Professional Documents
Culture Documents
Rachel Krivanek
Mrs. DeBock
English IV Honors
April 6, 2017
produce beauty of form, harmony, and expression of emotion. Music has the power to change the
way a person feels, emotionally, physically, and mentally. Although music emotionally affects
people, the effects that are on the academic part of the brain are numerous. As music has a
positive outcome on a students learning, there are other factors that influence how a child can
learn, such as home life. A students parent or guardian has an approach on how they reiterate
information taught at school, and whether they push practice or completely avoid it, it can either
strengthen or weaken a students school performance. When it comes to learning styles, there is
an abundance of diversity. Discovering each childs individual weaknesses is a quick way to get
to the root of the problem, and attacking it with practice and different approaches.
push and help their child improve and grow. In relation to early childhood mathematics
education, relationships among stakeholders, including family members, children and educators,
can have a substantial influence on the enhancement of mathematics learning (Fenton 45). In
order for information from class to really sink into a childs brain, a parent should review what
was taught each day. Taking it one day at a time can be the most effective method. According to
the article, Fenton also discusses the evidence based theory that certain barriers may be involved
in families that influence the child as well (Fenton 46). Barriers include the relationship parents
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have with their kids, household environment, and relationships with other siblings. Fentons
program, the Lets Count Program, targets students who have a weakness with counting (Fenton
47). This program is a simple solution to how students and parents can bring the classroom to
home environment. Homework and extra practice are effective examples of how to students can
between music and math in the classroom. The first example of Hughes creative experiment
involved ear training and transcription of a musical piece. According to Hughes, ear training is
studied by most Music Majors in college (Hughes 131). Although it is a college level task,
transcription can defined as encoding music, which requires finding the pitch and rhythm
dimension, and if it can be taught at an early age to young students, they will engage parts of
their brain that are used when playing music. The next creative experiment that Hughes
conducted is acoustics dimension, which digs deep into pitch frequency and ratios within music
(Hughes 131). Students learned to listen for overtones and beats, which are the basic makeup of
musical notes. The last example of a creative experiment conducted by Hughes is the tuning
demonstration, which involves frequency ratios (Hughes 131). When a note is sharp, the sound
waves produced from the note are produced faster. When a note is flat, the sound waves
produced move in a slower motion. Teaching students how to listen for the note to be flat or
sharp trains the ear and also shows how adding or taking away air can fix the problem. All the
experiments conducted by Hughes are thought of being advanced, but starting at a young age
Although music and mathematics have major effects on each other, music also can
influence the memory of a person. Surez performed a cross-sectional study on music and the
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working memory of adults. Surez explains, the visuospatial sketchpad stores and manipulates
visuospatial information (Surez 38). In simple terms, a musician has the ability to look at notes
and remember what they are and how to play them. Being able to determine the exact note and
knowing how to play it becomes second nature. According to the article, Surez defends the idea
that in order to strengthen ones cognitive domains, playing a musical instrument will indeed
play a role in the progression of those traits (Surez 38). Memory, for example, can be different
in each adult, but it was concluded that adult musicians are more likely to remember information
compared to nonmusicians. In another article, Jacobi discusses why students should begin to
learn music at a young age, and he supports the idea that the memory of a young student can be
built slowly if music is taught at a young age (Jacobi 15). Another example of connection
between music and memory that Surez made was the idea that in order to understand musical
notations, a person uses visuospatial abilities to process what is being shown (Surez 38). The
ability to look at music and process it requires the whole brain to be engaged, therefore the brain
the article, it is more likely for an adult musicians memory to be stronger than an adult who does
Technology plays a role in how students can interpret information. For example, a student
who is visually impaired may not be able to see music as a normal student would. According to
the article, the first example of an accommodation for visually impaired students is a Braille
Notetaker (Rush 78). This tool is very similar to a laptop, but can be used by visually impaired
students to experience the same qualities as a normal computer. The second example that Rush
explained was the text-to-speech feature on computers (Rush 78). Instead of seeing the
information, students can use the technology while each detail of the activity is explained by the
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computer. The third example that Rush provided is allowing a teacher to wear a microphone
during class and have speakers set up around the classroom (Rush 78). Having speakers surround
the classroom can help a student that may have a hearing problem participate in the normal
musical activities that are used in the classroom. Pittman also discusses the use of technology
and how students use computers to expand their knowledge on music (Pittman 540). Trying to
find accommodations for students may be difficult to teachers, but it is important to give all
students an equal opportunity to learn the information that is taught in the class. Especially
music, having an auditory or visual impairment can put a hidden barrier on a student that is
interested in learning music, but if accommodations are made, music can be a gift to any student
A students learning style is personalized to the way they interpret information, therefore
it is completely custom. In order to meet the needs of all students, a teacher must be able to
accommodate to different learning styles. In order to accommodate, teachers can use music and
technology to increase a students memory and strengthen the childs math skills. Home life also
plays a role in whether a student can excel or fall behind. Parents or guardians should push the
idea that in order to retain information, it must be reviewed at home. Overall, a students learning
style can be strengthened through musical activities or other accommodations made by a teacher,
and these activities can have a positive effect on he/shes future memory, mathematical abilities,
Works Cited
Learning in Family Contexts." Australasian Journal of Early Childhood, vol. 41, no.
Learning in the Elementary Music Classroom." General Music Today, vol. 29, no. 2,
Pittman, Tiffani and Trudi Gaines. "Technology Integration in Third, Fourth and Fifth
Impairments into the Music Classroom." Music Educators Journal, vol. 102, no. 2,
Training and Working Memory in Adults." Australian Journal of Psychology, vol. 68,