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2 Adam Smiths solution to the
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4 paradox of tragedy
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6 Arby Ted Siraki
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13 Tragedy is a subject that has occupied the thoughts of many theorists since
14 antiquity. Of special interest is the so-called paradox of tragedy the problem
15 of why spectators derive pleasure from viewing distressing scenes which
16 became of central importance during the second half of the eighteenth
17 century. Unlike many of his philosophically inclined contemporaries, Adam
18 Smith never wrote an essay on tragedy. Dramatic theory and the theatre in
19 general were, however, never far from his thoughts. In his biographical
20 memoir of Smith, Dugald Stewart mentions that Smith was especially
21 interested in the history of the theatre, both in ancient and modern times,
22 and that drama and the theatre were a favourite topic of his conversation,
23 and were intimately connected with his general principles of criticism
24 (Stewart 1980, Account III.15). Furthermore, Stewart suggests that these
25 topics were to be included in Smiths completed essay on the imitative arts.
26 The Theory of Moral Sentiments also brims with allusions to the theatre and
27 tragic drama.
28 In his later years, Smith wrote of a work he had upon the anvil, a sort of
29 Philosophical History of all the dierent branches of Literature, of Philosophy,
30 Poetry and Eloquence, which was never realized (Smith 1987, Corr. Letter
31 248 to Duc de la Rochefoucauld, 1 Nov. 1785). Unfortunately for posterity,
32 on his deathbed Smith ordered no fewer than sixteen folio volumes of manu-
33 scripts to be destroyed, a request faithfully carried out by his literary execu-
34 tors, Hutton and Black, and it is impossible to say precisely what was
35 burnt (Campbell and Skinner 1982: 223). Fortunately, in 1795, ve years after
36 Smiths death, Essays on Philosophical Subjects appeared, a collection of
37 Smiths essays on various subjects, of which he apparently thought highly
38 enough to preserve them. In addition, we now possess notes for some of his
39 unpublished works, including his Lectures on Jurisprudence and Lectures on
40 Rhetoric and Belles Lettres. These essays, along with the two major works
41 published in his lifetime, reveal Smiths comprehensive interdisciplinary
42 interests. The pieces in Essays on Philosophical Subjects further demonstrate
43 Smiths interest in aesthetics, a subject he also refers to in his two major
44 works. In fact, some commentators have argued that for Smith, virtually all
45 human endeavour has an aesthetic impulse: the impetus to obtain trinkets, to
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