Professional Documents
Culture Documents
Students will select subject matter that fits into the art
movement Art Nouveau and features key style and subject
elements intrinsic to Art Nouveau (flora and/or female figures)
exploring the concept of beautiful objects and the aesthetic
purpose of art.
http://i285.photobucket.com/albums/ll43/atelier29/shadowlig
htmain.jpg
Jamie-Louise Gury 20172170 Page 2 of 19 EDSM13 FPD ASSIGNMENT
Abbreviations: L = Literacy N = Numeracy ICT = ICT Competency CCT = Critical and Creative Thinking SCH = Social, Cultural, Historical Context
EB = Ethical Behaviour PSC = Personal and Social Competence IU = Intercultural Understanding EC = Essential Content AN = Art Nouveau
Unit Overview (Discipline) Visual Art (Topic) Art Nouveau (Year Level) 9 (Term) 1 (M/R) Responding
Student Name: Jamie-Louise Gury Student I.D.: 20172170
Wk Topic EC/Knowledge Key Skills Resources Assessment
Introduction to Art Nouveau / Analysis: Use of - L/CCT: Students - TAN p.5-9 Informal Assessment
Stylised Still Life Drawing visual art language, discuss AN styles - Prezi 1 Students will take part
- Situate AN historically and its visual conventions and features. - YouTube 1 in a Kahoot on
1
SCH, exploring influences. and art terminology - N: Students Flora and Elements and
- Explore AN styles through still to respond to create copies of art materials Principles and
life and design mimicry. artwork. AN art features. for still life. complete HO 5.
Values, Beliefs and Art Analysis: Visual - L/CCT/IU: - Prezi 3 Assessment Check:
Meaning / Recreating AN conventions Students analyse - HO 1 Students will be
Elements and Principles identified in a AN artworks using Watercolour allowed class time to
2 - Exploring the social responses complex visual art pencils & work on Group
to AN. Exploring the Elements compositional language and fine point Presentations in order
and Principles used by AN and arrangement of exploring social markers for to supervise content
recreating them in small scale. artwork. power of art. exploration. direction.
Commentary and Social Analysis: Using - L/CCT: Artwork - Prezi 5 In Class Image
Issues in Art / Creating (FELDMAN) to analysis. - MOMA p. Analysis
Posters with Messages analyse artwork - EB: Students 9-10, p. 33 Guided short response
3 - What was AN saying? from contemporary create and - InkInd to an artwork using
- Students will create draft and past times. consider artistic Butchers FELDMAN.
posters that explore a comment. commentaries. paper Weighting = 15%
Artistic Purpose and Intention SCH: Identification - L: Artistic - TAN p. 27 Assessment Check:
/ Mimicking Gustave Klimt of representations production. - Prezi 2 Journal Progression
4 - Artist Study: Gustave Klimt. in artwork within a - CCT/IU: Artist - Klimt either 1 artist or 2
- Explore SCH, techniques etc. given context. study, exploring - YouTube 2 artworks,
- Developing use of Acrylics. influences and art Acrylic paint researched/analysed.
Historical Setting and Subject SCH: Viewpoints in - L: Art making. - TAN p. 16 Group Oral
Matter / Developing Line Skills artwork from - ICT/PSC: Group - Mucha Presentations
- Artist Study: Alphonse Mucha. particular artists Presentation - MOMA p. 5 min pres. In groups
5
- Explore SCH, techniques etc. and styles. using ICT. 10, p. 14 of 3-4. Art movement
- Exploration of mediums for line - IU/CCT: Explore - HO 2 and artist investigation.
making and types of line in AN. artist and works. Markers etc. Weighting = 15%
Symbolism and Art in Design / SCH: Practices, - L: Artistic - TAN p. 19 Assessment Check:
Exploration of Mediums techniques and Production. - YouTube 3 Students will have 3-
- Artist Study: Emile Galle. viewpoints of artists - IU/CCT: Artist - TAS 1 4 A4 pages of Journal
6
- Explore SCH, techniques etc. from different study, exploring Dyes, inks, complete, developing
- Use of dyes, pens, inks, paints, cultural groups. SCH, influences pens, paints annotations exploring
markers for transparent surfaces and artwork in AN. experiments SCH for AN and artists
Artistic Influence and Visual Inquiry: Ideas for - L/PSC: Idea - TAN p. 30 Investigatory Journal
Art Portfolios art-making production and - YouTube 4 5 A4 pages of images
- Introduction to art project. appropriate for 2D exploration. - Prezi 4 and annotations
7 - Artist Study: Louis Tiffany. painting on - IU/CCT: Analyse - TAS 2 exploring the SCH
- Idea Development Strategies transparent and appropriate - Secese contexts of art
i.e. brain storming, sketching, surfaces. an artist style and Pencils and nouveau and 2 artists.
artist/subject/style influences. influences. markers Weighting = 20%
Art Themes, Materials and Inquiry: - L/N/ICT/CCT: - YouTube 5 Assessment Check:
Composition Exploration of Continuing idea - Secese Students will have
- Continuing idea development, media, materials and design Digital progressed through
8
artistic influences and mediums. and technologies in development devices and the initial stages of
- Use digital technologies and application to using ICT and variety of idea production and
painting skills and techniques. different art forms. other techniques. paints design development.
Artist Reflection and Inquiry: Visual art - PSC/CCT: - Slide S 1 Informal Peer
Experimentation language used in Critique of peers - HO 3 Assessment
9 - Experimentation in a variety of the development of design process. Variety of Use of rubric to peer
mediums and techniques and artwork and design - N/L: Design paints, assess portfolios.
reflecting through annotations. experimentation. experimentation. markers etc. Weighting = N/A
Applying Visual Art Language Inquiry: Recognise - L/CCT/PSC: - HO 4 Working Portfolio
Developing a resolved final and use visual art Resolving artwork - YouTube 6 Engagement in the
design, to be produced next conventions (e.g. design and Images for development of a
10 term, through use of visual art examining the reflecting an art mimicry of resolved artwork, skill,
language in the critique of representation of processes and the human idea, and creative
students own work both verbally the human form in appropriate use of form in Art development.
and through annotations. cultural contexts). art mediums. Nouveau Weighting = 30%
Text Resources
Resource Abbreviation APA Reference
National Gallery of Art Washington. (2000). Teaching Art Nouveau 1890-1914. Retrieved from
TAN
http://www.nga.gov/content/ngaweb/education/teachers/teaching-packets/art-nouveau.html.
Mucha The Mucha Foundation. (2017). Home. Retrieved from http://www.muchafoundation.org/.
The Museum of Modern Art. (1960). Art Nouveau: Art and Design at the turn of the Century.
MOMA
Retrieved from www.moma.org/calendar/exhibitions/2752 .
The Art Story. (2017). Art Nouveau: Concepts and Styles. Retrieved from
TAS 1
http://www.theartstory.org/movement-art-nouveau.htm#concepts_and_styles_header.
The Art Story. (2017). Art Nouveau: Art Nouveau Glasswork and Jewellery. Retrieved from
TAS 2
http://www.theartstory.org/movement-art-nouveau.htm#later_developments_header.
InkInd Design. (2017). Art in Advertising: Art Nouveau. Retrieved from https://www.inkind-
InkInd
design.com/single-post/2016/11/28/Art-in-Advertising-Art-Nouveau.
Hand Outs/Worksheets
Abbreviation Description
Worksheet providing guided exploration and mimicry of the elements and principles of Art
HO 1
Nouveau.
Worksheet providing instructions, guidance, and examples for the exploration of use of medium
HO 2
to recreate types of line stylistic to Art Nouveau.
HO 3 Worksheet providing guided elements and principles experimentation.
Worksheet for students to self reflect and evaluate their own design process and the
HO 4
effectiveness of their design for the purpose of being a stained glass panel in a chandelier.
Worksheet on YouTube Clip Art Nouveau Overview Goodbye Art Academy identifying key
HO 5
features of Art Nouveau.
General Capabilities:
Literacy Numeracy ICT Critical and Creative Thinking Ethical Behaviour Personal and Social Competence Intercultural Understanding
Cross-curriculum priorities:
ICT = Information and CCT = Critical and Creative PSC = Personal and Social IU = Intercultural
L = Literacy N = Numeracy EB = Ethical Behaviour
Technology Capability Thinking Competence Understanding
Other Abbreviations:
M/I = Motivation/ LS = Lesson Steps LC = Lesson Closure T = Transition TPS = Think Pair Share WS = Welcome and Settle
Introduction Students
PU = Have Students EC = End Class H/W = Home Work CL = Curriculum Links W/L = Week/Lesson H/O = Hand-out/
Pack Up Worksheet
AN = Art Nouveau GC = General R = Responding M = Making CP = Class Preparation SCH = Social, Cultural, and
Capabilities Historical Contexts
Focus: Values, and principles of art Constant observation of (Students will have been informed to purchase this Art Nouveau? - Students own
Beliefs and Art movement Art Nouveau. student progress free IOS app at the beginning of the year in their - How can we visual diaries.
Meaning / - M: Students will be through the making book lists). Students will then recreate those uses of recreate Art - Variety of
Techniques used able to effectively use process will allow elements and principles in a variety of art mediums. Nouveau line, pencils, fine line
by Art Nouveau. watercolour pencils, fine opportunity to informally Students will use the work sheet as a guide, however colour, style and markers,
point markers, and other assess student making they will performs these design explorations in their subject? watercolour
Key Terms: sketching materials to skill level and own visual diaries. LC: [5 min] PU and clean the pencils,
Values, Beliefs, and recreate key elements of development. class in preparation for the bell. T: Remind students charcoals, and
Art Meaning. Art Nouveau. - GC: L/CCT/IU/N to bring their digital devices to the next class. EC. pastels.
W Responding: - R: Students will be Assessment Check: M/I: [5 min] WS class running through the class aims - How was Art - H/O: Group
2 Visual conventions able to interpret Students will be allowed and having students gather their digital devices for Nouveau Oral
identified in meaning and intent of class time to work on CP. [5 min] H/O to students the marking rubric for the adapted into Presentation
L complex Art Nouveau artworks. Group Presentations in Group Oral Presentation Assessment and the popular Marking Rubric.
2 compositional - R: Students will be order to supervise FELDMAN analysis framework. Run through these aesthetics of the - H/O:
arrangement of able to identify how Art content direction. as a class to confirm student understanding. LS: [5 time? FELDMAN
artwork. Nouveau infiltrated Students will be min] Allocate students their groups for the Oral - What art forms analysis outline.
popular aesthetics of its instructed to use Google Presentation Assessment, providing them with their does Art - Physical
Making: time and identify the art docs for effective use of specific artist focus. (Artists include: Gustave Klimt, Nouveau take? resources and a
Recreating Art forms in which Art ICT for collaborative Alphonse Mucha, Emile Galle, Louis Tiffany, Aubrey - What did Art list of
Nouveau Elements Nouveau appears. work. By the end of the Beardsley, May Gibbs, Koloman Moser, and Henry Nouveau mean recommended
and Principles. - R/M: Students will be lesson students will van de Velde). [30 min] Students will begin their to its audience? websites.
Analysis
able to efficiently use have been allocated 1 investigation of Art Nouveau and their allocated artist - What is the - Students own
Focus: Values, ICT and research artist to focus. Students using ICT and physical resources in small groups. effect of Art digital devices.
Beliefs and Art resources, in small will have selected at Students will be encouraged to use Google Docs for Nouveau within - Selection of
Meaning / groups, to begin an least 1 artwork from the working collaborative and will be prompted with design forms, books about Art
Techniques used investigatory process chosen artists questioning throughout this process. LC: [5 min] other than Nouveau and
by Art Nouveau. into Art Nouveau for the repertoire. Have students pack PU and perform a quick Q&A painting, 2D art specific artists.
purpose of oral - GC: L/ICT/CCT/PSC. with the whole class working through the Key forms?
presentation. Questions. T: Remind students to bring their art
making materials to the next class. EC.
Jamie-Louise Gury 20172170 Page 7 of 19 EDSM13 FPD ASSIGNMENT
W/L SCSA CL Specific Lesson Objectives Assessment & GC Teaching & Learning Experiences Key Questions Resources
W Responding: - R: Students will be Establishing Student M/I: [5 min] WS class running through the class aims - What - MOMA Art
3 Critical analysis able to make Engagement: Students and having students gather their visual diaries, and commentaries Nouveau: Art
frameworks considerations regarding will perform a small note taking devices for CP. LS: [5 min] H/O printed was Art and Design at
C (FELDMAN) used commentaries made by group brainstorm to the copies of MOMA p. 9-10, p. 33 and InkInd Web Page Nouveau the turn of the
1 to analyse artwork artists within their works. question How do Art to students and group read them as a class. [5 min] trying to make century p. 9-10,
from contemporary - R: Students will be Nouveau artists make Have students work in small groups to create a quick as an art p. 33.
and past times. able to identify Art commentaries in their brainstorm addressing the question How do Art movement? - InkInd Art in
Nouveau advertising art?. Nouveau artists make commentaries in their art? [5 - What is Advertising
Making: Creating and interior design Student Observation: min] Having students working independently, have involved in https://www.inki
Art Nouveau Draft styles. Through constant them create another brainstorm for Art in Advertising poster design? nd-
Posters that - M: Students will be observation of, and What commentaries can we make in our own art? [30 - How do design.com/sing
Convey Meaning. able to produce draft conference one on one min] Students will then commence work on the artists create le-
Analysis
designs of posters that with, students as they creation of an original draft design for an A3 poster commentaries post/2016/11/28
Focus: explore some form of create their posters it using their own visual diaries and a variety of pencils within their /Art-in-
Commentary and commentary. will be possible to asses and markers. Students will attempt to portray some art? Advertising-Art-
Social Issues in Art - M: Students will be students skill levels and form of comment within the poster whether it is for - How can we Nouveau.
/ Creating Posters able to effectively use a capacity for high order product advertising, social issues, or an event. make - Students own
with Messages. variety of pencils and thinking in creating Students will be encouraged to develop their Art comments in visual diaries.
markers to produce a commentaries through Nouveau styles of design. LC: [5 min] PU and clean our own work? - Variety of
Key Terms: Art draft form of an A3 art. the class in preparation for the bell. T: Students will be pencils and
Commentaries. poster design. - GC: L/EB/CCT/PSC reminded of the assessment in the next class. EC. markers.
W Responding: - R: Students will be Formal Assessment: M/I: [2 min] WS class running through the class aims. - What is - Prezi
3 Responding: independently able to In Class Image [5 min] Run through the Prezi Presentation FELDMAN involved in the FELDMAN
Critical analysis analyse a given artwork Analysis - Students will Analysis with students in order to confirm students analysis of Analysis
C frameworks using the FELDMAN be required to analyse, understanding of how to use the FELDMAN analysis artworks? https://prezi.com
2 (FELDMAN) used analysis framework, and in guided short response framework. [3 min] Hand out H/O for In Class Image - What is the /bduz91clbg_n/f
to analyse artwork visual art language, form using FELDMAN Analysis Assessment Task and printed copies of The FELDMAN eldman-
from contemporary within test conditions. analysis framework, The Precious Stone Series, 1900. Outline to students the analysis analysis/.
and past times. - R: Students will be Precious Stone Series, instructions and rules of behaviour for the assessment framework? - H/O: In Class
able to adhere to test 1900, by Alphonse task. I.e. the class is to be silent from the moment the - How do we Image Analysis
Making: Creating condition expectations Mucha. The task will be test papers are handed out to the moment test papers describe, FELDMAN
Art Nouveau Draft and conduct the performed in an in class are collected, and any cheating will be dealt with analyse, Framework
Posters that appropriate behaviour to testing setting and accordingly. LS: [35 min] Students will complete the In interpret and providing
Convey Meaning. such conditions. students will be allowed Class Image Analysis Assessment Task working make structure for
- M: Students will have 35 mins to complete the through the guided short response assessment paper. judgements guided short
Analysis
Focus: made progress on their task. Students will work independently and in silence as they about a piece response.
Commentary and oral presentation Weighting = 15% analyse The Precious Stone Series, 1900, by of artwork from - H/O: Printed
Social Issues in Art assessment task in their Assessment Check: Alphonse Mucha. Provide time scaffolding for students a given time? copies of the
/ Image Analysis own time, collaborating Update on students on the board, verbally providing time prompts at the - What made image The
using FELDMAN. with their group progress for Oral halfway point, 10 minutes left, 5 minutes left, 1 minute Art Nouveau Precious Stone
members. Their Presentation Task. left and time up. LC: [5 min] Collect students more than just Series, 1900, by
Key Terms: presentations will have a Students will have completed responses, having the class remain in an art style? Alphonse
Analysis distinct theme and artist developed content and silence until all papers are collected. T: [5 min] Mucha, and a
Frameworks, and focus, with the collection biography of artist. Assessment Check on student progress for the Oral digital version to
Art Investigation. of biographical - GC: L/CCT/IU Presentation due in two weeks time. And remind be projected on
information. students of other upcoming assessments. PU/EC the screen.
Jamie-Louise Gury 20172170 Page 8 of 19 EDSM13 FPD ASSIGNMENT
W/L SCSA CL Specific Lesson Objectives Assessment & GC Teaching & Learning Experiences Key Questions | Resources
W Responding: - R: Students will be Establishing Student M/I: [5 min] WS class running through the class aims - Who is - Prezi Gustave
4 Identification of able to recite simple Engagement: As and having students gather their visual diaries, and Gustave Klimt? Klimt
representations in biographical information student complete a note taking devices for CP. [5 min] Have students - What art forms https://prezi.com
C artwork within a and the social, cultural worksheet for the actively watch YouTube Klimt Bio taking notes does he /t-rd0sbg4ro-
1 given context. and historical contexts analysis of Klimts about Klimts SCH. LS: [5 min] Provide an overview produce? /gustave-klimt/.
surrounding Gustave Medicine & Hygeia as a of Klimts art style and run through Prezi Presentation - What are the - YouTube
Social. Cultural, and Historical Contexts
Making: Mimicking Klimt and his artworks. class it will be possible Gustave Klimt. [15 min] H/O FELDMAN analysis social, cultural Klimt Bio
Gustave Klimts - R: Students will be to see students framework and printed copies of Klimts Medicine & and historical https://www.yout
style through the able to identify the understanding on Hygeia, 1901. As a class students will analyse the contexts ube.com/watch?
use of Acrylic Paint. practices, techniques, analysis concepts. aforementioned artwork. [5 min] H/O printed regarding Klimt v=UXLiaEJ0yH4
and concepts used by Skills Check: examples of Klimts works and direct students to and his work? .
Focus: Artistic Klimt, analysing Observing students http://www.klimt.com/. [15 min] Students will begin an - What - H/O: Feldman
Purpose and Medicine & Hygeia progression through the exploration and mimicry of Klimts style, techniques techniques does analysis sheet
Intention / 1901, as a whole class. Klimt mimicry task, it will and use of colour. Students will use acrylic paints on Klimt use? for artwork
Mimicking Gustave - M: Students will begin be possible to see what a small scale in their own visual diaries to focus on - What are his analysis.
Klimt. exploration and mimicry painting skill level ONE Klimt work from either: Medicine & Hygeia, art practices? - Students own
of Klimts style, colours students are at, and 1901, The Kiss, 1907-08, Portrait of Adele Bloch - How do we visual diaries.
Key Terms: Artistic and techniques, using provide an opportunity Bauer I, 1907, and Lady with Fan, 1918. Students will emulate these - Acrylic Paints.
Purpose, Art acrylic paints on a small to direct skill be able to complete these studies in the next class. techniques in - Examples of
Concepts, scale. Students will progression. LC: [5 min] PU and clean the class in preparation for our own art Klimts work.
Techniques, and develop their painting - GC: L/CCT/IU/N the bell. T: Remind students that they will be checked practice using - Klimts works
Intended Materials. skills and use of colour. on their progress for their Investigatory Journal in the Acrylic Paints? http://www.klimt.
next class and to bring any work completed. EC. com/.
W Responding: - R: Students will be Skills Check: M/I: [5 min] WS class running through the class aims - How did his - TAN Teaching
4 Identification of able to consider Observing student and having students gather their visual diaries, and contemporary Art Nouveau p.
representations in viewpoints, completion of the Klimt note taking devices for CP. [3 min] Students will audience 27
C artwork within a interpretations, and mimicry task makes it independently read TAN p. 27. LS: [25 min] Students receive Gustave http://www.nga.
2 given context. critiques of Klimt and his possible to see what will continue work on their small scale Klimt mimicry Klimt? gov/content/nga
work. painting skill level making exercise. Students will be working on their - How do our web/education/t
Social. Cultural, and Historical Contexts
Making: Mimicking - R: Students will be students are at. development of their painting skills with acrylic paints own eachers/teachin
Gustave Klimts able to explore Klimts Students should be kept as well as making considerations about Klimts use of contemporary g-packets/art-
style through the use of persuasive, on task to ensure colour and intended audiences. Students will have audiences nouveau.html.
use of Acrylic Paint. communicative, or completion within the completed their small scale Klimt studies within the receive Klimts - Examples of
expressive, time frame. time frame of this class. [12 min] Students will work? Klimts work
Focus: Artistic representation by Assessment Check: analyse in small groups of 3-4 students, Klimts The - How does including,
Purpose and analysing Klimts The Students will have Kiss, 1907-08. Students will focus on forms of Klimts work fit Medicine &
Intention / Kiss 1907-08. progressed through the representation and intention within the artwork using into the art Hygeia, The
Mimicking Gustave - M: Students will Investigatory Journal the STICI analysis framework. Students will receive a movement of Art Kiss, Portrait of
Klimt. complete exploration assessment task, having H/O to shape their analysis and will be asked to Nouveau? Adele Bloch
and mimicry of Klimts completed research and question how Klimts work first into the art movement - What have you Bauer 1, and
Key Terms: style, colours and analysis for Art Nouveau of Art Nouveau. LC: [5 min] Have students PU and learnt about Lady with Fan.
Intended Audience, techniques, using acrylic and have chosen ONE clean the class in preparation for the end of the class. Acrylics as a - Students own
Audience, and paints on a small scale. artwork for ONE artist, T: [5 min] Assessment Check of students progress medium in your visual diaries.
Viewpoints. Students will develop beginning annotations. on their investigatory journals. Remind students that mimicry of - Acrylic Paints
their painting skills and - GC: L/CCT/IU/N their progress on the Oral Presentation Task will be Klimts styles and brushes.
use of colour. checked in the following class. EC. and techniques.
Jamie-Louise Gury 20172170 Page 9 of 19 EDSM13 FPD ASSIGNMENT
W/L SCSA CL Specific Lesson Objectives Assessment & GC Teaching & Learning Experiences Key Questions Resources
W Responding: - R: Students will be Knowledge Check: M/I: [5 min] WS class running through the class aims - Who is - TAN Teaching
5 Viewpoints in able to identify social, Quick Q&A on Artist. and having students gather their visual diaries, and Mucha? Art Nouveau p.
artwork from cultural and historical Skills Check: As note taking devices for CP. [5 min] Have students - What art forms 16
C particular artists contexts surrounding students progress actively watch YouTube Alphonse Mucha does he http://www.nga.gov/
1 and styles. through the task of https://www.youtube.com/watch?v=eGje-ufpQXw produce? content/ngaweb/edu
Alphonse Mucha and his cation/teachers/teac
artworks. emulating the line having them make note of any artistic features that - What are the hing-packets/art-
Social. Cultural, and Historical Contexts
Making: - R: Students will be styles of Art Nouveau they see across Muchas work. LS: [5 min] H/O copies social, cultural nouveau.html.
Developing Line able to recognise the through a variety of of and have students read TAN p. 16 and MOMA p. 10 and historical - MOMA Art
skills through the power of visual arts in mediums it is possible and p. 14. Have student perform a Think-Pair-Share contexts Nouveau: Art
emulation of Art advertising and how art to informally assess about Mucha and the historical setting of Art Nouveau. regarding and Design at
Nouveau using can act as an agent for students skill levels in [5 min] H/O printed examples of Muchas works and Mucha and his the turn of the
markers, fine lines, change. line work and provides direct students to http://www.muchafoundation.org/. work? century p. 10,
and fine - M: Students will opportunity to aid [20 min] Students will perform a variety of line - What p. 14.
paintbrushes. display a variety of line students in building techniques across a variety of mediums as they techniques does - Muchas work
making techniques as these art making skills. recreate small studies of works by Mucha. Students Mucha use? http://www.muchafo
Focus: Historical Assessment Check: will perform these sketches in their own visual dairies. - What power undation.org/.
they study Alphonse - Students own
Setting and Subject Mucha. Students will briefly LC: [5 min] Have students PU and clean the class in can the Arts
Matter / Emulating show their progress for preparation for the end of the class. T: [5 min] Quick have in visual diaries.
- M: Students will - Markers, fine
the line of Alphonse develop skills in the the oral presentation Q&A with the whole class on Alphonse Mucha and his advertising?
Mucha. assessment task in the SCH and art forms. Get students to consider the - How do artists liners,
creation of fine line and watercolours
delicate line work, next class to ensure considerations of creating art for advertising and how make
Key Terms: Art students are ready. artists create commentaries. Remind Students that commentaries? and brushes.
experimenting with a
and Advertising. variety of mediums. - GC: CCT/L/IU/N Oral Presentations are in the next class. EC.
W Responding: - R: Students will be Formal Assessment: M/I: [5 min] WS class running through the class aims. - What are the - H/O: Active
5 Viewpoints in able express Group Oral Have students gather their note taking devices and origins of Art watching notes.
artwork from understanding of the Art Presentation - H/O Active Watching and Peer Assessment Nouveau? - H/O: Peer
C particular artists Nouveau movement, Students will perform a worksheets giving students instruction on how to - Why is Art assessment
2 and styles. through oral 5 min oral impartially assess their peers presentation skills and Nouveau and marking rubric
presentation to their presentation, in groups content. LS: [45 min] Run through students Group Oral important art for active
Making: peers. of 3-4, Students will Presentations that will be 5 minutes each. Students movement to watching of their
Developing Line - R: Students will be present their can use a variety of resources to present including ICT study? peers oral
Social. Cultural, and Historical
skills through the able to consider the investigations into the and physical resources. Students should include visual - What presentations.
emulation of Art societal roles and art movement Art elements to their presentations of their analysis of Art differences are - Projector
Nouveau using responsibilities of artists Nouveau, its historical Nouveau as an art movement and short biography of there in how equipment for
markers, fine lines, while independently setting and socio- ONE artist and a quick analysis of ONE of the artists different artists students to
and fine analysing artwork. cultural contexts, and works. During the intermission from one group to the adopt one art present oral
Contexts
paintbrushes. - R: students will be able analyse the life and 1 next students will be encouraged to share 2 Stars and style? presentation if
to evaluate the success work of either Gustave 1 Wish regarding their peers performance (i.e. 2 good - What makes requiring
Focus: Historical of their own work, and Klimt, Alphonse things, and 1 thing that may need to be worked on). Art Nouveau the PowerPoint.
Setting and Subject that of their peers Mucha, Emile Galle, LC: [5 min] Ask students to share an interesting piece same style - H/W: Students
Matter / Emulating through the use of a Louis Tiffany, Aubrey of information that they learnt about Art Nouveau or across multiple will begin, if not
the line of Alphonse marking rubric, as Beardsley, May Gibbs, ONE of the artists that their peers presented on in the art forms and already doing
Mucha. students progress Koloman Moser, or class. T: Remind students to bring their art making mediums? so, on the
through the oral Henry van de Velde. resources to the next class and to continue working on - What makes a Investigation
Key Terms: presentation Weighting = 15% their Investigatory Journals for Assessment Check next successful oral Journal.
Historical Settings. assessment task. - GC: PSC/ICT/L/IU week. EC. presentation?
Jamie-Louise Gury 20172170 Page 10 of 19 EDSM13 FPD ASSIGNMENT
W/L SCSA CL Specific Lesson Objectives Assessment & GC Teaching & Learning Experiences Key Questions Resources
W Responding: - R: Students will be Establishing Student M/I: [5 min] WS class running through the class aims - Who is Emile - H/O: Art Profile
6 Practices, able to recognise works Engagement: and having students gather their visual diaries, and Galle? and overview
techniques and by Emile Galle. Students will complete note taking devices for CP. [2 min] Show students - What art forms worksheet.
C viewpoints of artists - R: Students will be a worksheet on Emile YouTube Emile Galle Poetry in Glass. [3 min] H/O does he - YouTube
1 from different able to consider the Galle, his social, Emile Gale Artist Profile. LS: [20 min] Students will produce? Emile Galle
cultural groups. alternate viewpoints, cultural and historical use colour wheels and examples of Art Nouveau - What are the Poetry in Glass
interpretations and context and how his artworks to establish an Art Nouveau colour palette. At social, cultural https://www.yout
Making: Use of techniques involved glasswork belongs this stage students will use coloured pencils and their and historical ube.com/watch?
Social. Cultural, and Historical
dyes, inks, pens, when art enters design. within Art Nouveau. Secese IOS App to establish a collection of colours contexts v=ei-Ow9X3744.
watercolour and - M: Students will use Skills Check: As that evoke Art Nouveau. [20 min] Students will surrounding - Secese App
acrylic to establish, colour wheels and Art students progress progress their exploration of an Art Nouveau colour Galle and his art - Students own
and recreate, an Nouveau art examples through the colour palette using Acrylic and Watercolour paints on small works? visual diaries.
Contexts
Art Nouveau to establish a colour palette task it is scales in their own visual diaries. Students will begin - How was his - Watercolour
Colour Palette. palette for Art Nouveau, possible to assess annotations that allow students to contemplate if work received at and Acrylic
that hey can take into their level of different art mediums have an affect on the effect and the time of paints.
Focus: Symbolism, their own art making. understanding of impact of colours. Students will be able to make production? - Colour wheels
and Art in Design / - M: Students will colour theory and to distinctions in how colours appear across mediums - What does an and art
Exploring the produce colour palettes assess their and determine those that best suit Art Nouveau. LC: [5 Art Nouveau examples.
Mediums and in both watercolour and production skills in min] PU and clean the class in preparation for the bell. colour palette
Colour Palettes of acrylic paints watercolour and acrylic T: Remind students that their Investigation Journal consist of?
Art Nouveau. establishing differences paints. progress will be checked in the next class and are - Do mediums
in the effects of colour. - GC: L/IU/CCT/N expected to have 3/5 A4 pages complete. EC. affect colours?
W Responding: - R: Students will work Skills Check: M/I: [5 min] WS class running through the class aims - How do - TAN Teaching
6 Practices, collaboratively to test Observing students and having students gather their visual diaries, and different Art Nouveau p.
C techniques and and document their through the note taking devices for CP. [5 min] Students will read audiences react 19
1 viewpoints of artists peers reactions to experiment process TAN p. 19 and TAS Glass Work as a class. LS: [10 to Galles work? - The Art Story
from different different Emile Galle will create opportunity min] Students will create a quick brainstorm in small - What Glass Work
cultural groups. works as an exercise in to assess students groups considering the techniques and audience techniques does http://www.thear
considering viewpoints, skill levels across reactions to Galles work. Students will document their he use? tstory.org/move
Social. Cultural, and Historical Contexts
Making: Use of interpretations, and mediums. peers reactions to Galle works and consider how the - What is the ment-art-
dyes, inks, pens, critiques. Assessment Check: form of Glass in Art may shape this. [20 min] Students significance of nouveau.htm#lat
watercolour and - R: Students will be Students will have 3 will briefly explore through experimentation the work in glass? er_development
acrylic to establish, able to identify A4 pages of their effectiveness of different mediums on transparent - How do s_header.
and recreate, an techniques and art investigation journal surfaces. Students will use a variety of dyes, inks, perceptions of - Students own
Art Nouveau practices that Emile complete. Students will pens, watercolours, and acrylic paints on acetate art change when visual diaries.
Colour Palette. Galle uses in his art be developing their sheets, pieces of clear plastics, plastic sheet protectors their forms - Dyes, inks,
making. annotations regarding and a variety of laminated papers. Students will serve a physical pens,
Focus: Symbolism, - M: Students will SCH contexts for Art develop technical skills across a variety of mediums purpose? watercolour and
and Art in Design / experiment with Nouveau and for ONE and begin to consider the strengths and limitations of - How would you acrylic paints,
2D Painting on different mediums of their TWO chosen certain mediums performance when they are used on like people to acetate sheets,
Transparent emulating an Art artists. At least ONE transparent surfaces. LC: [5 min] PU and clean the judge the plastics etc. for
Surfaces. Nouveau colour. palette artist has to be class in preparation for the bell. T: [5 min] Assessment success of your painting skills
to assess colour. different from that Check of Investigation Journal. Remind students that own artworks? development on
Key Terms: - M: Students will show which the student next week they will commence their inquiry and design - Art medium transparent
Symbolism. a capacity for covered in their oral process for the production of a resolved artwork and to considerations? surfaces.
adaptability across art presentation task. begin to think about their chosen subject matter. EC.
mediums and surfaces. - GC: L/IU/CCT/N
content/ngaweb/edu
Visual Art Portfolios for their art design to students as they and initial sketches for the idea and design process for Nouveau and it cation/teachers/teac
/ Idea and Design revolve around. produce brainstorms the production of a resolved artwork in line with the key features? hing-packets/art-
Development. - M: Students will be exploring Tiffanys project description. Through their brainstorming - What are the nouveau.html.
able to produce style and influences process students will consider Tiffanys style, considerations - H/O: Art
Key Terms: Artistic brainstorms, and initial and ideas for their own influences, and SCH and be able to identify Tiffanys regarding project marking
Purpose, Visual Art sketches exploring work provides techniques in consideration for their own works. LC: [5 painting on a rubric and
Portfolios. subject matter and style opportunity to assess min] PU and clean the class in preparation for the bell. transparent description.
for production of a student understanding. T: Remind students that their Investigatory Journals surface?
resolved art piece. - GC: L/PSC/CCT are due in the next class. EC.
W Making: - R: Students will be Formal Assessment: M/I: [5 min] WS class running through the class aims - What are - Secese App
7 Ideas for art- able to identify the Investigatory Journal and having students gather their visual diaries, and Tiffanys - YouTube Art
making appropriate techniques Tiffany uses Students will submit digital devices for CP. [5 min] Have students actively techniques and Nouveau
C
C for chosen in his work and how they 5 A4 pages, which watch YouTube Art Nouveau as a recap on Art practices? Overview
2 discipline (e.g. might apply it to their explore the social, Nouveau influences and key design features. LS: [40 - Why is it https://www.yout
brainstorm, mind own art production. cultural and historical min] Students will be allowed the freedom to continue important to ube.com/watch?
map, - R: Students will contexts of Art to development of ideas through sketching, explore multiple v=P4luPnObQY
annotations/sketch continue to develop a Nouveau. Students will brainstorming, or research. Students will have begun design options o.
es, photography, concept for their works. provide a focus TWO to make decisions on subject matter and potential art in the initial - Students own
media testing). - M/R: Students will be artists from the art mediums that they have been developing skills in over stages of design visual diaries.
able to use multiple movement and the past six weeks. Students will be forming a development - Access to
Focus: Art resources, both physical demonstrate collection of art examples of Art Nouveau as forms of - What digital devices
Influence and and across ICT, to understanding and visual inspiration and be making decisions regarding concepts, and for research.
Inquiry
Visual Art Portfolios explore design ideas through potential compositions by sketching a variety of design subject matter, - Markers, pens,
/ Idea Development influences for the annotations, mind- options. Students will be encouraged to begin are you pencils and
Strategies. production of a resolved maps, and gathering of developing annotations to accompany their design considering in butchers paper
artwork. visual examples. process as an integral part of an artists idea and the design of for initial idea
Key Terms: Artistic - M/R: Students will be Students will briefly design development. Throughout students your own explorations.
Purpose, Visual Art able to effectively use analyse ONE artwork experimentations, students will use a variety of works? - Access to
Portfolios. brainstorming, from each artist using mediums such as markers, pens, pencils, paints, and - What artists physical art
sketching, and elements FELDMAN framework are encouraged to experiment with scale. LC: [5 min] other than Louis books and
and principles as a guide. PU and clean the class in preparation for the bell. T: Tiffany are you images of flora
experimentation to Weighting = 20% Remind students that they will be continuing idea and influenced by? for inspiration.
develop initial ideas into - GC: L/CCT/IU/ICT design development for the rest of the term in order to
rounded designs. commence art production in term two. EC.
ARTS IDEAS:
Working Visual Art Portfolio Students will display an engagement in the development of a
resolved artwork, through skill, idea, and creative development.
Students will produce multiple pages of design development and
experimentation using annotations to reflect on work and perform Weighting = 30%
improvements. Students will display competency in the use of
visual art language and flexibility and creativity in the idea
development process.
ARTS IDEAS TOTAL: Weighting = 30%