Arc Length

Definition: The distance along the curved line making up the arc
(See also Angle measure of an arc.)
Try this Drag one of the orange dots that define the endpoints of the blue arc. The arc
length will be continuously calculated.
The arc length is the measure of the distance along the curved line making up the arc.
It is longer than the straight line distance between its endpoints (which would be
a chord)
There is a shorthand way of writing the length of an arc:
This is read as "The
length of the arc AB is 10". The lower case L in the front is short for 'length'. However, in
many cases the letter L and even the curved line over the AB is left out if there is no
doubt about what is meant.

Sector of a circle
From Latin: sector "a cutter"
Definition: The part of a circle enclosed by two radii of a circle and theirintercepted arc. A
pie-shaped part of a circle.

Segment of a Circle
Definition: The region between a chord of a circle and its associated arc. The chord AB in the
figure above defines one side of the segment. As you drag the points you will notice that the
segment is always the smaller part of the circle. This is a definition of a segment. Its Central
Angle is always less than 180
In fact, if the chord divides the circle exactly in half (becoming a diameter) neither of the two
halves are segments. They are semicircles. If you careful with the mouse, you can create this
situation in the figure above. Move A or B so that the line AB passes through the center of
the circle. No segment is then present.
The formula the arc measure is:
arc length=2R(C/360)
where:
C is the central angle of the arc in degrees
R is the radius of the arc
is Pi, approximately 3.142
sector of a circle
Area=r2(C/360)
where:
C is the central angle in degrees
r is the radius of the circle of which the sector is part.
is Pi, approximately 3.142

The formula to find the area of the segment is given below. It can also be found by
calculating the area of the whole pie-shaped sector and subtracting the area of
the isosceles triangle ACB.
R2/2(/180CsinC)
Where:
C

is the central angle in DEGREES

is the radius of the circle of which the segment is a part.

is Pi, approximately 3.142

sin

is the trigonometry Sine function.

TALUMPATI NI B ONGLENGCO
Magandang umaga mga guro, mga magulang, mga bisita, at higit sa lahat, mga mahal
kong kamagaral. 4 na taon na ang nakalipas bago ang unang tapak natin sa mataas na
paaralan ng Ateneo de Manila. 4 na taon na ang nakalipas nang magsimula ang mahirap
nating paglalakbay sa malubak na daanan ng ating buhay. Alam kong hindi naging madali ito
sa ating lahat sapagkat marami tayong dinaanang problema na naghubog sa ating karakter
bilang isang indibidwal at bilang isang atenista. Ngunit ang masasabi ko lang, tapos na.
tapos na SA NGAYON. Nararapat lang na umakyat tayo sa entablado upang parangalan para
sa lahat ng dugo at pawis na ibinigay natin. Subalit, hindi pa nagtatapos ang paglalakbay.
ang mataas na paaralan ay isang maikling daanan lamang sa napakahabang daanang hindi
pa natin nalalakbay. Kaya naman nating lahat mga atenista. wag lang susuko kahit gaano
kahirap na.
Bulag Ka, Juan
ni: Ariana Trinidad
Bumaon sa tao,
Kuko ng pangako,At ngiti ng pulitiko,Na plantsado pati kwelyo.Sa eleksyon lang nakita,
Ang kumag na kongresista,Pagkat nakatago sa lungga,Ng kaniyang malamig na kuta.Tahimik
sa buong taon
Maingay sa eleksyonParang naghahamonWala kasing laman ang garapon.Ang bulsa ng
pagkatao
Ng hayop sa Kongreso,Ay nakadepositoSa bituka ng bangko.Inumit na salapi
Walang makapagsabiKahit na piping saksiKalat-kalat kasi.Bundat ang bulsikotSa
pangungurakot,
Ang kaban: sinimot.Sinaid pati ipot.Tuso si HudasPlanado ang lahatWalang mga pekasKahit
isang bakas.
Ang hahatol ay bulag Bingi ang katuladKaya nakaligtasAng lider na huwad.
Kailan ititigil ni JuanAng pakikipagbolahanSa bingo ng gahamanAt roleta ng kasakiman?
(daang-bukid 2012)
BULAG KA, JUAN- tula ni Ariana Trinidad - halimbawa ng tagalog na tulana walang sukat.

James Faure Walker

Born in 1948, James studied at St Martins (1966-70) and the Royal College of Art (1970-1972).
Before integrating digital methods into his work he had already exhibited widely (the Hayward
Annual 1979, a solo exhibition at Manchesters Whitworth in 1985). He had been one of the
founders of Artscribe magazine in 1976, which he edited for eight years. He exhibited eight
times at SIGGRAPH in the USA, won the Golden Plotter prize at Computerkunst, Gladbeck,
Germany in 1998, showed at the DAM Gallery, Berlin, and featured in Digital Pioneers at the
Victoria and Albert Museum in 2009. His book, Painting the Digital River: How an Artist
Learned to Love the Computer, was published by Prentice Hall (USA) in 2006, and awarded a
New England Book Show Award. He was one of the five English artists commissioned to
produce a print for the 2010 South African World Cup. Till 2014 he was Reader in Painting and
the Computer at Chelsea, University of the Arts. In 2013 he won the Royal Watercolour Society
Award.
Critics have commented on the lyricism and exuberant colour of James Faure Walkers paintings,
surprising given that since the eighties computer graphics has been central to his work, alongside
oil paint and watercolour. They have also mentioned his independent stand, using photos of
pedestrians, birds, shops, at the same time as having developed an abstract language. As Stuart
Morgan wrote in 1985, His doubt may lead to one of those careers which bridges older and
newer practice, and which opens more doors than it closes.
Reviewers' Comments

George Grie (born 1962) is a Russian-Canadian artist.

One of the first digital surrealism artists, Grie is known for numerous 3D, 2D, and matte
painting images. Born in the USSR during the Soviet regime (aka Russian: or
) he did not adopt the conventional and politically correct socialist
realism art style.

Stairway to Heaven vs. Stairwell to Hell

Hammer of God

Dreamscape Reality

Bridges to the Neverland by George Grie

Bridges to the Neverland

EMPHASIS
Emphasis is a principle of art which occurs any time an element of a piece is given
dominance by the artist. In other words, the artist makes part of the work stand out, in order
to draw the viewer's eye there first.
Frequently, emphasis is achieved by means of contrast. Obvious contrasting elements
create focal points, meaning: places to which one's attention cannot help but be drawn.
All worthy works of art employ emphasis for, lacking this principle, a piece seems
monotonous and boring to the eye

PROPORTION
Proportion refers to how one part of an object relates to whole object in size, such as the size of an arm in
relation to the rest of the body. It is similar to scale.