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began in the 1880s as a reaction against the historical emphasis of mid-19thcentury art, but did not survive World WarI. Art nouveau originated in London and
was variously called Jugendstil in Germany, Sezessionstil in Austria, and
Modernismo in Spain. In general it was most successfully practiced in the decorative
arts: furniture, jewelry, and book design and illustration. The style was richly
ornamental and asymmetrical, characterized by a whiplash linearity reminiscent of
twining plant tendrils. Its exponents chose themes fraught with symbolism,
frequently of an erotic nature. They imbued their designs with dreamlike and exotic
forms. The outstanding designers of art nouveau in England include the graphic
artist Aubrey Beardsley, A. H. Mackmurdo, Charles Ricketts, Walter Crane, and the
Scottish architect Charles R. Mackintosh; in Belgium the architects Henry Van de
Velde and Victor Horta; in France the architect and designer of the Paris mtro
entrances, Hector Guimard, and the jewelry designer Ren Lalique; in Austria the
painter Gustav Klimt; in Spain the architect Antonio Gaud; in Germany the
illustrator Otto Eckmann and the architect Peter Behrens; in Italy the originator of
the ornamental Floreale style, Giuseppe Sommaruga; and in the United States Louis
Sullivan, whose architecture was dressed with art nouveau detail, and the designer
of elegant glassware Louis C. Tiffany. The aesthetics of the movement were
disseminated through various illustrated periodicals including The Century Guild
Hobby Horse (1894), The Dial (1889), The Studio (begun, 1893), The Yellow Book
(189495), and The Savoy (189698). The works of Beardsley and Tiffany were
especially popular.
Art Nouveau was a popular art movement from around 1880 to 1915 which
developed differently in many places around the world. For this reason, it would
be complicated to explain the history of the movement in just one blog post.
Today, youll get just an introduction to what makes Art Nouveau Art Nouveau.
The Art Nouveau style was applied not only to painting and sculpture but also to
architecture, furniture, jewelry, fabrics, and all types of materials used for
interior and exterior design. You can even find silverware done in the Art Nouveau
style. One of the most famous Art Nouveau designs is the metro entrance created
by Hector Guimard that can be seen all over Paris. The image shown below isnt
great but you can see that the post seem to grow like the stems of flowers and
spread out into careful placed stalks. The design has even been copied and used
elsewhere, including in places in Chicago.
Facts about Art Nouveau talk about the style of architecture and art. In 1890 to 1910, Art Nouveau was
very popular in the world. The name of this style was taken from French. In English, it means new art.
Actually it has many names depending on the country. If you are interested to know more about this
decorative art, you can check the following post below:
Art Nouveau is always associated with plants and flowers. There is no need to wonder that the main
inspiration of this style is from the natural structures and forms. Besides flowers and plants, the artists
also use the curved lines.
Art Nouveau
Art Nouveau is the name for the artistic movement that started in Europe around 1890 and
lasted until around 1910. It took on many different characteristics in different places, and
some of the most famous designers from the era have disparate styles, including Antoni
Gaudi in Barcelona, Josef Hoffmann in Vienna and Carlo Bugatti in Italy. What these
designers had in common was an interest in finding a new artistic vocabulary that could best
express the modern world. Let's take a look at a few iconic Art Nouveau designs from France
and Belgium, where the style was perhaps most cohesive and identifiable.
There were a few main themes across Art Nouveau to keep in mind. In an era of
industrialized production, many designers looked to a local, pre-industrial past for a
foundation; in Russia that was folk tales and folk history, and in France it was the 18thcentury 'golden age' of French design. Working in cities like Paris, Nancy and Brussels, Art
Nouveau designers found greatest inspiration in nature not necessarily nature's beauty,
but instead its vital force, its never-changing life cycle of birth, life, decay and death.
Nature sometimes took the role of a creepy other-world, governed by dark uncontrollable
forces.
This idea of an uncontrollable world all around us was mirrored in the Art Nouveau interest
in psychology, symbolism and the supernatural. Sigmund Freud was writing about the
unconscious dream world, and artists were trying to explore that world through art and
design. Symbols weren't fixed their meaning shifted and was ambiguous.
Also ambiguous was the role of women in Art Nouveau. As always, women were important
muses for artists and designers, and at this time there was a lot of interest in famous
performers like Sarah Bernhardt, the dancer Loie Fuller, the nightclub performer Jane
Avril. But in an era when women were increasingly independent struggling for suffrage,
gaining the right to divorce, more visible in the public sphere than previous generations
the Art Nouveau woman had a menacing twist. She was alluringly sexual, but also
scandalous, morally compromised, even mortally threatening.
Here is a brief gallery of iconic Art Nouveau works from France and Belgium, which should
help clearly define the style:
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1 Nature was a big inspiration for Art Nouveau, but not necessarily the 'pretty' side of nature
more its vital organic force that could be almost terrifying. Here, whiplash curves
resembling vines literally overtake the house, and iron support columns are cast in the form
of a stem or root that is bursting alive at the top. (Victor Horta, Hotel Tassel, Brussels 18934, via The Victorian Era blog.)
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2 Another major theme in Art Nouveau was an interest in local history, looking to a familiar
pre-industrial past for inspiration. This chair's form references an 18th-century Louis XVIstyle chair, but modernizes it through the use of vital, stem-like lines the designer
famously said, "Reject the flower, seize the stem!" Art Nouveau designers were interested
not only in the vitality of nature, but also in the life cycle, which of course includes decay
and death. (Hector Guimard,Fauteuil, Paris c. 1898, at the Muse d'Orsay.)
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3 This iconic image is an ad for Job cigarette papers, an early example of "sex sells" at a time
when marketing was increasingly important. Art Nouveau tended to see women as
dangerously independent and sexual. The half-nude woman pictured here is in a state of
voluptuous pleasure that would have been scandalous at the time. Her hair of course takes
the form of whiplash curves (also scandalous at a time when women wore their hair up).
(Alphonse Mucha, "Job" color lithograph, Paris c. 1898, at the Victoria & Albert Museum.)
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4 Glass was an important Art Nouveau medium, with designers like Emile Gall in France
and Louis Comfort Tiffany in the US experimenting with both ancient and brand new
techniques. Glass was effective for conveying the important Art Nouveau theme of
metamorphosis, with surfaces treated as three dimensional layers, and varying from opaque
to translucent. Dragonflies were a common motif during this era, as were bats and other
creepy creatures of nature that could be seen as menacing or otherworldly. (Emile Gall,
"Libellule" vase, Nancy c. 1903, at the Muse des Arts Dcoratifs.)
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5 The demi-monde of Parisian nightclubs was an important source and inspiration for Art
Nouveau. In this poster, Toulouse-Lautrec depicts two famous performers watching a show
at the club Le Divan Japonais. Note the independent woman, the sinuous lines, the handdrawn font. There is also the suggestion of depth emphasized by lighting, with the orchestra
in silhouette, and the blocks of solid color, techniques inspired by Japanese graphic art,
which was a major source for Art Nouveau designers. (Henri de Toulouse-Lautrec, "Divan
Japonais" color lithograph, Paris 1892, at the Victoria & Albert Museum.)