Trombone

C
Tracks
03
Splank Street
18 Jim Snidero

q = 112 Swing

Intro
F 4 F #o 4 E 7 A 7 alt.
^ ^
?c J .
J
f
Chorus 1

D 7 G7 C A7 D 7 G7 C
5 ^
? J j
^
J

p P
E7 A7
10 ^ - # 5 ^
? J #

D 7 B E 7 alt. A 7
15 ^ ^ ^
? . J # - #
J J J
Break
D7 D 7 G7
20
? # - . - . # - .
J # ^
w
f P
C E7 A7
25 ^ - . # 5 .
? R J #

D 7 F 4 F #o 4
^
30
? . b

J J
f
C
E 7 ^ A 7 alt. D 7 G7 A7 D 7 G7
35
^ j ^ ^
? . J
p
8 2005 advance music, all rights reserved
Intermediate Jazz Conception
 Trombone

C
Tracks
04
Melon Island
19 Jim Snidero

h = 72 straight e
Chorus 1
Intro F 7
4 5 - - - .
? bb b c . - - - - -
b

D b7 5
.
9
? bb b . . j - - -
b

D 7 E b D b 5 D 7 E b G 7 sus
13
? bb b w j . .
b

F 7 j
17
n
? bb
bb
Chorus 2
F 7 b 5
21

? bb
bb

D b7 5
25
? bb b n n
bb J n
3

D 7
29 n n n
? bb w
bb J n

F 7
33
? bb w J
bb J
p
10 2005 advance music, all rights reserved
Intermediate Jazz Conception
 Trombone

C
Tracks
05
Green Fin
20 Jim Snidero

h = 84 Swing
Chorus 1
Intro E b 5 E b 7
8 9
? bb c
b J J
J

F E E b G 7 C7
F 7
5
13 6
? b b J n # # # n b j
b n J

D b7
B b7 E b 5 ^ A b 7
18 b ^
? bb
n b b n ^

b n J
b J J J
3

G b F 7 B b7 E b 5
4 E b 7
23
? b b . b b 5
bb J J J J

E
6 (opt.)
F T E b
28 b .
? b b n n #
n # J
n b
J
bb

G 7 C7
n F 7 D G 7 alt. C
32 b
? b
. b
bb J
A D7

(opt.) # n C7 C7
G 7 F 7 B b7 G 7 F 7 B b7
36
? b # n . J
bb

C7
G 7 F 7 B b7 E b Break
41
? b
.
bb J J

12 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Trombone

C
Tracks
06
St. Sonny
21 Jim Snidero
h =92 Calypso

Chorus 1&2
C A7 D 7 G7 C G7

?c ^ . - . - ^
J ^
^
^ -
-
J J .

C A7 D 7 G7 C
5 ^ ^
? j ^ ^ - ^ - . ^ - ^
- J J

E 7 A7 D 7 G7
9
? b . # b . b
J J

C F F #o D 7 G7 1. C G7 2. C G7
13

? j J J ..

Chorus 3
C A7 D 7 G7 C G7
18
? j j j
w - - . - - .

C A7 D 7 G7 C
22
? j
.

E 7 A7 D 7 G7
26
? j # . j ^ ^ ^
J
# J

C F F #o D 7 G7 C G7
30 .
? J J J

14 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Trombone

C
Tracks
07
Voyage
22 Jim Snidero

h = 64 Latin
Chorus 1
- - D 7 sus - -
? #c . . w w w . .
J

F 7 sus
5 w . n n b
?# J J n J n

D 7 sus
9
- b
? # . w J J

F 7 sus -
13
?# n
b b . b b b
b J J
3

E b7 sus
17
b
? # nw w w b J b

D b 13 5
21 b b b b b .
? # b .
J


n
N

D 7 sus
25
?# w - w


J
3

F 7 sus
29
? # . n J b b .
J
f
16 2005 advance music, all rights reserved
Intermediate Jazz Conception
 Trombone

C
Tracks
08
Confirmed
23 Jim Snidero
h = 66 Swing

Chorus 1
F E D 7 C 7
- - . A 7 G7
b F7
? bc J J b b J
J
3
C7
(opt.)
B b7 A 7 D7 G7 G 7 T
5 b # # b
b
?b J J

F E A7 D 7 G7 C 7 F7
9
?b # b n b b
J J

B b7 A 7 D7 G 7 C7 F
13 #
? ^
b J b 3
b J

C 7 F7 B b
17
? - - - . - - . - - . J- - b
b J J b n
p F
E b 7 A b7
- b - D b G 7 C7
21
? b J J b J b b b b b
b J
p F
F7
F E A7 D 7 G7 C 7 5
4
- b
25
? J J J b n b
b J

C7
F 11
#
B b7 A 7 D7 G 7
29
n b n w
? J #
b J
3

18 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Trombone

C
Tracks
09
Miles Blues
24 Jim Snidero

q = 126 Swing
Chorus 1

E b7 11
#
? b b c j n w n w b
b j
J

A b7 11
#
E b 7 11
#
5 w
? bb j n w
j b
b

F 7 B b7 E b7
9
? bb w
j b . j
n
b
Chorus 2

E b7 11
#
13
? b w j n w b
bb J

A b7 11
#
E b 7 11
#
17 w j n w j b
? b
bb

F 7 B b7 E b7
21
? b w j b .
bb

Chorus 3

25 E b7
b - n - -
n
? b J
bb j b b
3 J

A b7 E b7
29 -
? b . b b j n
b
bb
3 3

20 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Trombone

C
Tracks
10
Freedom
25 Jim Snidero

h = 80 straight e
Chorus 1
Intro B b7 5
? bb c 7 b b 9 b 2

J

b b b
13

? bb J b b b
J

18 n # - ^ ^ 3 b
? bb n # b
b b b
b b
3 J
Chorus 2
B b7
5
25
? b b 2 b b b
b J b

31
b b n
? b
b J n #

35
? b b b # - b ^ ^ 4
b b b
3

Chorus 3
B b7
41
^ ^ # b - ^
? b
b . J
J

45
^ ^
. ^ b b b
? b
b J b - j J
-

22 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Trombone

C
Tracks
11
Birds Ballad
26 Jim Snidero

q = 63 Ballad

D 7 G7 D 7 G7 G 7 C7 G 7 C7
? b c - - -
-

F7 B b7 A b 7 D b7 G 7 C7
5
b ^ -
b 5 . b b b b - n
?b .
R b
3

G7
8 F E A7 4 D 7 D 7 4 G7
b n b b
? b . b # . R
. R
n b b

J 3 3 3
3 3
3
G 7
G 7 C7 4 C7 b 6 F7
11
b
? . b b . b b
b R 3
3 3 3

B b7 A b 7 D b7 G 7 C7 F G 7 A b 7
14 6 b
? b b b b n n
b
3

Bridge A 7
4 A 7 4 D7 G C7
17
n n A n ^ ^
? - . b ^ # #
b
3 3 3 3

E7 A 7 D7 C7
20 B 7 5 G 7 3 C7 G 7
? n
# n b b b
b
# b

. R n

F B b7 E A7 D 7 G7 D 7 G7
23
^ - ^ -

? # n # r r
b n
3

24 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Trombone

C
Tracks
12
Tranes Thing
27 Jim Snidero

q = 168 Swing
Chorus 1
Intro E b7
7 9 - .
? b b b 34 . ^
bb
B b 7 alt.
opt. n b E b 7
13 - -
? bb b ^ 3 ^
bb . .

G7 9 F
b G b7 B b7 alt. E b 7
19
. - -5 - ^
? bb b - .
bb J
Chorus 2
E b7
25
- ^ . - ^
? b b .
bbb

G7 9
B b 7 alt. E b7
b G b7
31
- ^ .
? b b .
bbb .
3 Chorus 3

F 5 B b7 alt. E b - ^ E b7
. .
37
- - -
? b b - ^ . J
bbb J
3
3 3
-
4
- ^
43
? bb ^
bbb

opt.
5
49 5 - ^ - - -
? bb
bbb -
3

26 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Trombone

C
Tracks
13
You Need Not
28 Jim Snidero

h = 96 Swing
Chorus 1
Intro F7 6 G b7 5 F7 6 G b7
8 9
j b j
? bc b b J b
J

13
F7 G b7 F7 6
G 7 C7 F7
? b b J n b j
J b . b

J

4 G b7 F7
G b7 b b ^ F7 b b b ^
18
n . .
? b b b J J
J
J J

G b7 G 7 C7 F G7
22
b ^
? b n

j
n
b

A b7 A7 B b7 B7 B b7
26
n ^ ^ b ^ b
^
b n ^ j b
?
b J # J # # n J

A7 A b7 G7 C7 F7 G b7
31
^ ^ ^ n b j b
? b b b
b b J J
J
G b7 G b7
F7 F7 F7
35 # b . ^ b b b
? J n ^ J
b J
Chorus 2
Break
39 b F7 G b7
^ ^
?
b
b b J

28 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Trombone

C
Tracks
14
Things
29 Jim Snidero

q = 132 Swing

Intro
D b7 9 C7 9 D b7 9
# # #
? bb b c w w . w
b J
Chorus 1

C7 9
# F 7 B b7
6 6
? bb b n j
b J w .

(opt.)
E b7 A b D b D 7 7 C
11
T - ^ G-
? bb b b b .

J . ^ ^ - n
b J

C 7 F 7 E b
16
Bn b7 -
j
? bb
bb - J J

D7
21
A b A 7 - n 4 G
b
? b b j n n # n # - n
n n n
bb J
3

A 7 D7
4 (opt.)
T G
25
n . . n n # n n n n
? bb
bb J n
J n n # # # n

4 B7
C7 5
F # 7 E
#
29 n # n -4 5
n n
? b b J # # # J n
bb # n n # # b
J

33
F 7 B b 7 E b7 A b D b
^ . ^
? bb
bb J J - J b
J

30 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Trombone

C
Tracks
15
Days Ago
30 Jim Snidero

h = 92 Swing
Chorus 1&2
Intro D 9 A 7 alt. D 9 A 7 alt.
8 9
^ ^
? bc .. w

C 7 B
13
- - -
D 7
- - ^ F-7 - E 7 alt. A7
n . b
?b .
J J

D 7 alt. G7 C 7 alt. F7
18 ^ b . b ^ b J b
? b b J J J b

B b 1. E 2.
22
A7 E A7
? - ^ . b . .. . b .
b J J
Interlude

G b7 9
D 7 E b
b F sus B b7 A 7 alt. D 7
27
? w w w .
b

Chorus 3
Break
33 D 6 E A7
n
?
b b b # n

D 6 E A7 D 6
37

?
b
3

B E7 ^ A7 D 7 alt.
41 ^ - # # n
? . # n . J b b b
b J

32 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Trombone

C
Tracks
16
Stellar
31 Jim Snidero
q = 126 Swing

Chorus 1
E A7 C 7 F7
? bb c ^ . ^ .

F 7 B b7 D b 7 sus D 7 alt. E b A b sus

5
? b b J J b J b j j
J

J
3

(opt.)
{ E b7 B b7
B b 4 E A7 D 7 - T
9 b b
? bb J n
3
3 3

D 7 alt.
F E A7 A . 4 4
13
? b J n n # J
b 3

G 7 alt. C 7
17
? b . b -6
b n b . J
3

A b7 - B bo B b
21
b
? b J n #
b J

E A 7 alt. D G 7 alt.
25
? b n b
b n

C 7 F7b B b
29
b w
? b J
b

34 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Trombone

C
Tracks
17
Night Eyes
32 Jim Snidero
h = 96 Latin/Swing

Chorus 1
G /D A /D
4 -
Latin . -
w
? #c J J J J

G /D A /D
5
- . . w
?# J J J

D 7 G7 C - C 7 F7
9 Swing
^ ^
?# n n b J
J

13
B 7 E7 A 7 D7 G
? # . .
J J

G /D A /D
17
Latin
^ ^ . - .
?# j ^ J - J J
-

21
G /D A /D 4

?#

25
D 7 G7 C 4 C 7 F7 6
Swing n

? # n J b b n ^

29
B 7 E7 A 7 D7 G
?# b . . .
J J J

36 2005 advance music, all rights reserved

Intermediate Jazz Conception
 Appendix

Things, ms. 2528 Things, T. 2528

D 7 G7 C
. .

?c J J
11 3 5 13 5 4 3 2 1 7 3 5 6 7 9 7 1 9 7 5
(4) (6) (2) (2)

After memorizing some of these lines, go back to the etude
and see how they are used within context. Timing (the way
lines and ideas are linked together) and pacing (the way the
solo unfolds) are completely critical, creating a certain flow
and allowing the ideas to compliment each other. Without
studying context, your solos will sound very mechanical.
Haben Sie einige dieser Phrasen auswendig gelernt, betrach-
ten Sie sie nochmals im Kontext der jeweiligen Etde. Wichtig
ist, wie die Phrasen verbunden sind (timing ) und wie sie sich
im Verlauf der Etde entwickeln (pacing ), so dass ein fliessen-
der Eindruck entsteht, bei dem die Ideen einander ergnzen.
Ohne den Kontext zu beachten, werden Ihre Solos sehr mecha-
nisch klingen.

EXTRACTED LINES (TRANSPOSED TO C)* PHRASENBEISPIELE (IN C)*

MAJOR 2-MEASURE II-VS RESOLVING TO I ZWEITAKTIGE II-V-I VERBINDUNGEN IN DUR

p. 8, ms. 57 p. 12, ms. 1720
? c J j j
J
13
p. 12, ms. 2123
b ( G 7 b9 )
# b
? j J J
3

p. 13, ms. 5355

? . b .
J J
J
p. 13, ms. 5760
? j #

j . w
J
3
p. 18, ms. 35 (C7 )
p. 15, ms. 6062 ( G 7 alt. )
? b b b b b b b

J
3
p. 19, ms. 4952

b
# n
? J
3
p. 19, ms. 5355 p. 21, ms. 4547
. ( C7 )
j
? J
b
.
3 3 3
3
(D7 G7 C) (D7 G7 C)

*Since all lines are transposed to C, some may be impractical *Durch die Transposition nach C sind einige Phrasen mgli-
regarding range/position. Feel free to transpose to a better range cherweise in einer ungnstigen Lage. Transponieren Sie diese
when needed. einfach in eine Tonart, die besser spielbar ist.

43
Intermediate Jazz Conception