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    Mahmoud Ahmed Darwish
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    Heritage and cultural property in all its forms, represents people's Assembly, which passed from generation to generation, where blend the features of national character and national characteristics distinct memory. Monuments constitute an episode of cultural and civilizational evolution, and confirms that the loss of any impact, represents a great loss for all of humanity. In these circumstances, it is not surprising to find that the war took a pose on the monuments and their value, as destroying monuments and cultural property and heritage of many countries, under the pretext of military necessity. If the media play a national and a national responsibility, especially in the countries and communities in which they locked in a comprehensive counter neo-colonialism and regional and international instruments, as is happening today in many of the Arab world countries, the media transformed by necessity into high-impact strength, and be one of the priorities of its duties is not pumping breaking news field or the immediate prosecution of media hostile lies and refutes it by video and audio and documents, but also to defend the national patriotic memory components, particularly the inherited cultural and civilizational heritage, and thus defend the threatened destruction, mutilation identity. Instead of the media system's active role in the definition of heritage and civilization, and to contribute to influencing the preservation of identity and the consolidation of its components in society, it ignore little by little these components, although the deliberate destruction of Antiquities and places of worship and works of art is a manifestation of slipping into the abyss of the overall cultural war. This research deals with the role of media in protecting the heritage and cultural property, and aims to highlight: the dire consequences and the risks to the wealth of civilization and culture in the Arab countries, including Iraq (for example), which took the forms in a systematic destruction of historical monuments and religious sites. Controlled by the western media and western agencies bias against the Arab countries, and the control of news sources pictured on the Arab news, and the role of media outreach, in the face of the impact of satellite television and hostile Internet and social networks, and other media dominant, which has become a large part of which poses a threat to national identity. It follows a descriptive approach through the extrapolation of the definition of cultural property, treaties and conventions organized to protect them in situations of armed conflict, and to monitor the destruction of Iraqi cultural property solution, as follows analytical method to determine the role of new media in the protection of cultural properties.

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    Heritage and cultural property in all its forms, represents people's Assembly, which passed from generation to generation, where blend the features of national character and national characteristics distinct memory. Monuments constitute an episode of cultural and civilizational evolution, and confirms that the loss of any impact, represents a great loss for all of humanity. In these circumstances, it is not surprising to find that the war took a pose on the monuments and their value, as destroying monuments and cultural property and heritage of many countries, under the pretext of military necessity. If the media play a national and a national responsibility, especially in the countries and communities in which they locked in a comprehensive counter neo-colonialism and regional and international instruments, as is happening today in many of the Arab world countries, the media transformed by necessity into high-impact strength, and be one of the priorities of its duties is not pumping breaking news field or the immediate prosecution of media hostile lies and refutes it by video and audio and documents, but also to defend the national patriotic memory components, particularly the inherited cultural and civilizational heritage, and thus defend the threatened destruction, mutilation identity. Instead of the media system's active role in the definition of heritage and civilization, and to contribute to influencing the preservation of identity and the consolidation of its components in society, it ignore little by little these components, although the deliberate destruction of Antiquities and places of worship and works of art is a manifestation of slipping into the abyss of the overall cultural war. This research deals with the role of media in protecting the heritage and cultural property, and aims to highlight: the dire consequences and the risks to the wealth of civilization and culture in the Arab countries, including Iraq (for example), which took the forms in a systematic destruction of historical monuments and religious sites. Controlled by the western media and western agencies bias against the Arab countries, and the control of news sources pictured on the Arab news, and the role of media outreach, in the face of the impact of satellite television and hostile Internet and social networks, and other media dominant, which has become a large part of which poses a threat to national identity. It follows a descriptive approach through the extrapolation of the definition of cultural property, treaties and conventions organized to protect them in situations of armed conflict, and to monitor the destruction of Iraqi cultural property solution, as follows analytical method to determine the role of new media in the protection of cultural properties.

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    6 views11 pages

    IJISR-Problematic of Protection of Cultural Property and Heritage in Times

    Uploaded by

    Mahmoud Ahmed Darwish
    Heritage and cultural property in all its forms, represents people's Assembly, which passed from generation to generation, where blend the features of national character and national characteristics distinct memory. Monuments constitute an episode of cultural and civilizational evolution, and confirms that the loss of any impact, represents a great loss for all of humanity. In these circumstances, it is not surprising to find that the war took a pose on the monuments and their value, as destroying monuments and cultural property and heritage of many countries, under the pretext of military necessity. If the media play a national and a national responsibility, especially in the countries and communities in which they locked in a comprehensive counter neo-colonialism and regional and international instruments, as is happening today in many of the Arab world countries, the media transformed by necessity into high-impact strength, and be one of the priorities of its duties is not pumping breaking news field or the immediate prosecution of media hostile lies and refutes it by video and audio and documents, but also to defend the national patriotic memory components, particularly the inherited cultural and civilizational heritage, and thus defend the threatened destruction, mutilation identity. Instead of the media system's active role in the definition of heritage and civilization, and to contribute to influencing the preservation of identity and the consolidation of its components in society, it ignore little by little these components, although the deliberate destruction of Antiquities and places of worship and works of art is a manifestation of slipping into the abyss of the overall cultural war. This research deals with the role of media in protecting the heritage and cultural property, and aims to highlight: the dire consequences and the risks to the wealth of civilization and culture in the Arab countries, including Iraq (for example), which took the forms in a systematic destruction of historical monuments and religious sites. Controlled by the western media and western agencies bias against the Arab countries, and the control of news sources pictured on the Arab news, and the role of media outreach, in the face of the impact of satellite television and hostile Internet and social networks, and other media dominant, which has become a large part of which poses a threat to national identity. It follows a descriptive approach through the extrapolation of the definition of cultural property, treaties and conventions organized to protect them in situations of armed conflict, and to monitor the destruction of Iraqi cultural property solution, as follows analytical method to determine the role of new media in the protection of cultural properties.

    Copyright:

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    of 11

    International Journal of Innovation and Scientific Research

    ISSN 2351-8014 Vol. 27 No. 1 Oct. 2016, pp. 98-108


    2015 Innovative Space of Scientific Research Journals
    http://www.ijisr.issr-journals.org/

    [ Problematic of protection of cultural property and heritage in times


    of armed conflicts ]
    Mahmoud Ahmed Darwish
    Professor of Islamic monuments,
    Faculty of Arts, Minia University, Egypt

    Copyright 2016 ISSR Journals. This is an open access article distributed under the Creative Commons Attribution License,
    which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

    ABSTRACT: Heritage and cultural property in all its forms, represents people's Assembly, which passed from generation to
    generation, where blend the features of national character and national characteristics distinct memory. Monuments
    constitute an episode of cultural and civilizational evolution, and confirms that the loss of any impact, represents a great loss
    for all of humanity. In these circumstances, it is not surprising to find that the war took a pose on the monuments and their
    value, as destroying monuments and cultural property and heritage of many countries, under the pretext of military
    necessity.
    If the media play a national and a national responsibility, especially in the countries and communities in which they locked in
    a comprehensive counter neo-colonialism and regional and international instruments, as is happening today in many of the
    Arab world countries, the media transformed by necessity into high-impact strength, and be one of the priorities of its duties
    is not pumping breaking news field or the immediate prosecution of media hostile lies and refutes it by video and audio and
    documents, but also to defend the national patriotic memory components, particularly the inherited cultural and
    civilizational heritage, and thus defend the threatened destruction, mutilation identity.
    Instead of the media system's active role in the definition of heritage and civilization, and to contribute to influencing the
    preservation of identity and the consolidation of its components in society, it ignore little by little these components,
    although the deliberate destruction of Antiquities and places of worship and works of art is a manifestation of slipping into
    the abyss of the overall cultural war.
    This research deals with the role of media in protecting the heritage and cultural property, and aims to highlight: the dire
    consequences and the risks to the wealth of civilization and culture in the Arab countries, including Iraq (for example), which
    took the forms in a systematic destruction of historical monuments and religious sites.
    Controlled by the western media and western agencies bias against the Arab countries, and the control of news sources
    pictured on the Arab news, and the role of media outreach, in the face of the impact of satellite television and hostile
    Internet and social networks, and other media dominant, which has become a large part of which poses a threat to national
    identity.
    It follows a descriptive approach through the extrapolation of the definition of cultural property, treaties and conventions
    organized to protect them in situations of armed conflict, and to monitor the destruction of Iraqi cultural property solution,
    as follows analytical method to determine the role of new media in the protection of cultural properties.

    KEYWORDS: the role of media, protection of heritage, cultural properties.


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