Key Signatures In Your Head:

What are the rules for sharps and flats?

F# Major
D Major
E Major
Bb Major
G Major
Gb Major
F Major
C# Major
Db Major
A Major
Eb Major

Whats the order of sharps? F#, C#, G#, D#, A#, E#, B#
Flats? Bb, Eb, Ab, Db, Gb, Cb, Fb

Relatives: What is the rule?

of D major (b)
of Bb major (g)
of E major (c#)
of c minor (Eb)
of f# minor (A)
of C# Major (a#)
of bb minor (Db)
of F# Major (d#)
of G Major (e)
of ab minor (cb)

Minor Key Signatures: g minor

f# minor
eb minor
b minor
c minor
a minor
g# minor
a# minor

Intervals: P5 Above and Below

Above Eb
Above C#
Below B
Below Eb
Above G#
Above F
Below Bb
 Below F
Above G
Below Ab
Below C#

Augmented 5 Above and Below

Above C
Above G
Below Bb
Below A
Above C#
Below C

Diminished 5 Above and Below

Above C#
Above Gb
Below Bb
Below A
Above C#
Below G#

P4 Above and Below

Below B
Below Eb
Above G#
Above F
Below Bb
Below F

Augmented 4 Above and Below

Below B
Below E
Above G#
Above F#
Below Bb

Major/minor 6ths Above and Below - think about it as half or whole.
Major above C#
minor above D
Major below G#
minor below F

Inversion rule what is it?

Aug5
M2
dim6
P4
M6
m7
 Major/minor 7ths Above and Below - think about it as inversions.
Major above C#
minor above D
Major below G#
minor below F

Lets look at the homework what can you tell me about the intervals within a major scale:

All intervals in major scales are major or perfect

What about minor scales what do ALL minor scales have:

All 5s and 4s in any major/minor scale are perfect

All minor scales have minor 3

Where do they differ:

5
Harmonic and natural have minor 6
Ascending melodic minor has a major 6 Timing: 1:30
Natural and descending melodic have minor 7
Harmonic and ascending melodic have major 7

Given the key and the scale degree, notate the pitch on the staff.

^ ^ ^ ^2
3 6 7
? ?
& &

A Major b-flat e Bb Major

harmonic minor natural minor

Now lets do some writing:

Triads w/ Inversions: F minor, first inversion

G major, 2nd inv

^ C# major, 1st inv
^ ^ ^
?
2 4 root position
f# minor, 5 2
?
& Augmented, 1st inv &
e dim, 2nd inv
G#

Review Figured bass symbols.

A-flat Major b melodic minor c harmonic minor G-flat Major
In your head:

Seventh chord types fully diminished, half diminished, minor, dominant, major

Fully - all minor thirds

half - raise the 7th
minor - minor triad, minor 7th
dominant - major triad, minor 7th
major - major triad, major 7th

Write: Dominant 7th with B as the 5th

Fully Diminished triad with A as the 7th
Minor 7th with C# as the 3rd
Major 7th with G# as the root

Part-Writing: Doubling (try to double bass, tripling the root is ok at the end, dont omit 3rd ever)
Spacing
Motion - No Parallel 5ths or Octaves between ANY voices
Direct 8vses and 5ths
Outer voices cant approach by similar motion (unless top voice is
moving up by step)
Always resolve leading tone

 Due: Friday, Jan. 29 Sectio
I. Realize the following Roman numerals in SATB.
I. Realize the following Roman numerals in SATB.

D:
D:

II. Realize the following Roman numerals in SATB.

II. Realize the following Roman numerals in SATB.

B :
UIUC Spring 2016 MUS102 Prof. Carrillo
B :

III. Realize the following Roman numerals in SATB.

III. Realize the following bassthe
III. Realize in following
four voices. Supply
Roman Romaninnumerals
numerals SATB. and second level
analysis.

G:
G: