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Key-words
Corporal Architecture Phenomenology Computation User-centered Design
Kinesiology Well-being
Abstract
1
methodology that links the psychophysiological characteristics of dwellers and architectural
space together as parameters in the generation/simulation of such designs.
This research, part of an on-going PhD thesis, has been trying to develop such a
methodology, with the referred concepts in mind. Following these historical and scientific
traces, we present the embryo of a design computational tool that embodies a poetic view
on the human body as a spatial generator whose movements weave a virtual and invisible
pattern of emotions and relationships, made concrete and material through architectural
space. We have started to write a rule based (Stiny, 2006) algebraic synthesis of the human
body, hoping to transfer the biomechanical process of movement into digital information
in a way similar to the method used in kinesiology. We aim to explore the idea that the
space generated by the movement of the human body can be used as a design tool and that
such space can have a certain psychophysiological effect in the dweller and establish
empathic links (Norman, 2004). So, it could be possible to design by manipulating space in
order to conduct intentionally the actions of the dweller and so influence his emotions in a
subliminal level, for example, making him exercise without being rationally aware of it. This
way, we wish to reach for design solutions that are focused on user well-being and health
improvement, operating in a prophylactic or therapeutic way, as kinaesthesia and kinetics
are acknowledged to function as very powerful sensory stimulators (Damsio, 1995) and
main factors in the holistic maintenance of the human body (Decety, 1998). While
exploring in this manner the poetics of movement applied to architecture, we wish to reach
for design solutions that are focused on user well-being, providing a more subjective and
corporeal experience of space, bridging the gap between digitality and physicality and
hopefully, as Bachelard proposed, heading towards the construction of a place for the Self.
References
-Bachelard, Gaston. (2005). A Potica do espao (1957). Antnio de Pdua Danesi, trans. So
Paulo. Martins Fontes. pp: 103-116.
-Decety, Jean (1998). Perception and action: recent advances in cognitive neuropsychology. Hove, UK:
Psychology Press.
-Damsio, Antonio R. (1995). Descartes' Error: Emotion, Reason and the Human Brain. New
York: G.P. Putnam's Sons.
-Kolarevic, Branko.(2003). Architecture in the Digital Age: Design and Manufacturing. New York:
Spon Press.
-Kronenburg, Robert. (2007). Flexible: Architecture that responds to change. London, UK:
Lawrence King Publishing.
-Merleau-Ponty, Maurice. (1945). Phenomenology of Perception. New York, London. Routledge.
2002.
-Norman, Donald A. (2004). Emotional Design: why we love (or hate) everyday things. New York:
Basic Books.
-Novak, Marcos. (1995). Transmitting Architecture. Proceedings of the XXIII World Congress
of the UIA (Union Internationale des Architectes).
-Pallasmaa, Juhani. (2005). The Eyes of the Skin: Architecture and the Senses. Academy
Press.
-Stiny, George. (2006). Shape: talking about seeing and doing. Cambridge Massachusetts,
London England: MIT Press.