- - -- e fan asia.

__ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _-'-

A IIem ande (fro m Lu t e Su ite in E m in or, BWV 996) 4

Et ude op. 6 no. 9 .... ____..........__..______.....................................-....------..--..-------------...- - 6
=- ~= I art arr. A lmeida Blue Moo n ... ...... ..... ........... 8

B
~ orrob a Fandanguillo (no. 1 from Suite Castellana) .. ................................. ...10
Nor tena (A homage to Julian Agu ir re) .............. .........12
Se ela perguntar (Waltz) ..... .... .... ................................. .... .. .... 14
Preludio trist6n (no. 2 of Cinco preludios) . . . . .. ....... 16
Le quartier latin (from Le tango parisienne) ......18

Technical Suite (Scales, Arpeggios and Exercises)...... .... ..... 20

- -:e,.. a ive pieces fo r this grade (2010-2012):

PA
Etude XII a Mr. Holm [de Copenhagen] (from 25 Etudes op. 38) Schott GA34
__ arva ez Differencias sobre 'Guardame las vacas'
(from Hispanae Citharae Ars Viva ed. Emilio Pujol Vila rrubf) Schott GA176
e Ia Maza Paseo (from Platero v Yo) UME UMG21738
-=.-ega La Mariposa (from Opere per Chitarra vol. 2 Studi) Berben E1532 B

PB
Etude 19 (from Etudes simples 4 e serie) Eschig ME8495
- 0 Yacambu - Vals Venezuelanos no. 4 (from Works for Guitar val. 1) Caroni Music C2001
:::=m am bu co Grauna (from Famous ChOros vol. 1) Chantere lle 761
.2 S Mambo des Nuances (from Mambo des Nuances et Lille song) Editions Henry Lemoine 26193HL
.., --:;ar arr. Burden Ashokan Farewell (from Certain Hits 4!) Garden Music GM21

Pieces
ee pieces to be performed, at least one from each group, chosen from the pieces included in this book or from
- c alternative pieces listed for the grade, to form a balanced programme. Full details of alternative pieces are
; en above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composition of
::.similar length and standard to the other pieces chosen.

echnical work
:ce inside back cover for details.

Supporti ng t ests
:.C idates to prepare i) and ii):

Sight Reading

ii) ural or Improvisation

:=e he cu rrent Guitar Syllabus for details.

:ant
idat es and teachers must refer to the Information & Regulations booklet for all examination requirements
egul at ions. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative
ity's Head Office.
Guitar Grade 7
Pieces & Exercises
for Trinity Guildhall examinations

2010-2015

Published by:
Trinity College London
89 Albert Embankment
London SE1 7TP UK
T +44 (0)20 7820 6100
F +44 (0)20 7820 6161
E music@trinityguildhall.co.uk
www.trinityguildhall.co.uk
Copyright 2009 Trinity College London
Unauthorised photocopying is illegal
No part of this publication may be copied or reproduced in any
form or by any means without the prior permission of the publisher.

Music processed by Artemis Music Ltd.

Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
 Fa tasia
Ant hony Holborn e
(c. 1545-1602)
(. = 2 - 88]

1~
r

YzCII- - -- -- - ----- -- -- - - - -- - -- -- -l CIII

....
. --J.
I', .. j'j 11 4J J J I 4.J --41 41 4IJ J
f I OF-' ljiJ"
1~ 2jiJ" 2J-- o II"" r J

..
I' .. ....

YzCII - ----- --- - -- --- - l

::; Copyright 2009 Trinity College London

 ~e n

'fj~~~ J l~ 2 Lr t t:r c~~~E;rtj l ~~;1:: ~

poco a poco cr
 '\..- A e an e
from Lute Suite in E minor, BWV 996
Johan n Sebastian Bach
(1685-1750)

[.. = 100-116] CIV- - - - - - - ---- - - - - - --- - - -- - - - - - l @ CII

@
[M-]
..
,... I

' :;
~
L
.> 7

CIV - - - - - - - - - - - - - - - - l en----------1
9 -74

p p
:;

crr------ ----- ------ 1

[~,_
] -

3
1

Copyright 2009 Trinity College London

 en-- ---- ------ ---- -
~
15
==*....

~
' \
 Fernando Sor
(1778-1839)
Andante allegro [.. = 84-96]

~l~J 1il~i 1J J.~~ i~ I j J t ~ r 1P I ~~J lJ ~qj ~ ~~ SI

mp
YzCIII CI-- ---------- - -1

4~ 1_. ..
~

/j l I I I 4.J J J J 4~ J. }

-
~ ~r ~ 7 I _l J I t-
~r ~ 7 L 3r ("

- r
0- 3=
f

...
&fd 121~
f..,
9

--
t I

G B
f..,
9

Copyright 2009 Trinity College London

49
fJ I ._2 4.1 J. 4J 4.. 1 4~ ... -J -4~ I

~ --
r -
~r
,. r r 2'1
r I ("'

r i
 I e
- ------- ...... eida Music by Richard Rodgers (1 902-1979)
Lyrics by Lorenz Ha rt (1895-1943)

~3 ~

. = sa-92] n=J;
CIII CII CIV-- ---- ---- -l CVII - - - - - - - l

I ..._.,. ,.,
.. I I 41 4..0... 41 --4~ n4J@
,. n 4 ,1111 4 2 1111
--
I
- qr 1q-
("
- I I
r I ~ 1 ~

r
mp
r i rp
[nif]
i m i
p
i m i

CIV ----- -l cvn------- -l

fJ .....
...
!-+ . __ fi _ I 1.J 1.J r 41 ..0... 1111 _J_ ~ n4J
t 1r o~ r rr@ I I I
r \ I ~ I 1~

r p
r

--
- f) .. ;t_ 4 ..0...
,. . '
-.J _; n CIV - - ------ - - --- -- - ----- -- l
~ r LJ J I I

t I I I
r .. r r I
lr -
3i or
r
2 ..

r 2iii

Copyright 1934 (Renewed) METRO-GOLDWYN-MAYER INC.

All Rights Controlled and Administered by EMI ROBBINS CATALOG INC. (Publishing) and ALFRED PUBLISHING CO., INC. (Print)
All Rights Reserved. Used By Permission.
 Y2CII- - - --- - l CII - -- - -- - -- l

CIII ____________ _____ _______ _

21

CIV -l CTV - - - - - - - l .---

25 fl
.u. 1+ I I I I
J<D 4t j_~ ~ 41 4_fi_ 3D 4-.;I.._ ... , : -

~ 1r 2~r 1r 2qr I I 2p@

1r 'I tP"
r
~
CII- - - - - - - - - - - - - - - - - - - - - - - ~ - -1 \ CIV - - - - - - - - - - l
29
-4_o_ @ 1

2
1

motto rail.
CIX----- -l Y2CIV
32 41
1 1J 4
(.\.

2 2
4r
r~ ~
"'

v
 7 Fanda g illo
no. 1 from Suite Castellana
Federico Moreno-Torroba
_-illegro, tempo di Fandango [J = 58-66] (189H982)

ff r ~

a tempo

ll J J ] J I J, J~ ' I
"--?7 lr r 3 3r~r~r r~r r
--====== f pp

r= i i r~r
~
i
harm. 7

I I - I ~ 11
~ 1-'
- 1-
r~r ~P"
f
vm--- ------- ---- --- ----- ------- -1

r.
@

vm -- ------- ---- -------- ---l

-- "' @

-f==~; ~: J J J,JIfF 'r r l:r:@rgp ~ ~@): .~ 1~: J ~ q.J Jm

t ! r I
@ @ pizz. --------J

Copyright 1926 SCHOTT MUSIC GmbH & Co. KG, Mainz- Germany.
Copyright renewal 1954 SCHOTT MUSIC Ltd London. Reproduced by permission. All rights reserved.
 ..... @

- - --
, _

r~r
.If .Iff

II-- --- - - --- -- - -- -- - - - - --- - ------- ----- -- ------ -- - -l YzCII-- - - ---- - - - - - ------
~

54
fl .. +i' I I I I

f=
--====== cresc.
P"~

f =======-

i; ~ ;
CII - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - l

r r,) ,J
I I I{ 'F~_:_tF ;"r
@ ten.

a tempo

fu ~ J-J_,__,P ~~ htt~ n P
64

~ ~ Jm~ J JP 1E Ja: J
r~r
PP
r r~r r r~r
. \.
r
rail.
r ~
cvn-- l

'fu ! J IJ J ] p I J J- fd iJ j 3I'3 S d d S)j I

1

r r~r r r r~r-==f
3

'-'r

~ ~ . 3~ r @ ----------J mf
p p
 o ena -
A homage to Julian Aguirre
Jorge Gomez Crespo
(1900-1971)

eVIl em ev~ 3

..... 4[Jj
3 - ----,

4 4m
:mp] 1 1r
@

Second time
-{jt
~
..... 4; I"':'\
0 ll ~ I - I
al
~ I ~ I

rz 2qr
t- - 11'7

@
2r
r tamb. X
~f r
X
2r 1
op
M

1+r q. 3~r

en @

- ======= mf ] \

en ev ev-- --- ---,

4

@) @
[--========

ern em ---- 1 ev eVIl em -- ---, evn

3
legato dolce
i
Copyright 1990 by Columbia Music Company In c.
Reproduced from Latin American Solos for Guitar (CO 313)
Used by permission of Columbia Music Company Inc.
 ~-------

CVIII CVII

'fti :f ? :~ t#a i~ ~~---~~~f~~q,----ir p~!~ ----:i :~~pp

~------------- 1
35

- Q) @ -

r r
pont.

lltp- ! !!

poco 1'7'\ 1'7'\ D -

em CVII al-&
44

ocr r '\;.)
@
=
[f]
0
r
ij}-coda
49 XII VII XII VII XII
_flil! b j I I I I
,,-...
.,.......
~
[mp]
I

(Z) t 7 ~~ 0
~ ...
1:= ~ l- ::t @
1 ~f= r~ ~
 Se ela perguntar
Waltz
Dilerman do Reis
_...\.ndante [.. = 92- 108]
(1916-1977)

. -=- .._
1
..
:;.1.
*'= 4L

?f=2 II~
f
: p ]espressivo
=
r
~C\ -------- - - - - - - -- - -----1

-5-.

~ ~ F;J 1.
,~3! i;f ~ I~

f t
F @ _. (2)

n
[cresc. ]
1. (.'..

I.D ~D\
-
-
~
-

I~ D I'"{
r
)

-e-.
r Q I I~

77 ~
('l\ [cresc. ] or or (2)
@ r:
cvn- ------------ --- --1 'f Second time

~ I{ ~b,,Q I'J , : ~I
Copyright 1954 Bandeirante Editora Musical Ltda.
1990 Guitar Solo Publications (thi s ar rangement). International Copyright Secured. All Rights Reserved.
 en------- ----------- ------ ' =en--- ---- --- --

r @
@
0?
I
@
@
C\TII -------- ----- ---------- ------ ------ -------

3.;. 2 1. 2
I~- ~ ~ 1.~. : I
[ =

I{ iFrL-. ~ :L

[nif'J

r
C\TIII-------------------

C\TII -----------------l harm. D.S. al-(j}

12

62

u ~
-
r
 re dio trist6n
no. 2 of Cinco preludios
Maximo Diego Pujo l
(born 1957)
T mp o di :\1ilonga [ = 72- 80]

- _ 1_.. ~
-u-
= ]

ben cantando

a tempo
=CX -------- -l

"
l""""CY

rail. a tempo piu mosso rJ = 108-120]

Copyright 1985 by Universal Edition (Australia) Pty. Ltd. I UE29180.

Reproduced by permission. All rights reserved.
47 ------ ~ - ~ ----------------------- -: -~-------- - --- -- ----- - - -l
rail.
~
[a tempo]
j cantabile r--.-:
f F 2-rr
,of ; v a F,of
'-'
1
1~
; va
'-'
1 ..
~~ u r:\r r i 11 r ~ a-F
u-

~ \ ['"!f]

rail. poco a poco

art. harms. --- -- ----- - -- ---- ---- -- -- -l
b0
f#:t-~d"~o~r.r ~':~a-F". 1 f.~ u-r r l:tto:J~ j
60 ;

[nat.]
-=-
- --
~=
l-

Le quartier latin
from Le tango parisienne
Lee Sollory
(born 1959)

@
-r
-r .
-
i

,-~
r ligr
~ .Ds lq~
lz
#~i
J ,; 0 J
4

@
r r 4

I -- - - - 1 'l2CI YzCV

~ ; :p ~ F ~f~ .~J -~j ~ 1 ;- r ~ r 't~ ~~ r ~ r ::r

1' ...
a/iss.
g___-
1. 1

Copyright 2009 Camden Music

Reproduced from Le tango parisienne, CM244
 1' ,,
~

& li
@~
- --#- -

J= 66 Very slow and calm

J 1 1 (1 ~ J 1 1
f I ir '-,r ,~t p~i;~?''& '[# rii r-r ~r ~ ~-1 f ~ ~
27 cv _i--

, = . _._ +
@ pont.
'"!/ harm. m.d. norm.

31

4,~~ a~r ~ rr r ~~~ r~r ff#k r#r ~

~

- =================== f
D.S. al-fr

mp ~====== f r r
t~t r.-,

1; ;u; *q~~~ ]
f i
( 1 ) gliss. gently towards the 19th fret.
 Technical Suite
-=-- ::.::::-:=:.:: c oosing Option ii) Tech nical Suite in the Technical Work section of the examination must prepare all the following
:::~ = =.-:::=;gios and exercises.

Sc les and arpeggios cto be performed from memory)

-- ~ =- Guitar & Plectrum Guitar Scales and Exercises from 2007, published by Trinity Guildhall.
:==. == :~ e prepa red apoyando or tirando, * at candidate's choice. Straight rhythm .
- -:=:;:; s o be prepared tirando.
:-::.~-E c -'her Group 1 or Group 2.
pl
ajor scale (three octaves), im fingering**
armonic and melodic minor scales (two octaves), ma fingering**
- ajor arpeggio (three octaves)
::r:ninished 7th arpeggio starting on A (three octaves)

oup 2
major scale (two octaves), ma fingering**
harmonic and melodic minor scales (three octaves), im fingering* *
minor arpeggio (three octaves)
ominant 7th ar[Jeggio in the key of D, starting on A (two octaves)

,. - yando =rest stroke; tirando =free stroke

.3. different fingering to that listed for the same scales in Technical Work Option i), and to that printed in Guitar & Plectrum
..::-car Scales & Exercises from 2007.

Exercises
\0
1. Mirage (harp arpeggios)

J= 60-72 \
6

t=~ ~
6

~
3
p
jJJJJJ:
.
1 m a """"- p
J J lj]JJJ J; J :l 1.1). J
f mf ~

10
--------
--------

p p
f
6 6

3
p
.
1 m a ~ p
3
p
.
zma ..__, p
I
mp

Copyright 2009 Trinity College London

 \\
2. Perfect Sky (tremolo)

J = 52- 66
p a m i p a m i etc.
~~~

molto rail.
9
f} J,}, +I l_J _J _J _J_J_J _J_J_J I I I I I I I I l-

r r- J ~

Copyright 2009 Trinity Co llege London

 \v
3 Rasqadenza (scales and rasqueado)

t ttt ttt
. f ~
- ~~~ ~~~u E nJ
i m a

'"!{ etouffe __________ ____ J nat. p

,. ...... ;..

22
- o tJe played apoyando and staccato:
A major (three octaves), "!f. imam fingering. Straight rhythm. norm. tone
D major (two octavesl. 11ff. imam finge ring. Straight rhythm. norm. tone

To be played apoyando and legato:

A melodic minor (three octaves).p . imam fingering. Swing rhythm. pont. tone
D melodic minor (two octaves),p. imam fingering. Swing rhythm. pont. tone

To be played tirando and legato, with tone colour gradually changing from norm. to pont. to norm. again:
A natural minor (three octavesl.f. ma fingering. Swing rhythm
D natural minor (two octaves),f, ma fingering. Swing rhythm

To be played tirando and legato:

A harmonic minor (three octaves).11ff. im fingering. Triplet rhythm. pont. tone
D harmonic minor (two octavesl.11ff. im f ingering. Triplet rhythm. pont. tone

To be played tirando and staccato:

A major pentatoniC(three octavesl.f. im fingering. Straight rhythm. norm. tone
D major pentatonic (two octaves),f. im fingering. Straight rhythm. norm. tone

To be played apoyando and legato:

Mixolydian starting on A (three octaves),p. ma f ingering. Triplet rhythm. norm. tone
Mixolydian starting on D (two octaves), p. ma fingering. Triplet rhythm. tasto tone

Arpeggios

The following arpegg ios to be performed tirando and legato:

A major (three octavesl.f. pont. tone
D major (two octaves, ,f. pont. tone
A minor (three octaves).p. norm. tone
D minor (two octavesl.p. tasto tone
Dominant 7th in the key of D (three octaves, starting on A), mf
Dominant 7th in the key of G (two octaves, starting on D), r'!f
Diminished 7th starting on A (three octaves), r'!f
Dimin ished 7th starting on D (two octaves), r'!f

Exercises

The following exercises to be performed tirando, legato and '"!f.

D major sca le in paired slurs (two octaves)

A major scale in 3rds (two octaves)
D harmonic minor scale in 6ths (two octaves)
A melodic minor scale in octaves (two octaves)
\
or ii) Technical Suite

Scales and Arpeggios (to be performed from memory)

As given in Guitar & Plectrum Guitar Scales & Exercises from 2007 published by Trinity Guildhall.

Scales to be prepared apoyando or tirando, * at candidate's choice. Straight rhythm.

Arpeggios to be prepared tirando. Choose either Group 1 or Group 2.

Group 1
A major scale (three octaves), im fingering**
D harmonic and melodic minor scales (two octaves), ma fingering **
A major arpeggio (three octaves)
Diminished 7th arpeggio starting on A (three octaves)

Group 2
D major scale (two octaves), ma fingering**
A harmonic and melodic minor scales (three octaves), im fingering **
A minor arpeggio (three octaves)
Dominant 7th arpeggio in the key of D (two octaves, starting on A)

* apoyando =rest stroke; tirando =free stroke

** N.B. different fingering to that listed for the same scales in Technical Work Option i), and to that printed in Guitar & Plectrum Guitar Scales & Exercises fro m 2007.

Exercises

Candidates to prepare all of the following exercises, printed in this book:

1. Mirage (harp arpeggios)

2. Perfect Sky (tremolo)
3. Rasqadenza (scales and rasqueado)
Fantasia. .. ...... . . ... . . . . 2
996) . ... .:...... 4
9 .. ...... . ... -...... . . . : . :.. -~ .......... ... ......... . . . -~- . . . ',. :'...'. ~........ 6

ACI<erman Music 01293 537900

Tg G:;i{_a r Exam PH:~ces - Grade 7 TG 008077

II 111111 11111111111
0000008012630
III Ill IIIII ISMN 9790570380398

080flGTFH:XA1i. 10.50
..
9 790570 380398