Professional Documents
Culture Documents
a songwriting career in the 2010s. Several music colleges oer songwriting diplomas and degrees with music business modules.[1] Since songwriting and publishing
royalties can be a substantial source of income, particularly if a song becomes a hit record, legally, in the US,
songs written after 1934 may only be copied by the authors. The legal power to grant these permissions may be
bought, sold or transferred. This is governed by international copyright law.[1]
Professional songwriters can either be employed to write
either the lyrics or the music directly for or alongside a
performing artist, or they present songs to A&R, publishers, agents and managers for consideration. Song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the
MusicRow publication, and SongQuarters.[1] Skills associated with song-writing include entrepreneurism and
creativity.[2]
1 Sta writers
Songwriters who sign an exclusive songwriting agreement
with a publisher are called sta writers. Being a sta
melodies and chord progressions for songs, typically for writer eectively means that during the term of the songa popular music genre such as country music. A song- writers contract with the publisher, all their songs are auwriter can also be called a composer, although the lat- tomatically published[1]by that company, and can not be
published elsewhere.
ter term tends to be mainly used for individuals from the
classical music genre. The pressure from the music indus- In the Nashville country music scene, there is a strong
try to produce popular hits means that songwriting is of- sta writer culture where contracted writers work normal
ten an activity for which the task are distributed between 9-to-5 hours at the publishing oce and are paid a rega number of people.[1] For example, a songwriter who ular salary. This salary is in eect the writers draw, an
excels at writing lyrics might be paired with a songwriter advance for future earnings paid on a monthly basis which
with a gift for creating original melodies. Pop songs may enables them to budget a livelihood with it.[3] The pubbe written by group members from the band or by sta lisher owns the copyright of songs written during the term
writers songwriters directly employed by music publish- of the agreement for a designated period, after which the
ers.[1] Some songwriters serve as their own music publish- songwriter can reclaim the copyright.[3] In an interview
ers, while others have outside publishers.[1] In the 2010s, with HitQuarters, songwriter Dave Berg extolled the bensongwriters are no longer dependent on labels to support ets of the set-up: I was able to concentrate on writing
their music. Technology has advanced to the point where the whole time and have always had enough money to live
songwriters can record at home with a laptop and a good- on.[4]
quality USB microphone.
Unlike contracted writers, some sta writers operate as
Songwriter and singer Chris de Burgh.
REFERENCES
that comes to them. By letting ideas ow, this generates potential lyrics and song structures more eectively
than trying to writing the song by discussing options. Cowriting can help two creators with dierent talents and
strengths to create a new song that neither could have
been able to devise if they were working alone.[7] The
rst step in co-writing is to establish the division of the
contribution between co-writers. In copyright law, there
is no distinction of importance between the lyrics of the
song or the melody of the song, therefore each writer is
given ownership equally over all of the song, unless another agreement is arranged.[8] Phantom songwriters
are those who provided small contributions to the song,
such as a band member who suggests a line for a verse
or a session musician who informally proposes a chord
progression for a coda. Unfortunately, once a songwriter
is acknowledged as a cowriter on the project, this is almost impossible to undo, so phantom songwriters are
not usually given credit.[9]
Songwriter musicians
5 References
Singer-songwriters
Co-writing
[1] How to pitch your songs to industry insiders.. EMusician. 1 July 2007. Retrieved Aug 25, 2010.
[2] The quaternary entrepreneur, Gian Paolo Prandstraller 2009
[3] Interview with Roger Murrah. HitQuarters. 22 June
2009. Retrieved Aug 25, 2010.
[4] Interview with Dave Berg. HitQuarters. 4 January
2010. Retrieved August 25, 2010.
[5] Interview with Allan Eshuijs. HitQuarters. 6 September
2010. Retrieved Sep 7, 2010.
[6] Denition. 2011. Retrieved Sep 29, 2015.
[7] Co-Writing. 2015. Retrieved Sep 29, 2015.
[8] Music Connection. 2013. Retrieved Sep 29, 2015.
[9] Phantom Writers. 2014. Retrieved Sep 29, 2015.
6.1
Text
6.2
Images
File:Chris_de_Burgh_(Kempten).JPG
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%28Kempten%29.JPG License: CC BY-SA 3.0 Contributors: Own work Original artist: Richard Huber
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Tango! Desktop Project. Original artist:
The people from the Tango! project. And according to the meta-data in the le, specically: Andreas Nilsson, and Jakub Steiner (although
minimally).
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6.3
Content license