Johann Sebastian Bach was born into a musical family on march
21, 1685 in Eisenach, Germany. He received his first musical training
from his father. Upon his fathers death, Bach moved to Ohrdruf, Germany, where he continued his musical training, studying organ with his oldest brother Johann Christoph. Bach also studied in Lneburg. Bachs first permanent positions were serving as the organist in Arnstadt from 1703 to 1707, followed by a position in Mhlhausen from 1707 to 1708. During this period, Bach was also teaching, composing, and was learning about organ building. From 1708 to 1717, he served as court organist and later as concertmaster for Duke Wilhelm Ernst of Weimar, in Weimar, Germany. Many of Bachs great organ compositions were written during this period, and many cantatas, as he was expected to compose a new cantata each month. Between 1717 and 1723, Bachs was the music director at the court of Prince Leopold of Cthen, but while serving there, he took on a different role, as the prince was a Calvinist, and no longer required church compositions. The works composed during this period consisted of primarily instrumental works including: the Brandeburg concerti, book one of the well tempered clavier, the French and English suites for harpsichord, and many of the sonatas and unaccompanied suites for solo instruments. Bach was later appointed the cantor at the St. Thomas Church and School, and the Director of Muisc for Leipzig, positions he retained for the remainder of his career. In these positions, Bach was responsible for the musical activity in the four main churches in Leipzig, and organizing other musical events in the city. In the churches and in other musical events, Bachs music was primarily performed by students, either from the St. Thomas school, or university students. The most important works composed during this period included his sacred cantatas the St. John and St. Matthew passions. Between 1729 and 1736, Bach often recycled his own music in services, and implemented music of his contemporaries. Bach also composed some secular cantatas during this period, and also wrote more keyboard compositions including his Clavier-bung (keyboard practice). Between 1740 and 1750 (Bachs last decade), Bach completed unfinished projects including the second book of the well tempered clavier, and the Mass in B minor. He also completed highly fugal and contrapuntal works including the Musical Offereing, and the Art of Fugue. A powerful testament to Bachs greatness as a composer is how widely his music is respected by musicians of such widely varied philosophies, religions, and compositional styles. There is a power in Bachs music that goes far beyond the superfluous changes in what is musically fashionable at any given time. Bach profoundly exemplified
what it means to maintain ones believes and convictions, and labored
to such a great extent at the service of that end.