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Prof.

Wolfgang Schueller

SPANNING SPACE
HORIZONTAL-SPAN BUILDING STRUCTURES
BUILDING STRUCTURES are defined by,

geometry,
materials,
load action,
construction
form, that is, its abstract dimensions as taken into account by
architecture. When a building has meaning by expressing an
idea or by being a special kind of place, it is called architecture.

Although structure is a necessary part of a building, it is


not a necessary part of architecture; without structure,
there is no building, but depending on the design philosophy,
architecture as an idea does not require structure.
The relationship of structure to architecture or the interdependence of
architectural form and structures is most critical for the broader
understanding of structure and design of buildings in general.

On the one hand, the support structure may be exposed to be


part of architecture.
On the other hand, the structure may be hidden by being
disregarded in the form-giving process, as is often the case in
postmodern buildings.

One may distinguish structure from its visual expression as:

hidden structure vs. exposed structure vs. partially exposed structure

decorative structure vs. tectonic structure vs. sculptural structure

innovative structures vs. standard construction


The purpose of structure in buildings may be fourfold:

Support. The structure must be stable and strong enough (i.e., provide
necessary strength) to hold the building up under any type of load action, so it
does not collapse either on a local or global scale (e.g., due to buckling,
instability, yielding, fracture, etc.). Structure makes the building and spaces
within the building possible; it gives support to the material, and therefore is
necessary.
Serviceability. The structure must be durable, and stiff enough to control
the functional performance, such as: excessive deflections, vibrations and drift,
as well as long-term deflections, expansion and contraction, etc.
Ordering system. The structure functions as a spatial and dimensional
organizer besides identifying assembly or construction systems.
Form giver. The structure defines the spatial configuration, reflects other
meanings and is part of aesthetics, i.e. aesthetics as a branch of philosophy.

There is no limit to the geometrical basis of buildings as is suggested in the


slide about the visual study of geometric patterns.
BUILDING SHAPES and FORMS: there is no limit to building shapes ranging from boxy to compound hybrid to o
crystalline shapes. Most conventional buildings are derived from the rectangle, triangle, circle, trapezoid, cruciform
letter shapes and other linked figures usually composed of rectangles. Traditional architecture shapes from the ba
geometrical solids the prism, pyramid, cylinder, cone, and sphere. Odd-shaped buildings may have irregular plans th
change with height so that the floors are not repetitive anymore. The modernists invented an almost inexhaustible n
new building shapes through transformation and arrangement of basic building shapes, through analogies with biol
human body, crystallography, machines, tinker toys, flow forms, and so on. Classical architecture, in contrast, le
appear as a decorative element with symbolic meaning.
Geometry as the basis of architecture
The theme of this presentation brings immediately to mind the spanning of
bridges, stadiums, and other large open-volume spaces. However, I am not
concerned only with the

more acrobatic dimension of the large scale of spanning space, which is of


primary concern to the structural engineer,

but also the dynamics of the intimate scale of the smaller span and
smaller spaces.

The clear definition of the transition from short span, to medium span, to long
span from the engineer's point of view, is not always that simple.

Long-span floor structures in high-rise buildings may be already be


considered at 60 ft (c. 18 m) whereas the

long span of horizontal roof structures may start at 100 ft (c. 30 m).

From a material point of view it is apparent that the long span of wood beams
because of lower strength and stiffness of the material is by far less than for
prestressed concrete or steel beams.
Scale range:
Long-span stadium:
e.g. Odate-wood dome, Odate, Japan, 1992, Toyo Ito/Takenaka, 178 m on
oval plan

Atrium structure:
e.g. San Franciscos War Memorial Opera House (1932, 1989), long-span structure
behavior investigation

High-rise floor framing


e.g. Tower, steel/concrete frame, using Etabs

Short span:
e.g. Parthenon, Athens, 430 BC
Long-span stadium: Odate-wood dome,
Odate, Japan, 1992, Toyo Ito/Takenaka, 178
m on oval plan
Atrium structure:
San Franciscos War
(1932, 1989) Memorial
Opera House, long-
span structure behavior
High-rise floor framing: Tower, steel/concrete frame
Example of short span: Parthenon, Athens, 430 BC (Zhou Dynasty)
Glass Cube, Art Museum Stuttgart,
2005, Hascher und Jehle
The Development of Long-span Structures

The great domes of the past together with cylindrical barrel


vaults and the intersection of vaults represent the long-span
structures of the past.

The Gothic churches employed arch-like cloister and groin


vaults, where the pointed arches represent a good approximation
of the funicular shape for a uniformly distributed load and a point
load at mid-span.

Flat arches were used for Renaissance bridges in Italy.


The development of the wide-span structure
The Romans had achieved immense spans of 90 ft (27 m) and more
with their vaults and as so powerfully demonstrated by the 143-ft (44 m)
span of the Pantheon in Rome (c. 123 AD), which was unequaled in
Europe until the second half of the 19th century.
The series of domes of Justinian's Hagia Sofia in Constantinopel (537 A.D),
112 ft (34 m), cause a dynamic flow of solid building elements together with
an interior spaciousness quite different from the more static Pantheon.
Taj Mahal (1647), Agra, India, 125 ft (38 m) span corbeled dome
St. Peters, Rome (1590): US Capitol, Washington (1865, double dome);
Epcot Center, Orlando, geodesic dome; Georgia Astrodome, Atlanta (1980)
Pantheon, Rom, 143 ft, 44 m, c. 123 AD (HAN Dynasty)
Hagia Sofia, Constantinopel, 535 AD (Sui Dynasty), 112 ft (34 m)
Taj Mahal (1647, Quing Dynasty), Agra, India, 125 ft (38 m) span corbelled dome
St. Peters, Rome, 1590 US Capitol, Washington, 1865

Epcot Center, Orlando, 1982 Georgia Astrodome, Atlanta, 1980


These early heavy-weight structures in compression were made from
solid thick surfaces and/or ribs of stone, masonry or concrete.

The transition to modern long-span structures occurred primarily during the second half
of the 19th century with the light-weight steel skeleton structures for
railway sheds, exhibition halls, bridges, etc. as represented by:

Arches: 240-ft (73 m) span fixed trussed arches for St. Pancras Station, London
(1868); 530-ft (162 m) span Garabit viaduct, 1884, Gustave Eiffel

Frames: 375-ft (114 m) span steel arches for the Galerie des Machines (1889)

Domes: 207-ft (63 m) Schwedler dome (braced dome, 1874), Vienna

Bridges:1595-ft (486 m) span Brooklyn Bridge, New York, (1883, Roebling)


St. Pancras Station, London, 1868, 240 ft (73 m)
Garabit Viaduct, France, 530 ft (162 m), 1884, Gustave Eiffel
Galerie des Machines
(375 ft, 114 m), Paris,
1889
Frames: 375-ft (114 m) span steel arches for the Galerie des Machines (1889)
Schwedler dome (braced dome, 1874), Vienna, 207-ft (63 m), e.g.
triangulated ribbed dome using SAP2000
Brooklyn Bridge (1595 ft, 486 m), New York, 1883,
Roebling
Among other early modern long-span structures (reflecting development of
structure systems) were also:

Mushroom concrete frame units (161x161-ft), the Palace of Labor, Turin, Italy,
1961, Pier Luigi Nervi

Thin-concrete shells, form-passive membranes in compression, tension and


shear: 720-ft (219 m) span CNIT Exhibition Hall Paris (1958)

Space frames surface structures in compression, tension and bending;


Jacob K. Javits Convention Center, New York, 1986, James Ingo Freed

Tensile membranes almost weightless i.e. form-active structures, e.g. Fabric


domes and HP membranes: tentlike roofs for Munich Olympics (1972, Frei Otto)

Air domes, cable reinforced fabric structures: Pontiac Silver Dome, Pontiac,
722 ft (220 m), 1975

Tensegrity fabric domes, tension cables + compression struts + fabrics:


Georgia Dome, Atlanta, 770 ft (235 m),1992
The Palace of Labor (49 x 49-m), Turin, Italy, 1961, Pier Luigi Nervi
Thin-concrete shells, form-passive membranes in compression, tension and
shear: 720-ft (219 m) span CNIT Exhibition Hall, Paris, 1958, B. Zehrfuss
Jacob K.
Javits
Convention
Center, New
York, 1986,
James Ingo
Freed
Tensile membranes almost weightless i.e. form-active structures, e.g. Fabric
domes and HP membranes: tent like roofs for Munich Olympics (1972, Frei Otto)
Air domes, cable
reinforced fabric
structures: Pontiac
Silver Dome, Pontiac,
722 ft (220 m), 1975
Tensegrity fabric domes, tension cables +
compression struts + fabrics:
Georgia Dome, Atlanta, 770 ft (235m),1992
The Building Support Structure

Every building consists of the load-bearing structure and the non-load-bearing


portion. The main load bearing structure, in turn, is subdivided into:

Gravity structure consisting of floor/roof framing, slabs, trusses, columns,


walls, foundations
Lateral force-resisting structure consisting of walls, frames, trusses,
diaphragms, foundations

Support structures may be classified as,

A. Horizontal-span structure systems:


floor and roof structure
enclosure structures
bridges

B. Vertical building structure systems:


walls, frames cores, etc.
tall buildings
Horizontal-span Structure Systems
From a geometrical point of view, horizontal-span structures may consist of
linear, planar, or spatial elements. Two- and three-dimensional assemblies may
be composed of linear or surface elements.
Two-dimensional (planar) assemblies may act as one- or two-way systems.
For example, one-way floor or planar roof structures (or bridges) typically
consist of linear elements spanning in one direction where the loads are transferred
from slab to secondary beams to primary beams. Two-way systems, on the other
hand, carry loads to the supports along different paths, that is in more than one
direction; here members interact and share the load resistance (e.g. to-way ribbed
slabs, space frames).
Building enclosures may be two-dimensional assemblies of linear members (e.g.
frames and arches), or the may be three-dimensional assemblies of linear or
surface elements. Whereas two-dimensional enclosure systems may resist forces
in bending and/or axial action, three-dimensional systems may be form-
resistant structures that use their profile to support loads primarily in axial action.
Spatial structures are obviously more efficient regarding material (i.e. require less
weight) than flexural planar structures.
Horizontal gravity force flow
From a structural point of view, horizontal-span structures may be organized as,

Axial systems (e.g. trusses, space frames, cables)

Flexural systems (e.g. one-way and two-way beams, trusses, floor grids)

Flexural-axial systems (e.g. frames, arches)

Form-resistant structures, axial-shear systems:


(folded plates, shells, tensile membranes) - one may distinguish between,

compressive systems (arches, domes, shells)

tensile systems (suspended cables, textile fabric membranes, cable nets)


Basic Structure Concepts
Some common rigid horizontal-span structure systems are
shown in the following slide:

Straight, folded and bent line elements:


beams, columns, struts, hangars

Straight and folded surface elements:


one- or two-way slabs, folded plates, etc.

Curved surface elements of synclastic shape:


shell beams, domes, etc.

Curved surface elements of anticlastic shape:


hyperbolic paraboloids
HORIZONTAL SPAN BUILDING STRUCTURES
rigid systems
composite systems
semi-rigid structures
Common semi-rigid composite tension-compression systems and flexible or soft
tensile membranes are organized as:

Single-layer, simply suspended cable roofs:


single-curvature and dish-shaped (synclastic) hanging roofs
Prestressed tensile membranes and cable nets
edge-supported saddle roofs
mast-supported conical saddle roofs
arch-supported saddle roofs
air supported structures and air-inflated structures (air members)
Cable-supported structures
cable-supported beams and arched beams
cable-stayed bridges
cable-stayed roof structures
Tensegrity structures
planar open and closed tensegrity systems:
cable beams, cable trusses, cable frames
spatial open tensegrity systems: cable domes
spatial closed tensegrity systems: polyhedral twist units
Hybrid structures: combination of the above systems
flexible structures
LATERAL STABILITY
Every building consists of the load-bearing structure and the non-load-
bearing portion. The main load-bearing structure, in turn, is subdivided into:
(a) The gravity load resisting structure system (GRLS), which
consists of the horizontal and vertical subsystems:
Foor/roof framing and concrete slabs,
Walls, frames (e.g., columns, beams), braced frames, etc., and foundations
(b) The lateral load resisting structure system (LLRS), which supports
gravity loads besides providing lateral stability to the building. It consists of
walls, frames, braced frames, diaphragms, foundations, and can be subdivided
into horizontal and vertical structure subsystems:
Floor diaphragm structures (FD) are typically horizontal floor structure
systems; they transfer horizontal forces typically induced by wind or
earthquake to the lateral load resisting vertical structures, which then take the
forces to the ground. diaphragms are like large beams (usually horizontal
beams). They typically act like large simply supported beams spanning
between vertical systems.
Vertical structure systems typically act like large cantilevers spanning
vertically out of the ground. Common vertical structure systems are
frameworks and walls.
(c) The non-load-bearing structure, which includes wind bracing as
well as the curtains, ceilings, and partitions that cover the structure and
subdivide the space.
The basic lateral load resisting structure systems:
frames, braced frames, walls
Lateral stability of buildings
Stability of basic vertical
structural building units
Possible location of
lateral force resisting
units in building
LOCATION OF VERTICAL
SUPPORT STRUCTURE
Basic Concepts of Span
One must keep in mind that with increase in span the weight increases rapidly
while the live loads may be treated as constant; a linear increase of span does
not result merely in a linear increase of beam size and construction method.
With increase of scale new design determinants enter.

The effect of scale is known from nature, where animal skeletons


become much bulkier with increase of size as reflected by the change from the
tiny ant to the delicate gazelle and finally to the massive elephant. While the ant
can support a multiple of its own weight, it could not even carry itself if its size
were proportionally increased to the size of an elephant, since the weight
increases with the cube, while the supporting area only increases with the
square as the dimensions are linearly increased. Thus the dimensions are not
in linear relationship to each other; the weight increases much faster than
the corresponding cross-sectional area. Hence, either the proportions of the
ant's skeleton would have to be changed, or the material made lighter, or the
strength and stiffness of the bones increased. It is also interesting to note that
the bones of a mouse make up only about 8% of the total mass in contrast to
about 18% for the human body. We may conclude that structure proportions in
nature are derived from behavioral considerations and cannot remain constant.
This phenomenon of scale is taken into account by the various structure members and
systems as well as by the building structure types as related to the horizontal span,
and vertical span or height. With increase of span or height, material, member
proportions, member structure, and structure layout must be altered and
optimized to achieve higher strength and stiffness with less weight.

For example, for the following long-span systems (rather than cellular construction
where some of the high-rise systems are applicable) starting at approximately 40- to
50-span (12 to 15 m) and ranging usually to roughly the following spans,

Deep beam structures: flat wood truss 120 ft (37 m)


Deep beam structures: flat steel truss 300 ft (91 m)
Timber frames and arches 250 ft (76 m)
Folded plates 120 ft (37 m)
Cylindrical shell beams 180 ft (55 m)
Thin shell domes 250 ft (76 m)
Space frames, skeletal domes 400 ft (122 m)
Two-way trussed box mega-arches 400 ft (122 m)
Two-way cable supported strutted mega-arches 500 ft (152 m)
Composite tensegrity fabric structures 800 ft (244 m)
This change of structure systems with increase of span can also be seen, for
example, in bridge design, where the longer span bridges use the cantilever
principle. The change may be approximated from simple span beam bridges to
cantilever span suspension bridges, as follows,

beam bridges 200 ft (61 m)


box girder bridges
truss bridges
arch bridges 1,000 ft (305 m)
cable-stayed bridges
suspension bridges (center span) 7,000 ft (2134 m)
total span of AKASHI KAIKO BRIDGE (1998), 13,000 ft (4000 m)

Typical empirical design aids as expressed in span-to-depth ratios have been


developed from experience for preliminary design purposes in response to various
structure system, keeping in mind that member proportions may not be controlled by
structural requirements but by dimensional, environmental, and esthetic
considerations. For example,

Deep beams, e.g. trusses, girders L/t 12 or t L/12


Shallow beams, e.g. average floor framing L/t 24
Slabs, e.g. concrete slabs L/t 36
Vaults and arches L/t 60
Shell beams L/t 100
Reinforced concrete shells L/t 400
Lightweight cable or prestressed fabric structures not an issue
The effect of scale is demonstrated by the decrease of member
thickness (t) as the members become smaller, that is change from deep
beams to shallow beams to slabs to envelope systems. Each system is
applicable for a certain scale range only, specific structure systems constitute
an optimum solution as determined by the efficient use of the strength-to-
weight and stiffness-to-weight ratios.

The thickness (t) of shells is by far less than that of the other systems since
they resist loads through geometry as membranes in axial and shear action
(i.e. strength through form), in contrast to other structures, which are flexural
systems.

The systems shown are rigid systems and gain weight rapidly as the span
increases, so it may be more efficient to replace them at a certain point by
flexible lightweight cable or fabric structures.
The large scale of long-span structures because of lack of redundancy may
require unique building configurations quite different from traditional forms, as well
as other materials and systems with more reserve capacity and unconventional
detailing techniques as compared to small-scale buildings.

It requires a more precise evaluation of loading conditions as just provided by


codes. This includes the placement of expansion joints as well as the consideration
of secondary stresses due to deformation of members and their intersection, which
cannot be ignored anymore as for small-scale structures. Furthermore a much more
comprehensive field inspection is required to control the quality during the erection
phase; post-construction building maintenance and periodic inspection are
necessary to monitor the effects of loading and weather on member behavior in
addition to the potential deterioration of the materials. In other words, the potential
failure and protection of life makes it mandatory that special care is taken in
the design of long-span structures.
Today, there is a trend away from pure structure systems towards hybrid solutions,
as expressed in geometry, material, structure layout, and building use. Interactive
computer-aided design ideally makes a team approach to design and construction
possible, allowing the designer to stay abreast of new construction technology at an
early design stage. In the search for more efficient structural solutions a new
generation of hybrid systems has developed with the aid of computers. These new
structures do not necessarily follow the traditional classification presented before.

Currently, the selection of a structure system, as based on the basic variables of


material and the type and location of structure, is no longer a simple choice between a
limited number of possibilities. The computer software simulates the effectiveness of a
support system, so that the form and structure layout as well as material can be
optimized and nonessential members can be eliminated to obtain the stiffest
structure with a minimum amount of material.

From this discussion it is clear that with increase of span, to reduce weight, new
structure systems must be invented and structures must change from linear beams to
arched members to spatial surface shapes to spatial pre-stressed tensile
structures to take fully advantage of geometry and the strength of material.
In my presentation I will follow this organization by presenting
structural systems in various context. The examples will show that
architecture cannot be defined simply by engineering line
diagrams. To present the multiplicity of horizontal-span structures
is not a simple undertaking. Some roof structures shown in the
drawings, can only suggest the many possible support systems.

Examples of horizontal-span roof structure systems

The cases may indicate the difficulty in classifying structure


systems considering the richness of the actual architecture rather
than only structural line diagrams.
Some roof support structures
EXAMPLES OF HORIZONTAL-SPAN
ROOF STRUCTURES
Multi-bay long-span roof structures
Cantilever structures
My presentation of cases is based on the following organization:

A. BEAMS
B. FRAMES
C. CABLE-STAYED ROOF STRUCTURES
D. FORM - PASSIVE SURFACE STRUCTURES
E. FORM - ACTIVE SURFACE STRUCTURES
A . BEAMS
one-way and two-way floor/roof framing systems (bottom supported and top
supported), shallow beams, deep beams (trusses, girders, joist-trusses,
Vierendeel beams, prestressed concrete T-beams), etc.

Individual beams
Floor/ roof framing
Large-scale beams including trusses
Supports for tensile columns
Beam buildings
Cable-supported beams and cable beams
The following examples clearly demonstrate that engineering line diagrams
cannot define the full richness of architecture. The visual expression of beams
ranges from structural expressionism (tectonics), construction, minimalism to
post-modern symbolism. They may be,
planar beams
spatial beams (e.g. folded plate, shell beams, , corrugated sections)
space trusses.
They may be not only the typical rigid beams but may be flexible beams such as
cable beams.

The longitudinal profile of beams may be shaped as a funicular form in response


to a particular force action, which is usually gravity loading; that is, the beam
shape matches the shape of the moment diagram to achieve constant maximum
stresses.
Beams may be part of a repetitive grid (e.g. parallel or two-way joist system) or
may represent individual members; they may support ordinary floor and roof
structures or span a stadium; they may form a stair, a bridge, or an entire
building. In other words, there is no limit to the application of the beam principle.
BEAMS as FLEXURAL SYSTEMS
There is a wide variety of spans ranging from,

Short-span beams are controlled by shear, V, where shear is a function of the


span, L, and the cross-sectional area, A: VA
Medium-span beams are controlled by flexure, where M increases with the square
of the span, L2,and the cross-section depends on the section modulus, S:
MS

Long-span beams are controlled by deflection, , where deflection increases to the


forth power of L, (L4) and the cross-section depends on the moment of inertia I
and the modulus of elasticity E (i.e. elastic stiffness EI ):
EI

The following examples clearly demonstrate that engineering line diagrams cannot
define the full richness of architecture. The visual expression of beams ranges
from structural expressionism (tectonics), construction, minimalism to post-
modern symbolism
Individual Beams
Railway Station, Munich, Germany
Atrium, Germanisches Museum, Nuremberg, Germany
Pedestrian bridge Nuremberg
Dresdner Bank, Verwaltungszentrum, Leipzig, 1997, Engel und Zimmermann
Shanghai-Pudong International Airport, Paul Andreu principal architect
Petersbogen shopping center, Leipzig, 2001, HPP Hentrich-Petschnigg
The asymmetrical entrance metal-glass canopies of the National Gallery of
Art, Stuttgart, J. Stirling (1984), counteract and relieve the traditional post-
modern classicism of the monumental stone building; they are toy-like and
witty but not beautiful.
Documentation Center Nazi Party Rally Grounds (Nuremberg, 2001, Guenther
Domenig Architect) is located in the unfinished structure of the Congress
Hall. It gives detailed information about the history of the Party Rallies and
exposes them as manipulative rituals of Nazi propaganda. A glass and steel
gangway penetrates the North wing of the Congress Hall like a shaft, the
Documentation Center makes a clear contemporary architectural statement.
Railway Station, Munich, Germany, 1972
Atrium, Germanisches Museum, Nuremberg, Germany, 1993, me di um Arch.
Pedestrian bridge Nuremberg
Dresdner Bank, Verwaltungszentrum, Leipzig, 1997, Engel und Zimmermann Arch
Shanghai-Pudong
International Airport,
2001, Paul Andreu
Petersbogen shopping center, Leipzig, 2001, HPP Hentrich-Petschnigg
The asymmetrical entrance metal-glass canopies of the National Gallery of Art, Stuttgart, J.
Stirling (1984), counteract and relieve the traditional post-modern classicism of the
monumental stone building; they are toy-like and witty but not beautiful.
Documentation Center Nazi Party Rally Grounds (Nuremberg, 2001, Guenther Domenig
Architect) is located in the unfinished structure of the Congress Hall. It gives detailed
information about the history of the Party Rallies and exposes them as manipulative rituals
of Nazi propaganda. A glass and steel gangway penetrates the North wing of the Congress
Hall like a shaft, the Documentation Center makes a clear contemporary architectural
The Building Erection: tower cranes
Floor/ Roof Framing

Floor/ roof framing systems


Floor framing structures
RISA floor framing example
Chifley tower , Sydney, 1992, Kohn, Pederson, Fox
Farnsworth House, Mies van der Rohe, Plano, Ill (1950), USA, welded steel frame
Residence, Aspen, Colorado, 2004, Voorsanger & Assoc., Weidlinger Struct. E. E
European Court of Justice, Luxemburg, 1994, Atelier d'Architecture Paczowski
Fritsch Associs
Central Beheer, Apeldorn, NL, Herman Hertzberger (1972): adjacent tower
element about 27x 27 ft (8.23 m) square with 9 ft wide spaces between, where
basic square grid unit is about 9 ft (2.74 m); precast concrete elements; people
create their own environments. Kaifeng,
Xiangguo Si temple complex downtown Kaifeng
Floor/roof framing systems
FLOOR FRAMING STRUCTURES
floor framing example
Chifley tower , Sydney, 1992, Kohn, Pederson, Fox,
Tuskegee University
Chapel, Tuskegee,
Alabama, 1969, Paul
Rudolph Architect
The Niagara
Wintergarden, 1977,
Cesar Pelli
Farnsworth House, 1951, Mies van
der Rohe
Cummins Component Factory.
Darlington. 1971, Kevin Roche and John
Dinkeloo
Buffalo Metropolitan
Transportation Center, 1977, The
Cannon Partnership
Osaka Prefectural Rinkai Sports
Center, 1972, Maki & Assoc.
Residence, Aspen, Colorado,
2004, Voorsanger & Assoc.,
Athletic Facility, Phillips Exeter Academy,
Exeter, NH, 1970, Kallman & McKinnel
European Court of Justice, Luxemburg, 2008, Dominique Perrault
European Court of Justice, Luxemburg, 1994, Atelier d'Architecture Paczowski
Fritsch & Associs
XL Center (Hartford Coliseum), Hartford, CONN, 1979, reconstruction, Ellerbe
Architects
Freeman Athletic Center, Wesleyan University, Middletown,
Conn., 1970, NewmanArchitects
Central Beheer Insurance
Company, Apeldoorn, The
Netherlands, 1972, Herman
Herzberger
Large-scale Beams including trusses

Beam trusses
Atrium, Germanisches Museum, Nuremberg, Germany: the bridge acts not just as
connector but also interior space articulation.
National Gallery of Art, East Wing, Washington, 1978, I.M. Pei
Library University of Bamberg
TU Munich
Library Gainesville, FL
TU Stuttgart
San Francisco Terminal, SOM
Documentation Center Nazi Party Rally Grounds, Nuremberg,, 2001, G. Domenig
Sobek House, Stuttgart
Sony Center, Berlin, Rogers
Petersbogen shopping center, Leipzig, 2001, HPP Hentrich-Petschnigg
Tokyo Art Center, Vignoli
Ski Jump Berg Isel, Innsbruck, 2002, Zaha Hadid
Beam trusses
Atrium, Germanisches Museum, Nuremberg, Germany, 1993, me di um Arch.
National Gallery of Art, East Wing, Washington, 1978, I.M. Pei
Library 4, University of Bamberg,
2004, Meyer & Partner, Bayreuth
TU Munich
Main Library, Gainesville, FL, 1992, McKellips Assoc.
TU Stuttgart
San Francisco Terminal, 2001, SOM
Documentation Center Nazi Party Rally Grounds (Nuremberg, 2001, Guenther Domenig Architect)
Sobek House,
Stuttgart, 2001, Werner
Sobek
Integrated urban
buildings, Linkstr.
Potsdamer Platz),
Richard Rogers,
Berlin, 1998
Petersbogen shopping center, Leipzig, 2001, HPP Hentrich-Petschnigg
Petersbogen shopping
center, Leipzig, 2001, HPP
Hentrich-Petschnigg
Tokyo International Forum, 1997,
Rafael Vignoli Arch, Kunio
Watanabe Struct. Eng.
Lyon National School of
Architecture, 1987, Jourda &
Perraudin
Ski Jump
Berg Isel,
Innsbruck,
Zaha Hadid,
2002
Supports for Tensile columns

5-story Olivetti Office Building, Florence, Italy, Alberto Galardi, 1971: suspended
construction with prestressed concrete hangers sits on two towers supporting
trusses, which in turn carry the cross-trusses
Shanghai-Pudong Museum, Shanghai, von Gerkan
Berlin Stock Exchange, Berlin, Germany, 1999, Nick Grimshaw
Centre George Pompidou, Paris, Piano & Rogers
43-story Hongkong Bank, Hong Kong, 1985, Foster/Arup: The stacked bridge-
like structure allows opening up of the central space with vertically stacked
atria and diagonal escalator bridges by placing structural towers with elevators
and mechanical modules along the sides of the building. This approach is quite
opposite to the central core idea of conventional high-rise buildings. The
building celebrates technology and architecture of science as art. It expresses
the performance of the building and the movement of people. The support
structure is clearly expressed by the clusters of 8 towers forming 4 parallel
mega-frames. A mega-frame consists of 2 towers connected by cantilever
suspension trusses supporting the vertical hangers which, in turn, support the
floor beams. Obviously, the structure does not express structural efficiency.
Visual study of Olivetti Building,
Florence, Italy, 1973, Alberto Galardi
Visual study of Olivetti Building (5 floors), Florence, Italy, 1973, Alberto Galardi
Greenhouse Pavilions, Parc Andr
Citron, Paris, 1992, Patrick Berger
Arch, Veritas Struct.
Shanghai-Pudong Museum, Shanghai, (competition won 2002), von Gerkan
Berlin Stock Exchange,
Berlin, Germany, 1999,
Nick Grimshaw
Haengehaus, Rossman & Partner
Centre George Pompidou, Paris, 1978, Piano & Rogers
Hongkong Bank (1985), Honkong, 180m, Foster + Arup, steel mast joined by suspension trusses
Beam buildings

Visual study of beam buildings


Seoul National University Museum, Rem Koolhaas, 2006
Clinton Library
Landesvertretung von Baden-Wuertemberg, Berlin, Dietrich Bangert, 2000
Embassy UK, Berlin, Michael Wilford, 2000
Shanghai Grand Theater, Jean-Marie Charpentier, architect (1998): inverted
cylindrical tensile shell
Lehrter Bahnhof, Berlin, 2006, von Gerkan, Marg and Partners
Grand Arch de la Defense, Paris
Fuji Sankei Building, Tokyo, Kenco Tange
Sharp Centre for Design, Ontario College of Art & Design, Toronto,
Canada, 2004, Alsop Architects
Porsche Museum building: images authorised by Delugan Meissl Architects
2007
Beam buildings
Charles A. Dana
Creative Arts Center,
Colgate University,
Hamilton, New York,
1966, Paul Rudolph
Herbert F. Johnson Museum of Art, Cornell University, 1973, I. M. Pei, constructivist sculpture
Newhouse
Communications
Center I, Syracuse
University, 1964, I.M.
Pei with King & King
Uris Hall, Cornell University, Ithaca,
NY, 1973, Gordon Bunschaft
(Skidmore, Owings & Merrill)
Seoul National University Museum, Rem Koolhaas, 2006
William J. Clinton Presidential Center, Little Rock, AR, 2004, Polshek Partnership
Clinton Presidential Center Museum, Little Rock,
Ark, 2005, Polshek Arch, Leslie Robertson
Landesvertretung von Baden-Wuertemberg, Berlin, Dietrich Bangert, 2000
Embassy UK, Berlin, Michael Wilford, 2000
Super C, RWTH Aachen, Germany, 2008, Fritzer +
Pape , Schlaich, Bergermann & Partner
Super C, RWHA, Aachen, 2008
WDR Arcades/Broadcasting House, Cologne, 1996, Gottfried Bhm
Shanghai Grand Theater, Jean-Marie Charpentier, 1998
Lehrter Bahnhof, Berlin, 2006, von Gerkan, Marg and Partners
La Grande Arche, Paris, 1989, Johan Otto von Sprechelsen/ Peter Rice for the canopy
La Grande Arch, Paris, 1989, Fainsilber & P. Rice for the canopy
Fuji Sankei Building, Tokyo, 1996, Kenco Tange
Sharp Centre for Design Toronto, Canada, Alsop Architects, 2004
Porsche Museum, Stuttgart, Germany, 2009, Delugan Meissl
Rabat Grand
Theatre proposal,
2010, Zaha Hadid
Architects
Cable-Supported Beams and Cable Beams

Single-strut and multi-strut cable-supported beams


Erasmus Bridge, Rotterdam, architect Ben Van Berkel
Golden Gate Bridge, San Francisco, 1936, C.H. Purcell
Old Federal Reserve Bank Building, Minneapolis, 1973, Gunnar Birkerts, 273-ft
(83 m) span truss at top
World Trade Center, Amsterdam, 2003 (?), Kohn, Pedersen & Fox
Luxembourg, 2007
Kempinski Hotel, Munich, Germany, 1997, H. Jahn/Schlaich.
Shopping areas, Berlin, Linkstr., Rogers, 1998
Wilkhahn Factory, Bad Muender, Germany, 1992, Thomas Herzog Arch
Merzedes-Benz Zentrale, Berlin, 1998, Rafael Moneo
Shopping Center, Stuttgart
Cologne/Bonn Airport, Germany, 2000, Helmut Jahn Arch., Ove Arup Struct. Eng
Lehrter Bahnhof, Berlin, 2006, von Gerkan, Marg and Partners
Theater, Berlin, Renzo Piano, 1998
Shanghai-Pudong International Airport, Paul Andreu principal architect, Coyne et
Bellier structural engineers, 2001
Ski Jump Voightland Arena, Klingenthal, 2007, m2r-architecture
Single-strut and multi-
strut cable-supported
beams
Erasmus Bridge, Rotterdam, 1996, architect Ben Van Berkel
Golden Gate Bridge (one 2224 ft), San
Francisco, 1936, C.H. Purcell
Old Federal Reserve Bank Building, Minneapolis, 1973, Gunnar Birkerts, 273-ft (83
m) span truss at top
World Trade Center, Amsterdam, 2003 (?), Kohn,
Pedersen & Fox
Office building of the
European Investment
Bank, 2009, Luxembourg,
Ingenhoven Architects
Kempinski Hotel, Munich, Germany, 1997, H. Jahn/ Schlaich
Shopping areas, Berlin, Linkstr., Richard Rogers, 1998
Wilkhahn-Moebelwerk, Bad Muender, 1992, Thomas Herzog
Mercedes-Benz Center am Salzufer, Berlin, 2000,
Lamm, Weber, Donath und Partner
Shopping Center, Stuttgart
Cologne/Bonn Airport, Germany, 2000, Helmut Jahn Arch., Ove Arup USA Str. Eng
Lehrter Bahnhof, Berlin, 2006, von Gerkan
Marg and Partners
Debis Theater, Berlin, Renzo Piano, 1998
Shanghai-
Pudong
Internation
al Airport,
2001, Paul
Andreu
principal
architect,
Coyne et
Bellier
structural
engineers
Ski Jump Voightland Arena,
Klingenthal, 2007, m2r-architecture
B . Frames
FRAMES are flexural-axial systems in contrast to hinged trusses, which
are axial systems, and beams, which are flexural systems. Flexural-axial
systems are identified by beam-column behavior that includes the effects of
biaxial bending, torsion, axial deformation, and biaxial shear deformations.

Here, two-dimensional skeleton structures composed of linear elements


are briefly investigated. The most common group of planar structure systems
includes

Portal frames, gable frames, etc.


Arches
Visual study of Frames and
arches
Visual study of single-
bay portal frames
Portal Frames, Gable Frames, etc.
Crown Hall, IIT, Chicago, 1955, Mies van der Rohe
Visual study of single-bay portal frames
Single-story, multi-bay frame systems
Visual study of multiple-span frame structures
Postal Museum, Frankfurt, Germany, 1990, Guenter Behnisch Arch.
Indeterminate portal frames under gravity loads
Indeterminate portal frames under lateral load action
Sainsbury Centre for Visual Arts, UK, 1978, Norman Foster
Visual study of Frames and arches
Response of typical gable frame roof enclosures to gravity loading
Pitched roof structures
Joist roof construction
Rafter roof construction
Inclined frame structures
Project for Fiumicino Airport, Rome, 1957, Nervi etc.
The Novotel Belfort, Belfort, France, 1994, Bouchez
BMW Plant Leipzig, Central Building, 2004, Zaha Hadid
San Diego Library, 1970, Pereira
798 Beijing Art Factory, Beijing, 1956, the shape of the supporting frames (i.e. roof shape) depends on
ventilation and lighting of the sheds.
Bus Stop Aachen, 1998, Peter Eisenman, folded steel structure that resembles a giants claw grasping
the paving, or the folded steel shelter perches crablike on the square
Zueblin AG Headquarters, Stuttgart, Germany, 1985, Gottfried Boehm
Miyagi Stadium, Sendai City, Japan, 2000, Atelier Hitoshi Abe
Crown Hall, IIT, Chicago, 1955, Mies van der Rohe
Postal Museum, Frankfurt, Germany, 1990, Guenter Behnisch Arch
Single-story, multi-bay frame
systems
Visual study of multiple-span frame structures
Indeterminate portal frames under gravity loads
Indeterminate portal frames under lateral load action
Sainsbury Centre for Visual Arts,
UK, 1978, Norman Foster
Joe and Etsuko Price
Residence, Corona del Mar,
California 1989, 1996
(addition) , Bart Prince Arch.
The Hysolar Institute at the University of Stuttgart, Germany (1988, G. Behnish and Frank Stepper) reflects
the spirit of deconstruction, it looks like a picture puzzle of a building - it is a playful open style of building
with modern light materials. It reflects a play of irregular spaces like a collage using oblique angles causing
the structure to look for order. The building consists of two rows of prefabricated stacked metal
containers arranged in some haphazard twisted fashion, together with a structural framework
enclosed with sun collectors. The interior space is open at the ends and covered by a sloped roof
structure. The bent linear element gives the illusion of an arch with unimportant almost ugly
anchorage to the ground.
Hysolar Institute, University of
Stuttgart, Germany, 1988, G.
Behnish and Frank Stepper
Response of typical gable frame roof enclosures to gravity loading
Pitched roof structures
Joist roof construction
Rafter roof construction
Inclined frame structures
Project for Fiumicino Airport, Rome, 1957, Nervi etc
The Novotel Belfort, Belfort,
France, 1994, Bouchez
The International Congress Center,
Berlin, R. Schuler Architect
EDP Center, Friuli,
Italy, A.
Mangiarotti Arch.
Wuppertal Ohligsmhle, suspension railway station, 1982, Rathke Architekten
Wuppertal Ohligsmhle, suspension railway station, 1982, Rathke Architekten
EDP Center, Friuli, Italy, A.
Mangiarotti Arch.
Rosenthal Glass Factory, Amberg, Germany, 1967,
The Architects Collaborative , Walter Gropius
Barajas Airport, Madrid, Spain, 2004, Richard Rogers,
Anthony Hunt Associates (main structure), Arup (main
faade)
BMW Plant Leipzig, Central
Building, 2004, Zaha Hadid
San Diego Library, 1970, William L. Pereira
798 Beijing Art Factory, Beijing, 1956
Suzhou Museum, China, 2007, Suzhou I. M. Pei
Single-layer space frame roofs
The M-House, Los Angeles, 2000, Michael Jantzen, Advanced Structures Inc.
Bus Stop, Aachen, 1998, Peter Eisenman
Zueblin AG Headquarters, Stuttgart, 1985, Gottfried
Boehm
Miyagi Stadium, Sendai City, Japan, 2000, Atelier Hitoshi Abe
Miyagi Stadium, Sendai ,Japan ,Atelier
Hitoshi Abe , 2000
Arches
Study of curvilinear patterns
Arches as enclosures
Visual study of arches
Visual study of lateral thrust
Olympic Stadium Montreal, 1975, Roger Taillibert
Dresden Main Train Station, Dresden, 2006, Foster
United Airlines Terminal at OHare Airport, Chicago, 1987, H. Jahn
Museum of Roman Art, Mrida, Spain 1985, Jose Rafael Moneo
City of Arts & Sciences, Valencia ,Spain ,Santiago Calatrava, 2000
Geschwungene Holzbruecke bei Esslingen (Spannbandbruecke), 1986, R.
Dietrich
La Defesa Footbridge, Ripoll, Spain, S. Calatrava, torsion
Bridge over the Rhein-Herne-Canal, BUGA 1997, Gelsenkirchen, Stefan
Polnyi
Rotterdam arch
Kansai International Airport Terminal in Osaka, Japan, 1994 , Renzo Piano
San Giovanni Rotondo, Italy, 2004, Renzo Piano
Center Paul Klee, Bern, 2005, Renzo Piano
Waterloo Terminal, London, Nicholas Grimshaw + Anthony Hunt
Traditional bridge, China
Salignatobel Bridge, Switzerland, 1930, Robert Maillart
Cathedral of Palma, Majorca - photoelastic Study by Robert Mark
New Beijing Planetarium,
2005, AmphibianArc
Nanchi Wang
Study of curvilinear patterns
Arches as enclosures
Visual study of arches
Visual study of lateral thrust
Satolas Airport TGV Train
Station, Lyons, France, 1995,
Santiago Calatrava
German National Museum, Nuremberg,
1993, me di um Architects
Atrium, Germanisches Museum, Nuremberg, Germany, 1993, me di um Arch.
Chiesa di Santa Maria Assunta, Riola,
Italy, 1978, Alvar Aalto
Olympic Stadium Montreal,
1975, Roger Taillibert
Dresden Main Train Station, Dresden, 2006, Foster
Dresden Main Train Station, Dresden, 2006, Foster
Bodegas Protos,
Peafiel, Valladolid,
Spain, 2008, Richard
Rogers, Arup
Lanxess Arena, Cologne, 1998, Peter Bhm Architekten
United Airlines Terminal at
OHare Airport, Chicago,
1987, H. Jahn
Museum of Roman Art, Mrida,
Spain 1985, Jose Rafael Moneo
'Glass Worm' building - new
Peek & Cloppenburg store,
Cologne, Renzo Piano, 2005
Cathedral of Christ the Light, Oakland, CA, 2008, SOM
City of Arts & Sciences, Planetarium, Valencia ,Spain ,Santiago Calatrava, 2000
City of Arts & Sciences, Planetarium, Valencia, Spain, Santiago Calatrava, 2000
The Metro station at Blaak, Rotterdam, 1993, Harry Reijnders of Movares; the arch
spans 62.5 m, dome diameter is 35 m
Space Truss Arch Axial Force Flow
Kansai International Airport
Terminal in Osaka, Japan,
1994 , Renzo Piano
Kansai International Airport
Terminal in Osaka, Japan, 1994 ,
Renzo Pia
Terminal 5 Roof Heathrow Airport, London, 2005, Rogers/Arup
Terminal 5 Roof Heathrow Airport, London, 2005, Rogers/Arup
Ningbo Air terminal
Ningbo Air terminal
Shenyang Taoxian International Airport, 2002
Chongqing Airport Terminal, 2005, Llewelyn Davies Yeang and Arup
Chongqing Airport Terminal, 2005, Llewelyn Davies Yeang and Arup
San Giovanni Rotondo,
Foggia, Italy, 2004, Renzo
Piano
San Giovanni Rotondo, Italy, 2004, Renzo Piano
Center Paul Klee, Bern, 2005, Renzo Piano, Paul Klee
Center Paul Klee, Bern, Switzerland, 2007, Renzo Piano Building Workshop , Arup
Waterloo Terminal, London, 1993,
Nicholas Grimshaw + Anthony Hunt
Mmax

k
.10
10
7.70 k
Mmin
5.86'

4.29'

10' 27.32'
BCE Place, Toronto, 1992, Santiago Calatrava
Subway Station to Allians Stadium, Froettmanning,
Munich, 2004, Bohn Architekten, fabric membranes
New TVG Station, Liege, Belgium, 2008,
Santiago Calatrava
Olympic Stadium Athens, 2004, Santiago Calatrava
Mediapark Cologne, bridge over the lake, 1992
Suspended arch wood bridge, Esslingen, Germany, 1986, R. Dietrich
La Devesa Footbridge, Ripoll, Spain, 1991, S. Calatrava, torsion
Bac de Roda Felipe II Bridge,
1987, Barcelona, S. Calatrava
Bridge over the Rhein-Herne-Canal, BUGA 1997, Gelsenkirchen, Stefan Polnyi
C. CABLE-STAYED
ROOF STRUCTURES
Examples of cable-stayed roof structures range from long-span structures for
stadiums, grandstands, hangars, and exhibition centers, to smaller scale buildings for
shopping centers, production or research facilities, to personal experiments with
tension and compression. Many of the general concepts of cable-stayed bridges, as
discussed in the previous section, can be transferred to the design of cable-stayed
roof structures. Typical guyed structures, used either as planar or spatial stay
systems, are the following:

Cable-stayed, double-cantilever roofs for central spinal buildings

Cable-stayed, single-cantilever roofs as used for hangars and grandstands

Cable-stayed beam structures supported by masts from the outside

Spatially guyed, multidirectional composite roof structures


Visual study of cable-supported structures
Force flow in cable-supported roofs
Visual study of cable-supported structures
Force flow in cable-supported roofs
Patscenter, Princeton, 1984, Rogers/Rice, Fleetguard Factory, Quimper, France,
1981, Richard Rogers
Shopping Center, Nantes, France, 1988, Rogers/Rice
Horst Korber Sports Center, Berlin, 1990, Christoph Langhof,
The Charlety Stadium, Cite Universitaire, Paris, 1994, Henri and Bruno Gaudin
Lufthansa Hangar, Munich, 1992, Buechl + Angerer
Bridge, Hoofddorp, Netherlands, S. Calatrava
The University of Chicago Gerald Ratner Athletic Center, Chicago, 2002, Cesar Pelli
Melbourne Cricket Ground Southern Stand , 1992, Tomkins Shaw & Evans / Daryl
Jackson Pty Lt
Bruce Stadium , Australian Capital Territory, 1977, Philip Cox, Taylor and Partners
City of Manchester Stadium, UK, 2003, Arup
Munich Airport Center, Munich, Germany, 1997, Helmut Jahn Arch
Patcenter, Princeton, 1984, Richard Rogers
Renault Distribution Center
Norman Foster Quimper,
France 1980 Swindon,
England
Fleetguard Factory, Quimper, France, 1981, Richard Rogers
Shopping Center St. Herblain, 1988, Nantes, France, Rogers/Rice
Igus Headquarters and
Factory, Cologne, Germany,
2000, Nicholas Grimshaw &
Partners
Horst Korber Sports Center
(1990), Berlin, Christoph
Langhof
The International School,
Lyon, France, 1993, Jourda
& Perraudin Arch.
The Charlety Stadium at the
City University in Paris, 1994,
Henri and Bruno Gaudin
Lufthansa Hangar (153 m), Munich, 1992, Buechl + Angerer
Bridge, Hoofddorp, Netherlands,
2004, Santiago Calatrava
in 2004 three bridges designed by the
Spanish architect Santiago Calatrava were
opened.
The University of Chicago Gerald Ratner
Athletic Center, Cesar Pelli, 2002
Melbourne Cricket Ground Southern Stand, 1992, Jolimont, Victoria, Tomkins Shaw & Evans
Gravitational load systems
Radial lateral load resisting system
Uplift resisting system
Bruce Stadium , Philip Cox, Taylor and Partners ,1977, Bruce , Australian Capital Territory
City of Manchester Stadium, UK, 2003, Arup
The Munich Airport Business Center, Munich, Germany, 1997, Helmut Jahn Arch
D . FORM-PASSIVE SURFACE
STRUCTURES
Slabs
Folded Plates
Space frames
Tree columns supporting surfaces
Skeleton dome structures
Thin shells: rotational, synclastic forms vs. translational,
anticlastic surfaces
Slabs
Visual study of floor/ roof structures
Slab analogy and slab support
Multi-story building in concrete and steel
Hospital, Dachau, Germany
Ramp (STRAP) for parking garage
Government building, Berlin
Government building, Berlin
Glasshouse, 1949, Philip Johnson
New National Gallery, Berlin, 1968, Mies van der Rohe
Sichuan University, Chengdu, College for Basic Studies, 2002
Civic Center, Shenzhen
Science and Technology Museum Shanghai, 2002, RTKL/Arup
Akron Art Museum, Akron, 2007, Wolf Prix and Helmut Swiczinsky (Himmelblau)
BMW Welt, Munich, 2007, Coop Himmelblau
Visual study of floor/ roof structures
Visual study of floor/ roof
structures
Stress flow, multi-story building in concrete and steel
Stress flow, Hospital, Dachau, Germany
Computer modelling, ramp for parking garage
Glasshouse, New
Canaan, Conn., 1949,
Philip Johnson
New National Gallery, Berlin, 1968, Mies van der Rohe
Sichuan University, Chengdu,
College for Basic Studies, 2002
Paul Lbe and Marie-Elisabeth
Lders House in the German
Government Building, Berlin, 2001,
Stephan Braunfels
Government building,
Berlin, 2001
Federal Chancellery Building, Berlin, 2001, Axel Schultes and Charlotte Frank
Civic Center, Shenzhen,
2009, Make Architects
Science and Technology Museum Shanghai, 2002, RTKL/Arup
Akron Art Museum, Akron, 2007, Wolf Prix and Helmut Swiczinsky (Himmelblau).
BMW Welt, Munich, 2007, Coop
Himmelblau
Phaeno Science Center, 2005, Wolfsburg, Germany, Zaha Hadid
Folded Plates

Folded plate structures


Folded plate structure systems
Alte Kurhaus, Aachen, Germany
St. Foillan, Aachen, Leo Hugot Arch.
Institute for Philosophy, Free University, Berlin, 1980s, Hinrich and Inken Baller
Church of the Pilgrimage, Neviges, Germany, Gottfried Boehm, 1968, Velbert,
Germany
Air force Academy Chapel, Colorado Springs, 1961, Walter Netsch (SOM)
Center Le Corbusier, Zurich, 1967, Le Corbusier, hipped and inverted hipped
roof, each composed of four square steel panels
Salone Agnelli, Turin Exhibition Hall, 1948, Pier Luigi Nervi
Kimmel Center for the Performing Arts, Philadelphia, 2001, Rafael Vinoly
Sydney Olympic Train Station, 1998, Homebush, Hassell Pty. Ltd Arch, vaulted
leaf roof truss
Addition to Denver Art Museum, 2006, Daniel Libeskind/ Arup Eng.
Folded plate structure systems
Visual study of folded plate structures
UNESCO Building, Paris, 1953, Marcel
Breuer/Bernard Zehrfuss/Pier Luigi Nervi
Saratoga
Performing Arts
Center, 1966,
Saratoga
Springs, NY,
Vollmer Assoc.
Neue Kurhaus addendum, Aachen, Germany
St. Foillan, Aachen, 1958,
Leo Hugot
Institute for Philosophy, Free University,
Berlin, 1980s, Hinrich and Inken Balle
Church of the
Pilgrimage, Neviges,
Germany, Gottfried
Boehm, 1972, Velbert,
Germany
Air force Academy Chapel, Colorado Springs, 1961, Walter Netsch (SOM); trusses
Center Le Corbusier,
Zurich, 1967, Le
Corbusier, hipped and
inverted hipped roof,
each composed of four
square steel panels
21_21 Design
Sight, Tokyo,
2007, Tadao Ando
Salone Agnelli, Turin Exhibition
Hall, 1948, Pier Luigi Nervi
Kimmel Center for the Performing Arts,
Philadelphia, Rafael Vinoly, 2001
Sydney Olympic Train Station, 1998,
Homebush, Hassell Pty. Ltd Arch
Addition to Denver Art Museum, 2006, Daniel Libeskind/ Arup Eng
Space Frames
Polyhedral roof structures
Single-layer three-dimensional frameworks
Double-layer space frame systems 1
Double-layer space frame systems 2
Common polyhedra derived from cube
Generation of space grids by overlapping planar networks
National Swimming Center, Beijing, RANDOM ARRANGEMENT OF SOAP
BUBBLES
Structural behavior of double-layer space frames
Common space frame joints
Case study of flat space frame roofs
Other space frame types
Example Hohensyburg
Robson Square, Vancouver, 1980, Arthur Erickson
Jacob K. Javits Convention Center, New York, 1986, James Ingo Freed/
Weidlinger
Dvg-Administration, Hannover, 2000, Hascher/ Jehle
Crystal Cathedral, Garden Grove, CA, 1980, Philip Johnson
Tomochi Forestry Hall, Kumamoto, Japan, 2005, Taira Nishizawa Architects
National Swimming Center, Beijing, 2008, Arup Arch and Eng.
Three-dimensional structures may be organized as follows:

Spatial frameworks: such as space truss beams, derricks, building


cores, towers, guyed structures, etc

Single-layer three-dimensional frameworks are folded or


bent latticed surface structures such as folded plate planar trusses,
polyhedral dome-like structures and other synclastic and anticlastic
surface structures. They obtain their strength through spatial geometry
that is their profile.

Multi-layer space frames are generated by adding polyhedral units to


form three-dimensional building blocks. In contrast to single-layer
systems, the multi-layer structure has bending stiffness and does not
need to be curved; a familiar example are the flat, double-layer space
frame roofs and the sub-tensioned floor/ roof structures.
Visual study of polyhedral roof structures
Visual study of single-layer
three-dimensional
frameworks
Double-layer space frame systems 1
Double-layer space frame systems 2
Common polyhedra derived from cube
Platonic Solids
Generation of space grids by overlapping planar networks
National Swimming Center, Beijing, Arup Arch and Eng.; RANDOM ARRANGEMENT OF SOAP BUBBLES
Strurctural behavior of double-layer
space frames
Common space
frame joints
Case study of flat space frame roofs
Currigan Hall, Chicago, 1969, Michow Ream & Larson, demolished 2001
Other space frame types
Example Hohensyburg, Germany
a.

b. c.
McCormic Place, Chicago,
1971, C.F. Murphy Assoc
Omni Coliseum, Atlanta GA,
1972, Thompson, Ventulett &
Stainbeck Inc, demolished
1997
McMaster Health
Sciences Centre,
Hamilton, Ontario,
1972, Craig, Zeidler,
Strong Arch.
George Washington Bridge Bus Station,
Pier Luigi Nervi, 1963.
Wells College Library, Aurora NY,
1968, Walter Netch SOM
St. Benedicts Abbey Church, Benet Lake,
Wisconsin, 1972, Stanley Tigerman Arch.
Palais Omnisports de
Paris-Bercy, 1983, Jean
Prouv, Pierre Parat &
Michel Andrault
Robson Square, Vancouver, 1980, Arthur Erickson
Jacob K. Javits Convention Center, New York, 1986, James Ingo Freed
Dvg-Administration, Hannover, 2000,
Hascher/Jehle
Crystal Cathedral, Garden Grove, CA, 1980, Philip Johnson
Kyoto JR Station, Kyoto, Japan, 1998, Hiroshi Hara Arch.: the
urban mega-atrium. The building has the scale of a horizontal
skyscraper - it forms an urban mega-complex. The urban
landscape includes not only the huge complex of the station,
but also a department store, hotel, cultural center, shopping
center, etc. The central concourse or atrium is 470 m long, 27 m
wide, and 60 m high. It is covered by a large glass canopy that
is supported by a space-frame. This space acts a gateway to
the city as real mega-connection.
Tomochi Forestry Hall,
Kumamoto, Japan, 2005,
Taira Nishizawa Architects
Serpentine Gallery 2002, London, England Toyo Ito + Cecil Balmond
National Swimming Center, Beijing, 2008, Herzog de Meuron, Tristram Carfrae of
Arup structural engineers
Tree Columns
Ningbo Air Terminal
Shenyang Airport Terminal
Stanted Airport, London, UK, 1991, Norman Foster/ Arup
Terminal 1 at Stuttgart Airport, 1991, von Gerkan & Marg. The huge steel trees
of the Stuttgart Airport Terminal, Stuttgart, Germany with their spatial strut
work of slender branches give a continuous arched support to the roof
structure thereby eliminating the separation between column and slab. The
tree columns put tension on the roof plate and compression in the branches;
they are spaced on a grid of about 21 x 32 m (70 x 106 ft).
Ningbo Air Terminal
Shenyang Taoxian International Airport, 2002, Klaus Kohlstrung
Stanted Airport, London, UK, 1991, Norman Foster/ Arup
Terminal 1, Stuttgart Airport, 1991, von Gerkan & Marg
concept of tree
geometry
Skeleton Dome Structures
typical domes, inverted domes, segments of dome assembly, etc.

Major skeleton dome systems


Dome shells on polygonal base
Dome structure cases
Little Sports Palace, Rome, Italy, 1960 Olympic Games, Pier Luigi Nervi
U.S. Pavilion, Toronto, Canada, Expo 67, Buckminster Fuller, 250 ft (76 m)
diameter sphere, double-layer space frame
Jkai Baseball Stadium, Odate, Japan
Philological Library, Free University, Berlin, 2005, N. Foster
National Grand Theater, Beijing, 2006, Paul Andreu
Bent surface structures
Grand Louvre, Paris, 1993, I. M. Pei
MUDAM, Museum of Modern Art, Luxembourg, 2006, I.M. Pei
The dome used for dwelling
Ice Stadium, Davos, Switzerland
Reichstag, Berlin, Germany, 1999, Norman Foster Arch/ Leonhardt & Andrae
Struct. Eng.
Beijing National Stadium, Beijing, 2008, Herzog and De Meuron Arch/ Arup Eng.
Major skeleton dome systems
Dome structure cases
Little Sports Palace, 1960, Rome, Italy, Pier Luigi Nervi,
Biosphere, Toronto, Expo 67, Buckminster Fuller, 76 m, double-layer space frame
Climatron, Missouri Botanical
Garden, St. Louis, 1959,
Buckminster Fuller concept
Jkai Baseball Stadium, Odate,
Japan
Philological Library of Freie Universitaet Berlin, 2005, Foster
National Grand Theater, Beijing, 2007, Paul Andreu
Visual study of bent
surface structures
Grand Louvre, Paris, 1993, I. M. Pei
MUDAM, Museum of Modern Art, Luxembourg, 2006, I.M. Pei
Guangzhou Opera House, Guangzhou, 2010, Zaha Hadid
Vacation home,
Sedona, Arizona, 1995
Vaillant Arena , Davos, 1979, Switzerland
Reichstag, Berlin, Germany, 1999, Norman Foster Arch. Leonhardt & Andrae Struct. Eng
Beijing National
Stadium, 2008, Herzog
and De Meuron Arch,
Arup Eng
RIGID SURFACES: Thin Shells, GRID
SHELLS
Shell shapes may be classified as follows:

Geometrical, mathematical shapes


Conventional or basic shapes: single-curvature surfaces (e.g.
cylinder, cone), double-curvature surfaces (e.g. synclastic surfaces
such as elliptic paraboloid, domes, and anticlastic surfaces such as
hyperbolic paraboloid, conoid, hyperboloid of revolution)
Segments of basic shapes, additions of segments, etc.
Translation and/or rotation of lines or surfaces
Corrugated surfaces
Complex surfaces such as catastrophe surfaces
Structural shapes
Minimal surfaces, with the least surface area for a given boundary,
constant skin stress, and constant mean curvature
Funicular surfaces, which is determined under the predominant load
Optimal surfaces, resulting in weight minimization
Free-form shells, may be derived from experimentation
Composed or sculptural shapes
Introduction to Shells and Cylindrical Shells
Surface structures in nature
Surface classification 1 and 2
Examples of shell form development through experimentation
Basic concepts related to barrel shells
Slab action vs. beam action
Cylindrical shell-beam structure
Vaults and short cylindrical shells
Cylindrical grid structures
Various cylindrical shell types
St. Lorenz, Nuremberg, Germany, 14th cent
Airplane hangar, Orvieto 1, 1939, Pier Luigi Nervi
Zarzuela Hippodrome, Madrid, 1935, Eduardo Torroja
Kimbell Art Museum, Fort Worth, 1972, Louis Kahn
Terminal 2F, Orly Airport, Paris, 2002, Paul Andreu, elliptical concrete vault
Alnwick Gardens Visitor Center roof, UK, 2006, Hopkins Arch., Happold Struct. Eng.
Museum Courtyard Roof, Hamburg, 1989, von Gerkan Marg und Partner
DZ Bank, glass roof, Berlin, Gehry + Schlaich
Exhibition hall Leipzig, Germany, 1996, von Gerkan, GMP, in cooperation with Ian
Ritchie
Surface
structures in
nature
Surface classification 1
Surface classification 2
Suspended models of Isler Soap models of Frei Otto

Examples of shell form development through experimentation


Basic concepts related to barrel shells
Basic concepts related to barrel shells
Cylindrical shell-beam
structure
Vaults and short cylindrical shells
Cylindrical grid structures
Various cylindrical
shell types
Cologne Cathedral (1248
19th. Cent.), Germany
St. Lorenz, Nuremberg,
Germany, 14th cent
Airplane hangar, Orvieto 1, 1939, Pier Luigi Nervi
Zarzuela
Hippodrome,
Madrid, 1935,
Eduardo Torroja
Kimball Museum, Fort Worth, 1972, Louis Kahn
Orly Airport, section E, with an elliptical vault
made out of concrete, 2004, Paul Andreu
Wood and steel diagrid shell-lattice supports the Alnwick Gardens Visitor Center
Museum Courtyard Roof (1989), Hamburg, glass-covered grid shell over L-shaped
courtyard, Architect von Gerkan Marg und Partner
DZ Bank, glass roof, Berlin, Gehry + Schlaich
Exhibition Hall, Leipzig, Germany, 1996, von Gerkan, GMP, Ian Ritchie
P&C Luebeck, Luebeck, 2005, Ingenhoven und Partner, Werner Sobek
Central Railway Station Cologne, 1990,
Germany Busmann and Haberer
Architects
CNIT Exhibition Hall, Paris, 1958, Bernard Zehrfuss Arch, Nicolas Esquillon Eng
Other Shell Forms
Dome shells on polygonal base
Keramion Ceramics Museum, Frechen, 1971, Peter Neufert Arch., the building reflects the nature of cera.
Kresge Auditorium, MIT, Eero Saarinen/Amman Whitney, 1955, on three supports
Eden Project in Cornwall/England Humid Tropics Biome, Nicholas Grimshaw, Hunt
Delft University of Technology Aula Congress Centre, 1966, Bakema
Hyperbolic paraboloids
Hypar units on square grids
Case study of hypar roofs
Membrane forces in a basic hypar unit
Some hypar characteristics
Examples
Felix Candela, Mexico
Bus shelter, Schweinfurt
Greenwich Playhouse, 2002, Austin/Patterson/Diston Architects folded plate behavior
Garden Exhibition Shell Roof, Stuttgart, 1977, Jrg Schlaich
Expo Roof, Hannover, EXPO 2000, 2000, Thomas Herzog
Intersecting shells
Other surface structures
TWA Terminal, New York, 1962, Saarinen
Sydney Opera House, Australia, 1972, Joern Utzon/ Ove Arup
Mannheim Exhibition, 1975, Frei Otto etc.,
DZ Bank, amoeba-like auditorium, Berlin, 2001, Gehry + Schlaich
Phaeno Science Centre Wolfsburg, Germany, 2005, Zaha Hadid
BMW Welt, Munich, 2007, Coop Himmelblau
Centre Pompidou-Metz, 2008, architects Shigeru Ban and Jean de Gastines
Fisher Center, Bard College, NY, Frank Gehry, DeSimone, 2004
A model of the London Olympic Aquatic Center, 2004 by Zaha Hadid.
Congress Center EUR District, Rome, Italy, Massimiliano Fuksa
Dome shells on
polygonal base
Keramion Ceramics Museum, Frechen, 1971, Peter Neufert Arch.
Kresge Auditorium, MIT, Eero
Saarinen/Amman Whitney, 1955, on three
supports
Ecological Center, St. Austell, Cornwall,
England,1996, Nicholas Grimshaw,
Anthony Hunt
Eden Project in
Cornwall/England Humid
Tropics Biome
Delft University of Technology Aula Congress Centre, 1966, Bakema
Social Center of the Federal Mail, Stuttgart, 1989, Architect Ostertag
Hyperbolic paraboloids
Hypar units on square grids
Case study of hypar roofs
Membrane forces in a basic hypar unit
Some hypar
characteristics
Hypar examples
The Flynn Recreation
Complex at Boston College
Daniel F. Tully Arch.
Almacen de Rio, Lindavista, D.F., Mexico, 1954, Felix Candela
Rossmarkt square, modern bus terminal, Schweinfurt, Germany
Greenwich Playhouse, 2002,
Austin/Patterson/ Diston Architects
Garden Exhibition Shell Roof, Stuttgart, 1977, Jrg Schlaich
Expo Roof, Hannover, EXPO 2000,
Thomas Herzog
Intersecting shells
Other surface structures
Cathedral of St. Mary of the
Assumption, San Francisco, 1967,
Pietro Belluschi Arch, Pier Luigi Nervi
TWA
Terminal,
New York,
1962,
Saarinen
Sydney Opera House, Australia, 1972, Joern Utzon/ Ove Arup
Multi Hall Mannheim, 1975, Timber Lattice
Roof , Frei Otto
DG Bank, Berlin, Germany
2001, Frank Gehry, Schlaich
Phaeno Science Centre, Wolfsburg, Germany, 2005, Zaha Zadid, Adams Kara Taylor
BMW Welt, Munich, 2007, Coop Himmelblau
Centre Pompidou-Metz, 2008, architects
Shigeru Ban and Jean de Gastines
Fisher Center, Bard College, NY, Frank Gehry, DeSimone, 2004
A model of the London Olympic Aquatic Center, 2004 by Zaha Hadid
Congress Center EUR District, Rome,
Italy, Massimiliano Fuksa
Metropol Parasol, Seville,
Spain, 2011, Jrgen Mayer +
Arup
Heydar Aliyev Center, Bacu, Azerbaijan, 2012,
Zaha Hadid Architects
E. Form-active surface structures :
soft shells, TENSILE MEMBRANES, textile fabric membranes, cable
net structures, tensegrity fabric composite structures

Suspended surfaces (parallel, radial)

Anticlastic, pre-stressed structures

Edge-supported saddle roofs

Mast-supported conical saddle roofs

Arch-supported saddle roofs

Pneumatic structures
Air-supported structures
Air-inflated structures (air members)
Hybrid air structures

Hybrid tensile surface structures possibly including


tensegrity
In contrast to traditional surface structures, tensile cablenet and
textile structures lack stiffness and weight. Whereas
conventional hard and stiff structures can form linear surfaces,
soft and flexible structures must form double-curvature
anticlastic surfaces that must be prestressed (i.e. with built-in
tension) unless they are pneumatic structures. In other words,
the typical prestressed membrane will have two principal
directions of curvature, one convex and one concave, where the
cables and/or yarn fibers of the fabric are generally oriented
parallel to these principal directions. The fabric resists the
applied loads biaxially; the stress in one principal direction will
resist the load (i.e. load carrying action), whereas the stress in
the perpendicular direction will provide stability to the surface
structure (i.e. prestress action). Anticlastic surfaces are directly
prestressed, while synclastic pneumatic structures are tensioned
by air pressure. The basic prestressed tensile membranes and
cable net surface structures are
Methods for stabilizing cable
structures
Anchorage of tension forces
Suspended Surfaces

Simply-suspended structures
Dulles Airport, Washington, 1962, Eero Saarinen/Fred Severud, 161-ft
suspended tensile vault
Trade Fair Hall 26, Hanover, 1996, Herzog/ Schlaich
National Indoor Sports and Training Centre, Australia, 1981, Philip Cox
Olympic Stadium for 1964 Olympics, Tokyo, Kenzo Tange/Y. Tsuboi, the roof is
supported by heavy steel cables stretched between concrete towers and tied
down to anchorage blocks.
Simply-suspended structures
Dulles Airport, Washington, 1962, Eero Saarinen/ Fred Severud, 161-ft (49 m)
suspended tensile vault
Trade Fair Hall 26, Hanover, suspension roof structure, timber panels on steel tie
members, 1996, Architect Herzog + Partner, Mnchen; Schlaich Bergermann.
National Indoor Sports and Training Centre , Philip Cox and Partners, 1981
Stadthalle Bremen,
Germany, 1964,
Ronald Rainer Arch.
Olympic Stadium, 1964, Tokyo, Kenzo Tange/ Y. Tsuboi
Anticlastic Tensile Membranes

Tent architecture
Dorton (Raleigh) Arena, 1952, North Carolina, Matthew Nowicki, with
Frederick Severud
Subway Station to Allianz Arena, Stadium Railway Station Froettmanning,
Munich
IAA 95 motor show, Frankfurt
New roof for the Olympic Stadium Montreal, 1975, Roger Taillibert
Grand Arch de la Defense, Paris, Paul Andreu
Olympic Stadium, Munich, 1972, Behnich/Frei Otto/Leonardt
King Fahd International Stadium, Riyadh, Saudi Arabia, 1986, Horst Berger
Canada Place, Vancouver, 1986, Eberhard Zeidler/ Horst Berger
San Diego Convention Center, 1989, Arthur Erickson/ Horst Berger
Schlumberger Research Center, Cambridge, UK, 1985, Hopkins/Hunt
International Airport Terminal, Denver, 1994, Horst Berger/
Hybrid tensile surface structures
Tensile Membrane Structures
In contrast to traditional surface structures, tensile cablenet and textile
structures lack stiffness and weight. Whereas conventional hard and stiff
structures can form linear surfaces, soft and flexible structures must
form double-curvature anticlastic surfaces that must be prestressed (i.e.
with built-in tension) unless they are pneumatic structures. In other words,
the typical prestressed membrane will have two principal directions of
curvature, one convex and one concave, where the cables and/or yarn
fibers of the fabric are generally oriented parallel to these principal
directions. The fabric resists the applied loads biaxially; the stress in one
principal direction will resist the load (i.e. load carrying action), whereas
the stress in the perpendicular direction will provide stability to the surface
structure (i.e. prestress action). Anticlastic surfaces are directly
prestressed, while synclstic pneumatic structures are tensioned by air
pressure.
Dorton (Raleigh) Arena, 1952,
North Carolina, Matthew Nowicki,
with Frederick Severud
Tent architecture
Sho-Hondo Temple ,
FUJINOMIYA, Japan,
1972, Kimio Yokoyama,
1998 demolished
Subway Station Froettmanning, Munich, 2005, Bohn Architect, PTFE-Glass roof
IAA 95 motor show,
Frankfurt, BMW
New roof for the Olympic
Stadium Montreal, 1975,
Roger Taillibert
Grand Arch de la Defense, Paris, 1989, Paul Andreu, Peter Rice
Olympic Stadium, Munich, Germany, 1972, Frei Otto, Leonhardt-Andrae
Soap models by Frei Otto
Stadium Roof, Riyadh, Saudi Arabia, 1984, Architect Fraser Robert, Geiger & Berger,
Canada Place, Vancouver, 1986, Eberhard Zeidler/ Horst Berger
San Diego Convention Center, 1989, Arthur Erickson/ Horst Berger
Schlumberger Research Center, Cambridge, UK, 1985, Hopkins/ Hunt
Denver International Airport Terminal, 1994, Denver, Horst Berger/ Severud
Motorway Church,
Florence, 1964,
Giovanni Michelucci
Church Of San
Giovanni Battista,
Florence, Italy,
Giovanni Michelucci,
1964
Hybrid tensile surface structures
Pneumatic Structures

Air supported structures


Air-inflated structures
Classificati
on of
pneumatic
structures
Air-supported structures

high-profile ground-mounted air structures


berm- or wall-mounted air domes
low-profile roof membranes

Pneumatic structures
Low-profile, long-span roof structures
Soap bubbles
To house a touring exhibition
Examples of pneumatic structures
Norways National Galery, Oslo, 2001, Magne Magler Wiggen Architect
Effect of wind loading on spherical membrane shapes
Metrodome, Minneapolis, 1981, SOM
Air-supported structures form synclastic, single-membrane structures, such as
the typical basic domical and cylindrical forms, where the interior is
pressurized; they are often called low-pressure systems because only a small
pressure is needed to hold the skin up and the occupants dont notice it.

Pressure can be positive causing a convex response of the tensile membrane


or it can be negative (i.e. suction) resulting in a concave shape. The basic
shapes can be combined in infinitely many ways and can be partioned by
interior tensile columns or membranes to form chambered pneus.

The typical normal operating pressure for air-supported membranes in the USA
is in the range of 4.5 to 8 psf (22 kg/m2 to 39 kg/m2) or roughly 1.0 to 1.5 inches
of water as read from a water-pressure gage. Air-supported structures may be
organized as
Pneumatic structures
Low-profile, long-span roof structures
Soap bubbles
To house a touring exhibition
Examples of pneumatic structures
Kiss the Frog: the Art of Transformation, inflatable pavilion for Norways National
Galery, Oslo, 2001, Magne Magler Wiggen Architect,
Effect of wind loading on
spherical membrane
shapes
Metrodome, Minneapolis, 1981, SOM
Airinflated structures: air members

Air inflated structures or simply air members, are typically,


high-pressure tubes
lower-pressure cellular mats: air cushions

Air members may act as columns, arches, beams, frames, mats, and so
on; they need a much higher internal pressure than air-supported
membranes

Expo02 Neuchatel, air cussion, ca 100 m dia.


Roman Arena Inflated Roof, Nimes, France, Schlaich
Festo A.G. Stuttgart
Expo02 Neuchatel, air cussion, ca 100 m dia.
Roman Arena Inflated Roof, Nimes, France, removable
membrane pneu with outer steel, 1988, Architect Finn
Geipel, Nicolas Michelin, Paris; Schlaich Bergermann und
Partne.internal pressure 0.40.55 kN/m2
Airtecture Exibition
Hall, Esslingen, 1996,
Festo Eng.
Tensegrity Structures

PLANAR OPEN TENSEGRITY SYSTEMS


SPATIAL OPEN TENSEGRITY SYSTEMS
SPATIAL CLOSED TENSEGRITY SYSTEMS

Buckminster Fuller:
small islands of compression in a sea of
tension
Tensegrity Structures
Buckminster Fuller described tensegrity as, small islands of compression in a
sea of tension. Ideal tensegrity structures are self-stressed systems, where few
non-touching straight compression struts are suspended in a continuous cable
network of tension members. The pretensioned cable structures may be either
self-balancing that is the forces are balanced internally or non-self-balancing
where the forces are resisted externally by the support structure. Tensegrity
structures may be organized as

Planar open tensegrity systems:


cable beams, cable trusses, cable frames
Planar closed tensegrity systems
cable beams, cable trusses, cable frames
Spatial open tensegrity systems
Spatial closed tensegrity systems
Tensegrity sculptures by
K. Snelson and others
Tensegrity by Karl Ioganson, 1920, Russian
artist
TENSEGRITY
tensile integrity

TENSEGRITY TRIPOD
DOUBLE - LAYER TENSEGRITY DOME
Examples of the spatial open tensegrity
systems are the tensegrity domes. David
Geiger invented a new generation of low-
profile domes, which he called cable domes.
He derived the concept from Buckminster
Fullers aspension (ascending suspension)
tensegrity domes, which are triangle based
and consist of discontinuous radial trusses
tied together by ascending concentric tension
rings; but the roof was not conceived as
made of fabric.
Olympic Fencing and Gymnastics Arenas,
Seoul, 1989, Geiger
The worlds largest cable dome is currently Atlantas Georgia Dome
(1992), designed by engineer Mattys Levy of Weidlinger Associates.
Levy developed for this enormous 770- x 610-ft oval roof the hypar
tensegrity dome, which required three concentric tension hoops. He
used the name because the triangular-shaped roof panels form
diamonds that are saddle shaped.
In contrast to Geigers radial configuration primarily for round cable
domes, Levy used triangular geometry, which works well for
noncircular structures and offers more redundancy, but also results in
a more complex design and erection process. An elliptical roof differs
from a circular one in that the tension along the hoops is not constant
under uniform gravity load action. Furthermore, while in radial cable
domes, the unbalanced loads are resisted first by the radial trusses
and then distributed through deflection of the network, in triangulated
tensegrity domes, loads are distributed more evenly.
The oval plan configuration of the roof consists of two radial circular
segments at the ends, with a planar, 184-ft long tension cable truss at
the long axis that pulls the roofs two foci together. The reinforced-
concrete compression ring beam is a hollow box girder 26 ft wide and
5 ft deep that rests on Teflon bearing pads on top of the concrete
columns to accommodate movements.
The Teflon-coated fiberglass membrane, consisting of the fused
diamond-shaped fabric panels approximately 1/16 in. thick, is
supported by the cable network but works independently of it (i.e.
filler panels); it acts solely as a roof membrane but does contribute to
the dome stiffness. The total dead load of the roof is 8 psf.
The roof erection, using simultaneous lift of the entire giant roof
network from the stadium floor to a height of 250 ft, was an
impressive achievement of Birdair, Inc.
Georgia Dome, Atlanta, 1995,
Weidlinger, Structures such as the
Hypar-Tensegrity Dome, 234 m x 186 m

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