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Who or What Is Compared? The Concept
of Comparative Literature and the
Theoretical Problems of Translation1
Jacques Derrida
Translated by Eric Prenowitz
I. WhatCan Be Compared?WhatComparesItself?Gulliver's
or Pangloss'sWake2
30.18c2,Winter
Discourse, 8cSpring pp.22-53.
2008,
2009
Copyright State
Wayne Press,
UniversityDetroit, 48201-1309.
Michigan ISSN1522-5321.
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?
WhoorWhatIs Compared 23
itselfin rituals,objectivebehaviors,reproductiveprocedures,and
give theexteriorsignsofvitality,
all all theapparentguaranteesofits
smoothfunctioning,of its continuity, of its legitimacy.It can con-
tinuetopretendto havea determined,rigorously identifiableobject
and to relateto itin a living,renewed,effective, productiveway.Even
ifitno longerhas an objectaround whicha livingconsensuscan be
establishedand can bring togethera communityof researchers,
teachers,and students,a departmentin a university can long outlive
the disappearance of itsobject and of the livingconsensusrelating
to it.It is truethat,in thesecases, the survival[survie ] , the timeand
the economyof survival(forexample, the budget,the demograph-
icsoftheinstitution, itsregionofinfluence,etc.) are alwaysruledby
its inscriptionin a larger sociopolitical space, of which we must
neverlose sight.
You have alreadyrecognizedthefacile,worn-out,conventional
schema I have been usingin thispreamble.It opposes not onlylife
to deathas twoterms,italso exploitsa reassuringbelief:thatan insti-
tutionhas a livingand authenticorigin,its livingsource of legiti-
macy,itsintentionalpurpose [finalit] , itsgranddesign,itsproject,
itstelos,or itssoul, and when thislivingpurpose ceases to animate
thecommunity ofsubjects(here,researchers,professors, students),
then thereonly remains,and not forlong, a facade, a desiccated
body,a sterileand mechanicalreproduction.
Now ifI proposed to call thisseminar"The Concept of Com-
parativeLiteratureand theTheoreticalProblemsofTranslation,"it
wasnotin orderto playtherole ofthelatestarrivalin a department,
{latestarrival}whosefirstpreoccupation- and witha tasteforprovo-
cation- would be to putintoquestiontheinstitution thatwelcomes
him,to ask his hostshowlong theyhave livedhere,whattheirown-
ershipor rentalrightsare, under whatconditionstheyoccupy the
premises,wheretheirfundingcomes from,etc.Asyoucan imagine,
itis not at all in thisspiritthatI am askingmyquestions.Nor is itin
myintentions,in mytastes{orwithinmymeans},to organizea gen-
eral and radicalproblematic(as mytitlecould nonethelesslead one
to believe) in orderto beginwitha tabularasaand establishthebasis
of a newfoundation,ofanotherlegitimacy.
Above all, I do notintendto inaugurate,or to criticizeor to ini-
tiate.
What,then,is myintention?And whyhave I begun withthis
alternativebetweenthe livingsoul and the dead bodyof an institu-
tion, between its livingsource of legitimacyand the mechanical
reproductionof its legality?Firstof all to put in place and in the
spotlight(of themicroscopeor thetelescope) a conceptualopposi-
tionthatwe willfindwhereverwe go (at leastthisis myhypothesis),
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24 JacquesDerrida
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WhoorWhatIs Compared 25
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26 JacquesDerrida
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WhoorWhatIs Compared
? 27
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28 JacquesDerrida
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WhoorWhatIs Compared
? 29
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30 JacquesDerrida
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WhoorWhatIs Compared
? 31
Thisappraisal
andthisprogram cannotbecarefully
established
solongas
wedo nothavea methodical ofpublished
bibliography works andan
exhaustive
inventoryofwork inprogress(many toomany ofwhich repeat
eachother . [!!! Describe
already) Etiemble's
Ayatollah centralized
factory,
themetropolis
withpanoramic screenanddispatching what
keyboard: aca-
demic,whatresearcher hasnotdreamed ofsuchanempire?] Yethowever
richitmay
seemtobe,nonation canexpectbyitself
toproducethebibli-
ographywithoutwhich therecannotbegeneral thissupreme
literature,
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32 JacquesDerrida
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WhoorWhatIs Compared
? 35
. Anatomiesof ComparativeCriticism
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36 JacquesDerrida
translation)personalpropernamescannotbe translated.Theyare
sometimesadapted, in pronunciationor transcription(like the
propernames of cities;Londres,London, Venezia,Venice,Venise;
but Londres is not a translationof London), but theycannot be
translated.They are takento be untranslatablebecause theyhave
no meaning,no conceptualizableand commonmeaning;theyonly
have a referent,as one says,a unique referent,and when theyare
pronounced one can designate [viser]onlya single,singularindi-
vidual,one unique thing.{Whencea contaminationoftheuntrans-
latable, an expansion of the untranslatableto all that touches , all
thatis contiguous the
with, proper name in a text or in a language.}
There is onlyone Washingtonin theuniverse,one cityor one man
named Washington,and according to the determiningcontext,
each time,Washingtondesignatesa singleindividual,whetheritbe
a greatstatesman,Washington,DC, or the otherone or the other
one, or whoeverbears thispropername. All thesenames,all these
occurrences of the name Washington,are related to each other
throughpure homonymy;each time,to all appearances, theydes-
ignate individualswho do not referto any common concept. We
willcome back to this.In anycase, propernames cannot in theory
be translated.And Pangloss is a proper name, the problemmade
more acute by the fact that the singular referentmeant by this
propername is a fictivereferent,one thatwas invented,ifyouwill,
by Voltaire. This distinguishes for example, fromLondon or
it,
Washington, which are supposed to be real,not to be contained,in
theirsubstance,withina book, a so-calledworkof literatureor of
the imagination.You willsayto me thatLondon, the unityof Lon-
don or of Washington,is also a fiction,no one has ever seen any-
thing, no one has ever seen or beheld before their eyes an
individualnamed London (London is an entitydefined [ dcoupe ]
by symbolic,legal, political conventions; it is even a modifiable
entitythatcan be stretchedout byadding suburbsor even erased
fromthemap withoutremovinganypartofitsphysicalreality). The
same can be said ofWashington,and even of the individualWash-
ington.Admittedly. But,havingsaid this,thefictionality ofLondon
or ofWashingtonis not of thesame typeas thatof Pangloss,of this
literarycharacterbaptized by his presumedauthor,Voltaire.The
conventionalfictionnamed London does not in theorybelong to
literatureand- let us make do withthisremarkforthemoment-
itwasnotproduced,invented,accordingto thesame proceduresof
nomination.In thecase ofPangloss,I shallonlybe concernedwith
whathas to do withcomparativeliteratureand translationin this
procedureof nomination.
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WhoorWhatIs Compared 37
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WhoorWhatIs Compared? 39
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40 JacquesDerrida
[0]nebecomesa comparativist
through theinsatiable
desire
forencyclo-
pedism,
through labor.
daily Onemust await
patiently oldagetoproduce
thebestfruits
[notethismetaphor:
itseemstrivialandcursory;infact,
morethanonceinthis
seminarwewillencountera bio-organicist
rhetoric
that
doesnothauntthese ofcomplit
regions andtranslation .20
byaccident]
Furtheron, E. continues:
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WhoorWhatIs Compared
? 41
national
ofgreat minds Unfortunately thenations'
rulersdonotoften
havea comparativist
mind. Everything that
suggests fora longtime hence
they willferociously
resist
itsecumenismanditstolerance.Theyrepeat
afterClaudel,"Tolerance?Therearehousesforthat."[Andhereisthe
properly orpanglottic
pasiglottic which
project istheinevitable
result
of
thisencyclopedism:]
Forexample, an international
agreement mustbe
established a few
concerning working and,ifpossible,
languages a univer-
sallanguage.31
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42 JacquesDerrida
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44 JacquesDerrida
Asmuch asthetranslations,
andalmost asmuchasa universal a
language,
meticulously critical
andprudently
normativehistorical ofthe
dictionary
entire vocabulary ofcomparativism
must becompletedassoonaspossible.
[!!!!]. . . Thankstowhichmenwillperhaps behelped[because hedoes
notonly want tohelpcomparati
vists, orstudents
researchers, in
interested
literatures but"men"]togiveupvaguelinguistic andall
approximations,
thewords thatnolonger
meananything bydintofsignifying
somuch.37
Conclusion:
Andwhatifthefruits
ofthehumanism ofthefuture ascomparar
were,
tivism
already theequitable
suggests, sharinganddistribution
ofallthe
goodsofthis
world?39
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WhoorWhatIs Compared? 45
What willperhapsseemencouraging,orconvincing,
tomeisthatI came
totheseideasallbymyself,andthatonthestrength
ofa principle
ofthe
- nullius
oldestrhetoric addictus inverba
jurare magisti Ep. 1,L
(Horace,
14)- I onlyacceptedtoreadthetheoreticians
ofourdiscipline
afterhav-
ingelaborateda fewideasoutofmyinseparable asprofessor
experiences
andwriter.43
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46 JacquesDerrida
Comparative literature
isa branch
ofliterary itisthestudy
history: ofinter-
national ofthefactual
relations,
spiritual relations
thatexistedbetween
Byron andPushkin, Goethe andCarlyle,
WalterScottandVigny,between
theworks,theinspirations,
oreventhelives
ofwriters
belongingtoseveral
literatures.
Itdoesnotconsider works fortheir
essentially value,
original
butisconcerned aboveallwiththetransformations
that eachnation,
each
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WhoorWhatIs Compared 47
author, ontheir
imposes borrowings. . . finally, literature
comparative is
notthat literature
general thatistaught intheUnitedStates.49
-
- one speaks also of Goethe's Weltliteratur
This general literature
is thusone of the stakesof thisdebate. And, even ifhe agrees,say-
ing that comparative literature is not general literature or
Etiemble,Carr's successor,statesthattheone oughtto
Weltliteratur,
prepare us for theother.And here again he evokestheauthority of
Ren Wellek,whomhe sideswithon thispoint:
WithRenWellek, I consider
that
comparativeliterature
iscondemned to
nevercomeintoitself ifhistorical
study,which theFrench andSoviet
arecorrect
schools doesnottakeasitssupreme
tovalue, goaltomakeus
capableoffinally
speaking ofparticular
literatures "litera-
[byitalicizing
Etiemble
tures," seemsconcerned nottoforget that
what isatissuemust
beliterature,
always whichseemstometocontradictthelogicofmany of
hispropositions
elsewhere andwhich,ina nonhistoricist
mode,itistrue,
impliedorledtothedissolution
oftheliterary],
orevenofgeneral litera-
ofaesthetics
ture, andrhetoric.50
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48 JacquesDerrida
I would
likeourcomparativisttobeequally
a manoftaste andofpleasure.
I wouldlikeallhisprevious
studies
tobeonlythemeans forhimtoread
textswithgreater andconsequently
intelligence with greater
joy,greater
thanthose
voluptuousness, whoknow nothing I would
orlittle. likehimto
bea lover
ofpoems, oftheater,
orofnovels,
asLanson wanted hishistorian
ofliterature.
Wemust alsoconsider
theCongressofChapelHillin1958to
beauspicious,where several
scholars
oftheAmerican school,repeating
ideasamply expressedinComparative
Literature,
vigorouslyrehabilitated
toooften
criticism, byourcomparati
neglected Mr.RenWellek
vists. does
notforgetanymorethanI dothat incomparativeliterature
thereis'com-
buthedoesnotacceptanymorethanI do that'literature'
parative,'
shouldbeforgotten.51
That is thecritical-aesthetic
motif(let us notforgetliterature,which
is to say,pleasure and evaluation,thevaluejudgment). Here is the
"invariants"motif.Etiemble has just been braggingabout how in
Montpellierhe taughtwhatwasapparentlythemostconformist and
irreproachable class on European pre-Romanticism, at the end of
whichhe added, "I mustinformyou thatall mycitationsabout the
birthof pre-Romanticismin Europe come fromChinese poets,
betweenK'iu Yuan,who livedbeforethe Christianera, and theera
of theSong." And he concludes hisstoryin thismanner:
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WhoorWhatIs Compared 49
. Babel55
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50 JacquesDerrida
Notes
1Ij>concept
delittrature etlesproblmes
compare delatraduction
thoriques [Thecon-
ceptofcomparativeliterature
andthetheoreticalproblems oftranslation],
a series
ofsixlectures
delivered
byJacquesDerrida inFrench atYaleUniversityin1979-80
(typedwithsomehandwrittenadditions
andmodifications[JacquesDerridaArchive,
ofCalifornia-Irvine,
University box15,folder 1]). TheFirst
twolectures,andthe
beginningofthethird,arereproduced herewitha modified tide.Excerptstaken
from theopenings
ofthefirst
threelectureswerereadbyHlneCixous (inFrench)
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WhoorWhatIs Compared 51
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52 JacquesDerrida
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WhoorWhatIs Compared,
f 53
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