Professional Documents
Culture Documents
Descrierea disciplinei
Arta contemporan se refer la producia artistic ncepnd din anii 1960 i pn azi, fiind
caracterizat de o ruptur fa de tradiiile Moderniste, multe lucrri renunnd chiar la mediile
artistice uzuale n favoarea unei abordri mai efemere sau colaborative, iar rezultatele sunt uneori
ndeprtate de o preocupare pur estetic. Arta contemporan nu trebuie vzut ca o niruire de
stiluri artistice ci ca o serie de chestionri culturale, sociale i politice care vor fi examinate n
cadrul contextele lor istorice pe parcursul acestor uniti. Temele alese vor aborda strategii
artistice variate, astfel nct la finalul cursului studenii vor putea identifica nu doar artiti i
opere relevante ci vor i putea interpreta cele mai importante aspecte ale artei contemporane n
direct legtur cu contextul social al acestora.
Bibliografia obligatorie:
Hal Foster, Rosalind Krauss, Yves-Alain Bois, Art Since 1900: Modernism, Antimodernism,
Postmodernism
David Hopkins, Art after Modern Art, 1945-2000
Brian O'Doherty, Inside the White Cube: The Ideology of the Gallery Space.
Cursul se bazeaz cu precdere pe expunerea unui material vizual bogat din banca de imagini a
catedrei de Istoria artei.
Ingo F. Walther: Art of the 20th Century. Kln: Taschen, 2000. cap. 11.
Erika Doss: 20th Century American Art. Oxford: Oxford University Press,
2002. cap. 5-6.
Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 362-367.
https://www.theguardian.com/artanddesign/2008/sep/13/damienhirst.art
https://www.theguardian.com/artanddesign/2008/sep/14/damienhirst.art
James Meyer (Ed.): Minimalism. Phaidon. pg. 193; pg. 195. [Biblioteca UAD
a III 4163]
Jeffey Kastner (Ed.): Land Art. Phaidon. Earthworks i A Radical
Dislocation, pg. 23-30; pg. 199-200. [Biblioteca UAD a III 4165]
http://www.telegraph.co.uk/culture/art/3606332/A-terrifying-beauty.html
http://www.artnet.com/magazineus/features/drohojowska-philp/phenomenal-
at-san-diego-museum-10-27-11.asp.
Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 409-410.
- 21 martie 2017: Dincolo de obiect Peformance Art. Corpul artistului i Body Art.
Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 373-375; 450-454; 464-469; 564-569.
Tracey Warr, Amelia Jones: The Artists Body, Phaidon [Biblioteca UAD].
https://blogs.uoregon.edu/marinaabramovic/category/rhythm-series/.
- 11 aprilie 2017: Spaiul muzeului i al galeriei. Rolul pieei de art. Bienala de la Veneia.
Documenta.
Brian ODoherty: Inside the White Cube. The Ideology of the Gallery Space, Cap. I
Notes on the Gallery Space, pg. 13-34.
Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 554-559.