Piano/Conductor WAITRESS

Jenna, Becky, Dawn

THE NEGATIVE
[Rev. 2/19/16]
02
Music & Lyrics by
SARA BAREILLES

SEGUE from 1a
BECKY: Time to pee on a stick. JENNA: I don't wanna know!
Vamp
1
## 4 .
2

..
& 4 .

#
& # 44 .. ..

# 4
& # 4 .. ..

. . . . . . . .
- ..
D5
-
? # # 4 ..
4
[3] JENNA: Ok, girls, enough!

# j
BECKY:

& # j
4 5 6

j

Come on ho - ney, you've wait - ed long e - nough! Get to it and do it. You

##
DAWN:
j. j
&
##
Get to it and do it. You

&

. . . . . . . . . . . . . . . .
? # # - - - -

2016 by SARA BAREILLES

All Rights Reserved including Public Performance for Profit
 -2-
WAITRESS #02. THE NEGATIVE [Rev. 2/19/16]
Piano/Conductor

##
7
(BECKY) 8 9 10

&
3

know what we mean

#
(DAWN)

& #
3

know what we mean I hope you drank e - nough this mor - ning
#
& #
similie
C2 G /B

? ## n n

[11]
## j 12 13
j 14

&

Come on, swee - tie it's bet - ter to know We'll be right here with you, so...

## j
&
It's
#
& #

D5

? ##
 -3-
WAITRESS #02. THE NEGATIVE [Rev. 2/19/16]
Piano/Conductor

15
## 16 17 18

&

##
(BECKY)

& j

A
# (DAWN)

& #


no or it's yes Ei - ther way you got - ta take the
#
& #
G /B
C2

? ## n n

[19]
## 20 21 JENNA:

& j
3

Just one of 'em
#
& # j j
3

squat and a squeeze,
a prayer and a please, it's no - thing

#
& # j



test A stick and a line
# j j j j j j j j j j j j
& #



D 5/F # /G /A /B D 5/F # /G
? ##
(bass & drums enter)

 -4-
WAITRESS #02. THE NEGATIVE [Rev. 2/19/16]
Piano/Conductor

# j
& #
22 23 24 25 26

if I'm luc - ky! The
# j j
& # j j
(BECKY)

. j
.

A pot and a piss, here we go sis And we'll keep our fo - cus on the
#
& #
(DAWN)
j j j j
. n .

j
n

A pot and a piss, here we go sis And we'll keep our fo - cus on the

# # j j j j j j j j j j j j
& w ww
w
/A /B D 5/F # /G /A /B D 5/C
? ##
/B

nw w
nw w
DAWN: Se puede saber la
BECKY: Read the instructions. duracin de la prueba
[27] BECKY: In English.

##
28

j
j
29 30

j
&
ne - ga - tive. The ne - ga - tive The
# j j
& #


ne - ga - tive. The ne - ga - tive The
#
& # j

j


ne - ga - tive. The ne - ga - tive The
# j j j j j j j j
& #
. . . . . .
D5 . . . . . . . . . .
/G
? # # j
j
j j
- -
- -
 -5-
WAITRESS #02. THE NEGATIVE [Rev. 2/19/16]
Piano/Conductor
DAWN: Do not insert the test stick into your vagina.
BECKY: Thank you, Dawn!

##
31 (JENNA) 32 33 34

&
ne - ga - tive
# # (BECKY)
&
ne - ga - tive
## (DAWN)

&

ne - ga - tive
# j j j j j j j j j j j j j j j j
& #
.

. . .

.

.

.

.

. .

.

.

.
/B
. . (Toilet Flush)
/A.

? ## j j j j

- - - -
[35] JENNA:
# j
& #
36 37 38

3
.
n
How'd I e - ver get my - self in this mess? One drunk night and that stu - pid red dress...
#
& #

# j j j j j j j j j j j j j j j j
& #
. . . . . . . . . . . . . . . .
D5

? # # j
j

j

j

- - - -
 -6-
WAITRESS #02. THE NEGATIVE [Rev. 2/19/16]
Piano/Conductor

DAWN: That's the miracle of life. It only takes one sperm a mere 55 micrometers in size- BECKY: Stay with us, Dawn.

DAWN:
39
## 40 41 42
j
&
May -
# j j j j j j j j j j j j j j j j
& #
.

.

.

. .

.

.

. .

.

.

. .

.

.

.
G /B
C2

? ## j j

n - -

[43]
##
44

45

46

&

#
& #

## . j
.
3
&
- be his "ma chi ne ry" is bro - ken some - how! What if his "boys" don't swim I mean, wow! Mi -
## j j j j j j j j j j j j j j j j
&
. . . . . . . . . . . . . . . .

? # # j j j j
D5

- - - -
 -7-
WAITRESS #02. THE NEGATIVE [Rev. 2/19/16]
Piano/Conductor
JENNA:
47
## 48 49 50
j
&
BECKY: Fun -
# j j
& #
n
Mir - a - cu - lous, yeah, Toget a - way with an un - pro - tec - ted

##
(DAWN)

&
ra - cu - lous luck!

## j j j j j j j j j j j j j j j j
&
. . . . . . . . . . . . . . . .
C2
G /B

? ## j j j j

n - n - - -
[51] 3
## 52
j
53

&
3

- ny how one night can ru - in your whole life.
#
& # j

f Don't go there yet, We
#
& #

Don't go there yet, We
#
& #
.

.

. . . .

. . . .
. .
D 5/F # /G /A /B D 5/F # /G
? ##


 -8-
WAITRESS #02. THE NEGATIVE [Rev. 2/19/16]
Piano/Conductor
54
## (JENNA)
j 55 56

& j
I'm al - rea - dy pan - icked.
BECKY: Just calm down, goddammit!
#
(BECKY)

& #

don't know what the test says.
## (DAWN)
&

don't know what the test says.

#
& #
.

.

. .

. . . .

. . . .
/A /B D 5/F # /G /A /B
? ##

57
##
58

j
59 60

&

May - be there'll be just one line, Come - on,
##
& j

May - be there'll be just one line, Come - on,
##
& j

May - be it' - ll all be fine, May - be there'll be just one line, Come - on,
##
& ww ww
n www www
C2 D 5/B
? ## nw w w w
nw w w w
 -9-
WAITRESS #02. THE NEGATIVE [Rev. 2/19/16]
Piano/Conductor DAWN: I thought you don't sleep with your husband much anymore.
JENNA: Got me drunk. I do stupid things when I drink. Like sleep with my husband.
[61]
##
(JENNA) 62 63 64

&
ne - ga - tive.

## (BECKY)
&
ne - ga - tive.
#
& #
(DAWN)


ne - ga - tive.
# j j j j j j j j j j j j j j j j
& #





















. . . . . . . . . . . . . . . .
? # # j
D5 /G
j
-
-

BECKY: Honey, we've all made that mistake.

65
##
66

67

68

j
&
Fo - cus on the

## j
& .
Fo - cus on the
#
& #
. j

Fo - cus on the
# j j j j j j j j j j j j j j j j
& #







. . . . . . . . . . . . . . . .
/A
? ## j
/B
j

- -
 -10-
WAITRESS #02. THE NEGATIVE [Rev. 2/19/16]
Piano/Conductor

[69]
##
(JENNA) 70 71 72

&
neg - a - tive.
# (BECKY)
& #

neg - a - tive. This will all be al - right.
# #(DAWN)
&

neg - a - tive. It was on - ly one night.
## j j j j j j j j j j j j j j j j
&

D .5 . . . . . . . /G . . . . . . . .
? # # j j
j j
- -
- -

SFX:

## j
Ding!

73 74 75 76

& .
3

Some- one send me a sign. One line!
##
&

One line! One line!
#
& #

One line! One line!
# j j j j j j j j j j j j
& #

/B .
. . . . . . . . . . .
? # # j j j
/A

- - -
> >
 -11-
WAITRESS #02. THE NEGATIVE [Rev. 2/19/16]
Piano/Conductor
[77] rit.
##
78

79

80

&

## (BECKY)
&

That means the test is read - y, this is it.
## (DAWN)

&

That means the test is read - y, this is it.
#
& # ww w
- # - - - w # www
Bm
F /A# # E 9/ G # #
F +7
? ##
(w/ cello) D /A G

- # - - # - w w
[81] JENNA:
##
82

83

84

&
Shit.
#
& #

#
& #

D5

? ## J j


>
[APPLAUSE SEGUE to
2A "I DON'T WANT
EARL'S BABY PIE"]
Piano/Conductor WAITRESS
Jenna
WHAT BAKING CAN DO
[Rev. 3/5/16]
03
BECKY: Jenna, dust the flour out of your brain. Do that baby a favor and leave his sorry ass. Music & Lyrics by
JENNA: He'd never let me... SARA BAREILLES
BECKY: It's not up to him, honey.
JENNA: Look, I got 14 pies to make before lunch that ain't (GO) gonna bake themselves.

q =128 Vamp (vocal last x)

b
JENNA:

& b b b b b 44 .. ..
1

BECKY: Jenna-
Make it
JENNA: Everything's Just Peachy Peachy Keen Pie.
BECKY: Jenna!

.
JENNA: Where There's A Whisk There's A Way Pie.
b
& b b b b b 44 .. ..
Gb 9
-
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6

J ..
bbb 4

[2]
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j
3 4 5

work, Make it ea - sy, Make it clev - er, Craft it in - to pie - ces, Make it
bb
& b b bb

simile
Gb 9

6

? bbb J J J J
bbb

bb
& b b bb j j
6 7 8 9

.
sweet, Crimp the edg - es or make it so - ur and servewith lem - on wedg - es. E - ven
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& b bbbb
Cb 9

6

? b b b b J J J J
bb
2016 by SARA BAREILLES
All Rights Reserved including Public Performance for Profit
 -2-
WAITRESS #03. WHAT BAKING CAN DO [Rev. 3/5/16]
Piano/Conductor
[10]
bb j
& b b bb j
11 12 13

doubt can be de - li - cious, And it wash -es off of all the dir - ty dish - es, When it's
bb
& b b bb
Gb 9

J J
6

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bbb

bb
& b b bb
14 3 15 16 3 17

j
.
done I can smile, It's on some - one el - se's plate for a while.
b
& b bbbb
Cb 9

6

? bbb J J J
bbb J
[18]
bb
3

& b b bb
19 20 21 3

I'll place it on dis - play and then I'll
b
& b bbbb
G b 2/ C
E b m7 legato

? b b b . J . J n . J n . J
bbb

b j
& b bbbb j j .
22 23 24 25

b
(no breath)
w
slice and serve my worr - ies a - way
bb b
& b b bb
Cb 9 D b sus

6

? bb b b . . . J b
bb J J

 -3-
WAITRESS #03. WHAT BAKING CAN DO [Rev. 3/5/16]
Piano/Conductor
[26]
. j j

27 28 29

& b n .

I can fix this, I can twist it in - to
AISHA/
STEPHANIE/

MOLLY&CHARITY:

&b
Do do do do do do do do do do do do

&b

j
F Am
? j j
b j


30
j j 31 j
32
j
33

& b j b b .
su - gar but - ter cov - ered piece - es, Ne - ver mind what's un - der - neath it I

do do

&b b b b b

do do do do do do do do do do do

& b
do


Db
j
b j
Dm C7
?b j b j
b b

 -4-
WAITRESS #03. WHAT BAKING CAN DO [Rev. 3/5/16]
Piano/Conductor
[34]
j
3
.
35 36 37

&b

(I) have done it be - fore, I'll bake me a door,

&b









Do do do do do do do do do do do do

& b

j
F Am
? j j
b j

2 44 2 6
38 39 40 41 42

&b 4

4 4
to help me get through. I learned that from
AISHA/

& b w 24 44 24 64
STEPHANIE:

2 4 2 6
&b w
MOLLY&CHARITY:

4 4 4 4

& b 24 44 w 24 64
# ww #
C# 7o C /E G o7

Dm C/E Dm
? 2 # 4 w 2 6
b 4 4 4 4
# w
 -5-
WAITRESS #03. WHAT BAKING CAN DO [Rev. 3/5/16]
Piano/Conductor

6 4 bbbbbb
43 44 45

&b 4 4
you. Ma - ma, it's a - ma - zing what ba - king can

6
& b 4 ww ..
4
4 b ww bbbbbb
w. ww A

B b/F B b m6/F
? b 64 w . 44 w bbbbbb
w. w

b
& b bbbb w
46 47 48 49

.
do. Make it

b
& b bbbb
Gb 9
j j j j
6

? bb b b
bb - - - -
. . . .
[50]
b
& b bbbb
51 52 53

up and sur - prise them. Tell them all my se - crets, but dis - guise them so they

b
& b bbbb
Gb 9
j j j j
6

? bb b b
simile

bb
- -
. .
 -6-
WAITRESS #03. WHAT BAKING CAN DO [Rev. 3/5/16]
Piano/Conductor

b j j j
& b bbbb
54 55 56 57

J
dance on the tongues of the ve - ry peo - ple that they're se - cret from. Make it

j j
b . .
& b bbbb w w . w
3
. . . w
oo...

b .
& b bbbb . .
J
.
J
. . w
oo...

b
& b bbbb
Cb 9
6 legato

? bb b b j j j j
bb

b j j j j
& b bbbb j
58 59 60 61

soon make it bet - ter, though bet - ter ne - ver lasts for - ev - er. I'll make it

b
& b b b b b ww

b
& b bbbb w

b
& b bbbb
E b m7 j j
G b 2/C

? bb b b . . n . n .
b b . .
n . J n . J
 -7-
WAITRESS #03. WHAT BAKING CAN DO [Rev. 3/5/16]
Piano/Conductor
[62]
b
& b bbbb w
63 64 65

. w
small so it fits, e - ven this

b w ww
& b bbbb w ww ww
oo...

bb
& b b b b wwww www
w ww www

C b6 C b maj7 D b/C b
? b b b ww ww ww ww
bbb

b j
& b bbbb
66 67 68 69

e - ven now e - ven as the

b
& b bbbb

bb
& b b bb
G b5/F
w /E b
w
? bb b b . w . w
bb

bb
& b b bb . j
70 71 72 73

. J
walls come tum - bling down. E - ven as I

b
& b bbbb

G b5/F
j
/G b /A b /B b
.
/C b
w w
? bb b b . . .
b b . . . . w w
J J J
 -8-
WAITRESS #03. WHAT BAKING CAN DO [Rev. 3/5/16]
Piano/Conductor

bb .
& b b bb .
74 75 76 77

.
can't stop re - mem - ber - ing how ev - ery door we e - ver made

b
& b bbbb
G b5/F
j
/G b /A b /B b
.
/C b
w w
? bb b b . . .
b b . . . . w w
J J J

b
& b bbbb
78 79 80 81

. .
we ne - ver once walked out.

b
& b bbbb
oo...

b
& b bbbb >
G b5/F /G b j /A b
.
/B b
.
/C b

? bb b b . .
b b . . . .
J J J

b
& b bbbb
82 83 84 85

.
Some - thing I ne - ver got the chance to ask her a - bout.

b
& b b b b b www www www www

b
& b bbbb ww
w
ww
w
ww
w




A bm C b/G b D b/F
? bb b b w w w w
bb
 -9-
WAITRESS #03. WHAT BAKING CAN DO [Rev. 3/5/16]
Piano/Conductor
bb
& b b bb j
86 87 88 89 3

So with flo - ur on my hands, I'll show them

bb
& b b bb
E b m11 G b 2/C

? b b b . J . J n . n .
bbb J J

bb j j j
& b b bb
90 91 92 93

. w b
all how God damn ha - ppy I am.

b .
& b bbbb ..
b
J
Cb 9 D b sus
.. .. Db
6

? bb b b b . . . b
bb J . J J J

[94]
95 96 97

& b Nw .

&b









Do do do do do do do do do do do do

&b

j
F Am
?b j j j


 -10-
WAITRESS #03. WHAT BAKING CAN DO [Rev. 3/5/16]
Piano/Conductor
j .
& b j j w
98 99 100 101

su - gar but - ter flo - ur don't let me down.

&b








b




.
do do do do do do do do do do do do

& b


Dm G legato
?b n

n
102 103 104 105

&b
Let's see the next a - maz - ing thing ba - king does

&b











do do do do do do do do do do do
do

& b
















F /C A m/C
?b w . w .
w . w .
106 107 108 109

& b . w w
now.

& b www www www

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>
F
?b j j


>
[APPLAUSE SEGUE to #3a. BAKING C
Piano/Conductor WAITRESS
Pomatter, Jenna
IT ONLY TAKES A TASTE
[Rev. 2/19/16]
05
POMATTER: I'm sorry. It's a compliment. Music & Lyrics by
JENNA: I know. That's why it made me uncomfortable. SARA BAREILLES
POMATTER: You're blushing. I shouldn't have said that.
You know, its kinda funny... (GO)

JENNA: What?
POMATTER: Seeing you, sitting here all by yourself, in your uniform...
q = 112

bb 4
Vamp
V b b b b 4 .. ..
1 2

bb 4
& b b b b 4 ..






..

C b maj7 C m (maj7)

? b b b b 44 .. j ..
bb
[3] POMATTER:

bb
V b b bb
4 5 6

n


You re-mind me of a girl I once knew, God,by nowshe'swell in mid-dle age. Prob - ab - ly

b
& b b b b b











n n
C b maj7 C b m (maj7) B b m7 A o7
? bb b b
bb n

POMATTER: Oh, God. No.
JENNA: Thank you? Sorry, I only meant--
b
V b bbbb j
7 8 9

for - ty - one, or for - ty - two...
bb
& b b b b

fl
A b m7 D b7
? bb b b
bb
2016 by SARA BAREILLES J

fl Performance for Profit
All Rights Reserved including Public
 -2-
WAITRESS #05. IT ONLY TAKES A TASTE [Rev. 2/19/16]
Piano/Conductor

[10]
bb j
V b b bb
11 12

J
She was a wait - ress at a shop I used to fre - quent quite a lot, nice teeth and small hands and
b
& b b b b b
















C b maj7 C b m (maj7) B b m7

? bb b b
bb

b
V b bbbb
13 14 15

j

snuck me good - ies I could - n't af - ford then. She was sweet to me, re - minds me of you.

bb
& b b bb
n n
A o7 A b m7
>D b7
? bbb
bbb n

J

>
JENNA: Nobody really ever notices me that way..
POMATTER: Well, somebody did! I mean, right?
You've got the whole baby thing goin on.

[16]
b
V b b b b b .. w ..
17

bb
& b b b b ..










..

C b maj7 C b m (maj7)

? b b b .. .
bbb .
 -3-
WAITRESS #05. IT ONLY TAKES A TASTE [Rev. 2/19/16]
Piano/Conductor

[18]
b
V b b b b b J j j
19 20

She'd bake the pies fresh ev' - ry day Like you, I guess, but I must say, if pies were books yours would be

bb
& b b bb
















C b maj7 C b m (maj7) B b m7

? bb b b
bb n

b
V b bbbb j
21 22 23

j .

Shake - speare's let - ters. You re - mind me of her, but bet - ter.

bb
& b b bb
n n
A o7 A b m7
>D b7
? bbb
bbb n
>

bb
V b b bb
24 25

b
& b b b b b b b

G b7 C b/G b Gb G b7 C b/G b Gb

? bb b b j j
bb . .
.
v.s.
 -4-
WAITRESS #05. IT ONLY TAKES A TASTE [Rev. 2/19/16]
Piano/Conductor
[26]
b j
V b bbbb J . .
27 28

It on - ly takes a taste when it's some - thing spe - cial, it on - ly takes a taste

bb
& b b b b n

E bm Cb Gb Bb E bm Cb

? bb b b
ad lib.

bb

b
V b bbbb . j
29 30 31 32

.

when you know it's good. Some - times one bite is more than e - nough to

bb
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n
n

Gb Bb Cb Gb D b/F E bm A b/C

? bbb
bbb
n

bb
V b b bb
33 34 35 36

.

know you want more of the thing you just got a taste of.

b
& b bbbb b b

Cb G b7 C b/G b G b G b7 C b/G b G b

? bb b b
bb


- -
 -5-
WAITRESS #05. IT ONLY TAKES A TASTE [Rev. 2/19/16]
Piano/Conductor

[37] JENNA:
bb
& b b bb
38 39

That re - minds me of a thing we would say, me and my ma - ma, in the
Sweeter

b b b b

ww ..
& b b ww . .
.
C b(Guitar) C b m (maj7) B b m7

maj7

? bbb
simile
bbb

(Bass)

b
& b bbbb
40 41 42

.

kitch - en when we'd bake. She'd say "Jen - na, you could tell the whole stor - y with a taste."

> >
3

b b b b b n n
.

w


& b
n w
J
A o7 b D b7
> >
A m7

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bb
n n

POMATTER:

b
V b bbbb J
43 44 45

#
Yeah! That's ex - act - ly what I mean, I swear that as the fla - vors mixed and melt - ed, I could

b
& b bbbb




















C b maj7 C b m (maj7) B b m7

? bb b b
bb

 -6-
WAITRESS #05. IT ONLY TAKES A TASTE [Rev. 2/19/16]
Piano/Conductor

bb
V b b bb .
46 47 48

hear the si - rens sing. It was tru - ly some - thing spe - cial, one taste and I want the whole

bb
& b b bb
n n
A o7 A b m7
>D b7
? bbb
Drum fill!

bbb n
n
>
b
& b bbbb
49 50

bb
V b b bb
thing.

b
& b b b b b b





G b7 C b/G b Gb G b7 C b/G b Gb
? bb b b j j
bb . .
.
[51]
b b . J
V b b bb
52 53

J . J
I must say it felt like I got car - ried a - way,

b
3 3

& b b b b b - - - - - - - - n # # n
3 3 3 3

3 3

.b/A b
legato
3 3 3 3
D E 6 simile

? bbb
(Cello)

bbb . n
n
 -7-
WAITRESS #05. IT ONLY TAKES A TASTE [Rev. 2/19/16]
Piano/Conductor

b .
V b bbbb . J
54 55 56

J
in - tox - i - ca - ted, made me es - cape the room I was

b
3 3
b
& b b b n# n b
b #
3 3 3 3

3 3

C b maj7(add 9)
3 3 3 3

? bbb
simile
n
bbb #

bb
V b b bb w
57 58

w
in.
3 3 3 3
b
& b bbbb
3 3 3 3

D b7


3

? bbb
bbb

bb . b . .
V b b bb
59 60 61

J J J
I can't help but won - der how your hands must have felt

b b # #
& b b bb n # n n # n b b
3 3 3 3 3 3

C b/E b
# Bw sus/E 3 3 3 3 3 3

? bbb
bbb n n b
(Bass)
 -8-
WAITRESS #05. IT ONLY TAKES A TASTE [Rev. 2/19/16]
Piano/Conductor
bb
JENNA:

& b b bb
62 63 64

n
Just one
b . n .
V b bbbb J # n
J #
cre - a - ting such a mas - ter - ful thing.

bb
& b b bb n # n www
3 3

# n ww
nw w
3 3 D

? bb b b
bb nw
nw

b
& b bbbb
65 66 67 68

j j
. . n . . n
bite caused all that won - der - ing?
b
& b bbbb
ww
n ww ww
G b m (maj7)/D b E b m7 ( b 5)/D b
wb w
Db A

? bb b b w w
bb w w w w
w w
[69]
b
& b bbbb j .
70 71 72

POMATTER: it on - ly takes a taste when you know it's good.
b n
V b bbbb J .
J
.
It on - ly takes a taste it on - ly takes a taste when you know it's good.

b
& b bbbb
E bm Cb Gb Bb E b mGroove... C b Gb Bb

? bbb . .
(Cello)

bbb




. .
 -9-
WAITRESS #05. IT ONLY TAKES A TASTE [Rev. 2/19/16]
Piano/Conductor

rall. rit.
bb
& b b bb .
73 74 75 76

.
3
J

Some - times one bite is more than e - nough to
bb w . J
V b b bb
3

Some - times one bite is more than e - nough to

b U
& b b b b b w ww
n www ww
Cb Gb D b/F E bm A b7 j >
(Drums)
decresc.
U
? bb b b
bb w w
w w

A Tempo [79]
bb 1
& b b bb
77 78 80

. w 4
n

bb
know you want more of the thing you just got a taste of.
1
V b b bb n b . . w 4
know you want more of the thing you just got a taste of.

b j
& b b b b b b b 41

> > > >
C b6 C b m6 G b 7 C b/G b G b G b 7 C b/G b G b

? bbb j 1
bbb 4

> > > >
v.s.
 -10-
WAITRESS #05. IT ONLY TAKES A TASTE [Rev. 2/19/16]
Piano/Conductor

JENNA: Oh look, there's my bus.

Nice talking to you, Doctor Pomatter.
POMATTER: Call me anytime, Jenna.
Vamp I'm here for all your questions and concerns.

bb 1 .. # 44
JENNA: Good to know, Doctor Pomatter.

& b b b b 4 ..
81

N.C.

? b b b b 41 .. .. # 44
bb
(Play 1st X only) .
[82]
# 4 (Guitar
Solo)
83

.
84

85

& 4 J

# 4
& 4 #

f Em C G B C G D/F # Em
?# 4
4


86
# 87 88

& w
J
# U
& ww b www n
w
A 7/C #
U
Cm G7 C/G G

?#
#

Piano/Conductor WAITRESS
Ogie, Dawn,
Ensemble
NEVER GETTING RID OF ME
[Rev. 2/19/16]
08
Music & Lyrics by
OGIE: You cant. Its destiny. You inspire poetry in me. Heres one Im making up right here on the spot: SARA BAREILLES
All my life Ive loved turtles,
And you Dawn are the queen.
Da Da Da, Da Da Da
somethin in between.
Gotta work on that ending. But you like that one, yeah?
DAWN: Please put your salt back in your caddy where it belongs and leave! Just leave!
OGIE: Dawn wait - (GO)
h =86 OGIE:

Vb C
I will

&b C

?b C

[1]

V b # # n #
2 3 4

nev - er let you let me leave, I prom - ise I'm not ly - ing. Go a - head ask an - y - bod - y who has seen me try - ing,

&b

F
?b



5 6 7 8

Vb

I'm not go - ing. If it seems like I did, I'm prob' - bly wait - ing - out - side.

&b
n
n

b
B b6
fl
B b m6
?b
G 7/B

n
2016 by SARA BAREILLES
fl
All Rights Reserved including Public Performance for Profit
WAITRESS -2-
Piano/Conductor #08. NEVER GETTING RID OF ME [Rev. 2/19/16]

[9]
V b # # n #
10 11 12

Such a stubbornmanyou'lllike-ly nev - er meet a - noth - er. Whenwehaveourfam'-ly din-ner, you can ask my moth-er,

&b

F
?
b

bbb
13 14 15 16

Vb j

she's the best. You'll learn all a - bout her on our fam' - ly his - to - ry test.

&b bbb
n
n

b
B b6 B b m6
G 7/B
?b bbb

n
[17]
.
bb .
18 19 20

V b . J
I'm gon - na do this right, show you
WOMEN:
b
(Aisha, Steph

&bb w
Molly, Charity)

w ww ww ww
Oo

bb
(Jeremy
MEN:

V b ww ww n ww ww
Ryan&Thay)

Oo

b
&b b
n n
Eb F 7/ C
? b
bb

WAITRESS -3-
Piano/Conductor #08. NEVER GETTING RID OF ME [Rev. 2/19/16]

bb
21 22 23 24

V b
J
I'm not mo - ving. Wher - ev - er you go I won't be far to fol - low.

b
&bb ww ww

.
b
V b b A ww ww
.

b
&b b

Ab B b7
? bb
b

[25]
b

26 27 28

Vb b

Oh, gon - na love you so. You'll learn what

b
& b b ww ww .. ww
Oh so

b
V b b ww ww n .. ww
Oh so

b
&b b
n n
Eb F 7/ C
? bb
b

WAITRESS -4-
Piano/Conductor #08. NEVER GETTING RID OF ME [Rev. 2/19/16]

31
32
bbb
29 30

V
J
I al - read - y know, I love you means you're nev - er ev - er ev - er get - ting rid of me.

b
&bb

b
Vbb

b
&b b

Ab > > >
flB b7
? bb
b

fl > > >
[33]
bbb . .
34 35 36

V J J
You can try, oh, but

b
&bb

b
Vbb

b
&b b
n n
Eb F7
? bb
b n n
n n

WAITRESS -5-
Piano/Conductor #08. NEVER GETTING RID OF ME [Rev. 2/19/16]

b
.
37 38 39

Vb b
I love you means you're nev - er ev - er

b
&bb

b
Vbb

b
&b b


Ab flB b7
? bb
b

fl
DAWN: Ready for your check?
OGIE: Not yet! Pie for everybody!

U
OGIE:
bb
V b "
40 41 42

b
ev - er get - ting rid of me. I grew

b U
&b b b

U
? bb
b
~ ~~ ~~~ b
~ ~ ~
>~

[43] (OGIE)

V b #
44 45 46

# n #
up an on - ly child in a sub - urb of the cit - y, Spent my days a - lone, my on - ly friend was a stray kit - ty

& b~ ~

F
?b


WAITRESS -6-
Piano/Conductor #08. NEVER GETTING RID OF ME [Rev. 2/19/16]

47 48 49 50

Vb j
b
called Sar - dine. I thought it was hil - ar - i - ous to call a cat a kind of fish.
(Aisha, Steph
WOMEN:

&b
Molly, Charity)

Sar - dine.

(Jeremy

MEN:

Vb
Ryan&Thay)

Sar - dine.

&b
n
n

G 7/B B b6 B b m6 b
?
b
n b
[51]

52 53 54

V b #
She played hard to get, his-singwhileshescratched me. What she was trying to say was "Ogie,comeandcatchme!"
-

WOMEN:
j
(Aisha, Steph

&b w .. w w
Molly, Charity)

w w w
Ah

j
(Jeremy
MEN:

V b ww .. ww ww
Ryan&Thay)

Ah

&b

F
?
b


WAITRESS -7-
Piano/Conductor #08. NEVER GETTING RID OF ME [Rev. 2/19/16]

bbb
55 56 57 58

Vb j

I learned quick - ly that per-se-ver-ance stood be-tween a cat and her new best friend, Me!

&b bbb
ww
Yeah

Vb ww bbb
Yeah

&b bbb
n
n

G 7/ B b
B b6 B b m6
?
b



bbb
n

[59]
b .
Vb b .
60 61 62

J
Oh, I'm gon - na do this right, show you

b
& b b ww ww ww ww
Oh right

b
V b b ww ww n ww ~~~~~~~~~~~~~~~~~~~~ n ww
Oh right

b
&b b

Eb F 7/C
? bb
b

WAITRESS -8-
Piano/Conductor #08. NEVER GETTING RID OF ME [Rev. 2/19/16]

bb
63 64 65 66

V b
J
I'm not mov - ing. Wher - ev - er you go I won't be far to fol - low.

b j
&b b

He's not mov - ing. Wher - ev - er you go he won't be far to fol - low.

b
V b b A
J
He's not mov - ing. Wher - ev - er you go he won't be far to fol - low.

b
&b b
Ab N.C.

? bb
b

[67]
b
.
68 69 70

Vb b J

Oh, gon - na love you so. You'll learn what

b j
&b b .. n ww

Oh Oh

b .. ww
Vb b J
n
Oh Oh

b
&b b
Eb F 7/ C
? b
bb

WAITRESS -9-
Piano/Conductor #08. NEVER GETTING RID OF ME [Rev. 2/19/16]

73
74
bb
71 72

V b
J
I al - read - y know, I love you means you're nev - er ev - er ev - er get - ting rid of me.

b
&b b j


b
I love you means you're nev - er ev - er ev - er get - ting rid of him.

Vb b
J
I love you means you're nev - er ev - er ev - er get - ting rid of him.

b
&b b
Ab fl > > >
B b7
? bb
b

fl > > >

[75] DAWN: When you say never...

OGIE: Shh!

bbb . .
76 77 78

V J J
You can try, oh, but

b . j j
&b b .
J J
You can try, oh, but

b . ..
Vb b
J n J
You can try, oh, but

b
&b b
Eb F7

? b
bb n n
n n

WAITRESS -10-
Piano/Conductor #08. NEVER GETTING RID OF ME [Rev. 2/19/16]

b .
79 80 81 91

Vb b
J
I I love you means you're nev - er ev - er ev - er get - ting rid of me.

b
& b b ..

I

b
V b b A ..
I

b
&b b

Ab B b7 > > >
? bb
b

> > >

bb . .
92 93 94 95

V b J J
Oh, You can try, oh, but

b j j
&b b . .
w J J
You can try, oh, but
b ..
Ee

V b b ww n ..
J J
Ee You can try, oh, but

b
&b b
n n
Eb F7
? b
bb n n
n n

 WAITRESS -11-
Piano/Conductor #08. NEVER GETTING RID OF ME [Rev. 2/19/16]

b .
96 97 98

Vb b
J
I I love you means you're nev - er ev - er

b
& b b ..
j

I I love you means you're nev - er ev - er

b
V b b A ..
J
I I love you means you're nev - er ev - er

b
&b b

Ab
flB b7
? b
bb

fl
DAWN: We really need this table.
OGIE: Shh!

U
V b bb . j ~~~~ .
99 100 101

J
~~
ev - er get - ting rid of me. Oh You can

b
&b b

ev - er get - ting rid of him.
b
Vb b

ev - er get - ting rid of him.
U
[FALSE ENDING]
b
&b b
>
? bb
Eb U
b


>
 WAITRESS -12-
Piano/Conductor #08. NEVER GETTING RID OF ME [Rev. 2/19/16]

[102]

bb .
103 104

V b J
try, oh, but I

b j
& b b ..
try, oh, but I

b A
V b b n ..
J

try, oh, but I

b
&b b
F7 Ab

? bb
b n n
n n

b
V b b .
105 106 107 108

J
I love you means you're nev - er ev - er ev - er get - ting rid of me.

b
& b b ww

b
V b b ww

b
&bb
fl >
B b7 Eb
? bb
b



fl
>
09. BAD IDEA

v.s.
Piano/Conductor WAITRESS
Jenna, Pomatter,
Ensemble
BAD IDEA
[Rev. 2/19/16]
09
DR. POMATTER: I want to see you again. Talk to you. Somewhere Music & Lyrics by
outside of here. Have coffee together or something. SARA BAREILLES
JENNA: I can't have coffee. It's on the Bad Food list you gave me.
What kind of doctor are you? (GO)

DR. POMATTER: You don't have to actually drink coffee. You can have water or fruit juice.
q = 170
bb 6
1 2

&b b b 4
Db

? b b b 64
bb

[3] DR. POMATTER: I know, I totally agree.

bb
JENNA: 4 5

&b b b j

.
It's a bad i - de - a me and you,
DR. POMATTER: It's a bad i - de - a me and
b
V b bbb
It's a bad i - de - a me and

bb
&b b b

? bb
bbb

bbbb b j .
6 7 8

&

you, It's a
bb . .
Vb b b J J
you, I've nev - er known an - y - thing so true, It's a

b
& b bbb
Gb

? bb b
bb
2016 by SARA BAREILLES
All Rights Reserved including Public Performance for Profit
 -3-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor
bb
9 10

&b b b

ter - ri - ble i - de - me and you.
b
V b bbb
ter - ri - ble i - de - a me and you.

b
& b bbb
Db
? bb b
bb

[11]
bbbb
12 13

& b j


You have a wife, You're my doc - tor,
bb j
Vb b b . J
You have a hus - band, You've got a

b
& b bbb
Db

? bb
bbb

b j
& b bbb .
14 15 16

.

It's a bad i - dea me and you,
b . . .
V b bbb
J
J
ba - by com - ing, me and you,

b
& b bbb
Gb

? bb b
bb
 -4-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

bbbb
17 18

& b

Let's just keep kis - sing till we come to.
bb
Vb b b
Let's just keep kis - sing till we come to.

bb
&b b b
Db

? bb
bbb

[19]
j
bbbb
20 21

& b
J J

Heart stop rac - ing, Let's face it, Mak - ing mis - takes like this will make
b
V b bbb J J J
Heart stop rac - ing, Let's face it, Mak - ing mis - takes like this will make

b
& b bbb ?

Ab B bm Gb
add 9

? bb
bbb

bb j j
22 23

b
& bb

worse what was al - rea - dy pret - ty bad, Mind stop run - ning it's
bb
Vb b b
J J
worse what was al - rea - dy pret - ty bad, Mind stop run - ning it's

? bb b
bb &

Db
Ab
? bb b
bb
 -5-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

bb
24 25 26

&b b b
b j b

time we just let this thing go, It was a pret - ty good bad i - dea,
bb b
Vb b b J
time we just let this thing go, It was a pret - ty good bad i - dea,

b
& b bbb ww .. www ..
?
b ww .. .
B bm
D b m/F b Gb
? bb bw . w.
bbb bw . w.
v.s.
 -6-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

bbbb
27 28

& b
w
Was - n't it though?
bb w
Vb b b
Was - n't it though?

? bb
bbb
Db
? bb
bbb

[29]
bbbb j
30

& b .

It's a bad i - de - a me and you,
bb
Vb b b
It's a bad i - de - a me and you,

? bb b

bb
Db
? bb
bbb

 -7-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

bbbb j j 3
31 32 33

& b .
. 4
It's a bad i - de - a me and you, Hold me close while I
b . 3
V b bbb .
J J 4
It's a bad i - de - a me and you, Hold me close while

? bb b 34
bb
Gb

? bb 34
bbb

34
bb 3 j 6
35 36
j
& b b b 4 . 4
think this through, Yeah it's a
b
V b b b b 34
. 64 J
J
think this through, Yeah it's a
>~~~~~~~
(Moog-y synth)

? bb 3 6 ~ ~~~~~~~~
bbb 4 4 ~~~~~~~~
~~~~~~~~
~~~~~~~~
~~~~~
(High-Hat)

? b b b 34 64
bb
 -8-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

b
& b bbb
37 38

ver - y poor i - dea me and you.
b
V b bbb
ver - y poor i - dea me and you.

? bb b

bb &
Db

? bb
bbb

[47]
bb j
48 49

&b b b
J

J

Heart stop rac - ing, Let's face it, Mak - ing mis - takes like this will make
b
V b bbb J J J
Heart stop rac - ing, Let's face it, Mak - ing mis - takes like this will make

bb
& b b b .. .
. ..
Ah,

b
& b bbb
?

(Hand Claps)
j b G badd
Ab B m (claps continue)
9

? bb
bbb
 -9-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

bb j j
50 51

b
& bb

worse what was al - rea - dy pret - ty bad, Mind stop run - ning it's
bb
Vb b b
J J
worse what was al - rea - dy pret - ty bad, Mind stop run - ning it's

bb
&b b b w
ww ...
ww w
Ah,
? bb
bbb &

Db
Ab
? bb b
bb

bbbb
52 53 54

& b
b j b

time we just let this thing go, It was a pret - ty good bad i - dea,
bb b
Vb b b J
time we just let this thing go, It was a pret - ty good bad i - dea,

b
& b b b b ww ..
w.
b
& b bbb ww .. ww ..
?
b ww .. w.
B bm
D b m/F b Gb
(claps Stop)

? bb b bw . w.
bb bw . w.
 -10-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

b
& b bbb w
55 56

.
Was - n't it though?
b .
V b bbb w
Was - n't it though?

b
& b bbb

? bb b
bb
Db
? bb
bbb

[57]
b .
& b bbb
58 59

. .

. . .
I know what's right for
b b
Vb b b
I know what's right for

bb
&b b b ...

...

...
(W1 Steph
Charity, M1
Deh do'hn deh daa, Deh do'hn deh daa, Deh do'hn deh daa,
w .. ....
M2, M3)

? b b ww
.
bbb
b
Gb
D /F

? bb b
(claps continue)

b b w. w. w.
Ped.
 -11-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

bbbb
60 61 62

& b . .

me, It's the on - ly thing I've ne - ver
b .
V b bbb
me, It's the on - ly thing I've e - ver

b
& b bbb
...

...

...

.. -
Deh do'hn deh daa, Deh do'hn deh daa, Deh do'hn deh daa,
ww www
? bb .. ww
bbb
/A b B bm Ab

? bb b . .
bb w . .
- w. w.

bb j j j
63 64 65

&b b b j
w.
done, What if I ne - ver see my - self
bb
Vb b b w. J J J
J
done, What if I ne - ver see my - self

b
& b bbb .. ... ... ...

...
.

Daa daa daa daa, Deh do'hn deh daa,
..
? b b b wwww
..
bb -
Gb D b/F E b m7

? bb
bbb w. w w.
-
 -12-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

b j
& b b b b j j
66 67 68

j

e - ver be an - y - thing more than what I've al - rea - dy be - come?

bb
Vb b b J
J J J
e - ver be an - y - thing more than what I've al - rea - dy be - come?

bb .
&b b b ...

.. ... ...
(W1, Steph
Charity .
Deh do'hn deh daa, Deh do'hn deh daa, M1
Daa daa,

M3, M4)

? b b
bbb
B bm Ab

? bb b . . .
b b . . .

[69]
b
& b bbb j
70 71

.
I need a bad i - de - a,
b
V b bbb .

bb j j j j j j
&b b b
Dah dah dah dah, Dah dah dah dah, Dah dah dah dah,

. .... ....
? b b ...
bbb J J J
Gb
j
j j j
? bb b
(claps continue)

bb .. .. ..
 -13-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

bb j j j
72 73 74

&b b b


I need a bad i - de - a, I need a bad i - de - a, I need a bad i - de - a,
b J J
V b bbb
I need a bad i - de - a, I need a bad i - de - a,

bb j j j j j j
&b b b

Dah dah dah dah, Dah dah dah dah, Dah dah dah dah,

. .... ....
? b b ...
bbb J J J

? bb j j j
bbb .. .. ..

b
& b bbb
75 76

w
Just one.
b
V b bbb w
Just one.

bb j j
&b b b

>
Dah dah dah dah, Dah

? bb b ....
bb J &

j
(claps Stop)

? bb ..
bbb
>
 -14-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor
[77]
b j j
& b bbb
78 79

]
J

]
Heart keep ra - cing, Let's make mis - takes, Let us say: "So what?!" And make
bb J J
Vb b b J
Heart keep ra - cing, Let's make mis - takes, Let us say: "So what?!" And make

b
& b b b b ...












..
. ..
Ah,

b
& b bbb ?

Ab j add 9 B bm Gb
] ] ] ] ] ] ]
? bb b

(claps continue)

bb

bbbb j
80 81

& b

worse what was al - rea - dy pret - ty bad, This se - cret is
bb
Vb b b J
worse what was al - rea - dy pret - ty bad, This se - cret is

b
& b b b b ww ..
ww ..
Ah,

? bb
bbb &

Db Ab

? bb
bbb

 -15-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

bb j j

82 83 84

& b b b .
J

J

safe, No rea - son to throw it a - way when there's love to be had,
bb .
Vb b b J J J J
safe, No rea - son to throw it a - way when there's love to be had,

bb
& b b b





.. ww
.. ww
bb ?
&b b b &

B bm Gbadd 9 Db

? bb
bbb

bb j j
85 86 87

&b b b
J

J

Hold me tight as I tell my - self that you might make sense, And make
bb
Vb b b J J J J
Hold me tight as I tell my - self that you might make sense, And make

bb
& b b b ...






..
. ..
Ah,

bb ?
&b b b

Ab B bm G badd 9
? bb
bbb

bb
88 89 90

&b b b

bb
good what has been just so bad, Let's see this through, It's a

b
V bb
good what has been just so bad, Let's see this through, It's a

bb ww ..
& b b b ww ww ..
ww ..
ww ww ..

? bb
Ah,

bbb &

Db Ab B bm

? bb
bbb

 -16-
WAITRESS #09. BAD IDEA [Rev. 2/19/16]
Piano/Conductor

b
& b bbb
91 92

b .

b
pret - ty good bad i - dea...
b .
V b bbb
pret - ty good bad i - dea...

b
& b bbb ww .. www ..
?
bb ww .. w ..
D m/F b Gb
w.
(claps Stop)

? b b bw .
b b b bw . w.
[93]
bbbb
94 95 96

& b w. w.
Me and you.
bb . w. w.
Vb b b
Me and you.

? b b b
bb
Db (claps Stop)

? bb b
(claps continue)

bb

BAD IDEA Tag

[1]

? bb b
2 3 4

bb
Db

? bb
(claps continue)

bbb


Piano/Conductor WAITRESS
Jenna, Pomatter YOU MATTER TO ME
[Rev. 3/8/16]
12
JENNA: Are you happy with her? No, don't answer that. Music & Lyrics by
DOCTOR POMATTER: I'm not used to happy. I tend to be neurotic... You calm me down. SARA BAREILLES
You make me feel peaceful (GO) and strong. Even needed... And you're so beautiful.
JENNA: I don't know who you're talkin' about.

#### 6
1 q. = 68 2 3 4

& 8
.

C # m7
? #### 6
B sus A2

8 . .. .. . .. .. .
.
5
#### 6 7 8

&
.
C # m7
? # # # # B sus ..
A2

. .. . .. . .. .
.
[9]
# # # # DR.POMATTER: 10 11 12

V . .
I could find the whole mean - ing of life in those sad eyes,

####
& j j j j

C # m7
? ####
B sus A2

. .. .. ..
. .. .. .
13
#### 14 15 16

V . . . .
They've seen things that you ne -ver quite say but I hear,

# #
& # # j j j j

C # m7
? ####
B sus simile A2

. .. .. .. .. .. .
.
2016 by SARA BAREILLES
All Rights Reserved including Public Performance for Profit
 -2-
WAITRESS #12. YOU MATTER TO ME [Rev. 3/8/16]
Piano/Conductor

#### j . .
17 18 19 20

V
.
Come out of hi - ding I'm right here be - side you, And I'll

####
& j j j j

C # m7
? ####
B sus A2

. .. .. .. .. .. .
.

#### j j j . .
21 22 23 24

V
.
stay there as long as you'll let me.. Be - cause

####
& j j
.
C # m7 .
? ####
B sus A2

. .. .. .
. . . ..
[25]
#### j
. . .
26 27 28

V . .
you mat - ter to me,

####
&
/F # /G #
j j
E5
? #### .
A2

. . . . .
- . .
- -

29
####
30

j
31 32

V J .
Sim - ple and plain and not much to ask from some - bo - dy,

####
&

C # m7 A5
? # # # # .. . .
/B

. . . . .
. .
 -3-
WAITRESS #12. YOU MATTER TO ME [Rev. 3/8/16]
Piano/Conductor
33
#### . 34

.
35
. 36

J
V J J
You mat - ter to me, I prom - ise you

####
&
/G # C # m7
j j
E5
? #### .. . . .
A2 B sus

.. .
- - -

#### . 39 j 40
.
37 38

V
do, You, You mat - ter too, I prom - ise you

# ##
& #

E5 C # m7
? #### . .. . . .
A2 B sus

. . .. . .

41
#### . 42
j
43

.
44

V . .
do, You'll see,

####
&




# # 5
F# G#
j
E5
? #### .
A2
. .. . . . .
. . .
J

# ## j j j ####
V # .
45 46

#
You mat - ter to

#### ####
& #

? #### . ####
A /B

. . . #
.
 -4-
WAITRESS #12. YOU MATTER TO ME [Rev. 3/8/16]
Piano/Conductor
[47]
####
JENNA:

. .
48 49 50

& # j
. . .
####
It's ad - dic - tive the min - ute you let your - self think, The

V # .
me.

####
& #

F # sus G # m7
? #### ..
E2

# .. .. ..
51
#### 52

53 54

& #
. . . . .
####
things that I say just might mat - ter to some - one,

& #
F # sus
G # m7

? ####
E2

# .. .. .. ..

####
.
55 56 57 58

& #
4

.
####
All of this time I've been keep - ing my mind on the run - nin a - way, And for the

& #









F # sus G # m7
? ####
E2

# .. .. .. ..

59
#### j
60

j
61 62

& # j j .
. .
####
first time I think I'd con - si - der the stay... Be - cause

& #




F # sus G # m7
? ####
E2

# .. .. .. . .. .

 -5-
WAITRESS #12. YOU MATTER TO ME [Rev. 3/8/16]
Piano/Conductor
[63]
#### 64

j
65 66

.
& # . . .
.
r

####
you mat - ter to me,

& #
/ # / #

B5
? ####
C D E2

# j j .. . .. .
.
. -
- -
67
#### j 68 69 70

& #
j
.
####
Sim - ple and plain and not much to ask from some - bo - dy,

& #

G # m7 /F # E5
? #### . . . . .. . .. .
# . .
71
#### 72

.
73

.
74

& # . J J
J

####
You mat - ter to me, I prom - ise you

& #
B5
/D # E2

F # sus

G # m7

? #### j j . . .. .
# . .
. - -
-
75
#### 76

77
j j
78

& # .

####
do, You, You mat - ter too, I prom - ise you

& #








B5 F # sus G # m7
? ####
E2

# .. . . . .. .
. . .
.
 -6-
WAITRESS #12. YOU MATTER TO ME [Rev. 3/8/16]
Piano/Conductor
#### (Jenna)
.
79 80 81 82

& # . . j
. .
####
do, You'll see,

& #

B5
C # m7


? ####
E2

# .. . . . .. . .. .
.

####
# .
83 84 85 86 87 88

& j j j
. . .
####
You mat - ter to me.

& #
.
B

C #m9

? ####
E

# .. . .. . . .
. . ..
. .
[89] JENNA: Dear Baby. I hope someday somebody wants to hold you for 20 minutes straight.

#### 90 91 92

& #

F # sus
? #### .. .. .. ..
E2

# . . . . . . .
They don't pull away, they don't look at your face, they don't try to kiss you. All they do is wrap you up in their arms...
93
#### . 94 95 96

& # .


C # m9
? # # # # .. .. ..
B

# .. .. ..
. . . . .
...and hold on tight without an ounce of selfishness to it... I hope you become addicted, Baby.
97
#### 98 99 100
..
& #


F # sus
? #### ..
E2

# . . . .. ..
. . .
 -7-
WAITRESS #12. YOU MATTER TO ME [Rev. 3/8/16]
Piano/Conductor

I hope you become addicted to saying things and having them matter to someone.

101
#### . Vamp 102
..
& # .


? # # # # ..
E2

.. .. ..
# .
[103]
####
JENNA:

.
104 105 106

# j
& . . . .
You mat - ter to me,

#### j
. .
DR. POMATTER:

V # . . .
You mat - ter to me,

####
& #


B5 /C # /D #
? ####
E2
j j
simile

# . .. . .. .
. - - -
107
#### j 108 109 110

& #
j
. .
####
Sim - ple and plain and not much to ask from some - bo - dy,

V #
J

J . .
Sim - ple and plain and not much to ask from some - bo - dy,

####
& #

G # m7 /F # E5
? #### . . . .
# . . .. . .. .
 -8-
WAITRESS #12. YOU MATTER TO ME [Rev. 3/8/16]
Piano/Conductor
#### .
.
111 112 113 114

& # . J J
J

# ## . .
You mat - ter to me, I prom - ise you

.
V # # J J .
You mat - ter to me,

####
& #

B5 /D # F # sus G # m7
? ####
E2
j j . . .. .
# . .
. - - -

#### j
j
115 116 117 118

& # .

do, You, You mat - ter too, I prom - ise you

#### .
V # J J
Come out of hi - ding I'm right here be - side you as long as you'll have me,

####
& #

B5 F # sus #
? ####
E2 G m7

# .. . . . .. .
. . .
.
[119]
#### 120 121 122

& # . . . .
do, You mat - ter to me,
####
.
V # . J
.
I do, Prom - ise you do, You mat - ter to me,

####
& #

B5 F # sus G # m7
? ####
E2

# .. . . . .. .
. . .
.
 -9-
WAITRESS #12. YOU MATTER TO ME [Rev. 3/8/16]
Piano/Conductor

####
.
123 124 125 126

& # . j
. . .
#### .
You'll see,

V # . . . .
J
You'll see,

####
& #






C #m D #m
? #### j
E2 B5

# .. . . . . . .

. . . J
####
rit.
# .
127 128 129 130 131 132 133

& j j j
. . . . .

# ##
You mat - ter to me.

V # # . . j . . . . .
J J
You mat - ter to me.

#### U
& #





. .. ..
. .
C #m D #m
.
? ## #
E 2/F #
# U
E maj7 E B
j .
# . . . . . . .. . .
. . . . .
J