Professional Documents
Culture Documents
0.5
wineglasses (detuning).
We began our experiments by measuring the natural 0
above at different distances and different detuning con- FIG. 4: Ratio of amplitudes of the two wineglasses oscilla-
ditions. The results are presented in Figs 3- 5. Figure 3 tions as a function of detuning between them. The distance
shows the coupling strength as a function of distance be- between the wineglasses was 25mm, and the water level in
tween the wineglasses, for different levels of water in the the container was 12cm.
container. As evident, the coupling strength decreases
significantly as the distance between the wineglasses in-
creases. On the other hand, the influence of water levels
of water in the container is not significant.
0.9
Finally, Fig. 5 shows the critical detuning as a function
0.8
of coupling strength, for different levels of water in the
container. As evident, when the coupiling strength which
Coupling Strength
0.7 height 11 cm
height 12 cm
induce oscillations in the driven wineglass increases, the
0.6
height 13 cm critical detuning increases as well. Also, when the level of
0.5
water in the contained increases the slops of the curves in-
0.4
crease, probably due to changes in the damping strength
0.3
which depend on the water level in the container
0.2
0.1
0
0 5 10 15 20 25 30 35
coupling strength.
FIG. 5: Critical detuning as a function of coupling strength
0.2 for different water levels in the container.
0.18
Ratio of amplitudes
0.16
0.14
0.12
0.1
Critical detuning
0.08
To conclude, the critical detuning of two wineglasses
0.06
0.04
is directly related to the coupling strength between them
0.02
and vice versa. For higher coupling strength the critical
0 detuning is higher. For large detuning, it is necessary
0 1 2 3 4 5 6 7 8 9
to increase the coupling strength in order to ensure that
Detuning [Hz] induced oscillations will accure in the driven wineglass.
[1] T. D. Rossing, Wine glasses, bell modes, and Lord Anisotropy in the sound field generated by a bubble chain,
Rayleigh, Phys. Teacher 28, 582 (1990). Journal of Sound and Vibration 278 807 (2004).
[2] Y. Y. Chen, Why does water change the pitch of a singing [5] M. Fridman, V. Eckhouse, N. Davidson, and A. A.
wineglass the way it does?, Am. J. Phys. 73, 1045 (2005). Friesem, Efficient coherent addition of fiber lasers in free
[3] K. W. Chen, C. K. Wang, C. L. Lu and Y. Y. Chen, space, Opt. Lett. 32, 790 (2007).
Variations on a theme by a singing wineglass, Europhys.
Lett. 70 3 334 (2005).
[4] R. Manasseh, A. Nikolovska, A. Ooi, and S. Yoshida,