Space, Events and Urban Performance

I ntroduction
The Urban Performances term is derived from the
representational space concept, which is part of
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practices and representations are the things
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potential energies of groups act to transform
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returned to action, to new activities in which
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or performances we become true subjects in
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of people in the design of their buildings, and
these actions rather than functions in the
modernist era - are disjunctions between form
and use, that the architect is able to promote as
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These assumptions are based on the social
production of space, in how space is a cultural
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action, a language that is not remote from but
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is related to movement, interaction and visual
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The questions this paper intends to answer
are: What is the relation between the spatial
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Space, Events and

Urban Performance
Christian Beros Contreras. BArch,
MSc AAS
The Bartlett, University College London;
FAU, Universidad de Chile.
United Kingdom
c.beros@spacesyntax.com
www.morphing.cl ; www.spacesyntax.com

This report investigates different

kinds of Urban Performance in
the Southbank of Thames Path in
London, UK. Urban Performance
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or manifestation of different social
groups in the city space regarding
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place for its spatial practices. The
aim of this paper is to investigate
how urban performances are linked
to spatial and syntactic properties
of the area. This topic is intrinsic
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its fundamental relation between
spatiality and human activity.
The research method used were,
direct observations (related with
human movement), spatial analysis
in terms of performers isovists and
syntactic analysis through visibility
graph.
The report concludes that the
urban performances in Thames
Path is determined by the human
co-presence in the space, due to
this strategic points chosen along
the path by the performers are
strongly related with the visual
connections in the system.

333

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Performances on the Thames Path?

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place for urban performance?
The research methods consist of direct
observations which include the mapping of
static and movement behaviour on the Thames
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we can obtain numerous measures of both
local and global spatial properties that seem
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that shed light on a relationship between
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Methodology
The observations were carried out during each
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selected because even though the Thames Path
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points for each area and then the data was postDQDO\VHGDQGWUDQVFULEHGLQ0DSLQIR6RIWZDUH
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Five (analogue) methods were applied
in each area:
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2. Traces, recording pedestrian movement
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active and passive facades to understand the

relation of attractors and services with urban
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benches, trees, to have a complete view of
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each one of the performers found during the
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Spatial Analysis (digital)
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space and their interaction with other groups
of people, one isovist was draw for each one of
the performers and then compared with a net of
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The aim was to compare the covering area
of each isovist with the biggest covering
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visual relations between the performers and
its possible spectators as well as the relation
between the performers and the surrounding
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This technique was selected because it
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that is, of the individual observer and as such, it
is proposed that its usefulness as a description
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perception of space from the point of view of
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Syntactic analysis (digital)
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the relation between visual patterns of
integration that can be covered in open spaces
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areas concentrate the connections values in the
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Findings
Once all the data was gathered, each area
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and tourist places that attract people and create
to movement along the area, this pattern uses
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area through the movement between attractors
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tend to gather in places connected with services
(bars, restaurants, museums, galleries, halls,
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or in relation with the total area of the Thames
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that depends of the cultural manifestations or
Urban Performances, which are shaping the
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movement relate with the spectators static
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performers increasing the interaction and co
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properties of the space and these properties
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who are the ones who want to show their
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different points in the Thames Path in order to
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use places with wide angles of view and high
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with tribal urban cultures or under cultures
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and this place has a wide angle to show their
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has a low level of control from the point of view
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have a place of control for themselves, far
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movement is possible to argue that there are two
different patterns in Thames Path:

Conclusion
This research has demonstrated a relation
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properties of the space, and how the use of
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congregate in places with long lines of sight
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a fundamental graph of the potential angles of
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integration and visual control varies between
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behaviour in public spaces, establishes that
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as human statues, singers and painters have an
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and spectators transforming the space and giving
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human copresence in the space, due to these
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visual connections and morphological properties
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of creating human co-presence and social
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Selected Bibliography
Borden, Iain,>D@6NDWHERDUGLQJ6SDFHDQG
WKH&LW\$UFKLWHFWXUHDQGWKH%RG\%HUJ1HZ
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Borden, I. Kerr,J. Rendell, J. Pivaro, A.>E@
7KH8QNQRZQ&LW\0,73UHVV&DPEULGJH
0DVVDFKXVHWWV
Campos, Maria Beatriz de Arruda>@3XEOLF
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Keywords:
Visibility Graph Analysis, Isovists, Space Syntax