Professional Documents
Culture Documents
Performance Singing
In compiling this syllabus the New Zealand Music Examinations Board has endeavoured to use readily available and affordable editions as
indicated in the text. The Board has used each book to the fullest extent possible, however any edition is acceptable. Editions are mentioned
solely as a means of identification, and any standard edition will be accepted.
New Zealand music is available from SOUNZ, the Centre for New Zealand Music, Level 1, 39 Cambridge Terrace, Wellington, 6001.Tel
04-801 8602, Fax 04-801 8604, info@sounz.org.nz
NZMEB gratefully acknowledges the technical expertise and advice so generously donated by Judy Bellingham, Flora Edwards and David
Griffiths in compiling these syllabuses.
Examination Music
Entrants may not use photocopies for performance (other than for facilitating page turns) in examinations, as this is prohibited by the Copyright
Act. When Entrants enter the examination room they must hand copies of all list pieces being performed, to the examiner, together with their
examination slip. Copies for examiner use of study list pieces in the Performance syllabuses are optional.
Please note that where pieces are listed in the Syllabus, the publishers are given mainly as an aid to locating material, and are merely suggestions;
other authoritative editions of the music will be equally acceptable.
Memory Work
It is recommended that from the earliest grades entrants should be encouraged to perform the chosen songs from memory. With the exception
of Oratorio/Cantata, memorisation of all Grade 8 and diploma programmes is required.
Keys
Except in the case of arias from Opera and Oratorio, songs may be transposed to any suitable key.
Technical Work
Technical Work is progressive throughout the grades. Metronome markings should be used as an approximation, a reasonable proximity to
these markings will be acceptable. Scales, arpeggios and exercises may be transposed to suit the range of the entrants voice.
Entrants must select a starting note and that note or a chord will be played before each scale, arpeggio or exercise. Where no syllable is
specified, entrants must be prepared to sing on any of the vowel sounds. For Level One and Two entrants, vowels may be preceded by a
consonant. At Level Three and above, except where otherwise specified, vowels may not be preceded by a consonant. All printed technical
exercises for the grade, need to be learnt unaccompanied and ready for presentation during the examination. Examiners may, at their discretion,
choose to hear only a selection of these.
NZMEB PERFORMANCE SINGING SYLLABUS ed 17.3
Teachers are encouraged to use all exercises in all Grades as a sequential vocal development tool, while concentrating on the exercises for the
particular Grade for which the entrant is entered.
The unaccompanied folk song is a constant in Preliminary to Grade 2 as it allows personal choice to suit entrants strengths, and is an excellent
tool for assessing pitch, diction and communication skills. Unless otherwise stated, all exercises should be practiced on all vowels.
For Grades 3 to 8 the entrant must present, along with the compulsory scales and exercises, one of the vocal studies or an unaccompanied folk
song as listed for the grade.
The International Phonetic Alphabet (IPA) has been used to indicate vowels and consonants on which to sing the exercises.
Exercises and Scales are ways of keeping the voice fit and flexible. Technical exercises give entrants the vocal tools to sing songs with
enjoyment and confidence, which helps the audience to enjoy the singing too.
Co-requisites - to complete Grade 6 practical, a pass is required in NZMEB Grade 3 Theory
Grade 7 practical, a pass is required in NZMEB Grade 4 Theory
Grade 8 practical, a pass is required in NZMEB Grade 5 Theory
AMusNZ, a credit pass is required in NZMEB Grade 5 Theory
LMusNZ, a pass is required in NZMEB Grade 6 Theory
For acceptable equivalents, see the Theory syllabus
Musicianship
For clapping tests entrants may count aloud using any recognized counting system eg French Time Names. A steady pulse at a moderate speed
is expected:
Up to and including grade eight, entrants will be given 30 seconds to study the melody line before attempting to sing. Examiners will play
the tonic chord and the key note at the beginning and end of that time. This will incorporate an outline piano accompaniment.
Tenor and bass singers will sing one octave below the written range.
Entrants may use tonic sol fa or any appropriate vowel with a consonant of their choice.
LEVEL ONE
Preliminary
To join in and clap the beats in simple duple or triple time, to a harmonised passage and to continue clapping the beats when the music
stops.
To clap or tap at sight, a simple written rhythm, in simple time.
Example:
2
4
To recognise step or skip movement (2nds and 3rds) over three notes within the compass of a fifth.
Example:
43
Grade One
To visually recognise written combined step/skip movements over 3 notes within the compass of a fifth. We suggest entrants use their own
pieces to develop fluency.
Example:
43
To clap or tap at sight, a simple written rhythm, in simple time.
Example:
3
4
To sing the same rhythmic pattern as a melody using only 2nds and 3rds within the compass of a sixth in the keys of C or G Major.
Entrants will be given half a minute to sight the melody during which time they may try parts of the test. The examiner will play the tonic
triad and the starting note before the entrant commences singing.
Example:
C
43
= 72
I
43
3
4
To aurally identify major seconds and major thirds (number only), played twice by the examiner. Entrants may sing or hum the notes
before answering.
To echo clap a short rhythm pattern first clapped by the examiner. A second attempt will be allowed if necessary.
Example:
2
4
Grade Two
To visually recognise any written interval within the compass of a fifth. We suggest entrants use their own pieces to develop fluency.
Example:
43
To clap or tap at sight, a simple written rhythm in simple time. May include crotchet rests and quavers.
Example:
4
4
3
To sing the same rhythmic pattern as a melody in the keys of G or D Major. Entrants will be given half a minute to sight the melody
during which time they may try parts of the test. The examiner will play the tonic triad and the starting note before the entrant commences
singing.
Example:
A_V D_I
4
= 100
4
44
4
4
To aurally identify major and perfect intervals up to and including perfect fifths (number only) played twice by the examiner. Entrants
may sing or hum the notes before answering.
To echo clap a short rhythm pattern first clapped by the examiner. A second attempt will be allowed if necessary.
Example:
3
4
Grade Three
To recognise written intervals within the octave at sight. We suggest entrants use their own pieces to develop fluency.
Example:
43
To clap or tap at sight, a simple written rhythm, in simple time. In addition to the rhythmic figures in previous grades, dotted crotchets,
quavers and minim rests may be included.
Example:
4
4
To sing the same rhythmic pattern as a melody within the compass of an octave in the keys of D or A Major. Entrants will be given half a
minute to sight the melody during which time they may try parts of the test. The examiner will play the tonic triad and the starting note
before the entrant commences singing.
Example:
A_V
D_I
4
= 84
To aurally identify major or perfect intervals up to and including perfect fifths (number only) played twice by the examiner. Entrants may
sing or hum the notes before answering.
To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.
To echo clap a short rhythm pattern first clapped by the examiner. A second attempt will be allowed if necessary.
Example:
4
4
4
LEVEL TWO
Grade Four
To clap or tap at sight, a written four bar rhythm, in simple time or compound duple. In addition to the rhythmic figures in previous grades,
semiquavers, dotted quavers and quaver rests may be added.
Examples:
4
4
86
To name the tonic key.
To sing a given melody in the keys of A or F Major. Entrants will be given half a minute to sight the melody during which time they may
try parts of the test. NB: Rhythmic pattern may differ from above at this level. The examiner will play the tonic triad and the starting note
before the entrant commences singing
Examples:
= 72 C_V F_I
86
86
6
8
To aurally identify major and perfect intervals up to and including major sixths, (number only) played twice by the examiner. Entrants
may sing or hum the notes before answering.
To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.
To echo clap a rhythmic pattern clapped once by the examiner. A second attempt will be allowed if necessary.
Example:
3
4
5
Grade Five
To clap or tap at sight, a written four bar rhythm, in simple or compound time. In addition to the rhythmic figures in previous grades,
triplets and tied notes may be added.
Examples:
3 3
4
4
86
To name the tonic key.
To give the letter names for both triads of the final perfect cadence.
To sing a given melody in the keys of B major/G minor or E major . Entrants will be given half a minute to sight the melody during
which time they may try parts of the test. NB: Rhythmic pattern may differ from above at this level. The examiner will play the tonic triad
and the starting note before the entrant commences singing
Examples:
= 84
44
44
4
4
B E
5
V I
To aurally identify by quality and number major and perfect intervals up to and including a perfect octave played twice by the examiner.
Entrants may sing or hum the notes before answering.
To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.
To echo clap a four bar rhythmic pattern clapped once by the examiner. A second attempt will be allowed if necessary.
Examples:
86
= 100 B E
43
V I
43
3
4
To aurally identify by quality and number, all major and perfect intervals up to and including a perfect octave, played twice by the
examiner. Entrants may sing or hum the notes before answering.
To aurally identify root position triads as major, minor, or augmented (notes sounded together) played twice by the examiner.
LEVEL FOUR
Grade Seven
To clap or tap at sight, a written rhythm in simple or compound time. In addition to the rhythmic figures in previous grades, syncopation
may be added.
Examples:
3 3
3
4
5
89
4
6
To name the tonic key.
To identify the first cadence as imperfect or interrupted and the second cadence as perfect or plagal.
To give the letter names of all triads forming cadences.
To sing a given melody in the keys of A major/F minor or E major/C minor. Entrants will be given half a minute to sight the melody
during which time they may try parts of the test. The examiner will play the tonic triad before the entrant commences singing. NB:
Rhythmic pattern may differ from above at this level
Examples:
= 84 A E
43
3 I V
43
3
4
E A
5
3
V I
To aurally identify by quality and number all major and perfect intervals, and minor thirds, up to and including a perfect octave, played
twice by the examiner. Entrants may sing or hum the notes before answering.
To aurally identify root position triads as major, minor, augmented or diminished (notes sounded together) played twice by the examiner.
7
Grade Eight
To clap or tap at sight, a written eight bar rhythm, in any time signature.
Examples:
9
2
8
2
5
5
4
5
To name the tonic key and key changes throughout the given melody.
To identify cadences and indicate where they fall.
To give the letter names of all triads forming cadences.
To sing the given melody with appropriate phrasing in keys up to three sharps or flats, Major or minor. Entrants will be given one minute
to sight the melody during which time they may try parts of the test. NB: Rhythmic pattern may differ from above at this level. The
examiner will play the tonic triad before the entrant commences singing
Example:
= 52
86
86
6
8
5
To aurally identify by quality and number all major and perfect intervals, minor thirds and sixths, up to and including a perfect octave,
played twice by the examiner. Entrants may sing or hum the notes before answering.
To aurally identify root position triads as major, minor, augmented, or diminished (notes sounded together) played twice by the examiner.
Musical Knowledge
In practical examinations examiners will ask entrants questions on the following aspects of list pieces (excluding study list)
Preliminary
1. Scales and Exercises
This is seen as a confidence building examination, hence the accompanied exercise, followed by the repetition of it unaccompanied.
The basis of the major scale is reinforced, but with fun words to sing.
Some of the cardinal vowels [i], [a], and [u], along with [] are introduced.
The consonant [g] works on loosening the back of the tongue, and the consonants [j] on the front of the tongue.
Exercises below. NB Each exercise is to be sung twice. Once with a very soft accompaniment, and once unaccompanied.
1.
44
= 84
Gig gle, gig gle, gig gle, gig gle, ha
2.
Gig gly Gert rude, gig gly Gert rude, gig gly Gert rude, gig gly Gert
3.
= 60
44
Yum, yum, yum, yum, yummmm!
2. Vocal Studies
An unaccompanied folk song of entrants choice, not more than two verses.
4. Musicianship
5. Musical Knowledge
Grade 1
1. Scales and Exercises
These are compulsory and will be performed A capella, beginning on a note of the entrants choice
Exercise 1 reinforces the back of the tongue looseness.
The interval of singing a major 2nd is introduced.
The vowel [E] is introduced.
The concept of a diphthong in the word nice [ai] is introduced.
The consonant [z] aims to create a depth of tone.
Breathing in all these exercises uses the principle of onset and release.
Exercises below
1.
44
= 80
mf ga ga ga ga ga ge ga ge ga ge ga ge ga
2.
44
= 60
mf Ve ry ve ry nice. Ve ry ve ry nice. Ve ry ve ry nice.
3.
= 60
44
f za za za
2. Vocal Studies
1. An unaccompanied folk song of entrants choice, not more than two verses.
3. Pieces 3 pieces to be chosen, 1 from each list, plus one in study list
11
List A
Anon The Birds Oxford Book of Carols
Dutch Anna Marie Sing Together! Arr Appleby & Fowler, OUP
English Golden Slumbers Sing Together! Arr Appleby & Fowler, OUP
English My fathers Garden Sing Together! Arr Appleby & Fowler, OUP
English The Mallow Fling Sing Together! Arr Appleby & Fowler, OUP
English The Miller of Dee Sing Together! Arr Appleby & Fowler, OUP
English The Smugglers Song Sing Together! Arr Appleby & Fowler, OUP
Irish I Will Walk with my Love Songs of Ireland, Arr Hargest Jones, Boosey & Hawkes
Irish The Gypsy Rover (vs1&2 only) Songs of Ireland, Arr Hargest Jones, Boosey & Hawkes
Irish The Spinning Wheel (vs1&5) Songs of Ireland, Arr Hargest Jones,Boosey & Hawkes
Mexican La Cucaracha Songs of the Americas, , Arr Hargest Jones,Boosey & Hawkes
Sth American Dona, Dona Songs of the Americas, , Arr Hargest Jones,Boosey & Hawkes
Trad Andulko Sing Together! Arr Appleby & Fowler, OUP
Trad Fishermans Night Song (2 verses) Sing Together! Arr Appleby & Fowler, OUP
Trad Michael Finnigin (3 verses) Sing Together! Arr Appleby & Fowler, OUP
List B
Anderson A Childs Prayer Leslie 75261
Boswell Little Donkey
Brahms Die Nachtigall (The Nightingale) The Art of Song, Gr 1-5, Vol. 1
Brahms Marienwrmchen (Ladybird) The Art of Song, Gr 1-5, Vol. 1
Dunhill April Rain Boosey & Hawkes
Dunhill The Frog Banks YS 1486
Dunhill The Grandfather Clock Cramer UPS 213/Banks
Finzi The Lily has a smooth stalk 20th Century Easy Song Collection, Boosey & Hawkes
Gawthorne Bruce and the Spider Curwen 72062
Kabalevsky Goodnight Boosey & Hawkes
Kennedy Gods Little Candle
Parke Over the hills and far away By Winding Roads, 15 songs of the Irish Countryside, Roberton
Parke The Fairy Tree Roberton
Parke Winds Roberton
Roberton Good Morrow to you, Springtime! Roberton
Roberton Softly Falls the Shades of Evening Roberton
Roe Song of the birds. No.6 10 Ponder & William Songs Thames/William Elkin
Schumann Der Abendstern (The Evening Star) The Art of Song, Gr 1-5, Vol. 2
Schumann Kinderwacht (The Childrens Watch) The Art of Song, Gr 1-5, Vol. 2
Shaw Cuckoo Curwen/Music Sales
Thiman The Beech, the Birch and the Lime Cramer
Thiman The Silver Birch Curwen
List C
Bennett The Fly The Insect World, Boosey & Hawkes
4. Musicianship
5. Musical Knowledge
13
Grade 2
1. Scales and Exercises
These are compulsory and will be performed A capella, beginning on a note of the entrants choice
Further reinforcement of the major scale, but this time slurred, and the loosening of the front of the tongue with the [j].
Ascending arpeggios, using [b] for frontal resonance.
The vowels [O] and [e] are introduced.
The tracking of vowels [i]-[e]-[a] is used.
Triads are introduced with words to reinforce the major tonality. These words introduce [h] to get the breath moving and a further
diphthong [ei] in the word day.
Exercises below
1.
44
= 60
Y y y y
2.
43
= 64
3.
44
= 72
5 i e a i e a i e a i e a
i e a i e a i e a i e a
4.
44
= 100
2. Vocal Studies
1. An unaccompanied folk song of entrants choice, not more than three verses.
3. Pieces Three pieces to be chosen, one from each list, plus one in study list.
List B
Attrib. Mozart Cradle Song The Art of Song, Gr 1-5, Vol. 1
Beethoven Sehnsucht Singing Grade Book, 2nd grade high voice , Allans Publishing
Brahms Die Henne (Broody Hen) The Art of Song, Gr 1-5, Vol. 1
14
List C
Andrew Lloyd Any Dream Will Do Audition Songs for Kids, Music Sales AM 955273
Webber
Bart Consider yourself Oliver Vocal Selections Music Sales. LK 56070
Bart Where is Love Oliver, Music Sales
Bennett Clock-a-Clay The Insect World Universal UE 14167
Bennett Glow-worms The Insect World Universal UE 14167
Bennett The Insect World The Insect World Universal UE 14167
Beswick Coconut Man Pick & Choose, Universal UE 16393
Churchill Heigh Ho Illustrated Treasury of Disney Songs, Hal Leonard
Crawley Abdul the Magician (from Magic in the Leslie 1143
Air)
Hamilton, David Chocolate Just Desserts, Hamilton
Hamilton, David Perfect Milkshake Just Desserts, Hamilton
Harline When You wish Upon a Star Illustrated Treasury of Disney Songs, Hal Leonard
Hoffman & A Dream is a Wish Your Heart Makes Illustrated Treasury of Disney Songs, Hal Leonard
Livingstone
Holland At Evening Singing Grade Book, 2nd grade high voice , Allans Publishing
Aust Poems. Allans Publishing
Jenkins Bessie, the Black Cat Novello/Music Sales
Parke In Old Donegal Roberton
Parke The Old Man from Kilkenny Roberton
Parke The Travellers Roberton
Roberts, Sharon Compassion
Rodgers Doh-Re-Mi Kids Book of Vocal Solos Hal Leonard Europe HL E 90001388
Rodgers Getting to Know You The Singers Musical Theatre Anthology Vol 3, (Sop) Imp.
00740122
Rodgers My favourite things Kids Book of Vocal Solos Hal Leonard Europe HL E 90001388
Rodgers The Sound of Music Kids Book of Vocal Solos Hal Leonard Europe HL E 90001388
Rowley The Fairy Weavers Novello
Rowley The Kangaroo Novello
Schonberg Little People Kids Book of Vocal Solos, Hal Leonard
Shaw Coventry Carol The Oxford Book of Carols, OUP
Shaw London Birds Curwen/Music Sales
Sherman Chim Chim Cher-ee The Disney Collection, Hal Leonard
Sherman Spoonful of Sugar The Disney Collection, Hal Leonard
Sherman Truly Scrumptious Chitty Chitty Bang Bang, Belwin
Simon The Sound of Silence Acoustic Classics, Hal Leonard
Stanford The Cuckoo 20th Century Easy Song collection. Boosey & Hawkes
Strouse Tomorrow Audition Songs For Kids, Chester
Trad Skye Boat Song Singing Grade Book, 2nd grade low voice, Allans Publishing,
Second Pentatonic Song Book, Schott
Trad. Rocking Oxford Carols
Tremain, Ronald Three Young Rats A Selection of Songs, SOUNZ
Woodgate The Watchmakers Shop Paterson/Music sales
Wright, D Phantom Castle
4. Musicianship
5. Musical Knowledge
15
Grade 3
1. Scales and Exercises
These are compulsory and will be performed A capella, beginning on a note of the entrants choice
Major scale now sung both ascending and descending.
Five Cardinal vowels now tracked.
Onset and release breathing pattern further established.
Descending scale reinforced with the Tui softly singing exercise - care will need to be taken that the initial [t] in tui is not too aspirate.
The [u]-[i] is good front to back vowel practice.
Major triads reinforced and minor triads introduced.
Exercises below:
1.
44
= 72
mf
2.
44
= 72
mf i e a o u i e a o u i e a o u i e a o u i e a o u
3.
44
= 80
mf i e a o u
4.
44
= 72
mp
Tu i soft ly singing, tu i soft ly sing ing, tu u soft ly sing ing, tu i soft ly sing
5.
44
= 60
mf o u i
3. Pieces Three pieces to be chosen, one from each list, plus two in study list.
List A
Arne When Daisies Pied Art of Song Grades 1 to 5, Vol 2, Peters
Arr Copland I Bought me a Cat Old American Songs-set 1, Boosey & Hawkes
Arr Copland Simple Gifts Singing Grade Book, 3rd Grade high voice , Allans Publishing
Arr Hughes The Gartan Mothers Lullaby Irish Country Songs, Boosey & Hawkes
Bach In Dulci Jubilo Singing Grade Book, 3rd grade low voice, Allans Publishing
Barnby Sweet and Low 36 Solos for Young Singers, Hal Leonard
Bartlett, John What thing is Love Elizabethan Love Songs Boosey & Hawkes
Byrd Cradle Song (Low) Sing Solo Xmas Ed. JC Case, OUP
Davey The Bay of Biscay Sing Together! Arr Appleby & Fowler, OUP
English Pretty Polly Oliver Sing Together! Arr Appleby & Fowler, OUP
Keen, Arr Atthouse Homeward Bound Folksongs for Solo Singers. Alfred
Keen, Arr Atthouse Shes Like a Swallow Folksongs for Solo Singers. Alfred
Purcell I saw that you were Grown so High The Art of Song, Gr 1-5, Vol. 2
Trad Eriskay Love Lilt Arr Fraser, Boosey
Trad Fairy Lullaby Arr. Roberton
Trad Hope the Hermit Sing Together! Arr Appleby & Fowler, OUP
Trad Marianina (Italy) Curwen
Trad The Brisk Young Sailor Singing Grade Book, 3rd Grade high voice , Allans Publishing
Trad The Lorelei Curwen
Trad Ye Banks and Braes Sing Together! Arr Appleby & Fowler, OUP
16
List B
Anon My little Pretty One The Hundred Best Short Songs Bk 4, Paterson
Brahms Stndchen Op 14 No 7 Singing Grade Book, 3rd grade high voice, Allans Publishing
Brahms Wiegenlied (Cradle Song) Treasury of Song Vol 2. Allans Publishing
Britten Fishing Song Friday Afternoons, Boosey & Hawkes
Dunhill Elsie Marley Sing Together! Arr Appleby & Fowler, OUP
Franz Goodnight (The Last Farewell) Singing Grade Book, 3rd Grade low voice , Allans Publishing
Franz I Heard the Rose Make Sad Complaint 1100 Best Songs Bk 2
Grieg Zwei Braune Augen (2 brown eyes) Op 5 The Art of Song, Grades 1 to 5, Vol 2, Peters
No 2
Mendelssohn Gruss Op 19 No 5 The Art of Song, Grades 1 to 5, VVol 1 Peters
Mendelssohn Lieblings platzen Singing Grade Book, 3rd grade high voice, Allans Publishing
Mozart Die Zufriedenheit K.349 (any three Dover
verses)
Schubert Abendlied (Evening Song) Easy German Classic Songs, Ditson
Schubert Heidenrslein First Vocal Album, Schirmer
Schubert Seligkeit The Art of Song, Grades 1 - 5, Vol 2, Boosey & Hawkes
Schumann Volksliedchen Op 51, No 2 Allans Publishing
List C
Arlen If I Only Had a Brain The Wizard of Oz, Alfred
Arlen Over the Rainbow The Wizard of Oz; Vocal Selections, Imperial TSF 0038
Armstrong What a Wonderful World Song Writers Hall of Fame,Imperial MF 9901
Arr H. Howells I will give my love an apple Thames
Bart As Long as He Needs Me Oliver! Vocal Selections Music Sales LK 56070
Bart Pick a Pocket or Two Lakeview music/Music Sales
Batt Bright Eyes Stage and Screen: The Black Book, Music Sales AM92249
Bernstein I feel Pretty Hal Leonard
Bernstein My House(Peter Pan) 20th Century Easy Song Collection, Boosey & Hawkes
Bock & Harnick Matchmaker Hal Leonard/Music Sales
Bruns Yo Ho Illustrated Treasury of Disney Songs, Hal Leonard
Finzi Ferry Me Across the Water Op 1 No 7. 20th Century Easy Song Collection, Boosey & Hawkes
Fraser-Simon Christopher Robin is saying his Prayers The First Book of Mezzo-soprano/Alto Solos, Schirmer
Holland Lullaby Aust Poems. Allans Publishing
Holland The Whistling Man Aust Poems. Allans Publishing
Jenkyns The Owls Novello/Music Sales
John, Elton I Just Cant Wait to be King The Illustrated Treasury of Disney Songs, HL
Lloyd Webber Whistle Down the Wind Music Sales
Loewe Get me to the Church on Time IMP
Loewe Thumbelina Hans Christian Andersen:Vocal SelectionsMusic Sales AM
70384
Loewe Wouldnt it be Loverley? The Singers Musical Theatre Anthology Vol 3, IMP. 9391A
McBroom The Rose All Woman Vol.1, IMP
Menken Be our Guest The Illustrated Treasury of Disney Songs, HL
Menken Part of your World The Illustrated Treasury of Disney Songs, HL
Menken Under the Sea The Illustrated Treasury of Disney Songs, HL
Milford The Gypsy Girl Banks OCS 24
Rodgers I Could Write a Book The Singers Musical Theatre Anthology vol. 1 IMP
Rodgers I Whistle a Happy Tune Kids Book of Vocal Solos, Hal Leonard
Rodgers Oh, What a Beautiful Mornin The Singers Musical Theatre Anthology,IMP
Roe A Little River Life is Full of Other People Thames
Schonberg Castle on a Cloud Kids Book of Vocal Solos,Hal Leonard Europe
Stanford A Soft Day Singers World Bk 2
Strouse Maybe More Audition Songs for Kids, Music Sales
Strouse Youre Never Fully Dressed without a Annie, IMP
Smile
Thiman The Path to the Moon 20th Century Easy Song Collection, Boosey & Hawkes
Tremain, Ronald Hush-a-ba-birdie A Selection of Songs, SOUNZ
Warlock The First Mercy Boosey & Hawkes
4. Musicianship
5. Musical Knowledge
17
Grade 4
1. Scales and Exercises
These are compulsory and will be performed A capella, beginning on a note of the entrants choice
The use of the syllable vra encourages a forward tongue placement.
The melodic minor scale, both ascending and descending, is introduced slowly giving entrants time to think about what notes they are
singing. This encourages aural acuity.
Two short phrases, one major and one minor are introduced but with different words to each.
Exercises below
1.
= 80
86
mf
2.
44
= 64 3
mf
3.
42
= 60
f
4.
4
= 70
4
mf The sky is blue
5.
= 70
44
mf The night is dark
3. Pieces Three pieces to be chosen, one from each list, plus two in study list.
18
List A
Anon Have you seen but a white lily grow? Celebrated Songs, ed Leah Book 1, Chester
Arne Blow Blow Thou Winter Wind 100 Best Short Songs, Paterson
Arne Care Flies from the Lad that is Merry Curwen/Music Sales
Arne The Lass with the delicate air Best of Recital Songs, Allans Publishing
Arne Where the Bee Sucks Singing Grade Book, 4th Grade high voice , Allans Publishing,
Boosey & Hawkes Shakespear Song Album
Arr. Copland Long Time Ago Boosey & Hawkes
Arr. Hughes The Spanish Lady
Arr. Stanford Trottin to the Fair Boosey & Hawkes
Bach Jesu du bist mein Bach, J.S. Sacred Songs, IMC
Dowland Come Away, Come Sweet Love Celebrated Songs ed Leah Book 2, Chester
Ford Since first I saw your face Art of Song, Grades 1 - 5, Vol 2, Peters
Giordani Caro Mio Ben 26 Italian Songs and Arias ed John Glenn Paton, Alfred
Handel Art Thou Troubled Novello
Handel Dove Sei, Amato Bene Art of Song, Grades 1 - 5, Vol 2, Peters
Handel Silent Worship Celebrated Songs Book 1, Chester
Handel Vouchsafe O Lord Sing Solo Baritone, ed J. C. Case, OUP
Haydn Sailors song Art of Song, Grades1 - 5,
Mozart An die Freundschaft The Art of Song, Gr 1-5, Vol. 2
Mozart Die Kleine Spinnerin (The little Spinner The Art of Song, Gr 1-5, Vol. 2
Girl)
Mozart Komm, Liebe Zither, komm KV351 Mozart 50 Songs, Peters 4699a/b
Paisello Nel cor pi non mi sento 26 Italian Songs and Arias, Alfred
Pergolesi Nina Singing Grade Book, 4th Grade low voice , Allans Publishing
Scarlatti O cessate di Piagarmi 26 Italian Songs & Arias, ed Glenn Paton, Alfred
Trad Scarborough Fair Making the Grade 4-5, Chester
Trad The lark in the clear air Sing Solo Baritone, ed J.C. Case, OUP
Trad When Love is Kind Treasury of Songs, Vol 1, Allans Publishing
Vivaldi Vieni, vieni The Chester Books of Celebrated Songs - Bk 2
List B
Barber The Daisies Collected Songs, Schirmer/Music Sales
Brahms Sandmnnchen, The Little Sandman The Art of Song Gr 4 5 revised
Brahms Schwesterlein Treasury of Songs Vol 8 Allans Publishing
Chopin The Maidens Wish Op 74 Treasury of Song Vol 4. Allans Publishing
Franz Fr Musik Singing Grade Book, 4th Grade high voice, Allans Publishing
Franz Widmung(Dedication) Allans Publishing
Grieg Ich liebe dich Art of Song Gr1-5 Vol 2 Peters
Grieg Margarets Cradle Song Art of Song Grades 1 - 5 Vol 2, Peters
Grieg With a Primrose Peters
Mendelssohn But the Lord is Mindful Sing Solo Contralto, ed C Shacklock,OUP
Mendelssohn Jaglied Singing Grade Book, 4th Grade low voice , Allans Pub
Rodrigo The Little White dove No 3 from 12 Spanish Songs, Schott
Rodrigo The Millers Wife No 10 from 12 Spanish Songs, Schott
Rubinstein Der Asra Singing Grade Book, 4th Grade high voice, Allans Publishing
Schubert An die Laute Singing Grade Book, 4th Grade low voice , Allans Publishing
Schubert Lachen und Weinen Treasury of Song Vol 7, Allans Publishing
Schubert Minnelied D429 (Holder Klingt der Peters
Vogelsang
Schumann An den Sonnenschein (To the Sunshine) Schirmer
Schumann Auf dem Rhein (On the Rhein) Schirmer
Schumann Schneeglckchen (Snowdrops) Singers World Book 2
Tchaikovsky Legend Treasury of Song Vol 5, Allans Publishing
Vaughan Williams Spring No. 1 of Three Childrens songs OUP
List C
Armstrong Gibbs Dusk Boosey & Hawkes
Bart Reviewing the Situation Lakeview Music/Music Sales
Bennett The Birds Lament The Aviary, Universal
Bennett The Widow Bird The Aviary, Universal
Bernstein One Hand, One Heart West Side Story, Boosey
Bock & Harnick Far from the Home I Love Hal Leonard/Music Sales
Buchanan, Dorothy Peace Song Album of Songs by New Zealand Composers, SOUNZ
Casey Hopelessly Devoted to You Grease IMP
Casey Sandy Grease IMP
Finzi Boy Johnny Op 1 No 10 Boosey & Hawkes
19
4. Musicianship
5. Musical Knowledge
Grade 5
1. Scales and Exercises
Exercises and scales are ways of keeping the voice fit and flexible. Technical exercises give entrants the vocal tools to sing songs with enjoyment
and confidence and that helps an audience to enjoy the singing also.
1. AGILITY - agility exercises will help to train the voice to move quickly and neatly from one note to the next. Singing with agility from
the top of the scale down to the lowest note is an excellent way to begin the daily practice or to start the singing lesson. The scale can be
sung to any vowel - e.g. a or i or u or O, and putting an L in front of the vowel encourages the tongue tip to stay flexible and agile too.
The letter D can also be helpful in this way. D is an excellent consonant for using only the tongue tip without tightening the whole
tongue. Experiment with these suggestions to find which give the best results.
= 80
86
mf
2. STACCATO - the staccato way of singing or playing is another way of keeping the tone light and short, but not breathy. The entrant should
aim for a focused tone in the staccato note which is accurate but unforced as the voice and breath meet each other neatly without being
pushed. Use thought to prepare the pitch accurately before the sound is made. Practise this slowly at the beginning, and speed up with
proficiency.
44
= 104
mp
3. ARPEGGIO EXERCISES - these too, are good exercises for the development of rapid and accurate movement of the voice. When
combined with the major and minor scale, the entrant is working for skill in their ability to change the pitch of the major third into a minor
third with correct tuning.
44
= 104
mp
4. THE NINE NOTE SCALE: ascending and descending - This scale is to be sung with the enjoyment and musical feeling it deserves. The
ninth note is a peak in the music and the singing voice must stay consistent while reaching the peak then descending to the lowest pitch.
The breath is a source of energy and it must be managed with care through each note. If the chin juts forward, or the tongue becomes
tense, the breath energy will be interrupted and the vocal tone will suffer. It would be a good idea to practise this exercise slowly at first
until all the suggestions can be managed.
= 104
44
mp
5. MESSA DI VOCE: the line of the voice - This is an exercise which will train the voice to respond to the commands of thought. Start by
thinking of the vowel a and how it feels inside the mouth, then start singing a quiet but focused sound and swelling it to a strong, vibrant
and unforced one. Now gradually return to the quiet dynamic level. Dont change the shape of the a sound from the beginning to the
end.
44
= 144
p f p
7
f p f
6. THE MELODIC MINOR - This minor scale will already be known. This should be sung with thought and enjoyment to demonstrate
confidence in knowing the place of each note as the entrant sings upwards with a focused and even tone.
= 104
44
mp
21
3. Pieces Three pieces to be chosen, one from each list, plus two in study list.
List A
Arr. Copland At the River Old American Songs, Boosey & Hawkes
Arr. Hughes I know my Love Irish Country Songs, Boosey & Hawkes
Arr. Hughes I will Walk with my Love Irish Country Songs, Boosey & Hawkes
Arr. Hughes The Star of County Down Irish Country Songs, Boosey & Hawkes
Caldara Alma del core 26 Italian Songs & Arias, High and Low voice , Alfred
Cimarosa Bel nume che adoro 30 Arie,Collezione complete, 3 vols, Ricordi
Dowland Now, O now I needs must Part Dowland 50 Songs Bk.1, Stainer & Bell
Durante Danza, Danza 26 Italian Songs and Arias, Alfred
Handel Recit. Then Shall the Eyes of the Blind Messiah
Aria. He Shall Feed His Flock
Handel Verdi Prati (Alcina) Celebrated Songs, ed Leah, Vol 2, Chester
Handel Whereer You Walk Art of Song, Grades 1 - 5, Vol 2, Peters
Haydn The Wanderer O Tuneful Voice, OUP
Linley Still the Lark finds Repose Songs of the Linleys, Stainer & Bell B569
Mozart Lho Perduta Great Mozart Arias for Soprano, Dover
Mozart Voi che Sapete Le Nozze di Figaro
Pergolesi Se tu mami, se sospiri 26 Italian Songs and Arias, ed Glenn Patton, Alfred.
Purcell Fairest Isle The Art of Song Gr 4-5, Peters
Purcell, H Hail to the Myrtle Shade, Z.606 Selected Songs of Purcell, Cramer
Purcell I attempt from Loves Sickness to Fly Celebrated Songs, ed Leah Book 3, Chester
Purcell Love Quickly is Palld The Art of Song Vol.2, Peters
Purcell, D Let Not Love on Me Bestow Early Georgian Songs Book 1, Stainer & Bell
Purcell, H Nymphs and Shepherds
Scarlatti Gia il sole dal Gange 26 Italian Songs & Arias, High and Low voice, Alfred
Scarlatti Le Violette 26 Italian Songs and Arias, ed Glenn Patton, Alfred.
Scarlatti Sento nel core 26 Italian Songs and Arias, ed Glenn Patton, Alfred.
Torelli Tu lo sai 26 Italian Songs and Arias, ed Glenn Patton, Alfred.
List B
Arr. Britten Down by the Salley Gardens Folk song Arrangements Vol 1, Boosey & Hawkes
Arr. Britten O Waly Waly Folk song Arrangements Vol 3, Boosey & Hawkes
Arr. Britten Oliver Cromwell Folk song Arrangements, Boosey & Hawkes
Arr. Britten The Birds Boosey & Hawkes custom print
Beethoven Ich Liebe dich The Lieder Anthology, Hal Leonard 740219
List C
Armstrong Gibbs Five Eyes Boosey & Hawkes
Bernstein Tonight Westside Story, Vocal Selections, Boosey & Hawkes
Britten The Birds Boosey & Hawkes custom print
Carpenters Close to You IMP
Cham, Cham & When there was Me and You High School Musical, Hal Leonard
Seeley
Cohen Hallelujah Hal Leonard 2500414
Copland The Dodger Boosey & Hawkes
Dempsey & Rowe Loose Ends The Witches of Eastwick, IMP
Elgar Autumn Ascherberg
22
4. Musicianship
5. Musical Knowledge
23
It is expected that Italian, German and French repertoire will be sung in the original language.
Grade 6
Technical exercises play an important part in the study of music performance. By practising and achieving the vocal techniques of the exercises,
the voice will become stronger, flexible and wider in range. However, remember that the technical exercises are not just a collection of notes
but are also music! This means that they must be sung as a musical performance to make them enjoyable and fully achievable. Knowing what
each exercise is for, and carrying that thought over into songs is very important.
1. THE TEN NOTE SCALE - This scale should be sung with even and steady sound. Enjoy the ascending scale with a sense of excitement
as it goes beyond the usual eight notes to the peak. Energy from the breath will carry the voice without having to reach up for high notes,
and therefore feeling strain in mouth, throat or tongue. Entrant must be careful not to jut out chin or lift shoulders during the upward
scale.
= 80
89
mf
2. THE TEN NOTE SCALE IN HARMONIC MINOR MODE - this is a challenge because of the technique needed to sing an upward scale
and also the tonality of the harmonic minor. Slow practise is the method needed to master both challenges.
= 80
89
mf
24
3. THE CHROMATIC SCALE - this scale has twelve notes with no whole tones, only semi-tones between the pitches. When learning this
scale and working out the best way of singing it well, it helps to think of the intervals between each note as being large steps on the way
up and as smaller steps on the way down.
44
= 104
mf
4. EXTENDED ARPEGGIO WITH CHANGING TONALITY BETWEEN MAJOR AND MINOR MODES - The entrant should study this
exercise with care because of the challenges it holds. Be very careful about intonation which demonstrates knowledge of the major and
minor keys and the ability to sing each with confidence.
= 44
86
mp f
5. AGILITY - the strong rhythmical impulse in this exercise must be maintained with evenness within the triplet figure. Take care that the
first note of each triplet arrives exactly on the beat of the bar for which it is intended. Careful not to allow the exciting rhythm to pull you
off the beat. The use of a metronome to reinforce the beat will prove useful for this. Notice that the pattern of the triplet figure changes
on the descending half of the scale. There is an intonation challenge in singing the ascending thirds to make sure that the interval is wide
enough between them and then narrowed with the notes descending in a stepwise pattern.
12
= 80
8
mf
3
3. Pieces Three pieces to be chosen, one from each list, plus two in study list.
List A
Arne Under The Greenwood Tree Chester
Arr. Britten Early One Morning (any three verses) The Boosey & Hawkes 20th Century Easy Song Collection,
Boosey
Arr. Britten La Belle est au Jardin damour Boosey & Hawkes
Bach Come Let Us All This Day
Bach My Heart ever faithful Allans Publishing
Bononcini Per la Gloria Dadorarvi Schirmer
Boyce Tell Me Lovely Shepherd Best Recital Songs, Allans Publishing
Caccini Amarilli, Mia Bella 26 Italian Songs & Arias, Alfred 3402
Carissimi Vittoria, Mio Core! 26 Italian Songs and Arias, Alfred
Handel O Sleep Why Dost Thou Leave me? Celebrated Songs, ed Leah, Vol 3, Chester
Handel Recit: He was cut off (Messiah), Aria:But Novello. Novo70137
thou Didst Not Leave his soul in hell
Handel Recit: O Didst Thou Know Acis &
Galatea, Aria: As when the Dove laments
her love
Handel Return o God of Hosts (Samson)
Handel Thou shalt Bring Them In (Israel in
Egypt)
Lotti Pur Dicesti, o bocca bella 26 Italian Songs & Arias, Alfred 3402
Mozart Das Veilchen KV476 Mozart 50 Songs, Peters 4699a/b
Mozart Deh Vieni Alla Finestra (Don Giovanni) Operatic Anthology Vol.4, Schirmer
Mozart Wer ein Liebchen hat gefunden Aria Album, Peters
Purcell Now Winter Comes Slowly The Fairy Queen
Purcell Sailors Song Dido & Anneas
Scarlatti Cara e Dolce 26 Italian Songs & Arias, Alfred 3402
List B
25
List C
Adam O Holy Night Schirmer
Armstrong Gibbs The Cherry Tree Schirmer
Bennett The Owl(The Aviary) Universal Ed.
Bernstein Somewhere(West Side Story) Schirmer
Bowater You Spotted Snakes Soundz NZ
Casey There are Worse Things I Could Do Grease
Coleman Big Spender Sweet Charity, Music Exchange 031044M
Coward If Love Were All Music Sales
Coward Mrs Worthington Music Sales
4. Musicianship
5. Musical Knowledge
27
Grade 7
1. Scales and Exercises
Grade seven is an advanced level. It is important for the entrant to read the criteria in the syllabus very thoroughly to prepare for the standards
which will be expected at the examination. They challenge vocal technique and musicianship. The criteria covers both grades seven and eight in
Level Four. The entrants in Grade Seven will be expected to perform the technical exercises and repertoire at a satisfactory level of proficiency
to achieve a successful outcome in the examination.
The development of vocal technique is an essential component for singing performance as it enables the singer to do justice to their chosen
selections and to safeguard the health and stamina of the singing voice.
Repertoire should be carefully chosen, making sure that selections are not beyond the entrants present state of vocal development. Songs and
1. THE EXTENDED SCALE: the eleven note scale - this is well beyond the normal diatonic scale. The advice given in earlier grades about
the posture of head and neck when passing through the scale towards the higher pitches is very important. Jutting the chin, tightening
the jaw, or reaching for the high pitches will make the singing of the scale difficult and also affect your tone in an unhealthy manner.
Increasing the energy in breath flow is the only extra effort needed to keep the steady line of tone going throughout the transitions of pitch.
Allow the position of the head to remain stable, although the position of the jaw will adjust as the pitch rises.
42
= 69
mf
2. THE EXTENDED SCALE: the eleven note scale in minor mode - these test the entrants vocal ability and musicianship in the accurate
singing of the minor modes.
42
= 69
mf
4
mf
28
3. THE CHROMATIC SCALE: the twelve note scale - in semitones ascending and descending: this scale requires accurate intonation. It is
helpful to think of the ascending intervals as wide steps and the descending notes as narrow steps.
44
= 69
mf
4. THE EXTENDED ARPEGGIO - note dynamic changes and the flattened third in the second part of the exercises. The entrants ability to
achieve these instructions are required in the criteria for assessing technical proficiency.
44
= 69
mp
5. EXTENDED ARPEGGIO - this exercise covers a range of twelve notes and requires you to show your ability to keep the vocal tone
consistently even throughout the registers and to demonstrate the skill of vibrant staccato sound without any pushing.
= 46
86
6. AGILITY IN ASCENDING AND DESCENDING TRIPLET SINGING - the strict rhythmical performance of this exercise and the
accurate intonation of the upward interval must be demonstrated.
12
= 88
8
3
mp
7. MESSA DI VOCE: the line of the voice - in sustained tones with a changing dynamic of pianissimo through to forte and back to pianissimo
in a diatonic scale. The entrant is to demonstrate an ability to follow these markings without forcing of the higher dynamic or losing vocal
focus in the soft tones.
44
= 144
pp f
6
continue through
pp f
ascending scale
3. Pieces Four pieces to be chosen, one from each list, plus one in study list.
List A - High Voice. Male or Female
Arr. Harty My Lagan Love Boosey & Hawkes
Bach Bist du Bei Mir Allans Publishing
Bach Blute Nur St Matthew Passion
Bach Ich Will Dir Mein Herze Schenken St Matthew Passion
Bach Seufzer, Thrnen Kummer Noth Cantata Ich Hatte Viel Bekmmerniss BWV21
Bach/ Gounod Ave Maria
Caldara Sebben Crudele 26 Italian songs & Arias, Alfred
Dowland Fine Knacks for Ladies Dowland 50 Songs Bk.2, Stainer & Bell
Handel Care Selve Allans Publishing
Handel Gentle Ears, Melodious Strains(Athalia) Hal Leonard
Handel How Beautiful are the Feet (Messiah)
Purcell Ah! Belinda I am pressed with Novello
Torment(Dido and Aeneas)
29
Grade 8
Technical exercises are fundamental to singing training as they prepare the singer for the challenges of the complex vocal repertoire they are
to perform. By becoming familiar with the co-ordinations of singing in the technical exercises, and by practising and repeating them under
the guidance of a knowledgeable teacher, it is hoped that the singer will learn the skills and stamina of healthy vocal technique. Although the
exercises are the foundation of vocal technique, they are also music, and by singing them with enjoyment and commitment, the entrant will
increase the enhancement of their voice and their performing experience.
The criteria in the syllabus for level four state the vocal and musical standards which entrants are expected to demonstrate in their work. These
are the criteria for both grades seven and eight; but grade eight entrants are expected to demonstrate a level of competency even higher than
the grade seven level of satisfactory. To achieve a pass grade within this level, the examination entrant must have good competency. Exercises
must be sung at the dynamic and tempo markings given on the page.
1. THE EXTENDED SCALE - the ascending and descending major scale in compound time: this scale must be sung rhythmically with
accurate intonation, and the vocal technique to achieve an even tone throughout the register changes.
= 88
12
8
mf
2. THE EXTENDED SCALE:
a. The ascending and descending melodic minor of the scale
= 88
12
8
mf
b. The harmonic minor of the scale
= 88
12
8
mf
When you can sing these three versions of the scale with consistent tone and accurate intonation, you will have achieved a great deal of
knowledge and skill. It is well worth the effort.
3. THE CHROMATIC SCALE: ascending and descending - take notice of the minim rest before beginning the downward scale. This allows
time to prepare the breath and the voice.
44
= 76
mf
3
4. ARPEGGII: major and minor - changing note values and scale type within the exercise.
44
mf
5. MESSA DI VOCE: the line of the voice - in sustained tones with a changing dynamic of pianissimo through to forte and back to pianissimo
in a diatonic scale. The entrant must demonstrate an ability to follow these markings without forcing of the higher dynamic or losing vocal
focus in the soft tones.
43
= 72
pp f pp f
pp f
13
pp f pp f pp f
33
3. Pieces Four pieces to be sung from memory, one from each list
List A - Soprano/Mezzo Soprano
Attey, J Sweet was the Song Elizabethan Love Songs arr. Keel, 1st & 2nd set High Voice
Boosey & Hawkes
Bach Lass uns o Hchster Gott, das Jahr
(Cantata: Jesu nun sei gepriest BWV41)
Bach Recit: See now the bridegroom, Aria:
Prepare Thyself Zion (Christmas Oratorio)
Campion, T Thrice, toss these oaken ashes in the air Elizabethan Love Songs arr. Keel, 1st & 2nd set High Voice
Boosey & Hawkes
Dowland Flow my Tears Stainer & Bell
Dowland Flow not so fast, ye fountain Elizabethan Love Songs arr. Keel, 1st & 2nd set High Voice
Boosey & Hawkes
Dowland Go Crystal Tears Stainer & Bell
Handel Bel Piacere Agrippina, HWV 6
Handel Recit: O let eternal honours crown his Novello
name, Aria: From Mighty Kings he took
the spoil (Judas Maccabaeus HWV63.)
Handel Recit: Ye Sacred Priests, Aria: Farewell Novello
Ye Limpid Springs (Jeptha)
Pergolesi Stizzoso, Mio Stizzoso (Le Serva 30 Arie Antiche Vol.1, Ricordi 50251
Padrona)
Purcell Hark! How all things with one sound Purcell, 15 Songs and Airs, Book 1, Novello
rejoice(Fairy Queen)
Purcell Recit: Thy Hand Belinda(Dido and
Aeneas), Aria: When I am Laid in Earth
Purcell The Plaint: O! let me forever weep(Fairy Purcell, 15 Songs and Airs, Book 1, Novello
Queen)
List A - Tenor
Attey, J Sweet was the Song Elizabethan Love Songs arr. Keel, 1st & 2nd set Low Voice
Boosey & Hawkes
Bach Mein Jesus ist erstanden(Cantata no. 67 Breitkopf EB 7067
Halt in Gedachtnis Jesum Christ BWV 67)
Bach Nun mogt ihr stolzen Feinde schrecken
nun(ChristmasOratorio)BWV 248
Campion, T Thrice, toss these oaken ashes in the air Elizabethan Love Songs arr. Keel, 1st & 2nd set Low Voice
Boosey & Hawkes
Dowland Flow my tears John Dowland, 50 Songs for Low Voice, Book 1, Stainer & Bell
34
List A - Baritone/Bass
Attey, J Sweet was the Song Elizabethan Love Songs arr. Keel, 1st & 2nd set Low Voice
Boosey & Hawkes
Bach Et in spiritum sanctum (Mass in B min) Barenreiter BA 5102A
Bach Recit. Am Abend da es Khle War, Aria. Novello
Mache Dich, Mein Herze, Rein (to bar 37)
(St Matthew Passion Pt 2 BWV 244)
Dowland Flow my tears John Dowland, 50 Songs for Low Voice, Book 1, Stainer & Bell
Dowland Flow Not so Fast, Ye Fountains Elizabethan Love Songs arr. Keel, 1st & 2nd set Low Voice
Boosey & Hawkes
Dowland Weep You No More Sad Fountains John Dowland, 50 Songs for Low Voice, Book 2 Stainer & Bell
Fetis att. Stradella Piet Signore 24 Italian Songs and Arias of the 17th & 18th Centuries,
Schirmer
Fetis att. Stradella Se I Miei Sospiri 26 Italian Songs and Arias, Alfred
Handel Recit: Enough.to Heavn We Leave the Novello
Rest, Aria:With Pious Hearts. (Judas
Maccabaeus )
Handel Recit: I feel the Deity within, Aria: Arm, Novello
Arm Ye Brave (Judas Maccabaeus.)
Handel Thus Saith the Lord (Messiah)
Purcell Man Is For The Woman Made
Scarlatti, A Andero volero gridero
Scarlatti, A Se delitto e ladorarvi 30 Arie, Collezione Complete, 3 Vols, Ricordi
Scarlatti, A Toglietemi la vita ancor 30 Arie, Collezione Complete, 3 Vols, Ricordi
Traetta, T Ah, non lasciarmi, no(Dido Abbandonata) 30 Arie, Collezione Complete, 3 Vols, Ricordi
List B - Tenor
Beethoven Adelaide Op 46 Schirmer
Beethoven Freudvoll und Leidvoll Op 84 No 4
Beethoven Mignon Op 75 No 1 Henle
Beethoven Neue Liebe, neues Leben Op 75 No 2 Schirmer
Gluck Che puro ciel(Orfeo ed Euridice) Novello
Haydn In Native Worth and Honour Clad(the
Creation)
Haydn O quam tristis(Stabat Mater) Ed Robbins Landon, Faber
Haydn Vidit suum(Stabat Mater) Ed Robbins Landon, Faber
Jommelli, N Chi vuol comprar Arie Antiche: Anthology of Italian Songs Vol 1 Schirmer
Mozart Ah, se fosse intorno al trono (La Mozart Arias from Operas for Tenor IMC New York
Clemenza di Tito)
Mozart Che belta che leggiadria (La finta Mozart Arias from Operas for Tenor IMC New York
gardiniera)
Mozart Guerrier, che dun acciaro (Lucio Silla) Mozart Arias from Operas for Tenor IMC New York
Mozart Il mio tesoro (Don Giovanni)
List B - Baritone/Bass
Haydn Recit: And God Created Great Whales, Novello
Aria: Be Fruitful All (The Creation)
Haydn Recit: And God Said Let the Waters, Aria:
Rolling in Foaming Billows (The
Creation)
Haydn Recit: Straight Opening Her Fertile Peters
Womb, Aria: Now Heavn in Fullest
Glory Shone( The Creation Pt2)
Mozart Deh Vieni Alla finestra (Don Giovanni)
Mozart La vendetta, oh la vendetta(Le Nozze di
Figaro K 492)
Mozart Madamina! Il Catalogo e Questo(Don
Giovanni)
Mozart O Isis und Osiris(Die Zauberflte. K620) Peters
List C - Tenor
Bizet Recit: A Cette Voix, Aria: Je Crois UMP
entendre encore (Les Pecheurs de Perles)
Brahms An Ein Veilchen
Brahms O Khler Wald Op72 No 3 IMC
Brahms Stndchen Op106 No1 Peters
Brahms Vergebliches Stndchen
Faur Aurore Durand
Faur Ici-bas Gabriel Faur Album Vol.1, Hal Leonard
Faur Lydia Op 4 No 2 The First Book of Tenor Solos, Schirmer
Grieg Spring Chester
Lalo. E Vainement, Ma Bien-Aime (Le Roi dys) Tenor Opera Arias, Schirmer
Schubert Der Wanderer Op4 No1 Allans Publishing
Schubert Sehnsucht Op 8 No 2 Peters
Schubert Wohin? (Die Shne Mllerin) Allans Publishing
Wolf Verborgenheit Peters
List C - Baritone/Bass
Brahms An die Nachtigall Op46 No4 Peters
Brahms Feldeinsamkeit
Brahms Stndchen Op106 No1 Peters
Faur Barcarolle Durand
Faur Les Berceuse Op 23 No 1
Massenet Nuit dEspagne Massenet Melodies Vol1.
Mendelssohn Lord God of Abraham(Elijah)
Schubert Der Doppelgnger Boosey & Hawkes
Schubert Der Neugierige (Winterreisse) Allans Publishing
Schubert Lied Eines Schiffers an die Dioskren Schubert Album Vol.1, Peters
Tchaikovsky To the Forest Boosey & Hawkes
4. Musicianship
5. Musical Knowledge
38
From a programme of at least thirty minutes in length, the entrants will demonstrate
understanding of the works as to their structure, musical content and their particular character
developing technical and stylistic mastery leading to a coherent, expressive performance
command of special effects appropriate to the instrument
ability to differentiate between a broad range of musical styles
a developing sense of professional presentation, with attention to posture, appearance and normal performance conventions.
Diploma AMUSNZ
A 30 to 35 minute programme of entrants choosing in three languages plus English. One selection must have a recitative.
1. The programme must include at least one song in each of the following genres:
Arie Antiche
Oratorio
Operatic Aria
Lieder
British Art Song
New Zealand/Australian Art Song
European Art Song
Folk Song
The chosen repertoire must reflect sufficient technical/musical challenges to fulfil the criteria for Level Five.
2. Musical Knowledge
3. Co-requisite Theory
39
From a programme of at least forty minutes in length, the entrants will demonstrate
their ability to build a varied and coherent programme worthy of public performance
understanding of the works as to their structure, musical content and their particular character
technical and stylistic mastery leading to a coherent, expressive performance,
ability to differentiate between a broad range of musical styles,
a developing sense of professional presentation, with attention to posture, appearance and normal performance conventions
arias or songs may be sung in their original language
Italian, German and French arias or songs must be sung in the language in which the work is written
At least three items must be in languages other than English
Entrants must be able to translate the aria/song for the examiner if requested to do so
1. The programme must include at least one song in each of the following genres, however, entrants must present
two operatic arias, and two Lieder
Arie Antiche
Oratorio
Operatic Aria
Lieder
British Art Song
New Zealand/Australian Art Song
European Art Song
Baroque English Song
The chosen repertoire must reflect sufficient technical/musical challenges to fulfil the criteria for Level Seven.
2. Musical Knowledge
3. Co-requisite Theory
40
41
Singing
In compiling this syllabus the New Zealand Music Examinations Board has endeavoured to use readily available and affordable editions as
indicated in the text. The Board has used each book to the fullest extent possible, however any edition is acceptable. Editions are mentioned
solely as a means of identification, and any standard edition will be accepted.
New Zealand music is available from SOUNZ, the Centre for New Zealand Music, Level 1, 39 Cambridge Terrace, Wellington, 6001.Tel
04-801 8602, Fax 04-801 8604, info@sounz.org.nz
NZMEB gratefully acknowledges the technical expertise and advice so generously donated by Judy Bellingham, Flora Edwards and David
Griffiths in compiling these syllabuses.
Examination Music
Entrants may not use photocopies for performance (other than for facilitating page turns) in examinations, as this is prohibited by the Copyright
Act. When Entrants enter the examination room they must hand copies of all list pieces being performed, to the examiner, together with their
examination slip. Copies for examiner use of study list pieces in the Performance syllabuses are optional.
Please note that where pieces are listed in the Syllabus, the publishers are given mainly as an aid to locating material, and are merely suggestions;
other authoritative editions of the music will be equally acceptable.
Memory Work
It is recommended that from the earliest grades entrants should be encouraged to perform the chosen songs from memory. With the exception
of Oratorio/Cantata, memorisation of all Grade 8 and Performers Certificate programmes is required.
Keys
Except in the case of arias from Opera and Oratorio, songs may be transposed to any suitable key.
Study List
There is no study list required in this syllabus.
Co-Requisites
There are no additional theory requirements for this syllabus
Technical Work
Technical Work is progressive throughout the grades. Metronome markings should be used as an approximation, a reasonable proximity to
these markings will be acceptable. Scales, arpeggios and exercises may be transposed to suit the range of the entrants voice.
Entrants must select a starting note and that note or a chord will be played before each scale, arpeggio or exercise. Where no syllable is
specified, entrants must be prepared to sing on any of the vowel sounds. For Level One and Two entrants, vowels may be preceded by a
consonant. At Level Three and above, except where otherwise specified, vowels may not be preceded by a consonant. All printed technical
exercises for the grade, need to be learnt unaccompanied and ready for presentation during the examination. Examiners may, at their discretion,
choose to hear only a selection of these.
Teachers are encouraged to use all exercises in all Grades as a sequential vocal development tool, while concentrating on the exercises for the
particular Grade for which the entrant is entered.
The unaccompanied folk song is a constant in Preliminary to Grade 2 as it allows personal choice to suit entrants strengths, and is an excellent
tool for assessing pitch, diction and communication skills. Unless otherwise stated, all exercises should be practiced on all vowels.
For Grades 3 to 8 the entrant must present, along with the compulsory scales and exercises, one of the vocal studies or an unaccompanied folk
NZMEB SINGING SYLLABUS ed 17.3
The International Phonetic Alphabet (IPA) has been used to indicate vowels and consonants on which to sing the exercises.
Exercises and Scales are ways of keeping the voice fit and flexible. Technical exercises give entrants the vocal tools to sing songs with
enjoyment and confidence, which helps the audience to enjoy the singing too.
Syllabus Repertoire
Entrants must perform three works two of which must be selected from the prescribed NZMEB list(s). One alternative own choice work may
be substituted and should be at a similar level to those already in the syllabus.
No more than one composition by a specific composer may be presented during the examination.
Entrants from Grade 1 to Grade 8 must take different styles and tempi into consideration when choosing their programme.
It is recommended that Entrants from Grades 1 to 8 include pieces from at least two different style periods in their programme.
42
Musicianship
For clapping tests entrants may count aloud using any recognized counting system eg French Time Names. A steady pulse at a moderate speed
is expected:
Up to and including grade eight, entrants will be given 30 seconds to study the melody line before attempting to sing. Examiners will play
the tonic chord and the key note at the beginning and end of that time. This will incorporate an outline piano accompaniment.
Tenor and bass singers will sing one octave below the written range.
Entrants may use tonic sol fa or any appropriate vowel with a consonant of their choice.
LEVEL ONE
Preliminary
To join in and clap the beats in simple duple or triple time, to a harmonised passage and to continue clapping the beats when the music
stops.
To clap or tap at sight, a simple written rhythm, in simple time.
Example:
2
4
To recognise step or skip movement (2nds and 3rds) over three notes within the compass of a fifth.
Example:
43
Grade One
To visually recognise written combined step/skip movements over 3 notes within the compass of a fifth. We suggest entrants use their own
pieces to develop fluency.
Example:
43
To clap or tap at sight, a simple written rhythm, in simple time.
Example:
3
4
To sing the same rhythmic pattern as a melody using only 2nds and 3rds within the compass of a sixth in the keys of C or G Major.
Entrants will be given half a minute to sight the melody during which time they may try parts of the test. The examiner will play the tonic
triad and the starting note before the entrant commences singing.
Example:
C
43
= 72
I
43
3
4
To aurally identify major seconds and major thirds (number only), played twice by the examiner. Entrants may sing or hum the notes
before answering.
To echo clap a short rhythm pattern first clapped by the examiner. A second attempt will be allowed if necessary.
Example:
2
4
Grade Two
To visually recognise any written interval within the compass of a fifth. We suggest entrants use their own pieces to develop fluency.
Example:
43
To clap or tap at sight, a simple written rhythm in simple time. May include crotchet rests and quavers.
Example:
4
4
43
To sing the same rhythmic pattern as a melody in the keys of G or D Major. Entrants will be given half a minute to sight the melody
during which time they may try parts of the test. The examiner will play the tonic triad and the starting note before the entrant commences
singing.
Example:
A_V D_I
4
= 100
4
44
4
4
To aurally identify major and perfect intervals up to and including perfect fifths (number only) played twice by the examiner. Entrants
may sing or hum the notes before answering.
To echo clap a short rhythm pattern first clapped by the examiner. A second attempt will be allowed if necessary.
Example:
3
4
Grade Three
To recognise written intervals within the octave at sight. We suggest entrants use their own pieces to develop fluency.
Example:
43
To clap or tap at sight, a simple written rhythm, in simple time. In addition to the rhythmic figures in previous grades, dotted crotchets,
quavers and minim rests may be included.
Example:
4
4
To sing the same rhythmic pattern as a melody within the compass of an octave in the keys of D or A Major. Entrants will be given half a
minute to sight the melody during which time they may try parts of the test. The examiner will play the tonic triad and the starting note
before the entrant commences singing.
Example:
A_V
D_I
4
= 84
4
44
4
4
Musicianship NZMEB SINGING SYLLABUS ed 17.3
To aurally identify major or perfect intervals up to and including perfect fifths (number only) played twice by the examiner. Entrants may
sing or hum the notes before answering.
To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.
To echo clap a short rhythm pattern first clapped by the examiner. A second attempt will be allowed if necessary.
Example:
4
4
44
LEVEL TWO
Grade Four
To clap or tap at sight, a written four bar rhythm, in simple time or compound duple. In addition to the rhythmic figures in previous grades,
semiquavers, dotted quavers and quaver rests may be added.
Examples:
4
4
86
To name the tonic key.
To sing a given melody in the keys of A or F Major. Entrants will be given half a minute to sight the melody during which time they may
try parts of the test. NB: Rhythmic pattern may differ from above at this level. The examiner will play the tonic triad and the starting note
before the entrant commences singing
Examples:
= 72 C_V F_I
86
86
6
8
To aurally identify major and perfect intervals up to and including major sixths, (number only) played twice by the examiner. Entrants
may sing or hum the notes before answering.
To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.
To echo clap a rhythmic pattern clapped once by the examiner. A second attempt will be allowed if necessary.
Example:
3
4
45
Grade Five
To clap or tap at sight, a written four bar rhythm, in simple or compound time. In addition to the rhythmic figures in previous grades,
triplets and tied notes may be added.
Examples:
3 3
4
4
86
To name the tonic key.
To give the letter names for both triads of the final perfect cadence.
To sing a given melody in the keys of B major/G minor or E major . Entrants will be given half a minute to sight the melody during
which time they may try parts of the test. NB: Rhythmic pattern may differ from above at this level. The examiner will play the tonic triad
and the starting note before the entrant commences singing
Examples:
= 84
44
44
4
4
B E
5
V I
To aurally identify by quality and number major and perfect intervals up to and including a perfect octave played twice by the examiner.
Entrants may sing or hum the notes before answering.
To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.
To echo clap a four bar rhythmic pattern clapped once by the examiner. A second attempt will be allowed if necessary.
Examples:
86
LEVEL THREE
Grade Six
To clap or tap at sight, a written eight bar rhythm, in simple or compound time. In addition to the rhythmic figures in previous grades,
Musicianship NZMEB SINGING SYLLABUS ed 17.3
= 100 B E
43
V I
43
3
4
To aurally identify by quality and number, all major and perfect intervals up to and including a perfect octave, played twice by the
examiner. Entrants may sing or hum the notes before answering.
To aurally identify root position triads as major, minor, or augmented (notes sounded together) played twice by the examiner.
LEVEL FOUR
Grade Seven
To clap or tap at sight, a written rhythm in simple or compound time. In addition to the rhythmic figures in previous grades, syncopation
may be added.
Examples:
3 3
3
4
5
89
4
6
To name the tonic key.
To identify the first cadence as imperfect or interrupted and the second cadence as perfect or plagal.
To give the letter names of all triads forming cadences.
To sing a given melody in the keys of A major/F minor or E major/C minor. Entrants will be given half a minute to sight the melody
during which time they may try parts of the test. The examiner will play the tonic triad before the entrant commences singing. NB:
Rhythmic pattern may differ from above at this level
Examples:
= 84 A E
43
3 I V
43
3
4
E A
5
3
V I
To aurally identify by quality and number all major and perfect intervals, and minor thirds, up to and including a perfect octave, played
twice by the examiner. Entrants may sing or hum the notes before answering.
To aurally identify root position triads as major, minor, augmented or diminished (notes sounded together) played twice by the examiner.
47
Grade Eight
To clap or tap at sight, a written eight bar rhythm, in any time signature.
Examples:
9
2
8
2
5
5
4
5
To name the tonic key and key changes throughout the given melody.
To identify cadences and indicate where they fall.
To give the letter names of all triads forming cadences.
To sing the given melody with appropriate phrasing in keys up to three sharps or flats, Major or minor. Entrants will be given one minute
to sight the melody during which time they may try parts of the test. NB: Rhythmic pattern may differ from above at this level. The
examiner will play the tonic triad before the entrant commences singing
Example:
= 52
86
86
6
8
5
To aurally identify by quality and number all major and perfect intervals, minor thirds and sixths, up to and including a perfect octave,
played twice by the examiner. Entrants may sing or hum the notes before answering.
To aurally identify root position triads as major, minor, augmented, or diminished (notes sounded together) played twice by the examiner.
Musical Knowledge
In practical examinations examiners will ask entrants questions on the following aspects of list pieces (excluding study list)
Preliminary
1. Scales and Exercises
This is seen as a confidence building examination, hence the accompanied exercises.
The basis of the major scale is reinforced, but with fun words to sing.
Some of the cardinal vowels [i], [a], and [u], along with [] are introduced.
The consonant [g] works on loosening the back of the tongue, and the consonants [j] on the front of the tongue.
Exercises below. NB Each exercise is to be sung once with a very soft accompaniment.
1.
42
= 60
Gig gly Gert rude, gig gly Gert rude, gig gly Gert rude, gig gly Gert
2.
= 60
44
Yum, yum, yum, yum, yummmm!
2. Pieces
Preliminary NZMEB SINGING SYLLABUS ed 17.3
Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative own choice work may be
substituted and should be at a similar level to those already in the syllabus.
3. Musicianship
4. Musical Knowledge
51
Grade 1
1. Scales and Exercises
These are compulsory and will be performed A capella, beginning on a note of the entrants choice
The interval of singing a major 2nd is introduced.
The vowel [E] is introduced.
The concept of a diphthong in the word nice [ai] is introduced.
The consonant [z] aims to create a depth of tone.
Breathing in all these exercises uses the principle of onset and release.
Exercises below
1.
44
= 60
mf Ve ry ve ry nice. Ve ry ve ry nice. Ve ry ve ry nice.
2.
= 60
44
f za za za
2. Vocal Studies
1. An unaccompanied folk song of entrants choice, not more than two verses.
3. Pieces
Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative own choice work may be
substituted and should be at a similar level to those already in the syllabus.
English My fathers Garden Sing Together! Arr Appleby & Fowler, OUP
English The Mallow Fling Sing Together! Arr Appleby & Fowler, OUP
English The Miller of Dee Sing Together! Arr Appleby & Fowler, OUP
English The Smugglers Song Sing Together! Arr Appleby & Fowler, OUP
Fain Im Late, Illustrated Treasury of Disney Songs Hal Leonard
Fain Once upon a dream Illustrated Treasury of Disney Songs Hal Leonard
Fain The Second Star to the Right Illustrated Treasury of Disney Songs, Hal Leonard
Finzi The Lily has a smooth stalk 20th Century Easy Song Collection, Boosey & Hawkes
Gawthorne Bruce and the Spider Curwen 72062
Gay Run Rabbit Run
Gilkyson The Bare Necessities Jungle Book, Music Sales
Hoffman & Cinderella Walt Disneys Cinderella Vocal Selections, Hal Leonard
Livingstone
Irish I Will Walk with my Love Songs of Ireland, Arr Hargest Jones, Boosey & Hawkes
Irish The Gypsy Rover (vs1&2 only) Songs of Ireland, Arr Hargest Jones, Boosey & Hawkes
Irish The Spinning Wheel (vs1&5) Songs of Ireland, Arr Hargest Jones,Boosey & Hawkes
Kabalevsky Goodnight Boosey & Hawkes
52
4. Musicianship
5. Musical Knowledge
53
Grade 2
1. Scales and Exercises
These are compulsory and will be performed A capella, beginning on a note of the entrants choice
Ascending arpeggio, using [b] for frontal resonance.
Further reinforcement of the major scale.
The tracking of vowels [i]-[e]-[a] is used.
Exercises below
1.
43
= 64
2.
44
= 72
5 i e a i e a i e a i e a
i e a i e a i e a i e a
2. Vocal Studies
1. An unaccompanied folk song of entrants choice, not more than three verses.
3. Pieces
Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative own choice work may be
substituted and should be at a similar level to those already in the syllabus.
Andrew Lloyd Any Dream Will Do Audition Songs for Kids, Music Sales AM 955273
Webber
Arne Come Calm Content Cramer
Arr Cockshott William and Greta Oxford Choral Songs OCS 1209/Banks
Attrib. Mozart Cradle Song The Art of Song, Gr 1-5, Vol. 1
Bart Consider yourself Oliver Vocal Selections Music Sales. LK 56070
Bart Where is Love Oliver, Music Sales
Beethoven Sehnsucht Singing Grade Book, 2nd grade high voice , Allans Publishing
Bennett Clock-a-Clay The Insect World Universal UE 14167
Bennett Glow-worms The Insect World Universal UE 14167
Bennett The Insect World The Insect World Universal UE 14167
Beswick Coconut Man Pick & Choose, Universal UE 16393
Brahms Die Henne (Broody Hen) The Art of Song, Gr 1-5, Vol. 1
Churchill Heigh Ho Illustrated Treasury of Disney Songs, Hal Leonard
Crawley Abdul the Magician (from Magic in the Leslie 1143
Air)
English A - Roving Sing Together! Arr Appleby & Fowler, OUP
English The Oak and the Ash Songs of England, arr Hargest Jones,Boosey & Hawkes; Sing
Together! Arr Appleby & Fowler, OUP
Grade 2 NZMEB SINGING SYLLABUS ed 17.3
4. Musicianship
5. Musical Knowledge
55
Grade 3
1. Scales and Exercises
These are compulsory and will be performed A capella, beginning on a note of the entrants choice
Major scale now sung both ascending and descending.
Five Cardinal vowels now tracked.
Onset and release breathing pattern further established.
Major triads reinforced and minor triads introduced.
Exercises below:
1.
44
= 72
mf
2.
44
= 72
mf i e a o u i e a o u i e a o u i e a o u i e a o u
3.
= 60
44
mf o u i
2. Vocal Studies
1. An unaccompanied folk song of entrants choice, not more than three verses.
3. Pieces
Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative own choice work may be
substituted and should be at a similar level to those already in the syllabus.
Anon My little Pretty One The Hundred Best Short Songs Bk 4, Paterson
Arlen If I Only Had a Brain The Wizard of Oz, Alfred
Arlen Over the Rainbow The Wizard of Oz; Vocal Selections, Imperial TSF 0038
Armstrong What a Wonderful World Song Writers Hall of Fame,Imperial MF 9901
Arne When Daisies Pied Art of Song Grades 1 to 5, Vol 2, Peters
Arr Copland I Bought me a Cat Old American Songs-set 1, Boosey & Hawkes
Arr Copland Simple Gifts Singing Grade Book, 3rd Grade high voice , Allans Publishing
Arr H. Howells I will give my love an apple Thames
Arr Hughes The Gartan Mothers Lullaby Irish Country Songs, Boosey & Hawkes
Bach In Dulci Jubilo Singing Grade Book, 3rd grade low voice, Allans Publishing
Barnby Sweet and Low 36 Solos for Young Singers, Hal Leonard
Bartlett, John What thing is Love Elizabethan Love Songs Boosey & Hawkes
Bart As Long as He Needs Me Oliver! Vocal Selections Music Sales LK 56070
Bart Pick a Pocket or Two Lakeview music/Music Sales
Batt Bright Eyes Stage and Screen: The Black Book, Music Sales AM92249
Bernstein I feel Pretty Hal Leonard
Grade 3 NZMEB SINGING SYLLABUS ed 17.3
Bernstein My House(Peter Pan) 20th Century Easy Song Collection, Boosey & Hawkes
Bock & Harnick Matchmaker Hal Leonard/Music Sales
Brahms Stndchen Op 14 No 7 Singing Grade Book, 3rd grade high voice, Allans Publishing
Brahms Wiegenlied (Cradle Song) Treasury of Song Vol 2. Allans Publishing
Britten Fishing Song Friday Afternoons, Boosey & Hawkes
Bruns Yo Ho Illustrated Treasury of Disney Songs, Hal Leonard
Byrd Cradle Song (Low) Sing Solo Xmas Ed. JC Case, OUP
Davey The Bay of Biscay Sing Together! Arr Appleby & Fowler, OUP
Dunhill Elsie Marley Sing Together! Arr Appleby & Fowler, OUP
English Pretty Polly Oliver Sing Together! Arr Appleby & Fowler, OUP
Finzi Ferry Me Across the Water Op 1 No 7. 20th Century Easy Song Collection, Boosey & Hawkes
Franz Goodnight (The Last Farewell) Singing Grade Book, 3rd Grade low voice , Allans Publishing
Franz I Heard the Rose Make Sad Complaint 1100 Best Songs Bk 2
Fraser-Simon Christopher Robin is saying his Prayers The First Book of Mezzo-soprano/Alto Solos, Schirmer
Grieg Zwei Braune Augen (2 brown eyes) Op 5 The Art of Song, Grades 1 to 5, Vol 2, Peters
No 2
Holland Lullaby Aust Poems. Allans Publishing
56
4. Musicianship
5. Musical Knowledge
57
Developmental exercises and greater scope of repertoire are chosen at this level to reflect the criteria.
Grade 4
1. Scales and Exercises
These are compulsory and will be performed A capella, beginning on a note of the entrants choice
Major scales are now sung with different rhythms. The dotted rhythm encourages the entrant to actually sing the short notes.
The use of the syllable vra encourages a forward tongue placement.
The melodic minor scale, both ascending and descending, is introduced slowly giving entrants time to think about what notes they are
singing. This encourages aural acuity.
The minor Arpeggio is reinforced.
Exercises below
1.
= 80
86
mf
2.
44
= 64 3
mf
vra vra vra vra vra
3.
42
= 60
f
Grade 4 NZMEB SINGING SYLLABUS ed 17.3
4.
44
= 70
mf The night is dark
2. Vocal Studies
An unaccompanied folk song of entrants choice, not more than three verses.
58
3. Pieces
Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative own choice work may be
substituted and should be at a similar level to those already in the syllabus.
Anon Have you seen but a white lily grow? Celebrated Songs, ed Leah Book 1, Chester
Armstrong Gibbs Dusk Boosey & Hawkes
Arne Blow Blow Thou Winter Wind 100 Best Short Songs, Paterson
Arne Care Flies from the Lad that is Merry Curwen/Music Sales
Arne The Lass with the delicate air Best of Recital Songs, Allans Publishing
Arne Where the Bee Sucks Singing Grade Book, 4th Grade high voice , Allans Publishing,
Boosey & Hawkes Shakespear Song Album
Arr. Copland Long Time Ago Boosey & Hawkes
Arr. Hughes The Spanish Lady
Arr. Stanford Trottin to the Fair Boosey & Hawkes
Bach Jesu du bist mein Bach, J.S. Sacred Songs, IMC
Barber The Daisies Collected Songs, Schirmer/Music Sales
Bart Reviewing the Situation Lakeview Music/Music Sales
Bennett The Birds Lament The Aviary, Universal
Bennett The Widow Bird The Aviary, Universal
Bernstein One Hand, One Heart West Side Story, Boosey
Bock & Harnick Far from the Home I Love Hal Leonard/Music Sales
Brahms Sandmnnchen, The Little Sandman The Art of Song Gr 4 5 revised
Brahms Schwesterlein Treasury of Songs Vol 8 Allans Publishing
Buchanan, Dorothy Peace Song Album of Songs by New Zealand Composers, SOUNZ
Casey Hopelessly Devoted to You Grease IMP
Casey Sandy Grease IMP
Chopin The Maidens Wish Op 74 Treasury of Song Vol 4. Allans Publishing
Dowland Come Away, Come Sweet Love Celebrated Songs ed Leah Book 2, Chester
Finzi Boy Johnny Op 1 No 10 Boosey & Hawkes
Ford Since first I saw your face Art of Song, Grades 1 - 5, Vol 2, Peters
Formby Leaning on a Lamp Post George Formby Songbook, Music Sales
Franz Fr Musik Singing Grade Book, 4th Grade high voice, Allans Publishing
Franz Widmung(Dedication) Allans Publishing
German, Edward Dream o Day Jill German & Braydeston Press
Gershwin Love Walked In Chappell
Giordani Caro Mio Ben 26 Italian Songs and Arias ed John Glenn Paton, Alfred
Grieg Ich liebe dich Art of Song Gr1-5 Vol 2 Peters
Grieg Margarets Cradle Song Art of Song Grades 1 - 5 Vol 2, Peters
Grieg With a Primrose Peters
Handel Art Thou Troubled Novello
Handel Dove Sei, Amato Bene Art of Song, Grades 1 - 5, Vol 2, Peters
Handel Silent Worship Celebrated Songs Book 1, Chester
Handel Vouchsafe O Lord Sing Solo Baritone, ed J. C. Case, OUP
Haydn Sailors song Art of Song, Grades1 - 5,
Head The Carol of the Field Mice Boosey & Hawkes C20th. Easy Song Collection
Ives Two Little Flowers Peer Int Corp
John Can You Feel the Love Tonight The Illustrated Treasury of Disney Songs,
Keel Trade Winds Boosey & Hawkes
Lane How are things in Glocca Morra? Finians Rainbow, IMP
Lawrence & Fabulous High School Musical 2, Hal Leonard/Music sales
Greenberg
Lloyd Webber Close Every Door The Andrew Lloyd Webber Anthology
Lloyd Webber I Dont Know How to Love Him The Andrew Lloyd Webber Anthology, Really Useful Group
Loewe I Could Have Danced All Night Imp.9391A
Loewe On the Street Where You Live Imp.9391A
Mendelssohn But the Lord is Mindful Sing Solo Contralto, ed C Shacklock,OUP
Mendelssohn Jaglied Singing Grade Book, 4th Grade low voice , Allans Pub
Menken Colours of the wind The Illustrated Treasury of Disney Songs, Hal Leonard
Menken Les Poissons The Little mermaid, Hal Leonard
Mozart An die Freundschaft The Art of Song, Gr 1-5, Vol. 2
Mozart Die Kleine Spinnerin (The little Spinner The Art of Song, Gr 1-5, Vol. 2
Girl)
Mozart Komm, Liebe Zither, komm KV351 Mozart 50 Songs, Peters 4699a/b
Paisello Nel cor pi non mi sento 26 Italian Songs and Arias, Alfred
Pergolesi Nina Singing Grade Book, 4th Grade low voice , Allans Publishing
Quilter June Boosey & Hawkes
59
4. Musicianship
5. Musical Knowledge
Grade 5
1. Scales and Exercises
Exercises and scales are ways of keeping the voice fit and flexible. Technical exercises give entrants the vocal tools to sing songs with enjoyment
and confidence and that helps an audience to enjoy the singing also.
1. AGILITY - agility exercises will help to train the voice to move quickly and neatly from one note to the next. Singing with agility from
the top of the scale down to the lowest note is an excellent way to begin the daily practice or to start the singing lesson. The scale can be
Grade 5 NZMEB SINGING SYLLABUS ed 17.3
sung to any vowel - e.g. a or i or u or O, and putting an L in front of the vowel encourages the tongue tip to stay flexible and agile too.
The letter D can also be helpful in this way. D is an excellent consonant for using only the tongue tip without tightening the whole
tongue. Experiment with these suggestions to find which give the best results.
= 80
86
mf
2. STACCATO - the staccato way of singing or playing is another way of keeping the tone light and short, but not breathy. The entrant should
aim for a focused tone in the staccato note which is accurate but unforced as the voice and breath meet each other neatly without being
pushed. Use thought to prepare the pitch accurately before the sound is made. Practise this slowly at the beginning, and speed up with
proficiency.
44
= 104
mp
60
3. THE MELODIC MINOR - This minor scale will already be known. This should be sung with thought and enjoyment to demonstrate
confidence in knowing the place of each note as the entrant sings upwards with a focused and even tone.
= 104
44
mp
3. Pieces
Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative own choice work may be
substituted and should be at a similar level to those already in the syllabus.
4. Musicianship
5. Musical Knowledge
62
It is expected that Italian, German and French repertoire will be sung in the original language.
Grade 6
1. Scales and Exercises
Technical exercises play an important part in the study of music performance. By practising and achieving the vocal techniques of the exercises,
the voice will become stronger, flexible and wider in range. However, remember that the technical exercises are not just a collection of notes
but are also music! This means that they must be sung as a musical performance to make them enjoyable and fully achievable. Knowing what
each exercise is for, and carrying that thought over into songs is very important.
1. THE TEN NOTE SCALE - This scale should be sung with even and steady sound. Enjoy the ascending scale with a sense of excitement
as it goes beyond the usual eight notes to the peak. Energy from the breath will carry the voice without having to reach up for high notes,
and therefore feeling strain in mouth, throat or tongue. Entrant must be careful not to jut out chin or lift shoulders during the upward
scale.
= 80
89
mf
2. THE TEN NOTE SCALE IN HARMONIC MINOR MODE - this is a challenge because of the technique needed to sing an upward scale
and also the tonality of the harmonic minor. Slow practise is the method needed to master both challenges.
= 80
89
mf
3. THE CHROMATIC SCALE - this scale has twelve notes with no whole tones, only semi-tones between the pitches. When learning this
scale and working out the best way of singing it well, it helps to think of the intervals between each note as being large steps on the way
up and as smaller steps on the way down.
44
= 104
mf
3. Pieces
Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative own choice work may be
substituted and should be at a similar level to those already in the syllabus.
63
4. Musicianship
5. Musical Knowledge
65
Grade 7
1. Scales and Exercises
Grade seven is an advanced level. It is important for the entrant to read the criteria in the syllabus very thoroughly to prepare for the standards
which will be expected at the examination. They challenge vocal technique and musicianship. The criteria covers both grades seven and eight in
Level Four. The entrants in Grade Seven will be expected to perform the technical exercises and repertoire at a satisfactory level of proficiency
to achieve a successful outcome in the examination.
The development of vocal technique is an essential component for singing performance as it enables the singer to do justice to their chosen
selections and to safeguard the health and stamina of the singing voice.
Repertoire should be carefully chosen, making sure that selections are not beyond the entrants present state of vocal development. Songs and
arias which entrants are not yet ready to sing, no matter how much they want to include them in their performance which are beyond their
present ability, may result in a disappointing or discouraging outcome. This is a lesson to learn early in their performance life. Note and follow
the speed marking in each exercise.
1. THE EXTENDED SCALE: the eleven note scale - this is well beyond the normal diatonic scale. The advice given in earlier grades about
the posture of head and neck when passing through the scale towards the higher pitches is very important. Jutting the chin, tightening
the jaw, or reaching for the high pitches will make the singing of the scale difficult and also affect your tone in an unhealthy manner.
Grade 7 NZMEB SINGING SYLLABUS ed 17.3
Increasing the energy in breath flow is the only extra effort needed to keep the steady line of tone going throughout the transitions of pitch.
Allow the position of the head to remain stable, although the position of the jaw will adjust as the pitch rises.
42
= 69
mf
2. THE EXTENDED SCALE: the eleven note scale in minor mode - these test the entrants vocal ability and musicianship in the accurate
singing of the minor modes.
42
= 69
mf
4
mf
66
3. THE CHROMATIC SCALE: the twelve note scale - in semitones ascending and descending: this scale requires accurate intonation. It is
helpful to think of the ascending intervals as wide steps and the descending notes as narrow steps.
44
= 69
mf
4. EXTENDED ARPEGGIO - this exercise covers a range of twelve notes and requires you to show your ability to keep the vocal tone
consistently even throughout the registers and to demonstrate the skill of vibrant staccato sound without any pushing.
= 46
86
5. MESSA DI VOCE: the line of the voice - in sustained tones with a changing dynamic of pianissimo through to forte and back to pianissimo
in a diatonic scale. The entrant is to demonstrate an ability to follow these markings without forcing of the higher dynamic or losing vocal
focus in the soft tones.
44
= 144
pp f
6
continue through
pp f
ascending scale
3. Pieces
Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative own choice work may be
substituted and should be at a similar level to those already in the syllabus.
Figaro)K.579
Mozart Vedrai Carino (Don Giovanni) Leonard
Mozart Voi Che Sapete (Le Nozze di Figaro) Brenreiter
Any Voice
Arlen Stormy Weather IMP
Armstrong Gibbs Nod Celebrated Songs Book 1, Chester
Armstrong Gibbs Silver Thames
Armstrong Gibbs The Splendour Falls Thames
Bridge Een as a Lovely Flower Boosey & Hawkes
Britten Tit for Tat Faber
Debussy Beau Soir
Debussy Clair de Lune (from Fetes Galantes)
Delius To Daffodils Boosey & Hawkes
Delius Twilight Fancies Boosey & Hawkes
Dempsey & Rowe Another Night at Darryls The Witches of Eastwick, IMP
Dring Business Girls Thames
Dring Crabbed Age and Youth Thames
Freed The Sea Child Soundz
Gershwin Fascinating Rhythm IMP
Gershwin Ive Got Rhythm IMP
Gershwin Nice Work if You Can Get It IMP
Hahn R Lheure exquise (Chansons Grises) French Art Songs of the 19th Century, Dover
Harty The Sea Wrack Boosey & Hawkes
Head A Green Cornfield Boosey & Hawkes
Head Foxgloves Boosey & Hawkes
Howells Gavotte
Ireland Sea Fever Stainer
John, Elton Come What May (Moulin Rouge) Audition Songs for Male Singers 3, Wise Publications
Kander & Ebb All I Care About Chicago, Faber Music
Kander & Ebb Roxie Chicago, Faber Music
Kern Smoke Gets In Your Eyes IMP
Leigh The Impossible Dream
Lilburn Once my Strength Sings Harry
Lloyd Webber Music of the Night (Phantom of the
Opera)
69
Or own choice of 20th Century Song chosen by the entrant. An extra copy for the examiner must be brought to the examination. Note will be
taken of the difficulty and suitability of the piece for the performer.
4. Musicianship
5. Musical Knowledge
Grade 8
Technical exercises are fundamental to singing training as they prepare the singer for the challenges of the complex vocal repertoire they are
to perform. By becoming familiar with the co-ordinations of singing in the technical exercises, and by practising and repeating them under
the guidance of a knowledgeable teacher, it is hoped that the singer will learn the skills and stamina of healthy vocal technique. Although the
exercises are the foundation of vocal technique, they are also music, and by singing them with enjoyment and commitment, the entrant will
increase the enhancement of their voice and their performing experience.
The criteria in the syllabus for level four state the vocal and musical standards which entrants are expected to demonstrate in their work. These
are the criteria for both grades seven and eight; but grade eight entrants are expected to demonstrate a level of competency even higher than
the grade seven level of satisfactory. To achieve a pass grade within this level, the examination entrant must have good competency. Exercises
must be sung at the dynamic and tempo markings given on the page.
1. THE EXTENDED SCALE - the ascending and descending major scale in compound time: this scale must be sung rhythmically with
accurate intonation, and the vocal technique to achieve an even tone throughout the register changes.
= 88
12
8
mf
2. THE EXTENDED SCALE:
a. The ascending and descending melodic minor of the scale
= 88
12
8
mf
b. The harmonic minor of the scale
= 88
12
8
mf
When you can sing these three versions of the scale with consistent tone and accurate intonation, you will have achieved a great deal of
knowledge and skill. It is well worth the effort.
3. THE CHROMATIC SCALE: ascending and descending - take notice of the minim rest before beginning the downward scale. This allows
time to prepare the breath and the voice.
44
= 76
mf
3
4. ARPEGGII: major and minor - changing note values and scale type within the exercise.
44
mf
5. MESSA DI VOCE: the line of the voice - in sustained tones with a changing dynamic of pianissimo through to forte and back to pianissimo
in a diatonic scale. The entrant must demonstrate an ability to follow these markings without forcing of the higher dynamic or losing vocal
focus in the soft tones.
43
= 72
pp f pp f
pp f
13
pp f pp f pp f
71
3. Pieces
Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative own choice work may be
substituted and should be at a similar level to those already in the syllabus.
Soprano/Mezzo Soprano
Attey, J Sweet was the Song Elizabethan Love Songs arr. Keel, 1st & 2nd set High Voice
Boosey & Hawkes
Bach Lass uns o Hchster Gott, das Jahr
(Cantata: Jesu nun sei gepriest BWV41)
Bach Recit: See now the bridegroom, Aria:
Prepare Thyself Zion (Christmas Oratorio)
Bizet Habanera(Carmen) Allans Publishing
Brahms An die Nachtigall Op 46 No 4 Peters
Brahms Mein Liebe Ist Grn The Lieder Anthology, Hal Leonard
Campion, T Thrice, toss these oaken ashes in the air Elizabethan Love Songs arr. Keel, 1st & 2nd set High Voice
Boosey & Hawkes
Chausson Colibri
Delibes Le Filles des Cadiz Dover
Dowland Flow my Tears Stainer & Bell
Dowland Flow not so fast, ye fountain Elizabethan Love Songs arr. Keel, 1st & 2nd set High Voice
Boosey & Hawkes
Dowland Go Crystal Tears Stainer & Bell
Dvorak Hear My Prayer O Lord. Biblical Songs Vol1 Lengnick
Dvorak Song to the Moon (Rusalka) Allans Publishing
Granados, E El Majo Discreto Coleccion de Tonadillas, Music Sales
Grieg Spring Chester
Hahn, R A Chloris The French Song Anthology, Hal Leonard
Handel Bel Piacere Agrippina, HWV 6
Handel Recit: O let eternal honours crown his Novello
name, Aria: From Mighty Kings he took
the spoil (Judas Maccabaeus HWV63.)
Handel Recit: Ye Sacred Priests, Aria: Farewell Novello
Ye Limpid Springs (Jeptha)
Haydn Cavatina di Alcina (LIsola di Alcina) Haydn-Mozart Presse, Salzburg
Haydn Con un tenero sospiro (La Vera
Constanza)
Haydn Recit. O Welcome Now, Aria:O How Peters
Pleasing To the Senses (The Seasons)
Haydn Solo e pensoso Haydn-Mozart Presse, Salzburg
Mozart Dieser Gottheit Allmacht ruget The Art of Song Grade 8 high Peters EP 71771
(Freimaurerkantate K623)
Mozart Laudate Dominum(Vespers K339) Hal Leonard
Mozart Non so piu (Le Nozze di Figaro)
Mozart Porgi amor (Le Nozze di Figaro)
Mozart Recit. Ma se culpa non ho and Aria: Batti, Mozart Operatic Arias for Soprano Vol 2, Allans Publishing
Grade 8 NZMEB SINGING SYLLABUS ed 17.3
batti(Don Giovanni)
Mozart Ridente la Calma Mozart 50 Songs, Peters 4699a
Mozart Una Donna a Quindici Anni(Cosi Fan Peters
Tutti )
Pergolesi Stizzoso, Mio Stizzoso (Le Serva 30 Arie Antiche Vol.1, Ricordi 50251
Padrona)
Purcell Hark! How all things with one sound Purcell, 15 Songs and Airs, Book 1, Novello
rejoice(Fairy Queen)
Purcell Recit: Thy Hand Belinda(Dido and
Aeneas), Aria: When I am Laid in Earth
Purcell The Plaint: O! let me forever weep(Fairy Purcell, 15 Songs and Airs, Book 1, Novello
Queen)
Schubert Die Junge Nonne Op 43 No 2 Boosey & Hawkes
Schubert Im Frhling D882 Peters
Schubert Mignon Peters
Schubert Nacht und Trume Op 43 No 1 Boosey & Hawkes
Schumann Nachtlied Op 96 No 1 Peters
72
Mezzo Soprano/Contralto
Attey, J Sweet was the Song Elizabethan Love Songs arr. Keel, 1st & 2nd set High Voice
Boosey & Hawkes
Bach Laudamus te No 5(Mass in B minor Novello
BWV232)
Bach Schlafe mein Liebster(Christmas Oratorio
BWV 248)
Beethoven Freudvoll und Leidvoll Op 84 No 4 Schirmer
Beethoven Mignon (Kennst du das Land) Op 75 No 1 Schirmer
Bellini Per piet, bellidol mio
Bellini Vanne, o rosa fortunata
Berlioz Absence: No 4 - Les Nuits dt
(Barenreiter)
Berlioz Villanelle (Nuits dt) The French Anthology, Hal Leonard
Brahms Wie Melodien zieht es mir
Bridge Love Went a Riding Boosey & Hawkes
Dowland Flow my tears John Dowland, 50 Songs for High Voice, Book 1, Stainer &
Bell
Dowland Flow Not so Fast, Ye Fountains Elizabethan Love Songs arr. Keel, 1st & 2nd set High Voice
Boosey & Hawkes
Dowland Weep You No More Sad Fountains John Dowland, 50 Songs for High Voice, Book 2 Stainer & Bell
Duparc Extase Peters
Elgar A Poets Life Novello
Elgar Song of Autumn Novello
Elgar Where Corals Lie Sea Pictures, Boosey & Hawkes
Faur Clair de Lune The French Song Anthology, Hal Leonard
Faur Notre amour Op 23 No 2
Faur Rve dAmour International
Gluck Che puro ciel (Orfeo ed Euridice) Novello
Hahn A Chloris (Hahn Melodies Vol2, (Heugel)
Handel Cara Sposa (Rinaldo) Celebrated Opera Arias for Mezzo Soprano and Alto ed
Spicker, pub Patelson
Handel Cor ingrate (Rinaldo) Barenreiter BA 4033A
Handel Here amid the Shady Woods(Alexander Boosey & Hawkes
Balus HWV65)
Handel Heroes When with Glory Burning(Joshua) Anthology of Sacred Songs Vol 2 Alto, Schirmer
Handel O Thou that Tellest (Messiah)
Handel Thou Art Gone Up On High (Messiah)
Haydn O quam tristis (Stabat Mater) Robbins Landon, Faber
Jommelli Chi vuol comprar
Mahler Ich Atmet einen Linden Duft (Ruckert International
lieder)
Mahler In diesem Wetter (Kinder-Totenlieder)
Mahler Wenn dein Muetterlein International Music Company
(Kinder-Totenlieder)
Mendelssohn Neue Liebe
Mendelssohn Schilflied
Mozart Se vuol ballare (Le nozze di Figaro) K.
492
Paisello Chi Vuol la Zingarella 30 Arie Antiche Vol.1, Ricordi 50251
Piccinni Recit: Porro dunque mor Aria: Se il ciel
mi divide (Alessandro nelle Indie)
Rossini La danza (Tarantella Napoletana)
Schubert Der Erlknig (Goethe)
Schumann Er, der Herrlichste von Allen(Frauen liebe Peters
und leben)
Schumann Wanderlied Peters
Strauss Morgen Op 27 No 4 Universal
Tchaikovsky To the Forest Boosey & Hawkes
Thomas Connais Tu Le Pays? (Mignon) Schirmer
Vivaldi Qui Sedes(Gloria) OUP
Wolf Kennst du das land (Mignon IV) (Goethe)
Wolf Mausfallen-Sprchlen (Morike)
Wolf Verborgenheit Peters
73
Fairy Queen)
Schubert Der Wanderer Op4 No1 Allans Publishing
Schubert Sehnsucht Op 8 No 2 Peters
Schubert Wohin? (Die Shne Mllerin) Allans Publishing
Wolf Verborgenheit Peters
Baritone/Bass
Attey, J Sweet was the Song Elizabethan Love Songs arr. Keel, 1st & 2nd set Low Voice
Boosey & Hawkes
Bach Et in spiritum sanctum (Mass in B min) Barenreiter BA 5102A
Bach Recit. Am Abend da es Khle War, Aria. Novello
Mache Dich, Mein Herze, Rein (to bar 37)
(St Matthew Passion Pt 2 BWV 244)
Brahms An die Nachtigall Op46 No4 Peters
Brahms Feldeinsamkeit
Brahms Stndchen Op106 No1 Peters
74
All Voices
Berkeley Bells of Cordoba Chester
Bernstein I Hate Music! Leonard Bernstein Song Album, Boosey & Hawkes
Bernstein Maria(West Side Story)
Bernstein Somethings Coming(West Side Story)
Bock If I were a Rich Man(Fiddler on the Roof) IMP Mfm0106
Bolcolm/Weinstein Song of Black Max (Cabaret songs) Edward Marks Music co.
Bridge Come to Me in My Dreams Boosey & Hawkes
Bridge Go Not Happy Day Boosey & Hawkes
Britten For I will consider my Cat Jeoffry(Rejoice Boosey & Hawkes
in the Lamb)
Britten For the Mouse is a creature of great Boosey & Hawkes
personal valour(Rejoice in the Lamb)
Britten The Nurses Song (Charm of Lullabies) Boosey & Hawkes
Butterworth Is My Team Ploughing? (A Shropshire Boosey & Hawkes
Lad)
Dring Blow, blow thou winter wind: No 6 from
Seven Shakespeare songs
Dring Take, O take those lips away: No 3 from A Thames Publication
Seven Shakespeare songs
Finzi Come away, come away Death from Let Boosey and Hawkes
Us Garlands Bring
75
4. Musicianship
5. Musical Knowledge
Performance Certificate
Entrants will submit their programme for approval with their entry form.
1. Songs
The entrant will select a programme of Songs with a Singing time of between twenty-five and thirty-five minutes. The programme must show
a variety of styles and be of sufficient technical/musical challenges to fulfill the criteria for Level Four.
2. Musical Knowledge
As for Level Four