs, officials with un-officials that are internet online for broadcasting working as worldwide
today at pre-modernization. Some personally implications on face-to-face could have been not possible for
chitchatting whereas the taste of preferences of talking is the disclosure and opened of mind to conversation for
furthest-lens for walking across times. Fruit Salad is the circumstance of the peoples testimonial for scripted of
the chatting and scripted of mode of transferring to space with universally hub on critiques-from-thinking to
idealize.
I Ms. Chawanlak Kaothong am honored to say that the sound of music is the film for all ages: monthly learning
the foreign News Channel from Facebook is the diversification seemed to own for large television for
devastation of its freedom for techniques to script the language and modernize of self-towards life in era of
westernization at place anywhere.
Highlighted of film is the overview from concerts in the film with children during war:
Conversation in the Classical theme for Monthly Change for Modes of good Explanations to Lifestyle with
families-News and Learning to Chapels Songs
"Edelweiss, Edelweiss, every morning you greet me. Small and white, clean and bright, you look happy to
meet me."
https://en.wikipedia.org/wiki/Oscar_Hammerstein_II

Reputation
Hammerstein was one of the most important "book writers" in Broadway history[24][25] he made the story, not
the songs or the stars, central to the musical and brought musical theater to full maturity as an art form.
According to Stephen Sondheim, "What few people understand is that Oscar's big contribution to the theater
was as a theoretician, as a Peter Brook, as an innovator. People don't understand how experimental Show Boat
and Oklahoma! felt at the time they were done. Oscar is not about the 'lark that is learning to pray' that's easy
to make fun of. He's about Allegro."[26]
His reputation for being sentimental is based largely on the movie versions of the musicals, especially The
Sound of Music, in which a song sung by those in favor of reaching an accommodation with the Nazis, "No
Way to Stop It", was cut. As recent revivals of Show Boat, Oklahoma!, Carousel, and The King and I in London
and New York show, Hammerstein was one of the more tough-minded and socially conscious American

musical theater artists. According to Richard Kislan, "The shows of Rodgers and Hammerstein were the
product of sincerity. In the light of criticism directed against them and their universe of sweetness and light, it is
important to understand that they believed sincerely in what they wrote."[27] According to Marc Bauch, "The
Rodgers and Hammerstein musicals are romantic musical plays. Love is important."[28]
According to The Rodgers and Hammerstein Story by Stanley Green, "For three minutes, on the night of
September first, the entire Times Square area in New York City was blacked out in honor of the man who had
done so much to light up that particular part of the world. From 8:57 to 9:00 p.m., every neon sign and every
light bulb was turned off and all traffic was halted between 42nd Street and 53rd Street, and between 8th Ave
and the Avenue of the Americas. A crowd of 5,000 people, many with heads bowed, assembled at the base of
the statue of Father Duffy on Times Square where two trumpeters blew taps. It was the most complete blackout
on Broadway since World War II, and the greatest tribute of its kind ever paid to one man."

Songs
Hammerstein contributed the lyrics to 850 songs, according to The Complete Lyrics of Oscar Hammerstein II,
edited by Amy Asch.[29] Some well-known songs are "Ol' Man River", "Can't Help Lovin' That Man" and
"Make Believe" from Show Boat; "Indian Love Call" from Rose-Marie; "People Will Say We're in Love" and
"Oklahoma" (which has been the official state song of Oklahoma since 1953) from Oklahoma!; "Some
Enchanted Evening", from South Pacific; "Getting to Know You" and "Shall We Dance" from The King and I;
and the title song as well as "Climb Ev'ry Mountain" from The Sound of Music.
Several albums of Hammerstein's musicals were named to the "Songs of the Century" list as compiled by the
Recording Industry Association of America (RIAA), the National Endowment for the Arts, and Scholastic
Corporation:

The Sound of Music # 36

Oklahoma! # 66

South Pacific # 224

The King and I # 2

Georg Ritter von Trapp

Georg Ritter von Trapp was born on April 4th, 1880, in Zara (now Zadar), Croatia, then still part of the
Austrian-Hungarian Empire. His father was a navy captain. He wanted to embark on a navy career as well and
attended the Royal Naval Academy in Fiume (now Rijeka).
In 1910, he met Agathe Whitehead at a ball. It was love at the first sight and their marriage a society event.
While still a young navy captain, the command of the submarine "U6" was assigned to him. During World War
One, the French submarine "Leon Gambetta" was sunk by Trapp's mission. In 1916, he was promoted to
lieutenant commander by Emperor Franz Josef I.
After the war, Austria no longer had a coast and did not need a navy, Captain Trapp not only lost his post, but
also his wife. Lady Whitehead died in 1924 and left him alone with seven children to look after.
On November 26th 1927 he married Maria Kutschera, who was the governess for the captain's children before.
In 1938, Austria was annexed to Adolf Hitler's German Empire and Captain Trapp was offered a high position
in its navy. "I have sworn my oath of loyalty to only one Emperor" was his answer he rejected.

In 1947 Georg von Trapped passed away.

Due to the success of the Trapp Family Singers through their concerts and tours throughout the United
States, various publishers tried to convince Maria to write her memoirs and the story of the family choir. After
her initial hesitation, Maria von Trapps story was finally published in 1949. "The Story of the Trapp Family
Singers" became one of the best-loved books in America. The German version was published in 1952 under the
title "Vom Kloster zum Welterfolg" From the Abbey to Success.
Despite earlier concert trips in Austria and sending relief parcels to war stricken families after WWII, the
family was practically unknown but this book raised their popularity. The touching story of the novice, who
lovingly took care of children who had lost their mother and then going on to become a Baroness, piqued the
interest of a German film company who produced two films - "The Trapp Family" (1956) and subsequently
"The Trapp Family in America" (1958).
Maria was actively involved in writing the screenplay for both the films, so they accurately portray the eventful
life of the Baron and his family.
Both films became box office successes in Germany and Austria, partly due to the famous actors and actresses
in the leading roles: Ruth Leuwerick as Maria von Trapp, Hans Holt as Baron von Trapp and Joseph Meinrad as
Dr. Wasner. The films were known as "Heimatfilm" (Fatherland film), a genre that was extremely popular in the
post-war German speaking world.
http://www.sound-of-music.com/sound-of-music/the-movie/

I am this film watching since I was young. Elderliness of Ages has been the meaningfulness for real times to
have roles in the became one in books stories with scripts The Sound of Music for learning monthly that
facebook.com right now with music of notes is the extra involved for both the films then for Chawanlaks so
accurate pronunciation to songs in English tones of Westernization of accents and dialects.
Facebook is the searched for sound of music, learning for books and English language.
Fruit Salad for Courses to Indexical Stories-Semantics for all every therefore to be chapels to songs scripting
and for wording with opposition of prefixes in songs languages without memorization of recitation.
Maria is a free-spirited young Austrian woman studying to become a nun at Nonnberg Abbey in Salzburg in
1938. Her love of music and the mountains, her youthful enthusiasm and imagination, and her lack of discipline
cause some concern among the nuns. The Mother Abbess, believing Maria would be happier outside the abbey,
sends her to the villa of retired naval officer Captain Georg von Trapp to be governess to his seven children
Liesl, Friedrich, Louisa, Kurt, Brigitta, Marta, and Gretl. The Captain has been raising his children alone using
strict military discipline following the death of his first wife. At first, the children treat Maria as they did their
former governessesplaying tricks on her as a way of gaining their father's attention. Maria responds with
kindness and patience, and soon the children come to trust and respect her.
While the Captain is away in Vienna, Maria makes play clothes for the children out of old drapesreplacing
their naval-style uniformsand takes them around Salzburg and the surrounding mountains. Their bond is
strengthened when she teaches them how to sing. When the Captain returns to the villa with Baroness Elsa
Schraeder, a wealthy socialite, and their mutual friend, Max Detweiler, they are greeted by Maria and the
children returning from a boat ride on the lake that concludes when their boat overturns. Displeased by his
children's clothes and activities, and Maria's impassioned appeal that he get closer to his children, the Captain
orders her to return to the abbey. Just then he hears singing coming from inside the house and is astonished to
see his children singing for the Baroness. Filled with emotion, the Captain joins his children, singing for the
first time in years. Afterwards, he apologizes to Maria and asks her to stay.
Soon after, Maria and the children put on a marionette show for the Baroness, the Captain, and Max, who
proposes he enter them in the upcoming Salzburg Festivala suggestion immediately rejected by the Captain

who will not allow his children to sing in public. He does agree, however, to organize a grand party at the villa.
The night of the party, while guests in formal attire waltz in the ballroom, Maria and the children look on from
the garden terrace. When the Captain notices Maria teaching Kurt the traditional Lndler folk dance, he cuts in
and partners with Maria in a graceful performance, culminating in a close embrace. Confused about her
feelings, Maria blushes and breaks away. Later, the Baroness, who noticed the Captain's attraction to Maria,
hides her jealousy while convincing Maria that she must return to the abbey.
Maria's departure deeply affects the children, who no longer find joy in singing. They are also disappointed to
learn that the Baroness will soon become their stepmother. Back at the abbey, when Mother Abbess learns that
Maria has stayed in seclusion to avoid her feelings for the Captain, she encourages her to return to the villa to
look for her life. After Maria returns to the villa, she learns about the Captain's engagement to the Baroness and
agrees to stay until they find a replacement governess. The Captain's feelings for Maria, however, have not
changed, and soon he breaks his engagement and declares his love to Maria, who returns his affections and
accepts his marriage proposal. Some time later, Maria walks down the aisle of a large baroque cathedral toward
the Captain, who is waiting at the altar dressed in his naval uniformand they are married.
While the Captain and Maria are on their honeymoon, Max enters the children in the Salzburg Festival against
their father's wishes. When they learn that Austria has been annexed into the Third Reich in the Anschluss, the
couple return to their home, where a large Nazi flag hangs above the front door. After pulling the flag down and
ripping it in half, the Captain reads a telegram informing him that he must report to the German Naval
Headquarters in Bremerhaven to accept a commission in the German Navy. Strongly opposed to the Nazis and
the Anschluss, the Captain tells his family they must leave Austria immediately. That night, as the von Trapp
family attempt to leave, they are stopped by German soldiers waiting outside the villa. When questioned by
Gauleiter Hans Zeller, the Captain maintains they are headed to the Salzburg Festival to perform. Zeller insists
on escorting them to the festival, after which his men will accompany the Captain to Bremerhaven.
Later that night at the festival, during their final number, the von Trapp family slip away and seek shelter at the
nearby abbey, where Mother Abbess hides them in the cemetery crypt. Nazi soldiers soon arrive and search the
abbey, but the family is able to escape using the caretaker's car. When the soldiers attempt to pursue, they
discover their cars will not start as two nuns have removed parts of their engines. The next morning, after
driving to the border, the von Trapp family make their way on foot across the mountains into Switzerland to
freedom.
https://en.wikipedia.org/wiki/The_Sound_of_Music_%28film%29#Plot

The Sound of Music: 10 things you didn't know

about the film

The hills are alive with the sound of bankruptcy Credit: Rex Features

Jonathan McAloon

18 May 2015 7:45am

The Sound of Music is celebrating its 50th anniversary in March 2015, which will be marked with a
special festival in Salzburg, Austria, in June

1. It is the fifth highest grossing film of all time. Sort of...

The Sound of Music won five Oscars in 1966, and became the highest grossing film in history, knocking
Gone with the Wind off the top spot. Translating the figures into today's money, it would be the fifth highestgrossing film of all time.

2. The key players responsible for making it a success nearly didnt take part
Julie Andrews nearly turned down the part due to its similarity to the previous years Mary Poppins. Robert
Wise originally didnt want to direct the film because he felt it was too saccharine. Christopher Plummer didnt
want anything to do with the film, referring to it as The Sound of Mucus, and allegedly needed to have some
drinks before going on set so he could cope. He hated Edelweiss so much he asked for it to be replaced.

3. Lots of critics didnt care for it, either, in both its stage and film incarnations
The eminent critic Pauline Kael described the film as the sugar-coated lie that people seem to want to eat.
Brooks Atkinson, a New York Times critic, said it was clichd, and Walter Kerr at the New York Herald
Tribune thought the show was not only too sweet for words but almost too sweet for music.

4. The real Maria Von Trapp has a cameo in the film, but wasnt invited to the premiere
Though the film is based on her 1949 memoir The Story of the Von Trapp Family Singers, and she appeared
as an extra with her daughter Rosemarie, film execs didnt see fit to invite the real Maria Von Trapp to
opening night. Having been invited to the premiere of Rodgers and Hammersteins musical, when no similar
invitation arrived from the film company she took it up with the producers. Youd have thought theyd have
apologised for their oversight. Instead, the producers told her there were no seats left.

5. The Trapp Family Singers were a real band for almost 30 years
The film depicts the Von Trapps as a wealthy family who had leisure for a bit of music on the side. In reality
music was their sole source of income. Near financial ruin as soon as Maria and Georg married in 1927, they
turned to music to make money, and by 1935 were a popular group. When they fled the country they just said
they were off to tour America, where they continued to make music. In fact, they sang on an Elvis album.

The real Trapp Family Singers hit the road

6. Edelweiss is American, not Austrian

Rather than being a traditional Austrian folk tune, the song Edelweisswas written for the musical. It was the
last song Oscar Hammerstein II ever wrote.

7. Julie Andrews had never played a guitar before appearing in the film
Andrews learned to play Do-Re-Mi before filming on the hillside, but always had trouble singing and playing
at the same time. She found it much easier, reportedly, after a big shot of schnapps. It makes you look at the
above clip in a different light

8. Julie Andrews fell over all the time

When Andrews sang the opening track on that idyllic hillside, she was being blown about by the helicopter
used to film the aerial shot. When she sang I Have Confidence, the famous trip through the Von Trapp
familys gates was accidental, but kept by the director because he thought it added character. The rest of the
time, Andrews would pratfall to amuse other cast members or relieve tension during a tiring shoot.

9. Should a nuclear apocalypse happen, The Sound of Music will be played on a loop
1966, the year The Sound of Music took five Oscars, was also the year the BBC decided to build a nuclear
bunker. At the height of Cold War paranoia, the film was selected by television execs to be broadcast in the
event of a nuclear strike. 100 days of television were programmed, and were kept handy until 1993.

10. Half a century on, Sound of Music fans are still coming out of the woodwork
While Lada Gagas Julie Andrews medley at the Oscars warmed most of the hearts on the internet,
screenwriter and producer Shonda Rhimes was having none of it.
http://www.telegraph.co.uk/films/2016/04/19/the-sound-of-music-10-things-you-didnt-know-about-the-film/

The Sound of Music

Salzburg provides the film backdrop for a global hit
Five Oscars, moving songs and a worldwide community of fans; thats The Sound of Music. Its one of
the most popular cinematic offerings ever, and is inextricably linked with Salzburg and its music.

Explore the places featured during the filming of the lives of the Trapp family on the Sound of Music tour.
Enjoy the Dinner Show featuring all the best-known songs or watch a performance in the Salzburger
Marionettentheater puppet theatre.

3 factors that ensured The Sound of Music was a worldwide hit:

The story in the film is based on actual events. Its a moving and emotional story that almost feels like a
fairy-tale

It features majestic countryside scenery and the beautiful backdrop of the city of Salzburg

and the great actors supporting Julie Andrews.

From nun to nanny

As weve mentioned, the film was based on a true story. Maria von Kutschera was born in Vienna. Later she
was a novice in waiting at the Benedictine cloister on Nonnberg Hill in Salzburg. However, her abbess sent her
to look after the seven children of the widower, Baron Georg Ritter von Trapp, as a governess.

However, not long after Maria married the Baron and at the beginning of the 1930s she founded a family choir
with which she gave numerous concerts. Following the Austrian Anschluss with Germany in 1938 the family
fled from Austria, and from this time on they were wholly dependent upon their musical activities as the only
source of income. Ultimately the Trapps reached the USA and in 1941 in Vermont (Stowe) they purchased a
farm, which over the years was developed into the Trapp family lodge.

On the trail of the Trapp family

Maybe youve also dreamed of following in the footsteps of Maria von Trapp. On your visit to Salzburg, seize
the opportunity to visit the locations used for the filming of the The Sound of Music and enjoy the world
famous songs at the unforgettable Dinner Show.
http://www.salzburg.info/en/art_culture/sound_of_music

Do-Re-Mi Lyrics by Sound Of Music

Send "Do-Re-Mi" Ringtone to your Mobile
Maria:
Let's start at the very beginning
A very good place to start
When you read you begin with
Child (Gretyl):
ABC
Maria:
When you sing you begin with do re mi
Children:
Do re mi
Maria:
Do re mi
The first three notes just happen to be
Do re mi
Children:
Do re mi
Maria:
Do re mi fa so la ti
Oh let's see if I can make it easier hmmm:
Doe- a deer, a female deer
Ray- a drop of golden sun
Me- a name i call myself
Far- a long long way to run
Sew- a needle pulling thread
La- a note to follow so
Tea- a drink with jam and bread
That will bring us back to do oh oh oh
Child:
Do
Maria:
A deer, a female deer
Children:

Re
Maria:
A drop of golden sun
Children:
Mi
Maria:
A name I call myself
Children:
Fa
Maria:
A long long way to run
All:
So- a needle pulling thread
La
Maria:
A note to follow so
Te
Children:
A drink with jam and bread
Maria:
That will bring us back to do
Children:
Doe- a deer, a female deer
Ray- a drop of golden sun
Me- a name i call myself
Far- a long long way to run
All:
Sew- a needle pulling thread
La- a note to follow so
Tea- a drink with jam and bread
Maria:
That will bring us back to do
Do re mi fa so la te do so do
Now children do re mi fa so and so on
Are only the tools we use to build a song
Onces you have these notes in your head
You can sing a million different tones by mixing them up
Like this: so do la fa mi do re
Can you do that
Children:
So do la fa mi do re
Maria:
So do la ti do re do
Children:
So do la ti do re do
Maria:
Now put it all together
All:
So do la fa mi do re, so do la ti do re do
Maria:
Good
Child (Brigitta):
But it doesn't mean anything
Maria:
So we put in the words.
One word per every note.
Like this:

When you know the notes to sing

You can sing most anything
Together:
All:
When you know the notes to sing
You can sing most anything
Maria:
Doooooo
All:
A deer, a female deer
Child:
Reeee
All:
A drop of golden sun
Child:
Miiiii
All:
A name I call myself
Maria:
Faaaaa
All:
A long long way to run
Maria:
Soooo
All:
A needle pulling thread
Child:
Laaaa
All:
A note to follow so
Child:
Teeee
All:
A drink with jam and bread
That will bring us back to dooo
Do re mi fa so la ti do do ti la so fa mi re
Do mi mi
Mi so so
Re fa fa
La ti ti
Do mi mi)
Mi so so)
Re fa fa)
La ti ti)
Do mi mi)
Mi so so) When you know the
Re fa fa)
La ti ti)
Do mi mi)
Mi so so) notes to sing
Re fa fa)
La ti ti)
Do mi mi)
Mi so so) You can sing most
Re fa fa)
La ti ti)
All:

Anything things
Doe- a deer, a female deer
Ray- a drop of golden sun
Me- a name I call myself
Far- a long long way to run
Sew- a needle pulling thread
La- a note to follow so
Tea- a drink with jam and bread
That will bring us back to
So do la fa mi do re (Maria goes up scale DoReMeFa)
So do la fa (Maria SoLTiiiii) (la sooooo) (ti faaaa) (mi reeee) ti dooooo
So do

1.
2. S
3. Sound Of Music
4. Do-Re-Mi Lyrics
Music and Language Learning
By http://www.colorincolorado.org/article/music-and-language-learning
Kristina Robertson
On this page

Multiple Intelligences in the Classroom

Integrating Music

Building Upon Students' Culture

Pulling It All Together

Hot links

"We are the music makers and we are the dreamers of dreams." Arthur O'Shaughnessy (as quoted in the film,
Willy Wonka and the Chocolate Factory)
Before "high stakes tests" were invented, teachers created their own "high stakes tests." My high school civics
teacher required that each student write from memory the preamble to the Constitution in order to pass the
class. If you recall, the preamble starts, "We the people, in order to form a more perfect union" and goes on
for about six lines.
Thankfully, all my years of watching TV were not a total waste of time (as my mother warned me they would
be). I had watched the School House Rock series on Saturday mornings and remembered a cartoon and song
with the preamble to the Constitution in the lyrics. I sang that song to myself during the test and passed with
ease. This memory has always reinforced to me that music can be a strong tool for memorization and learning
new information.
Language learning offers a unique and exciting opportunity to integrate music. Many people have had the
experience of learning a world language and singing simple, silly songs in class. The introduction of music
provides a light-hearted and fun way to interact with another language and culture.

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The Sound of Music Soundtrack

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The Sound of Music

Rodgers and Hammerstein

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"The Sound of Music" opening from the 1965 film of THE SOUND OF MUSIC.
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