Professional Documents
Culture Documents
a. Filter
a. Normal
b. LNA
b. Wide angle
c. RF amplifier
c. Telephoto
d. Antenna
d. Zoom
a. CCTV
b. CATV
c. MATV
d. Antenna
a. Normal
b. Wide angle
c. Telephoto
d. Zoom
a. 0 to 1500 kHz
b. 0 to 455 kHz
a. 20
a. Panning device
b. 75
b. Scanner
c. 5
c. Tilting
d. 25
d. Pan/tilt device
a. 5 kW
a. VIDICON
b. 10 kW
b. ICONOSCOPE
c. 15 kW
d. 20 kW
d. CCTV
a. 30
b. 45
c. 50
d. 60
a. 3.8 MHz
b. 6.8 MHz
c. 7.8 MHz
d. 8.8 MHz
a. 20000 Hz
b. 20 Hz
c. 200 Hz
d. 2000 Hz
a. 9 kHz
b. 18 kHz
c. 36 kHz
d. 72 kHz
a. 4:3
b. 18:5
c. 14:8
d. 16:9
a. 1
b. 2
c. 3
d. 4
a. 1
b. 2
c. 3
d. 4
a. 15
b. 20
c. 25
d. 30
a. 15
b. 16
c. 17
d. 20
a. 52 us
a. 5
b. 62 us
b. 6
c. 48 us
c. 7
d. 50 us
d. 8
a. Reporting
a. 5
b. Documentation
b. 6
c. Log
c. 7
d. File
d. 8
a. Dynamic
a. 6:00 AM to 8:00 PM
b. Velocity
b. 6:00 AM to 12:00 NN
c. Condenser
c. 6:00 AM to 6:00 PM
d. Crystal
d. 12:00 NN to 12:00 MN
a. Map
a. 6:00 AM to 8:00 PM
b. Pictures
b. 6:00 AM to 12:00 NN
c. Printed page
c. 6:00 AM to 6:00 PM
d. All of these
d. 12:00 NN to 12:00 MN
29. Television has a lot of features in common with
a. NTC
b. KBP-SA
c. DOTC
d. CCITT
a. FM stereo
b. Telephone service
c. Motion picture
d. Magazine
a. 30 Hz
a. Video
b. 60 Hz
b. Radar
c. 15.75 Hz
c. Stereo
d. 120 Hz
d. Antenna
36. The pulses riding on the vertical blanking pulse
a. Top to bottom
b. Left to right
c. Right to left
a. Vidicon
b. Image orthicon
a. 500
c. Plumbicon
b. 525
c. 625
d. 60
a. 30 Hz
b. 120 Hz
c. 60 Hz
d. 15.75 Hz
a. 30 Hz
b. 60 Hz
c. 15.75 Hz
d. 120 Hz
a. Beam focusing
b. Beam deflection
c. Beam production
d. Beam modulation
a. Beam focusing
b. Beam deflection
c. Beam production
d. Beam modulation
a. Amplitude modulation
a. Radiance
b. Frequency modulation
b. Chrominance
c. Vestigial sideband
c. Reflectance
d. Luminance
a. Amplitude modulation
a. Primary
b. Frequency modulation
b. White
c. Vestigial sideband
c. Desaturated
a. Red
a. 25 kHz
b. Green
b. 30 kHz
c. Blue
c. 50 kHz
d. All of these
d. 75 kHz
a. Y, I and Q
a. 4.5
b. P, D and Q
b. 5.5
c. M, N and O
c. 6.5
d. R, S and T
d. 7.5
49. Range of a VHF television transmitter
a. 54 98 MHz
b. 54 216 MHz
a. 15.75
c. 54 128 MHz
b. 30
d. 54 166 MHz
c. 12.25
d. 45.5
a. 0.8 MHz
b. 1.8 MHz
c. 8.1 MHz
d. 1.6 MHz
a. Saturated
b. Dark
c. Light
d. Monochrome
d. At the center
a. 0
b. 45
c. 60
d. 90
a. Low pass
b. Band pass
c. Notch
d. Comb
a. Color killer
b. SAW filter
c. NOT gate
a. 25 %
b. 0 %
c. 12.5 %
d. 75 %
a. 0 %
b. 25 %
c. 12.5 %
d. 70 %
a. 0 %
b. 12.5 %
c. 25 %
d. 70 %
a. Gray tracking
a. On the bridge
b. Screen setting
c. Alignment
d. Degaussing
a. Coupling
a. Blooming
b. Tuning of circuits
b. Confetti
c. Shielding
c. Demodulation
d. Any of these
d. Convergence
a. Field
b. Frame
b. Operating class C
c. Cycle
c. Operating class AB
d. Interface set
d. All of these
a. Field
a. Sync separator
b. Frame
b. AFC
c. Cycle
c. High voltage
d. Interface set
d. AGC
d. All of these
a. 14750
b. 15570
c. 15750
d. 16550
a. RTTY
a. 25
b. SSB
b. 30
c. TV
c. 40
d. Modulated CW
d. 50
76. What is emission F3F?
a. Facsimile
a. AGC
b. Modulated CW
b. High voltage
c. Television
c. Video signal
d. RTTY
d. Television signal
a. Pad filter
a. IF stage
b. Bad rectifier
b. Video amplifier
c. Video detector
d. Burst separator
a. Horizontal
b. Color killer
b. Reactor
c. Color detector
c. Burst separator
d. Color oscillator
d. Chroma amplifier
a. Chrominance
a. A3F
b. Brightness
b. F3F
c. Contrast
c. A3C
d. Luminance
d. F3C
a. Daytime
a. High-pass filter
b. Experimental
b. Low-pass filter
c. Nighttime
d. Dawntime
d. Band-reject filter
a. Dawntime
b. 30 to 300 kHz
b. Nighttime
c. 88 to 108 MHz
c. Daytime
d. Experimental
a. A5C
b. Excessive gain
b. A0
c. A3
d. F3
a. CF3
a. MF
b. C3F
b. HF
c. B8E
c. VHF
d. A3E
d. LF
a. TV broadcasting
a. 1902
b. Monaural broadcasting
b. 1945
c. Stereo broadcasting
c. 1947
d. HF point-to-point communications
d. 1952
a. 1904
b. 1945
c. 1953
d. 1960
a. HFC
b. HSC
c. HAFC
d. All of these
a. Selectivity
b. Sensitivity
c. Fidelity
d. Quality factor
d. All of these
a. 15 kHz
b. 75 kHz
c. 5 kHz
d. 100 kHz
a. Class A
b. Class B
c. Class C
d. Class D
d. All of these
a. Comb filter
b. Bandpass filter
c. Color filter
a. A
b. N
c. H
d. F
a. T-1
b. T-8
c. 2
d. 3
b. 60 66 MHz
a. Rec 265-6
b. Rec 407-4
c. Rec 408-5
d. Rec 450-1
a. Rec 601.2
b. Rec 501.2
c. Rec 500.4
d. Rec 450.1
a. 54 60 MHz
b. 66 72 MHz
a. Contrast
b. Resolution
c. Hue
a. Class I-A
d. Pixels
b. Class II-D
c. Class III-B
d. Class IV
a. DME
a. 0.25 50
b. LPTV
b. 10 50
c. HDTV
c. 1 5
d. ITFS
d. None of these
a. Translator
b. LPTV
c. HDTV
d. ITFS
d. International telecommunications
Frequency Standard
a. Germany
b. Dallas, Texas
c. Pennsylvania
d. Japan
c. Field strength
d. Noise
a. 201
b. 202
c. 203
d. 204
a. 107.5 MHz
b. 101.1 MHz
c. 107.9 MHz
d. 99.5 MHz
a. Class A
b. Class B
c. Class C
d. Class D
a. Hue
b. Luminance
c. Chrominance
d. Contrast
a. Dolby NR
b. Dolby Prologic
c. dBx
d. hall matrix
a. 10
b. 20
c. 30
d. 63
a. Linear scanning
b. Linear pairing
c. Fishtailing
d. Exact interlacing
a. Broadcast
b. Announce
c. Media
a. 1885
d. All of these
b. 600
c. 1900
d. 984
a. Linearity
b. Timing
c. Keystoning
d. Line pairing
a. 10 us
b. 5 us
c. 6.4 us
d. 83 us
c. Five lines
a. 5
b. 68
c. 75
d. 95
a. 471.25 MHz
b. 473.25 MHz
c. 474.83 MHz
d. 475. 25 MHz
a. 0.25 MHz
b. 1.25 MHz
c. 4.5 MHz
a. 4.5 MHz
d. 6 MHz
b. 1.25 MHz
c. 0.92 MHz
d. 0.25 MHz
a. 0,25 MHz
b. 1.25 MHz
c. 4.5 MHz
a. I
d. 6 MHz
b. Q
c. Y
d. R-Y
a. Cyan
b. Yellow
c. Green
d. Blue
173. Greater peak-to-peak amplitude of the 3.58MHz chrominance signal indicates more
a. Red
b. Yellow
a. White
c. Green
b. Yellow
d. Blue
c. Hue
d. Saturation
a. Yellow
b. Cyan
c. Blue
b. Picture carrier
d. Orange
a. Red
b. Cyan
c. Blue
d. Yellow-green
a. 0.5 MHz
a. I
b. 1.5 MHz
b. Y
c. 3.58 MHz
c. R - Y
d. 4.5 MHz
d. B Y
a. No color
b. No red
a. Burst amplifier
b. Video preamplifier
c. Chroma amplifier
a. Blue video
c. Red video
d. Green video
a. 180
b. 57
c. 0
d. 90
a. Chroma amplifier on
c. Color killer on
b. Y video output
d. R Y demodulator
b. Y video output
d. R Y demodulator
a. No picture
b. No color
c. Incorrect hues
d. No color sync
a. Red
b. Blue
c. Magenta
d. Yellow-green
a. Drive controls
b. Contrast control
c. Screen control
d. Color control
a. Trapezoid
b. Sawtooth
c. Rectangle
d. Square
a. Horizontal oscillator
b. Horizontal amplifier
c. Damper
d. Horizontal AFC
a. Cathode
b. Control grid
c. Screen grid
d. Anode
a. 60 Hz
b. 10500 Hz
c. 15750 Hz
d. 70 kHz
c. Center of trace
d. Center of flyback
a. 0.7 mA
a. Time division
b. 0.7 A
b. Frequency division
c. 50 A
c. Stereo multiplex
d. 150 uA
d. QSK
a. 10 W PEP output
c. Cannot be used
a. An unmodulated carrier
a. Class I-A
c. An amplitude-modulated carrier
b. Class II-D
c. Class III-B
d. Class IV
a. 0.25 - 50
b. 10 - 50
d. All of these
c. 1 - 5
d. None of these
d. All of these
a. A
b. N
c. H
d. F
c. Field strength
d. Noise
a. DME
b. LPTV
c. HDTV
d. ITFS
c. Stereo multiplex
d. QSK
a. 201
b. 202
c. 203
d. 204
a. Class A
b. Class B
c. Class C
d. Class D
a. A3F
b. F3F
c. A3C
d. F3C
a. 107 kHz
b. 535 kHz
c. 540 kHz
d. 1600 kHz
a. 25 kHz
a. 30 - 300 MHz
b. 20 Hz
b. 88 - 108 MHz
c. 60 kHz
c. 3 - 30 MHz
d. 120 kHz
a. Secondary
a. A3F
b. Tertiary
b. F3C
c. Primary
c. F3F
d. Experimental
d. A3C
a. Frequency simplex
b. Time division
a. Arc
b. Spark
c. Alexanderson
d. High end
a. ELF band
a. 2.048 Mbps
b. UHF band
b. 3.048 Mbps
c. HF band
c. 20.48 Mbps
d. WHF band
d. 5.05 Mbps
a. High capacity
a. Television
b. Low noise
c. Compressed bandwidth
d. Faster recording
d. Television Audio
a. A sweep generator
a. Horizontal
b. A deviation meter
b. Vertical
c. A calibrated voltmeter
c. Circular
d. Elliptical
a. 9.5 kHz
a. No modulation
b. 38 kHz
b. 80% modulation
c. 19 kHz
c. 85% modulation
d. 76 kHz
d. 100% modulation
a. Luzon
b. Visaya
c. Mindanao
d. Manila
a. True
b. False
c. Cannot tell
d. Sometimes
a. Frequency
b. Power
c. Information content
d. A and B
a. At 85 % modulation
b. Without modulation
c. At 90% modulation
d. At 100% modulation
a. 4
b. 8
a. 75%
c. 12
b. 85%
d. 16
c. 90%
d. 100%
a. 0.17
b. 0.21
a. W
c. 0.27
b. F
d. 0.31
c. C
d. E
a. Direct
b. All of these
c. Indirect
d. Insertion
a. 10 kW
b. 20 kW
c. 15 kW
d. 5 kW
a. Monitoring
b. Emission
c. Radiation
d. Transmission
b. At any time
a. 67 kHz
c. 19 kHz 38 kHz
d. 30 kHz - 53 kHz
a. 1.6 MHz
b. 0.5 MHz
c. 1.5 MHz
d. 1.3 MHz
a. 0.088
b. 8.8
c. 9.2
d. 0.9
a. File
b. Documentation
c. Reporting
d. Log
a. 200
a. Sand
b. 300
b. Limestone
c. 400
d. 500
d. Clay
a. linearity
b. timing
c. keystoning
d. line pairing
a. Vidicon
b. Plumbicon
c. Saticon
d. Iconoscope
a. Class A
b. Secondary
c. Class B
d. Primary
a. 30
b. 60
c. 525
d. 15,750
a. Audio frequency
b. Video frequency
c. Intercarrier frequency
d. Subcarrier frequency
a. CCTV
b. MATV
c. CATV
d. SATV
a. 1000
b. 2000
c. 4000
d. 5000
b. Horizontal output
c. Vertical sweep
d. Sync separator
a. CW
b. FM
c. SSB
d. AM
a. Hue signal
a. red
b. Video signal
b. cyan
c. Audio signal
c. blue
d. Chroma signal
d. yellow green
a. 48 nano ohms
b. 30 ohms
a. 3.58
b. 64.5
c. 4.5
d. 6.75
a. drift
b. flashover
c. frequency deviation
d. deviation ratio
a. definition
b. resolution
c. detail
d. any of these
a. 20
b. 15
c. 10
d. 5
a. Lower-cost reception
b. Greater stability
a. 21H
b. 3H
c. H
d. 0.5H
a. announce
b. broadcast
c. transmit
d. media
a. 60
a. Pulse motion
b. 262
b. Phase modulation
c. 4.5
c. Amplitude modulation
d. 30
d. Frequency modulation
a. ghosting
a. Baseband signal
b. ringing
b. Broadband signal
c. fading
d. snowing
d. Modulated signal
a. red
b. blue
c. yellow-green
d. infrared
a. 50
b. 40
c. 30
d. 20
a. Frequency modulation
b. Mixing
a. ringing
b. burst
c. damper
d. flyback
a. 3.58
b. 3.579645
c. 4.5
d. 45.75
283. In channel 14 (470 to 476 MHz), the 3.58MHz color signal is transmitted at
a. 471.25 MHz
b. 473.25 MHz
c. 474.83 MHz
d. 475.25 MHz
a. SNG
b. ENG
c. HAFC
d. MATV
a. 10
b. 100
c. 1000
d. 10000
a. snowing
b. flicker
c. distortion
d. fading
a. Optical focus
b. Electrical focus
c. Beam current
d. Shading
a. An FM generator
a. 3.58 MHz
b. 4.5 MHz
c. 6 MHz
d. 10.7 MHz
a. carrier
b. stray signal
c. back wave
d. loss wave
d. avoid flicker
a. 50 ohms
a. television video
b. 75 ohms
c. 150 ohms
d. 300 ohms
d. television audio
a. color level
b. chroma level
c. saturation
d. any of these
a. Arc transmitter
d. at any time
b. Hartley transmitter
c. Spark transmitter
d. Frequency transmitter
a. Linear scanning
b. Interlaced scanning
c. Non-linear scanning
a. masking
d. Retrace
b. segmenting
c. editing
d. programming
a. lower f rating
a. 500
b. higher f rating
b. 750
c. 1000
d. 2000
d. image orthicon
a. shadow mask
a. 2
b. phosphor
b. 60
c. electron gun
c. 525
d. yoke
d. 262.5
a. Audio signal
b. purely an accident
b. Video signal
c. Intercarrier signal
d. Color signal
a. 1000
b. 500
a. 4.5 MHz
c. 250
b. 1.25 MHz
d. 100
c. 0.92 MHz
d. 0.25 MHz
a. mains transformer
a. beam-landing adjustment
b. degaussing
d. background control
a. vidicon
b. plumbicon
c. saticon
d. 300-ohm impedance
a. CED
a. 125
b. VHD
b. 30
c. laser disk
c. 10
d. VHS
d. 1
a. interface ratio
a. cyan
b. yellow
c. aspect ratio
c. green
d. blue
a. color under
a. black masking
b. convergence adjustment
c. FM luminance signal
c. shadow masking
a. vidicon
a. slower
b. monoscope
b. wider
c. oscilloscope
c. narrower
d. iconoscope
d. faster
a. 525
a. 30
b. 262
b. 60
c. 20
c. 45
d. 10
d. 50
a. MOPA
b. Hartley
c. Alexanderson
d. Goldsmith
a. black burst
c. composite video
d. non-composite video
d. Vestigial sideband AM
a. tape speed
b. writing speed
c. reel rotation
d. tape tension
a. brightness
b. contrast
c. chroma
d. hue
a. HF
b. UHF
a. picture information
c. MF
b. sync pulses
d. VHF
c. blanking pulses
d. camera signal
a. FM
a. 2
b. PM
b. 4
c. DSB AM
c. 8
d. 32
b. Color subcarrier
c. Q an I
d. Luminance Y
a. 6
b. 7
c. 14
d. 23
a. 25 microsec
b. 0.25 microsec
c. 2.5 microsec
d. 0.5 microsec
339. The color with the most luminance is
a. Yoke voltage
b. Flyback voltage
c. Aquadag voltage
d. Tube voltage
a. red
b. yellow
c. green
d. blue
340. It is the light flux intercepted by a one-footsquare surface that is one-foot from a onecandlepower source.
a. candela
a. 400 kHz
b. footcandle
b. 800 kHz
c. lux
c. 600 kHz
d. lumens
d. 200 kHz
a. RGB
a. pit depth
b. disk size
c. speed of rotation
a. brightness
b. hue
c. contrast
a. AB
d. illumination
b. C
c. B
d. A
a. screen angle
b. tube angle
c. picture angle
d. deflection angle
a. 4.5 MHz
b. 10.7 MHz
c. 41.25 MHz
d. 45.75 MHz
b. a clipper
c. an integrator
d. a differentiator
a. flyback
b. synchronization
c. blanking
d. scanning
a. 455 kHz
b. 10.7 MHz
c. 11.4 MHz
d. 12.5 MHz
A. 2.5 microsec
A. Class A
B. 0.25 microsec
B. Class B
C. 1.25 microsec
C. Class C
D. 125 microsec
D. Class D
A. Frequency instability
B. Non-portable
C. Heating effect
D. Bulky
A. Sound carrier
B. Chroma carrier
C. Intercarrier
D. Picture carrier
A. CCD
B. Phototube matrix
C. Vidicon
D. MOSFET array
A. Sync
B. Chroma
C. Luminance
D. Video
A. Light lag
B. Switch lag
C. Image lag
D. Camera lag
D. No signal transmitted
A. 1.6 MHz
B. 0.5 MHz
C. 1.0 MHz
D. 1.3 MHz
A. 0.5 MHz
B. 1.3 MHz
C. 3.58 MHz
D. 4.5 MHz
D. Remove pick-up
A. 0.2 microampere
A. 4.5 MHz
B. 41.25 MHz
C. 8 milliampere
C. 45.75 MHz
D. 800 milliampere
D. 42.17 MHz
A. Chroma
B. Hue
C. Contrast
D. Pixel
C. Operating schedule
D. Any of these
A. Phase-locked loop
C. Quadrature detector
D. Balanced modulator
A. 0.25 MHz
B. 1.25 MHz
C. 4.5 MHz
D. 6 MHz
A. Streaking
B. Snowing
C. Ringing
D. Fading
A. CCU
B. ENG camera
C. SEG
D. Sync generator
A. 67 kHz
A. 120,000
B. 700
C. 19 to 38 kHz
C. 0.75
D. 30 to 53 kHz
D. 100
377. Equalizing pulses in TV are sent during
A. Local oscillator
B. Limiter stage
C. RF amplifier
D. Mixer stage
A. Sync pulses
B. Quadrature modulation
A. Horizontal blanking
B. Vertical blanking
C. The serrations
A. I
B. Y
C. R-Y
D. B-Y
A. Focal length
B. Latus rectum
B. Picture carrier
C. Major axis
D. Minor axis
A. Direct
A. Camera tube
B. Indirect
B. Picture tube
C. Insertion
C. Anode tube
D. All of these
D. Cathode tube
B. FM baseband
D. Stereophonic signal
A. 41.25
B. 6
C. 4.5
D. 3.58
A. 3
B. 6
C. 7
D. 9
A. Linear scanning
B. Line pairing
C. Fishtailing
D. Exact interlacing
A. A black-and-white camera
B. Plumbicon
D. A saticon
A. 262
B. 525
C. 480
D. 625
B. To the yoke
C. To the anode
A. 0
B. 1
C. 3
D. 6
B. Color-temperature adjustments
C. Shadow masking
D. Convergence adjustment
B. Rated power
C. Carrier power
D. Mean power
A. 525
B. 262
C. 15,750
D. 30
C. 4
D. 60
A. 15
B. 13
C. 10
D. 20
B. Five lines
C. Three half-lines
D. Five half-lines
A. Modulation index
B. Deviation ration
C. Maximum deviation
D. Percentage modulation
C. Excessive gamma
A. Field intensity
B. Field gain
C. ERP
A. 1
B. 2
A. 200
A. Nothing
B. 100
B. Sync pulses
C. 50
C. Color burst
D. 25
D. Deflection oscillators
A. Direct current
A. 31,500
B. 15,700
C. A sawtooth voltage
C. 262
D. A sawtooth current
D. 525
A. 67 kHz
A. Arc
B. Spark
C. 19 kHz to 38 kHz
C. Alexanderson
D. 30 kHz to 53 kHz
D. High end
A. Alpha
A. 4 MHz
B. Beta
B. 1.5 MHz
C. Gamma
C. 4.5 MHz
D. Sigma
D. 2.5 MHz
A. 0.4545
A. 1
B. 1.0
B. 2
C. 1.4
C. 3
D. 2.2
D. 4
A. Phosphor
A. Deviation
B. Aquadag
B. Frequency swing
C. Cavity
C. Phase shift
D. Nickel
D. Deviation ratio
A. 10 kW
A. 191.75 MHz
B. 20 kW
B. 193.25 MHz
C. 40 kW
C. 202.25 MHz
D. 30 kW
D. 203.75 MHz
A. 262
B. 525
C. 30
D. 60
A. Marshy land
A. CED
B. Dry land
B. VHD
C. Highly elevated
C. Betamax
D. Average terrain
D. VLP
A. Yellow
A. A weak picture
B. Cyan
C. Blue
D. Orange
D. All of these
A. 5%
A. I
B. 15%
B. Q
C. 20%
C. Y
D. 2.5%
D. R-Y
A. 1
A. Sync
B. 2
B. Video
C. 3
C. Sweep
D. 8
D. Sound
A. 10
A. Horizontal deflection
B. 25
B. Distortions
C. 75
C. Linear scanning
D. 100
D. Flicker
A. +/- 10 Hz
B. +/- 20 Hz
C. +/- 25 Hz
D. +/- 75 Hz
424. How much illumination in lux a 400candlepower make that is 3 meters from the
surface?
A. Y
B. Q
C. R
D. I
A. Overmodulation
B. Spurious emission
A. 133.3
C. Out-of-band emission
B. 1200
D. In band emission
C. 200
D. 44.4
A. Master oscillator
B. Buffer amplifier
C. AF voltage amplifier
D. Frequency amplifier
D. 1.0 inch
A. 1 MHz
B. 2 MHz
C. 0.2 MHz
D. 0.5 MHz
A. Color
B. Contrast
A. 21
C. Brightness
B. 23
D. Hue
C. 4
D. 19
A. 7.5
B. 92.5
A. 180 deg
C. 40
B. 45 deg
D. 10
C. 90 deg
D. 270 deg
439. How many gray scale steps are in the EIA test
pattern in television?
A. 10
A. 0.25 inch
B. 40
B. 0.5 inch
C. 50
C. 0.75 inch
D. 15
A. Direct current
B. Pulsed current
C. Alternating current
D. Any of these
A. Black
B. Dark gray
C. White
D. Light gray
A. 180 deg
B. 45 deg
C. 90 deg
D. 270 deg
B. 20 kV
C. 10 kV
D. 30 kV
A. P4
B. P21
C. P22
D. P3
A. Red
B. Green
C. Yellow
D. Blue
A. 1 MHz
B. 3 MHz
A. Yellow-green
C. 2 MHz
B. Red
D. 4 MHz
C. Blue
D. Orange
A. 25 kW
B. 10 kW
A. HSC
C. 1 kW
B. HAFC
D. 30 kW
C. HFC
D. HAC
A. 3 kV
A. 10 kW
B. 20 kW
C. 15 kW
D. 5 kW
A. 30 kHz
B. 25 kHz
C. 15 kHz
D. 200 kHz
A. Primary
B. Secondary
C. Tertiary
D. Intermittent
A. Daytime
B. Night time
C. Mid-day
D. Experimental period
A. Attenuator
B. Gain control
C. Fader
D. Any of these
A. 85 - 100%
B. 65 - 70%
C. 50 - 75%
D. 75 - 90%
A. Alternate
B. Reserve
C. Spare
D. Diversity
A. Announcer
B. Disk jockey
C. Engineer
D. All of these
A. Communication
B. Talk-back
C. Respond
D. Remote talk
B. Floating
C. Experimental
D. On the air
D. Any of these
467. What device is used to make up for the highfrequency losses in long AF lines?
A. Signal booster
B. Noise suppressor
C. Line equalizer
D. Compander
A. Licensed power
B. Sideband power
A. Timing
C. Audio power
B. Modulation
D. Harmonic power
C. Fidelity
D. AF amplitude
A. T and L
B. K and P
C. R and I
D. H and L
B. Improve fidelity
B. Better attenuation
A. Mid-day
B. Daytime
C. Night time
D. Experimental period
A. 3%
B. 4%
C. 5%
D. 6%
A. Omnidirectional antennas
B. Directive antennas
D. Any of these
A. 3%
B. 5%
C. 4%
D. 1%
A. Frequency
B. Modulation
C. Fidelity
D. Carrier
A. Modulation
B. Carrier
C. Fidelity
D. Frequency
A. Spectrum analyzer
B. Fourier analyzer
C. CRT oscilloscope
D. Frequency probe
A. Identification
B. Program description
D. All of these
B. EBS tests
D. Any of these
A. Meter replacements
D. Any of these
A. One year
B. Two years
C. Three years
D. Five years
A. 1st phone
B. 2nd phone
C. 3rd phone
D. 4th phone
A. 3rd phone
B. 2nd phone
C. 4th phone
D. 2nd and 3rd phone
A. Weekly
B. Daily
C. Monthly
D. Yearly
A. Quarter of an hour
B. Half an hour
C. On the hour
D. On the day
A. Tower
B. Modulators
C. Transmitter
D. Receiver
A. Operating desk
B. Operating position
C. Operating console
D. Anywhere
A. Multivibrators
B. Counter
C. Ripper
D. Wave meter
A. Ruby
B. Gamet
C. Emerald
D. Diamond
A. Constant speed
B. Less vibration
C. Rumble
D. All of these
A. 0.5 inch
B. 0.75 inch
C. 0.125 inch
D. 1 inch
A. Supersonic
B. Subsonic
C. Ultrasonic
D. Infrasonic
A. 20 in/sec
B. 15 in/sec
C. 10 in/sec
D. 5 in /sec
A. Methanol
B. Ethyl Alcohol
C. Isopropyl alcohol
D. Rubbing alcohol
A. All of these
B. 150 ohms
C. 250 ohms
D. 600 ohms
A. Maintenance log
B. Program log
C. Operating log
D. Logging log
A. Vidicon
B. Iconoscope
C. Image orthicon
D. Kinescope
A. Vidicon
B. Iconoscope
C. Image orthicon
D. Kinescope
A. Vidicon
B. Iconoscope
C. Image orthicon
D. Kinescope
A. Trapezoidal
B. Sawtooth
C. Trigger
D. Square
A. 25%
B. 50%
C. 65%
D. 75%
A. Film multipliers
B. Film demultiplexers
C. Film multiplexers
D. Film acceptor
A. 3,2,3,2
B. 2,3,2,3
C. 2,2,3,3
D. 3,3,2,2
A. 3.58 MHz
B. 0.25 MHz
C. 1.25 MHz
D. 4.5 MHz
A. RF
B. Mixer
C. IF
D. Oscillator
A. 300 ohms
B. 150 ohms
C. 50 ohms
D. 100 ohms
A. High power
B. Efficiency
C. Low noise
D. High gain
A. Cascade
B. Darlington
C. Cascade
D. Shunt
A. Aural IF
B. Video
C. Blanking
D. Any of these
A. Integrator
B. Corrector
C. Differentiator
D. Separator
A. Integrator
B. Corrector
C. Differentiator
D. Separator
A. Vacuum tube
B. FET
C. BJT
D. SCR
A. White
B. Shade
C. Gray
D. Off white
C. Zero
D. 1.5
A. One
B. Two
C. Three
A. Bandstop filter
D. Four
B. High-pass filter
C. Low-pass filter
D. Bandpass filter
A. Combiner
B. Multiplexer
C. Integrator
D. Mixer
A. R
B. Q
C. I
D. Y
A. 0
B. 1
C. 2
D. 1.5
A. 1
B. 2
C. 0
D. 2.5
A. One
B. 0.5
A. Top
B. Left side
C. Right aside
D. Center
A. 1
B. 2
C. 3
D. 4
A. 1
B. 2
C. 3
D. 4