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By Les Simmonds

CCTV Lens Selection

Lenses are probably the most un- can be placed on a plan to show
derrated and mysterious item in the angle of view of common The Lens calculation shown above
the CCTV chain. All general CCTV lenses or a Newsagent purchased looks and is very simple. Once you
images pass through a lens and protractor which can be placed on use it a few times it is with you all
the importance of the lens in the plans to determine the required the time. I use it most of the time
whole system is sometimes over angle of view and from a lens and it has not let me down to
looked. chart select the closest available date.
lens size.
Lens Selection Now that you have the most sim-
There are many lens selection aids * CCTV Camera with zoom lens or ple lens calculation methodology
available these days; there are Camcorder where the lens includes for common fixed lenses available,
complex formula and the most accurate focal length markings. there are other lens issues that
common selection aids are similar This method can be expensive and need to be considered, such as:
to the following: can be stolen when put down for a
short period on a building site. * Lens formats. Will the lens
* Focal length angle of view charts match or fit the camera?
supplied by all manufacturers and All of the above are valid lens se-
their suppliers. These charts con- lection methods for fixed or zoom * The lens speed (f-stop maximum
tain many figures that can confuse lenses and in particular long and minimum)?
and are sometimes open to misin- lenses. When you look at the table
terpretation. you will see there is a pattern * Required Depth of Field?
emerging for the two most com-
* Mechanical lens selection calcu- mon Camera chip formats with the * Manual iris, auto iris, or motor-
lators, which are available from most common fixed lenses. ised iris?
most lens manufactures and their
Camera Chip Format Focal Length for approx. Focal Length for approx. Focal Length for approx.
30 degrees Horizontal 60 degrees Horizontal 90 degrees Horizontal
View View View
1/2 Camera Format 12 mm 6 mm 3.5 mm

1/3 Camera Format 8 mm 4 mm 2.8 mm

distributors. They are similar to a The Horizontal Angle of View in * Will the selected lens and cam-
slide rule (rectangle or round) and degrees in the table above are era combination handle the light-
can take time to learn to use effi- only approximate but suitable for ing dynamic range?
ciently and when required at a site almost all CCTV applications.
they are usually still in the office. * Glass, Plastic, or Coke Bottle
The Horizontal Angle of View of Lenses?
* Software lens selection calcula- 30, 60 and 90 degrees represent
tors, which are available from more than 90% of all fixed lens I have demonstrated how easy it is
some lens manufactures and their applications and all can easily be to calculate 90% of fixed lens sizes
distributors. Great with a Laptop considered by using or thinking of using the common 30, 60, 90 de-
on site, but would be a slow proc- the common 30, 60, 90 degree gree set square. Now I will show
ess in the field for a large project setsquare that we have all used at another easy lens size calculation
and would be more practical in the some time of our life. These three method and talk about some other
office working with plans. angles are easy to remember and lens aspects.
if you need to show approximate
* Adjustable optical viewfinders, angles of view on a plan you can Another easy method for field lens
which are available from some lens purchase a setsquare at your local size calculation is a simple geome-
manufactures and their distribu- Newsagent to mark up the plan. try formula, where the lenses are
tors. They are easy to use and by the common 60 or 30 degree hori-
zooming in or out you can deter- In many cases the vertical angle of zontal view lenses, see the table
mine the closest lens focal length view also has to be considered and for the relative lenses sizes with
available for the application. They the existing Television Aspect Ra- 1/2 and 1/3 camera chip for-
have the advantage that you can tio is 4:3 this means that the Hori- mats. A 60 degree lens will show
show your client the approximate zontal is 4 units wide and the Ver- the same scene width as distance
angle of view from the proposed tical is 3 units high. Therefore, the from the object and a 30 degree
camera position. vertical angle of view with this lens will show half the scene width
aspect ratio is 75% of the Horizon- as the distance from the object.
* A purpose built protractor with tal Angle of View and easily calcu-
common lenses marked on it that lated. An example would be if the cam-

Copyright 2007 Les Simmonds. All Rights Reserved.


era/lens combination was 20 me- some auto iris zoom lenses. The f-
tres from a wall, a 60 degree hori- stop determines the depth of field,
zontal view lens would show a which is the distance between the
horizontal view which is 20 metres nearest and farthest points in a
wide on the wall. This formula ap- scene that appears acceptably
plies to all 60 degree horizontal sharp in an image. The smaller the
view lenses and as the distance lens aperture (higher f stop num-
from the object changes so will the ber), the greater the depth of
width of the horizontal view, eg if field.
the camera/lens combination was
10 metres from a wall, a 60 de- Depth of field is a zone of accept-
gree horizontal view lens would able sharpness that extends in
show a horizontal view, which is front of and behind the point on
10 metres wide on the wall. which you focus. To make it more
shallow you could widen the aper-
A 30 degree horizontal view lens ture (lower f stop number), move
such as those shown in the table closer to the subject with the same
would show half the horizontal focal length lens, or use a longer
view on the same wall with the focal length lens. Stopping down
same distance as the previous 60 (higher f stop number), moving
degree calculation. An example away with the same focal length
would be, if the camera/lens com- lens or using a shorter focal length
bination was 20 metres from a lens will increase the depth of
wall, a 30 degree horizontal view field.
lens would show a horizontal view,
which is 10 metres wide on the Depth of field is not a quality that
wall. If the camera/lens combina- can be measured exactly and ob-
tion was 10 metres from a wall, a jectively. It depends ultimately
30 degree horizontal view lens what the client or you are pre-
would show a horizontal view, pared to tolerate as un-sharp. In
which is 5 metres wide on the an attempt to rationalise this lens
wall. manufacturers use the term circle
of confusion. Even a sharp point
The simple angle of view formulas can be resolved by a lens as a
given both this month and last very tiny circle. Below a certain
month are approximate and I sug- diameter it looks like a point and is
gest that they are more that ade- known as the permissible circle of
quate for most CCTV applications confusion.
and should allow you to satisfy the
most important thing, your clients
requirements. Les Simmonds is an independent
CCTV consultant.
CCTV cameras chips are generally
Email:
available in 1/2, 1/3 and 1/4 les@cctvconsultants.com.au
formats and it is essential that the
camera and lens formats are com- Web:
patible. Camera and lens formats www.cctvconsultants.com.au
can be an area where embarrass-
ing mistakes are made, especially, This article was originally pub-
when the lens format is smaller lished in Security Electronics and
Networks Magazine Australia.
than the camera chip format and a
porthole effect is experienced.
This effect shows as a round circle
around the image with black filling
out to the edge of the monitor
screen. A lens format larger than
the camera chip format is gener-
ally acceptable but because a
smaller than normal area of the
lens elements are used there can
be a slight light transfer loss.

The size of the aperture is called


the f-stop number (eg) f0.8, f1.0,
f1.2, f1.4 etc. The aperture is a
mechanical ratio of the lens com-
ponents. The f stop numbers given
above are typical of CCTV lenses
when wide open, the same lenses
can close down to f360 for some
auto iris fixed lenses and f1600 for

Copyright 2007 Les Simmonds. All Rights Reserved.

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