Asdfasf

1
THE
GOLDEN LYRE:
_A
v \
NEW COLLECTION OF CHUECH MUSIC, "J
TO THE VARIOUS METRES NOW I\
TOOF.THER WITH A NEW AND EXTENSIVE VARIETY OF
WTllKMS. SENTENCES, AM) Cli

FOR
- 1 f' AL ASSOCIAT ii SOCIAL BACB
By IVtrail (Ponton <Tanlor,

iirriii
L fNSTRl
1
If A\\ I ST) <
. >
FROM THE LIBRARY OF
REV. LOUIS FITZGERALD BENSON, D. D.

>*
BEQUEATHED BY HIM TO
THE LIBRARY OF
PRINCETON THEOLOGICAL SEMINARY

I
Dtoka
^7
THE
0* of MCf
GOLDEN LYRE: . JUL 7 1932

'
NEW 0OLLECTI0I OF CHURCH MUSIC,

ADAPTED
TO TnE VARIOUS METRES NOW IN USE;

rountEa mra a .v Elv AKD ,, VAB|ETV or
ANTHEMS, SENTENCES, AND CHANTS,

FOR
CHOIRS, .,, CUSSES. MUSIC,,. ,,^,,ATI0N, AN, SOC.U, SACKM 1U8IC
C.BCLB8.
Bg bhrgil tferg&on Caiilor,

A '
T,V "" !S ' 1 '
- J::::
zsas-
twSSSS^SSSSk H. \\. DERBY AM> OO, l'INYI'W.vh.

,
ENTERED ACCORDING TO ACT OF CONGRESS, IN THE YEAR 1850, BY
VIRGIL CORYDON TAYLOR,
IN THE CLERK'S OFFICE OF THE DISTRICT COURT OF CONNECTICUT.
N. B. All Tunes, Anthems, Sentences, Chants, or otber pieces of music contained in this work, having the initials of the Editor,
or the asterisk (*) affixed to them, are claimed as the property of the copyright owner.
216 WILLIAM ST., NEW YORK.

PREFACE.
A raw explanations to the friends of music, who may become ac- character, beauty, and originality to Commend it to the taste and ap-
quainted with this work, may he of service in answering any queries proval of the critical and discerning, into whose hand- In- work may
which may arise relative to its characteristic features. When my 6rs1 fall. Again, such tunes as are deserved I popular, he cannot always
j
work (The Sacred Minstrel) appeared, it was thought that the nume- command ; he is, therefore, thrown upon his <>\\ n resources fiJr nearly all
rous contributions it contained, from my own pen, might, in the esteem to fill the pages of his work. There is one point deserving of attention
me, ultimate to the prejudice of the work. The auspicious inter- respecting tunes in conn i ps dmodj to which are appended the names
,
vention of some counteracting but unknown cause, (doubtless,) saved

of namerous celebrated European compose] - It should be rememl i
the work from what seemed (to such individual-) n- inevitable fate. that these persons seldom wrote other music than Oratoi
Respecting this point, however, as constituting either in a general or S\ mphonies, &c, which do not admit always of the most complete and
particular Bense, a necessary and valid objection to a work.
would 1 literal transformation into plain metrical tunes, without many interpo-
say, however numerous the contributors to any book of church music lations and abridgments; which materially interfere with their pei
may be, no author can feel safe 111 setting aside his own judgment to identity and originality, as emanating from their attributed
admit, without proper discrimination, whatever might be offered for n, it i- sometimes thought that an author who has written much.
Ins work, even from the most renowned musicians. A piece might he should not republish in successive works,even his best and most iu
presented him which, for elaborateness and beauty of harmonic struc- tunes. Give something demand.
" u> neio/* is the In answer to this
ture, would, to the ear of the professor, be considered superlatively fine would
objection, I first inquire of its propounder, did you ever find in a
and exquisite, but tor any purpose of utility, it would he absolutely book church music
ot all th* j f one voritt bq h kit?
worthies-. Therefore, whatever goes into his look, must of necessity \_ r
iin. are you not aware that a tune which the author 1 1 1 i^ht not think
pass the test of his own scrutiny and inspection he must judge of its to republish, because you have long been familiar with
j fit it in a former
availability for practical use, must see whether it embodies sufficient work of his, another writer would consider a
-
"

ould he offer it
PREFACE.
to you in a work of his own ? There is no individual, poet, painter, church use. The Anthems are not difficult, yet they are of a charac-
sculptor, statesman, or what else he may be, but that has some one ter better adapted for occasions like Thanksgiving, Ordinations, Dedi-
production, or at most a comparative few, which both himself and Sacred Music, than for the more strict use
cations, and for Concerts of
others will claim transcends all his other efforts. A

composer of mu- of the church. Those persons acquainted with my "Choral An-
sic forms no exception to this general principle he can by no possi- thems," will recognize in the Anthems of the Golden Lyre, a vein of
;
bility write to the same words several tunes of equal excellence. Again, relationship which they will regard according to their estimate of the
all words do not admit of equally perfect affinity with music. Or, to former work. After all that can be inculcated with respect to the
all words you cannot so interblend sentiment with song, that the com- mere mechanical use of music, if we go no further, we can real-
bined effect will be enhanced by their union. Consequently, the book ize nothing of that which is elevating and sublime in its true nature
that is made up of judicious selections from former works, together and effect. To the composer who writes, or the performer who
with the best specimens of subsequent production, is incomparably strives for perfection of execution, merely to gratify the desire of re-
more valuable than can be produced by any other means. A particu- nown, to him the soul of music has no delightful and abiding charms.
lar point upon which I am ever solicitous, is, that music of my own It must and will be as evanescent and transitory as the desire which
writing (however inconsiderable its merit) should always be thoroughly seeks it is superficial and grovelling. If the " kingdom of heaven is
studied and judged of by its own standard. Tunes like Vesper, In- peace and righteousness," and if that can dwell " within us," deeply is
galls, Twilight, Vienna, Peace, Evening, etc., can never be understood it to be lamented that music, so redolent of benign and sanctifying in-
if divested of the least shade of their intended character. While I am fluence, should be diverted from its high and appropriate end of refin-
aware that the tastes of different individuals are as diverse nearly as ing and elevating the soul to that which heavenly and divine. And
is
their personal appearance, and that it is in vain and unreasonable to when it leads its where its own nature would
followers into the realms
expect all to attach the any one given style of music, seek to go, then will the ideal
same value to entrancement of celestial harmonies to
is most intrinsically
a desideratum that that which them become a living reality.
yet I feel it is still
characteristic of a work, should be rightly understood and appreciated.
The goodly number of short Sentences the work contains, will be Hartford, Ct., Aug. 1850.
found, it is believed, quite sufficient for all ordinary purposes for

ELEMENTS OF VOCAL MUSIC.
Note to Scholars. If you have a good voice, and can sing readily by
imitation, ifyou prefer, you may omit the pains of learning to sing theoret-
(II A PTEB I.
ically,upon condition that you arc willing to forego the advantage of singing
NOTES.
at right from a knowledge of the rules, and always depend upon others to
teach you what you attempt to sing. Should you wisely prefer the opposite, I. Notes represent musical sounds. Seven kinds are used generally.
;
however, all Q6& BSary lor you to commit to memory, to enable you
the rales however, hut six.
to siii^ mechanically any piece of ordinary difficulty, are few and SIMPLE. $ II. Their names and value are as follows :
Do you inquire, - Why, then, so difficult to ring at

once after the rul A II ' A c- is equal
understood?" Because (and no process of instruction can obviate it) after to two P P Hal.
you have learned arithmetically that a particular note or manlier of notes are
ung at a beat, you have still to learn a concomitant part, which is to do it, to four f f f f Quarters,
after you have first learned the theory.
* * * * m m m m
to eight gj^jjj-
Note to Teaches In
adopting the elements as here laid down, your ____ *> *> * +
preconceived views as respects other methods of classification for instruction
may induce you at tirst to hesitate m following implicitly the arrangement
to sixteen Pf9JP __ mnmm
^^JJJJJ*
******** Sixteenths,
adopted ;
perceiving, as you will, that the whole Bubject of elementary in-
to thirty-two
struction is abridged and reduced in many particulars very much from what
'
^^^C***^C***^> I ' rtj
you may have been accustomed to. Instead of giving m once, the definitions
of the several departments upon which the subject is based, the principles Do
themselves are first defined, then follow the names of them. The frequent III A /' '
placed after a note adds to it one half its length
$
Notes interspersed, will afford comments on all departures from established
A-s- equals & & or PPP\ *P' equals 5
p
P or **P ;
a** equals
usages; showing, it is believed, reasons which will commend themselves to
the candor and judgment
PP or &c.
of all unbiased and discerning minds.
* ***
, .
6 ELEMENTS OF VOCAL MUSIC.

IV. Notes twice dotted are three quarters as long again. $ VIII. A Shir, , connects two or more notes sung to the same
Key . equals &
j^ft a s" * equals equals & ft "ft ft
syllable, thus, P 1
Eighths, Sixteenths, Thirty seconds, and

I I
;
I
ft
r
ft ft ft ft
p .
A meiv _ 9
QUESTIONS. Sixty-fourths are slurred by uniting their hooks thus, or
[ |
,
1.What characters represent musical sounds ? How many kinds are there used ?
2. What are the names and values of notes? 3. By what means can you make a note
one half longer ? A
whole note dotted receives the additional value of what note ?
4. How can a note be made three quarters longer ? A
whole note dotted twice receives QUESTIONS.
the additional value of what two notes ?
6.What effect has the figure under three notes of the same kind ?
3 placed over or
6. What effect has the figure 6placed over or under six notes ? 1. Is it material
whether the stems of notes point up or down ? Is their value the same whether the hooks
are connected or separate ? 8. What character shows that two or more notes are sung to
one syllable ? How are notes having hooks, slurred ?
CHAPTER II.
VARIOUS CHARACTERS EXPLAINED.

CHAPTER III
V. Any three notes of a kind, having the figure 3 placed over or under
$
them, are equal to the time of two. RESTS.
3
* * * IX. Rests are marks of silence. All notes have rests of the same name
Thus, ft ft are equal to
and duration as the notes themselves.
3 A Whole Note rest hangs upon a line, ------
ft ft ft are equal to * ft &c, &c.
I* * U * K
,
A Half Note rest stands upon a line, - - - jm.
VI. The figure 6 reduces sB of the same kind to the time offour. A Quarter rest, the iving turns to the right,
r
(( Eighth, wing turns to the left,
Thus are equal to ft ft * ft i
Sixteenth, two wings to the left, - - - -
6
areequalt0 Thirty-second, three wings to the left, - - - !3
CCC Cu* CC**-

VII. The manner of writing notes, whether with their stems up or
Sixty-fourth, four wings to the left,
down, T C or thus, * immaterial; their value
thus,
0000 , \
\
\
\
\
> *
. is
_____
is
Note 1. It is indispensable that each scholar should practise writing down the notes and
the same: also whether their hooks axe connected, i, or detached
d rests (out of school), until they can transcribe them all without hesitancy from memory.
isms* A slight experience will convince one how liable the Quarter and Eighth rests are to be con-
founded when only glanced at in reading quick music, especially by the inexperienced singer.

Note. In tlii* work the Half and Quarter re-t-< have been slightly modified in form, M $ XIV. On the Base staff the alphabet commences on the lower space.
as to render them more distinguishable from the W bole end Eighth rests which, in the old ;
form*, are almost univmally eonfounded r A
^ X Eli Btfl may be dotted the same as notes; tlius, 1!
as-. ---.. -*- * f r-

| ,
$ XV. In counting the lines and spaces of the stall", always commence at
the bottom and count upwards.
- 1 ioNa
9. What are Bests 1 Whsi besides the note itself represents its sfleirt duration 1 Eton $ XVI When notes are written <'.
Led lines and
do tou distingmeh Whole Note reetl How Bal/t Quarter I Eighth! Bizteenthl
a apexes are used ^~ -&-
'I hut] 'Second ( irth i i 10. In what way can you lengthen the duration of rests
Dan rest Ik; clotted more than vncet
^ XVII. When more than the first seven letters are wanted above or
CHAPTER IV. below the stall", no additional ones are used, but these same ar led.
THKBLK. .-c-
1 1 \ - 1 .
-E-
THE STAFF, CLEFS, AND OTHER CHARACTERS.
tr
(Ton Teacher Bay should note upon a piece of paper "r on the
to hi~ < la** :

I writ.' :i
wall, wuhout anything being added determine its pitch, could we tell how high or how
to

;
sound it " (Glass will answer, Wi could nor.) "Then it -n r- thai tometh : j [ -c- r-
>
\r>i to enable u^ to tell how high or A.i/- notes ihould be written in order to receive a
'
certain pitch of sound. For thi> pnrpOSS WS luu' a StalF.

$ X\'III To find what letter a note is on when above or below the staff,
XI. A S/aJ'is used to write music upon. call the letter which the note is on one, and count each line an until
you arrive at eight, within the staff} this lu^t will be the same as that one
3 from which you commenced to count.
^ XTT. The Lines and Spaces of the staff are named by the first seven /.'
t comotc above
letters of the alphabet. TUKIM.K.
the staff is consequently B
Norr. The term Dtarm for designating the tinea and spaces of the staff is found Buper-
Boons, consequently it i^ dispensed with.
$ XIII On the Treble, Alto, and Tenor staves, the letters applying to the
tiikhi.i:. .Ml E ght comes on B, the note below
- B
lines' are b , to the spaces (they */*//) - -^p ^>
Apply the same process to the Base staff
:
8 ELEMENTS OF VOCAL MUSIC

XIX. The Clef distinguishes the different parts in music which are XXIV. A Score consists of two or more parts connected by a Brace.
suno- too-ether. For the Treble and Alto the Treble Clef is used, /. (The
Note. In this work the double bar will not extend across the entire five lines of the
staff, except the measure preceding it be full as, ;
Tenor
it
Base
may

clef, Tenor
also have the same.)
Note. Teacher should avoid calling the Treble clef the " G"
has no signification, and only tends to bewilder the scholar.
clef.
clef, as, in its
Simply
present form,
say, Teeble clef,
Where
measure,
it is
it
%?
i
used only to show the end of a
will always be found thus
Ê
strain, and does not divide the time into a full
(In this work the following clef is used for Tenor, fe). For the Base, the Base clef, Jg-
2: 1
XX. The relation of the several parts as respects pitch is thus :
TREBLE, Tins arrangement has been adopted to prevent the almost certain liability of a scholar sup-
posing a measure preceding a double bar necessarily full ; which, in fact, is seldom the case.
TENOR. _
same E as ]fF" QUESTIONS.
BASE. A -.jrG-
11. are the five lines and four spaces called upon which music is written?
What
\y'. ê f . . . . same E as jgf 12. By what are the lines and spaces of the staff named ? 13. What letters apply to
the lines of the Treble and Tenor staves ? What letters to the spaces of the Treble and

Tenor ? Note. Teacher see the letters of the staff are thoroughly committed to memory by
divide the music into
his class. 14. In the Base staff, on what space' does the alphabet commence ? 15. In
XXI. Bars, t, are drawn across the staff to
counting the lines and spaces of the staff, where do you commence ? 16. Upon what are
Measures. t notes written when placed above or below the staff? 19. What character distinguishes
Mea sure. Meaanre. Measure. the different parts of music ? What clef is used for Treble and Alto ? 20. What letter
in the Base staff corresponds with the first line of the Tenor ? What one in the Tenor, with
the first one in the Treble staff? 21. Of what use are Bars in music? Of what use is
El the Double Bar ? 22. In church music, what does the Double Bar denote ? 23. What
is a Brace ? 24. What is- a Score ?
$ XXII. In church music the Double Bar, t, shows the end of a line of
poetry, or Strain. t
The heavens de - clare

m thy glo - ry, Lord.
CHAPTER V.
a tune.
TIME.
Double Bars thus, - - - - form a Close to
J,
XXV. Musical sounds may be long or short, which distinction forms
XXIII. A Brace, < connects the parts sung together in a piece of music. the department of Time.
$ ,
Note.Teacher illustrate 25 (the first above), by giving two sounds with his voice or
MI, KM KNTS OK VOCAL MUSH' 9
upon an instrument, one long and the other short, stating that, in a general sense, tliat D
2wu; but in enaa, it is Out
nse, i! mnuenoe which
inai influence wnicn causes a cnoir
choir 01
of sn -
PTER
- i i-;
(II A
|
pant of soldiers to more together a- em vote*, ^r with ont tltp, Again, you will E VI.
advantage in dispensing vita the term " Rhythm," when yon speak oi Tbne, as H will free
the minds of your achoun from all ambiguity of meaning on your part) and render you at
odm mdei MELODY.
5
XXVI V is represented by these characti |\ (' (rjV or
(_* /
' ^ XXVIII Musical sounds e high or loto} forming a i part-

V^' ' 8
by
')
S
%
) I 1 *? 'i (' f ment, relative to their ill< d .1/
rarefl thus.
fig 5 I ! 3 . V ur by figures with a .small
'2 1 9 I 9 1 8 1

(Ton. Teacher hei iay be long and thort.
note under them, thus. ^ 3 -2 :* forming the departmi .
.ng an
mrampTe frafn voice or instrument i
; this forms the secojid'd<.\ vuhYd Jd<lody."
$ XXVII. Iii this work, the figure in all cases denotes the number of ^S XXIX There are but & /' s Is, from which all music
beats to a measure, and the sin ill note under the figure is the note which The Eighth but a repetition of the
is derived. is first, and forma, with the
tec ives a beat, and is called the beat note. seven, an Oct
When the time changes after the commencement of a piece, the figure
onhj (without the note underneath,) will be tirv I
^ XXX The S lie consists of the Octave, or eight sounds.
MANNI.-R OF BEATING TIME. *5> XXXI. An Interval is the difference in pitch between any two sounds .
as, from 1 to 5 is an interval of the 5th, &C The from one sound
Two quarter time, - - - ? , down and up to another in ascending or descending the scale will here be called a Degree,
instead of tone" or - slcj).''
Three quarter time, -

y, down, left, up.
S
S XXXII, There arc two Bcales in music, the Major and Minor
Two quarter dotted, p. i

down and up. U OF Tim HAJOB SCALE.
Three quarter dotted - "p.", down, left, up. im 7 ( & to 8, a halt degree.
From 6 S degree.
QUESTION& From 5 -s- to 6, a degree.
im \ -s- to ice.
26. Sow
1
s 25, What department is derived from the difference in the
i
'
isTimerepi Which of these three methods is used in this work t ?'-'" What From Z(&\ I, half degree.
the figure over the amall note denote 1 What is Dndentood by the small note under the 2 . degree.
tigura t
From l ^ to 2, a degr
XXXIII. Major Scale applied to the Staff first commences on C.
Note. Teacher refer the class to tunes in the book, beginning with those in the natural
signature, and call their attention to all the different signatures in use, saying, " What sig-
nature has this tune ? What has this ?" <tc. Do the same with Time, saying, " What time
APPLICATION OF THE MAJOR SCALE TO THE STAFF.
has this tune ? what is its signature," &.C., until both are understood.
XLI. Accidentals are flats, sharps, and naturals placed before notes in
->
i3
Syllables,
13
Do Re Mi Fa S.il La Si Do La Sol Fa Mi Re Do
a tune, and they affect all notes on the same letters with themselves in the
measure, unless contradicted by a natural, flat, or sharp.
Pronounced, Dot Kan tfei Faw Sole I. aw See Law Sole /a ii l/i- Ray Doe
Numerals, 1 A 3 1 5 6 7 8 6 4 :s 1 Natural accidental. Flat ACCIDENTAL.
Letters, C li E F G A B C A F E C
2 -tS>- : ^==^*
e ** f
-
F 3 fc4Hw^Si + i I
Sharp ACCIDENTAL. accidental contradicted.
Note to Teacher. N. B.
All of you who have had sufficient experience will readily
bear testimony to the servitude a class of singers are under to the use of syllables before
*
applying the words to a piece of music. Whenever an untried tune is named, the first and
universal feeling with singers unaccustomed to a different practice is," Let us first sing it by
note, until we have got the run of it." Many of the most eminent and successful teachers
mt igETgjÊ
with whom we have of late conferred on the subject, agree that it is far preferable for a XLII. Accidentals extend their influence to a succeeding measure when
ela^s never to use syllables at all, even in singing the scale. Consequently, when tunes the note in it is the same as the
first last in the preceding.
are taken up, there is no embarrassment attendant on the transition from the use of sylla-
bles to the immediate application of words.
Thus, Or thus.
fy
XXXIV. A Sharpy #, placed before a note, #, raises its pitch half a
degree.
iSt g-R-sE J33E
XXXV. A Flat, b, loivcrs the pitch of a sound half a degree.
XXXVI. A Natural, fef, restores a note having been made flat or sharp
to its original pitch. QUESTIONS.
XXXVII. A Double S/tarp, x, raises the pitch of a sound a whole 28. What the department relative to the pitch of sounds called ? 29. How many
is
degree. Primary Sounds are there ? From what is all music derived ? By adding the eighth to
the seven sounds, what is formed? 30. Of what does the scale consist? 31. What
XXXVIII. A Double Flat, tjb, lowers the pitch of a sound a whole is an Interval? 32. What two scales are there in music? 33. On what letter does the
degree. scale commence when first applied to the staff ? 34. What character placed before a note,
raises it half a degree ? 35. What lowers it half a degree ? 36. What restores a sound
XXXIX. A Signature is the flats or sharps placed at the commence- made flat or sharp to its original pitch? 37. What raises a sound a whole degree?
ment of a tune. 38. What lowers it a whole degree ? . 39. What is the signature to a tune ? 40.
What constitutes the natural signature ? 41. What are Accidentals ? How far do they
$ XL. A
Natural Signature is where tunes have neither flats nor sharps extend their influence ? 42. Under what condition does an accidental extend its influence
at their commencement. into a succeeding measure ?
ELEM 1 1 NTS OP V O C A L M U SIC. 11
OHAPTEB VII. Four Sharps, I". C, 0, and I. - -

:#E^r
.
I
THE SIGNATURES SHOWING THE COMMENCEMENT
OF THE SCALES. Five Sharps, I'. 0, '.. D, and A. -
fr/=^:'. 1
$ XI.I1I The Scale is always the sunn-, let it commence upon what let-
lei it may. Six Sharp-. 1". ('. A. and B,

Q, I>.
|l
g * ft
^ XLIV. Do is always the first syllable of the Major Scale, and La of

the Minor.
^ XLV. The Key-note of a piece is Mr /
Major scale
in the Base, from which
always Do, in
Seven Sharps, F, C, G, D, A. E.and V,
((
%V ' 2 ft 1
the several parts derive theii pitch; in the it is
the Minor hi
XLV1 To change the place of the scale (or the Byllable Do) upon the One Flat, B.
stall", the signature must change, as the scale takes a new signature every
time it is moved from one letter to another
Nora Wli.'ti oommences " ng"g bj note in the different signatoree (if you adopt
;i elaai
the practice k thej will often saj npon taking a new rignatnre, " Where is Da in this tuner
1 Two Flats. H and E, . |> ^ i>..
To answer this question, lei them always rent to the (allowing table of signatures, ^howim?
the oommencement of the scales.
\nzc^ '.,
Thr- 15. K.an.l A, - - - & * 1
Do AXD h
SIGNATURES SHOWING THE TLACE OF La. I-
^
Natural Signature, gS Do
r, La Four Flats, B, E, A, and D,- - -
One Sharp. F, - - - -
Five Flats. K. A. D, and G,
Do 15. - -
1.
Two Sharps, F and C, -

2 !!'.'
Six Flats. B, E, A, D, G. and 0, -
bt) 1
I' g-gr-4
Three Sharps, F, 0, and (J,
s Flats. B, i:. A. D,G, 0,and F. [!' r !".'
1 fcl' b | ||
::: I
12 ELEMENTS OF VOOAL MUSIC.
CORRESPONDING SIGNATURES. XL
VII. Transposition is the moving of the scale from one letter to
another upon the staff by changing the signature.
Natural Signature and Seven Flats
SZDo
La
One Sharp
s
and
Hr ht
Six Flats.
-2-
<^
Do
La
^ XLVIII. Do
fve letters above
is
(or four
always thefirst letter above the last added sharp, and
below) the last added flat.
QUESTIONS.
X>o-
La-
^ k g-p-
,^-L.a- i
always of the same form, whatever letter it may commence upon ?
43. Is the scale
44. What syllable is always the first of the major scale ? What of the minor ? b 45.
What is the key note to a tune ? What syllable is it in the major scale ? What in the
minor ? 46. In order to change the place of the scale upon the staff, what else must be

changed? Natural signature, where is Do? One Sharp, where is Do? Two Sharps,
Two Sharps and Five Flats. where ? Three Sharps ? Four ? Five ? Six ? Seven ? One Flat, where is Do ? Two
Flats? Three? Four? Five? Six? Seven ? Do on C, what signature ? Do on G, what
--Do-
~^V- -5*-Lia- signature? On D, what? On A ? On E ? On B ? On F#? OnC#? Do on F, what
-g&^L,a-
\
'
b
I signature? On Bfj? Efj ? Afo ? Dfj ?
48. How may the place of Do be found ?
Gfo? C\) ? 47. What is Transposition?
Three Sharps and Four Flats.
CHAPTER VIII
FORCE.

Note. Teacher says " We have seen that sounds may be long and short, forming Time ;
:
high and low, forming Melody now in the last instance we notice that they may be soft
:
Five Sharps and Two Flats.

and loud, forming the third department, Force or strength of sound" giving an example
of the last, by striking a sound soft and loud.
%-#-&
S-
Do- -i9-Do
-La-
1
to end.
XLIX. An Organ Tone is a sound of uniform power from beginning
Six Sharps and One Flat. L. An Increase for Crescendo) commences soft and ends loud.
Do-
it i^-ff^g^Lia- -L.a-
I *
$ LI. A Diminish (or Diminuendo) begins loud and ends soft.
Seven Sharps and Natural Signature.

LII. A Swell combines the Increase and Diminish.
<Mi db:
a
I
E LEM E N T S OF VOCAL MUSIC. 13
A Whole V
MIMICAL CHARACTERS EXPLAINED.
Rest, -W, denotes a silent measure in all varieties
CHAPTER IX
$ LTII.
of time. MINOR AND CHROMATIC SCALES.

$ LIV. A double bar seldom divides the time in a measure. When the
$ LVII I In all cases. Tji. the 6th of the Major iken as in 1
measure before a double bar is/////, it then divides the time Minor Scale; M
the thai is, in singin th< 8 tie by numerals, when you
n
arrive at 6 (La) ii 1 1 1 1
i_r
it 6, chan( e il U of the
Here double bar (brides the time. In lii instance <!<>es not.
sgffl
ill.- r it
Minor Scale, th< a the new (Minor the same
*..m--m i? number of intervals

Seal*' i its
rom the Major >

that thi M
intervals do not occur in
S Bear in mind that
ord< r as in
thi
the Major,
None. Una explanation of the double bai is desig (her work*, uo\ 1 1 1 i.
->.
ascending the Minor Scale, the 7th interval (Sol) is raised

LIX. In
$ l,V \ suspension of the time is allowable at the double bar. hall a degree ;
in descending, it is Bung as Sol, tin- 5th in Major Scale.
$ 1,\ I A Hold. iCs, ]ilaced over notes, rests, bars, or a vacant part of the MINOR SCALI. ING. VG.
sare, denotes e suspension of the time, at the discretion of the performer
82 !
to a degree
From 7 5 to Q a hall
I \ LMPLE
.
! i70to6,a degree.
From 6 2 to a degree and a half From IJ5I" degree
m
7. If
From 5 ^ to From 5 C to
-F^r H*^ 6, a half dej 1. a degree.
From 4 2 to .">.
a degree. From 1 c i degree.
From 3 2 to 4. a decree. From 3 c . half degree.

$ LVII A Repeat shows what part of a piece is sung twice, and is
From 2 2 to 3, a half degree. I . 5lo l,a degree
marked by dots in th^ following manner:
'
From 2 to 1 2, a degree. 1 c
:-
MiNi Arpi.irn to thi: -

2 :
.
Asc
19, What ia an Organ

QUESTIONS
60 An Increase or Crescendo? 61. A Diminish C o

sz^ As
5 I
fc g ^g I"
g
Swell! 53. What rest i- oaed to till a ailent measure in ;ill
or 7','i/iiii'i-rn/..
varieties of timel
\
Under what cirenmstances does a double bai divide th<- time

? .'!
La
1-4
A
81
B
|s.i
34D R Ml
E
56Fa I
Sol I.a
7bA
G
I
-7
.a
A
B..I
05
Ft
ii
Ml K-
i
u
Do
a
o
SI

I
La
i
,,f .v aanrel \ 66 When is a suspension of the time allowable 1 g 66 Whateha
over notes, rests, 1
1 denotes a suspension of the timel 67, How is a part &z
of a piece of mu-ii- marked, that is to he sung twice *
fc c.
Tzcz&i I & I'
14 ELEMENTS OF VOCAL MUSIC.
MAJOR AND MINOR SCALES. 1th (Sol) ? How
far from 1 to 2 is it in the minor Scale ? From 2 to 3 ? From 3 to 4 ?
From 4 to 5From 5 to 6 ? From 6 to 1 ? From 7 to 8 ? Descending, how far from
?
Minor Ascending. Major Ascending. 8 to 7 ? From 7 to 6 ? From 6 to 5 From 5 to 4 ? From 4 to 3 ? From 3 to 2 ?

?
From 2 to 1 ? The minor 3d is equal to what numeral in the major scale ? The minor
1 ?5-#S>* ^ ^r&zr&z <z>

& SB-!* I 5th equals what numeral in the major scale? 60. Of what is the chromatic scale
I -^r-^ 5 .-G\
formea ?
Minor Descending. Major Descending.
CHAPTER X.
i.
^ i
EXPLANATIONS IN FORCE AND TIME.
LX. The Chromatic Scale is formed by dividing the five degrees and LXI. Accent is a stress of voice given to the down beat.
adding to them the two half degrees of the Major Scale making twelve in- ;
Loud Loud Loud -<^>-

Soft Soft Soft Loud Soft Soft Loud Soft Soft
tervals and thirteen sounds.
Note.
Ac.
Sing the syllables to the chromatic scale without changing
The acute
the vowel, as Do, Bee,
ear of any Teacher will soon convince him of the propriety of this course,
if he will try the experiment of having his class practise the chromatic scale, alternately
i^SJgjf^^Sr^^fei
LXII. In the following forms of y time, the accent gives place to the
changing the vowel, and singing it the same, as Do, Do, to the natural and sharp intervals.
The objection to changing it is, the scholar is too apt to mistake a change of the vowel for
Swell tone.
a change in the sound. Soft -=^~>- Soft
CHROMATIC SCALE.
!
s> ^=is: 3E2 LXIII. In beating time, the hand should move promptly, and not over
^ =' ts? :
I
eight inches of space.
Do
C
Do
C#
Re
I)
Re
D#
Mi
E
Fa
F
Fa
F#
Sol
G
Sol La
A
La
A#
Si
B
Do
C LXIV. A beat consists of its motion and point of rest.
! LXV. In singing two notes at a beat, the first is sung to the motion
h=^=^^B^^=^ i
j- I I 1 r-FE
(or first
$ LXVI
half), and the second to the_?>oi7t of rest (or second half).
A
tune commencing in the following form of measure, would
be said to commence at the left point of rest.
Do 81 SI La La Sol Sol Fa Ml Mi Re Re Do.
B Bb Ab Gb E Eb D Db
EXAMPLE.
58. What interval

ing the Minor Scale,
in the
what
major scale
interval is made
QUESTIONS.
is taken as one in the minor ? 59. In ascend-
sharp ? In descending, how do yon sing the
FZ=tfr=Z=G
=
&
V, \, V. M K NTS OP VOCAL Ml SIT
1
15
At the point of rest Tmiiii: (Sing Quarters, and What noUtt
00000
?//? uvj i
\rt' rx. oiie beat to a

Eighths, and say) What m '
Class. Eighth*, because two note* at >
y~" i r i
Ti.m in i; teentha, an aaj I |
WK U
Class. Sixteenth*, tout at a beat : &, Ac
At the down point of rest
mi-i i:i i
fry
i c crtr^ Teacher aing the following, while 1 th the class, and qi II HI re. Class
QUESTIONS
, what |
0000 0000 0000 U U what
i. Wliu Accent 1 69 Measure in three quarter time commencing with a half
is
~/mt it thonged tot i 68. In what manner should (he hand move hi beat-
the to tan
* * * *. what '
ing timet 64 Of what does a beat consist 1 66. Which of two notes sung at a beat
is sung to the motion t What h the wo;,,/ rang to I
J , v
tf W W Of
, , what notes ? After proceeding in thi* manner until the clas.* understand
practieatty the application of time to rose*.
DIRECTIONS PREPARATORY TO BEATING TIME.

CTI A PTEB XI.
P> P P
^ .
-
p
V
-
i
p
PI
the cl
Ti m
a practical
ot uniform
a a

have only
bi
Inert fore, re von to commi nee singing tui es
knowledge of time.
ana beat '
ii
you would at once perceive that they know nothing as vet
-
them this, yon most require them to beat, whi

I
;
play some spirited air; when you perceive thej can a r, then introduce tl
1 to a

EgSjî^g^^ I .| I
of Old Efundred, Dundee, or other melody they are familiar with
quainted with the tune.

I
notes, ask
-- describing correct time.

in
Teacher and Class commence beating time;
as follows :
this they can beat while
they ring, a-* their undivided attention can I"' directed tn the time alone, it" they an
This incipient pro -- of leading them to knoffi
and enabling them to appreciate a aiven movement, will eventually insure their coin
when all nvu,

;
;>
'
her sing whole

1
'
/'
BE
p
ss p
T v lit a. What nob do su 9
I
'n a note
r ,
H
e :
(Sing Halve*, two, three, ox more, and a*j

lose two beats to note \
|
Wh i i r
1 #

EASY EXERCISES IN FOUR PARTS.
No. 1.
Ml.
d '0-
sv-
9 g ^JEJg ^g^^^^îtEfe ggE^ ^^gEg
Do.
A
!)<>.
-f* > ** V
"25" "*- " -0T
yr&r J^WâPj^W^ ?^^^ I
r-r-f^-fe 1
i s>~ 9 #~ ^^^^^^^^^^fe^^^^PI
^^^^^^PI=#^=^^^^^g^^^^^^|?^Plt
Io. 2.
E3^^^ eE E^& SEE^3E

îppPpS 3=3=^p^ ^5^%^-:
3t3t 1 ijzzs: =J=s: a -py-p F j~H~
=
1
1
[ i l-l-
jl..
-0 0-
:
"<2_ EpEpi 3=:.
BL i;.M ENTS F V <)('A I, M USK 17
*o. 8.
^^fel'lH'l-H"*!--- & ÊîE 5 * ? * o . 1

1'
iÛUJÛ.U s 5 -
3= =3= ***
3
* ..L-'Hiil
s^ -IH".-r 1M" ^ mign l-vp/l ;'!'' HI
iviî":r^r:'L'S:':.vr- y^n^ s^
r = I-
"Vo. 1. Pay attention to the time in this exercise.
E?.-.J...p3gfe tp

p- -f -<g- -p
r
? * 5
I"
'
...
s
J.-.\L.J s I. J. ..! - -L/Uej s =7 o o UUUU'
p mugm eF^
r-
(S
- ffirRm T' "
*hl<
#-# #
U'rnTnm'M S^.*
*i
S^k-li
r

No. 5. Be careful to get this correctly.
Sfe
E *5> -^ m^^^\sm^m^^s^\^WE3m^s^mw^
&1
B * **
-
s_ b*-n ;-:
339 sMa I
^==^^w^mmM^m^3:
is:
BggSS^îs LIB 32
22 iP I

f?: ^3- 2 sgsss 2=* WZSi
i
31
I U 1 L#^J
IV. 6.
l^pi^^^Z^^^S^^^^^^B^ ^g^:
? i
t^-
^=
rSt
SSl piEei^:
^fe
0o-6-
3?
!
*
!
tC:
23
3 ~Fn=^ 5 *jt
IfM
3 3=1
iE^^ffiE
rife-
'
^pg^fep^^g^g tfltt
5fl
âg^pgg^^s^^^^^p i t
at k-
-u
/HE
!
ELEMENTS 1' VOCAL MUSIC 19
No. 7.
r }

,
Mîfej|, .gs^g *
*-s i
r
k.kl"
i i i
^^

^ -
9
?- JJJrUJrTJ^B
"-CL
s=* - *
I
fei&J h-3
I I I I
3 - *
ZCI2Z -
5 I

-
I ?Je!3
S^H
I t
*. :fa^
1
5 f=r- lc
,5>-*- # r~r - b^: s - '
No. . SOLFEGGIO.
This exercise may be sung cither by the syllables, or by the single syllable L\ : if by the latter, repeat the syllable for each note. Practise it with
peneYerance ami care.
Sninruliiil i limit Medium. ! I t I I I I II I ! I I
Ipl * #(# /|# Jjtg| 00 #[# "I" '* |# " ["'" # *'~
f
### '|
_ ^^ r*m J_J_J_

i i i i ' i
i > ' ' ' '
_!
I
m
.Hl-fe r-
Crcn. / m Ji - - m
i i i i
ps -I. :\A .=^> *\-~- ''1--%'

_ I I I I III
i i i i
I i
I i
I _ !JL_
i i t ill
i i i ' ' '
,
Pay attention to the Dynamic directions.
UJ_ M It tit M M II 1 II II I l_
^gJ^jgg^^^^^gPEEJEE^te^^^-l^q^^^^^
I L J t J I I
l
_ N^ 1 _ 1
mmE^-M
I I I I 1 i t i i
j
F^ I
^^^wm^Mmmm
ff Crcs.
mi it i
II
II I I
I I I I MJ I ,_ _L'J_l_l_ I I I J LJ_ 1 L_ I I I >
with a thorough acquaintance with the science of music, constitute the chief
CHAPTEK XII. requisites to good singing.
GENERAL REMARKS UPON SINGING. LXIX. The Voice.

The necessary qualities of the Musical Voice are
fulness, flexibility, and purity. To acquire these, it is important to practise
the Swell and Explosive tone. In the former, great care is necessary to
^ LXVII. Expression is of no less importance in singing -
, than Elocu- avoid changing the quality of tone. To prevent this, the organs of sound
tion is to reading or speaking. should be held firmly without change or relaxation while the sound con-
tinues.
^ LXVIII. To sing with expression, requires a knowledge and observa-
tion of those principles in music and language, upon which a correct taste is LXX. Taking Breath, in singing should be done as seldom as possible,
founded. The proper use and control of the voice, a distinct articulation of and never between the syllables of a single word, nor where it will inter-
words, and strict attention to the rules of accent and emphasis, together rupt and destroy the meaning of a sentence.
ELEMENTS OF VOi \ I. Ml SI<
g]
\N LXX1 no one direction more necessary
ftftt \Iouth. There is than in reading; and such is the construction and adaptation of the m
to !)' complied wiili in singing, than opening the month bo far as to bo measure to that of poetry, that it is seldom i
,
the
able to utter a sound in a free and unrestrained manner The impossibility regular accentuation rmer, to accommodate th< >
there
of attempting to articulate distinctly .til words in speaking, with the mouth i- not an tent of the two however, the ac thi
hj opened, is eater than in singing Experience shows, that y& tola / that
of Hu
of the most prominent faults

mouth too little open, and in too
i
fix< I
nerally, is
and uniform a position

the habit ol keepin the
LXXV1
singing than
/.'
be used as the seven Byllabli s

to
If i
ry for
ar.-.
any other purpose
m<
in
$
-'
LXXI1
In music ol ordinary rapidity, or of the chant-
Articulation. to, it is tainly of imp that it should I"
ant hould never be a want of distinct in articulation -
manner as to convey to the mind the true im]
Choral music, the sound being sustained so long up.ni the different i imbodii - To this i nd let it ng which i
do! admit of giving language so perfect an utterance To render artic- portance demands.
ulation bo distinct in sin to make words intelligible, the speaking
ins must I"' used in Buch a manner that their app LXXVU /' -When it is said of a note in music that it should
.without \ve a given amount of time, tb not be understood in
an unqii I -
S
S
IA'XIII \ rule in singing which should never be deviated from in thiswould then !>' th< cas but, - we depart from the rules of
'
king of words, is I i
commence and sustain a sound without vari- music when m ite that i
-
with r<
ation, on the I sound of the vowel leaving its to the final \\ henever thi
articulation of the syllable. The word " day," for instance, should not be itcan generall) be produced by shortening the " it without
da
'">''' I
j as would I"- the case if the vanish of tl interrupting the til E imetimi - the rhi lorical cons
be dwelt upon, instead of its first element or radical part This defect is oce maj require a temporal
not unfrequently carried to the extreme in - En tho following lines, at the a ding the final word ("d a -
merely the radi ..I portion of a vowel, but of empli following suspension of tin' time would be m cessary to gi to the s I
manta to sustain a sound upon. For example the words "fire, adi
retire," and others similar, are rendered y?r des/V - &c., instead of t,'riint,
till r,
ft- - - re, den - - -

re. S5
LXXIV. C fs Tu ^
insure good articulation, the cons LXXVII1 MEn order to sustain Choir fi
^
must be quickly, distinctly, and forcibly ottered Tier, i- nothing in tho highly important that -
ciently, it is i moot qoently I
amstance ol
circumstance having the organs of the voice employed in producing a
of hav And while doing this let the tim< to the object h I
music
ucal sound, which need interfere at all with those required for articula- with clos ion to the subjeel nd not at
tion Hie location ol the tw remote from each other, that if both

recreation And finally never at any tine

are confined to their resp no hindrance will be found to exist
b, trivial, allow the habit of singing without n <
mst a clear y articulation while singing, any more than in as it impairs the taste and renders om I
speaking. musical attainmi nt

^ LXXA i
It is no less important to accent words in Bulging
; 8
EXPLANATION OF MUSICAL TERMS.

Accelerando. Accelerating the time by degrees, faster and Da Capo. From the beginning, and ending at the word Ottava Alia, (abbreviated 8va.) To be played an octave
faster. " Fine." above, until contradicted by the word loco ; which see.
Adagio. As an adverb meaning moderately slow. As a
; Deelamando. In a speaking or declaiming style. Overture. An introductory symphony to an oratorio,
substantive, designating a piece of music of a particular Dcvozione. Devotional. opera, <fec.
character, in a slow movement ; as, an " Adagio by Dolce. Sweet, soft and delicate. Pastorale. An elegant movement written in 6 8, or 12
Haydn," &c. Duo. (Ttal.) In English, Duet or Duetto, for two voices. time.
Ad Libitum. At pleasure without respect to time.
;
Espressivo. With expression. Pietoso. In a religious style.
Affeluoso. Denoting the character of a piece of music Fa/set, or Fcdsetto. A term applied to that register of the Portamento. The manner of sustaining and conducting the
meaning tenderly and affecting. male voice above its natural compass, which resembles voice from one sound to another.
Allegretto. Less quick than Allegro. a female voice. Hence, called false or assumed. Presto. Quick.
Alhgro. Quick and sprightly movement. Fine, or Finale. The end. Prestissimo. Very quick.
Alto. The Second Treble. Forzando, forz., or fz. See Sforzando. Primo. The first or leading part.
Andante. In a distinct and exact manner, like the steps in Fitgata. In the style of a fugue. Quartette. A
piece of four parts, for a single voice, or in-
walking as a grade of time, it indicates a movement
; Fugue. A musical composition in which the subject or strument to each part.
between quick and slow. theme is sustained by one or more of the parts alter- Quiritettc. A piece in five obligato parts, each performed by
Anthem. A musical composition set to words of the Sacred nately throughout the piece. a single voice or instrument.
Scriptures. Grazioso. With grace and smoothness. Rallcntando. Softer and slower by degrees ; abating, re-
Arioso. In a light, airy manner. Imitation. Music in which there is a repetition of the same tarding.
Arpeggio. In the manner of the harp; chords struck in melody in the various parts, without preserving that Recitative. A species of music between singing and speak-
quick succession. exactness in the intervals which is required in a Fugue. musical declamation in which the singer uses the
ing, or
A tempo. In time. Interlude. An instrumental passage introduced between two inflections and tones of the speaking voice in which ;
Baritone. A
voice whose register is between the Base and vocal passages, or between the singing of two stanzas also lie is not restricted in sound or time, so long as he
Tenor. in church music. keeps to the harmony of the measure.
Base. The lowest part in harmony. Interval. The distance between any two sounds in music. Rehearsal. A private execution of music before performed
( 'ad' nee, or Cadenza. The closing of a strain. Also, a fan- Lamentabile, Lamentcvolc. Mournfully. in public.
ciful extemporaneous strain introduced at the close of a Larghetto. Slow, but not so slow as Largo. Rinforzando, Rinf. Increasing suddenly in power, -c;^
song, or melody. Largo. A very slow, and rather soft movement, in which Risoluto. Resolute, bold.
Cantabilc. In a graceful, flowing style of performance. the tones are sustained in their full length, and exe- Sentimento. With feeling, tenderly.
Cantata. A
vocal composition of several movements. cuted with the utmost taste and expression. Sforzando. Suddenly diminishing a sound. ^~_
( Iftntant. In the style of a chant. Legato. In a smooth, gliding manner. Solfeggio. A
vocal exercise sung witli the syllables, Do, Re,
Choir. A
company of singers also the part of the church
;
Loco. As written. &c, or to a single word, as Amen.
which they occupy. Maestoso. Majestic, with dignity and grandeur. Soli. The plural of Solo, one voice or instrument to a part.
i horal. A slow style of music, written mostly in notes of Melody. An agreeable succession of sounds ; or, any succes- Solo. Apiece or passage for a single voice or instrument.
equal length, but sometimes applied to all varieties of sion of sounds. Sostenuto. In a sustained manner.
in slow movement.
measure Modcralo. In moderate time. Spiritoso. With spirit.
Chromatic. Ascending or descending by half-tones. (See Motet, Motetto. A piece of sacred music in several parts Staccato. Notes struck in a quick, short, and detached
Rudiments, Chromatic Scale.) and movements. manner.
Chromatic Interval. An interval between a note and the Obligato. Indispensable; applied to accompaniments which Subject. The leading idea, or text, in a piece of music.
same letter flatted or sharped. cannot be left out without destroying the intended effect Symphony. An elaborate composition for instruments.
' 'oda. A passage at the end of a composition which forms of the piece. Tempo. Time.
a final close. Oratorio. A sacred musical drama. Tempo Primo. The original time.
Con Bpirito.With spirit, animation. Orchestra. That part of a concert-room, theatre, etc., ap- Trio. A
composition for three voices or instruments.
Contralto. The Alto, or Second Treble. propriated to musical performers; also the body of the Vigoroso. Vigorous, bold.
Cnro. Choriu performers themselves. Vivace. Sprightly, cheerful, and quick.
THE d OLDEN LYRE.
ADDISON. L. I. \ . t . T.
Of variable eliaraeten Soft nut! flowing t hold and animated.
P L=? ^=tf WM+\>&^^m When anfcU. 4c.

sfe'/b'i'l'-'l-
^
. -U.Uli
i 0, sweetly breathe the lyres a bore, When an gels touch the quivering string, And wake to chant the Father's love, Such strains as an gel lipacani
j And sweet, on earth, the cho ral swell Frommor - t;il tongues, of gladsome lajs ; When pardoned souls their raptures tell, And grateful, hymn the Saviour's prabe
Fr. m DO lJ. *' r
r I
"'/' s_/ \_/ v5 ( i es.
! 31 iÊ^.b-d'-^-'h-H
_i ]_
J. - iiijji .
. .
S
.JU p. .y< . .. .
5
** ^
r
24 With spirit, but not boisterous. Staccato. MILGROYE. L, M. Flora
M1LGROVK.
"From heaven the'loud," &c.
w 1.

_
sch:

Stand up, my soul shake off
1
o-
thy fears,
^f^^^^ntttrt^x^3^^m.
-
And gird the gospel ar mor on

- March ; to the gates of endless joy, Where Jesus, thy great Captain's gone.
1
4. There shall I wear a star - ry crown, And triumph in al - might y grace; While
- all the armies of the skies Join in my glorious Leader's praise.
-9-
^r
f Soli, or Semi-Coro. ~ Repeat Coro if

i

fa*:
j. JJ 1 i
r
-f-.-J- J- i
J
i i
-J-.
:*
Ba:
n_rzt
When this measure is snng to a word of two syllables, as "Jesus, thou everlasting King," &c, sing the last note as a quarter P.
:=i=c F
Quite fast, with majesty. GAUDIANA. L. M. V. C. T.
1 i
r
i
Ntr 5^=! ._.
* 2. The Lord proclaims his power a loud, Through, ev - ery o - cean, ev

- - ery land; His voice divides the wa-tery cloud, And lightnings blaze at his com - mand.
3. The Lord sits sovereign on the flood, O'er earth he reigns for - ev - er king; But makes his church his blest a - bode, Where we his aw-ful glories sing.
>N ?E|E3Ê^Ê3^3^Pygp3^fe^5g i^pg

q=*
Crcs. /
-
/
----- K I Unisons
Unssoi
g"
HV -t
ST feÊEgg^;
*
Sing the last stanz'i of this hymn to the tun "REPOSE."
Sin on 111 mid rim lire style. Heui \ ii-.-.
I! L I V ! !!. L. M
I i';l II
the third (train k , 1 1
>J . . t * I O. RHAWi \. )
^'l-'h'h -U H"-l" *U .U
hope, and joj
b, heavenly guest, Come, fix thy mansion
cere,
in my breast;
' t .1 I
..
-.-h
1 my do
\ |vrl-''l
;
H ..U ;
iling in - (
dwelling Si ill lei your p
'' Qod or hope and peace divine, Make thou these sacred p hum-' "- ">' fcai irt with joy and love
: !
^ -
.i-.i..Lj^'j..L_.j.;jîj-j.
s ^ !
.i"r"i,.j,.i.i"i-.u.Lj.[.>: !"
. j . j j
as .>'
".rt*'i':.--i"h
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ZEPB Vlt. L. H. Frooi
ii. it. nn \i)in \ .
j|-2. . .
*
'l'"U I- FEgEgm-::\. I
' Jraa dj ing bed I. down-y I
pillows are, Whili I, And breatl
I. Why shouldjve start and fear to die! What timorous worms we mortals are I b.is the gate of
- rh !, the groana, and dy - ing strife, Fright our np - preaching soulsa-way; Still shrink we baci
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26 Choral, with
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1.
i.
2.
3.
\jthou
uiou that
awe
~_ :czzfz:2=3=
Em
uiul solemnity.
neai st when
mat hear'st sinners
wiien muuerts
Cre - ate my na - ture pure with
I can - not live with - out thy
-
Quite slow.
cry, Though
wy,
in,
light,
Jt>
niouiîi an
all
And form
my
DANUBE,
crimes be
ue - fore thee
lore
my soul a - verse to sin ;
Cast out and banished from thy sight
nice lie,
;
Be
L. M.
-noiu them
i3e hold muni not with
Let thy good Spi
wuii an gry
Thine ho - ly joys,
- rit
my
PEgSEHS
ne'er
-
de
God, re
-
-
look,
iook,
part,
-)art,
store,
tore,
But blot
rtui uiot their
ineir
Nor hide thy presence
And guard me that I
*
from my
memory irom thy
from
fall
S
my
w
book,
'
heart,
no more.
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Slowly, with fc< Uni;. SEVERENCE. L, M, V. C. T.
1.
^feag^feg^l^;
.My righteous Judge my gracious God, Hear when I spread my hands a -broad; I cry for
?je
hBE?E pSis^Ê^fe^
sue - cor from thy throne, O make thy truth and mercy known.
2. For thee I pray
for thee I mourn; When wilt thou, gra-cious Lord, re -turn? Shall all my joys on earth re - move ? Wilt thou for - ev - er hide thy love 1
w
Soli . *
Coro. Cres. - - - - llitard.
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< liurul. A]rrrl from Triple tlmr W I N C II E ST E B . L, M
1
i M v c, ;u- i, . rrpt imv ear-ly tows, Lake morning incense in thine house; And lei my nightly worship rise, Bweet u the evening wc ri
2. Watch o'er my lips, and guard them, Lord, From ev-ery rash and heedless word; Hoc let my feet in - dine to trad The guilt
y path, where sin-
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praise we 11 sing till na-tnre ceaae, Till sense ami language be no more; And .if - t<r c!>-.ith.
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thv Ixmndless grace

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rather faster tliau medium.
L A WS N . L . M The Aim. Tenor
strains must be
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v.c'd
Bass in the 'M and 4th
sustained to give eilect- V. C. T.
lSlsP^Sliiffi&^ B z~~ r~~<g

3EZ2.
:
Foundation for his heaven -ly praise; He likes the tents of Ja - cob well, But still in Zi on loves to dwell.
1 God earthly temple lays
in his
9 Him, Tf v vis - its ev-erv house That pay their night and morning vows; But makes a more delightful stay, Where churches meet to praise and prav.
bode Shall walk all day beneath his shade, And there at night, shall rest Ins head.
1 He who hath made his refuge God, Shall find a most se - cure a - ;
3 Thrice lnppy man '-thy Maker's care Shall

keep thee from the tempter's snare God is thy life-Ins arms are spread, To shield thee with
;
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In nicdi' m time. (Glissaiulo.)
ANDOVER. L.M. Be careful not to sine the triplets in this tune too
fast; hut make the notes in them of equal length. V. C. T.
^-U-F- =lisl'li^^=iSEîSi ~3~

'
^SSfeiHow
i~i
earing breast!
TlwTe is the scene when Mans die, When ho - ly souls re - tire to rest: How mildly beams the
gently shuts the
do sing
-
eye of
eye!
day, So
gent-ly heaves
dies a wave a
th'
long tne snore.
m
2. So fades a summer cloud a -
way ; So sinks the gale when storms are o'er ; So
3*3
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1. E ter - n.il Qod les - ti.il Kin..-, ! glorious na . Let boats in heaven thj
1. \ fixed 'ii my
tli i, I [ rest l on thee a Ion . 1 11 spread thy -a cred truths To all mankind llij
:;. \-.\ ake, m\ ion-Hi awake, my lyre, With mornin ngsof ;
in -spire, Ai c t-i U
I With those, who in thy grace a -bound, To thee I U raise mj thankful voice; Wl rth a -round, S -and in thj
<* _ . . . . . . .
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*
IrrfTTr^ rWi^rmf^lfls^P
l. Qreal is the Lord! -what i n honor qua] | name ! How awful I in
8, \ .i I are th;. works, al - ii nature rests upon th\ ': . . . ,
nil -
i
I. Thy glo - ry, fear - h i

' . Lord, shall cv - er shine : Thy praise *! ithempl
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30 Allegretto.
HONDURAS. L. M. V. O. T.
IHi 1. What are those soul-reviving strains, Which echo Ihus from Salem's
2. Lo! 'tis an infant chorus sings Ho- san-na to the King of
3. Nor these alone their voice shall raise, For we will join this song of
plains'!
kings:
praise;
What anthems
Still
SeP 3i -*-!*-
3? n
g~~g~
zta= S Ititarcl.
and louder still, So sweetly sound from Zion's hill 1 So sweetly sound from Zl on's hill?
loud,
The Saviour comes ! and babes proclaim Sal-vation, sent in Jesus' name, Sal vation, sent in Je - sus' name.
-
Israel's children forward press To hail the Lord their righteousness, To hail the Lord their righteousness.
4. Mes - siah's name shall joy im - part A * like to Jew and Gentile heart: He bled for us he bled for you, And we will sing ho - san na too, And we will sing ho - san na too.
- -
5. Pro- claim hosannas loud and clear; See David's Son and Lord a p -pear! All praise on earth to him be given, And glory shout through highest heaven And glory shout through highest heaven
! !
Uitarri.
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i
leb?_-> P:
:
S3=M B p^te
1. Oh hap - py day, that fixecrmy choice On thee, my Saviour, and my God; Well may this glow - ing heart re - joice, And tell its rap - tures all a - broad.
2. Oil hap - py bond, that seals my vows To him who mer- its all my love Let cheerful an - thems fill the house, While to his
! al - tar now I move.
3. Tis done the great transaction's done; I am my Lord's, and he is mine: lie drew me, and I followed on, Ite-joiccdto own the call di - vine.
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With . nini ii ion Slnccnto. BLANFOBD. L. H. (Three plain lanes.) 31
_ m "if*, IS IS ^ v in I
L
/* > n >
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l. Ihe hearero declare thr glo - rv, Lord, In er- ery tar tliv wis - dom abinea ; But when om bold thj word, We read thy name in fair - >r
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With Implicit)-. LAWRENCE. L. M,
7/1
We've a- bt ding d ty hero;

hero We
Wo seek
sick u
a land lie von
on
be-yond our
onr sight;
sight
aiirht Zi-on
Zi on it- name, the Lord dure,
there; with
shine* ei er-la
l. in its i-
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//J m <"re. - - -
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1. Je bus, and shall it ev - or be, A mi ir-til man a-shamed of thee I Ashamed of thee, whet an '
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LIMEHOUSE. L . M .
(SACRAMENTAL.) J. HUSBAND.
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probably, no better piece extant for
communion occasions.)
Medium. (There is.
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MONMOUTH, L. M.
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With
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alterations to render the time easier of performance,
and
a nd gi ving tq_it
giving va riety.
consid erab le variety.
to it considerah
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Though I bar* mod unfaithful been
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b) pcnxu*uoo.
LjtBÎ i * N N * : 3- ~ :
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o\ cry ki'.m y wind that blows, From e\ > iy swelling tide of woes, There ia a calm, a sure re - treat Tis found beneath the mer - cy -
[3j '^^CT * * * Cos 5U

pg oLu^ j
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;
34 Medium time and Staccato. AVON. L. M. V. C. T.
H5^-
1. With one consent, let all the earth To God
I
their cheer-ful ces raise;
voi -
r_C ^ Îrd-EI^ ^^
Glad hom-age pay, withaw-ful mirth,
'
I
* *
And sing be - fore him songs
=eNS of praise.
3. Oh en - ter then his temple gate, Thence to his courts de-vout-ly press, And still your grate - ful hymns re - peat, And still his name -with prai - ses bless.
4. For he's the Lord, su - preme-ly good, His mercy is for - ev - er sure ; His truth, which al ways firm - ly stood,
- To end - less a - ges shall en - dure.
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?S3 ^&
1. Shall man, O God of light and life, For-ev - moulder in
er the grave ? Canst thou forget thy glo - rious work, Thy promise, and thy power to save ?
2. In those dark, si - lent realms of night Shall peace and hope no more a - rise ? No fu - ture morning light the tomb, Nor day - star gild the darksome skies ?
3
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Milium. \K\V HAVEN. L.M. 35
Boll. O Coro, HE /' N (lr. Kll.ii il.
\ . . I .
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B, He guides oar feet, he guards our way ; His morning smiles adorn the day ; B spreads the ei '..v. !!; i - lent hours while N - rael sli
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(iiild fal niul Stnccato TILSIT. L. 31. V. C. 1.
Tim- my My name is Dwell my own
^
1. saith the liiu'h an lf r. "I i np <m ho ly throne; God, I <l well on high, in e - ter - ni - tv."
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1 ( (real shep
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36 PORTLAND. L. M. MEINEKE,
^S
Choral. C. Baltimore.
P^^^pEÊEgE|EÊ^ppEEgEgEgg SEE
P
1. He reigns! the Lord, the Saviour reigns Sing to his name in lof - ty strains; Let all the earth in songs re - joice,
! And in his praise ex - alt their voice.
2. Deep are his counsels, and unknown But grace and truth support his throne. Though gloomy clouds his way surround,
; : Jus - tice is their e - ter - nal ground.
3. In robes of judgment, lo he comes, Shakes the wide earth, and cleaves the tombs ; Before him burns de - vouring fire
! The mountains melt the seas re - tire.
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See gen - tie patience smile on pain; See dy - ing hope re-vive again: Hope wipes the tear from sorrow's eye, While faith points upward to the sky.
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be
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all,
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with b it
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A.U things are Bub-ject

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to
thy
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With life. AllcjjrrHo. LUTON. L. M. i
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I. With, all my powers of heart and tongue, Til prai d iker in my aong; Ai 11 hear the notes 1 i
". To Ood 1 cried, when troubles rose ; Heni b dued By :
4. rilling thy truth and mercy, Lord; I'll îng thi rs of thy word ; Not all the u
9 O
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SLUMBER.
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38 M i-iillc. In medium time and < >.(>n sii < .
L. M. V. C. T.
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( 1. A - sleep in Je - sus blessed sleep, From which none ev - er wake to weep:

i
A calm and un - dis-turbed re - pose, Un-bro-ken by the last of foes.

3. A - sleep in Je - sus ! peaceful rest, Whose waking is su premely blest - No fear, no woe, shall dim that hour, That man-i-fests the Saviour's power.
4. A - sleep in Je-sus! O, for me May such a bliss -ful ref-uge be; Se-cure-ly shall my ash - es lie, And wait the summons from on nigh.
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Rather slowly, and the B*(hs very short REPOSE, L. M. I. B. "IVOODBTJRY,
m . <=-- ---__ mp m f*
Clcs * - - - -
By permission.

I lay my bod - y down to sleep, Peace is the pil

nil - low of my head, While well - ap - pointed an - gels keep Their watchful guard a - round - my bed.
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Easy anil flonin; style. ROXBURY. L. M. V. C. T.

m
mm^p
Soli. fl
covo.
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1. Thou great In - structor, lest I stray, Oh teach my err - ing feet thy way! Thy truth, with ev er fresh de
- - light, Shall guide my doubtful steps a right.
'J. How oft my heart's af-fec-tions yield, And wander o'er the world's wide field ! My ro-ving passions, Lord, re - claim ; U - nitc them all to fear thy name.
3. Then, to my God, my heart and tongue, With all their powers, shall raise the song; On earth thy glo-ries I'll de - clare, Till heaven th' immortal notes shall hear.
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Slow anil ilrlllirruU'.
II I L LI.AH. L. M. Duulilf. * 39
1. l'.ir from my thought", vain world, bc-gone; Let my re - li-gious hoi < ; Fain would my eyea my Saviour I wait a \ .1
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2, i>li! warm my heart with ho - ly
a
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< Ol II.
E giU Sp '
ml
i'
/
fcz= s
s a
K- S>_ j_l y^F^ jgpg: ^
A-s*- I
^ ' irk'.\-:.
/^V J J
" ~
40 Medium timet MEDINA. L. M. Double, Not an original melody.
IffiE
1.
3. Ei'o
=tz
sin was born, or

' SlZZW.
Sa - tan fell, He
6>
led the host of

3333=3=:
m
Before the heavens were spread a - broad, From ev-er - last - itig -was the Word With God he
morn - ine stars : His gen - e
tt
;
-
i
was
ra
the Word was God
- tion who can
==5:
tell,
! And must
5:
di
Or count the num
-
#=^cfi^:5-
vine
3
- ly
- bcr
bo a
of
-
his
dored.
years?
w
>f-:zz
: sfegfeiS SUM ^^^M^^^MM^t^^^
^3
ZBr^ZjZ? ^:^gE^^^^p;p^^^Êî|EpÊg a It
^ 1 1 1
sqPr p=jE=
J L
:z:#
1
J
1
, J
-i-
P- J
f
j
g-b
i
2.
4.
By
But
fefe3c=c
his
lo,
own power were all things
he leaves those heavenly forms
mad e ;
:
fttt
By lum sup-port ed, aU things stand ;
-
The Word descends and dwells in clay,

He is the whole ere - a - tion's head, And an - gala fly
""
nt
That he may con - verse hold with worms, Dressed in such feeble
1"
: znzzffr
Ps=
his
flesh as
com -
they.
H
mnnd.
:C3!ci:
2 I'^s'tqzz:
fs^P33 '.
loll
04
Coro. f
i3
_J_ J J
1
J"
J
pn - J
-J-
-
J M
J -i t_L L_i_-_zl- Ji-aj-D Jr-
E=a:
1
,
nrr=
'
I 1 I I I
lowly, l(r vrt-cntlnl nuvi>
hn;
!
I
Tliv
Pot
rio-fiow BUM b*
give (he iioj which
.1-
ha]
we
Mr
lowed
for
kilt ;
sake:
i
Toy
to
j
tbj
Jr-fiU
tdlUr-dom OOflM
oon dm
M 'H
in
rioo
tnilli anl
lot at -K n
l"\v
.
; An
At
*
M
;
I. nil.

;
hi
low
1
"><'i>
W 311
ol
- l
obm
y iliv
|-"
*
tuko
ill.
m
B, B m!
-
'
cv orv hour; "Tliv kiii<> - ti tioii \r> im plmv, Tliiiu' i- the kingdom, thilM 1 1 - poTO, The (fa> TJ ll I"
t..r i.,-.r.
. 3 1 j. i'
i
- .j J
i
i

i i
J- J
i
"*"
.
i
-ir
1
-
j j. j j
.ii.
j -j- j j
,
jj
w
.
, _
n j
.
,
n
f)
_
j
M< llunv time. ST. PAUL'S. L, M,

Much mnrf
ini, that Ii
nwlnriv It hcr gttea iho
Ibaad laothtf knutfvnnau.
M
Dr. ORKKNBi
l. Where
i -\\:\\\ we
~\\>r\- shall ii>
ir-i Mk and
to seek
t" ami timl
find A\ nab
liah i
i - ta
la - ti"ii
lion for OUT
(br our Qod
<;"! I! A dwelling
A. dwelling* for tli' .> trr nalraind,
th'-tr A n-.'.iv* ill" *c>n
- wxl rain-i. llrli ana
sons of flesh M--"!'I
nivT blood
i. Tin- Qod Ja-eobch
<!" the lull < >f Zi on for hit ancient \ml Zi -on ii dwelling atill
hi* Hit church ii niih !.
:
i. Han will I fix my graeioas throne, And reign t'"r ti -

er taith tho Lord Hero shall my power and lore bo known. And bleating* shall atteod mj wonL
r .
I- o
-^r-a^-f^h^zhqv- tS I
J. J
#
I'i'mln;' nn Imh
HUSS.: '
rrTtrnYr-fQ
3 3J i_JLJ3JLiS ^. i
Lfci
f
SURREY. L, M. Re-arrangcd from Costellow.

Medium
!^5^^
time.
JU -Nor
tress- ^01
t rP = s sin
sin, nor death shall reach the place; No groan
min
shall min - gle
No more - tigue, no more dis -
g
1. fa
5EÊ:
5ipili=3di=
-^ <
=S=
=^=5 ^=5= :
mf
?
mf
=E3
s=ee gmyi= i r
i i
J_1_JJ
i r
T
J
^-rfttZ*-
:Ê==EE 1
ii3 ^^^^^^^^^
songs, Which war ble from - im - mor - tal
=^
tongues, Which war
SIH^^^S
- - ble from im -
mor -
tal tongues.
with the
^5^3: 335E
r=H: jEfe^ÊEîl
î=?- 3T v 1 -& Dim.
L-JUJÛ-tJ
-rîsiz!-* i ^ 1
- r ^ r
JSLS
V
It .ih. i
Itowlj | Willi .11.; nil)
HEMANS. L. M. 43
Kg JHJ.JJ ÎrTTO # *
S3 j-;Ti ; u ;r; * 'lie
1 M\ Qod, my King, thy
va-rious praise Shall fill the rem-nant of m\ days; Thy grace employ mj hnm-bl .
the nog.
2 The m irv hour shall bear Some thankful trib- ute

to thmeearl And er-ery Bet ting nmahallaee New works of du-ty done t*"i- tl
ih. works with boundless g}o - ry duns, And speak thy maj-es -
ty Tine; Lei or- ery realm with joy proclaim The aound and hoo-or
1 i. <'f ihy name.
log
r. n
^^^^sfc^T ^gljlp^ j
<
Calm .mil serene. HUMILITY. L. M.

*
Efaf
1 Eap pj
differ *
the meek, whose gentle
Wtt=Z
l>rea.st. Clear as the summer's evening
*
ray,
I
Calm
^
as the
*
re-gions of the

blest,
!
En joys on
-
ff
earih cc - les

- tial
"l<
day.
7/J
3 r^^^3^sgs^îBP^^^^5& fVrsr *
.-[ # *
-J- -J5
i
I .
#j ; - j j - j. - ,- -
J
J- J J
/ #~*
In
>'* t E3E
<*>~mzg FP=^ s^#:
e * 'I"
f r I'
!
44 With iplrit.
Be careful to obeervo the direction. "
cIobc of the tune,
Slow," at the
and keep together in the time
W A V I J A N I) . \l . 1VI .
V. C. T.
ia ztt
Now to
mE& =
the Lord a no - ble
^
song!
r-
I
, - Soli. ,
b
-i
i?er?3 :<?=-
i-
Now to tlie Lord a no - ble song A - wake ! my soul, a - wake, my tongue ; Ho - san - na to th' e - ter - nal name, Ho -
D~ b'o~~g~rTg^ i T~ i~~ r~
r
Soli.
m
I
1
;
l n r ^~a r~1 !
~; I
i '
i
z

J J Soli.
321
-Hr-
.
fl_*..
-is : f-J: 3=C:
Now to the Lord
P
a no - bio song Ho - san - na to th' e - ter - nal name,
JL SL cizz#zij
SlOW. >_
StfC
15=
E = T--
- -Tg- fb^jjEp
^
Coro.
Slow. >
H
P
san -
3
na to
^c
th' o - ter
9=i
- nal name,
~i
zfbatb
And
)
all his
s
boundless lovo pro - claim,
t
And all
EfS 50-
liis boundless
3:
love
pH*
pro - claim.
W^
^4 Z1SL
Cor
fEg
^_Jl_
EfepggEJj
__j 0j.
J*:
.SJow^
=m
VIZTJf-
Slow.
IO\V. |
^-^-FFgb I
J__ Jl
SEE
ÊF^FFF^ _. ez S
*= Ill
J^nrghrtto con rcprclvo DEPARTURE. L. M. Double.
T 45
m
V. ( .
Sweet
i
^^febffi^fgjp^f^fe ^
. #
SI I
]. is the scene wh< mi I'lin-mui. die, When ho - iy

lv soula
souia rrti to
retmtO mt<
n n.,aji.i
How m.ldly beams ,, ,
* ex-p.nn-
sS^^^HS&k- i^p
the clo - s.ng rye ! IIow gently heave* }. T .
ife^ra -'.
i i
r-r
-2. L - -
C *
P=n s =B= ^H "g~y

******
!J
c
Is - I
' g =* .
'
Bo Cadet a summer cloud a- way. So sinks the gale when storms are o'er So gen-tly ahtrts the eye of d,
j
\ wave a loog the -
E3 ^_z5c_ # -# I
*=*
^î m^ÛM^m m
b
~- 0.
HH I rt*r?\
. -
46 Sot too slow. Close, gliding style. ARNON. L. M. Arranged anew, and harmonized to a
melody by BOST, of Switzerland.
2.
3.
'I r
Come, wea- ry
^zpz^^^pzgÊ^jgELÎr^
with sin oppressed, Oh come ac - eept the promised rest
souls,

Oppressed with guilt a painful load,
The Sa-viour's gracious call
!
O come and bow be - fore your God ? Di-vine com - passion, might, - y
o
Here mer - cy's boundless o - cean flows, To cleanse your guilt, and heal your woes Here's pardon, life, and endless
:
;
^p^^-Î^^^^S^ - bey,
love,
peace
And
Will
How
cast your
all the pain
rich the gift
gloom-y
!

-
fears a - 'way.
load re - move.
ful
how free the grace !
m 9
=3Bt
'&-
fe#^^fe=|lifer3^r|î g -0^ -gr s>-
E#E 3ffi^g^^^^feg
3- O
rJ- -i. -j-
lz
J J
&-r
IZZL
J J
1
&--
J
'-'&.
,
EE
J
:<5
-
O0-
p
E3 E f
:?:
j. j-
f=m frrrlr~rft
r ?
^^g f
Medium. In this key better as a Quartette.

Tenor.
FUTURITY. L. M. No. 1. V. C. T.
Bttt
JJd
3^3: <J J J-J EH

j^gdE3=pES-P^=
\ l>
EJjSppi
| |
:
1. E - ter-ni- ty is just at hand, And shall I waste my ebb-ing sand ? And care-less view de - parting day, And throw my inch of time a - way?
2. E - ter-ni- ty ! tre - mendous sound ! To guilt- y souls a dread-ful wound But oh, if Christ and heaven be rarae,
I How
sweet the accents how di - vine 1 1
3. Be this my chief, my on - ly care, My high pur- suit, my ar - dent prayer

An interest in the Saviour's blood, My pardon sealed, and peace with God.
1st Tenor
tenor. ^_ __ ^_ __ a \w\ ^ *n |

i

Alto.

-< _
Crcs r==- m '
Dim Wf =T ==
Me j- j
j y j- j j. j
1"
j
i j
'
j.
j l j j V j Li L. S-fl-.j ft ,j i
T
Mrillum. In tlili U-cy, lng lit Coro FUT l R T

I V. L . M . No. 2.
47
Egg
l. l'lun.- t-.irthl\ s.ii. Initio, l.onl. w- love no bier rest a
"it there's
:i bove; To that our 1<>ii~ - a With eheet fa] hope, and
no more
; I
_'
No more (a - tigui dis-tre nor death shall reach the place; No groans shall min-gle with the songs
tin, Which warble from im -
n
... rode a -hums of r.i ging foes, No cares to break the long re No mid
|
OT t
^
r^^^^p^^^^S.'^l;;!-.
<,..-_-_
_ - -
f.mmm. m â_
- I
| +
-* Dim.
1>1... ...
__ _ _
H
iH .\>..\- -\^:\' :'|'^^^^SS:'I ^ #
^
Jij|i p -L r.J ^
S
r :
'''_^
'is - j rjjP ai i
-i 1 > p. i
H 11
! i ^H I f I f f Sli*'
r=f
*EE
1 a i
*
;
*
h
r
M.i. into. With cue rjcy, tint not too fnO. ARCTURUS. L. M. V. < I
3. There ii stream, whose gentle flow

i-< Supplies the d ty- of our God! Life, love, and joy still gliding through And wa-tering our di-vine a bo -
I. Thai sa-cred stream thine holj word, Supports our faith, our fear con trols; Sweet peace thy promises ai ford, A"l give new strength to fiuntii
:>. X.i -on en-joys her Monarch s lore, Se cure a -gainst a threatening hour J Nor can her firm foundation more
Built on bis truth, and armed with power.
>n>f -j-
fe&Jr. ^ > n s n ^ ^: == *> | 5 i* > r* < s
^lj .Ar>J .gH 1 > >
s
I : l -
^=^ #
=Jâ^ #### - 1
!
48 Medium tlinr. CUYLER. L, M. Thtm from

Arranged
n Sacred Melody.
for (his work.
From cv - cry stormy wind that blows, From ox-cry swelling tide of woes, There is
SiPlHilSSif*
a calm, a sure re - treatTis found be - neath the mcr
cy seat.
Medium Gentle And flowing

t.el the feeling enter deeply into the musk and
style.
sentiment. LOUVAN. L, M,
V. c. T.
Words by Thomas Moore.
1. There'* nothing bright, a- hove, be low. From flowers that bloom to stars that glow, But
-
in its light my soul can see
se< Some fea-ture of the Do - i - ty
m
2, There's nothing dark, be - low, a - fcove, But in its gloom I trace his love, And meekly wait that mo-mentw hen His touch shall turn all bright a - gain!
||w-
\^
Moderate. Close mid DOWlWlllIll sfjl. H E S H E M
US -IS-
li . I, .
49
" "'' '

'"""V

gllSgSiSigS^SIE
'' ">'_%--'jrojo-lH.,,.'. , ,, ;.,.,
'I'
'.'
'/.j..-iiiaiii
( i. >.
mi 1
">'vS';
7 2 j.
-..;
r-'SM^^S
j E J;jj
j^- ^ "
E =
Pita
* 1' r*
#
IWtak Smoothly, in (well tone. BARQl'ETT. L. H. Ai rnns;. ,1 from ORIATOH \
K5
I . .
cr^-
i;r, ' lt
&d
,; '"'-
'" ''
? #
ring km g with hum- blegrst -i
^^t:>f>_ !
m
- to I
let thy mer-cy tone my tongue, And till my heart with live lv ;
IIP
s
m .^P&3 .
< i . ..
'T
:;-kM* |i
Ê^FTgÛ*mH%.
:
]
*
1 =
- -'
1 i []*
& faffed
:!;[- i
. JJ'J .."-
T^ FT
3
"
'.
''
' I
5 I'
*
/RJ Meamm time. Smooth and flowing style. MARIETTA. L, M V. C. T.
j^JE^gg^J m %$ezzc jZ I I.
EgppE
1. My dear Re-deerner, and my Lord, I read my du - ty in thy word; But in thy life the law ap - pears Drawn out in liv - ing char - ac - ters.
2. Such was thy truth
and such thy zeal, Such deference to thy Father's will, Such love and meekness so di - vine, I would and make them mine.
transcribe,
4. Be
thou my pattern make me bear More of thy gracious im - age here Then God, the Judge, shall own my name
; A - mong the followers of the Lamb.
53 ^^l^^^^^fefeî == *~
rn
C'res
rnf
r
' ^
i . n CI
r J n I J. J n -J, j> j-
J]
. J-
i
j
?-
,
^Pi^^ :
p
Ratlin- slowly. BARCELONA. L. M. V. C. T.
wimm^Wj&s. ^"F^-^F^^P
a*~g~^~ ryi :s 22:
I
1. There isa land mine eye hath seen In vis-ions of en - raptured thought, So bright that all which spreads between, Is with its ra - diant glo-ry fraught.
2. A. land upon whose blissful shore There rests no shadow, falls no stain There those who meet shall part no more, And those long part
;
- ed meet a - gain.
3. Its skies are not like earthly skies, With vary - ing hues of shade and light It hath no need of suns to
; rise To dis - si - pate the gloom of night.
^-EO=qrftrTi- -> -
iî^^feJ^^îiife:
w "^ > Cres.
ffi
7;i
Cres.
F3E '
:S=5g
-
Dim.
s=?a 3
3ES
-OJ^
With tonlMMH anil pnlhoi, < on ol< m nl tc .} R E M A , L . M
51
ppS^
>
poweranaiove Have mad<
** A '"' !
the mourning J! r^zirt;.
h 2
h ^f J.fee' J
^^
|
"~
? CTHiHc t=r ' I
**? J -*- -
>:<
* 33&^S
' .
^ !'
I HUoili.
Esse V-^
. - r r
I h
* =
SE eg p *-3e??^êe=p=*?^ icccE == -f= Se ?==
Italli, i f,it.
TALAHASA, L. M.

1. U ,, " ,A " ll
Mnnd ' l, ,, l ''" "
i...,v. i: r i_ i
,""Y '""'V
iheavenheeame.ofheavenhespoke, 1
, :
Tohea
I
When listening
listening thousands
the g . an ,l glad -nees filled the nliee I
Dark clouds of
SPH 3 =93
Li I F^-ttrrtefc
" --
jlûlj-J-uLA .
T Tr f T h
-
(This tun must be sung by flexible, TWILIGHT. L. M. V. C. T.
52 Medium. well-disciplined voices.)
, Ho. ,weet a, fa. of M, <Uy. Wb {Ul -J* ^^S^lSSK^SSSLiSii 1%|j
^ss^fe ^=3-
=S ^^fe^feîi^
,v
^ _N IiEJ-j-^
iqjg- J"H
si
. J! i
. ". h J -1 I"
-T-: j J i J
>->-
I=f
]F
f
"

B-
KNIGHT.
Staccato.
MARTYN. L. M. A. M.
P upjl_ofthe_Editor.
Pupil ofthe_Editor;. I
Medium.
llSSIlIilillll
31111 ^, ^ - ^*- *->- ^- *
^zr..*-.iV
^p^^Pîi
B.. y
*
Crcs.
i i s
^^ J..
- - J-.
J PJiXj: f_J t-ZJ-A-
sH
..fc J-
J-
s=:*
^^îiiikîS =tzp
EL El (ill. L. M.
i^rti^Wfr
li
Mixl. r.iCi l) . Kiitootli nml gH<Hm
i
r-irrifft
[. Hot blest the sacred tie, that binds loi munion kindred minds ! li they run. We
j. To each, the irl
Whal tender love! what ho-ly fear! Hoji docs tl .within Re fine from earth, and cl
:: Their son getherflow Por ha nun guilt, and ha-man woe; Their ar-dent pi .t rise, Like min-gling flam
I. To getb-er oft they seek the place Where God re-veals In-* ami-ling bio How high, 1 ' their rapl I
i
un
|^gB m Soil. toro. r

S-WJ 1
U- : Ge n :
fcE=B
^^rîfW ^^: 1
Willi rrvirrnrc
_'.
A-
iiik! a\\> .
sem-bled ;ii thy great oommand,

Moil, ruto Sil< unto.
'
m ATHOL.
S
L.
We meet, through, distant lands to spread The truth for which the mar-tyrs bled; A long the line, to ei-ther pole,
ir prayers aa-eisi pt our praise, Our hopes re rive, our cour-ege rait els aid, to
M,
Be -fore thy nice, dread King I we stand: The voice that marshalled every Btar
each impart

3
Has called tl
The thun-der
The sin
of
from
thy praise to
V. O. T.
tb-fttl
-
i
f.ir.
roD.
I'
I. Porta with thy chosen her - aids come ; Ete call the wandering spir-itB home: Prom Zi-on's mount send fort! rtb a - i
54 Hut lit
Si^feteSS
1.
2. The
m
i' slower than medium,
-a-
There seems a voice in

birds that rise on
ev -eryr gale,
soar - ing
g wing,
A tongue in
Ap -
HZ*:
pear to hymn
ev -
CASINl.
ery open
their Ma -
- ing
fees
flow-er,
ker's praise,
P<
L. M.
Which
And
tells,
all
?=1
O
f
-*~~
Lord, the wondrous tale,

the mingling sounds of spring
9
^Ôf thy
To thee,
in -
a gen
diligence, love,
- eral
V. C. T.
pas -
Ritard.
and power.
an raise.
^B--E?-^ :3*;#-
m=
izâr
J.
gîfe^
J-
Sgggii
?J J- J-i-
" ^ r^ *- #f p

f#1"^ *? t^~ rfr *3?*-r*- t- r*?
yr FT3 PP^P f3
I
y~ar

gjgggg i
"I fT
r
gr FI
3
Medium. MONDAY. L. M. X-
iÊLî^^^s^BE^pSi
Behold, the blind their sight receive Behold, the dead awake and live The
;
V-sr-
;
r-i 1
iH^-iV
E Eg
dumb speak wonders, and the lame Leap like a hart and bless his name, Leap like a hart and bless his name
z?z?z
1
uss:
m Soli *-
So,i
^ Coro
or
ff
"

3 N *L 'f
K K
fzt
tt= 'S~~
nzE I
I
&- - I!
#
uli, i
'"
fnnlrr lliau iiickIIuiii. 1 . -,i . . , . MOHAN, L, H, Stogie or double
I*;:|*:|^Ki;L
! Iv.
Arrtocetl, with a.l
i g
MCMl \\. 55
|..d
1
J S5L ?';," ., *!,.;
1SeL: :
rv
,-
.
'" " i: "k - '
"
~v.ii ,,...,.

,,.n,., ,. ,,
"" "
I--|.-i:|'':!--
mic muruiug xorcu
,
mm
';;>.;.
>>" C.iro.m * ^
J I"'
I,
I.
ZI__
-I -I- -Tsrr-r>Ar_ . ^ r- ..- . , ^ - , ^ jf .
Cl
*'l
isi iimi
1st iiml ;,l
;,i Base*.
llus.-.. i^,l s i
i * ^~
s V.Tl.-Smjth.Sthvi.n.of.hi.
N'iitk. flini IhaSlh vnriorihi( hv.nn
hvmn [11Q r.n,l,
Pliurirh P...I
11!) Cfauefa n, Iv i. ,,.,,
,,;..,Vr ,i.
With ,>..
(fa*
ti 4th.
3d. i.i. ._,-.,. ^.v.i.^n
Ud 5Ul Of 1 , .. .... > -'
56 KaUicr slowly. ITALIA. L. M. (Quartette.)
^gS^î^lig^fe^g^fegp^
Tenors.
-fc
1.
..'
There seems a
.
voice in
^fet
ev ery gale,
- A tongue
Ap
in ev - ery opening flower, Which
pear to hymn their Maker's praise, And
tells, O Lord, the wondrous tale
g.
*< <
Of thy in - dul - gence, love, and power.

the mingling sounds of spring To thee a gen - eral pa? - an
lw
2. The birds that rise on soar - ing wing, - all raise.
/Ts < <
s B
. .
&s3
^r ^=5 =F ff :*
m r Cres. Ritard. f
J
< <
&m Or- ,
TO-rG ;ii
SE
ÔJ"
aggg^fe^^gpgâ ft
< <
pi
^ =
r. i
m- 7p|
^-r-
>
"
I
J.* I * P r-
f

v_
1-8
i
< <
This tune requires high anil flexible Tenor and Treble voices. Its true character will not be discovered, if sung mechanically, and devoid of expression.
With thoughtfulness. SOLITUDE. L.M. (Quartette.) V. C. T.
^
(Do not change the key.) (Written at midnight.)

efc
1. 'Tis midnight; and, on
3 5^5
n
g 6>~ s:t
Ol-ive's brow, The star is dimmed that lately shone ; 'Tis midnight; in the gar -den, now, The suffering Sa - viour prays a - lone.
^_!_?:
I
-fg I-
5p
2. 'Tis midnight; and, from all re -moved, The Saviour wrestles lone, with fears E'en that dis - ci - pie, whom he loved, Heeds not his Mas-ter's grief and tears.
;
3. 'Tis midnight ; and, for oth - er's guilt, The man of sorrows weeps in blood ; Yet he that hath in an - guish knelt, Is not for - sa - ken by his God.
# rrs #
113
ffiêzn*
Solo. o 1
< ^ o T^ ffi S is:
mf . Dim. - -
dp
3
Slow.
1
pgp^g^^ jSL gSJ^^g^^gîPI^

/^
Staccato. -
-U- ii.
*f Et -^-- ^= -^ = 3 =Sft 3?e: 3B 5ii= j&
: z :
To other than the words

p
set, sing
f^f 1
T^ *I=SZZS
the small notes in these measures of the Alto and Treble.
# - .
Medium. Smoothly In hwi-II lojir. BANJO CO URN. I,. M.

57
gpppf -
m~^<\

e
1
* bnghtm ,te in light onr
-f===n=rr s '<
> I -F -l-T-l- =F =F -I r î . i r n . h i s
515'
7///'
5 t
-<2>
"*=
~=r son.*-* *
fePPjg I > ^
^.
'*':'

,->; ^ .^LjJUî,:. jTJ JJ J
5
],JQ-p
*..
-_ ^
7 J ^ =
A
-^-[-~
\
=-
< nilc, lit n coiini'itid, iloMin:;
l> I. >oi (o<> Mow.
. SI LOAM. L. M. From "Man
< JT. \\
Cod
BBBi
" Ur i-Tmiwon.
&
'
= _ ^M'^lpi * o S
* '.U/-lv>|[i
o p. ii to onr vi.-w. ,
d| Life.love.an
.
ppj state.
'- '
res the poor m their diatn
llPiS ^-^SSi a
=f=f
*
^3" _- ///' ,___- T w ;/, - = i;,i .,.i.
-;['-S mVs.Y'A
==!= a r
r.== *i -
P"~
58 Choral. Slow nnd dignified.
ALDEBARAN. L. M. V. C. T.
S
From morning dawn
jEJ ggÊE^
evening close, On O

M
Lord, our hopes re pose
E
To thy
mB great name, with joy, we'll raise
Sli Tri
;r=^
umphant songs
5 f=
m
3. to thee, - : - of grateful praise.
3E
m
PîSi^p^ (Melody dispersed.)
dat
L
^f *-j| *-0 *
S 7i- 2=2=
(Melody dispersed.)
=Sh
m. aî J J J. '
, j 1 j
|ee^=k
r
PORTUGAL. L. M. THORLEV,
M^m&^m^s^mmî
Medinni lime. .) T.
|
( ),could I soar to worlds a - bove The blest a peace and love, How gladly would I
- bode of mount and fly,
-f-f-f
-l^-K*-^- -k- r kk
On angel's wings, to joys on high.]
îr^P S * 3
1. Up to the fields where an - gels lie, And liv - ing gen - tly roll, Fain would my thoughts as - cend on
wa - ters high, But sin hangs hea - vy on my soul.
2. Oh might I once mount up and see Theglo-ries of th'e-ter-nal skies! How vain a thing this world would be! How empty all its fleeting joys!
3. Great All in All e - ter - nal King
! ! Let me but view thy love - ly face, And all my powers shall bow and sing Thine endless grandeur, and thy grace.
mf ^ '
Soli. Coro. *
ggpîigill * G -r-
J*
^5 sees g^ga^n
J" J- J*
-f-H J i
J ^tO-;

Hlowly, Willi mn J <-!). OLD HUNDRED. L. M. Attributed to
(icrnmn
LB
C Itnrttl.
1 IN l.tTMKH. 59
. i
< EBr2*S
I'
! i; thou, Godl il -
ed Inu'li . And aa glo-ry fills the sky,
thy So let it oa earth dispJ
be thoo art here, aa I

i \. in Hon- round the earth, re jatce Be bra the Lord, your sovereign king Berve him with choeiful heart and voice, With all your tongues his glory sing.
ft I
^
I
.
. '- . .
P ,
|P
s 3
//(
< II-..
l:> A. 0\m ^gEjEgEg =3Trn3fc [. ,|.]|
( y
Mimic, OLD III \I>KKI>.
=ta SE
i i
f=f-
T
THE UPAS TREE."
j i .1
*EE
*
1 i
Temperance Ode.
- +- fc^
EfS

s
Words by Mrs. L.
j .;
il.

BIOOI
1

km
.
^
.
.
I'
l. Then sprang a tree of dead name, lv [tapoiso lew, Scor earth, like lava-flame, And er-ery plant of mer
_'.
Prom clime to clime in branch es spread - 1 Ik ir loar-ful fruite of iin and woe,
The prince of darkn hade, And to sow. :
:i. Faith poored her prayer at mid - night hoar, The hand of z-ul atnoondaj wrought, And ar-mor of ce - lea tial power The children of the Croat besought
4. Be -hold! the axe ita pride shall wound, Through il ughs the annbeama shine, [ta blast-ed blossoms etrew the ground, Give glory
:< And still Je h" vah'a aid im-plore,
-
From isle to
a; From peo-pled earth'a re - mo-teat anore, I i root that dead -ly [T-paaTi
M.iliiiri in. i. . ( h. ml. ml. NEEDH A.M. L, M. !Vot Klrlrlly <n um .1.
++
Is?
; ; ;
^lf =f%^%=*=%^fi^
We
*
j=t
Trtt
t
the Lord
Pmg-:T:*hli
We've n.i a hi- ding ci - ty here; seek a land be - yond our eight Zi on ha name i- It shines with ev - er - las - ting light
V
I, ; I
\
SV: S
5 ^
5
v'|:'|..l'
0-
^ r r r w ^ r- r i
Oh poaco and

Where Had Id and rest
I sweet a-bode of lore, pilgrima freed from toil, are blest I I the pin-ions of a dove, fly t.. ihcc, l>e at
#
jgp I f g-fi * r ~?T~ -a I- r* b r-p
* 0* + g 1 U 1
J > .
*-
SUNDERLAND. L. M.
60 Allegretto. tVitli majesty.
f^t^hT^^
P f-
*~
S=
' K
?tfE=e
:
-n r '
- vah thee
I my s^ngth
my
I claim ; My
In
rocj
thee
my
E
forces, where I
trust- n
Se? 3ES
fly ; ^ grease
~~0
.*., aâys
S g.
im - part The strength that cheers lading he. rt 1
shaU pluck me thence.
2 Mv God '
thy names of grace _ hell
gracious Lord, nasi nearu my uira , ^-= j r ./ o

^ ^ , p r
" ^ m/ Cres. - - - Dim. - - -
pqi i d=tAp^f:xz: r*~~gt

-w 1 I I
^ "! '
El
_0Ji-fi-J J-
Ê O

13 S |S=gr^lfer^feP
KOSSUTH. L. M. V. C. T.
t"^""^ l= L rrST *-. tt;

w;
ana i
&1o y hines , with beams so bright,
rv s.thine*
tarn the sight
No mor-tal can sus - tain sight.
1. Je - hovah reigns-his throne is high, His robes are and ma- jes-ty
light
guards hia ho - ly law
.
^.^ f His truth and promise seal the grace.
2. His ter - rors keep the world in awe ; His jus - tice ,
ES g^^H^p B'

JT3 fepî
i 3
~-i-
^feip
mf _
|-
' ^FE
:#
^ti
gg#îi^l#4i*Wii^^ :zz
f-T^f-
>l.>\\ ; tin- /tin nhort uixl light. EVENING, L. M.
V. I . T. (>l
* * * .nt r e j i :* ;
*
-. |._.|i
1. S .|,x, .,,'..,.-. with em of balm; Fromtofo laadanii v-v.h,
:
:
' '' '>, ".' ''"
j
tie mormurs .
r the field* the I \>\v
And darkness marks the loved retread Where plea
!
Re-ta i
enm.yel - rene, And ondiaturbed > ,.

Aad I
^^^^.! ."lîipt.Ui
With HinootliiK -. ; Honnr nml it]ircshc. WA1 EN. L. M.

V. ( . I .
my bod -y down to sleep, Peace is the ,,il - low of l,Whilewel] p Theirs
k.LJ'^L>/t.L
g
62 Medium time. BEliNSDOFF. L. M. IIXYTHS.
zjzlJ
1.
2.
[To thee, O
Come, gracious
To us
'
'
the
r
God, with - out de - lay,
o
Will I my morning

Spi - rit, heavenly Dove, "With light and comfort
light
age pay
from a - bove:
of truth dis-play, And make us know and choose thy way
w eIs!
hom - ; For thee I
o
thee I
r
long, for look

Be thou our guardian thou our guide
Plant ho -ly fear in ev - ery heart,
i^^S^^PP So
!
pilgrims seek the cooling
O'er every thought and step pre side.
That we from God may ne'er de - part.
brook.]
-
3. Lead us to ho - li - ness
the road Which we must take to dwell with God Lead us to Christ, the liv - ing way, Nor let us from his pastures stray.
3=
3:E
Abridged from here, and the 4th line added nnew.
5
H
g ^^ggPlgî^^fe
In cliorol
!
I
style. Modcrato.
,
J-
11 J J
.ill
I J J
NEW HARTFORD,
-J.

J~i , II
L. M.
J
I
J
i
J
I
J o
ii-J-
:z

E
=?:
Ti-
f
V. C. T.
1
S
"
p p- i
^fcL*
::=
i=g?r se
_e_-_Ji!z:
4-
El=g an 3=i:
1. Judge me, Lord, and prove my ways,
O And try my reins, and try my heart: My faith up - on thy promise stays, Nor from thy law my feet de - part,
3. I love thy hab - i - ta-tion, Lord, The temple, where thine honors dwell ; There shall 1 hear thy ho - ly word, And there thy works of won -dor tell.
mr ;;
^^|EF^^^|^|aggg^|^^t^g^^P
^
betsr-
f i
*
f
r fr r

r ?'
r
r rn r
* * :
rf r
<
' j* j j IT~ n r-
^.
j r n ^
-r- -r- r rp-r-^ ri ^-i" - 1
1 ^-^ - ~J -, ~J- r J_^_ _J_J_ r J____
Ml'; l .iiii.il.il. . PARADISE. L. M.
8.
'*

Mfaii rh er pun and bright,
b, the wed ,,!,,,
Thither lei fa vent faith as
N ""' """^ "

""'" bmdat'
:
,, \\
pire,
u itl , n
ith hi.
* A '"' "
I
Our treat ure

Whow
.;
lin . /.I.
"
;.
...I
''""" "
I
,
j
...
<*
M.m '
^
^^
rtrauu make glad the heavenly plains. Where, in
hurled .' Hi- ,

,;,;;,;. ;;

pie amile a
.,tv

of
mid "the
,
-
;
^ Utht The
.ho* The}
ci
iook be" ^dibit^.
Mnjtstlc. A \ GELO. L. M. Altered from < hkktii am
^--^P^- gg * \:?\. H
>-<-<<->-
j
i .,.,jv.,,.v,., :nUL.;;;r; ahX^tsrwctva? &earS
i I'Sp^SEpB^^g .|;-|-M'IM
1 -q n r
j .zp=t i
. ;. if
i
J
rr~*- J.J ^..j)
J J J J
- j - -
ij
s=t ;.
2=tL

f 1 IS=I. l* J L Jl
64
|w,
Medium
1.
4.
5.

My God,
timt.
dE
my
^-?^^^-^^^^Î
3 EfeÊ
Let distant times and nations raise The long succes - sion of thy praise; And un-born
HURON.
^T^^
_^V>_
King, thy various praise Shall fill the remnant of my days; Thy grace employ my humble tongue, Till death and glo
a-ges make my song The joy and tri
But who can speak thy wondrous deeds ? Thy greatness all our thoughts exceeds ; Vast and unsearchable thy ways Vast and immor
-
L. M.
!
r s =
umph
-

ry raise
tal be
V. C. T.
of
the
S song,
their tongue,
thy praise
pg^Pî m
tfcifc:
tt
E I
Crcs.
igzas:
^m
gg^s^^m^g
i
P=kFH-M ^tfeP
. ^
ieH l_ __._ ,- _ x-rx

#~ -
^
. *
fcfl*
.
# 1
-p- :' -
r-^T^FF
f=
Z^lÎ
r-
STONEFIELD. L. M. .TOHTV STANLY. (Enarland.)
S S-
JS^^fe fe ^^g^p^gE
God of the seas, thine aw - ful voice, Bids all the roll - ing waves re-joice ; And one soft word of thy com-mand, Can sink them si - lent on the sand.
giiFJiî
m
sh* I
mf
~ I
r -
Soli,
^H^P 1
Cuni.
I 1
<
f-f-
"I T ^ 3 -.] gzpgc?=gSS ^[pgfegfs ES l
fiU. ^LJ. jjj j

*- iT-r
P=+: i r
^fel^ EEffiE
. =
ii..i.i a.i M .i.-t..-.i.
gEgE^Ê/
i>.-,i.,m.....i,,.
s s s
^
s
'
1
L
.
li
t
i
E N \
:
|
I
~
^^|/ p / /[-

I , Or sllOll
.
AlllllC
|,^ V. C. I .
65
Through all mil - li'.!.- of t!..
L.S ^
*
i a
" # .
__^|
Jn:iv tii lasi !. I SODg .i i ,-li :11 -
tl't- ... .... ,i. a;,..
sic-, song of
i J
0-
-}
.- ; . ^jEÊ ^ E f
s
^^S
i
A* .
\ fe T= ?

Through

all mil - lions <>f the
-^
n u ..a Lh
1RENA. L. M. V. C. T.
UU 3 B___HB
Medium
KeeSS^
time. (Better upon Db.)
#
^|SS y -*>->-*- 3 :*__.
P? '^Jtrjrr
Zi-( 'ii
fefcl
loves to dwell.
T^ntJ^^le^^^
1 (J od in his earuny --mpi- wjo t u ^ -. ,

*J
,
S- -9-
iii -=
__
m
r ^=- m f
-
_X-J
- '

,
r
.L_J_J-
,
s s
,
.U
QUITO. L. M, (The beautiful Air of this tune is supposed to be of English origin )

* uaiuur slowly.
Rather iu">j _
fe L
3| -- J '
-HJ 1
6 <^~ <^ --'- ,,
f^^l^^^^^^^^Q^^m^^Y^^l^'
.
praise ; He likes the tents

, ,
'
11
] ^
God earthly tem-ple lays Foun-da-tion for his heavenly
in his
mercy vUitsevery house That pay their right and morning
vows, But makes a more delightlu ^^** ^ J U
th a glory raise the song. Till death and
glory raise the song.
\
p
3
\;:M,,., lV l^; hvv,, praLshaUnll.^
t
Thv works with boundless glory shine, And

:i
peak thy majesty di - vine ,

Let eyeiy ieaim wunj j i
^ Dm
I &33-p_-f__E &
O O
>> ;==- SoU. >
> >
Y
_.
Coi-o.
""T _ ,-
WL ZZZ o
first published in this country on
,. F nftcrwai on Eb *,
;
; In* the present elevation of the Concert
Filch." il is here given in D.
. . . .
All. ft Tito. S V L I . L \ . < . i
::
^ s
l-l-'l-:.:fj:i^:k vu^- iSS^SiSl,
1. R< On thy AJ-migh-ty Father's breast; The boui
j - x>
2 c f
U1 2* '!,_% 3 -i "I

1 -''"i*'
.-" , m ' .
r-W
" . .
.- .
S E
l~
''
Medium
'
#
naoi tmenti
- /--.!....
'
I
-;*r-
lid. and
e
iliall

BLENDON.
(|ual
for-
up - on
to

1 I
!
How aw
i
i
L. M.
i
Ail
lling
fcra
^-TF'UJriP
| and 'nil
m
1
r.l.YitniM.
in
round
> t t
}..}. A.L.. i pCTjjC

/
Him J.. ;
I-:- :ez# *
.-
J J ;
.....
>H"'r'K
.
' * ' x= * *

I -f^
68 Slowly. AVHli feeling aud simplicity. AUSTIN. L. M.
t
0Z
iEl^î^SS^fe
I
rt? E i
1. Stretched on the cross, the Saviour dies ; nark Ins
Hark! his ex
!
- pi - ring groans a - rise ! See, from his hands, his feet, his side, Descends the sa - cred, crimson tide.
3. Can I ev this scene of woe,
sur - vey Where mingling grief and mer - cy flow, And yet my heart so hard re - main As not to move with love or pain ?
S
JL .
SSI I
|S
is S
s !
P* J** I
-J- J*
--* J*
* I I I*
0
I* I
S iw / ^>
-9- r 9-&A
'^J&3E
f- T~ ^ t
-%-
JE "
P W
E
i
Slowly; witH e\'ircssion.
HALLOWELL. L. M,
Soli. JS Coro. w S N ^ . Cres.
e
îi-i
n r r
( r_
E rzrrt
1. How sweet to leave the world a - while, And
seek the presence of our Lord Dear Saviour on thy people smile,
! And come ac - cording to thy
2. From bu - sy scenes we now re - treat, That we may here converse with thee Ah ! Lord, be - hold us at thy feet, Let this the gate of heav -en
3. Chief of ten thousand, now appear, That we by faith may see thy face; Oh! speak, that we thy voice may hear, And let thy presence fill this
S N
J?A
IS fS IS
h
I I I I
JL JLJL
.
m
"
JL JL JL
& c -0- -s e
> 2 :p=? JLZJL
m^ --&E
T -B.
.01 ?~-
It -&
--f~ f~f~F>'
t
Medium. In Cliantant style. KENYON. L. M.
-------
m mf IS f Ores.
1. My thy great Crc -a - tor praise

soul,
r
When
S C E * E
clothed in his ce-les-tial rays,
C Er ^^ ""T
Ho in full ma-jes-ty
C -p-
C
appears,
Y -p J
And like
& u tî
robe his glo - ry
a
r '
wears,
2. How strange thy works! how great thy skill
;
While cv - ery land thy rich - es fill Thy wisdom round the world we see This spacious earth is full of thee.
h > > N *-
(SJLh JL JL JL
s r* *
^S
i
r
JL JL JL 3l [S JL JL JL
- r*~
'<%?
$
:ziz^zr - m r^ - ^~*~r r ZMt *
pfef!
f^k=5=E
1
I
1 1 .
Mmlrrato.
ANiUliniEDA. L. M. Tu bv used wily n* d Q,uaj
Hinging it imt oji.i luu.l would I u
f î
jJE^teE^pEgfcg
' - i' - - - '
.: -
l Bweel I- ice of conscience, heavenly gue -

man-don in my 1 doubts, mj Ind heal the an
-mi ling hope, and joy >, make 3 intdwellii -
part
i) 1.., 1
of hope and peace di rine, Make thou thi art with
''^ fed l rnDl^tei

-'* 1 1 ill J '
1 il : rFHTTt" i 1 1 J l j J I j J I
h
3ia P^JJBJjl, !
gigi
<%
#
D ._i ^ j fl ,
j-r-r-
J
.
Jj
. .
nA .
31111111 ÊiES

E f1 1 *
f
hoini-iik. . Hajeatle. ST. MARK'S. L. .11. 1 ! ( KEY.
i-:j
1
>:irk
,..
nees unci clonda "i"
^
s #ZI2ZI
aw - t'ul shade
ggg^^gsE^
z^zl * !
i
Jus- tioe
' I
* >
gg
and truth his guards are made,
l-S ait.]
1 Be thou 1 al ted, 1 1 1 mj Qod, ive the heavens whi all; Thy power on earth 1 land to land
I thy -
on - -hall raise lor-tal hon-ora to thy namo; A.wa and his praise, Mj tongue the -
8, 1 1: -h o'( c the earth ln> mer cy - r And reach 1

.. . BGs truth to ana I remains, '-
W^- }s. I'
e *
1 "
*
P
I
fit N i
_ pZ=tf *
*
OBERLIN. L. M.
__
Medium.
=t=5=IS=5=G1*
fi^SllIlilll^
^^-^ T - ^t

re vwe

g a,n Hope
a -gain-
s -
wipes the tear from sorrows eye;
While faith points upward to the sky.
pa-tience smile on pain See dymg hope

fc vive
-
?_^___
See gen-tle ; ,
r=r=I=S=: ri=+3^=^F=E
i
& v i
i
r
FARMINGTON. L.M. V. C. T.
Modcrato
IS

Gentle and flowing style.
-^
**- ST*-
Lt =isKnaraB *s&^ *
IIIJLXP- " &
!
icsLp2 :
izzfczzsis,
^
1
; :
ray So sinks the gale wnen storms arc u ci ,
-. 6 ~~ ~, -
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S^^l
.Mllil niul gentle, . i
\
]
- I
I
eeei a ^S ; e ': i
-
3rl *
1. Where can we hide, or whither fly, I
and nighl
2. Where'er we go, whal e'ei | u ae, Ooi ways ire o pen read, our thoughts explored, Our hi
.'(. I- there, throughout aH worlds lonely wild, where thou art not I The bosl An I
tl i of hell know thou :>ri
l. A-wake, tvsleep, where none intrude, Or midst mul-ti-tade, In ev-eryland, on ,1 with
111
9 O
PS
Soil.
"5" S0 2 Coro.
o * * 9
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s
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Medium.
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8. Till, filled
stum,
^ *
<
i
with
Lord,
light,
our
and j
ui
pir-
uij
it
grace
rr~s
re, Thy
mj
i
biuuujue -
TRENTON.
uuiu uij
low, liki
*n
L. M,
re nare we seen
..,,. an I let I
tuv
lu
uune
jahs raise,
si^s Altered from ib English Kelod)
Whil
wn
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ii
72 Medium
ASHTABULA. L. M. V. C. T.
^l^î&^^^S^S
time.
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P^MIP^
Soli.
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Tutti.
3*?Ih=^ r
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w^ ggHmgjSj - 1e$B #~#~iL 9~
g^^Bpg :d~? :*=t

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and connected.
IOWA. L. M. V. C. T.
Rather slowly ; close
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1
ff '
. ., ,. .;. i;
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par - Iv dew.
"l.
2.
MyGod,
Thou
hawend-les9
spread's! the curtains of
is thy love ! Thy gifts are ev
the night, Great Guardian of
- ery
my
eve
sleep
-
-
ning new;
ing hours ;
And
Thy sovereign word le sto ress
g^, q
4
^ J
drow powlra
| [
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Ullltr r.i.l. PUTNAM. L. M. A no ii \ mm... I t
/>'l-.l...
m marn-ing dawn to eve
-
= 'i-i.:.'i j
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M<
ring dose, Lord, oar 1 To tfa Tri-nm-phant aoogi ol
;!
i I J... 1.
!
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so
With
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= *1
l Lord, when
nsz T=
my thoughts delight A. - mid the won-ders of thy lo -
I
ethopei
*
fee -k"l"l'
-t. And bids in - tru-di
m
' Bor-rowflUH tny heart, ;Ungjoy al- lavs the smart; O, may my fu- tore life d I row and the
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tipanlmsnt on pi n. Or the Treble ... cbro-
rustic Interval! inuit bo long Willi care and accuracy to give .! .'iftcl.
74 With pathetic expression. Messa di voce. COLUMBIA, L , M . (responsive.) V. C. T.
fofe
j$tz =||E|gE^^f^|g^p|EggE f
ZL
1. Come, weary souls, with sin oppressed, Oh come accept the promised rest
! The Saviour's gracious call o- bey, And cast your
; gloomy fears a - way.
2. Oppressed with guilt, a painful load, Oh come, and bow before your God Di - vine cornpas-sion, migh - ty love, Will all the
! painful load re -"move
S. Here mercy's boundless ocean flows, To cleanse your guilt, and heal vour woes; Here's pardon, life, and endless peace, How rich the gift! how free the grace.
3d
TT 41
m I
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S CHATHAM. L. M.
i
->_
This tune
r
is adapted
*"
to words
it
, I
Q,uite slow and distinct. (ITn poco Staccato.) suitable for Old Hundred. V. C. T.
1. Be thou, O God! ex -
^^S^^^^g^pgggggg=g;p^^gpgH
alt - ed high; And as thy glo - ry fills the sky, So let it be on earth dis-played, Till thou art here, as there, o-beyed.
BE
3. Thy prai-ses, Lord, I will re-sound To all the listening na - tions round : Thy mercy highest heaven transcends, Thy truth beyond the clouds ex - tends.
= j-l ? I jj^^^^^^^^ fe#^fe ^f^

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NEWBURN. L. H, M tody In pari fniin tin Frrnfh. / ( )
Wl(l> niilinntlon. tfa kUi|Kiiaiau ul lluir at tilt- Harmonized and arroi
W* : I =
rise!
* *, a^
- wv
!

I
- - rv
pg
the
i.
Lit
m^s r \ I
sen
I up, my bouI, Ehake off - - - thy f<:ir~, A ii' 1 LTinl the j. I ar March t<>
the faith of j"\ i - - to come W e \sa!k tin- dark as Till

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s
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gun
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Which marks at band a ri - sing sun.
i
*
Which marks
r
^:
hand
-.;
n
i
of i - lose joy, Where J< bos, thy great cap - tain's gone, Where Je - thy
.it heaven, our home, Faith i> our guide- and faith our ught, Faith our guide- and faith our
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76 WitU
MANCHESTER. L, M. (fitgata.)
*"*
V. C. T.
^SS E S
spirit.
3 g
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N î-
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r J* *- -J-
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3Sh=r -FaP=t =3: ^y=BL. -^
^^^^^^^m
Vivace. (Keep correct time in the second strain.)
LUZERNE. L. M. (fugata.)
K^ V. C. T.
^^fe every age thy prats -e

fJUfS ieShon-Ss crown ihy head; Let
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mf ' ' v 'Ritard.
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M A KULAK I). L. If,
Auf Jin. 1-Jl
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Sprinklii
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alnm-ber
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mid i!..
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7/;
or Treble.
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8
sunn Ikii f.i.td Uliii Medium. BEIN. L. M. rirl two mcaiurri Ixm.
... ::
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m
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BLANNETT. L. M.
/ O Tranquil.
T2=
raplllllllilli
-*-*
:
iK-y- V-
Ran
^=i=
zrzp:
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FAIR HAVEN, L. M.
V,-
an Medium. Plain style.
sj jT
J
I
P"Fr
I^Hfcii:
ic
^ *"
7^ , ... x j ,.,;n ,,+! lins. Too dark to view with fee - We eensa
l ^v ^-
:
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* v w v Coro.
Soli,
1
or Semi-Coro.
.'
F- -fF -
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Solum } . tliotl^lll fill. rf ll.-rlK r. M I DNIG II T. In M. \ t . T. ?<>
^-|--|-;l"l-'-^ - - r .,. .|.!-[ - |- -|.

?V
[jl
1 1 1 mi Inight ; on
;ui>l ' I he -:.ir is dimmi I that lately sh /lit ;
in
2. Ti- ii ml from all removed, The Saviour wrestles lone with K'cm thai ili- ri -
pie whom he U>\ > I Bee I- nol lii-
l
In lil
;
, that hath in miUIi knelt It
i i nd from e ther plains Is borm ; 1 1 i;i t an - geli ki Unheard by moj the strains Til I
~i..\ . <m
^HHHfeHlgsg J.. 1
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-
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35
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The Base of this tunc requires n ileep, nrli \. . tadofverj Ion . mi pass.
Bather slowly : gliding tj i .

OSWEGO. L, M. 1 ill | I In mi
i
J.
:;.

Dear Lord,
Oh let
to thee
thj love,
^f;
would re torn,
1
with sweet con-trol,

.
. i
-
tad
Bind
at thy feet repenting
rionof
mourn
my
:
ml;
i
There
Bid
let
*
-;
me
Hi
view thy par-doning

de
love,
part,
i
#
And nev
AjkI dwell
*
er
i-
m
m
mj
i
!
- -- - zEc
but.
pug '.-I- J..:L J. I
!
m
Boll.
s 15
&;|. ;i- ;i;-:i. ;|.^|.J.I
J
H
J n J
M-vl;':-!.
J IJJ J
'.*
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j
'
j j j
so Kill lii T faster than medium.
CALEB. L. M. v. c. fy
i^Êtea^t^ Like morning cense in thine house And let my nightly wor-ship
-^ZZWZ
rise,
FS=?
Sweet
ZiiU}\)
as the eve -
ning sac -
ACT
ri - fice.
1. My God, ac-ceptmy ear -
ly vows, in - ;
f|fe|=^
'W
^Jrfp 'wr^S)
4ca=tffl , l i
~&~
3= -p 3^3 s=j ;_ 9
r\
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eI
m -w Soli. Coro.
HS
P* *
J* J_jL L-j ji. i X_ JU
J J J i n J
a
^ J |_

JEjE
=w w 0$-
izzt
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Witli anlinatioiii
ROTHWELL. L. M. Anonymous.
_
rrj-l i f
fe llgfa*^ i**
jM^
'
,
eyes behold thy word, We read thy name in fair-er lines We read thy name in fair - er lines.
W(
1 The heavens declare thy glory, Lord, In every star thy wis-dom shines But when ourmakes ;
the simple w.se Thy laws are Pre-thy Thy laws are pure thy judgments right.
G?eat Sun of auThteousnels, a rise Oh bless the world with heavenly light Thy gospel
renew, And make thy word my guide to heaven, And make thy word my guide to
- :
I.
!
heaven.
6. Thy noblest wonders here we view, In souls renewed, and sins forgiven :-Lord, cleanse my sins-my soul
mf
W sou.
Soli. tr
"<r Coro. s
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Allegretto. DUlimt. pointed HOLSTEIN, L, .M

SI
V
IS 8 *3
:i. I will not mill vie with the throng, Whose guilt their sorrow mul-ti - |>lir^; I will not name them with r join their bloody
: ;
no-
-^k ri
I'
l i- my pot tion here be low; Tis he, who hallmj lol main -tain: His boun-ty makes my cap o'er -flow, And
5. Thou shall onto my Long-ing eyes The path of play; Where, in thy pi i Whichnei thei
u a
Vnrlnlilc ; adapted to unrili of tile

IIAMIM R(JI1. L. M. I oni i .i 1. 1 . gm i.i ii < limit.
i; mi range sfdum fa First arranged In M.n. I>> M\-l)\. Hoiton.
M
i . -.i I..
B.-.-?. ;>\~Ete$3&^ ^
ff g -
1 '.!'-' I
I'
I. Kingdoms and thro be -long; I
Grown him, ye na your song: His wondroi
tions, in Dors shall en -rich
'-'.
Be rides and thunders through the sky, His name, Je ho-vah sounds on hign Praise him a -
of i^r.i
when
: I
Sod is our shield, our joy, our ri-t; God is our Km:
proclaim him bleat: When terrors riai nations faint, He is I f ev-erj taint
?
"'"'
'
mf
.vLcL-i=
Soli.
H A =9 W h
(Hit can bo well sun;:.) < inn,
vl-:l.;Lfe 9 I
. .V i
- r ;
r':.VÂ'^'::\':\''':UY-:/ \'-\'A''\':'X
. j . . . . . .
.
--
' l<
t
82 Ratlin- slowly.
FOLGER. L. M. V. C. T.
m Cres.
: m w/
tiSfc
i
^T ^n 'j i
r*
*~|~2~i
h_
rri >
HI
^. i_ ^. nnara<
Ritard.
0~
p
*-#-
T -*""#" i
-0-
2
*#
*
-1^1
,

T f?tffrY
kftj
r
-r reFT
l =
H%Hr-
1. When sins and fears pre - vailing rise, And fainting hope al - most ex-pires, To thee, O Lord, I lift my eyes, To thee I breathe my soul's de - sires.
If my im - mor-tal Saviour lives, Then my im - mor - tal life is sure : His word a firm foun - da - tion gives Here I may build, and rest se - cure.
JI
m.
|
m
r>
J_-J- J, =j
'0~
_ -
_ - ?"
M J 'J>
0- J J I
#L. m I
m^ -
I
m
I
AL
m ~~
MSU 1
r#fT
'0

0~9~ .01
^^fe^p ==
i
Medium. Avoid a heavy, dragging manner. TEMPLE STREET. L. M, (FUGATA.) V. C. T.
^ Soli.
fc
1
.
'
w ^
f*e^
f_ f n s. ^ Co rp. ^ h r
.pN
1. Sal - va - tion is for - ev - cr

SiiHT
nigh The souls who fear and trust the Lord And grace, descending from on high, Fresh hopes of glo - ry shall af - ford.
;
Mer - cy and truth on earth are met, Since Christ, the Lord, came down from heaven By his o - bedience, so complete, Jus - tice is pleased, and peace is given.
;
His righteous - ness is gone be - fore, To give us free ac - cess to God Our wandering feet shall stray no more, But mark his steps, and keep the road.
;
r r>, r- -&-
#^0, ' r & & & -*-*
&A*
-<?-
GET*
-0 6>,
P^Se 3 :i 3=r ra
rl ft
SH = k-
<^n*~ r
Slowly. Tranquil and gentle. BELZONI.
" " " " u L1 x ' L. M.
*-*"*- ' '
fe Dim.
V. C. T.
-----
my
^
Je - sua can make a <ly - ing bed Feel soft as downy pillows are, While on his breast I lean my head, And breathe life out sweet - ly there.
P* I ^ in
000 r J oJ*
e>_ _j&
i
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& j
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J*
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i i* ^ m'_ 0'0__ _
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With rrloiiKiieis. Audnntc. INTERMENT. L. M From

II \.M)i:i..
cliutl ni.ir.
QQ
i>
li in "SMU." *
I.
::
I
B
n veil
Je
thj
pain, nor
ma
bo
grie/,
torn,
not
sleptGod's dy
am
Gutb fo]
tog
tomb Take
l"
this
vade thy
new
bound
Pa bc through the grave
tress are
do mar
to

thy
fed
and give
H^l
these
tee ful
re]
ill .
j,
-. |..l
,
s
r
room
I
i- Break from his throne,

1
and bles ed the bed !; -
here,
il Ins trioua morn
"I'Mii. .Vl-ICIM, bit till from h
tend, earth

/ ' A.1 {J
') his bov
I
word :
rtore thj trusl glo rioua f..rm
.t__i_J J.
JU.
f^^Bg
J"
jm^g F=T
^3Bz E=
= EEiE= fesEjJfeEEfr
To slum bear in the -i lent dust And give thi
;
While an ere I rel -
ica room To Mum- her
- gels match the Bofl re
pose Can
-
in the lent
reach
the 'I
the morn mg break, ami the
:
shade: R el here, blest

ful sleep r h re u bile an
gels watch the
p saint, till from
Shall then a 1"- throne The morn-mg break; and
rise to c tli" Lord:
mmm^
i
l
trust a glo - -
nous term Shall thru a -
n
^..V:i3z^d
wm
Soli
I : P^ffoqg
p
84 Medium time with ; care and expression. DUNNING. L. 1 V. C. T.
Ten ors. S ^ w. N_
?rfcfc=:
As
As in soft
in crfl ^.1,'iir-c
silence, I
As in soft si - lence, ver - nal showers Descend and cheer the fainting flowers, So, in the se - ere - cy of love, Falls the sweet in-fluence from a - bove.
a=^
teiS^ppgSlg^=g Coro.
W=S: W m
m^^,\rr^^ru\rn^tn^^m
Soli.
p
L#-f= SZi
Si i
rU a
^^ ULLL--QH
:^: =F=^ Be l~
r-j r r r^ a 4 i"*
1 * '
| l ~~ *~r d l~
^m^&m
With majesty. AMBROSE. L. M. Arranged from MADAN
Ir Ê^pp^gÊgl^jggi
1. From that dwell be
all - low the skies, Let the Cre - a -tor's praise a -rise: Let the Redeemer's name be sung, Thro' every land, by ev - ery tongue.
2. E-ter - nal are thy iner - cies, Lord E-ter - nal truth at - tends thy word
; ; Thy praise shall sound from shore to shore, Till suns shall rise and set no mare.
m
^ 0-0 ^_
-=d rr^
Crcs. - - - Jf
ir
^=- Jf
'
-fl
3z0 I
I
J
1
L
P-
J
^
J^-i J
f-^-f j i
iff
i , J
F
j j D
j j J
j J
ê J j j i - -
p^
J - J
r- ^m J J j j?
T-Y0- -a*?-
A J
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Jl
".
Allegretto. >ot Ml. in.
ISLAM. C. M.
'
9
whoahall -. the glorious day, When, throned oo Zion rd shall rend that vi I
I that vt$L sway, Which 1
I Then, Judah, tlum -

no more shalt
- - -
ra neath the heathen's chain; Thyda idor shall return, Thy daya of splendor shall return, And all
[i. ('..iii, I Join our cheerful * Is round the throne ; Ten thousand thousand are their ton insandthoo ButaD their
i " *
mf
W,\""~<\.UMDo not liur ( i , .
0^F
\ N#
r~ ' o Ê^{pg
I Ill-Oil-.
: i :
f^Wf^f^^
. .
r^ :
^=^-E fc-H = fig |> &*'* '
Slowl} . Mill Chorale. RUSSIA. C. M.

.I
ii >io
from UM
i ii 1 m w. uina."
n * *T. ,,.
.J- ,
nations now I l. o God, our help in a Our hop for rears to come, Our -lu-l ter from the stormy bl
new a i. Beneath the shadow of thj throne Thj saints ha e dwell secun .Buf--fi - cienl is thine arm a
-lone, '
B< fore the hiDs in or - derst I. Or earth received her frame; From e\ er - last -ing thou art God, To
86 Slowly willi distinctness.
1st
i
Tenor
PALESTINE. C.I. (Set piece.)
V. C. T.
1. Calm on
Ce - les
the listening earof night
- tial choirs, from courts above,
Come heaven's
HI
melo-dious strains,
Shed sacred glo - ries there,
32EPEE?:
Where wild Ju - de - a stretches far
zfzzzg:
Her
5EpE =F
sil - ver
man-tied plains.
-
^ i
2.
And an - gels, with their sparkling lyres, Make music on the air.
4. O'er the blue depths of Gal- i - lee There conies a ho - lier calm, And Shar - on waves, in sol - emn praise, Her si - lent groves of palm.
'~!<1 Tenor Alto. ^-v^
23 33^
Soli. Coro. *4
\
Do not hurrv the
not. hurry timp
fhn time.
-0- ^ 0-
~^=-
usis^
j:
n
-j X 1
p w W
Majestic.
This tune will answer to be used in place of a choral. MULDINO. C. M. Transposed from the key of D. The present
key will render it more available for choir use
*
15
Ête^Ê^ÊE^pEg^Ê^^j *&: Et
1. (heat is the Lord! our souls a - dore ! We won - der while we praise ; Thy power, O God, who can ex - plore, Or c - qual hon - or raise?
3. Thy praise shall be my con - stant theme ; How won - drous is thy power! I'll speak the hon-ors of thy name, And bid the world a- dore.
A. Thy name shall dwell up - on my tongue, While suns shall set and rise; And tune my ev - er - last - ing song In realms beyond the skies.
Crcs.
-i-J
m ... Dim.
^
X
^^^^"^^^^^^^^^^^
n X X X >X x
~t
in H -n ; j -n .
J- j
E
i
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re.
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o
Very lo\v, Imf in roiii]iouii<l movement. HEAVEN. C, M. W
v. o. t. on
,,,,1 tbj i). Muf.il.
mm
< .
s
?~?~r
Mm
^see:
von.
,
Whan friends go thence, draw nigh,
^* CT i^
Bo heaven, when friends have thither g
. I
'
. . h
l Li dia lauds In- l the sea, Draws near - er from the iky.
I, and as those lands the dear - er grow When friends are long a way, So heaven self, through loved
il
:. Beavenk not f.ir from those who With the pore spir - it's right) But near, and in th trts Of thoi
I f 1 rT l r-^-f / EJ
-MUM. /".r.-\.
Soil throughout.
m
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d=/J=J X-A
fet
feSEÊ^Ê: --^^^ J L.
I
With apiilt. hut not too . i.

W INFIELD. C. M.
s
r^ /[;: .i.1.>:r-h./|....U.|i
i An. I
now anoth - er week be gins, Tins day we call the Lord's; This he rose, who bore om
daj word re - cords, I'm- m his word n
j. Hark, how the angels sw.tt I v .in/. III. a \.,i,v, till the -k\ They had their great victorious King, Ind welcome him on high, And welcome him on I
"('
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fcj .. ...
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^,.,.felre"' l i
nrrggg si- i"-r: * #
88 Culm and serene.
QUIETUDE. C. M. From a tune in " T's S. M.," called Clio.
tSt
*
_
4-.
^si
The storm is laid, the winds re-tire,
ae
O - be-dient to thy will ;
^ The sea, that roars at
Bi
a 3
thy com-mand,
BE
At thy command is
cE
still, At thy
?=2
command is
1^
still
m >_ ;> Soli. ^ Coro.

~* *
SoU. ==: PP Coro. ==3 Kit. .PP
PP Kit.
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* Hymn. " How are thy servants blest, O Lord !"
Allegretto Staccato. Majestic. OMNIPOTENCE. C. M.

EE zzz^zzkz
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1. God moves in a mys - te - rious way, His won - ders to per form - ; He plants his foot-steps in the sea, And rides up on the
- storm.
2. Deep in un - fath - om - a - ble mines, Of nev - er - fail - ing skill, He treasures up his bright de - signs, And works his sov-ereign will.
^S^-?^^^^^^ rg g
is *. *-_

I^tEpgH r r
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f" >" XI Unisons.
m
1,
1
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Unisons.
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I
.
iioini. Variable mo\. meut< ST. ANN'S. C. M. III. ( KIIIT. <

'
Is?'
* stg .=..'*'
jg . I
. I'
l. K il Source of joya 1 i -viae, To thee my boo] as pires; Oh I could I i
'
Lord n minel I .- :ill mv
I M-. hope, ni\ re me of thy love; Oh I kind, trio - sporting word, Ami bid my fean
8. Then -hull my thank -ful powers re -joice, And tri-umph in m_\ Qod, Till heavi tore tunen To spread thy ]
>
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GRAFTON. C, M. \ IK>1I\ >..
2 .
*=i * :^3EE
I
= I'
l. How oft, - leal thia.wrct.'lK'.l lu-.irt Has waii-l.-r.-l from the Lord I How oft my ro-ving thoughts de part, For -
of his
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90 TORONTO. C, M. Arranged from T. CLARK, England,
s
Quick and Staccato.
work,
IP=
for tHis
Sîe o-
!'
Kf-#- 3=3=3=3= 3=i= ^=r
33E
Je - sus, im-rnor-tal King, a
rise As sert thy rightful sway,
!
- As - sert thy right ful
- sway, Till earth, sub - dued, its trib - iite brings,
Ride torious Conqueror, ride
forth, vie - Till all thy foes submit, Till all thy foes sub - mit, And all the powers of hell re - sign,
Send forth thy word, and let it fly The spacious earth around, The spa cious earth a round ev ery be Death the
S^
- - Till - soul, -
sun,

From sea to sea from shore to shore, May Je - sus be adored, May Je - sus be a - dored And earth, with all her mil - lions, shout
P#PS 3=3= :3=<>=3

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< 3EE^m^^BEE$32E&^
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j- j j. j. j. fim n. i.
B=EEk BE =P=3
d==E IjE
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6
HE i iF :

?= =^=- 1
Till earth, sub ilued, its trib - ute brings, And tant
dis - lands o - bey, And dis - tant lands o bev.
And all the powers of hell re - sign Their tro - phies at thy feet, Their tro - phies at thy feel
Till ev - ery soul, be - neath the sun, Shall hear the joy - ful sound, Shall hear the joy - ful sound.
And earth, with all her mil - lions, shout Ho - san - na to the Lord! Ho san - na to the Lord
*
=:
^ ^=- 3 *-V-Far-j- =EE
Coi'Oi (Careful of the time.)
3
(Base and Tenor be careful not to strike with the Treble anil Alto
after the last double bar.)
mm
T HS 33E
I l 1
I

I^gH^H
s
^ M
J-
:pP: - j
t- i Tf-m:- rfrfr^
M. ilium. A ulil ilnllii< of llinim. r.
\ OLGA. C. M \ . < . T. 91
le?~ = EÊ - I . .: 3 :
^1* -l-.l..!"
1. The Saviour call
en Ihirsl
lei er erj ear attend the heavenly sound
longing heart. Here streams of bounty flow ;
j le doubting souls, dismiss your fear; Hope smiles re riving round, Hope smiles re vi
And life, ana health, and bliss impart, To ban ish mor-tal woe, To ban-ish ma
y,
:;. \,. sinners, come, 'tis mei That gracious voice o- bey; Tis Je bus calls to heavenly joys, And can you yet de-layl And can you ye( di
i. Di '
draw re luctant hearts To thee lei sinners By,

; And take the bliss thj love imports, Anddrinli lie, Anddrinli
Soil.-
Soil -" *- toro.y
Co*./ SoU < .no.;///"
/ Hllir.l.
;l-:'l"l"':f:*/|"l"l'
'tfl- .-
.
-.. .
-t
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1
Willi cheerful uml rnphiroiiK ixprrsitloii. 15 A UK II AM ST EI). C, M. \ . C. T.
#~
S-2 -
SE B I
ll';l' >.*' I"- 1'
I, When, dear-esl Saviour, when shall I !!. hold thee all Be I in per p I Babl
oal itfa day, With out a \eil Ih 1
- tw-
in.' while 1 wan dei lure, A mid ;i world ol En dine my ro-ving heart I And then
lliv Bpir it. |( mj Fath < r. give, To be my guide and friend; To light my path t>> ceaseless joys, Whi
P > 3
-I'
mf < - .....
^ - ">/ O Crr..
92 Aftetuoso. NEW LONDON. C. M.
!? B xz:#:
f=P= ^=5=3 5E*
*
s
-#-=*-
1. Teach me the meas ure of - my days, Thou ma - ker of my frame; I would sur-vey life's nar - row space, And learn how frail I am.
2. A span is idl that we can boast How short the fleet - iug time ! Man is but van - i - ty and dust. In all his flower and prime.
& zj
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9 Ê^
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rzzzl #?=
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mm CT7
Solo or Solo or Cl\oms<
t I: < > ; ; i -.
ju
7
S
^~
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P= H *
j. '
Very fast. (Avoid a measured, jerking accent.) EDESTINA. C. M. V. C. T.
E ^rMrE^rSferll^rElrEl w
] . When all thy mercies, my God, My rising soul surveys, Transported with the view, I'm lost In wonder, love, and praise, In wonder, love, and praise.
^F ffiif JF* -+ -**+ ^=pp 'J -+r\ rfi r^

Crcs. /o / m Dim.
Slow.
m
\ -r-rV

^BEgggp^g^jglpÊ tt3zx5 3E3BE zg^*
R?
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1 E2
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Aiiluiaii il. - lirummonJ.)

(II l!S ii\. C. M 93
-
.\V.-[- i; :.' . \-
*

?
'H*
* *
i s
.

.
: . : I'
l \\ l gild* the u ered pa It
J 'Hi.- power t lint i.'.ivi' it -till Bap-pL and heat; It- troths up an the na-ti I

bat dot
*'
*
'
S
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Z 3=t ^: -i ,-:
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Mrilliim liiiir. With pri i i-ion. Sl'OONER. C. M, \\ rda bj
V.
ii.
< .
m
T.
ii wvm \
l There a hope, b bles sed hope, M and more bright Tli m all the j
ry
I love lv -tar. That li rk - est (hi r.i
::, There i- a voice, .i cheer ing voice, That ul the soul D d- ful.
I. Th loud B ml fur - given ; 'i
IBP
Obienre that the tunc commence! on the Dominant Chord mtboat Hip third
Sgig X
oaaMquenlly therarLi do not pilch uion mi- r >nb foo ndc J on the Tonic CbonJ.
'''-*
N
l> P

- _-
-1 u\j _ = 3 "-l * -*
.
. ' J J J - ' - ;<-
SpT: Hrr-trr^rrfr =gn - ..|" |

s .|- |i
94 Rather fast autl animated. BUCKLY. C, M.
1. Thou great Re - deemer ! set me free From my old state of sin; O, make my soul a - live to thee Cre - ate new powers with - in.
2. Re new mine
- eyes, and form mine ears, And mould my heart a - fresh Give me new passions, joys, and fears, And turn the stone to flesh.
3. Far from the re-gions of the dead, From sin, and earth, and hell, In that new world thy grace hath made, I would for - ev - er dwell.
fifeESEfe
1.
2.
Allegretto. In exact time.
Sggfe^^^r^
.,.
Ye humble approach your God, With songs of sa - cred
souls,
All na-ture owns his guardian care In him we live and
Ihineeye beholds, with kind re -gard. The souls who trust in
Great God, to thy al - mighty love What honors shall we
;
^feBEgg BOLTON.
praise
C. M.
:c: S
For he is good, immensely good, And kind are all his ways, And kind are all his ways.
;
move; But nobler ben - e - fits de-clare The wonders of his love, The wonders of his love
thee; Their humble hope thou wilt reward With bliss di-vine-ly free, With bliss Zi - vine - ly free
Anonymous.
~&*
W
6. raise Not all the raptured songs a - bove
I Can ren - der e-qual praise, Can ren - der ce-- qual praise
praise.
9
ml
m il^fe I^P^gg^
Soli. Coro.
ii
^S^SS;
t t
mA. -i_L l-
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Allr^rrllo. !!V KC ANUS. C. M. t . < . \.\ M \ \. n..'nr..i.i. ( <.nn, J ),
ws^^gm
K:irtli hi- .ii,-; .. I my lore too long, Tia time I lift m to thy throne, An I to mj n.-.-
>.|,i.|.;.L.'|-|i
And <" m
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rhoii-iiiriiii> INVITATION. C, U.
^PP^g^
.
s s > s
fe| =j |
- ! O 4
I'

s'L -i
|i
l All ye who feel dis-tre I for -in. And fear e - ter oal w<><\ Ion Christ in - vites t" en- t. r in go.
j. He, by hu own nl migh-ty word, "Will :ill yonrfearere move; For
erj wound 1 blood
I. Come then, ye heav y la -
den, oomel Hi-< in- stint help im plore; Mill - ions have found a . Hiere's room for millia
Ki-vîpj s
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(oro,
J=P3
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96 Moderate. VIENNA. C. M. V. C. T.
lie
1.
4.
_-> 4"
Author of good to thee we turn

Not what we wish but what we want,

:
'P~ry
Thine ever-wake-ful
Let mercy still sup -
-&-
eye
ply ;
:#zszr
w~w~w~
i r
Alone can all our wants dis - cern

The good we ask not, Father, grant
~m *
r
S
Thy hand a
The we
ill
- lone
ask
r a
sup
de
IS
Hi
fH ~) 5_
NnVnV
nzrrr
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V=J-
^zsi::
Cres.
^zt?
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1
3 333 k S:
3*
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^ ^^^^^ r^^^ ^^^ ^Ê^^âi^îi I J. JV-j: j- j j .J J- -j- j-^-j-j

^J_J-
-j- -j-
, t -A
^Ss-^s^fefee^ =p=r f
ISZ#"
HE =
---
I
This tune is not adapted to singing-school practice, neither for large choirs, but for a few select voices
LUBEC.
g5f*g
Medium.
When
1. When
all
p^^
(Be careful to get the
all
-
-fVl
thy
thy mercies,
I
commencement
|V|
my
of this tune correctly
God,
ggE
My
'J'
ri
)
sing soul
e.
iP
sur
^
-
C.
veys, Trans- por

-_,._
M.
- ted
_,_
with
if
the view, I'm
,,-
lost
_,
H
In
!
won
zzzzz
-
==ar
=
V. C. T.
3ffii
der, love,
-lV
and praise.
pS & g^p
, , , ,
.3 1 I
-^ HHF>
iEC*
^ ^ DEZZZ2Z
^^H
3-"^ w ~^r^.-
Soli. C'oro. N. C The Chorus voices do not slur the notes in the second measure. Kilard.
<cr ^ /fv
^r^^3
I
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p I '
jj j.. .; j-
m-*- j: j. ~3
p-.n-^ti-r-
gfPEfezzE^z^g^z^zjgpPzg^ & It
^b 5=kV ^=EjE
1
Willi expression, In i clone, tinging -i \ 1.
CONBESCENSION. C, H.
Is?
I, Hon
-
|
con
-
and Iimu kind

H; \ :
ter-nal
e 8
HHHI: I
mind, And p
J II,!- Iik.' ;i Q That when the Sa viour knew The price of par-don
:;. II melt, While we hie death re cord; -
Ajid with our joj for par-doned guilt, Mourn that wi
y^Z'V'Y-^M " N
gl./'-l' A..:\. . .:: E
S
Ill
Noll. I I I < ,11 ..
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$t ' 6 5 I

-

-

-

1 * *
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:
,.?e? |* * EEIEEEÎT . *
I 1*1'
i
P=e=
in inoraJ style.
< Medium movement* WINTER. C. M.
m
i
*
F

\ 1.
.0
1 < >!i thai the \xn I would Ob t
<
Make me to walk in I ht-fnl road; Nor let
s
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98 Medium. Staccato. BEDDOME, C. M. V. C. T.
S5V-*
1.
&=Êi^^S^S^=3
Death may dissolve my bod - y now, And bear my spir - it home : Why
I
ipzzpit-p: i=fe^
do my days so sluggish move, Nor my sal
E2:-
- -
_jaiz:
E*5
va - tion
-*-
come \
F
2. God has laid up in heaven for me A

crown which cannot fade The righteous Judge, at that great day, Shall place it on my head.
4. God is my ev - er - last - ing aid. My por - tion and my friend To him be high -est glo ry paid, Through a -
- - ges without end.
^s
;
3=
a
m I ' t ! T
! !
t ^=- mf Crcs.
-N-
BE
îES^ ^ ^r*L
r P~ ^=? ^
-J- -J -I S I I I S-
ifeE|3=^
5E pp-
--
^Sggili? i?
ZZ6~ML
p p p p p
p^ g=tjES^g:
!
^g^rfel
Allegretto Staccato. Cheerful. ASHMEAD. C, M. *
i^gg^Ê n:
rTr-y sft gTTlÊ

1. 'T was in the watches of the night, I thought up - on thy power; I kept thy love - ly face in sight, A midst the dark - est hour,
2. While I lay rest - ing on my bed, My soul a - rose on high; My God, my life, my hope, I said, Bring thy sal va - tion nigh,
3. I strive to mount thy ho - ly hill, I walk the heaven ly road; - Thy glo-ries all my spir - it fill, While I com mune with God.
Soli,
->
or Semi-Chorus. Core Crcs.
^ 'T
4- m
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Wich unlimited iprclon. LUTZEN. C. H.
An. LITHEK
^r- ^j ut. d to i'C7
11,
I
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I.
a-
-
1 m i'

r " i. -
r
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i . is^kMg^g^mws* S3 Wj^\' J . .
LI'
JW=rF : i i . J + . J
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Slowly. Willi ,i i Inu-n. ,. HENRY. ('. M.
^^^^^^&* ^^^
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bo
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JUL
* . *
P
100 Medium
Tenors.
time. LADRONE, C, M.
^*N
1.
p . p
r^ p
And will the Lord thus con-de-scend
con de
f=P fSE
- To
9
vis
~ p
-
it sin
.
-
:
ful
F^
worms?
prÊ
Thus
^^fe
at the door shall mer-cy stand,
qi SE^rfe^ gSr^
In all her win - ning forms ?
2. Sur pri - sing grace
and shall my heart
! Un-moved and cold re - main ? Has it no soft,no ten - der part ? Must mer - cy plead in vain ?
3. Shall Je-sus for ad - mis - sion sue, His charming voice un - heard ? And shall my heart, his right - ful due, Re - main for - ev - er barred ?
4. Dear Lord, ex - ert thy conquering grace ; Thy mighty power dis -play : One beam of glo - ry from thy face Can melt my sin a - way.
<
Bases. H
i
J i
-- J. r i t np
i
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T-
!=esI&1I^^ =*?= i
Slightly faster than medium. Distinct CAMBRIDGE. C. Dr. RANDALL.
rone. My
HI
songa address thy throne.
blood. How precious is their blood.
.v.ee, Lord, I devote to thee,
thy love, And bound me with thy love.
I
ffi
=S
&=Bz?S:
9ZJ -rj 1
mf f Soli or Core Coro.
r
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mm":
ffc^^^
r r r
Solo or Coro.
I.--I:
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s
. Gliding style CASSIOPEA. C. M.
101
bra \ . < . T.
i
31lL>;lrrlr- 1
fi 5
J'
'
wf
1
i
;
; n / i ffr;
Medium iimr SWA \ WICK. T. M. All i i <l from I.I ( Vs.
=iisigL h'hv.L.Ui :
8.Thej ring of death and hell I

Sttef-SShS '
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i. ji.
< bs
gp.t^Bpg
-
J I-- l -pF^ ipg

Th.
Ss a^
rhythmical arrangement of this tune will relieve it
^=
of the hcav.neit It
^S
pamkei

of In t
i i-
oalfbno tripU movement.

I- :>
JULIUS. C. M.
w
Medium time
time. x ,
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3 - SH ^M^@^l=lil CZ.?3=OT
CHESTER, C. M.
S- il-^
sp
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THOS. HASTINGS.
By permission.
Medium
&zh
Mb-^fz
um
time.
:
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1. Do n=t I 1. *e,, ,y Lord. B" hold m,
J* ."^"'o'" i :
j SX" 1, :&?wB*tS Itl-t
^Hs^fepîl
,
'" Messa di voce.
T~l
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bin nut Ion, I. Alia C np.lli.
,
FERDINAND. C. H,
i
___^_ Tenor nd Treble chtoftt prU
Ireoie chtof parte a
llernttcl) \ . i .
i 1 ( 13
I I "I. thou will I.. :u- me when I m u

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104 Allegretto. VERNON. C. M, V. C. T.
t:
1. Lord, thou wilt hear me -when I pray ; I am for - ev - er thine I fear be - fore thee all the clay, Nor would I dare to
: sin, Nor would I dare to sin.
2. And while I rest rny wea- ry head, From care and business free, Tis sweet conversing on rnv bed With my own heart and thee, With my own heart and thee.
3. I pay this eve-ning sac - ri - fice And when my work is done, Great God, my faith, my hope relies Up- on thy grace a - lone,
; Upon thy grace a - lone..
4. Thus, with my thoughts composed to peace, I'll give mine eyes to sleep Thy hand in safety keeps my days, And will my slumbers keep,
; And will my slumbers keep.
Soli. -0- -_ -gj- cofo." ~d- .?-*

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Geutle and flawing style. Moderato Sostenuto LEWNEL. C. M. (Tenor and Alto keep the time in the 3d strain.) "V. C. T.
EEJ
1.
S^pEp^gggg
could I find, from day to day, A nearness to my
Oi
ieeeseepe
God! Then should my hours glide sweet a
b-zil
-
CTa^ i
way While leaning on his word. While leaning on his word.

3. Blest .Je-sus come, and rule my heart. And make me wholly thine, That I may never - more de - part, Nor grieve thy love di-vine, Nor grieve thy love di-vine.
1. Thus, till my last, ex - pi-ring breath. Thy goodness I'll a - (lore And when my frame dissolves in death, My soul shall love thee more, My soul shall love thee more.
s ^S
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2
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8. Then
V.
'
tar
Mi hope, mj
(Altered from Triple time
shall
.
ii
my
.
trust,
*
of
& )
ioya di
my life, my Lord,
thank-ful powers re-joice,
vine, To
As
And
thee
suri
tii
my
tneemy
nmph
BRADFORD.
bob]
of
in
as
thy
my
jun
C,
I^MI-J'-I. -I--I"-I. -I--I. Ohl could

M.
Oh! speak the

Till heavenly
1 say,
Armnei'il from
The Lord
kind, trans -port
rap-ture tune
is
my
mine!"
voice
HAHDEL'8
And
..II
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To spread thy praise

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my
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Allegretto. CAIRO. CM. \ C. T,
Is.'Vi'l
l < >h how
.
I
,
love
3 thy lw lv law
I
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Tia dai-lymj de -light:

I
" ^
And thence mj
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s
i ta -
i
tions
*
draw
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Di-vine
^ ^^
ad
* *
j My wa king pre -
vent
'
he day,
the Tomed word: My ronl with long ing n way, To hear
::. Thv heaven ly words my heart in gage, And well employ my tongue, and through my wea - ry pil - grim-age, Yield me a heaven-
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V. C. T.
VESPER. CM. (Quartette.) Oct. 15th, 1849
1 vJO Slowly, with strictest care of expression.

B
nn
(The Treble must be sung by a high, flexible voice.)
i__ir_a= 'd~-^
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U.The
1. I
sol
love
- con
to
still
steal
-
ness
a- while
of the night! That
a -way From
fills
ev -
the
ery
si" lent
cumbering
air,
care;
And all
And spend
that breattes
the hour:
'-** ***> ^ . ^ ^Tl^Ver.
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Piano, or Organ, very softly.
Wf
Solo.
lo. Let
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it
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be sung with care, and by
jg-_ggJJSP^^Ê_________-
agood voice.
voice
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RUTHFORD, C. M. Partly from HAYDN.
gjjggrf^^^ EE^^^^ffe^Ê^^ÊfErlirf
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LONDON. C. M.
^^
Cliornl. Dr. I KOI 1. J '
' /
TsK? t^

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A- -I. I'
1. 0, praise the Lord with on at, And mag -ni -
(y his name; Lei all the servants of the I
Hia wot -
thy
S^
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Slow 1) . \ \ old dollneM of imiiinrr. INFINITY. C. M.

M--v ->''l-
^ j
IeeS ^r^^r^r^^ h
l Great God 1 how infi - nite art thou I What worthless worms are w< '
Let all the race of creatures ho* .
their pra
S. r. i.i oi-ty,with all its years, Stands present in thy view; To thee thei
fe^^^LTJî^r^tâLgL^
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L08 Slowly with, entire simplicity. HENSLY. C. M. Subject from
*
PALESTR1JJA.
^^m
\
gfe|2S E* .
.?-?:
-a-
g^F^3 jE ^FEE^
1. Since all the varying scenes of time God's watchful eye sur - veys, O, who wise to
so choose our lot, Or to ap - point our ways
2. Good, when he gives, su - premely good Nor less when he de - nies : Ev'n crosses, from his sovereign hand, Are blessings in dia - guise.
3. Why should we doubt a Father's love, So constant and so kind? To his un - err - ing, gracious will, Be ev - ery wish re - signed.
4. In thy fair book of life di - vine, My God, in - scribe my name There let it fill some humble place Be - neath my Lord the Lamb
3:
E'W- Ê^Sr^ffidpi
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HUGHES.
f=^ 7~i>[
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Medium.
-i pt~!
s 1"
sseEE N-
C. M.
ffiEEE*3
I
i IE ^-^=w= it #-= o
I
2. My hopes of heaven were firm and bright; But, since the pre - cept came With such convin - cing power and light, I find how vile I am.
3. My Ruilt appeared but small be.- fore, Till I with ter - ror saw How per feet, ho - ly, just, and pure
- Is thine e - ter - nal law.
Then felt my soul the hea - vy load My - vived a gain had provoked a dread -ful God, And my hopes were
w gsg^.s
4. sins re - I all slain.
IW W r ~ r=p=::h T fr 4-E Slit o- =j: 5 I

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DELUSION. M.
*
Mrcllum, -\vltli ail ciprrialou of nxlnilrholj ('.
From tllr " I,utr 1(H)
S
USUI l. II. iw
-
vain are all things here
things below
be
N
low, How and

false,
ww
yet how fair I
w
Each
W W
pleas - ure hath its
1 '
g=g^g 3
poi-son too, And
*r >
ei
-3?
I'
bright est the sky, Shine with de ceil fu] light; We should ,
nigh, Wl i,'), t
'
''""''-' i" "" "-' est thends. The partners of onr How they di- ride our
bl I.
wa-vering nunds, \
crea-ture e love, How strong it strikes th there the warm at' -
call thi
^pEg;;^ *=*=f=t
Thou^lHfiill). LEROY. ('. M.
i- o
H \EJtt\yUiTZlZ-r
l>
I-
I~
Bow to the of Ins word ry ~~ i r l ; it to him,

t 1 f I
Lord,
h/fflF^ pi
An learn his
1 will di
j
the voice of (:! re Hi- mer _\mu
i
ills by I ;u \v,.r I Prom Bin's de -
Btruo-trve
J. Like the rough boo, that can-nol A thou-sand stings within \.nr breast I),-
Why will you in the i
ways in and fol In pain you trav
j
ail all your d To reap im -

mor -
tal
I ~
Coro.
mf Boll. Coro. -# -d- * * -m o
3B MJ'C J1J ; *
lt and id l; ,_, .
S
s
=R=^tf
IS p
^^H';l^ J S
I
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BILLINGS.
110 With, grandeur and sublimity. Maestoso
MAJESTY. C. M, (Double.) Altered, and newly arranged for this work
_J_UX!
|g^li^^l^jli^lf^fej^piiii
gK Lord his spirit from on high, And thu< ful - fills his word.
Let songs of prais-es fill the sky ! Be - bold th' as-cend-ed
pg ilp^S 3n iHiPippi,33E:t33
Sends down his
Sends down his spir - it from

"^
on high, And thus ful - fills his word.
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-..v. above,
" and very
---j staccato. Also in exact time, with a strong accent
score a little slower than
J.lllSStUICainucaiuV4
This wiu.ii the i
^^ ^
heart and ,; !p h,.

1
aad love Each ta
Come, Ho -
1, Spir . i., from , -
bo. Witt fty - to bl ê; Oh .,, wltt 1 - lj 1 -
--___ m Cres.
I
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Mezzo voce.
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US Ef=Hzi ggggL^zj^^^r^^j^ggz^yî^
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z*l=:
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blnwly,
-'. Vu
mm
i
Hlt-mly
'
ami inlm cxprctnlon.
hoarof
soul i-

grm&rrWfr&
hal-lowed peace
freed from fears
pose, v,
Pot th wil
And doubts which here an
PEACE.
:
i ,,,
- nuj
,i. ... . Tb
Chen
C.
I
M.
I
own in tears Shall
I
i
lx \\ be
pu n - tj with lovi ap pears, A. rith-out al - loy; Th tears S .

u / %' ^\J^^^p4m .
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odaratoi Slug tin- > Bteeato> SUFFIELD. C. N. Do not Iiuitt the time in the fourth tirtin \ . < . I .

[> >
-3 - s
Is
"
I-
With all thj
* .
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HI l-
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ond !
tri- Sing toys!
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< s,,H. - Kit. ml. - ( ..
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112 ALCYONE. C. M.
gg
Medium timet Gently.
m?B3e@s b=p =^p dE^4pzp=^3^g^ =f: =

i=st
KE ;cz:#.
2. Say, does my heart unchanged re - main? Or is it formed a - new? What is the rule by which I walk? The ob-ject I pur -sue?
Cause me, God of truth and My know am wrong, 0, me me
m pi
3. grace, re - al state to I If I set right If right, pre - serve so
^^piîîh^f^fes !
S:
^
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J Al J J J J _.J J J J] L_ J J J_L_ - - - j]
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f=tf=P P==^-F E - F FF
Medium time. BRATTLE STREET. CM. Abridged from PLEYEL.

vr.b
ISf'i.r
1,
%r *
:?^P^^^^
While thee I seek, pro - tect - ing Power! Be my vain wishes stilled; And may this con - se - cra-ted hour With bet - ter hopes be fille L
2. Thy love the power of thought bestowed ;

To thee my thoughts would soar Thvmer-cy o'er my life has flowed; That hut cy I a dove,
3. In each e - vent of life, how clear Thy ru ling hand I
- see! Each blessing to my soul most dear, Be cause con - ferred by thee.
4. In ev ery joy
- that crowns my days, In ev ery pain I
- bear, My heart shall find de - light in praise, Or seek re lief in prayer.
6. When gladness wings my favored hour, Thy love mv thoughts shall till Resigned, when storms of sorrow lower. My soul shall meet thy will.
6. My lift - ed eye, with - out a tear, The gathering storm shall see My steadfast heart shall know no fear ;
That heart will rest on thee.
f^M^3E^3^^^^^^^^^^^^m^^&
m^^s^^mMM&^mMM^^M^m
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Gently t wltli dUt inrl nrsi und simplicity. ENS WORTH. C, M.

V. C. T. L13
i To thee
3e$&_
my trembling
w buUI mortal I
.
gpir-it
e
flies, With no and grief 01

p# r or
Do
een-tle voice dis-nels urrfi
B
jua
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H
52
mm
;,; v
tic i to - \ :-i a theme, <
>r prai (ot
I"''',my j'v- ni) hope, i
Ton thousand th
like thine I
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Medium. (Triple!- I) EMM INC. ('. M.

\ . 1 . r.
FjrPTntHg * '; lîgi .

1
Our
=
faith ahafl look thro tear, And view thj ami li .
hull tmir A .,.,, ^ gnM
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1 1 4fc Faster than Medium

WILMINGTON. C. M.
i
(Altered and arranged entirely anew.)
i i
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HOADLY. C. M. *
fllodcrato ^
1=IZlMEF
.
~g -&-r
-P- :e: -"Sc iEE|ggÎ^
L
1
2. Why
O Lord! my de-si
de
best ful -- til,
res tul
- sires
should 1'shrink at thy command,

fil,
.
Ana
And
Whose
nuip me
help
*"
love for -
to,-
.
bids
-

my
sign
-o
fears?%
life,
-
Or
âândôr^t, ^.thy
tremble
t
i,
att

the
th
, ,,
erac ious
gracious ^ n
That ^
And make thy
a .
pleas-ure
way my
mine.
tears,

f5r
l t> > 3=a 3?
Coro./
' t T
tfc^;d^
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GUILFOKD. C. M.
m
s V 115
Dcrozloiit. (Speak the word* quit* shun the fir.t luoilnm. | . I
^"^SHl. Lord! when we bend be - fore thy throne,

E L'
1
And
g
L^*_
0,
*'
may
*.:=
we feel
s #
the
..... *,; ..
:
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|^
Our oon-ti ; Truer* rt; Ami let a ray Ecom t
1
3
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In choral ntjlr. Moilrrnto. STEPHENS. ('. H. k. , . H. JONES.
- 1>
Ei
i

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9hepherd of
ho-lj
thy
*
poo-p]p,
3a
hear! Thy
To
E^=P
-o now
#
i
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I
We kneel with - in thy

, ztE
prayer, 01
chQ dn
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3. Help us, with ire thy 0, i
of thy -
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- *
r
^ i * *
*
;i-
116
B ^^^
v {triable
1.
2.
My
He
time,
shepherd
brings
from Moderate
my
will
to Allegretto.
Ej
sup -ply my
wan-dering spirit
need, Je - ho
back, "When I
- vah
for
MEDF1ELD.
-
is his
sake his
=Et
name;
CM.
In pas - tures
ways; And leads me,
fresh
fur
he
his
makes me
mer cy's-
feed,
sake,
Be
In
- side the
paths of
a:
liv
MATHER.
truth and
ing
-:
stream.
grace.
I
as;
5I
-1 )V
r 32^F
mf
as
-r^
<
sr
D !
C J -*E._C *_L^
1111
_C. ,_U
f
^_l. r
-P^t
|>
.u_C j_g_iii__^__C=L_|
*1 t
LJ
C _
r I 1 t I
* r~ *
i ' v _ ft ri *ft
?W
MEDITERRANEAN. M.
m
Choral. C. V. C. T.
:<?zzs:
i^JE^gJÊgg E^gE^gE^BEEpJE^ E ^=Jzz3
1. When, as re - turns this solemn day, Man comes to meet his God, What rites, what honors shall he pay? How spread his name a- broad?
2. From mar-ble domes and gilded spires. Shall clouds of in - cense rise? And gems, and gold, and gar-lands deck The cost- ly sac- ri - fice ?
'.',.
Vain, sin - fulman! cre-a- tion's Lord Thy offerings well may spare;
But give thy heart and thou shalt find Thy God will hear thy prayer.
rr u
^^fm^^^^
-f
r i i i
j j.
- J-
^J r r
#:
trrtff
r-rj.--J
?: i
r
With life. DEVIZES, C. M. II ( U& Amtrlctn 117

s>.>\: 4^ .}. 0ZJL
l C m heerful eongs, With angels round the thi I thoaaand are their I I all then
3. Je si.
- Hon-or and power di-vine ; AjidblessL l,fbr~ev-er thine, Be, Lord, forev er ;
E5?
m &L.';I^^S^fe^S^ ;L -I
i
/
> *
=F
Suit
'-"-- MSk>;l^H;l' T:ISK^r lp ":

';J :
'
-
:
:: --^L- L' - : .
' >:
r
111 llioilcl.ili
.ml uvniil
ami SUM linn
I .
ilrawlini; imiini.i.
SI a it .iln,
.11 N I AT A. CM. -FUGATA. V. C. T.
p\>\>.)
;!> 1/ 1
'
Wfe&&^&^^ssem ^fel
=
Oh ! for a closer walk wuh God, A calm anil heavenly frame to shine upon the road That lead* me to the I That leadi me to the Lamb
Ml.
-i.|,"Vs I
^ ^ ^ ^
<oro.,
A calm and heavenly frame. A light lo thloa upon the road That leads me to the Lamb.
\ Soli
* V *
^3
-
ss <+ +
AA calm I b . _
nil heavrnlr
r i in and I. .,"_
frame
t .
Tint
.(
"t's.
leads_ me
t .. -. 1 t
to V. a
the
.-
Lamb
f **>>
118 CELESTINA. CM. Double. (Quartette.)
V. C. T.
In au easy, flowing style. Scmpre, Messa di voce.
iEzS:
lEEEE i^zzFzfzfg T B it
azz^z a: x
tp 3
That gem the
:cl
eve ning sky

bright, More dear to vir - tue's eye Than all the glit - t'ring orbs of light, -
There is a star more mild -
ly
dor forth, Nor slaves to vice and fol - ly feel Its sweet-ness or its worth.
splen
^
-
shall nar row big ot zeal In -
vite its
2. But ne'er -
And you hope may claim
sup - pliant eye, In our Re - deem - er's name, To you his grace is ev - er nigh, this
3. Ye who but raise the
T
tW 2zz
:s:
^fe-^fe
i '&-
PL
W-
S^^Pg tZlZZZTZt
"rrn ^~~i
&
, > ri i:
:?zi*
-&&
a T r.
f
r
'CJ r
J-
,
J .LJ i-C& -H-- :-t$ x=, "r

J-zinz3
zz3zi>Jzzzz#z prqop
Pi
:az
xzx
ggEE^te i* ~F=W-
zzzzzzz^c:Xzzzqzpz3fciZ|3L^

n I
n
-sLJ- '-^zBE iz? is:
I
And shows be-yond the peace tomb The hope of joy in heaven.
Its cheer -in- fa - tre gilds the gloom, When life's frail bands are riven ;
- fill
The s ar of hope in heaven.

But ye who life's de -
vious lays, Im prove the mer - cy given For you shall glow with bright
- ;
- er ray,
The star of bliss in heaven.
Then while Tn life's tern - pest -
uous sea By ad - verse waves we're driven May hope and faith ex - ult ;
- ing see,
& **= ~r
:si
1^3
zzzr
iz^teEg^r^-J^ ------ Z==-
mf o v ' Crcs.
fe
Mj*
T~r
IJZZ
c&
J j_
_ZZjZZIIZZ!ZZHI_^.
J J J
SI J
-I
ZZ
-J- JZ
isJ J
i EiES
T J-J
jil
|Be
J-J
S
j-ns! J-J -r fi
J
r= r-
1
-t-
^>..
isf"

Slowly, In i T]irtsloii at tin- linmr lmpllm. SERENITY, C, M. (Trio.) \\ oicU bj \\

\
.
. 0. T.
II. '. IM.MillDV. 119
Laic of Springfield Mui
P&g ; ^jJjEEgEf*
(
?=EFEtr!EfEr-PE
ECE pEE^ iEggr i
: [V |V I' I'
l Be hold the wee! era eve nine light! It melts in deep'ning gloom; So calm-ly i
sink a - n l-iog to the tomb.
.'.
The winds breathe low ; the witheru i the tree; So gen - tly flows the part-ing breath, When
^ 3 r^S^^^
*~Z < ,".
:j=t I' <l'
(Sine imoll notes to 2d. 3d and 4th verses.)
Hon beau-ti ful <m all the bills Theerim-son peace the Ohris-tian - round his bed.
^ *mmmm&

8 -
c'^
i. How mild -It on the wan-dering cloud. The sun-set beam is ca-t '
Ti- tike m-ory left be - hind, When tlir-irlast
'
- '?=?
^ ; i
*
J!
Willi rariii >i m SIRIUS. C. M. V. C. T.
I^.S=^; * . B . S
fcfEEgfEfgEEf vjg~
O <
* .*
t ! ,
And learn how

*
am.
I'
1. Teach me themeas-ure of my days, Tliou Ma-ker of my frame: I would sur-vey life's nar-rc frail I
i >pan u all that we .

How short the i
!
I Man i-> but van - i - ty and dust, In all b
:;. What can I wish, or wait for then, Prom c I
dust! They make our ei |
J& a::
s
*
5^^ ^ SSE* &E* :
-
c
I"
m
III
: r
=F=N
-s gEe#gEgE?= ;\ | ~g
<* **
-*
5 p
p . f>
^-- .
-

- .
.
- ^
'rT? i * * ,0 I
E
?^P^ , .
^ *
*- u I * *
120 Medium. With care and expression BOUDOIR. C, M. (Trio.) Arranged from VERDI.
!
Dim.
~r
T_
:K=f=^ __f T- &- _E _T
z
s- "_P~
i
Lord, I believe a rest re -mains To all thy peo - pie known ; A rest where pure en - joy-ment reigns, And thou art loved a - lone,
Alto.
. /_s rf) Dim.
r^: j_t
ET
=35 ze
-t=W- __ J2_ _r^ : hi
iPPgl
Treble.
_
rf-r-te?
& -p>~
IF T 9
~p-i& a_ /Tv f ,
^-s Dim. _____
Rather slowly, and with great care and delicacy. NEWELL. C. M. V. C. T.
Mm& EEE =_E :_

"I
~
xzr
"
_r
:_zP-
g=_^|Sg=| H
2. Soon as the morn the light revealed, His praises tuned my tongue ; And when the eve - ning .shades prevailed, His love was all my song.
8. In prayer my soul drew near the Lord, And saw his glo - ry shine ; And when I read his ho - ly word, I called each prom - ise mine.
_______
Hk:?=T
p_____F_
m
-p
o
it__
^ ._j: _j:
:c_s_tjt~
t ! f
...
2?: SB
^^^Jj^f^jpj^--|^.^j-^^--^^-gP <v
r__Aj_!
__- ;
^^BE^=^_E_Ef
-rJ. ^,j_._j_--
r
>g
j
r-
i
J
1
r
*~f~
j^
i *^r ~~t.~
1=
Me(Uam< AMADIS, C. M,
gj 1 T in
.|../|.:-Vi;|;-
1. of the night, I though!
:
op
-|"H oo
&
; . ih |
hf A mi the
s
I
a ' y i
.U the heaven-ly road; s
, ,. rfea an IiM

Wh
V
'
, :
PlT*
si. . Ij^fe I
nr] fp i Hail i. I1 i 1
1 I i.
j i J J J. -
-
.-r,
' : ^'''fefe^ " !

*
PLUTAReH.

All. i. (i<>. \t AJlegro.) C, M,
V. <\ T.
?.;* "
- '153E 3^.^l':-|.|i
/^
#33&ij3:i ,____-_ _. -...v, 'Ml TAB .jj
l"U

Ml HI - \ JIK".
o s =p ^-. ^-^ : .
bom. "; >. <,,,. IM ,.
s
'rÎ-'^l^'l-.U'
-
r - k J* J*
1
ee 1
t-PP
r
? S^ !
::'
^ggg^^
122
1.
2.
3.
Gentle and flowing style.
Great Father
Blest earnest
of each per
0, shed a - broad that roy
of e - ter
-
-
-
feet
al
ml
gift,
gift,
joy,
Behold thy
ThySpir-it
Declare our
BUCKINGHAM.
*j
ser-vants wait;
from a - bove,
sins for -given;
it
And
C.
With longing eyes, and

To bless our eyes with
bear, with en -
M.
er -
lift
sa
gy
-
- ed
cred
di -
hands,
light,
vine,
^^Sl
(Transpose,
And
Our
if
We
preferred, to A|j.)
flock
fire
rap -
a -
our
tured
- round
V. C. T.
thy
with love.
hearts
thoughts to heaven.
gate.
t -r
1-
Rt=3=X
~
_i_ M
si
~
hn
^r~r I
r- fTi
m
^
i
-gf0f -0~ r~ j ri~rt i rl

i
rj
.
.
m *i =-^
AVM. B. BRADBl'RY.
Medium time. Legato. JAZER. C. M, From (he "New York Choralist.'
ffi^jgÊ^g^p:
1.
2.
O
O
for
for
that ten - der - ness of heart,
those hum - ble, con - trite tears,
Which bows be
Which from re
-
-
fore the
pentance flow!
o e
Lord
1 ? :
si ^zÊEESEf
That owns how just and good thou art,
That sense of guilt, which trembling fears
r=
And trem
The long
^f
By permission
-
mm
bles at thy word
sus - pended blow!
3. Sa - viour, to me in pit - y give For sin the deep dis tress,
-
The pledge thou wilt at last re - ceive, And bid me die in pe:icc.
4. O, fill my soul with faith and love, And strength to do thy will; Raise my de - sires and hopes a - bove, Thy - self to me re - veal.
'#'
~ZgL -^0-
#~~3> #" l -&
L5> H 0-0 ~ ty~
gtt ~<f-
Cres.
jl_ ! ;
I
irir-lj -Q-J
^-. r
gfe *
Ll
^=^C
m
iPgE^^^p^gip
J__l I
-G>-
Pr^f 2s:
f
J
KM
&
\ ii. .11 \ inniii.
lui;i l.i-i
l'.\ A. C, I. Abrldccd from the onfum) I 23
s s s
>=*
^r 1 L 9.
"z?:
E 9 9
"
!r
N . .. I
l. B hold the .-! ries of the Lamb, A - mid bia Fa-ther'e throne; fa ha di
re the] f all the Bainta, And these the hymns thej raise; Je - bus is kin.l to our coin Hi lov<
s V
::^ :^ -=H-- .v
Boll. ( in ii.
*=S gg==
*
-~
9
FTr ^ r '_*
L U^ I
-^ 0> L- <*- " * * L r~
j. Let el - den worship al hie feet, Ifce church a -doze a round, With vi - als foil of o- dors sweet, Andharpaof sweeter sound, Audi :n<L
i, 'i i
on had redeemed om souls with blood, lla-t set the prisoners free, Baal made U3 kings and priest Lnd we thai] reign with thee, And we -liall reign with
-<
k' J l //J l
i^SE^fe? ^^l^-^î
* 9
*=^=
Coro.f
1
nip
~ 9
N >
^^r^^fer^^^fefe^^^r^ ^^l??- VA\ 3
1 ~ '
fff. ff f. J.
J- -'
fi
P
=. fa
"' '
'-n
k=iFF=? &
R I
-*-?-?.
* *
124 medium. DRUMMOND. C. M. V. C. T.
Slightly faster than
SESeS^BS EE2 ^
(See tuue Gibson.)

Si
1
gjzz^zizi > AM L
E? *
-
-1
5j^gÊ3^f
rows none,
1. What glo - ry gilds the sa - cred page, Ma - jes - tic, like the sun: It gives a to ev - ery age
light It gives but bor
2. The power that gave it still sup-plies The gra-cious light and heat ; Its truths up - on the na - tions rise; They rise but nev er set.
3. Let ev - er - lasting thanks be thine, For such a bright dis-play, As makes a world of dark-ness shine AVith beams of heaven - ly day.
Precisely in Medium time.

HILLSBOROUGH, C. V. C. T.
1. Why did the na - tions join to slay The Lord's an - oin - ted Son?
gE:BE&E
c==t
Why did they cast his laws a - way,
:n SpÊÊp
And tread his Gos - pel down ?
2. The Lord who sits a - bove the skies, De - rides their rage lowbe -
;
He speaks, with vengeance in his eyes, And strikes their spir - its through.
3. " I call him my c - ter - nal Son, And raise him from the dead I make my ho - ly hill his throne, And wide his king - dom spread."
r=EJE ^g=5EpEEEp '~9
* of a choir In this important department of vocal execution. See that the ^ths are sung short
Note to leaders o? emails -This tum admits of the plainest articulation possible, for the discipline
and lightly.
!
Mrltltllu. ST. MARTINS. C. H.

TA XSl K. 1 ^-O

'-'h".k"
I E -, ad surce of cv eryjoy,
j *
To thee my as-piree;
^35
-
Oh, c 'The Lord is mine," ,
^Tj lJU |J= S|^s mo -z.

il.j- '!.. .
0.
Soil. < oro.J
l.j.J.î: Sgi
P^S
II

d .
p
3d:
SE f * * *
.
r r ^"- <: *
WtUl animation. I>u( nol too fast. MEAR . CM. (FUGATA..

HPIIV II1CIU-.
1^
\
I 3E
:
nil ->* " R- zb u_l EK
. :
trM f, ! *
^
!
i=3 p: mimzULsMUhMj-k
M 1 1'
[
^; PÊEJeE^*. |. jl
S
;:=-i
^- J
w=^ ^S

O ;
f=?
EiEpEET
m.r
-.
i'
126 MORLEY. C. M. From a Spanish melody,
g^Jg^^
With seriousness.
!F2
tariff
E
ment, Be-fore thy feet, my God, My pas-sion, pride, and dis - con -tent, And vile in - grat - i - tude.
1. With tears of an - guish I la -
S SJd 1 *< -* *-*

utM
'----
ipggj ^pgi^pgât
w
These struggles in my breast When wilt thou bow my stub-born will, And give my con-science rest ?
3. How long, dear Saviour, shall I feel
5- ^-^P=^F
ISSfeir^fe&SSfegÊ -<<r
5: Iff
"Willi seriousness.
(OLD) MARTYRS. C. M. Anonymous.
-r *
izaz^c ^= 5=r?-3
2. The year rolls round, and steals a - way The breath that first it gave ; Whate'er we do, wher - e'er we be, We're has-teniug to the grave
SZ|gpppJ|Z|p|p|
"Trr 9-9 FÊEizQ:
\
-1 rrr
771
H=Zg L
s*-
-0-
P=
* ' '-&
@ 9
*
g# ZJ.
< >
ifci
*ir
. Ê =z=z=rziz-f
"
i r ' <
g^S^^^^^^Jt
PS 1 3=C ^r^dJA^ The melody of this tune Is
i' rfi;
doubtless unsurpassed even by that of " Old Hundred."
J rj-pJ
,p
i''ii
,
'^'hii 1
Medium. lth < 1 1>> c--.loi.
WOODLAND. C, M. \. I). (.Ill I.D.
Br pcrmiuioa
I
'
,)~~
5 I
nj-\:t' l;'s*' :!''"; I'M:

oar thooghU and wishes
;.l fly, Ahove these gloomy shades, 'I'" those bright woi Ida bey< n 1 tin' sky, To I at worlds beyond the ikj , Which t invades!
There, joya traseen by mor-tal In en er-bloom
jht divine, l i w upward aim I With one re ri -Ting took of thine, With 01
Ob then, on Bulb's sublimeet wing, Onr ardent where pleasures sprii e bright scenes when
E3
353
fl* KiL
s\.s*

*
S,,|i
m *
< ^fEffzzggdEjg: &= '
J J
-.-.
( = -_EfcfEfe^ I'
r
With cxprritlon. ELTimi. C, M. V. I . T.
mm? ; ESE3 : : ; : fg^j. .1.-:%'

l Dear- eat of :ill the names ;i bore, M, Ba riour, nnd my God, Who can t. ~i-t thy neaven-ly 1 Of tri Qe with thy bloodt
.^1^^'i^^^^^
8 li- by the mer Eta of thy death, Hie Fa ther amilea a - gain; Tia I
; thine in breath, The spir it dwells with men.
1 I-
-.,|i or si ini-< < urn.
Igl '[' M feE^fet^^lÊe . I

*
t J* tt J
L U, ,
128 Faster than Medium, but softly and gentle. S-ULDEN. C. M.
Theme from BALFE.
" -G^Zf-^p
I _tz^zt^SS: ~ar
eÎ&5
1.1
2. I
love
love
to
in
steal
sol
a - while
tude
a - way From pv ery cumbering
-
care- And spend the hours of set - t.ng day In hum
i
- i - to shed The pen - i - ten - tial tear; And all his prom
- ble, grate -
ful prayer
P
3. I love to think on mer - cies past, And fu
- i - ses to plead, When none but God n%
- ture good im -
plore
My cares and sor - rows, all to cast On him whom
is
I a .
dure'
+-
1HI Solo.
~r~
1 î-
=s= :zjz^zzzbzjzztzz
N
--i
.
Is
i
bzqitzTzzj-
*-3= Slx^ ^z ^=3= ^fe^l?Ml ;
^
Coro.
Cres. Accel. Kit. A tempo.
m fezzzzrFi"z=:
-p - Jj_j-
3EZ
I
_
P-
J-
r
i B J~
=tZ^T I^ZZ^Z îpz^Z
T3.J
p
?FiS E3^^SH
EEEt :ei:SttB "<5
:z
J
-:zzizz:rzfzzzzzzzp!i^^H
^=rz
r B
==^ =r:r^s
i^zzzftF^zzr^Fz-z Fg=F|:
l i

r-rr szi:pzz_zzztirzz:_rzzlpzzzp^zzE
Rather slower than Medium. IN6LET0N. C. M.

#
Ig^S^lEZg^ZS nP=e=zzi h~rrr
^=!^zzn
* -9 *i
1. Christ and his cross are all our theme: The mysteries that we speak Are scan -
dal in the Jews' es -
teem, And
km
fol - ly to the Greek.
p m
lib
' ' ' - #^~
" -- _- ^*_t_ EE e_L^
c=c -
*-z>zzfW
^--^^
3-'z^* r ^- p- Jl-JLLfi
-J-r *
' ._
JlUU-Zi
l h is
:
ffi
^Fzzz&
- 1

zz ^=fzfcf!=zr^F^p^^
*=5-* *6l_5_rzz ^=nizzizzzzz#zztz:E:
irrF^

Strloio.
SUTTON. C. M V. C. T. 129
gg^gg ggs^ gEg^r I g /pip: ':

\ I:
*: : HI ISZHr
I'
1 All vi', who feel distressed for sin, An 1 rear ter-nal woe, Xon Christ in-vil ler in This hour in ,Ie - sos
j ii,. i.y In-, nun ul mightj word, Will all your fears re - moi wound his precious blood A .
halm shall
> "
f* * *
r/(/>
\ s s
< feg^gfe^miq
I
5
=
ffl
:, ^
e3i i
fevl-^L I'

f
W t
_t t
J*
' J
- p-J i

pJ* J* f -j
1 j6 1 1 r 1
----. r 1-
j
p- 1
c =
(..
1.
1
mli
How
.
con
Thi- was
r ^ ^=m
flatting style.
de
com
:[
Mending,
pae-sion
and
like
how
a
kind
God,
v.
That when the

COtfSTOCK,
3e
o -
tt^pFEff
ter-nal Son!
Sa-viour knew
Our
The
C. M.
Jt.JZ.0L
misery reached his

price of par-don was
heaYanly
-01
hi
mind,
I
s
And
!
|
s
9
.
j hi
*
or
I
a
him down.
withdrew.
IE
3 FS --E

F^f ^ 3*rj jij
0-0 j jvfe
0000.i
^M^ l l
1
* V-J * * m
mm
" [oro. m
-m-
.
Boll,
\
p^-
....
p i f .
r-ir
w
flijj ^ seT|'
... 6
^-^^[^^F^^F^v-^F
^/-.
ty-Fr-
?-
,
F
"--
.s:
130 Rather fant, the Jth Staccato COVIL. C. M.
%" S^feEg3EE
1. Thou dear Re-deem-cr, dy - ing Lamb! We love to hear of thee; No mu - sic like thy charm -ing name, Nor half so dear can be.
2. Oh may we ev - er hear thy voice ! In mer - cy to us speak! In thee, O Lord, let us re - joice, And thy sal va - tion
-
seek.
3. Je - bus shall ev - er be our theme, While in this world we stay We'll sing of Je - sus' love - ly name, When all things else de - cay.
m
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Rather fat> CAPIRUN. C. M. *
^^M-JIZgT
1.
-111' J,f / J^
__je_j
The Saviour
*
calls
-
let
l; >-
ev-ery ear At - tend the heavenly sound Ye doubting souls, dis - miss your fear ; Hope smiles re - vi-v ing round.
mf
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EST1CE. C. 1.
3. Tin' Spirit, like mkm lieavenlv wind, lil^w* on iho ton of fleah, Men model* ill the carnal inin.l.
: An I forma the man a - fireah, And forma the n -ji a freh_

our quickened ioul. awaki- mid rise Prom their long sleep of death On heavenly Ihinga we ti\ our
, i
j - And praiee employi "ur breath, And oar brraih.
I. s
- I
t nr."l
urn.
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I'l.iln anil nlmplr. WRENTHAM. C. M.
ml
-
Bin - nera, be -bold

Jf -
the
sua
Lamb of
now draw
^z^^f^
Qod,
near,
Who
In m
t:ik.--i .1
tod
-
way
by
our
hie
i3
gnQt;
word;
Look to th'a
The chief of
to
ho
-

>=n:
az:#:
ning pre-eioaa blood,

pen need not fear;
I
lli.it
Be
ior our aiM
hold the Lanib of
^.^
he
cr
spilt.
1
132 Medium time. (D^ or Bbo REON. C. M.
PS-Iff
__ j
1.
9 *- 9-9 9 9
Fa - ther of mer-cies, in

thy word What end - less glo -
?2=R
ry shines! For
SÎZ
- ev - er be

thy name adored
ig
For these ce
:*z=jj: -*
- les -
'JEL'JSIZ
tiat lines
I
1. Here may the wretched sons of want Exhaust- less rich - es find; Rich - ps, a- bove what earth can grant, And lasting as the mind.
3. Here springs of conso la - tion rise
- To cheer the faint - ing mind ; And thirs - ty souls re - ceive sup-plies, And sweet re - fresh - ment find.
m *> cres. m mf
w
gyg- i , o -H -j t-M j-n'

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Ease, do not sing the down beat dotted.
With
2.
pathos, speaking the
feSEfe
Once they were mourning here
words quite
iffiziatEei:
be - low,
short.
IE
And wet
HOLLISTER.
^rSSÎ
their couch with tears ; They wrestled
C. M.
hard, as
a
wc
~y
do now,
izt
With sins, and doubts, and
V. C. T.
S
fears.
By four voices. < < "" "*" Cres. ----- > Cres. - -
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Do not dwell upon tho first notes of the several strains, but touch them li'htly. SinR with groat care and precision of tone and expression.
, 1 :
Me<llrim. Bold and triumphant, "taccnto.

HANSON. C. M 133
s s s
Hi J- - - '
I'
cor
'
"I 1=1113 ~~HeÊ''*
stone The builders <\\ iv
\ I fi^=rM*^T-
church then In spite of in
I
.=g
l. La, what glorious i'-r 1 ith buill lii- rioua
eat to the work is all di The won ler of our - the 'Li-, th it proves it t:
^\
i-<
2 i
.
' I.
jo i co an I saints, be The S i\ iour'e n.une be; ' Let end i his 1. With joj and glo ry
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Calmly. 1'LEIADES. f. M.
i g . p *- B^S EeEiSBfciZE. # *
| [ii- i
C i r f I
^Ê^zrj.r
:; Pre-serve me safe from er cry pin. Through my remain A.nd lei each vir-t- me
4 Lei livi- ly hope rm- soul in - spire. Let warm af - fec-tioas rise; An 1 may I wait wil To
i
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134 With life and expression, though rather Mow. BROOKFIELD. C. M. Partly from BELLINI.
-^ ^Êi^^^^^^Ê^^3ZE^^pgÊg|pEEE^T^fe^
p H~
*s
&~-
1. How far be - yond our mor - tal sight The Lord of glo - ry dwells! A veil of in - ter - po - sing night His ra - diant face con - reals.
2. O, could my long - ing spir - it riê On strong, im - mor - tal wing, And reach thy pal - ace in the skies, My Sa-viour and my King!
Soli. <n -~=Z. V_ -r -==C^Z> Coro. m ^s -=^T ^=-
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aSbacx* ggg^w
Ptte
^=s _a tit
^jî ^feriP^^ iii
Allegretto. Messa di voce.
(kd) TIFFANY. C. M. (If convenient, change the key of this tunc to Db ) V. C. TR.
EBEF 3=^^--r=: =Epz î gz:^z:^pdzzzfcnr#^=^ + fee ffl * *L^

ejc a
1. When languor and (lis - ease in - vade This trembling house of clay, Tis sweet to look be - yond my pain, And long to fly a - way:
2. Sweet to look in - ward, and at - tend The whispers of his love; Sweet to look up ward, to the place
- Where Je sus - pleads a - bove :
3. Sweet to look back, and see my name In lifu"s fair book set down ; Sweet to look for ward, and be - hold E - ter - nal joys my own.
W^^
^feJ^^SSfe^|p5
m P Crcs. -----
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J. jl r J J r * r *
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(imilr and Plain nrllrnlatlon. ELTON. C. M. V. C. T. 1 Q^
m
Snppllratory. utxliiol. \Vortl >>
K
1.
.
l'ravi-r
u^s
m tlM Jnir den <>f a Bgh, Hh Ml -IDg "I* a tear; The upward glancing of an eve. When DOM
Whea dom
-^s^m Iod^
)<u' Go^**
brt <
2. Prayer ii the Chriatian'i vi tal.

breath, The ua - tire
Christian's air. Hit watchword at th I ; rkistti. !!> en tarsbearoeb
3. Preyei h the eon trite
- sinner's voice, He - turn-mg from Ins ways. While an - gelfl ill their KOgS re- joi And Cry, " Behold, he
hi prays
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OLNEY. C. II.
si szrsz s s # _ L,- _K
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1. To eel - brate thy
praise, Lord, T will my h. pre -pore;
:irt To a'l (he listening world, thy works, Thy won -draw w..rk de - dare.
m m
j. The tbooght of (hemeball to my soul Ex - alt . ,,i pleasures brag; While to thy name, it High, TVi
um-phant praise I wag.
I
a., a
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136 BARNARD. C. M. (Trio and Chorus.)
V. C. T.
Medium, with all possible emotion. Portamento di voce.
Soli. ^ *? ____ _ -^ L___J_ May end here if preferred.
J 1 f
I. Re hold what pity touched the heart OfGod's e - ternal

- Son Descending from the heavenly court. He left his Father's throne. Descending from the heavenly court, He
; left his Father's
I
throne.
S.'. His liv ing power, and dying love, Redeemed unhappy man, And raised the ruins of our race, To life and God a - gain, And raised the ru-ins of our race, To life and God a - gain.
Soli. . . . . t ! t
must be sung by good voices, and the words must be felt, or the character of the tune will not be perceived. v Coro. =zZ~ j
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Slowly, will, delicate and pathetic expression. AUBURN. C. M. V. C. T.
EK^r 1. When trouble fills my soul with grief, Oh hide not, Lord, thy face ; For I can hope for no re-lief, Un- aid - ed by thy grace,
fe2=E
Un - aid -
is:
ed by thy
:b3e
grace.
2. Our fathers, trusting in thy word, Re - posed their hope in thee In thee protection found,
; Lord, And life and lib - er - ty, And life and lib er - ty.
5. To all the world will I declare The greatness of thy name As-sembled saints my voice shall hear, As I thy praise pro-claim,
; As I thy praise proclaim.
m > -
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Modcrato. CEYLON. C . M .
V. C. T. 137
5fe >-m* :..\.\i

m ey epinfF Saviour Shall I not weep hi* groanato bear, Whogn I foe met
! Blest Je îh' 1 1 li-t
k. thote tears of thine Sub - due each stubborn foe; Dome, ti.l in y heart with lore di vine, And bid my sorrows fl.,w.
Soil. Two
T\m> voicea
voici-a to a part. C oro.
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Faitrr than Mrillum. ELLISON. C. M. V. C. T.
'i
Do
Do
not
not
I
I
tore
fore
thee, O
thee from taj
my Lordl
aoull
Be -hold mv
Then lei me
heart
noth
and
ing lore:
And
#^
turn each worthies*
Dead be mj heart to <-v
del
ery
S
ftsbibyj
i out.
joy
-
-
That dare*
s
Which thou dost

n.
to ri
not

n val
ap
i 'I
thee,
prove,
:; I-i not thy name me lo-dion* (.till To mine at ten live earl Doth not each pulse with pleasure beat Mj Savioui -
#-#- * m -00-0
Soil. . ^ tor... /
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ADORATION.
î^^feS M
138 Moderato Graxioso. C. M. <respohsive.> V. C. T.
pEtms^rrv
1. Fa-therof mercies, in thy word What end - less glo - ry shines! For-ev - er be thy name a - dored, For these ce - les - tial linrs
3. Here springs of con - so - la - tion rise, To cheer the faint - ing mind ; And thirst -
y souls re - ceive sup - plies, And sweet re - fresh - ment find.
j^M^^^M-J^^^^^^j îiîî
dat ^fe^pl^sÊpSg'^ ^feâ^g^j ^^
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Allegretto. Messa <li voce. BALERMA. C. M.
szz: 25i: ^ :==j; :t*- EEÊEEl :szz: 2ZI. jEEâEgÊÊp

O, hap py
- is the man, who hears In - struction's warn - ing voice ; And who, ce - les - tial wisdom, makes His ear - ly, on - ly choice.
*?-:
^r-j rzzac EEt
F^ rlr r HrM^f 331
lllÊEirSS
1 r^ .? J 1 ji 'J t-j
. j > '
I sffi pz^l^pzl^
1 ' i
t lose, gllittuK tyl. KH*S It id true ch*rctr )

PULKOVA. CM. V. C. T. 139
emn gloom of
EHL'-:i'^ ;'M-h night,
I, There'* not > rtar whose twink-ling light 11 lames the dii tant earth, And cheers (
'
I
Yy the parch clod, And clothe with rer-d and bill,Thai ^"d.
2 There's note cloud whose dews dis - till - on ing
n,,t
-
t place m -.irtiis rasi round, In > - ceandeep, or air, Where skill and wis-domare not bond; Phr <''1 is
i a round, Ik-- math. !

low, a - Ih-v.-. Whei - ov er paee 1
1 tends, There Heaven du plays its bound -leas love, And power with goodness I
^j.^|Êp=pEE^^^^^=^.^ lis \~'\ *,.

H - It -I II?
Soil.
' * * tor.,'" ' -
^..|..i- : K;.|..ii
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Si
ll.iiliu lo\\l>. with riprrtilon VO LINDA. C. M. V. ( . T.
^m mm *\&tm=^.?mm*^
I,
Tenor*.
Dear Lord, and w

:
ill
^^
thy pardoning lore Em-braeea wretch so ile ? Wilt thou my loadofguul re move, And bless roe with thy -.mile
waj
I
4. 1W- thou my shield, be thou inv sun. Oh guide me all tnv days, And let my feet with joy still In thj da light- ful
in
-
?^n
-...ii. < toro. i t i titt
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see
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140 Medium time. GLOVER, c. it;
-JtH
X -r r^F? dÊÊ^î
5. The beams of noon, the midnight hour, Are both alike to thee : Oh may provoke that power, From which I cannot flee,
I ne'er From which I can - not flee.
3. If, winged with beams of morning light, I fly beyond the west ; Thy hand, which must support my flight, Would soon betray my rest, Would soon betray my rest.
mf m ^ m son. -=r> coro. -=r ==-
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Slowly. BROWNELL. C. M. V. C. T.
_ w-IL^ 1 ZJU-^-i i H^KM J

^ZzEz^ZZSZ ssflBEE^BÊ^Ê^^gEI
1. And Lord thus condescend To vis it sin - ful worms? Thus at the door shall mercy stand. In all her winning forms ?
will the In all her win - ning forms?
3. Shall Jesus
for admission sue, His charming voice unheard? And shall my heart, his rightful due, Remain forever barred? Re main
- for - ev - er barred?
4. Dear Lord, exert thy conquering grace; Thy mighty power display: One beam of glory from thy face Can melt my sin away, Can melt my sin a - way.
77i rnn m inf _ tn.

"* .-. _ **
(Steady time Alto and Tenor.)
-.
fetZfjJZÊgg^gPÊgzt
J-.JTJ
r
4 * J_ J * J__J d I
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J r
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J fj l_i_ J
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m
d
r srrr r
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Irrll iiiov i- llir ill.

SPRINGFIELD. 0, M CDe cartful to kcp rhc Mm*
second iuiuuji of the third
correct!, to th*
tlmn >
V. C. T. Ill
^fetrrlrxl^^
l,
3. Ill
I wait-ed
spread his
meekly for the
works of grace a -
Lord,
broad,
He
The
boweel
saints
lo
with joy
lf;vr
-
my
-
cry;
shall bear,
He
And
-;nv
^sgjgsgii nn
tin- tiers
me rest -ins;
learn to
on hw
main my
word,
God
Anil rough! sal
Their on
I
lv
ra-tion
hope aj>l
-
f-ar.
fs .
Hfej ~9 #" E^gi3i^ i!=iC
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e . . . :
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YILXA. M.
^lE^Si
i - r.-i - tton gjyenl Bright as a lamp, trinee shine, To guide our oak to hearen,
8. h sweet -ly eheera onr drooping hearts, in this d.irk vale of tears; Life, light, and joy, it im
still
parte, A- I quells < t
8. Tins lamp, through all tin- te dious night Of life, shall guide our way, Till we be -hold the clear -er i Of an
r
\<M\'sM' :?\' 'i-\-;^ -H-r Hill
:
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142 With aerenity and pnthon. BLOSSOM. C. M. Arranged from a Melody by CLIFTOS.
Jhrfc t*-: ESE^fefe & m_ :c?

p$^^Ê3&3*=$ZEg%E^
1. Dear Ref-uge of my wea-ry soul, On thee, when sor - rows rise, On thee, when waves of trouble roll, My faint - ing hope re - lies.
2. To thee I tell each ri - sing grief, For thou a - lone canst heal ; Thy word can bring a sweet re - lief For ev - ery pain I feel.
6. Thy mer-cy-seat is o - pen still; Here let my soul re - treat; With humble hope at - tend thy will, And wait be - neath thy feet.
-*r
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^êesêe

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Faster than Mt'ilium. GALENA. C. M. V. C. T.
JpjE^^^^JBfcfegg^^Êgi^pB^p^^âE
1. If hu - man kindness meets re - turn, And owns the grate - ful tie ;
If tender thoughts within us burn, To feel a friend is nigh,
2. 0, shall not warmer ac - cents tell The giat - i - tude we owe To him who died, our fears to quell, And save from death and woe !
3. While yet in an - gui^h he sur - veyed Those pangs he would not flee, What love his la test words - dis - played- " Meet, and re - member me !''
Soil to the third strain. o w Coro. -=C^=^ O / "

=
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AllegTetto HUdliii". In exact time. CLEARFIELD. C. H. TC * nK . U3

m
Amnrrd eiprcul? lor Uu woik
Oh
i ^
fur a
1
(-limit
f-
of
FMJ
sa - cred j>y To
.
Qod,
sc=i=zz
the sov-ereign King !
^ i^-:l:''l:-:i4'
Let ev - ery land their tOBgnM employ. And hymns of Iri-nmpn
s
\
%
^P , ISE'I
#=r^j
Soil.
=*
a
i
e? ^S.
rn-r-::3=g *
F i
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Let every land their tongnoe employ. And hymna of tri
ti
- umph
^^ -in^.
^m
ft
- --.
#._J '" r Sr N N fr
e*-U- *?-Yr-j-j- j-[?
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Let hvmm. Ami Am) hvmm
Let every larul their tongues employ, And bymni of triumph UHg, And hyniiM of tri - uinph *<>", And liymin of tri uiuph ung.
M * . *
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Let u very laud Uiux tongues employ, And hy uum of triumph tuag.
144 Light and airy, quite fast. COLORADO. C. M. Arranged from HAYDN.
Sg^îÎ^MlS^rM^^
1.
2.
When
Hark !
ver-dure clothes the fertile vale. And blossoms deck the spray And fragrance breathes in every gale, How sweet the vernal day How sweet the vernal day
! ;
;
how the feathered warblers sing 'Tis nature's cheerful voice Soft mu - sic hails the love-ly spring. And woods and fields rejoice, And woods and fields rejoice.
BE E
A..
!
33ZZ^C
* f=^fr !
3. O God of nature, and of grace, Thy heavenly gifts impart Then shall my med - i ta-tion trace Spring, blooming in my heart, Spring, blooming in my heart
;
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1. helpless guilt-y na - ture lie3, Un - conscious of her load ! The heart unchanged can nev - er rise To hap- pi - ness and God.
2. Can aught be-neath a power di - vine The stubborn will sub - due ? 'Tis thine, e - ter - nal Spir - it, thine, To form the heart a - new.
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1. 0, what amnerag words of grace Arc in the gospel found] Suit ed to ev-ery sinner's case, Who knows the joyful sound,
me. then, with all your wants and wounds. Tour every burden bring Here lore, un changing love ah 1
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Who i'v ar will O gracious woral Shall of this stream partake; Come, thirsty Book, and . And drink tut Jot I drink fof
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ELMORE CM. V. C. 1.
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1 As o'er past my memory strays,
the Why heaves the se cret - sigh ? Tis that I mourn de -ed days, Still un - pre
part - - pared to die.

2. The world, and workl-ly things be-loved, My anxious thoughts em - ployed And time, un - hal-lowed, un - improved, Pre - sents a fear - ful void.
3. Yet, ho - ly Fa-ther, wild de-spair Chase from my laboring breast: Thy grace it is which prompts the prayer That grace can ; do the rest.
4. My life's brief remnant all be thine ; And when thy sure de - cree Bids me this fleet - mg breath re - sign, O, speed my soul to thee.
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Allegretto CLARENDON. C. M. TUCKER.
1. What shall I render to my God For all his kindness shown? My feet shall vis - it thine a - bode, My songs ad - dress thy throne.
3. How much is mer-cy thy de - light, Thou ev - er - bless -ed God! How dear thy servants in thy sight! How pre cious
- is their blood
4 How hap py all thy servants are How great thy grace to me My life, which thou hast made thy care, Lord, I de vote to thee.
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8 Hi ends your highest thoughts ; He pox-dons like a He will for er*a Mood.
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1. There U
a house not made with hands, E -ter-nal, and on high; And here my spirit, wait ing stands, Till God shall bid it fly, Till God shall bid it flv.
2. Tia he. by his al - migh-ty grace, That forms thee fit for heaven; And, as an ear-nest of the place, Has his own spirit given, Has his own spir - it given.
3. We walk by faith of joys to come ; Faith lives up - on his word; But while the body is our home, We're absent from the Lord, We're absent from the Lord.
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When all thy mercfes, my God, Transported with the view I'm lost
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AMNCiTON". C. M. v r T [49
1 A gain our earth-jy cares we leave, And iothy courts re pair; w rlk
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1 Oh bow [love thy bo lylaw! Th dai-lj my de light: And thence my meditations draw Di - vine ad-vice by ni.-lit, Di *
2. My waking eyes prevent the day, To med-i-tate thy word: M\ soul with longing melts a-way, ToheartJ
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That grace and mer - cy bring.
4. The glow-ing lamp of prayer will light Thee on thy anx - ious road; 'T will keep the goal of heaven in sight, And guide thee to thy God.
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2. There is a bat - tie to be fought, An up ward race
- to run, A crown of glo ry - to be sought, A vie - tory to be won.
5. O, faint not, Christian, for thy sighs Are heard be fore - his throne; The race must come be - fore the prize, The cross be fore the crown.
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1. A" pint- '! hart fcr eool - ing streams. When heat - ed i.i tlie elm-'-. Bo longs my son], I. for thee, And t hv r.- fresh _ xr%cc.
I I s thee, my <i"<l the UV-ing God, Mj thirst -y soul doth pine; O, when shall I be hold Lbj i Thou Ha rinel
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DUNDEE. C. fif. SrnttWh
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t init de - spair,nor fell re-yei to mv bo-som known; O, give mi for oth-ers" woe. And ; I <"i.
I. Peed me, Lord, with needful ! a-k oat wealth, or feme; Bui give i lyes to thy work, \ praise thy name
0, may my days ob pass, With -oat re - mi ire; And li for my |
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XERXES, C. 31.
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1. See, from on high, a light ili - vine On Je - sus' head de - scend ; And hear the sa - cred voice from heaven, That bids us all at - tend.
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1. Thou love - ly source of true de - light, .Whom I un - seen a - dore, Un - veil thy beauties to my "light, That I may love thee more.
5. Je - my Lord, my
sus, life, my light, O, come with bliss - fill ray; Break thro' the gloomy shades of night, And chase my fear* a - way.
C. Then shall my soul with rapture trace The won - ders of thy love: Then shall I see thy glorious face In end - less joy a - bove.
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5, Mach nf toy dubious lift is will re-turn < gam; And swift mj pasting momenta run main.
5. De - vout- ly yield thy self to God, And on bia grace de peud; Withzealpui bearenlj i.iad, N r 1- .-. 1 1 .i lup -
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1. Those mighty orbs proclaim thy power, Their motions speak thy skill; And. on the wings of er-ery hour, \\ . rend !.-. .cc still.
Kit when we view thy strange de -i_-n
To save re Del- nous worms,
Winn- % n join In tin ir iii - \ -.
4. Hera the whole De-i ty 1- known, Nor dareaa area- tore îie^s Which of t lie glo-n. -t shone, lli.- j<;- dee or the grace.
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154 CONSECRATION. C. M. V. C. T.
Slowly. Calm and gentle. (Dedication of children to God.)
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4. With flow-ing tears, and thankful hearts, We give them up to thee Re-ceive them, Lord, into thine arms ; Thine may they ev - er be.
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1. When all thy mercies, O mv God, My ri-sing soul sur - veys, Transported with the view, I'm lost In wonder, love, and praise, In won - der, love, and praise.
4. Ten thousand thousand precious gifts My daily thanks em - ploy Nor is the least a cheerful heart, That tastes those gifts with joy, That tastes tho-e gifts wi;h joy.
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5. Through every period of my life, Thy goodness I'll pur - sue ; And af-ter death, in distant worlds, The glorious theme re - new, The glo - rious theme re - new.
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MEDITATION. C. M. V C. T. 100
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I knra in sol i - be pi a ten tial U An all nis prom - i - see

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.".. I love to think on mer-cies past, And fu :
and Borrows, all I On him whom 1 a- dore, On him
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To '-ill then to liis arma

i. Are we not tend-ing up-ward too, To heaven's de Bired ;i I del Why should we wUh the hours mure sin w, w
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Thli tune wu cojnpoel M Surtield, Conn Ths nuihor wu bvn nt Nnrthlield, Ms**, July '23d, 1753, where he died on hit birthday. 1MB, f*d eighty four years.
156 Mrdinin. TULLMAN. S, M.
A charge to keep I have, A God to glo - ri - fy A nev - er - dy - ing soul to save, And fit it for the sky.
Help me to watch and pray, And on thy - self re - ly Assured, if I my trust be - tray, I shall for - ev - er die.
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1. Come, sound his praise a - broad, And hymns of glo - ry sing: Je - ho - vah is the sov - ereign God, The u - - ni - rer - sal King.
2. Come, wor ship at- his throne; Come, bow be - fore the Lord; We are hh work, and not our own; He formed us by his word.
3. To day
- at - tend his voice, Nor dare pro -voke his rod; Come, like the peo - pie of his choice, And own your gra - cious God.
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1. If. through mi - ruffled seas, Toward hearen we calmly sail, With grateful hearts, God, to thee, Well own the (- to
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-ti dud) oar doubts and fcars All j ield to thy con trol i Thy ten-der mer-cie^ shall il-lnme The midnight of the
i. Teach as, in i erj state, To make thy will our own And when the joy* >( - .! part,
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1. Sing praises to our God, And bless his sa-cred nam.-, 1 1 i - groat sal-Ta lion, all broad, Promda pro .
J. Midst heathen na-tions place The glo ries of bis throne; And let the won-ders of bit grace Through aD the earth be kn
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1. Ac-cord-ing to thy word, Let me thy mer - cy prove; Blot out my past trans-gressions, Lord, And save me by thy love,
2. Wash me ev-ery
from ev - ery stain Which vice and guilt im - part
part; Let me, Lord, thy love re - gain, And cleanse my sin- ful heart,
To me thy love re - store : From trouble set me free That Bin - ners may thine aid im plore, And turn in faith to thee.
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1. To God, in whom I trust, I lift my heart and voice; Oh! let me not be put to shame, Nor let my foes re - joice.
2. Thy mer - cies and thy love, Lord, re - call to mind ; And gra - cious - ly con - tin - ue still, A9 thou wert ev - er, kind.
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It e'er I go stray, He >l"tli my ">'il re-claim; And guide* me in hi* own righl tray, Pot hk moat bo -
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5. A mill ur roand-ing foe* Thou dost my ta - ble spread; My cup with Mesa-inga <> rer-flows, And joy ex -
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1. He lead* me to the place, Where heavenly pasture grows ; Where hV-ing wa tan (tent-ly pi--, tad full sal-va- ton fttwv, \n 1 full sal n bVm flows,
i. Win!.' he aflnrda Ida aid, I ean-nol yield to fear; Though should walk through death'* 'lark shade, M\ Sb< pherd'a itli metl
I - lepberd'a with me then
6. The bountiea of ihv lore, Shall crown my future days; Nor from thy house will I re more, Nbi speak thj praise N - ik tli> |
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160 Medium lime. MARVIN. S. M.
2. O,
f*-
bless this
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bring us near to tbee And may we
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find, that as our day Our strength shall al so be.
1. Here, Sa - viour, we would come, In thine ap - point - ed way O - be - dient to thy high com - niands, Our sol - emii vows we pay.
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rsfff^qL-ZÊÊE EEEgEgEI!
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1. Our heavenly Fa - ther, hear The prayer we of - fer now Thy name be hallowed far and near, To thee all na - tions bow.
2. Thy kingdom come thy will On earth be done in love As saints and ser - a - phim ful - fil Thy per - feet law a bove,
3. Our dai bread sup
- ly - pi}', While by thy word we live; The guilt of our in - i - qui - ty For - give as we for give,
6. Thus hum-bly taught to pray By thy be - lov - ed Son, Through him we come to thee and say, "All for his sake be done."
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melt tlii- fro ion heart Thin stubborn will Bub-dae; Each o - vil passion .> 1 furm me all a
1. Come, Ho Ij Sj.ir - it, come With in - cr
gy <li - vine; An I. on tlii- poor, be night With
:s. Mini- w ill the prof it be; Bnt thine shall be the praise; And on to thee will I do vote The rem - nant "f my ii.
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ODI I'TZ. S. M. (.i . -.man < ham,
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trembling saint",
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ft, Blest i- the man, God, That stays him self on thee! Who waits for thy >a\ \.i tion, Lord) Bhall thy tal ra tioo
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ARION. S. M. *
162 Somewhat fatter than medium. C. C. LTMAN,
Presented
Hartford, Conn.
for th-s work
e*
ifeq=eSE^ -JCZ3LL
^^ÊEggg^fej^f^^"^^^|j^
1. The Lord my shep-herd is, I shall be well sup - plied; Since he is mine, and I am his,- What can I want be - side?
2. He leads me to the place Where heavenly pas - ture grows, Where liv - ing wa - ters gen -tly pass, And full sal - va tion flows.
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B^ggEÊ^^pE^z;^F%^pfEr-P^ whom Lord Im putes their guilt

E^feE no more.
1. Oh, ble9 - sed souls are they Whose sins are cov eredo'er;
- Di- vine - ly blest, to the -
2. They mourn their fol - lies past, And keep their hearts with care ; Their lips and lives, without de ceit, Shall prove their faith sin - cere.
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BURLINGTON. B, M.
Choral. Slow, with revercnc* and ih..n -ixfu i i.r .
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I. Awl will 'he
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God of
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grace
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lencekeep? The God
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peace, An 1 lei Ins

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DOOMSDAY. S. M.
Anonymous.
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Choral. With <l. - ..ul:y. Old tunc rc-arranced.
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Bo -bold, with aw ful jM>mp The Judge pre pares - to come; Tu arch -an - get souwli th dre.vl-ful trump. And wake* the gen- oral doom
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1. Come to the house of prayer, O thou af-flict-ed, come; The God of peace shall meet thee
Ê^B
there; He makes that house liia home.
I
2. Come to the house of praise, Ye who are hap - py now ; In sweet ac - cord your voi - ces raise, In kin - dêd horn - age bow.
5. Thou, whose be-nig-nant eye In mer cy - looks on all, Who seest the tear of mis - e - - ry, And hear'st the mourn - er*s call,
6. Up to thy dwelling place Bear our frail spir - its on, Till they out-strip time's tar - dy pace, And heaven on earth be won.
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Choral. Majestic. PADDINGTON. S. M.
1. Sipgprais-es to our God And bless his sa - ered name : His great sal -
va.- tion, all a -broad. From day to day pro - claim, From day to day pro-claim.
2. Midst heathen na-tions place The glo - ries of his throne; And let the won-ders of his grace Through all the earth be known, Through all the earth be known.
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1. My S.l Mi.ur. Jim! m\ Km.-. Thj I I an ties arc <li -vine; Thy lip- with blessings vet Bow, And '
grace is
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'">' M1 " 1 '" Qdi My trnsi is in his name: Lei not my foes thai Beek my blood, Still (ri-umph in my ^liame
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>. dawn-mg light Till evening shades a - rise, For thy sal ra tion, Lord, [ wait, With .v er
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166 BEMIS. S. M. V. C. T.
With earneil nu<l Impassioned utterance. Wot boisterous.
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1. The Lord my shep - herd U, I shall be well sup- plied; Since he is mine, and I am his, What can I want be - side?
2. He leads mo to the place, Where heavenly pas - ture grows; Where liv - ing wa - ters gently pass, And full sal - va - tion flows.
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K ?- ?=i 3. If e'er I go astray,
He doth my soul reclaim
And guides me in his own right way,
.
Since he i9 mine, and I am his, What can I want be - side ? For his most holy name.
Where liv ing wa - ters gen - tly pass, And full sal - va - tion flows ?
m^mm^^m?^^^^^
4. While he affords his aid,
I cannot yield to fear ;
Tho' I should walk thro' death's dark shade,
i=i: :Ta:giz^=[::gz:=?z:
My shepherd 's with me there.
~ =^
Coro. -==C J =C^ Ijen. 5. Amid surrounding foes
Thou dost my table spread ;
My cup with blessings overflows,

And joy exalts my head.
.i j. 6. The bounties of thv love
%m
Shall crown my future days ;
Nor from thy house will I remove,

3=? lEÊE^ ft 1=1 Nor cease to speak thy praise.
. ' '
With iplrlt.
HEWLETT, 8. m. V. C. T 167
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Ro joiea, Ibe Lord Km;
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Four Lord arvl Kin^ a dore; Ye ransomed sainta, iîv.- thanks and -in,'.
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6. Be-joioe, ingkni-om hope) Je -Mi", the Judge, shall come, And take his wait ing ler-vmnts up To tin ir nal home.
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H AWN. 8. H, V. C. T.
1 Bon nreet the melt ins Ir. Which breaks np-on tho ear, When v the Imur of ri tinm a - nite in ;
2. The brees -ea mil theireriea l'p to Je -

ho nth's throne; He t.> their hum blc sighs, And ingi
mm 'vu-k.
3. So Je ma roae to pray Be (ore the dawn of li.rht. Once nn tlio chill- intj mount i-tle all the
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FLORIN A, 8. M. Double. Partly from tlie
Arranged expressly
Portuguese.
for this work
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IigEgg^ggfEBEg
I
Thou Day -star from on
^=E&
high; The sun it - self
m=^&EE
is
-f-f
but thy shade, Yet cheers both earth and

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sky.
1. We lift our hearts to thee,
With joy we view the pleasing change, And nature's God a - dore.
S. How beauteous na - turc now ! How dark and sad be - fore!
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Dis-pel shades of night; And let the glo - ries of thy love Come like the mom - ing 1
2. O, let thy ri - sing beams the

were our
rors past; And live, this short, re volving day, As it it last.
To mourn er -
m
4. May we this life im -
prove, for -
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ST TART. S. M. V. < . T. 169
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l M\ M:i - k.r ntnl my King! To thee mv all I owe; Thy sovereign boon ty i< the spring WhenceaD my 1' flow.
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let thy grace m -pin' My soul with strength di -Tine; Let all my powa Owe a* - ptre, And all my days be thine.
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1. God, to earth in dins, With mercies from a bove;
- And let thy pree-ence round as 'hine ok heavenly !
2. Through all the earth be - low, Thy wkvi tf grace pro-claim, Till dia-tant na ttona
- hear and know Tin- s.o -rs bless-t
i s
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170 With nlmplii It > Variable movement. ASSYRIA. S. M. V. C. T.
SE gg
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With hum He heart and tongue, My God, to thee I pray: Oh! bring me now, while I am young, To thee, the liv ing way.
m
1. - -
4. Oh! let thy word of grace My warm - est thoughts em - ploy; Be this through all my fol - l'wing days, My treas - ure aDd my joy.
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Medium. DESPONDENCE. S. M. *
g| F FSî EE l^nprf
jt=Ji* S=Br fczzg i~ ,1-
^fjfâifeli
1. My for - mer hopes are fled, My ter - ror now be - gins I feel, a - la^ that I
! am dead In tres - pass - es and sins.
2. Ah, whith - er shall I fly ? I hear the thun-der roar; The law pro-claims de-struc - tion nigh, And vean-geance at the door.
When -view my dread im - pend - ing doom But sure a friend - ly whLs per says, " Flee from the wrath to come."
mi
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Mr. Hum iiiiU. DUDLEY. S. M. 171
!*>-'
I
1 Welcome,
.1
I-
mm
;IH?=s:
iweelday of rest, Thai the mw
himself eomea near, And i-.i-i- hia -;um- to-day
I
;
Welcome
Sere wi may
!> tin-*
ail
HHH n
^m.' breast,
re And these reji
here, And lore, and pra
and see him
And th<
ray, And love, ami
*s
pray.
|
the place Where '""I mj Saviour** been,

I I- tweeter than ten thousand days if pit asure and of tin,
hi pleasure
m
1 111 Willing tool would Itaj In -u<-li ;i frame a- tin-. 'I ill called t" riae and toar r l.i-tn..' Ill--,
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Srrloso. CEEAMEE. S. H.
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8
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1. To nor- row, Lord, is dune, Lodged in thy sovereign hand; And it" if- ran rise and -
;
bines by thv com - mand.
9 The pree ent mo men! And bears on life a
O, make thy ter rante im ly wise, That Ihej maj lire to - day.
bom A
S
;;. Since on tin- Seel ing E ter oi - ty is hung, - wake, by thine al - mighty power, The a - ged and the \.>ung.
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172 Medium time only DEW VOIR. S. M. Double. Arranged from WKIGLE,
expressly for this work.
It? 1
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f
SS s
^sar-EB :Pr
5t 'i r~ ig IF
1. .Je - sus, the conqueror, reigns, In glorious strength ar - rayed His kingdom o - ver all main - tains, And bids the earth be glad, the earth be glad.
3. Ex - tol his kingly power, A - dore th'exalt - ed Son, Who died, but lives to die no more, High on his Father's throne, his Father's throne.
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2. Ye
# ?
sons of
^-
men, re - joice
EEE
In Je - sus'
z=t
mighty love :
^ Lift up your heart, lift up your
sa
voice,
4. Our ad - vo - cate with God, He un - der - takes our cause, And spreads, through all the earth a - - - broad,
p=3 t> h N I* j
_

DEW VOIR. Concluded 173
1^ t=S=
T.>
+
him
-+
who ndai
*-
a - '
To I"'" who
ric-tory
rules
of
a
Ins
- bore, To him who

,.rv
rules
if
a
ml
-
crosa.
cr "~ The
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ST. THOMAS. S. M. A. WILLIAMS
grace is thine.
Bp. with bke-mg. o - ver j
are di - ripe; Tiry
My Saviour, and my King, Iky beaa-tiea
174 Slowly, with feeling. ALBION. S. M. IUVDS,
bft
1. Oh bless-ed
fct
souls are
i=t|
they
es Whose sins arecov-ered o'er ;
EET Êg^|EE
Di - vine - ly blest to whom the Lord Im putes their guilt no more.
-
2. They mourn their fol - lies past, And keep their hearts with care : Their lips and lives, with - out de - ceit, Shall prove their faith sin -cere.
3. While I concealed my guilt, I felt the festering wound But I con fessed my sins to thee, And read - y par - don found.
4. Let 6in - ners learn to pray ;
Let saints keep near the throne ; Our help in times of deep dis - tress Is found in God a - lone.
fedfe^^^
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Medium time simple and

$ plain style. HERSCHEL. S. M. V. C. T.
p: J
1. The man is
1
ev
^ - er
3=
blest Who
:*:
shuns the sin -

m.
tiers' ways;

A- mong their coun - cils nev - er stands, Nor takes the scorn - ei's place :-
2. But makes the law of God His stud - y and de - light, A- midst the la - bors of the day, And watch-es of, the night,
3. He, like a tree, shall thrive, With wa - ters near the root ; Fresh as the leaf, his name shall live, His works are heavenly fruit.
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Slowly, and (he solo Ad lib. BERT RAND. B.I. 1st Arninnnnrnt.
<M<>\ \>M |-\| s| |,.,. ( , . 175
I

M"-t gra
1
he ooan
I
.1 tber,
.i.nis
m'Is
tliv
Rod, re
of
will
thv
be

rod
lore
done
Thy
To
will
thee
on
oonoern. ing
my heart im-pred;
I all re
"
me;
gBdBSrgJ
Wha<

The sole
.hall
du po
do,
, t
whal
tl
mt
,v bid- ding
'
.
~
L
K
J *y U|
; \ ; H |
5. At thv oom maud
I go, <">r qui et ly
of tl own; Du , of awl i,
-
at tend, lill all rny care and tod be -
low In i
Solo. Portamento ill voce * # -

. 0
See direction* above. BERT RAN I). S. M. 24 Amuenent
I. Meet gra-dona
^Ê*
Qod, re real hy i
.,.> .
;
|.-. |,
I Li- tlnr. v will be

1 ill oonoarn
bag me ; W|W ' I do, what e'er feel,
Ill
done
w
1
T'> tbaa I all ri- ngn "" "" de
^- ! of tl,,n,- own, Dm ,.... .,,- lt ;
anil mine.
rpgnrne IP
176 HINCKLEY. S. M. V. C. T.
m
Paster than Medium, onn'liali but not too loud and boisterous.
^g^Bg^^ gg|Ê|^|^^|EEi^ 5
-^r*-rT
EEEJ 3:
1. Ye trembling cap-tives, hear ! The gos - pel pet sounds
truin - : No mu - sic more can charm the ear, Or heal your heart - felt wounds.
3. For - give-ness, love, and peace, Glad lieav - en aloud pro - claims ; And earth the Ju - bi - lee's re - lease, With ea - ger rap - ture, claims.
4. Far, far to dis - tant lands The sav - ing news shall spread And Je - sns all his will - ing bands, In glo - rious tri - umph lead.
< $^==&m
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IS
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Rather faster than Medium. PRIESTLEY. S. M. K
,! f^fegggp3gE|E gEfEfcl f*- SE I

1. My son, know thou the Lord, Thy fa-thers' God o - bey; Seek his pro-tecting care by night, His guard - ian hand b}' day.
2. Call, while he may be found, Oh seek him while he's near ; Serve him with all thy heart and mind, And wor - ship him with fear.
3. If thou wilt seek his face, His ear will hear thy cry ; Then shalt thou find his mer-cy sure, His grace for - ev - er nigh.
m 3=^?^ mi^ it i
IF
i
"Tf n T1
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in
Soil
f-^ p î-^n^rrr-^
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COMMUNION.
mmm^m n ( nlm. i "in. in |ilm i \ i innnnrr. 8. M, 177
i- Id re, in the bro-ken bread, Here, in the cup we hold, Who !*uf- l'.r. 1
-
our sake.
- <.< < > "V ^ -_

j j j j j j
B U.AVT ON. M.
tllrgrrtln.
]. X"t with our mi. ir tal

s Hare
jz^^=zr
we be
held the Lord; Y
S.
we
*
re jo
EE3EEÊ3
hie name, And lore him in
\ .
hi<
( . T.
word.
I'
.. i>n earth we want the sight Of our Re- deem n I. our in -

Iwell ui> on thy gi
::. And when we feel tliy lore, Di - ri - ner joya a i On winga of Gut!) is in u
a i :
-
s
s
. . }\ Ar-^&Êfr
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178 Medium. NORTHAM. S. M. V. C. T.
_=c=^ . . _ ^Lj
3t
i
1. How charming is the place Where my Re-deem er God Un- veils the glo - ries of his face, And sheds his love a - broad!
2. Here, on the mer - cy - seat, With ra - diant glo - ry crowned, Our joy - ful eyes be - hold him sit, And smile on all a - round.
|&fl^xîii Soil.
lE
Coro.
P3SE3
a2 P
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1
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x_u J J- XJ JL -r-J
H-Er^jEEÊ^SEÊrSEQElSE^
frj-îr
c
r....:Cir,,l,p.; :
i:;p
fi*
i*
1 ^
SANDWICH.
S
Medium.
feEE?
3.
2.
The Lord de -
Be - hold the
lights to
liv -
sa^
give ;
ing bread
He knows you've nought
Which Je sus
- came
to
to
3EZ -2=M1
buy
give,
: To
By dy
Je -
- -
- sus
ing
S. M.
in
~rar
haste, this"
the
bread
sin -
re - ceive,
ner's stead,
l
And you
That he
PB
shall nev
might ev -
-
-
er
er
die.
live.
:--*?:
JZ.
3E ffl JS5 E :
^S 3=3 l^^S^^
:M:
m=r=2
^sr=-
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Plniutlvc. CAR DEL LA. 8. If,

\ . t . T. 171)
* s
fc *3 '
*>
=^Fm -J J-tFS * *
* I'
] My Hod, my pruyi-r at - tend! Oh bow thine U to nn', Without hope, without a friend, With out ft help but
3. Thy mer cy I en - treat, Let mrr -rv h<':ir my on-*, While, hum lily wail ui_r :it thv Ml My dai ' ]\ prayers a - - ri-r
4. Oli, hid my heart re - joioa, And ev - ery (ear con trel, Since :it thy throoe, with sup-phaotToioe, To thee I lift mv
>}
m
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0" 0* **-
== * ** **
*
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T=?
Animated. Drrlamanilo. CLAPTON. S. M. JO.\E,
An Eafluh derrrm&fi
1= -*^S
1. Thy name, al - angfa - ty Lord,
.
Shall eonnd through dn - tant
^^Si
lands; Qreai b tfey grace,
r
and sure thy word;

i *
Thv truth
MtZjt
n er stands.
^
far - -
t. Far be thine boo or spread, Ami loiii^ thy prune en - dure, Till momiiii; h^'lit, and eve inn lt sliade Shall be ex - changed no more.
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** **
. '
xE ' I - V
180 Rather slowly. Staccato AYRES. S. M.
::
1. To bless thy cho - sen race,
I
%sr.
In
:
mer
SEE
-
k_:>3
cy,
_e^^_j
Lord, in
-**-r
- cline ;
B
And
"t
cause the brightness of thy
SHE
face On all thy saints to
aÊ ehine ;
2. That so thy wondrous way May thro' the world be known, While dis - tant lands their bom - age pay, And thy sal - va - tion own.
*&
Cff
1
t
szq^z::
i
t
i
r
i
i t
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Ritard slightly.
i
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With calmness and serenity. ZELL. S, *
_s_*s:
Ij igsiggiglEgEpg^fc^gÊB L
:~r
5
1. My son, know thou the Lord, Thy father's God o - bey; Seek his pro-tect-ing care by night, His guar - dian hand by day.
2. Call, while he may be found O, seek him while he's near Serve him with all thy heart and mind, And wor - ship him with fear.
8. If thou wilt seek his face, His ear will hear thy cry ;
Then shalt thou find lus mer - cy sure, His grace for - ev - er nigh.
pfer^
m
sas ;pz-rf!:
o
3: 3^ ^^|p^p^ 3= 1
p aEgEJ
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: 3*EEEEElSEgEE S fZZ^ I
. k
MrllllllU. BORACE. S. M. \ . C. T. 181
IK- ^W-^^^Ê^^^^^F^^^^
I. I - .-. or think I see
ing from a far A day, tha
'
I
* f
- "
I
1
i
e - run 11. r of tin sun, It marks the |
I'll gase op 0:1 it while I 1 the n - sing
s *
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w * zJL?_y *
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- ; sîPrs=NbjIIPPi=gEE=Eg=Pre^ 1: ^=^ '

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1
< licrrfui. but u<>( bolaterooa. PL A INFIELD. S. \ . I
s
= :*
r ,v eJj c r. / ' ' -1.JeE/! 1
1. "I'is God the S; In paths be -fore >.n - known: The wort

n ed by bu grace, We -till pnr me our w li the pi
be that work-- to will, Tis he that work do; i-. thepowei by which we act glo
">
" s
I EBEj *
S ^-
\ s ^ ^
^
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mf c .. ..
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g Pf77^ jl J i
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.
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1"
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e *=f^
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1 * - ':
* : = *
182 Medium- Cheerful. SPARTA. S. M, *
j^ra^ ^^5cc| ^ ^fr=f- gri3!p^

1.
2.
While
To
my
ev -
Re deem
er
-
- fra -
- er's near,
grant meads,
My
Where
shep
rich
herd and my
- guide,
a - bun-dance grows,
bid
I
His gra -
fare- well
cious hand
to
in -
ev
dul
-
-
HP^
ery fear,
gent leads,
My wants are
rr*T-
all
mm
sup- plied.
And guards my sweet re - pose.
3. Dear Shep -herd,
herd, - if I stray, My wan - deling
dering feet re - store
store;; And guard me with thy watch -ful
- ful eye, And let me rove no more.
*r^
m -*=Z
" e 4 a "= ' - <* g_ "'j 0"
m
ej-0 m * S-
=r -<
-=r: -==r
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Dim.
<grg_iz r0 * *-
1 g~~
~
rh^r _
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?*t~^-^ -r*^ -* ~r ~ re r r * g* Is zg tn t_
Medium. No faster. A LI K1 UA . O. M, #
1. Blest Com - fort - er - vine!

di Let rays of heavenly love A - - mid our gloom and dark - ness shine, And guide our souls a - bove.
2. Draw, with thy still, small voice, Us from each sin - ful way, And bid the mourning saint re - joice. Though earth - ly joys de - cay.
3. By thine in- spi - ring breath Make ev ery
- cloud of care, And e'en the gloom - y vale of death A smile of glo - ry wear.
aS^ 33= E| 3=rErd:5=rH
-*=f=C '-?-
->- f=*Efeg Irli^
sîiplip *-rf
-is-
C-rJ J- , , J", J
m * p i
j rj j- X.
P=
H

Medium timr. Hrmpli. c EVENING HYMN. S. M. J. o. c. I OO
C_ 1 1 1 1* k 1 l : 1
1. The day is past anil gone, The eve -

ning shades appear ; Oh, may I cv - cr keep in iniiul, Tho night of death dmn
1 I.<ii.l, whin niv day a are past, And I from time remove. Oh, may I in thy bo- soni r.--;, The bo - som of thy love.
^fSiilpll^pi^ *=
NIS
2e3e|
<
in
-* k*-
S 35 #
'-*-?-+-
+ * *
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S -J *-
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I
* iz:c
^T^N?sseez i_J 1 j.
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1
Medium. Plain articulation. WALE. S. M. V. C. T.
35-
*
"-*= :J~#~ abzaz : # L# ffi^Ffefea^ jj^'*!,, ,a^|J=J4^^^^
* *. My gra - dona Qod, bow plain Are thy <ii rec
ti.m~ given 1 Oh' may I ne? cr rend in vain, Rut fin 1 the path t.. haaTen .
3. How per feet

- u thy word I And all thy jndg-mente justl For-er-er rare thy ]ir..m i-.-. Lord, An 1 we ly (net
m^m r.\-^mm^m^
i i i
= 2
jj r-- i
(
Hmf. '
llrh.iM ih* morning nn.'
BE P
184 Slightly faster than Medium. PHILLIPS. S. M. V. C. T.
Ij
^^^Ê^^Êî^gg^^âg^^^Êfc^ffi^
1.
2.
The Spirit, in
Let him that heareth say
our hearts, Is whispering, "Sinner, come !" The bride, the church of Christ, proclaims To all
To all about him, " Come !" Let him that thirsts for righteousness,
his children, " Come !" To
To Christ, the fountain, come
all his children, " Come
To Christ, the fountain come
!"
! !
3. Yes, who - so-ev-er will, O, let him free -ly come, And freely drink the stream of life ;
'Tis Je - sus bids him come, Tia Je - sus bids him come.
*=? ^^r^fSli
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l*-J>
rnf
WS^g^gE^^
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W^^SS p* S-Ml
' p'
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S;?EE
J-js

g<sgf#9
HF :
,?-?: F 2SEE
:ezj: i=lli
t & t ^ jr ;
With
exact time,
earliest emotion,
and not
keeping
too slow. MIDDLETOWN. S. M. Notice the dynamic directions piven to the
first and second strains of this tunc. V. C. T.
=
î-:
ifziszz^z:
iEsSîi BZgpBgzigggBEE^ #=i=JS
*=t: gpÊ
1. O, for the death of (hose Who slum - ber in the Lord ! O, be like theirs my last re -pose, Like theirs my last re - ward.
2. Their bod - ies, in the ground In si - lent hope may lie, Till the last trumpet's joy - ful sound Shall call them to the sky.
r\-
:Jzii=3:
H:
m
m Tenor and Alto loudest. 'Treble and Alto the loudest. Parts equal. Retard slightly.
htly.
Z3Z7ir
"rtP (--*ri*ZZ rf
" *
5= > ' *
'rrvf-
is
-i d- - -J
-f
gj j-J-r" J" _J_ r-
*
^
* ^
* P-
, -
Mn.lr.llc.
I) L A D E N BURG. S . M . ,A la " Ravenscroft. ") .< imnii ( lioral. 185
K

'
1.
Is
=
- &
" _*
-&- Hh -_? -tS> <S>-
= -&- -5- + -<?- -*=*_ -_?- -_?- -_?- *0 -<s>- 1
-5>-
c-
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* I
1
r\
4}-*-* 1,
"-
<S <_?-
1
1 <n <_
1
o
-_?-
r7
1
v ->
1
1. Kx - alt tbe Lord our God, And wot -hip at big feet- His na - tore all ho - li
mar in H-i
Egy* -
V it
*"-, 1
U.
^ tn
rs tn
\s <
+ a
* 0j_ 0-
1
1
/_ <* *_ -^ _; 1
1
-_?- -_>-
5
II
'
1. Ex alt the Lord our God, Who* graco is rtOl the -.mi.- I
BtiU he'a a God of ho ii - !. --. And ji-aloua for his DB-M
!t. or rc.ulur Ilimr.
'-* -
i
^~
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o -? _: 1 c. ^v -> <- *_^
1 a C
ft * -_? -_?- 1 -_?
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1
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M llll.r, (But one food, rich voire )
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Tin' H Base is generally but the Alto on the octave below ; its effect to the other |ixrli will resemble the " Double Stop Diapason" In the dwell Organ.
Medium. Avoid a. noisy. hoUterou* iiinniicr. K E P I, E It . S . M .
rl//- j_l^3.^=^^3^^___^l__j^#^ _.
I __r* *= ^=^ M'.
s*
1. Jc ho -rah, God moat high I Thoaart the God I own: 0, lei my sup-pli - ra ting >ry Be heard thy tlir.

9, Great God, thy N>~-ereign |>\\ir Bal-ya tkm can im part: T_y ahield, in ir, Baa -bel ' i niy
i___2
f yr -m
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ifEEE
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186 and composed manner.
BRENES. S, M. V. C. T.
With expression) Calm, gentle,
Jn-g-Ff-pi-
ttE l-J-tt-i-c*EEfzrrr=& F=^hg
-%M =g=F-r-
P
i=&^& l 5-=
^Wf^^î^ ^Ê^
c 1
1. Se - rene, I laid me down, Be - neath his guar - dian care, I slept and I a - woke, and found My kind Pre serv
- - er near.
O ^^^JIeeH
te=i
m& :
i(*Z3
33^ ^ X c? 3g j.
>_*hJ. -J-
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J.
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pBE^g^gEEg
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j-
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E 3&
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m
Medium. The ,Nhs GREGORIAN. S, M. From a Gresrorian Chant.
a
Staccato.
-N-
p:r^=rf3==5 :zzs_
-
s
f= 53 5 S=rH pne:
5=
1. How gen tie God's com mands

- - How kind his pre - cepts are! Come, cast your bur dens on the Lord, And trust his con - stant
- care.
2. Hw boun-ty will pro -vide; His saintsse-cure - ly dwell; That hand which bears ere - a - tion up, Shall guard his chil dren - well.
3. Why should this anxious load Press down your wea - ry mind? Oh, seek your heav-enly Fa - ther's throne, And peace and com - fort find.
4. His goodness stands ap - proved, Un - changed from day to day I'll drop my bur - den at his feet, And bear a song a - way.
trtzta
*= ^pg=îS îs^j j^fek
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Medium lime. Hull 1.I111 pllcl! y.
ADMONITION. S. M. * 187
N N
6 v?.1:-?:
j
Be bold
e s 1
! ark nf
i
1
God
1
Be
;
In. 1.
k'lfeSfeliS^
wandering soul, On rest I.- wing to ronni
tin- o pen door;
1 1
; All
'Oi
this
haste
wide world, to either
to Bain thai deara-bode,
pole, Has
tad
:
*
nol Bar thee

ruw-.in_v~.iul,
.i
no more,
borne, lias
And
not
rove,
for
my tool,
thee a
no
I.
Here, safe thon shaft abide, There, sweet shall be thy rest, And ev-ery loog-ing sat-i- Bed, With full t i. >i > l.l.-t. With full sal -va tioo I
fc^lj.'JV'JV^ s\.\^g^ÊEEEE: f^ffftf.

" *~% > i 1
I
m Soli. toro.
X
<
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p
JUL/
i Pf.j'/
i q_
i j.u
J j- r r
Si S
j-. -
.
e
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j- j-
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-
j-
V-
* *
*
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g^^^rj[.#
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h
_ J*
h
. J.
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23 ÊEÊgE^fz >iEE^ * **
W nli n linn ii Inn. but not loo i.ui. BRITAIN. S. M. V. C. T.

T
i * * 2
- * m
gzl^^l^ ^fa^ + < *
| ' f: 111 _ I
1. Awake, and ring the song Of Moses and the Lamb! Wake every heart and every bongos, In praise Saviour's as
tin'
2. Sing of his dj mil; lm< .>f Iih ri - sine; power Sing how hi' inti'i -((' lo< a - Ikivc, l*or u-. whose riot he bore, Pot ds wh sins h
:;. Bing, till we (eel on heart Asoending with onr tongue ; Sing, till the love of >m ih- |>irt. \ .
r#2 N
** >
irsi-
i/'
/ ! t ere*. --- ;r> / ~ - K..II.'" Cor.../ _
are^T. ' *
, 7.--JX-* **: Lv->" _* *-
+ *>
*
a&r.\vui/.vi. .iji
-."
:; j //j- /J" J*.h J J J. J* - ^.^ . .
.-
;
l<
188 Calm and serene. JENNISON. S. M. #
fefe
1. Come
J-
-+
to
b_ I*-
the house of
SE
prayer, thou af - flirt - ed, come The God of peace shall meet thee there
^^SHiit! He makes that house his home.
2. Come to the house of praise, Ye who are hap -
py now In sweet ac - cord your voi - ces raise, In kin - dred horn - age bow.
5. Thou, whose be - nig - nant eye In mer - cy looks on all, Who seest the tear of mis - e - ry, And mourn -er's
hear 'st the call,
6. Up to thy dwell - ing - place Bear our frail spir - its on, Till they out - strip time's tar - dy pace, And heaven on earth be won.
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UDINA. S. M. *
1. All
SP
yes - ter - clay is gone!
I
To -mor-
i^k=^
row's not our own; O sin -
i^l^g^îgE
ner, come, with - out de - lay, To bow be - fore the throne.
2. Oh hear his voice to - day, And har - den not your heart : To - mor - row, with a frown, he may Pro - nounce the word de - part.
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With deep -. .1 in 1 1 1 < % -Hi .In. I i. .11. i|. .11.1,11 time. TURIN. S. M. \ . c .T. 189
1
= = "
l.
X The Son
.
l>ul . "l;n~t o'er
ut'
sin
God En

tears,
An
ners weep
ahall oar cheeks be
The woo-deringan gels
1
-
^^^
dryl
see!
Lei
Be
il
thou
1- of
as -
pen
ton-ished,
- i - ten tud grief
my -ml!
liur-t
He
Earth from
ahed thoae
n
tean
-
try
far
that And
a
a. He wept we might weep: Each sin de-mnnd9 a tear, [nhearen a - lone no tin i bond, there's no weep ing
gEou nip O
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tluilc faiit. With frrvor of cxprmgloit. rvpRrs. s. m. V. O. T.
E^=N=t=t k
tSB rÊE
''
1. The Lord my -hep herd is ; I shall be well sap- plied; Bincehe i
j mine, end I am his, What can I want be
.'. He leads me t> the place, Where heavenly pan tore grows ; Where liv Lag wa - tens gent - K pass, tad full sal-fa - tkn fl
8. If i-'ir 1 go as -tray, He Soth my bouI re churn: Ami guides me in In- own right way. Par his most ho ly name.
190 WILLOWBY. M.
m B
Medium. With care and attention. S. V. C. T.
i fl&__
l_^-p, -<;--, *0 <^?

SS3Ê2 :
-JZZjL
t
BE* *
1. Oh -where shall rest be found, Rest for the wea - ry soul? 'Twere vain the ocean's depths to sound,
- Or pierce from pole to pole
2. The world can nev - er give The bliss for which we sigh ; 'Tis not the whole of life to live, Nor all of death to die.
:=*
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Medium time* NORMANDY. S. M. #
p~:*z*&
SeiEfcEE tfc^ f= = I
1. Not with our mor - tal eyes Have we be - held the Lord; Yet we re - joice to hear his name, And love him in his word.
2. On earth we want the sight Of our Re - deem-er's face ; Yet, Lord, our in - most thoughts delight To dwell up on - thy grace.
3. And, when we feel thy love, Di - vi - ner joys a - rise ; On wings of faith we soar a - bove, To man - sions in the skies.
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S I M E S B RY . 8 . M 191
3
I l'.ir be tliim- boci nr ~pr.;i.l. a n-1 ih\ praiae endure, Till morning light* and eTening shads, Shall be exchanged no mora, Shall igedno mora
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Supplicatory, tender and patHctlc VALLA NT. S. M. Qnrtette V. C. T.

Tenor.
^'|'
5r*
se*
_*
*
^ 3=3
1. Have MH-r
ey, Lord, ao me, A- thon werl a>\ n -
kind; ma, qp-pre twithloadj of guilt, Thy w.mt-ed par -
>l"n
l. With-draw not them thy h.lp, Hot cast me from thy light) (for lit thy Bo - ly Spur -
it take [ti er bail -
iog flight
:.. The joy thy fa vorgtrea, Let me a - gain ob - tain; And thy free Spir it- firm no -port My t'.unt - ing eoul fiy- tun
/> Ml...
Alt...
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192 Slow and majestic. B00NT0N. L. P. M. or L. M. 6 lines. Arranged from WHITAKERt
fc*2
JZ1WZZ 3^ zc FP&=f= fr=P=P?=E^F^fel See :
=F= :
:^Zjc
^
1. Let all the earth their voi-ces raise To sing a psalm of lof - ty praise, To sing and bless Je - ho-vah's name ; His glo-ry let the heathen know,
ltd -nz u_\ i

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Soli. r Coro. '<:' ~ >! '
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p^ p > ' p> '""5T
C LU MB . L.P.M. orL.M.C lines,

^.ffl
R*-e-^-e-FH St?
And
f J l^pg^p^P^pîSSlowly. Close, connected style
my And me
mm^m^^mmm
His wonders to the nations show, all his sa - ving works proclaim. 1. The Lord pasture shall prepare, feed with a shepherd's care ;
First four strains3 better in Soli.

Soli U" ( . i D. | _ H i
i^t> :
filî^JSSrfiESferEEîSil
His presence shall my wants sup-ply, And guard me with a watchful eye ; My noonday walks he
'
i
shall at
_*
r
1
- tend, And
S"CZS
all
rT
my
âi
midnight hours de - fend.
i!g
ibzizE J
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Willi frrlliiK. I<1 ot loo lo\v. 1L\ DLEY, L. P. M, or L. M. 6 lines. Amiii-. .1 I., i il, i. Hrk, from llir '
L)
^W- w
Oratorio of III.- Int. re , M|f ,M
i. Tin' Lord my pas. hire shall pre - pare, And feed me with a ply.
S Winn m tli.' ul -
try glebe I mint, < >r !! the thii y nimiii -
tain pant, 'i
:; Though in tin- paths >>!' death I tread, Withgloom-y hor - rnri (i - ver -
spread, '
id-fas! heart Bhall (ear no ill,
A Inough in ii bare and mn' ged way, 'l'lir..' de-vious, lime - ly wilds I Thy pn shall my pains be - guile,
M 'rilb liîc fn\?

Btller u a Trio limn in
T
r \ ^^M ^ !
Alio nml Rose in ihit meaiaro, bold with

>
^ ,the Treb le on ly on the first n olo.
*.
'.
^f o .
And guard me with :i watch - ful i My noonday walk- he shall at -

tend, And all my mid iiii'lit
Mv \\r-.\ rv. \\ .in dering steps he Ii lul i;\ i r-. soil and slow, A mid the
Por tbon, l"i I. :n t with me *(ill : Thy friendly rod shall give me aid, And guide me tl dread ful
The bar -
ren wil der neaa shall smfle, Willi sand herbage crowni I - shall mnr
mur ull a >
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IMMORTALITY.
^ê4^^fr^h^lp
194 Medium L, P. M. or L. M. 6 lines. J. o. c.
:z v
Bbfcjrfa! * a iniffHilrc feSpr
1. I'll praise my Ma - ker with my breath ; And when my voice is lost in death, Praise shall em - ploy my no - bier powers : My days of praise shall ne'er be past,
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INVOCATION. L. P. M. or L. M. 6 lines.
^^^^Sf=E^^^Sî
While life, and thought, and being last, Or im-mortal-i - ty en - dures.
M edium.
Fountain of
Staccato.
light, and living breath, Whose mercies never

y. C. T.
fail nor fade,
Pa
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feîiiliSiîP
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Fill us with life tliat hatli no death, Fill us with light that hath no shade; Appoint the remnant of our days, To see thy power and sing thy praise.
#-# -
9 9
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Blow, Willi rtprMilon. Better u a Quartetl*
BADEN. L P, l. L. H. 6 fines. Dr. An in.
8
GoJ of mv life, through all my days, My
^1
grateful power shall Bound thy ball wake with opening light, And war-ble to tl e ri
i -
-^g^^g[v i~ EsZiCzEiEri^ E**"^

:
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ST. HELEN'S. L. P. H. sr L. M. 6 lines.
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The song shall wake with opening
#
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light,
:>
And war-ble
c "-
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pp
-
to
^
i
the
Dim
Dim.
91
t.
. w
- lent
'
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l Let all thoeanl nog a psalm of lof-typraiaa,
H >

1
pzrlr JU J i J-f &EEEefeEflr . j j
i rirTTr
To sing and bless Je - ho vah's name
- ; Ills glo - ry let the hea-then know, Hiswon-ders to the na - tiona show, And all his sav - ing work-* pro-cUim.
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196 Rather faster than Medium
SOUTHBRlDtfE. C, P. M. V. C. T.
S^^^^SM'î^
1. Oh, could I speak the matchless worth, Oh, could I sound the

-I
glo-ries forth, "Which in my Sa - viour shine

WTi-
Et
1 I'd
=|?= r=r=
soar and touch the
*^^ St
heavenly strings,
te ^jgg^gpÊz^pa^pg^J
irs
tt
ipseê^ rm
HIm^
j_^_ _a _ oJ A J_ r
a pJ-ra~ VJ
J" J J J_j_ i i j j j j
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ft*#tfi=* *z:c EE
Si Z2ZJI kin: =E P t^t^*^
^fe^^^^ws^^î^-^ In notes al - most di - vine.

2. I'd
My
sing the precious hlood he spilt,
ransom from the dreadful guilt
Ofsin and wrath divine
I'd sing his glorious righteousness,
In which all-perfect, heavenly dress
:
My soul shall ever shine.

3. I'd sing the characters he bears,
And the forms of love he wears,
all
Exalted on his throne
In loftiest songs of sweetest praise,
I would to everlasting days
Make all liis glories known.
4.
Well the delightful day will come,
"When my dear Lord will bring me home,
^-J jj-j And
Then, with
see his face
I shall
my
Saviour, brother, friend,
:P~rk~g:gig EJfeggfeftEEJ^ A blest eternity I'll spend,

Triumphant in his grace.
\ 11. .: i . ( t... Staccato.
MILTON. C. P. M. |()7
g| .
^LU
t^-fzzgzzr-r-r-
^ ." * * <*
l. Tl,.- !".-
tal man, my Ood, is
That fall-; me to ored dome, Thy |
to a - dare; My
.'
With ho lv joy I li.nl til.' day, Thai warn* my tliir~i m:r soul a way, What trans ports fill my I r<-:i
:.. Huh er, from earth's remo-tesl end, Lol the redeemed oi l brin Heri
1 a
E5 ^^ r Sj =p|~ SJ X S S S N S S|
Coro. 7
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h h f p J
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t
s=e=g=e=? fei
r~>~x s s s s i s
U ifr u u * I'
With wil-ling steps thy courts as-cend, And tread the hallowed floor, tad tread the hallow. With will
Un-folda the ev-er last-ing ilo<>r. And leads me to his rest And leads me to his
I i r, And leads
^^
In hymns of pr:u-,- th.ir tongues emploj And hail th' immortal King, And hail th' immortal King
. : In hymns ofprai \n 1 hail th'immor tal
J'JJ- l
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198 Allegretto, Vlgoroao. CARLTON. C. P. M. V. C. T.
1. My God, thy boundless love I praise; How bright on high its glo-ries blaze! How sweet-ly bloom be - low! It streams from thine eternal throne ;
psiir
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3BB3 3E 21=
5e5Q3E ^ 2. Tis love that paints the purple morn,
And bids the clouds, in air upborne,
Their genial drops distil
In every vernal beam it glows.
^^B
Through heaven its joys forev - er run, And o'er the earth they How, And o'er the earth they flow.
And breathes in every gale that blows,
j^Jgg^^^^r^B^^r^
And glides in every rill.
8. But in the gospel it appears

In sweeter, fairer characters.
And charms the ravished breast
Soli. Core Ritard. There, love immortal leaves the sky,
\ mrnmrn^m^^^ r t i r * r
r2
EZ
Jg^T-
^HH 4.
To wipe the drooping mourner's eye,
And give the weary rest
Then
With
let the love that
cheerful praise inspire
makes me
my
blest,
breast,
And Ardent gratitude;
And all my thoughts and passions tend
IMS s= :
czzg:
To thee, my Father and my Friend,
My soul's eternal stood.
"
Unit.- linn. CANOES. C. P. M. A iinnj mm. . 109
m a
1.0 Thoo
1
that hear'it the prayer of faith. Wilt thoa not save a soul from death That ca*ts it self on thcef
Tcirrr
I have no ref uge of
^
my own,
& ;/i ^ S
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9
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2. Slain in the giiiltv -iru.-
11 - [plead,
Hut i'.v to what inv Lord hath done And Huf - fered once for A 1 1. 1 l.i- n
That righteoumi thaO be,
W ' > ,^^.^^^ÊÊÊ^M 8.

Thai meril
'Flu ti save
il
me from
Ood.
atarnal doafli.
The ipu 'inn breathe,
Hi- oonaolatiom tend

H fa m wtse '.v. i .1 of life i'"'
And iweetly whiepor to my l
I
Thi M iker i- tl
=
(
I'
Tbn Waunful old mcl.iily i hnrm.ml/cd ond udupird lu iho wordl kI, at n tubxnuic for Auhlon*. to which il l< Iboiichl <juli prl
SANFORD.
/C\J\J Willi earnest expression. Allegretto
1_ C"i
E r~r*~ *> ht~! j
i
C. F.
sxt
M. V. C. T.
S
*
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Scini-CHorns.
at j
1 i
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Coro. .'
PFEct:
&+SL
I'd soar and touch the
5 -Y --r> :eI
<
T^T <r S-T -^ ^ 3=#5
Oh, could I speak the matchless worth, Oh, could I sound the glo - lies forth, Which in my Sa - viour shine ! I'd soar and touch the heavenly strings, the
^
f i_

=rfe
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Semi-Chorus 3

3*=*
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J.
iS-,SHs-N
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Coro.
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the heaven
| > -.-
-m-
>
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^S - i-*

<a~>
i r~
b~P~
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P=f
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j~ ra r
SEE HHi
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I'd soar and touch the
dbn < <

zpzpe
o ktzze
n* *
!F
g :zj ^=PE
I
ac
E
heavcn-ly strings,
>
ir*
~-
heavenly
izz
And
:*_:
g^
- < o^
sz^-: *z^: 3=
r~ l ^gSj*= 3
t^ 1
strings, vie with Gabriel while he sings, In notes al-most di - vine, In notes almost di - vine, In notes al - most di
or-
r*:
MEg
firvffr :#zre:
T~~ r
'&Z3EZJEL
f-^-f-
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- --
p
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if J-
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heaven-ly strings,
3: f-' Pi
EZZrPPf
f^=T
Mrdlimi. BETHEL. S. P, M. 201
i l>|)
f
drg
I
^ I
l<
l. II. iu pint tori ind bleat in I To hear the peo-ple cry, "Gome, lei m seek om God to-day!" Fee, with a dieer ful
4. May peace at tend thy
- gate, Ami joy with - in thee nil To Ueaethe soul of er-ery guc<t; The man* thy peace.
s s
. I. :* v /I. I
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b fer
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us We haste to
*
Zi - - on'* hill,
i
-
And thore our vows and boo or-i pay,

EÊ
An 1 there our

vow-
.
as
/
I
^h^l
boo >** pay.
And wish - ee thine in - crea A thou - sand bless - ing3 on him i A thou sand bieaa ingi on him rose
202
fe
Medium. Close and gliding
How pleased and was

SlipfeTo hear
BURKETT.
the people cry, " Come, let U9 seek our God

S. P.
Ss^ M.
day
|S+r
We
tt
* *-
V. C. T.
>roi
^ ^g^
1. blest I to - I" Yes, with a cheerful zeal, haste to Zi - oil's lull,
4. May peace at - tend thy gate, And joy within thee wait,, To bless the soul of ev - ery guest; The man who seeks thy peace, And wishes thine in - crease,
^tels it g^fefej^ll fe i
gyre dr.- uric ft

ggE
^Spppp^pÎi^ ^^â !
Ritard.
BE
:fc=s
And
^^ggEgggg^^^pp^ ÊEÊEfe^^pÊp|l
there our vows and honors pay, And there ourvows and honors pay, And vows and honors pa}r
there our
E
, And there our vows and hon ors- pay.

A thousand blessings on him rest, A thousand blessings on him rest, A thousand blessings on him rest, A thousand bless ings on him rest.
55i
fa^=F JEZXL
>-s-
si=i O-
EE
mf
ssss And
A
there our
^Btzdrfp
vows - and
Ritard.
hon ors pay.

-
on him rest.
SiH
thou sand bless - ings
Ritard.
< -f-
Ritard.
XXX - ^ j: 1
s 1
^
Ss^^s
.;
; : J J J
VP" ^^
A.nd there our vows and honors pay, And there our vows
^fePt
and lion - ors pay.
A thousand blessings on him refit, A thousand bless ings on him rest.
- N
Mtflliiiu lime. Staccato. DALSTON. S. P. M. A. Willi UM 203

Iii

Stttf
#
The
1
U>rd Jo -
*-
ho -
E
v.ili reigns,
e5
And roy - al state main tabu,
2E=E
His
^^^
->
bead with a\r - ful glo -

riee crowned;
I
*
Ar- rayed in robes of light,
> * r* b. . i
i I
s _r* > >
- *r J l # --^-- ^ * h# F^ >=H*-- Fa,u>=U3

- S=E #
i
a nvtno-to. .MA I. Till! I A. S. I'. .M.
!!< t,'irt wuli -.iv crei'^n might, And

g^S rays of maj ea - ty round.
6. i^=re=g=Fû;
1. Friend af ter friend de ]>art-<.
I j
W'lio
jve ee
hath not lost a ft
I
-rV-rVj*X.rVJ A . > N - >
i r * * r i r
"
F^F 15 E
I ~Je|_ I
[:-jÊ^gEÊj; ^^j^g^jE^ÊE*E^h |l
There is no u- nion here of heart-, That finds not lirre an end: Were this frail world OUT ti n:il rest, I.iv m^ or dy ing, none were blest.
*
k %J
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> +
*

+ +
**-
+
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With animation. Staccato. From SMITH'S Collection.
1. How pleased and blest was I, To hear the peo-ple cry, " Come, let us seek our God to - day !" Yes, with a cheerful zeal, We
haste to Zion's hill. And there our vows and hon-ors pay.

Adorned with wondrous grace, And walls of strength embrace thee round In thee our tribes appear To pray, and praise, and hear The sacred Gos - pel's joy-ful sound
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2. Zion, thrice happy place ;
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Allegretto, Staccato.
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1. Faith is the Christian's prop, Whereon his sorrows lean : ft is the substance of his hope, His proof of things un-seen It
: is the an-r.hor of his snul When tempests rage, and billows roll.
2. Faith is the polar star That guides the Christian's way, Directs his wanderings from a - far. To realms of endless day It points the course where'er he roam, And safely leads the pi I -grim home.
;
Faith the rain-bow's form, Hung on the brow of heaven, The glory of the passing storm, The pledge of mercy given ; It is the bright, triumphal arch, Through which the saints to glory march.
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l-t ui pray : 'tli swart to feel ThM Qod himself is near : Thnt t bU footstool kneel Hlimetey deigns to henr Thongh sorrows crowd llfl ' ilrrnry way. Tim li ..ur soUpe 111 a pray.
J. Onne, total pray : the luirnme brow, The heart oppressed with cure. And all the woe* that throoj i- now, Will be relieved by prayer: Jeaoi will mile our griefs aw pray.
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I. O, what 11 Hie 1 tie like a flower. Thai bloaeotni and li gone ; It flonr-lsh-ee lie lit -tie boar, With nil lie bean-ty on
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:i Lord,what ll life If spent With Hup la limn Mr- praise nn,l prayer, How long or shotl our life may be, We feel no anxious rnri-: Tho' life de|
' In ft. \\ hen life and all its joys are past.
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206 LEYDEN.
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Plaintive. V. C. T.
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1. Depth of mer-cy!
can there be Mer cy
- still re - served for
JC
1 me! Can my God his
F^rr^wrath for - bear ? Me the chief of sin -
i
ners, spare
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have long with-stood his grace Long pro - voked hirn to his face Would not hear his gra - cious calls ; Grieved him by a thou-sand
Cries How shall
2. I ; ; falls.
3. Yet how great his mer - cies are 1 Me he still de - lights to spare; " I give thee up?" Lets the lift -
ed thun- der drop.
4. Je - sus, an - swer from a - bove, Is not all thy na - ture love ? Wilt thou not the wrong for - get ? Lo I ! fall be - fore thy feet.
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Medium. 7s. VON WEBER.
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1.
2.
Heavenly
Though uri -
Fa - trior, sov - ereign Lord,
wor - thy, Lord, thine ear,
Be thy glo-rious name
Deign our humble songs
a
to
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hear;
; Lord,
Pu -
thy mer- nev - er
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fail
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Bail, ce -
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goodness, hail
Wlien a- round thy throne we sing.
!
4. Thun, with an - gel - harps a - gain, We will wake a no - bier strain; There, in joy - ful songs of praise, Our tri - um-phant voices raise.
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DM, Saviour, near thy ride; Let thy conn ad be my guide; Xev -
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that's taught to grow Whore the streams refreshing flow, lie las fruit - ful braiu-h -hall tpnad, l'r . j.. r< .u~, he do leaf ohall riv I
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208 Slowly. In true Tyrolean style. LAFANNING. 7s. Quartette. V. C. T.
Feb. 16th, 1850.
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Gent - ly fall the dews of ove, Rais - ing still the languid flowers ; Sweetly flow the tears that grieve O'er a mourner's stricken hours.
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With care and expression*

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Sacred wisdom ! be
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my guide ; Suf - fer not my feet to slide ; Or, from thine all - per - feet way, In the path of sin to stray.
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V. Q. T. 209
Ki^m 1. Bee the lore - ly Moom-ing flower, Pades and whh-eri in ito hour; So oar bran iieot comforts B Pleae-nre on lv bhome'to die.
( i Soft lv now the light of day Padeeap on my light ;i waj . Free fro -
dot Brae, Lord, would com
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3oon, for me, the light of day Shall for- < er pass a -
way: Then, fi Take me. Lord dwell with th
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Prom tliv gra cious pree-enee Bowa, 1th--* thai soft- ens all our woes; While thy Spir-itfaho lv - lirr Warms our hi
.. II. ii. u. sup - pli cate thy throne, Here, thy pardon-ing grace i- known; Here we learn thy righteous ways - Taste thy lore and sing thy praise.
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1. Sa - viour, bless thy word to all, Quick and powerful let it prove,
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2. Thine own gra - cious mes sage bless -
; Fol - low it with power di - vine Give the gos - pel great sue - cess Thine the work, the glo - ry thine.
Sa - viour, bid the world re - joice Send, O send thy truth a broad
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Let the na tions hear thy voice Hear and re turn to God.
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See the love

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1. - ly bloom-ing flower, Fades and with - ers in an hour; So our tran - eient com -forts fly; Pleas- ure on - ly blooms to die.
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1. Rock of a - ges! cleft for me, Let me hide my -self in thee; Let the wa - ter and the blood, From thy side, a healing flood,
Be of fear and sin the cure, Save from wrath, and make me pure.
2. Should my tears for - ev - er flow, Should my zeal no languor know, This for sin could not a - tone ; Thou must save, and thou a - lone
In my hand no price I bring ; Sim ply
- to thy cross I cling.
3. While 1 draw this fleet ing breath, When mine eye - lids close in death, When I rise to worlds unknown, And be - hold thee on thy throne,
Rock of a - ges ! cleft for me, Let me hide my - self in thee.
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1. Haste, O sin - ner now be wise;
F^T^^f^^S^Stay not for the morrow's sun : Wisdom, if you still despise, Hard - er is it
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to be won, Hard - er is it to be won.
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BREW IN. 7s.
213
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Lord, be - fore thy proa1 enoe come, with ho ly fear; Call our en steps h u feel tint thou art near.
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1. Haste, sin tier, now be wise; Stay not for the nior - row's sun ; Wis - dom, if you -t ill de spise, Hard - or is it to be won
2. Haste, end mer cy now im-plore; Stay not for the mor row's sun- ; Lest thy tea - eon should be o'er, Ere be rua
Haste, sin - ner, now be blest; Stay not mor - row's sun Lest thy lamp should cease to burn, !>. rk is done.
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V. C. T.
1. Keep me, Sa
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1. Thou that dost my life pro -long, Kind-ly aid my mom-ing song; Thankful from my couch I rise, To the God that rules the skies.
2. Thou didst lioar my evening cry; Thy pre -serv-ing hand was nigh; Peace-ful slum -berg thou hast shed, Grate-ful to my wea - ry head.
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3. Thou hast kept me through the night ; 'Twas tlty hand re - stored the light ; Lord, thy mer - cies still are now, Plenteous as the morning dew.
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Avoid singing this lunc In a lifeless and drawling manner. Observe strictly the dynamic characters given it.
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M<lrralo. t on iiinlii. Mhi> til voce. DEVOTION. 75. 6 lines. Kr of Kb. of EJ V. C. T. 215
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In mw this calm, iui -
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With tlii-i iiiuru in^'s car - ly ray, V. bile tli' shades of night de Let thy 1
coo - \<\,
\ I Now, from la DOT and from aire, ning shades h;iv<- set me Dree In the work of praise and pi
( .'). Sill and sor - row, guilt lad woe, With - cr all my earthly JOTS; Naught can charm DM ben be - low.
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Ilrar me, when t.i thee I cry, Hear me,
t=rr~c
from thy lof -
throne,

For
Joy and glad nees to my
heart ;
Now o'er all mv steps pre And
Lord, I would oon Terse with thee ; 0, be hold me from a bove, Fill me
Hut rny Sa tout's melt
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Lord, for - give ; thy grace re store, Make me more.
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1. Lord, we come be - fore thee now; At thy feet - bly do not our suit dis dain ! Shall seek thee, Lord, in vain ?
3. In thine own ap - point-ed way, Now we seek thee, here we stay ; Lord, we know not how to go, Till a bless - ing thou be - stow,
4. Send some message from thy word, That may joy and peace af - - ford ; Let thy Spir - it now im -
part Full sal - va - tion to each heart.
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1. On thy church, O Power di-vine, Cause thy glo rious face to shine;
- Till the na - tions from a far Hail her as their guid - ing star,
2. Then shall God, with lav - ish hand, Scat - ter bless - ings o'er the land And the world's re - mo - test bound With the voice of praise re - sound.
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7s.
Jojful rxprranlou. SlurcMo.
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Bright and joy -Ail is tin- mom, Fur to us a Child is bom; From the highest realms of lnav.ii On to us n > ,
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life,
Now he
Welcome all,
yet not too taut.
-pin the heavenly theme,

by sin op-pressed, Wel-oome all
He sub - dued th in-fer-nal powers, His in vet
Sins of
-
t>> Je-
erate foe,
S
REDEMPTION.
mer-cy's heal -ing stream: Ye. who

bus' rest:
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bus* kmd-nese
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No - thing brought bim from a -

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From the " Lula.'
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4. Hith-er, then, your trib-ute bring, Strike a loud each jot ful string: Baintabo low and saints a - bove, Join I m ing love.
V
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^
V. C. T.
r+
3=3= ^ ijîi 3=?:
1
1. Je - sus, Sa - viour of my soul, Let me to thy bo- somfly; While the ra - ging bil-lows roll, While the tem - pest still is high:
2. Oth - er refuge have I none Help- less hangs my soul on thee: Leave, O leave me not a - lone, Still sup -port and comfort me.
sbbi
Or
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Saviour, hide,
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Till
my
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storm of life be
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With
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KINGSLEY, 7s. Doible From
in Hour of prayer."
"tlir limir
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mBTTO^ragr?P^.
Slow, nud tng every p
" nearly as uliort as a Jt. Sotto voce.
mf eE; ;E ; :es ; *1 " \

1 Limb of God, who thee re - onto, Who in 1 1 ; ra to tin, Day tad night they cry <> thee, a- tl
r>. Du>t iiml n.-h - ei though we !>. Full of guilt and mi- - e - ry ; Thine we are, thou 3oa of Gtod; Take the pir-chase of thy I
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Mu nen who
fix our wavering mind !
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now wr would be clean Cleanse mir heart* from every -\i\.
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i in thee in- lieve, V.v - ex - lasting life re-cerre; They with joy behold thy face, Trinmpfa in thy pardoning grace, Tri -
amnfa in thy pardoning
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220 Slow, with expression. 7s. very light with plain articulation.
;
V. C. T.
1. Pleasin
2. Lord. song
3. How
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spirit V. C. T.
B -^Mggg^p=^^ ^z:
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1. Chil - dren ofthe heavenly King, As ye jour-ney, sweet - ly sing, Sing your Saviour's worthy praise, Glo - rious in his works and ways.
2. Ye are travelling home to God, In the waythe fa - thers trod ; They are hap - py now, and ye Soon their hap - pi - ness shall see.
4. Lord, sub - mis - sive make us go, Glad - ly leaving all be - low ; On - ly thou our leader be, And we still will fol - low thee.
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l Hark' the her aid an -gels sing, "Glo- rv to the newborn Kii '
Peace on earth, and mer-cy null, God an I nnn rec
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. II. ul tin- heaven-born Prince of Peace I Hail the Bun of Right* it and life to all he brings, Risen with ) in his wingH.
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expressly for this work.
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1. whose
Christ,
*i?
glo - -
_ S^J
ry fills the skies, Christ, the true, the
1-
on - ly light, Sun of Righteous

minii - ness, a - rise
2. Dark and cheer - less is the morn, If thy light is hid from me; Joy - less is the day's re - turn,
3. Vis - it, then, this soul of mine, Pierce the gloom of sin and grief; Fill me, ra - diant Sun di - viue
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M Day -
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star, in my heart ap - pear.
Till thy mer - cy's beams I see Till thy in - ward li^ht im - part, Glad my eyes, and warm my heart.
Scat - ter all my un - be - lief; More and more thy - eelf dis - play, Shi - ning to the per - feet day.
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MAROX.
A. lollrrllon. 223
By pcrmiuKMi.
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2 * ^ *-
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l. S;ii".' lv through an oth er week Ood baa brought m on our way-. Let u now blaaB-mg nek, Wail ing in hbeoarte to 'lay,
:;. Bare are aonu thy name to |m:ij~c , Let in BmI thy \<rv- iin'i: mar: M.iy tliy glo - ry meet our tjOB, While we in thy booM an I
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l*.iy of all tin* weekthe best, Km - Worn of e - ter - nal

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rest) Day of all the week the
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if fur.l us. Lord, a t.i-i.' Of our ev - er - bat
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ford oa, Lord, a taate Of our er er but ing feast.
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1. Great God, what do I see and hear? The end of things ere - a - ted: The Judge of man I see ap - pear, On clouds of glo - ry seat -
ed:
2. The dead in Christ shall first a - rise, At the last trum-pet's sound ing, Caught up to meet him in the skies, With joy their Lord sur - round - in" :
3. But sin - ners, filled with guil - ty fears, Be - hold his wrath pre - vail - ing ;
For they shall rise, and find their tears And sighs are un - a - vail - im
4. Great God, what do I see and hear? The end of things crc - a - ted: The Judge of man I see ap-pear, On clouds of glo - ry seat -
ed:
^f^tn^ m
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The trum - pet sounds ; the graves re - store The dead which they con - tained be - fore Pre -
pare, my soul, to meet him.
No gloom y fears
- their souls dis - may His pres ence sheds e - ter - nal
- day On those pre - pared to meet him.
The day of grace is past and gone Trem - bling they stand be - fore the throne, All un - pre - pared to meet him.
Be - fore his cro99 I view the day When heaven and earth shall pass a - way, And thus pre - pare to meet him.
#
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sacking. Here our sools have sacred n t; Joys at hi ppar-takii
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8 II.n. !,< in sweet
> -ii de I v.. tt. mi. Sow our hearts then rant Ear world's
the com - motion, Hashed the did
8 Prayer our in t thoughts re- fi ning, Rais - eth onr de urea on high; Da ty, hoa-or, Mi-- com-bii
. Thus in prayers and hopes u ni-ted, While we p I'a ther'a love, By his word of prom ise Light-ed We to realms a-1
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k -rionr, eourco i.i" fv rry L>K--s-ini'. Tunc my heart to grate-ful lays; Streams! nev - cr i '.ill for < .-.i-e-less songs of n
.rli me lo dious meas-ure, Sung by raptured saints a hove; Kill my soul with sa-cred pleasure, While I sing re deem ing I
:;. Thou didst seek me when stxan-ger, Wan-der - ing from the fold ofQod, Thou, t" save mj son! from dan Didst re ith tby fa
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Close.
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1. Love di - vine, all love ex - celling, Joy of heaven, to earth come down : Fix in us thy hum-ble dwelling, All thy faith-ful mer-cies crown.
Vis - it us with thy sal - va - tion, En - ter ev - ery trembling heart.
Close.
23
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Soli. Soli.
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Je - su9 ! thou art all com-pas - sion, Pure, un-bound-ed love thou art ; Vis - it us with thy sal - va - tion, En - ter ev - ery trem-bling heart.
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1 Bear them teD the wondrous story, Hear them chant in hymns of jovj" Glory in the highest, glo ry !Glorj be to God most high Glorj be I
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Baste, >'< moruil-i, i" adore trim ;
Learn Ins name, and taaV* his joy, Till in heai en ye nu before : him, Glorj toG Glory I-- i d most 1
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I Lord, thy church ia Mill thy dwelling, still is pre-curaa in thy sight; Jo dah'i tern pie far ex celling, Beaming with the gospel's tight
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1. Blest be thou, O God of la - rael, Thou, our Father, and our Lord! Blest thy ma-jes-ty for - ev-er! Ev - er be thy name a -
dored.
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2. Thine, O Lord, are power and greatness ; Glo - ry, victory are thine own ; All is thine in earth and heaven ; O - ver all thy boundless throne.
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1.
2.
Light of those, whose dreary dwelling
Thou, of life and light Cre - a - tor !
& Borders on
In our deep -
AMAZON.
the shades of death,

est darkness rise ;
8s & 7s.
Rise on
Scat-ter
us,
all
thy - self re
the night of
- vealing,
nature; Pour the day up - on
Russian Air.
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Rise, and chase the clouds be neath.

our eyes.
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229
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230 Slowly, with feeling. (Transposed from Et>.)
INDUS. 8s & 7s. Double. T. C. T.
j- P^^gggEEEÊ^5SipgSB^JE^ÊÊE|sg^^F
I. Cease, ye mourners, cease to Ian - guish O'er the grave of those you love ; Pain, and death, and night, and an - guish, En - ter not the world a - bove.
S. Light and peace at once de - riv - ing From the hand of God most high, In his glo - rious presence liv - ing, They shall nev - er nev-er die!
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Treble and Tenor may sing jillerriatcly here if desired.
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While our
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lent steps are stray -ing,

^=EE^^^fe^SSE^Pfe33EN=fe=
Lonely, through night's deepening shade, Glo ry's bright est beams are play ing Round im mor
-jrztzz

2. si - - - - th' - tal spir it's head.
- -
4. End -less pleas -ures, pain ex - clud- ing, Sick-uess there no more can come; There no fear of woe in - trucl - ing, Sheds o'er heaven a moment's gloom.
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9
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v, Tii.m ili.lst teak mi- whan a stranger, Wandering from the fold of Go<l, Tboo, to aura mv aoul from dan -get, Didst n deem me vita thy bio
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s
bove; Kill my soul with

B^
aa-cred pleas-uro
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i-.
s
While
:|'
i
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4. liy iliv hand re-stored, de - fend- ed, Safe through life thus far I'm come; B I Lord, when life i- end od Hr:- hearenlj 1
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The Arrangement
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unity and beauts
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/CtJ/C Medium time, and very distinct.
LUMINA. 8s & 7s. Arranged from a well-known air.
$tz i*
L
Alto.
: -
Light of those whose drear-y dwelling

Thou, of life and light Cre- a - tor,
%^=û^ Bor
In
- ders on the shades of
J I
death Rise on us, thy - self

!
our deep-est dark - ness rise ; Scat - ter all the night
**-$&.
re-veal-ing,
of na - ture,
W.I .r
Rise,
Pour
wU
and chase the clouds be -
the day up - on our
Jl j
neath.
I'
2. eyes.
4. Save us, in thy great com-pas-sion, O thou Prince of peace and love Give the knowledge of
! sal - vation, Fix our hearts on things a - bove.
6. By thine all - suf - fi - cient merit, Ev - ery bur-dened soul re - lease ; Ev - ery wea-ry, wan-dering spirit, Guide in - to thy per - feet peace.
3d So prano. i ^_ ^ S!\ _
With life.
W1LMANTIC. 8s 7s &4 Melody by ROSSIXI.
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?m
_i ) i i
J~7 &ZZM Re I
1. May the glorious day of prom-ise Come, and spread its cheer - ful ray, When the scat-tered sheep of Is - rael Shall no long - er go a - stray
When hosannas, When ho-sau -nas, With u - ni -ted voice they cry.
Close. _ . ^_ D. C.
j
3r< 7=- j jfTJl^gfe^H^SI j l
j j Ij.-.j P^f^j .j I
'
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1"
^^^^^S^S^k^^^^^^^^^W

JL
n
Close.
Close. ID. C.
m sstin
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rn i~rz ~ j. >
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Varied, from Medium t< \llr;'tfHo. Z ION. Ss % & I.
TIIIPI \ II IM.H.
\sti: ÔO
^
iraflahle Ioom in tin* n.. I
1.
:; Vm*'
On tin- niiiimt:iin'i top a|i
I' ^l:-s
pear-ing, l.u '
the M cred

' H> i
herald stands
'
I- * :i i * ^
:
-;;b* -I" I'
Welcome news to Zi >>n besr-ing, /.i on long in hostile huida Mourning captive 1 God himself shall loose tin :
; captive! God himself shall looae thy bands.

J. Lol thj sun i> ri en in glo- ryl Godbimself appears thy friend;
All thy foes shall flea be fare thi a, Here their boasted triumphs end: Great deliverance Zioa's hang will surely send, tir.'nt da -Irreraoce Zion's k i; i_r will surely i
"'-vl^feVl^g
=fca
>"/
I
-
-r-r-
Coro.
N S
S
S
.\,\M
&
Soil.
\
"h^^^ ^sP^^P^ftgE = , uV > > ,
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II f*
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w
s
w * * w v v v ^ m ~
1 ^3ESE^
3
SUFFOLK. 8s7s&
wrÂ^yj\ ^m
Mnjmtir. Not too alow. 1.
i ?E^
:#~~"
L'# ^
I'
1. Lo he conies, with clouds descending, Once for
1 Ik rored sin -
ners slain !
Hwisand, thousand samts attend-ing, Swell the tri-umphof his tn rial- la- Lu-jah! Hal-le - In - jshl ' ones and con i.
234 BOURBON, 8s 7s & 4.
r>-*
Medium only. Portamento <11 voce
f\ J q j :
; r>
V. C. T.
i i
1. O'er the realms of pa - gan dark - ness, Let the eye of pit y g az e See the kin - dreds of the peo - pie
li
^
v / ^ ' *> v '
3 EJEEJEE ^ F ^PÊ
feb
g
j-F>-
Lost
1
in
"I
sin's
i'
be -
a:
wil -
nn
dering maze : Dark -
[
ness brood - ing

(g
On
1
the face of all

s
the earth.
2. Light of them that
Rise and shine
Light to lighten
Rise with healing
To
sit in
in
thy brightness
darkness
thy blessmga bring
all the Oentiles
thy wing;
Qa 3. May
Let all kings and nations come.
the heathen, now adoring

Idol gods of wood and stone,
Come, and, worshipping before him,
Serve the living God alone :
Portamento.
Pa
fg^ 1
.ffi
e^ gî^P
3=
Let thy glory
Fill the earth, as Hoods the sea.
Mi ilium time < lu-i l)lc. B K A H A M . Bfl 7s & I.
\i i iii.i.I fiuui IlllA II \M. **.'}*>
b .
15 Eb
21

3E * *>
I

\ I
1. Guide dm, O than great Je lii. -..ill. Til .-riin through (his 1m\t - ren land; I am weak- thou art i
_'.
pen asw the ays t.il bun tain, Whence the heal tag
-
is do Bow; Lei the ii clou'l
y pfl
When I tread the verge of Jar -dan, Bid niy mi - ions ban sub - aide; Bear me through the nraO -
mg ear
Ilulil me with thy powerfo] hand, Bold ma with thy powerful hand: Bread "t" 1" more.
Lead m<' all mj jom oey through, Lead me all my journey through: Strong Do - hverer, Strong De 1. <::. B thou still my si 1.1.
I. in. I mo aalb on Oa-naan's aide, Land me aab on - nga of praises, I will > . r givi t..
W b
Coro.
ThrrbHs -S :L.U>
*b
?rf I r# 0. . .V-^:':l .\Ay
f=f
*
r^^^l^^
. j
;' HEi
*
236 Medium tone. Culm and serene. BOYDEN, 8s 7s & 4. *
R=F=ipF=Fff =F =
1 g~i r~l
#.
>

rrr c r-s-fc fc? ees 1
1. Come, ye sin - ners, poor and wretched, Come mer-cy's
in gracious hour! Je-sus rea-dy stands to save you, Full of pit -
y, love, and power
2. Come, ye thirsty, ye are welcome 1 God's free bounty glo - ri - fy True be - lief, and true re - pentance, Ev - ery grace wlu'ch brings us nigh
lilEEESESl BE ESEggEgE3EgE3^FfÊE=i^^^^gE|
ELLERSLY.
Sh
He is a - ble, He is a - ble,
^Êgg^| l^^teiiîS
He is will - ing doubt no more.
8s 7s &4 *
Without money, Without money, Come to Je - sus Christ, and buy. 1. O'er the gloomy lulls of darkness, Look, my soulbe still, and gaze ;
Ig
: r
t
w j=gE^pSEgEg3^ %
te^^pEEsHi
a^^^^ See the promi - ses ad - vancing To a glo - rious day of grace! Blessed jubilee!
&
Blessed
,
33
jubilee! Let thy
2 i*
glo
_ll
- rious
s_
IS^tJe
morning dawn!
m&SmMSlsM SEE EEEQE m

Choral ilylr. ENFIELD. 88 7s4 I.
Hubjci i d HBITH1H. <WtJ /
M. Z'V' S||. C &%=&=i$m-y;\' -

I- Ml
V r.
a.
7
When
E
the sol - earn tramp has sounded, Heaven and earth shall
^liiS -.^Hl^*
Mmm flee a- way:
hMi^':^^^gig^^
All who hate him
BETHUEN.
most, coafoand
i"_'. Bwell the
II.
tri-nmph
Sear the lum-mona
M.
<>f
of
hit
that
train:
day-
Mnliiuii. Staccato. Arranged from

#
Frrnch air.
g
r
gjjgEflgEffg ^ ^ ! HESfeaV *z:

Sal hi jah Sal hi -jab
B Je siw oomee
nn.l oomea t.>
If '
le ! -
u
Oome to judgment I Come to judgment I Dome to judgment 1 oomea - way." To God I lift n. l"r. .in l.im i- nil my aid;
J- i=i
&ggm rr = jbiri -0
Is
>
-
H
t-

m
~TA
I
'
The God that built

'
the
0~m~ JES^=f'
skies,
g^s
I
And Aflli
earth tkll.
I #1
f
^ andna-ture
\f HVA nk A
made:
. I rt i-
God . k- 1 11
is
Ml.. I .||> *
the tower
ft
To which
J ** - 1 . . .
ft*
.
MH0
1 . T
I
T
Byi . - .
*
*
till mw
Bis grace
* *m . . .
-f-
is nigh
* *
In
*
.:
ev
+
m
+
:\-
f M|.
erj
1
__N_ X N N *0
BP / ^F^
-fe-A- s #
JM I
- =T r . ,: P , * * , * * I
r--
f
^^ ei@*=^ . \
^ II -rr
,
, .ill
238 Medium movement. EL DORADO. H. M. V. C. T.
S=*
u-
nn . ,
=fcg
te 3=1^ I
3. No burn-ing heats by day, Nor blasts of even - ing air, Shall take my health a - way, If God be wilh me there:
4. Hast thou not given thy word To save my soul from death ? And I can trust my Lord To keep my mor - tal breath
3-^l
^^^^rfeÊf^|p^^gî^r%^r^^!
Soli, strictly.
z3:
^gpggE^ ^p^^SS^fe^^Sg^|3 i=
e* eqc
V S^ ^?3^5 f -r
j.
??j n j -
wmI L
EJ
-p9
a . f~
-
~&-
^ J- JT) j
r
J.
p
S3
fe^ÊEJg^^ÊES^ ^=J=r
# '
Thou art my sun, And thou my shade, To guard rny head By night or noon ;
^~y
Thou
* *.
art
.
my sun, And
WS&
thou my shade,
rgizg:
To guard my
igpfcz^:
head, By night or noon.
1
I'll go and come, Nor fear to die, Till from on high Thou rail me home ;
I'll go and come, Nor fear to die, Till from on high Thou call me home.
Coro. "*/ Omit this if nrffiorrfld.

d-d
#
>-qs=5>-
* * Z-
m
0EE 3^=*
' :Jt:
S
S li
e v
_&_> L
-; j:
p~v"
i
P
k=5 f-
-* *-
J"
J-
1
with lire.
BRITANNIA. II. M. Anonyniniii. 239
Egg
l Ye
-[.^Hsl
tribe* of A. 1 .im. join With heaven, and earth, and seas, Asd of fer notes di viae To rourCre :i tor's pn bo -ly throng Of
' I
-Inn in' worlds above In glo rious "r der staml, i)r move Bj In- m preme oommand Bt spak !. <hd all their
T
I 'I'll.- h frsj
N
? si. ftf\KT\*j?n-rt-t *\j j| ftFWjfi I 1
.i-
H- *V-î
rf jf r _c l - j _ j l_ w_r %y r '
c g '
.^
fin MlU'irtld. >(,, .-,(,,.

LENOX. II. H. I.l>*<>\.
'
In worldi _
li(, lit. worlds of
In light Be - gin
T
the pone.
F
SE
Prom do thing-
came, From no thin,' - 1:11110 To praise tin- Lord. l. A'r tribal "f Ail am. join With heaven, and earth, and seas.
c re ..^- - - - - -^ /f ZL_>
' 1
'^r ^-^T^ ^
PT? I .
v
i ^^ :
And offer notes di vine To yonx Ore- * tor's praise. Ye holy throog Of angels bright, Ye ho-ly throng Of an-gela Bright, In worlds of light Be gta flie song.
HIT*

'
g
5 ^ g
# i trffee iVlii<' enrg
'
Boll. 1^ ^ r y Cora.
'
g^ iit
^ ^
w
llli* r 4* l
'
'
240 In Choral style. Allegretto. BRIMFIELD. H. M.
*
--H EE^j^g3E^^=E^=Êg=EJ [
3
1. Wel - come, de - light -ful morn ! Thou day of sa - cred rest; I hail thy kind re - turn; Lord, make these mo - ments blest,
Now may the King de scend, And fill his throne of grace Thy seep - tre, Lord, ex - tend ; While saints ad dress thy
n^H
2. ; -
face.
*=
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-r-fhi-
*=
1
1 jj .h I J J u^ # r r a
*
i r , i
, i
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i
it
wr-
m=
I
9 VZJ~
s=gJH
1
:^=zj:
I
Lofty niu! majestic. PALMER. H. M. *
i=ÊS:
8
From low delights and mor -
*
tal toys,
E I
:&=3i 3= size *
soar to reach
p
im - mor - tal
2
joys,
i, lag
k =t
Ueclaiunntlo.
1. To spend one sacred

~:
day Where God and

iszs:
^ E3
saints abide,
Let sin - ners feel thy quick'ning word, And learn to know and fear the Lord. Soli, or Semi-Ch oreis.
ppppî
^ "#" I
*
~j-^=w=
r
^
&
t
s2 >3EEfc=E
p~T~r" 3
li^
::
^ZCZ
Af - fords di - vin
^fe^p^ggEEEgEgEE
- er joy Than thou sand days be - side. Where God re - sorts, I love
5 3EEEgj^^g=
it more To keep the door, Than shine
^Pp
in courts.
^=j-- J
*
I* S
L.jpqrz:__^_jj_p
*
Core/
-
-= -< =^ # =>
m^tEm^m^^^^^^=^3^^^=wm
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/
llnlllrr f.i-l. SIllTBlO.
WARS A W. II. M, T.
Iru'.rnmriiinl
ri.AHK. ri.Ûnil.
Bur, b> ihe Ctliigr. foe
241
Uui work.
is b .)
I i'r z #
' ' !
H h .-
* I
l To God I lift mine r a him ia all m? The (JimI that built

J. My !i;ill tu-v er aude, Aii'l l.ill in fa - - tul
=tT .
I
. . . .
-
m
mf I I
1
-
3
>>
Eg
s 1
^mi^mmamfmmmismmtt a^ni- ~ ",..- . '=.
^^^^ffs*
Aii
I
m m
>
1 earth
fendl
and
me
na
from
- tare
my
made: God ia the to
-. That
which
nei - er
I fly:
deep,
His
Shall 1- - rael keep
'.,.
W
.
i
m Soli. Repeal in Chomii

[~
./' ""
S
,
v I I L^l^ N ~ \m_ f-r'.' pa I
S= Hr E #
s L. !i
nVrJVVlm-l-- It! .
i:l'-"l-- ^- :l'- 1'
-J-
-I'
h ^L .-J', -ill
242 With spirit, but not too fast.
CI IMBORAZO. M. *
R
-??-
1. Awake, ye
s
ai"zi
saint-',
i 3=
awake,
^^
*55f
And hail the sacred day
__!_.
;
__^___: JHkE__Ei_
In loftiest songs of praise

__V-,S-
Your joyful homage pay Come, bless the day That God hath
;
r^Lfi
blest, The type
i
of heaven's Eternal rest.
__tSt
W^2
f
^^s^s^s^^^^fei^^^s^K^s # / mf _
res - -*
iPi
gj^^^ Unisons.
-JUlj-LI. J
*rdr#z#:
p p p p t*
HADDAM.
Î^^^ p '
l>P P
p p
H.
P P^
P P P^^
^:_;_r J_;_r .UlI_j__r J_J_J-
P
E__r___ig
P
rT^rP
L,.
:
J
MASON.
-r- r-
:
#- -p-
1.
p
The Lord Jehovah
p
reigns,
;
p
p p S SE ?=:_ __r
_
His throne is built on high The garments ho assumes Are light and majesty Hisglories shine With beams so bright, No mortal eye Can bear the sight.
;
____
mighty King Of glory condescend ? And will he write his name, " My father, and my friend ?" I love his name I love his word Join all my powers, And praise the Lord.
^r^^r^rS^|_^|iî_r_^___^B_Mg
4. And can this ! !
P N_
W^T- _-p-
_*_ <-]._
*_
hMt _ _ ^ J- r
x- i Y _
_J^- T i - j_
c
;A_^_c__j j
j_L__Lj-
]___ ____
^
Is
Medium.
i
-
Slnt-cnto.
i gCTg
SEASONS.
i
*
^
II. II.
>. N
bad
V. C. T.
gam;
243
'I
H
rainl To heaven, from whenc, Ml. It I
-
,. M,, u y .,11 bg mow, And the dif - ra - aire

I
; '2
s
"'/
I * I
# #
j?^3 Bwall
.
an.il. d\.- these

i
two Ji
ljfuptlj
i
8 #
=i&: =P=F^ t=E3
*=
ÊEEÊS
i=si & .-
S? = - i
* no*
ic&=t
.
p p
^S?
^ ^
I
- 5

I : I: : rTiETTTTp^ fea^^ *m ull hex Be cret

I
store.
Lrrayed
:
man and
in
bill* an.l bine;
pore An. calls

An.l wa-terai I
Providence dh
= Blow. .'.'
It-
'**-
The
An I calk forth all hei

8. "So

v ad,
Aln- BBect
Milli..n- ..f souls

-
: . x . . . .
^ *
t
*
*
*
^TT
THi And bear it down t<> million* more."
244 Allegretto. Rather Staccato. LUZON. H. M. V. C. T
lg=g=^^|sf^ -u J
g^ ^=s==s Z^ZS 3ZE fcs
^- EE
1. Rise, Sun of Glo - ry, rise ! And chase those shades of night, Which now ob - scure the skies, And hide thy sa cred light :
2. Now thy
send Spir - it down On all the na - tions, Lord 1 With great sue - cess to crown The preach - ing of thy word
3. Then shall thy king - dom come A - mong our fall - en race, And all the earth be - come The tern - pie of thy grace
^ rnf m Cres
' # * V %=X^
^^^^^gÊ^|^^&^^ÊgÊ^^3
.
i'-- ui_a
'
- *r = t :
4-
?+ rPf^-^^fe mpt F^
j.
gzbfciz:
-Hi M-
%
1 :
isztizzzz
Oh
That hea - then
:t=
chase those dis
lands
mal shades
may own
a
thy
m -
->
:szzz?z:
way, And bring
sway, And cast
>-
-T
the
their
3Z
bright
i -
mil
dol
-
'9'
r
len
zzzz:
gods
- nial
a -
day
way,
i
!
3
And
And
bring the bright
cast their i -
mil
dol
len
gods
nial
a -
day
way.
Whence pure de VO tion shall as - cend, And songs of praise, till time shall end, And songs of praise, till time shall end.
s
!
:zfczzz
"
-==523-f ^zzzlzzzTzzz zrzzzzÊ^ j ,s
ÎzTi^zri^zz^zz^ r^zz^zF -zzzFp
z#
sz^zz^Jztaz zzzzzd ^-JzJ-
/ mf f f
IS

< ,1' b i zzzzzd EÊ^^z^p
.J= _ _t_

.__f_'z_#_fJzl
-3: Zzf.
^=F=F^*
0*
m
J- -J*
rrE
g=F=F=
rzzztkz-
9
i
4
tp
r ; r : :
?=*== jT-|"p- * ~* g-
ttSr^ i
. .
Minl.-r.ili>. WILMINGTON, & Double. * 245

lig[JzJz^M| I-

p- -p ^ I zf=fz:hJ-0 \
I 1
*
In i- of prayer, ThouShepha lardiandi fine; My all to thy cov-o - nantca 1
ftig^j^jhE^ *
\ b.
3
:>hV
SfeÊE^ 333 *

.j.j j , J J j j j J . .
'
A J - J J J J_, J J i JJ
3 'f=p '
hf
F=P=P =P^ f=P=p:
P p^z
ISl'h
If thou art my shield

FfFî^lfegliif-
and my ran, The night ia nodark-neaa to mej and fas. u
-I-
my m
T '!:*' They bring
;*i:" pi
thee.
I'
-os^S ^ 53E2333
< SS
.
e
b:
i
P^p^
.

:
1
.^
- hstsg^g
< res.
, i
n.i;,
/
,;.::
i; - s i-:. . 5
i
1 1'
m
j j j j j j j j j : , J J J . .
( ^_l * =
iLbd: f*F=P=P si- t=t I" I
^'l'".-|-'J'
246 Paster somewhat than Medium. BERKLEY, G. W. LUCAS.
"~~T 3^c ^g|JgSI"gEEgpgg^^gfe|l
My gra-cious Re - deetner I love, His praises a - loud I'll pro - claim ; And join with the ar - mies a - bove To shout his a - dor - a - ble name.
rf:
- -fcr-rV
EJ= J-J-
* *j
m mf f ff
Bp;-ro---r'-
J - -r-' r
J
;-
rr -^->-^-j;-rr ^
,
' J
-rf-^-r^ +-
r>-^-^ .
J J J-r-W-
Medium movement
IS^^fe^lÊîE^
1.
2.
In
If
- spi rer and hearer
- of prayer,
thou art my shield and my sun,
Thou Shepherd and Guardian
The night is no dark-ness
VALLETTA.
divine;
to me;
My
And
all
fast
8s,
to
as
thy cov-e
my moments
-
^^61
nant care
roll on,
I sleeping or
They bring me but near - er
waking
V. C. T.
re
to
- sign;
thee.
EB
:zi?
:*
=33- ^Jg3^^|^î^=fîîrSr^Jpâ -i
O Soli. < r=- Coro.r=- >HRalI. ;r=-
i j.
n
P-.
7^
j
0- i
rr
(
r-
iÊEEâ
r~r > .
-0
3S
i
rlr r fl
It .nlirr slow I) . ASIA. 7s \ i.
2 17
In pari ftmu HOI IB
.^ê^
I .
?- ==E=L =Frrrc77Tnr
when the moroing jhi-neth, (.,, when the nis bright; when
i I
th< de cli neth, , (be bosh
of

J. I. bar A!1 *> I I'.v thl IV,, th nt...

who 1
1
. . . . 1 if
if
-.
_
,
i i
Simat imau
Siiii* smnll
mall null- ior
note l.ir xu
for
*
rane, ana
*-.'?>'
flrl verau,
'il
'
mul slur
mid alnr
llui Hi.- o.l
tin- an.
uml I -t.l ..,.*.*..
notes
^-*L
^
:C= I
"
m
^^^ ^^^m LIU
:|
.1
m
I '.'.I .

1 i I |
-
e^
^ m m
S
-
S
SiSSi^ 0
I
."
& , ZP^=^,
s
'
E J* * I 3
s
Go with pure mind and reeling,

^ _
hta
*-
way.
^ HIE; .
B J |J |i
I -
And, in kneel -
ing, thou in
Then for thj sell; in ma i a blessing humbly claim An 1 blend, witJ -
ti Thy i," naiiii-
Crea. ------ / -
U.\ #
I'
h r ^ i
# f . r i
* ^
p i.
248 Slightly faster than Medium. AUTUMN. 7s&fe. From
V. C. T.
the "Lute.'
^-J4 m~
m$F I
!"
1. The leaves a - round me full - ing*, Are preaching of de - cay The hoi - low winds are call ing, - " Come, pil - come a
grim, way
2. The day, in night de - cli ning - Says, I must, too, de - cline; The year, its bloom re sign ing, - - Its" lot foreshadows mine.
3. The light my path sur - rounding, The loves to which I cling, The hopes with in me bounding,
- The joys that round me wing
4. All, all, like stars at e - ven, Just gleam and shoot a - way, Pass on be - fore to hea - ven, And chide at my de lay.
5. The friends, gone there be fore me, - Are call - ing from on high; And hap -
py an - gels o'er me Tempt sweet - ly to the skv.
6. " Why wait," they say, " and with - er 'Mid scenes of death and sin 3 O rise to glo - ry, hith - er, And find true life be gin."
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the "Lute."
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2.
How many
Bow many a
a rose
gem of
of beau - ty
brightness
Will bloom to fade a
Lies hid - den from our
- way!
sight!
How many
Yet there's a
a child of
world of gladness Where
pit -
y Will
3Bz&
die
all's
yet 'tis
ere
revealed to
mm day
light.
3. The bud - ding flower of sweetness, The blooming cit - ron'.s shade, Are em - blems of life's fleetness, To where no foes in - vade.
Then look heaven For - get all mor tal The morrow be e - ter - nal there.
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4. to in sor - row, care ;
past for - get, the Will
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When shall tl- roiea ol ring -
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GERMANIA. 7s & 6s. V. C. T.
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And
2. He comes, with sue - cor speed -
y, To those who suf - fer wrong To help the poor and need -
y, bid the weak be strong
3. He shall de-scend like show - ers Up - on the fruit - ful earth, And love and joy, like flow - ers, Spring in his path to birth
4. For him shall prayer un - ceas - ing And dai - ly vows as - cend, His king - dom still in - creas - ing A kingdom with - out end
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To give them songs for sigh -ing, Their dark-ness turn to light, Whose souls, condemned and dy - ing, Were pre-cious in his sight.
Be - fore him, on the mountains, Shall peace, the her -aid, go; And righteousness, in foun - tains, From hill to val ley How.
The tide of time shall nev - er His cov - e - nant re - move : His name shall stand forev - er ; That name to us is love.
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Hi'- pleas ure that de-ceived me, My ioaI no more can charm; larm,
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V. C. T.
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1. When the vale of death ap - pears, Faiot and cold this mor - tal clay, Kind fore - run-ner, soothe fears, Light through the darksome way ;
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2. Upward
Bid my
from this dying state
waiting soul aspire,
Open thou the crystal gate,
To thy praise attune my lyre.
r* eSe^fe^êee^P
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Then triumphant,
I will join the immortal choir.
J
3. When the mighty trumpet blown,
==FfEEF=FTL:r=^z judgment dawn proclaim

i Shall the
From the central, burning throne,
Mid creation's final flame,
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Thou wilt own my worthless name.
Close and gliding nljlc JEAVELL. fe&fa 253
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1. Blest
HI' H is the
II hour when
llll- ll"lllMil' II cares M' Mil,
I.HI > depart, And earthly scenes are &r
.\IIMI.lllLI>>-l'!l~.lLtIll. ; When
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I Sing hal le In jahl praise the Lord I Bingwitha cheerful voice; Ex-altour God with one ac-cord, And in his namere-joi ease to
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GARDEN. 8s & 6s.
V. C. T.
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Beyond where Cedron's waters flow, Behold the suffering Saviour go To sad Gethsema
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His countenance is all divine, Yet grief appears in every line.
1.
2. He bows beneath the sins of men; He cries to God, and cries again, In sad Gethsema
-
- ne ;

He lifts his mournful eyes above "My Father, can this cup remove ("
3. With gentle re - sig na tion still, He yielded to his Father's will, In sad Gethsema
- - - ne ; " Behold me here, thine only Son And, Father, let thy will be done.''
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1.
4.
My God, my
If thou shouldst call
Father,
me
while
to
I
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stray
sign
Far from my home, on life's rough way,
What most I prize it ne'er was mine,
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O, teach me, from
P
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Et
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"Thy
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my
my
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God, be
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done."
G. Be new my will from day to day, Blend it with thine, and take a - way Whate'er now makes it hard to say, " Thy will, my God, be done."
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1. There ii :i calm fot those who weep, A reel for wea-ry pil grims found; l lv lie, and in the gi
i" lav thii pain ful head, Andach- ing heart be neath the Boil To dum-ber in tliiii dream-leaa '
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1. Hark, hark! the gospel ti nds, Through earth and heaven the echo bounds Pard ; in<>
innera, hear the joyful ne< Nbi longer dan thi . Mercy and justice here combii ml tnnli *
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^p^gffip 1. Create, God, my powers a - new, Make my whole heart sincere and true ; Oh cast me
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not in wrath a - way, Nor let thy soul-enlivening ray Still cease to shine.
2. Re-store thy fa - vor, bliss di - vine Those heavenly joys that once were mine
!
; Let thy good Spirit, kind and free, Uphold and guide my steps to thee, Thou God of love.
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; Life is the run - ning
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^
GRANGER.
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poor and lit - tie worth Are all those glit - tering toys of earth ThU lure us hereI
:
8s &
gg^^^ggggiÊii
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Dreams of a sleep that death must break : Alas before It

;
: bids us wake, They dis ap
and a-wake To see how soon Life, likes its glo ries, glides away, And the stern footsteps of de -cay Come stealing

of the race, And death the goal There nil those glittering toys are brought That path alone, of all unsought, [s found of
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XtJO Medium. With pathos and einoUou> ILLYRIA. 8s 6s & 4s. (Trio.) V. C. T.
-IS-r
1. Fa-ther, who in the ol - ive shade, When the dark hour came on, Didst, with a breath of heav - enly aid, Strength - en thy Son,
2. O, by the an guish of that night,
- Send us down blest re - lief; Or, to the chastened, let thy might Hal - low this grief,
3. And thou, that when the star-ry sky Saw the dread strife be - gun, Didst teach a - dor - ing faith to ay, " Thy will be done,"-
4. By thy meek spir - it, thou, of all That e'er have mourned the chief, Blest Sa - viour, if the stroke must fall, Hal - low this grief.
Alto
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WARDEN. 7s 6s & 8s. (The Psalmist. Hymn 1003.) V. C. T.
EJfe^^^^^^lT^^ta^dh^^^^^^^^^^Jjatf
1. Brother, thou art gone to rest We will not weep for thee ; For thou art now, where oft on earth Thy spir - it longed to be.
2. Brother, thou art gone to rest; Thine is an ear - ly tomb; But Je-sus summoned thee a- way Thy .Saviour called thee home.
3. Brother, thou art gone to rest; Thy toils and cares are o'er ; And sor-row, pain, and suffering, now Shall ne'er (lis -
tress thee more,
4. Brother, thou art gone to rest; Thy sins are all for given ;
- And saints in light have welcomed thee To share the joys of heaven.
5. Brother, thou art gone to rest And this shall be our prayer That, when we reach our journey's end, Thy glo - ry may share.
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1 Onward speed thy conquering flight ; Angel, onward -| I. I
id abroad thy radianl light, Bid thi id the i-dols in the dust.
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Angel, onward ha
li.- thy standard pi

mountain's height)
Hea- then fanee de stray, Bpread the goc pel's ho - ly ir . the gospel's joy.
Let thy blissful tad
and
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260 Medium. FDLLER . 7s & 8s. (PECULIAR.)
B;rt*
SBE ?
1. Lift not thou the wail - ing
?-{.t=t-
voice; Weep not ;
*32Eti
'tis
^fi^^3=r=teîz^
a Christian ili - eth ; Up, -where blessed saints re - joice, Ransomed now, the spir~- it fli - eth
2. They who die in Christ are blest: Ours be, then, no thought of grieving: Sweetly with their God they rest, All their toils and troubles leav - ing:
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High in Heaven's own light she dwelleth
So be ours the faith that sa - veth,
Full the song of triumph
Hope that ev - ery tri - al
swelleth
braveth,
: Freed from
Love that
earth,
to
ami earthly
the end en -
failing, Lift for her no voice of
dureth, And, thro' Christ, the crown se -
wail-ing.
cu-reth.
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1'i.n ye Jehovah' and adore; Bigh o'er the] -
Sound hU i e,Whil<
'
let the trumpet raise Sounds of triumphant praise, Wide as his fame
v
There let the harp be found :
; < Irgans, with solemn sound, Elollyoui I with hi- 1
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vow, When spear, and shield, and crown, In (ami
:; By Him who bowed to take The death-cup for our sake, The thorn, the rod, Prom whom the last dis maj Was not to
.Whfle trembling o*er the grave, We call on thee to gave, Pa ther di-vini Hear, hear our gup-pliant breath; Keep us, in life and death, Thi
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IRVING, &
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6S 4S. (Revival Hymn.) Thomas Moore
^ O/O About Medium, tlie J" ths Staccato, Arranged lor this work.
Wait not for to - tnor - row, Yield thee to - day. Heaven bids thee come. While vet there's room :
and row Filled with din may,

i Child of .in .or -
7
Come, while thoo canst bor - row Help from on bight Gr.evo not that love, W hteh from a bore,
Child of So and "-row, Whyw.lt thon die !
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Hear and o- bey: Heaven bids thee come, While yet
-
there's
Child of sin and sor - row.
and sor row, W
ould bring thee nigh.
Child of sin
row Would bring thee nigh Grieve not that love, Which from a bove,
- -
Child of sin and sor - ', :
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2. Him, all in heaven a - bove, Him, all on earth be - low, Th' ex - haustless source of love, The great Cre - a - tor know.
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which the Prince of light His reign of peace up - on the earth be - gan.
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2. No conqueror's sword he
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bore,
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In peace and love he came,
And gentle was his reign,
Which o'er the earth he spread by influence mild.
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called their bloody legions from the
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And close the warrior's gate,
Nor know, to whom their homage thus they yield.
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1. Through thy protecting care, Kept till the dawning, Taught to draw near in prayer, Heed we the warning : O thou great One in Three, Glad - ly our souls would be,
2. God of our sleeping h#urs, Watch o'er us wa-king, All our im-per-fect powers In thine hands taking : In us thy work ful - fil, Be with thy children still,
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1. When shall
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Those who o - bey thy will Ne - ver for - sa - king.
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I ai f"r Om hearts will ne'ei n poee a each blast that blows Id this dark Tale of woes Nev-er i
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And
nature's strength decay,
death and hell withstand,
To Canaan's bounds I urge my way,
At his command :
I shall his power a - dore, And sing the won - ders of his grace For - ev - er - more.
The watery deep 1 p;i<s.
With Jesus in my view,
e=f^ HêêB And, through the howling wilderness,
My way pursue.
Cres. Dim.
4. There dwells the Lord our King,
The Lord our Righteousness,
U~f Triumphant o'er the world and sin :
The Prince of peace,
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His kingdom still maintains,
And, glorious with bis saints in light,
Forever reigns.
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4. It.ii how. In heathen chains, and landa unknon swig of Zl "ii 'mn
raise I O, haplesa Salem ! I's terrestrial tbn r :
it rVr in) memory lose th; lovely name, li my cold heart neglect my km drcd rncr, I
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From it, behold ;i branch :iri-<-, Wboee sacred flower with fragrance tills (heal tick and weak thehealii z planl ! all aid, Froi
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1. A-gain the day returns of ho - ly rost, Which, when he made the world, Jehovah hlest, When, like his own, he bade our labors cease, And ail be pi - e - ty. and all be peace.
3. Let us de vote this conse
era - tedday, To learn his will, and all we learn o - bey So shall be hear, when fervently we raise
; >ur supplications, and mir songs of praise. <
3. Father of heaven in whom our hopes confide, Whose power defends us, and whose precepts guide In life our Guardian, and in death our Friend
I ; Glory supreme be thine, till time shall end.
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1. Along the banks where Babel's current flows, Our captive bands in deep despondence strayed. While Zion's fall in sail remembrance rose. Her friends, her children, mingled with the dead.
2. The tuneless harp, that once with joy we strung, When praise employed, and mirth inspired the lay, In mournful silence, on the willows hung, Ami growing grief prolonged the tedious day.
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]i. O ye heralds, your mission proclaim, And wide be your banners unfurled; Declare to the heathen Immanu -el's name, Speak, speak to a perish-ing world.
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See millions unnumbered, in darkness profound, Still groping their desolate way; Unheard the mild accents of mercy's sweet sound, Unseen the bright glimmerings of day.
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spread to en fold t l>t no ners may hope, since the Saviour hath
. An 1 died, An i
bright on thy waking, An 1 I was the ser aphi !

ig tli it th
NH.ii will thee, Where death hath no sting, since the Saviour I Where di ath hat!
fe_^ Si ..\L ';A*

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278 Rather fast.
OPHIR. 12s & lis.
m \m~rv r*-*
rzz 'i i r s?fe^^sfefe? p=r
ICX
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judgment he meet thee " The harvest

;r~r
passing, the
isSi
summer will end."
1. Hark, sinner, while God from on high doth entreat thee, And warnings with accents of mercy doth Wend Give ear to his voice,
; lest in ;
is
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Medium movement. Wltl patlios.

CONSOLATION. Us & 10s, K
n
1
2.
Come ye dis - con-so-late, where'er you languish Come, at the shrine of God fervently kneel Here bring
Joy of the
:
straying. Hope when all others die, fadeless and pur,

comfortless, light of the straying, pure,
vaters flow-ing Forth from the throne of God, pure from above;
..
Come to
your wounded hearts, here tell your anguish
;
Here speaks the Comforter, in God's name say- .ng,

the feast of love come, ever know-ing
;
Earth ^HmUêWtm.
Earth has no sorrow that heaven cannot heal.
Earth has no sorrow but hea\en can remo\e.

3. Here see the bread of life see wal ;
;
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+ * \- >\" ;;!;;[" -'-'-VA" :.su.|i
i tha morning Dnwnnnour dari in rr U Uld.
it with the beasts of tha stall, a,n-gelsa dore blin f all.
eld bint. In sost-l] ! - vn-tlon, O-dorsof i the mouota M
i urn |du ob - la-lion Valnl] arllb |i (Is would 1 B h-tr by
r} N S
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.on
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1. Tin- Lord i i. adore him, And ye who bread 1 1 . i
earthly ball; In ho Ij
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280 Rather fast. Declamatory.
CANADA. 10s & Us. #
Ete^feg$ESES^^feEigE Pgf^^ls=ssEH
summons forth, Calls the south nations, and a - wakes the north; From east to west the sovereign or - ders spread,
1. The God of glo-ry sends his
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Through
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worlds, and regions of the dead The trumpet sounds ;
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hell trembles ;
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heaven re - joi - ces ! Lift up your heads, ye
1
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:=_p=p_
saints,
r~
with cheerful voi

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&
distant :
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* 28]
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282 Slightly faster than Medium HINTON. 10s & lis.
1. 0, wor - ship the King, all glo - ri -

filS^S
ous a - bove, And grate - ful - ly sing bis won - der - ful love,
2. 0, tell of bis migbt, and sing of his grace, Whose robe is the light, whose can - o - py, space
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Our Shield and De - fen - der, the An - cient
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of
^^^S^^rÊÊ^H
Days, Pa
And
- vil
dark
- ioned in splen
path
- dor,
on
and gir
wings
- ded with praise.
His cha - riots of wrath the deep thun - der - clouds form, is his the of the storm.
SEE
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Mrillum. and unit time HI NT ON. 10b & lift (Diet) * # .; m .-
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The lowest part on thr I id the Ban. play with the left hand.
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Pol. BaXMi It ..iiinol be played oth. iui-l ;
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Our Shield and - feo dor, tlio - dent of Days, P> - vil - ioned in eplen - dor, : raise.
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284 Allegretto. Staccato. LYONS. 10s & lis. 4 lines. HAYDN.
Strong accent upon the part of the measure.
^^^m^^^^^^^^î^^^^^^^^^^
first
Oh praise ye the Lord, prepare a new song, And let all his saints in full con-cert join; With voi-ces u - ni - ted the anthem prolong, And show forth his praises in mu-sic di - vine.
fcfe
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Allegro. Willi boldness and sublimity. BURLINGTON. 12s lis & 8s. From the B. A Collection, By permission.
^^^^^^^g^^^^^^^^^^^^.
(Words by Rev. S. F. SMITH.)
1. The Prince of salvation in triumph is ri ding, And glory at- tends him along his bright way
-
; The ti-dings of grace on the breezes are eliding. And na-tions are owning his sway.
2 Ride on in thy greatness, thou conquering Saviour: Let thousands of thousands submit to thy reign, Acknowledge thy goodness, entreat for thy favor, And fol-low thy glo-ri-ous train.
3. Then loud shall ascend, from each sanctified nation, The voice of thanksgiving, the chorus of praise, And heaven shall re-echo the song of sal-va-tion, In rich and me - lo-di-ous lays.
p^^^^^r^rp^^r^QggjgggfTOra
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p^ K V. C. T. xi^.>
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and
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b good; the Lord u od 7,
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men and chil-di
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286 SENTENCE. "So teach us to number our days. V. O. T.
.Modern to. With seriousness. (PUG ATA.) Psalm 90, 12th.
fr'tf rlr
So teach us
n to num-ber
-m m
our days,
-pr-
lifel
to mini - ber our days ; that
^gSÎgg
we may ap - ply our hearts un -
-/*-
to -wis - dotu, that we may ap - ply our
fa
'M~M~9Z
3
HE^SEE** EEIEE?!
So teach us to num-ber our days, So teach us to number our days; that we may ap - ply our hearts un - to wisdom, that we may ap - ply our
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i^^^r^Hi^rS to num-ber our days

_
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ap - ply our hearts unto wisdom, that we may ap - ply ou*
> > /Tv m _j I

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-t . ,
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hearts un - to wis - dom un ;
- to wisdom. So teach us, so teach us to number our days; that we may ap - ply our hearts unto wisdom. A - men, A -men.
slir
esfeis
-/
hearts un- to wis -dom; un

<r>
lP~
- to
>
7==2
/TV
wisdom. So teach
^^^^^%^^^^0^r^

us, so teach us to number our days;

vnn
that we may ap -
Creg. - - - - > /TV
ply our hearts unto wisdom. A

Rall^
- men, A - men.
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SENTENCE. "Rend yeor heart."
m <*0
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to lie Lord, your
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unthank-ful;
.-;;h
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g him
bin.
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of B - ril
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slow to an and
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un-thankfuI.aDd of
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288 Medium movement.
BENEDICTION. "The grace of our Lord Jesus Christ."
Distinct articulation Author unknown.
mp Cres._- - - - - -_=_- - - | /
J s. K >. Dim. - - - - - Soli.
The grace of our Lord Je - bus Christ, and the love, the love of God and the fel low-ship of the Ho - ly Ghost, be with us all,
-mp -f
Dim. Soli.
IrfefefeS
The grace of our Lord Je - sus Christ, and the love, the love of God, and the fel-low-ship of the Ho - ly Ghost, be with us
rv
m P. .
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be wiih us
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be with us
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all,
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ev - er -
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more, be with us all,

Soli^
Corn.
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be with us
Cor
Coro.
p.
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all ev er
_
- more,
Soil.
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ev - er
Coro.
-
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more, be with us all

C OTO. P/-f-
Coto./1/SS
ev - er - more.
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1
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all, be with us all ev-er - more, be with us all, be with us all ev - er - more be with us all ev-er more, - !V - er - more.
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Coro./
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all, be with us all, be with us all,
Moderate and
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not loo fast.
^mm
Soil.
SENTENCE, "The Lord
m-:\.-:i\>/-:\'-\
Soil.
a- Car as the east

is sl<m
is from the
to aimer."
t p ro.
mm m ,{ oro.
our ill
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Solo. _ Soli. V ^S N^'V
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The Lard is. -low to an-ger, * far as the east is from the west, so t.ir hath hem from as,
^î-^r
far hath he mo red, so f.ir
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hath he
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far bath he mo-red, bo far bath he mo red our ^ in - from us,
=| ;\^m&^^\r pr^Sr^pÎ | :
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hath ho mo-Ted. 11]
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Fici bkothii ;e of mnj iol*i' **i botfi/rn-i* n'or't numei of rrtmbJiK* "> 'hu ! -
* R'L I* li
290 SENTENCE. "The sacrifices of God." (Quartette.) V. C. T.
I.nsrlmoso. With the expression of deep penitence. Psalm 51, 17.
.1st "Tenor.
J^felÊ^-Ê^pEE^gSÊ^^îzdbJj^-JrJS^^
= ft >
4-
The sac - ri - fi - ces of God a bro - ken spir - it are a bro - ken spir - it. A bro - ken and a con - trite heart, a
. ît
2<l Tenois
icnor. _____ ^T > r\ aho.
Alto. __ /^\
The sac - ri ft - ces of God are a bro - ken spi - rit are a bro - ken spi -rit. A bro-ken and a con- trite heart, a
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bro - ken and con - trite heart, O God, thou wilt not de - spise, O God, thou wilt not de spise.
H _
bro - ken
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and a con trite

==&^^llj-
heart, O God, thou wilt not
j. jfc-d_-j-j-_E-;_|
de - spise, O God, thou wilt not de - spise.
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lt.it hn Blow, nlili.n, Inn II V MN FOR DED I C AT 1 N. " sac red plac< : W ,,,.(. I.) g, F. U Mill II, *C. ' 1
inJ Trwitlv
.v.V|. .|. .;\. .|<:|: ; *v|.i

I. O n crcil plaee, where has fixed 1^ seal Where saints to pay their vows <lu- voul
<;<"! . Ij i hat ballon
tioa's King proclaims his law; ii- here his peo pie bow with i- heard the cheer
1 \\ uli
in t!m mi- en. linii-f 1. |>r:i_M ninl praise, !> vo - tion 8 songs the tribes of /.i
1
1"
i on re thai I*
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C'lnir ii 1 -I Mnnzn. < In.r In !<! nml lit M.iliza*.
IS" b -j^sr
What
"IN..
Tis
ho
I..,-..
here
- Iv
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that
scenes
m
nun
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with -in
:
in
thy walls are
mer-c^s smiles _
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re
.
found:
:
joice,
What ho -
1
ly scenes with
a
-v i
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thy wnlU are

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found.
i >
lure that
a i
nun

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in
-
nier-. ;.
s
s n |i
Where life in glo ry blooms with-out de cay, (omit to) Where life in glo i i without de - >
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292 SENTENCE. " As for man his days are as the grass." V. C. T.
Medium movement. With solemnity. Psalm 103, \hth and lUh.
* ^ mf
1
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4:
M -S3. T
35
p
tr o
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As for man, his days are as the
P
grass ;
g
His days are as the grass ; as a flow

:=-i=J.
- er of the field, so he flourish

-m
- eth, so he
I
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As
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for man, his
P
days are as
mmm m
the grass ; His days are as the grass
ZgL
; as
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flour-ish-eth, for the
flour-ish-eth, for the

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and
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the place thereof shall know it no more. Coro. F7
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294 Slowly, wllii deliberation. II YMN . " Sweet fields arrayed.' .lied ley
Wot wholly Original.
Theme; In part from AVIIKII.
^^^fe^^ÊÊ^gEg^^Ê^^^^^g
Thoughts of future blessedness.
^g
1. On Jordan's stormy banks I stain!, Ami cast a. wishful eye To Canaan's fair and happy land, Where my pos - sessions lie. O, the transporting, rapturous
^^JzrÊgE ^-^^ ^ 9-^-90 1

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scene, That ri - sea to my sight! Sweet fields arrayed in living green, And rivers of de - light! Sweet fields arrayed in living green, And rivers of de - light.
mf O ff ff m~ mf Cres Z_.
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F I' N E B A L II V N M . " Hear what the Lord from heaven proclaims.'' 295
Medium. Willi
\\ llll ami inllli^-.
-mil n. ii \ anil
implicit}- fc llii^-. i
l. Hi ;ir wluit the I. 'Til from beareM proclaims, Pot nil the pious dead '
Bweel isthesavoi of their names, And soft their sleeping bed, And
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and an- blest, How kind their slumbers are From Buffering and from -in released, They're Greed from n suSerin -
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,c9b Slowly.
SENTENCE. Exhortation to peace.
Remans 12th, ISth.
r-^ V
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a P -m -^ # \-(5 m * >> j
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po, - .i - ble. If it be p-,J - bfe, H it te P- 1 * !* F " "

all men
SE
men:
h
* live in peace With
with all

pos ble,
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live in Deace. live ia peace, live in peace, live in peace, live in peace, win
with all m,
au men, win
with allm
....,
all men, with
.
^__^men.
all
Dim.
Coro^jjj . ;
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live in peace, live in peace, live in peace, K,.
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peace, - r~
live L, peace, with ,11 men,
Dim.
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HYMN. "Wlini is life?" 297
Slow.
m -
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hi".-! 'tU hut a \ por ; Booo it ran ish-ea a - way: Life i* but a dy - tng U - per;
BS
my wul, why wuh t..
!
stay.
'
5 -
What i-i lifcl 'tubal a vapor; Soon ic van - i-h - es a - way: Life is but a dy - ii.
per: my soul, why wuh to stay.
.
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not spread thy wiogi and fly Straight t.> yon <lor world of j.>y
'
Sir.ii_'lit to yoo der world of joy.
c 3=S V= i s= I'
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298
Rather faster than Medium* Somewhat
QUARTETTE.
Staccato, and with all possible expression of emotion
When Ik radiant beams of day.'
On an Organ or Piano in " equal temperament," Db is preferable
..ia^
^ ^^p^^ggi^^^^|^H^^^^^Ê |^^^
1. When the ra - diant beams of day Fade in twi - light's shade a - way When the ves - per star se - rene, Sweet - ly,
Sure as the ding Ush ers the gloom of night, Will our a ing day, Quick
^B=^B^Û-^^p^^=^
2. - ly, fa - light, - in lives, fleet - - ly
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calm - ly bright is seen, - ly Fa - ther, ho - ly Fa - ther, ho - ly Fa - ther, hear our prayer. Ev - er, till the
fade, and pass a - way. Ho - ly Fa - ther, ho - ly I
?
a - ther, ho - ly Fa - ther, hear our prayer. Hear us, when death's
>
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"When tli," radiant lirams of day." Concluded. 299

' . JEZl
' ^ 11111
world ihmll rod, the song In U nil. I. 11.. ly, ho K, ho - ly l'.i flier, beai
bad on lower 1 i.u . - ly i lift 'a do
nog bow lii -
ly, ho - ly, 1. ly l.i flier, h. .ir our
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" \\\\\\\ llionali each spark." pastoral.
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What
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h>" each iparh of earth-bora rapture ti >-
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The, quivering Up,
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pale ebeek, aod doting eye !
:\- -
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Bright to the eooi

i rcM ^ #
Ay aeraph heads ooa*]

|
The moralag d/eass of life's e-ier-aal <ly.
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300 ANTHEM CHANT. Let us go into the house of the Lord."
^ss
V. C. T.
Soil. Cord Allegretto. For Dedication or Ordination. _Coro.
Sjdfzfc
Cora. Allegretto. Coro
iBUm
Soli. Soli.
I was glad when they

îS^^pzL= i Our feet shall stand within thy
^ Whither the tribes go up ; the tribes
said unto me, - - Let us go in-to the house of the Lord, gates, O Jerusalem Jerusalem
; 1 of the Lord, unto the testimony of
is builded as a city that is com- |
pact to - geth Israel, to give thanks unto the - - -
Coro. Allegretto
Soli. Soli. Coro.
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Coro. Allegretto Soli. d
USE
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Soli. Larghetto.
IP^ Corpi-OT _
Ha*-J J'
ji ^-f-^ wi Zgj^z :^Soli. Larghetto
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of
^
Je -
1.^
ru -
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sa -
1
lem
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-N pso._ m _
m=
name of the Lord.
i
For there are set thrones of
I
I
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thrones of the house of David, Pray for the peace of Je - ru - sa - lem : They shall
judgment, the - - - |
*un.
Soli. i.iii û, nu.
Larghctto.
N N
N_ *.
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"LctBB 20 into the house of the Lord." Coitinoed

oll. 301
yz. s ""
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jt..- per that Luc thee. be with-in thy wiDs, and prosperity within thy - - pal - 1
|
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For my brethren and oompanioo'a -ak.
i
a Corn.
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bewith-L^Jhee.lBecaêofthehon-ofiha] lonr- God,

, , .,.. , good Hal ,...,. j, h HiI , ,,.
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302 Medium with plain articulation.
FUNERAL SENTENCE. " Mark the perfect man." V. C. T.
time, h Cres.
v- From "Taylor's Choral Anthemi "
f * :?:Es3=
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Mark the per - feet man, and be - hold the up right, for the end of that man peace, for the end of that man peace.
C reg. - - - - - <^
P
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Mark the per - feet man, and be - hold the up right, for the end of that man is peace, for the end of that man is
,m P w Cres. S rS N < *i~

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Mark the per - feet man, and be - hold the up - right, for the end of that man is peace, for the end
Cres. - - <
of that man is
Dim.
peace, is
Rail.
peace.
j.
k
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for
*
the end of that man is peace, for the
SSPPBBI
end of that man is peace, is peace.
reS
w IS h Is ! i
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kb-
Mark the per - feet man, and be - hold the
he up - right,
ri
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8 E LE C T S E N T E N C E 8. " Rejoice * iih them that do rejoice,* be. 303
Medium. Roman* 12th.
/~yli>\\.,, < > /^> <v Medium. "T*
mm
^
Rejoice with
Willi
1
thrm th.it
tli.it joioe, nd
do re joice,
dull' and
/^sSIow. n
wieep
w ith them that weep.
Soil. Medium.
km. I lv .if
^
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/
-
Rejoice with them that do re-joios, and

-ry
^
/T\ Slow.r
i
weep with them
^

thai
%
we
^
pi

Be
Soil.
.-Mill,
kind-ly af
Medium.
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one to nn Oth-er.
#:
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bnt condescend to men of low

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ee-tate.
"
H Blow
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.
.
ball men.
-
J' b
"# i 4 fi S * o m 0.00 ^ * * ##
one to an oth-er. Hind not high things, Imt ooodescend to nun of low estate Let love be without dissimulation, and bare charitj, hare o w ards all nun.
w V cl t
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pg *,'*
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JUL
s
304 (Bent or three quarter time, three <*

ANTHEM. "0 how beantiM" V. C. T.
g^
Moderato. or their equivalent, to a beat.) From " Taylor's Choral Anthem* "
Soli.
~m m tr seb :zi#: jj^g^gg

o O
S^î
how beau - ti - ful, how beau-ti - ful thy gar-ments, Zi - on ! O how beau - ti - ful, how beau - ti - ful thy gar-
v Soli.
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ti hi
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how beau
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- ti - ful, how beau
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II
-
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ti -
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ful
"
-
tby gar-
d*

d \

life ==te==RpF
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rr PrTT^
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Coro. ?
&g^* s =3=3=3 m-ji -j^r-gT -d

=3^
3^ -jt- -d k V_I=qrz dtzfli
ments, O Zi O Zi-on ! They shall pros-per, they shall pros-per that love thee, that love thee, they shall pros - per that love
Corp . w_ f
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= ;=3=z2==3==J==*Utit i-idz=zt
j
ments, Zi - on, O Zi They shall pros-per, they shall pros-per that love thee, that love thee, they shall pros - per that love
_ s coro. . f_l
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^ the? ehai] pros per that tews
H
Condoned 305
^
how beantlM"

m -
thee,
m
gÊgzzgr^
tli.it love
__
thee,
/
they
m

mf
...... i.-i.j

i _r_L
ion,
Boll.
.
1
i
pray
^
for tl.
+
:'
Je r:i
^
V / v |^.- hsELri':;:'rl---I^.L./L../L./
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tlmt 1"\. t!:. .-. thai lore tl thee. i . | ray i' ;
Ja - ru
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m _> aM M ^
m
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m p Boll. _ - _ *
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thee,
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they shall
|p |>n>^ - per
i
thai
p
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l?J'.l'-.
fe'>-
pray
r ::p*:|
.
f<>r the peace of J.-

#
ru
;t
sa-lem;
:
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that love thco,
_
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heg e tu 0*0
for the peace of Je ru sa lem that lore thee, thai nd |>caco shall

- - ,
s Coro.
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that lor*. the*

12] 1 li< y (ball pro* per that love ihe\
j
306 " how beautiful." Concluded.
is-bzt __J__>Tp-:Nr- rzzs:

1
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>
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zzljizzzzL-lyzp 1
-p=zzi__|.LJdg:
p
dwell in thee, shall dwell in thee, joy and peace shall dwell in thee, dwell in thee, joy and peace shall
tin-ell in thee,shall dwell in thee,shall dwell in thee, joy and peace shall dwell in thee.shall dwell in thee, in thee, joy and
ft
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h
c 9~ -.-r#-r
I r i
9^rsr^
i
i 'i * j> r*
"n _ h
# ^Ti # f~j rJ"Cj^#
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*
i~t
n_*j >-
iirjzi r~i
i
rz
i
1
rn '.
\
r
rrr
-f-r-r-r- "-r-r-r-r- , r-r-^r-1 11 -^-^-^^ - 11 tL ~ ^-^zczz^-t-. zzJ^ b-^ _ ta ! L
-I
J"! J" J i n l j
zgz^gzzz^zz^zzzzzzz]: kzzzzzzigz!zzz>zzzlzzzz zzzzz:tzzzzrz z:^ i i
joy and peace shall dwell in thee, dwell in thee, in thee, joy and
part?, be careful of the words and time in this passage.)
Fcbzs:<iz*z#z*
[Si> T~ '&- z]zzipzr:ez|:czezcz*c|:c:zcz?zpzz[:z:z |zzzzzczzzzjzzzzczzzzpz:zzczzzj;zz:czii?zzp:zzbzi pzzzzprrj*z It
dwell in thee.shall dwell in thce.shall dwell in thee.for evermore,for ev - er more, for
I ? I
-if-
X ^ X ^ X
iii
~
'II!
J ^- ?
peace shall dwell in thee, shall dwell in thee for ev - er more, for ev - er more, for ev - er more, for ev

i. .
'
jj 1 1 is p p p is "^ m v \.u v. \, j
&czzzf=E&zz^^ r~ oi
J..: ....j. .j .j..i. j. .j. .j. J. j! . j. X .j. .j.
Vjf
|^zzz|!zz^c#zzrp~^
i zzziizzzzz^z- z^ ii ii
peace timll dwell ia thee, tiiiail dwell ia thee for ev or more, for ev or more. for ev - * or * moro.

wtdi .pint. ANT II V. M .

When die Lord shall build up Zion." V. . T. 307
/or Dedication or Installation.
f
ffi&g fl^SB
When the Lord ahaD build up Zi - on,
_ ==: ^^sK-l:^'-!
!! -lull appear in i ry, in uii glo
Z5ZZ5I 3=
"# <r
>
Whan the Lord thall build np Zi -

on, Be aha]] np-pcar in hfa glo - ry, in hii glo - ry, He shall appear in his gin rv, in his glo
.> > > /
!
:i
'
' ' I
/ ' ' ' 5 5 _' " " '
* : I
5 *-L- a*- ^ # I
^gEgEfeE&fe^
/'
/ ///
ry, !! "... 1II

1 ap -
[war
|mt in bia
lii^ glo rv.
rv, in bis glo rv. When the Lord shall build t;p Zi on, in his glo - rv, in Lia
f >/ '_/ m
*fij firm^tttt
n N - "
S <s S V *
t
amJ ,
rv, He ihall ap pear bia glo rv, glo rv. When the Lord ahaO build up Zi on. He shall ap- in
HE
-
in - in hie
|
rv / > v #S N I | | '''
v -O ^
'
. \ ?E ^=S f

-. . *. . 5 : ; ; I
7
*; ml :
4>
;
. .= J
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r
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. .
b
* - r
-
.
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,
ft
ft

6
*

*
; .-
i I
i
I*" *
* An xtCDilv* (election of piects like the above, luiiabl* for Coiicerti and other occmiont, may lx found In "Taylor'i Choral Anthcrca."

308 " When the Lord shall build up Zion." Coi$mued.
in
~1
:fz. $==?-*zhz:%zz$zzt
_ ^
fe
-<#-
glo rv, He shall an - pear in his glo - rv, in his glo

-*- -g-r -i* *-
in his
HgfI
glo - ry, in his glo - ry,
-=1-1--
3Ê in his
s_Ni_! vzzzr zqîqfar
^Z^=3: -Wzzzzzzzzzznwzzzgzzzzaz
^~ w ?-m- 2=e isz:
>~s.
~
rs ->>-
rzzi :z=r.:
-W
glo ry, He shall ap - pear in his glo - rv, iu his glo - ry, He shall appear in his glo - rv, in his glo - rv, He shall ap - pear
=
*=3z&
9 * " 7 J-
a 5 T u a i__f u
ffllJr.1. i si i i
wM
I
_.
gr-g-p- arn>~f
"z $-$- :zt
ztlz i>
_^_^.
:==
^zs*: ^= id
^
"sr in his
/ Close.
zt=: tE^ 3: :=l={

* g (-
^S=*I
-if-
glo - ry,
Z5ZZ5I
he
3zz\
shall np pear,
in
-^
^
his
S-V-
glo
:*^:
-
^
ry,
he shall ap - pear
3=z=C:
in his glo
3:
ry,
-#
in
-00.
K1*>-
in
his
his
-p-
:s:
glo
glo
111111=111
y-
Close.
Close.
__û
=3 i i 3-
^=g fd:
B=rt=

m 3r- = I
/-' o Close.
m s=
!E3:
'i
g
9
-g^^=P=^= P F '
;s?z
glo - ry, his glo - ry.
- : 1
* î *fl
'
n
*->. -,. nd . om), Mllhcareind j;j ,1(
">. M.ll.
build np Zion: Ceaclnded
309
sii.
. ZZ3 L- 55 E3E 3^fe^= ^
Lavght
* ->__ * |M * do. piêtheir pêrl ^ ^ '
^
*^/
:
.
of
^
tko .1.. .: , . .
r ;I |~r- be gn ing
'"g
-' "
of
^ -L
^î * i r
Ett -
,_J
:
I
s
I
: r
j j.
ll
#
33=eg =^3
; Mom. Million! (line.
I
\
W ^? - i
' ,0 death, wno nre
,/ ap -
point
ed
^~^m ,
""" , " rJ
'
a '"'
' who are ap -
^
point
>

ed
c :
3 4
j)
,.*
Mow. m
.
^^5
liliouf lime.
to who
mmmm^msm
death,
to
D Mom. Millioul llinr.
r
i
Ti
r
**
-
y. r
Blow m iilioui ilnir.
^^H^l^l
.
SEE; t= 'I: IVII-

Ml UM W w
r
^ ^ ^
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i
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|h< K> <jta> ^ ^^
. ; ;
310 A N THE M , " Who are these in bright array 2

*
V. C. T.
Rat. 13,U, 15, 16, 11
^
vii.,
Moderator Delicalnmcntc. C orp . Corp. Coro.
-^=+^^ F - P^=^ F --
Who
; -P,-
are these
x^F--
J Who
F*
are these?
F -.-F
Who are these ?
F
Corn. Corp. Coro.

) a
^=4^^==N==^---4-^^ fel^^^^^NPî
Who are these, who are these, who are these in bright ar-ray ? in bright array * in bright array ! in bright ar-
Soio. Solo. Solo. Solo.
< Moilerato. Coro. Coro.

-
^^
Coro.
/ '*
Z} : *
l
< -^ p l_ pzM [j-ijzi^^zj
Who are these ? who are tl who are these I
C nrn. .Velod y in T enor and Ai:o. ,>
4#=*z*E*E|:-7*zzzz%
:',
'
I
r.re
'iro.
they who've washed their robes in the blood of the
M SE^F^F^mmrrr^^^z^,HrJ
These are they who've washed tbîr robes in the blood of the
Lamb These are
Lamb
;
;
they who have washed
These are they who have washed

their robes in the blood of
their robes in the blood of the

the Lamb
Lamb
0* ^
are they before the
are they before the
*" . . I .

.
'
- f
^^
V
V
- ! -T * -a- ----
KT
'
, .

,->
^
,
i

.
h_
*

,
^_j
Coro
Coro. -
_
_*_
r
,

, .
iz_

J
I
-, .
I
-.
I" f*
. , .
I
*.
> -.__
Buses. I
'
SNSS
P H ^ ^
.
tzzzzz- Ezzz<rz<>, bczq^z^zizzzzzJi *j_z:

These are they, _
f'hoiri desiring a selection of piece- reMniMin;: this, are referred to "Taylor's Choral Anthems.
r
^-f-s |
tI= '
Therefore are.
s
*^rp
&c ^
'
Who are these in hrishl ami .'"
fonliniied. 311
Soil.
is '
:V :l .V "^.vl-S -:sl:'.vr-|*M I
tlirni
throne of
sppi i i si^Fja
Qod, and aerre him day

liim il:iv and
and
night
night in
lit hia
In-*
t'rn pie,
tern-pie.
l ^-.
Soil.
They
BlOW
shall
Boll.
m :&^\.
mill
hun-ger no
Îiiii
illstllli t.
more, neither
.iikI ilKtilirt.
thir-t ; m .y
S
For
more, Foi
tin-
-=l==l=j i
Lunh ujHin
ih
the
upen the throae

m
ehall feed them,
JX 1
N^- .* * > N |
Soil. PaMoralr.
Pa.toralr.
?
' -
_
ftf = . '5 ' = - 5 *5 ... . - e w m .
-=*
^
=
> ' ; - -
|
J.J _> s ^ .
^.fciinigStSB
^
I
i
*
-
*
J
H
ffi
t 1
= :?= p
1
'
^.
_
,.
I
l
:?=
-sJzFf-z^tii3
3
>->-I > + + jf --
mi'i m Bumii ôii.
1st, :<i.
'
r* - - :
in.t.
h
I
^n- m
*== rf-
U
I
le;iJ tliem to Iiv
I It*
S
>

in.
.v..i..- r
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'i* ^ps :
[->>>v-i"-i
* * * *\* * F=ZZV I
# . # . |
m \, * |i;.-l
4*
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!
312 " Who are these in bright array Concluded.
r _j^vgLRalj Slower and
Coroi Moderate
zrzzgrJ:r~ s^~i^r; r~ h i 9 ri 1
1
-
^# g-H I 2=S= 1 M . (
fiti T 7l~fi
softe r
And God shall wipe a - way all tears from their eyes, And God shall wipe a - way all tears from their eyes, all tears from their eyes.
C'oro.
And God shall wipe a - way all tears from their eyes, And God shall wipe a - way all tears from their eyes, all tears from their
eyes.
/\ Coro._ m . , s N. l_ S
.
1^ , s
^Ts Rai l. ^ - - - ---- --- - _

1
' _j 7- - "' i
' A * I ft r l.
w
'
< -[ r !

fs -f-
v rn -f
1
I
coro. OT j: j. j. j: i j. _ ===-^ ^ aU -,-,-,- - - - L - -
-> 1-
EÊ^ |* * C Base hold Iheir notes firm, without change of interval.
Rather slowly, soft and expressive II YMN . The soul's unfading beauty. Theme in part from A. M. Knight
\U1
*s ^? gE^feggsJjg^: -fcH 1
SE I,
ggg g
1. Sweet day ! so cool, so calm, so bright, Bridal of earth and sky, The clew shall weep thy fall to-night, For thou, a - las must die.
! (and can - not die).
2. Sweet rose ! in air whose odors wave, And color charms the eve, Thvroot is ev - erin its grave, And thou, a - las! must die.
/"sRt. /?\
^ fi9585
%
f_
3. Sweet spring, of days and ro - ses made. Whose eh. inns for
i
^
beauty vie Thy days depart, thy rose sfade Thou, too, a las must die.
!
HT
5"
1
:f
* -" :^*qj3
ST
; - !
=3=
! _tz^5
IMS^^^^rl^^^^^
4. On - ly a sweet and ho - ly soul Hath tints that never fly ; While flowers decay, and seasons roll, ( - - Omit - - ) Tins lives, and can not die.
/T<RU /TV >
Bass and Tenor sing stacca to i n the 1st and 3d strains

rq rv ev K r
jXU-^
I . 1
I * e3 - Ute^S^ f
St f *
Z
h ^fe^fefc- zÊ^Lffe^ ^^p^Hff

_
FF
/
fjllglitly f.i>lrr Hum Medium. M TE T T. " In viiin the- fancy strives to point V. C. T 313
. Soil. Cam. J /TN /
IB*
I
- # _it
~ - *!*'':[
In vain the f.m - to paint The moment after death, 1 a that tor -round a at our
Soli. < ..I.I..' <-> m ......
3s * &t= iz,\ sq
? j=j=*=i
The moment af-ter When up
In
S..1I.
vnin the fan - rv itrirea to paint death, The
< ..r.
y'< .n. -
f
that sur - round a saint,
S I N I
M """///
yielding
N
hie
>
breath, 11. <
Cora./ N v
1 1. . L, . If . . l_..*_f L. . . L ' l_ L * - _ L. . _
* * i I
m * * - * * * . 9 9 *
Soil. 9 9 N J 4*4 J *J_ / # *_
OLT ZH I
-g-' g-ri fc-i I
1 U-li 9-\ I I 1 y~h * I
1
w
riM.
round a
*_
punt,
^^
When
/)
Z
.
5
s
KKnr.l.

Hlinrtl.
.... .1...
^mm
up hia

breath,
T>
Mb 9 # ~S"T"
a saint, m.-mihi; ^* -^ -^ ^^
rui'.nii
^s
\\ iu-n ui> i eatn.
; "> = I
- I ^ S
^ 3
"
IT%MfgTg It*^3
;
feted *| / - | =ftl ?: S
I S
S:S
I
S ; J
i
!
r
J /' v-F
Thi* 1
ilrnin. to the Compound Movcmcni. it from n Atlajio in " Art ittn a Dr. Arw.
/ E #
'
I \ r ;
314 " In vain the fancy strives to paint" Continued.

. ,
?
Soli.
r
P
{
-^ ^~
r
? ^ PPRt.ST-y
I ex
Coro..' Q,<Hfe fast.
f^T m * - *:
is
1> ^
fznzzzp-T
1
L^__ ^_[
! 1
i
1
L_| 1 1 -^ t k* L^ r-
One gentle sigh the bondage breaks ; We scarce can say he's gone, Be - fore the willing spirit takes Its mansion near the throne, Be -
Soil. P f PPRt.^s Coro. J Q,nite fast. ^
One gentle sigh the bondage breaks ; We scarce can say /"?s he's gone, Be - fore the willing spirit takes Its mansion near the throne, Be
-, Coro. f Quite fast.
n__. Soil./'
N t P/'Rt.
/*> J'l'ftt. s?
rrs w. J w. _> w.
/ '
it r i T ? * r a , r P
_ J\_-u j\ _, j_ ;. ^ ^ R t
-j
Coro.J Quite fast i i
^ E1
J j j
fenr
Ekzzjz^
~-S>
^ Hz
he's
:~ Stsc
gone
*zz#:
S
iso: !3E rznzn
jf_
t sP b~ i ~ ~y-hi fe>
i-hr g~i g~p~ P*P i r~
|ESEE
fore the willing spir - it takes Its mansion near the throne.
fore the willing spir - it takes
.
Its
î
mansion
I
near the throne.
IJ 9,
m r-F
r/J .J ij :Lii
3:
- L rp
f-
-' p '
r
I
i
#- #
f tIf #
~
x
I
.; j. .;. S- -C~-i -i -i f-j
JLZfEZ*~i
^s=fe=^ jî
m

Slowly, ullh frrlln^- So " -
Mil v;iin the fnmy strives to paint."
=d^==-
Concluded
Coro. /" Itiidirr fnntr r ilmn Muliuni
315
f//i) /
i
&=t4LM* 3.
b :
~*
*
E*9 # ~ . ~_J=3
Henrd re 1 1 b of part-ing brruthl Marked ye the eye's lad raj I tfo! N..' Ni hi".' so rweetly oea-
HHl ;-^
low i j , wiiii fcellna> j aJeiii r
i
t >
':
T ^gl

':'\r'

'': "p":- f gfcgg
1
| ^ s 1 @ -
Coro..' Uiih. fnntcr Ihnn M.dliini.

--- i
^^
///
-1 J J .
^ EH : I
: f-p.
^.izq:-p^Z{Z
>~
g F=? -l c i r. i rra
!si' BSl^gI^5[ /- iill s s
=&:
** ^ ^
' . .
I
!, It lapsed in im-mot tal-i tv. >.'.! BTol Nol N" ' N"! life so sweetly ceased to be, It hipped in ini ih-t - tal - i t\
S
te=
b
J
^^tg=i^R^ , >i|j
/_
^C . ^/L;^<L 3 L.I 1
::
>
i -=p=
? 1
ANTHEM.
316
mm
" Sing lialleliijah."*
V. C. T.
Rather faster than Medium. (For Thanksgiving Dedication, Installation, or Concerts.) _Allegro.
T ,
-
-=1
tÊ= i=jJ!SJiJJpbfe :
zrr-
,
Sing halle - lu-jah, Sing halle - lu-jah,
m
ifc&ZaZ
^^^^ lEgâÊ-l T5I
- l"-^
=FsS| A!1e"ro-
Sing halle - lu-jah, r f 1 Praise the

Sing lial-le - lu jah, -
IT Allegro.
zr
zEEjrzfc
' rjMr *z* jf?rz5zzzi*z ~ # r
~
Syni.
:
Crcs. -------'-'
r r p*>
; ft
Unisons* U U LJ U jl
Unisons. 1
0_ Allegro.
^msmE ÊE
I
Syni
fEE E ==
_w L ^_ zFSzSl-SJihS-^bpz^
w Faster
a asi er. ,
^ w Presloi
f-resio. unarm ^
Ritard. >_
Lord, praise the Lord, praise, praise, praise the Lord. Sing hal - le - lu - jah, Praise the Lord, praise the Lord, praise theLord, praise, praise the Lord.
Pa s ter. Presto.
f__
a' Ritard. >
PS 3= -,-j-i
Lord, praise the Lord, praise, praise, praise the Lord. Sing hal
Êr|z|iE^z|Eg^rS?Jzz^^^z^^Zt
rf^rJÊT-|z|=i
- le - lu - jah, Sing hal le - lu - jah, Praise the Lord, praise the Lord, praise the Lord, praise, praise the Lord.
~
9 ft T-H-
|. * =^zzyzzzz==^F^^d^-- J=^^:j-j^fczqêz^rT^
fe^.| ,
-
|
r I
Szzr~r.zSEfEiz =j==]&=c&===s=: iZzzzVtzzzzzzzzzzzfc
( 1
^ * *T r ~
i a u a a ; a * \l.
Si
I r i l I i i i i
I T
3 N ft
Presto.
is k
/r
J!
JU Rttard.
Ritard.
/-?
>
___ i
I
1
| ,
.
J Faster. * <J ' * m m J !* J * I
Base, practice these nccidcntnls with on instrument. l

For pieces of similar character to this, for Concert*, &c
see " Taylor's Choral Anthems. '
"Sins hallelujah." Continued.
B ^S Allrcrrtin.
317
No! too fi!
f
IS =
i Allr;rrllu.
^^ MI'LI'lln.
^ss ipê
I !. crful voice,
.Kit. .i.l.
a >> 5
AM' ^rrllo.
( nr* i;f;i;T:j^f
-
^T i= '
'^|--'2'Kr>.^ l
;=5:
|j_ Allci;r. <t<>.
:T:1 1 PI 1 l^? 1 Ip
s ! 5
s
-i . 1
-L I"- r
s s s sr
Ex - alt our i
to 1 with one uc - cord, '
our God,
S US HHi
v. rli a cheerful to ll our (0*1 with one
#
ac-cord,
#
S
Anl m
*. 1 ~_
hit n une re joice, and in hia name rejoice, 1".\ all oar Go I with one accord,
i
And
- a

a
' ' i |i M * n fa k ~ . * _.*.. - - -
^r; j ^" î> ^_ ^ - 1 j-
: our Cod, &C.

318 " Sing hallelujah." Continued.
And in bis name rejoice, rejoice, re - joice. Ne'er cease to
in his name re joice, Ex - alt our God with one ac -

&&%&%-^
cord, And in his name rejoice, And in
3=3=3=
his name
:
rejoice,
32= SitPllLl
^ 3-^=
rejoice, re - joice.
-a== ===== E=I3:===

\ pr= :- _. >-_!:_.___,_. r__JLT=: r_r?__ I r
r p
"-rr f
. tj -j i S<fe-
-

==f=b!==1====?
* L *
re - joice,
^)
J
ESSE ::sp:
:
5zEE 1^
-r*_UJ_
ye ran - somed
:
3==t==:
host,
Czzri-:*2=
and
i
Ho - ly Ghost, Till in the realms of end-less light,

Your
es
ye ran - somed
i^
host)
S^ ye ran - somed
==f:
host, To Fa - cher, Son, and

/
Ho - ly
i
Ghost,
m-r
3 -5
Till in
-
the realms of
3
r
end loss light,

mfr
Your
It-
-<^. -*- -J .
jL_\ |__, * m rnf
< '
-3- -3^ Ht- -9
(Left hand.) f ' -
_ X a J l_ J L i
p j j j
m j* r-f r p p p ?/
Ne'er cease to sing.

, H
319
h^S
" Sina liall('liijiili. Conrlndrd.

% * ** 0ZZZ.WL
praM ea r-ti.ill a nitf. Your praiaea shall d - nit.- . Till in tberealnu of |{ - cs shall u - nit'-. Your |
r
0 \mm-Yd- * \e ~* /S *
/^ jj
l
#
# I* # * I
shall u - nita, Your praiaea shall u - nite; Till in the realms >>f en 1 leaa I Tom j>rai-< - cs shnll u
( .... > s __ __ ..-,'

I I
' -
r *>
ft ft (* .? "*
-/-JJ
>
pi - r
: :5^ *
-hall
1*
u nite,
*t L, j.
*
e ?/
shall
;
u
: -
nitf ;
s.
Till in tin'
; -^
realms of end leas
^si^:
light,
PE
s
Yourprais Bhall
^^m^^m nite,
>>li.\
shall
-low.
.
u - - 1
* S * *1* l H 1eI * 3 I j.ij i. w

" F
i f r^SII'
sliall u nite; Till in the raalma of end - lees li^ht, Yoorpraia en shall n nite. t-liall u - - nite.
n i y^
mm m
J . i -. -Inw .
#
[* .. -p-
= .
c
* -It * -1, ,
1 * I T=

* +
320 Medium. With care nnd expression M TETT . " Soft echoes from the bending
;
sky."

V. C. T.
Soli.
> > > Cres. - -
igl^SS
!
T f
Soft echoes, soft echoes, soft echoes, from the sky, Re-peat the solemn strain
St ~
j~
Soft echoes,
*~l 3
soft
feff=i=E
*=i-
echoes,
ggjj
from the bending skv, Re
Soli. I > ^ ! > I > I > Cres .
^fB--rf
-
K-T fM 4-
IPI
s
I
ESC jtzs;~ZJ_,*-C? 3 S2 mm ~m m m zz
1
1m.-mm _* m~
Soft echoes, soft echoes, soft echoes, from the bend - ing sky, Re-peat the solemn strain ; Soft echoes, soft echoes, from the bend ing sky, Re
Soli.
Sife
Soft echoes, soft echoes, soft echoes, from the sky, Repeat the solemn strain Soft echoes, from the bending skv, Re -
r
zqs:
jt :2z: ^ =P feEPEr5
-* *ilC
=:
peat the solemn strain, Descend to earth a - gain, Descend to earth a - gain. Descend to earth, to
EF
W #
:^:
# J.
peat the sol - emn
S- J
*zsr-zjrzjrzj**
strain, And let the voice of
^.J
har-mo-ny
S *
De - 6cend to earth a - gain, Descend to
mh-m^-m-
earth a -gain, Descend, Dc
j
J
ri
ur ^
r
^j~r~ rH^=fr
f'-if
= ^- E J- ;= W-b?- J= r ; rVj - .= rr
H
Descend
'
Descend to earth a - gain, to earth, to
I I* IS I I i
J j. .1
*_
peat the ool cam strain. And

^fFp^r^^"^
let tLe voice of bar - mo - ny De eoeud
-pF^F
r
to earth again, De - ecend to earth again,
=^T-:
De
:
ecend.
F :
m
Do
: .
"Soft echoes from the beading sk\." Continued
a -
peat the solemn And
strain. let the voice of harmony De -
i
s ,\*.
to earth a - gain;
-olernn strain,
::io-ny D to earth
s
-JL __.,_, i

/ r
T7
. I
\ :
r r r
"' " gain; Soft echoes, from
fc the bending *kv.
De
to
c- -**'?*-
' . . . i
-- x *
x .
< r- 9. __
& *
urth a - gain
P=F
Re peat the i-ain,
: ;'i^ -*
J *
^ ;r
tfa a -
s..i;. /'/'
u: <
, i, .
= * '
^.|. .|. .[. ,|.
gigg
a
earth again, I :
to earth a -
I:
- gain,
t.
De ., D I to earth a
:
-
gaia
: -
11
'
:
^X J. .K :i
* '-i-J-
th again.
J .
_ .-1111.
r r* r" r* ,
"
[21]
s
;
" Soft echoes from the bending sky." Continued.

322
_^>_ pp Cres. m
:r:2:
SEe=e 2
=r^=i=
3 :2z& 3-^-
E 1 -
:â
ear, the lis - tening ear; The joy - ful sound to hear ; Yet would my soul for - ev - er stay,
= "'
ppr-
Coro. m- > Crcs.
. -\ e^t ~T SHEE ZCtZi

>
e-
zsz:
yz^jl 'MZ32L
EEj 3
ear, the lis - tening car; Yet would my soul for - ev - er stay, The joy - ful sound to hear ; Yet would my soul for - ev - er stay,
i
h i
"t ^ i
r i r^ *r^ |
r^ i
?

p_
p
-p-"
p
p
e_
*
*
m
i i i
8
Coro. /,? J J*. J J J 1 j.
^fÊfefefe
0-
E^îipp^ SE
With spirit
.f
:. K The
With
joy - - ful
<?:: >
sound to hear, The

~
5E^
joy - - ful sound to hear
gEgEgJEEgE^gEÊpSEgE^
The joyful sound to hear ; Yet would my soul for
^^^S
spirit.y
glSSSfeÊg=gE
The joy-ful sound to hear, The joyful sound to hear ;
Yet would my soul for -
:
ev -
iTzns
er stay,
V
The joyful sound to hear ; Yet would my soul for
With spirit, f , ,
S S
w-f-t-^ 4- P- f=w=c
With spirit, The joyful sound to hear
f
L &*
S
mm=^&Ff=z^f^Ê
Tlie
J2ZZJ
joy ful
r .L _j
sound to hear, The

T
joy
J. j_jlj__ :_j-
ful sound to hear ;

Yet would my soul for - ev -
-^mmmm^m
cr stay, The joyful sound to hear ; Yet would my soul for
"Soli echoes from the bending
sky." Continued
: The joy-fa] Bound to bear, Tho ic

B^l.
ful sound to hear, Th
*
~ M -r
joy -fal Bound
I
I
fa
7,16 1:
j"-y- "
iewouiamyaoulfor t^Tt^
# JT ~7T^ rH=^
I
' .
| ,
, I
I j= z i, if
wfea gfea s
n. Nil i
toy, Thejoy-faleonndto l
The jo}
^ * v-i ^ I
ful sound to hear, The joy ful sound to i
1-! -
=ES=S
The joyful sound to hear. The iov ful sound to hear, The
-* m=r-L.. . ..|
m- -
joy ful ,, ,,, ,
joy - ful
rand to l
The joyful Bound to
. . ..v.. .... ._..

' I
I
/ # ' s '*
5 The joyful sound to hear Ths
" iov
1)
-
n
fl soi--
"
,T~7 ur,

Tho joy ful sound to hear, The
I
324 * Soft echoes from the bending sky." Continued
ttS
:r
sound to
ex
-Jîz-j=3=3
hear, The
^J-.
jy ful
Sfe
sound to
egHs
hear, The joy - ful sound to hear, -
S3 3:
I
:
JOE llSlllliii *v-*
3fcfcfe 4T^2 iE=I I
sound to hear, The joy - ful sound to hear, The sound to hear, Yet would my soul for
j_j rni
fcEÊÊÊÊfe J
i -P XEETrzELZ
^qabzjzrizzjzTJ
F^P
f- tlT "i i
...
SE^feÊlgÊE
sound
UJ
to
J J
hear, Tlie jy
^fcdtetl
gB^ fill sound
jT^- _j^
to hear, The
Slip
joy - ful sound to
j_j_-
hear,
t*=EEE
-
rs E fctt EgEEEÊEE^gEEEgE"Êi
The joyful sound to hear, Yet would my soul for - ev - er. stay, The joyful sound to hear;
fcEEEEEEEEEpE^
ev er stay, The
-
joyful sound to hear,
SElSgpfeS to hear; Yet would
W%WF&
my soul for - ev - er stay, The joy - ful
&=i=d=J=ti
I
J u ^ ;
r
J^Q-^^L
' =?* 1 a
SliE^lEîÊasSi 3 =
Yet would my soul for - ev - er stay, The
:
joyful sound to hear ;
- ' r
"Soft echoes from the bending sky." Concluded

325
.1 I, ].<,...]*.. - ^>
The I.
joyful sound to !..._._
hear,
fl*l.
The joy
J
ful
1
Bound

to hear, The
.
joy ful -
tbe joy - fu! sound to
rz J
|
zzzzzzz "' 1 i
*= i
'_'.J!
sound t<> hear The joyful sound to hear, Hie joyful sound to I
The .
ful sound I
W-*-H* -a., , ^JLJEZ* t_lill jrr-i I ri Iff. > J -
The joyful sound to hear, The joy ful Pound to hear, The joy ful sound to hear,
Motlrrato. Willi , motion

Soil, or s,-,j_( ,.
ELEGY. "Forgive,- blest shade
r'rwai
\ . < . i
'ral ADthemi
f < rei. /./
S=
ive, blest shade, the bib- a ta rv i.
That mourns thy ex-Ue
V-U.L '\':\.--V^'?'\<\
Boll , or Bi ml- Coro. from a world like this ; For-g h that would have kept tl
N N
* *
p Ores. - ....
nng
. .
S N
(
Soil, nr
b/
)
-t';l
;
" Forgive, blest shade." Continued.

326
gjjg^ÊjEEpEpgÊEp IlilllgilgiBiijg
stayed thy transit to the realms of bliss. No more con - fined to grovelling scenes of night, No
stayed thy transit to the

^ppS
realms of bliss.
:rzz-
9
No more
9 _
'9'
con
i
- fined
^wfeii
r* e>
to
zs -
grovelling scenes of
m <Q
t
night, No
>fc -
Sym. I I I .
Dim. I \ t '
* l" I '
/>
_t t_
J-J-d" -J--
;
Hi! ff=fp=c
3E -#* m -
Coro. Allegro.
=^
f=y^s more a ten - ant pent in
3
mortal
SJ
clay
3 ^ iiÊ^Sg
Now should we rather hail thy
Coro. Allegro. //
Now should we rather hail thy

Coro. Allegro. ^/
zfe:
, ^ -& Coro. Allegro,

Allegro. /T
if M-M
@=K -J-^r c
lfS^^ E?fe 5^
F
r
"Forgive, blest Bhade." Continued.

327
%K.. :
EpSEBB * ' '
^
,
V~t J^-
\t \;
|,
^ s
'
_
thy
^^ '
,ace to
" tho
"; -''^.yow
n ,Tiv
*"" "
*!*
hould
i
^ >
. ,.
we
'
^
,!l .. ..
r I. ,:i .1
Hail Uiy j.
t
rious
'
.,
flight, :. .
.
* I_
" "
'
V &
: ions flicrhl .1... . .
^ ^
)â r
|$g r=|^^v v,\\>71.v.vi.. r
S S^^. ; . |;
% lp^ li.lll thy
tllV glo
L'lc) -
-
g | f.^g
riniw
rious fliotii
flight,
j
Now
\\. ...11
abould ve .1
.
f.. :i
.
rather b
.....
|
_L
lib
^K^ -_^_
:^^^^faM^^=^=E ; ;
Be W " me B<ue
csreful of the lime. Bue. Tenor
'
Tenor, eml
' O" 1 ' Alio.
' Alto.
l
|#- .
=
* =*== ==r= =
1=
i r
<>j_^ And8i) ^- jj
Cj .- h | ^
thy glorious flight. And .peed ft, Alll ,, tl
worM f7 *"
# # /' 'e
* s. ^ w , .
3 I-
1
'- the world
world of day;
.lay; Now
Nowsb
should wa r
rafter
:1 il.,.r
hail .i.,
fty ..
glo -
b
_'
* - %ll , And-Dt,. Jt|iy ^ , speed , y passa.o ta "^T^ ^

h r
u
328 Forgive, blest shade.'* Concluded.
Base, Tenor, and Alto, be careful of their time here.
tir
lfa=f
-3-3-
And speed thy passage,

-r
5U3-g-
And
Ie
speed thy passage to the
^B N
world of day,
-
* * UU-
to the world of
n?z
^S^^lEriSrrîiî=r^==Er^S
night, And speed thy passage, And speed thy passage to the world of day, to the world of
Ê5E-~?fr-zt*-}
> r^^~is rg~^ r _ r~r~
fct
e
Unisons. j*
i I- * * @ ; :
l.i
5!jpg3i^tegEÊ3giiiBE ^S^fe^r.
!
^._
+pi 5=5^5=5
Now should we rather hail thy glorious flight, And speed thy passage, And speed thy passage, And speed thy passage to the Wl
world of
Slow.
^Ê^fe^^ÊEE
day, And speed thy passage to the world of day,
"
f-&*:
f-f- :t

world of day, world of day, world
Slow.
of
S
day.
m
i^sSM^gl
day. And speed thy passage to the world of day, And speed thy pas - sage to
fcgggE
the world of day, world of day, world of day, world of
T
day.
I
h h r* _^ I /TS SlOW. imm _
-J> b
o J
j- j* j
j- j- j
r
Slow.
c#
I
I
JLJL_J
( ,
ig^L^
I
S=5=?=
3: C
S= rvTlf
=?
r .
w\ r ct
:
Knthrr fusli r than Medium.
ANTHEM. "Rejoice! the Lord is Kin-.
V. C. T. 829
-i^Bi
From " Trk>t . Choral Anthem*
b i ce, Re-joice, th e Lord is

m
3
K ing/
3*3^.
the Lord is King/the Lord is K,
, he ^ ^ u ^
* s #
&feSBS^.^'^' ; ^ im
i'' ; i'
Rejoice, Re-joiea, the I. r ,l ia k,,,/ (he Lord i. Engitha Lord ia King] the Lord in King l:. ...... ., l0
^ j, the
f:f : : ::: :'

r
-ir*' t=L
m
m
Kin.;, the Lord
'
ia
33^:.
The earth may be glnd
EPF
:
thereof; Yea,
f=3=S=J
<*
the mul -
ti . tude "of idea may
h Kin-, the Lord

e^~ es >3*e
U
is Km,..
1"' glad
Tho curl mar 1)0
i
the nml ti . tude of s may
irlad
'
*
J -

- J J
*
s r * -# -s
r^ J"! L r^ / N N
> n
E
1 - :

LLj.jlJLj -.
-
r 1 J- Aa
-i^=[^ i^[^^-
|
~
'
:
^r?[ : .
The earth roar bo (lad thereof
^ ; *
330 " Rejoice ! the Lord is King." Continued,
fen z -m-
3 IES: E ^jLj^^^p^^^^Nf^rWFS
i 1
be glad thereof, Yea, the mul tude of isles may be glad thereof may be glad, may be glad, may be glad there-
^m
/f. . . -
T r*-p >
i~j
ZJ

be glad thereof, 'ea, the mul - ti - - tude of isles may be glad thereof; the earth, the
the earth, the earth,
fL , . .
J>>*
'^zÊp^&^:^Z^SEpEÊE3E IS
I.
jzzzzzz^zzzzlz^^z^zfz^zjg^ -t-
I 1
p
r
J"
h' _j_
-i JL
r^
-
r
-^J-^- J
r? -
i
-'-
b /.J
.
OT
ft
T ~a
<| 1 * ~'(f~0~~
J* -5
4^^h ^^-^q?s=B^
f* I
may be glad, may be glad, may be glad there-
c* **
of,
.J-
^fe^Ppfe^l^^S
thereof, the earth may be glad, the earth may be glad thereof, may be glad there - of, be glad thereof ;
^Li*C
Yea, the mul -ti- tude of
L
^n^-snSFi^-
i EpS3
I
^>-h5s
^^zi^l^^j
may be glad, the earth may be glad, the earth may be glad thereof, may be glad there - of, be glad thcre-of ; Yea, the mul - ti - tude of
FS
^-^ ^-^ z FP = ^=!ir- S^^FM fc =g^^^Fi>- --^^^'~~-
zhzzzifezzrzzzzEzL|z ^kz^=gh(pe^3^&^^=iE= :zzzEzzzzz ^zzz=g=^zzzzgzr^-p
z^=p^zzz^^p._:^gqiir=^- g=^z:p f
oC there of, tho earth, &c.

t
1
"Ri'joiiT: the Lord is King.' Cmtimed

33
mf
E^=^=g=3 &* =* "s^
< i. -.

fff
may ! glad there -

ofj may be glad there - of;
I LS5"
the earth may be gla
i. -. -
may be glad there - of, may be

îIiI> l,\*AvL
glad there - of;
s
4
N "$" S
[
*w
^ ^__ _^^^
>
uieeannmaybegla
^ lb irlh may be gild Uicre - of. H7~* ?~P 5 U U'
be glad ih.
Hi be glad
I
ti-
: : : F
1*-=- =.- S s > ^

of,
the w
.i.v- ear tu
tli um^
l ix! i;i<j there n|,
.
__ "*"
_^
' 5 i
-
' - -I * ^ I ^
-'--,,'
| .
c~
I ( r P
332 " Rejoice ! the Lord is King." Continued
JL-h
the Lord is
mm^^^^m
King, the Lord is King, the Lord is King.
'i=S- sipii
^^^^ffl the
mzzzA
Lord is King, the Lord
~r*~ *~r~ *~~ rg~J |"d~

is King, the Lord is King.
lt j
r
/- Alto.
"ZION HEARD OF IT."
1 1 1 1 j
1
"_
r
r ^"ife^tP-P-^: - I-"'" ! "
7
1 ,
1 L"
-^WE=S=i= ^J ^ !=__
- of thy judgments, thy
fo-Fsw^g
Be - cause - - of thy judgments, thy
!&!&
-J-^g-#*p sj-h*i-2- pg#-J a -F
l
r-s-g-g y-Fg
v~^
. ,
'Rejoice! the Lord is King* Concluded

|. Tenor.
i-nm.-'iciwi
Slow
333
|
.
1 K . ...
Kail,
J -3
judgments, thy |ud
2 '
* h0 - -" be - com - eth thy
i
,
i: .11.
t & i
Bo / # #
' #-t
judgments, thy judgments, m .
i Lord.
j ## J ,# #
%
ô^Stow! !'- "*" '
"""
ho -
,i
oe-com-o.h
to -
thy I
<
** Hn,,.-SIo. I C r- f f * '-
' v
r- *. 5:- ^ zHfzzfczz -

gj-F
r
'
^Ti....
5
~\ * I*
I kzz r
^ ^ ^
l
m- I
^
f
as
lult.' fllst
6- ;;[;:. |.
* N
- *' '*'!!
:: |f
1 or, far ev-ernnd ev - er. for ev-erarM ev er, A men, A
,, eveffa
..,'" '
'
'-',rl1
r !
- ' 1
' '. er. for
" ' n . !
"<!
..r ,..._-,.
e,.; r .A., a
?
,* . .
. d .
.,. .
.
*
.* , .
.LI'
; >
r:
v ,v
-v:.v.
-
:?[*->
r:.vi. .v
,v,, |:
.v,; .....y^ ~ r:y.; . ...
.
y 0m
=^J '* I ;
' '
I' '
I" * '*
i

A i'
'
i
'
U ' i
;
334 M TETT . " Clay to clay, and dust to dust T V. C. T.

Slowly. First movement very pointed nnd distinct.
m Coro,
jgggSpBipgÊSigEgEgBii
Soli. <> __ Ritard. Tempo _-_ yrc/?
~J_"
i
J
:____ 2Fiz*^m~z
Clay to clay and dust to dust, Let them min-glc, forthey must Give to earth the earth - ly
; clod? For the spir - it's fled to God. Nev - er more,
Solt. <> Ritard. Tem poim i
-K^_:
E E^5 5 =? _h_
#rr#
i.
Clay to clay and dust to dust, Let them min-gle, for they must ; Give to earth the earth -ly clod, For the spir - it's fled to God. Nev - er more,
empoÔT
Soli . O -j V-
Ritard. I
^ N
_E=_T~
t-z-f-i^f
_L_J_Zj "-^=^^=5
Soli. O
I
RU.* Tempo.'"
J -J X
I
_-J J
I
L-- i___j-. X__ J_XX JULX

I i
^
--
l^^^^gg
nev - er more, nev - er more shall midnight's
T
r j
T
damp Dark-en round

T
i
T
this
t
O
mor
<o
- tal lamp Nev -
f
er
s_?
i^j^^^^gpfeE
more, nev - er more
=>
7tt
shall noon-day's glance Search this mortal coun

m <s_J___
- te -
s^^P^fe^pi^îi^î^^^^^îp
nev - er more, nev - cr more shall midnight's damp Dark-en round this mor - tal lamp ; Nev - er more, nev - er more shall noon-day's glance Search this mortal coun - te
ggBE
:
B^XXP
r ill
B :, t r f" i
i
-p-
t T '
u a , =_> _. _j
h j. j
f h <> no
C5 v^==rfj^=F=^gfe if__l_fep^
-:v :j
. =
"Ctayto day, and dust to dart!"

Coatinaed,
\,_
s
hill the gloo m , of nuu
^^^TT^-
; g
:./.
.
As
__
>> Ml ./>
_^!i_
Stifftheenrtaina. chilli
Slo w.
t'oro BlUi
<
.,-,,,,,,...
gi
*>!>. Slow.
^- r. . = ;
Deepthepit, andcold the bed, Whore the spoils

erf death are
si laid;
JI-.'JL
f '
an M '"' M Chol-y
'
i
Sf^J
>_ > >
1I -- an
>
-- chol
rliril . v
y
i """ o
i
-
mm
3 6
J*num.?
Of

mel - u - ,i,i ., ,
3
. .
~|._ pi^fll *
-
'
.--[w-r,
^ '
> l#
'
! ! ! v
336 Allegro.
"Clay to clay, and dust to dust!" Continued.
/
%l
~.
^bE :CHs S3 = !

!*~*cr: 1 SÎ
Look a -loft look a - loft ! the spir - it 's risen, the spir - it 's risen, Death can - not the soul irn - prison,
> >
gggL^j-^lN
K^3
Look a - loft look a - loft the spir - it 's risen, the spir - it 's risen, Death can - - not the soul prison,
Allegro,
D ^
^ J>n ^_ >
-f / - d J-j w_ i
J i
i i is I , v
Allegro /
safe FEF
F 3
J -^- ^ ^=P:

^HTp ii
hi] ,
w l
i:^j^_ ;ii^ |gL_ r^_f ^_ u-ui-rLjL.'_;_j^L_^

o
,
d
"
r
I
4 4
i
Death
f
'
can
*
- - not the soul im -

/
prison,
fe "
g^^Jpg^S=|g^g^Bipgg^^5;g^
-1 IV
Death can-not the soul im - prison ; 'Tis in heaven that spirits dwell, that spirits dwell, Glorious though in -vis - i- ble, Glorious though
gl
in
> >
Death can
^feg
not the soul im
L?:
prison
H ^H:
JSTZ2. Bi^sfe^^^î^^S 'Tis in heaven that spirits dwell, Glorious though in-vis - i- ble, Glorious though in -
>!- ,>, >/ V >
Sffffffb .
T i I U * 1
^^F^
J.J r J
j ; .J J _I-J_JU^ j ; j.
*-
Death
'
can- - not the soul im - prison ; 'Tis in heaven that

2_T
spirits dwell,
g^r ^^rrrrF^^
v
f . .
"Claj to ci;i\. and dosl to dust!" I ontinued.
mm.
* > t
l.; . ,. -7v
-
1
.
*
.
_!_
houghln-vis-i I
*
'
,.
Ti0 ^ '
*
-^_

ri i
'^
ble. m
in
' *"
vis - i
'
-
'
: . - i-inno <rl...,;., a . .
* '""
. , .
glo-rio U9, glo-rious, glorio,
_L_ _j_ _L_ . > ,
Os <N
* ' II '
[ _ ' f . . . -, . . .
-
,
, I > I > I U I
Jf -
Bar r r r mH [ *=t ^t- f r - r ?-r * -, * f *'

tif =* :
*>:>. ij
i = .
N s s
*_* zz^=
=^- [.> * = is
^F
ft >.' +
i ble.
Thither let us tumour -there and
js^fe^^Ê :i
-oil.
'V" Lv..~
glowl y.
-v. ;i
pis - i - ble
- ' _, limner
Tliitlier let us turn our wow,
\lev, Peace is I in d
v FZ
^
*^ r
^ f
rWfEE
. ..
: ==:F :
*
I
:
* = E3
#
J
-5
Alio
......
m m m m * .~\
' -
' :
338 "Way to clay, and (last to dast!" Continued.

m Coro Q,nite fast*
Sd
corn-fort too ;
sg^sgg^Ê^gs^ggÊg
Thither let us turn our view, and comfort too There
; shall those
c*z:#zz3?z:
we loved be found,
:Uzzczzezi[:izz^:ziLzzf3tzzagzz
Tra - cing joy's e - ter - nal round,
Coroi Quite fast.
p fit
Hz:
3= id
com-fort too ; Thither let us turn our view ; Peace is there, and comfort too There
; shall those we loved be found, Tra -cing joy's e ter - nal round,
m s Core Quite fast.
s^zzzzzzzzzpszzz^zz^zpzz-^z^r^zz^zzzizzzz: p:^zzzzzzzzr~^z:*zzzi:
?n ft I
*-&- FW+ Z&.Z&
\
Coro. Quite fast.
r j
U i
' '

iff
j_i
pazzzzz^zrjizxzzzzzdzzzzzt
:g=f=
and com-fort too;
Slow ly. _C_pro. Quite fast.
^czc^nrrrrr^
Tra cing joy's e
- - ter - nal round,

e - ter - nal round.

z3
i $EE$=E$
Tliere shall those we
Soli. Slowly. Coro. Quite fast
Tra -cing jov

joy's c - ter - nal round, Thith-er let us turn our view ; Peace is there, and com-fort too ;
There shall those we
Soli. Slowly. Coro. Quite fast.
S ^4-jL
r
Rlt.
rfFg
-&-J-J
- '::' Ef HzzEzzthE
JzdfcJ-f?nJ
r~HF*^rH 3 *~ J^ fczftzJE* %
ElT^
. r
'*'
"Coro.
i- I* J. J*
J" J
J-
I I
Slowly.
^HiiUlilîi fez zczzlzizi:

zjz:
mEEt*=Z
r ' '
"Clav to clay, mid dust to dust T Continued. 339
lovi-l If f

.un !
i
Ti.i eing joy's o -

ter -
^
nal round,
1
'I r:i dug joy's c -
ter - nal round; There shall
e * .
krred be found, Tra-eing joy's e - ter- nal round, There shall tfaow we loved be found, Tra - cing joy'a e - ter- nal round; There shall thoei
in . r.. i f
a
*
> - '-*tr*
- '
- -h-i r r f
f
i *- * tx I
'
r
* i
br ~
Ci^r -
, Ir i

f. .

^~ '
i
. : . : i .
Cr.
e N
p .

>
^+=5 !g=Eg=ES # *?~* (-
!*tt
/
Tra-eingjoy'a e - tor - ami

:?.
g~#~#~g:
round Tracing joy's e
,
I t I
- t< r
E r~fr~r
-nal round ; There shall those
^
wc loved
*
be found, Tracing joy's e - ter- nal round.
,^^ -P < ^^ /
msg&m^.
t t t i i
zj=p3E^-
<
,
:.. m BE?
m-tj-t
.. .
\:- -: -*\'. /. .
r
Tra-cingjoy'i e ter nal round. Tracing joy's e - tor -nal round; There shall those we lored be fo e ter nalromfl dl those* found,
ff
A 111 1 TTA

A,
, T l
f.
* i
-'':
: 7 ....... *r
.

.
h

.
& h^N^N^FfFg^r^^B^F^ 11
p " ;;
340 "Clay to day, and dust to dust!" Concluded.
Tra-cing joy's e - ter - nal round
PP\
; There shall those we loved be found,
P
^ EE fr=Ê^ÊEE|
There shall those
ff_
we loved be found, Tracing joy's e

Ê
ter - nal round
l
I. 1
\ ,
t
I !
T L_L
f f il 11! w .2/
_^N
*i H-
ISZ
Tra - cing joy's e - ter - nal round ; There shall those we loved be found, Tra-cing joy's e - ter-nal round There shall those we loved be found, Tracing joy's e
; - ter - nal round
PP \ T ! ' I
^n~
i
^
t l_I_K
c r
I
:
yp-J
i
i
*
^f f tr* j ^p:r
|
b=
f i
/^
ju J* J ;_j i P_ m--- --- -- --- f --- * *^- r
-
i i i i i i
Êr^5JEclî=S5rlfe
# Ritard.-
Z=P=S=:
J" sJ0
~
gE-_
^j^jp-H^z^ft
There shall those we loved be found, Tra-cing jov's e - ter - nal round, Tra - cing joy's e - ter -nal round,- e - ter nal round.
S^^S
^-J
_P_
There
mP
shall those
.
we
s :
"
loved be found, Tra

J_
*
- cing joy's e - ter - nal round,
.
d^z^S
Tra - cing
ff
joy's e - ter - nal round, -
Ritard.
iSfe^
Zj?
rffzzzffzz?z zzz :i
MOTET. "The imr shall be mi framnl shrine. v. c. t. >l-l
Medium only. (See that no part ofit u .unj laittr > For social singing and & ic concerts.
Boll
ord* bj l lids -loom .
N > ** N N N S
L --1
--1
-^ -J - ==r- -t 1 _nt W=5 ^ZZZZZ*z: >
|
_loJL mountain ! ., . j_
ballbe n.y f,,.-, rant .lain,: My: ,. : ~ "

I. lhatarcho f il,:...-: My. tl
^giTfiPn W^^pr^^m
~l
oro. /
/
CZ L~
5
'
r
o>i
^.
f
1
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r
V
r-
J ,-* = *
7
t_L_<
e
ti__l_
: :
i
:
1
I^ -
-
'-
'

-
h - - *
-
ill
pimyi ra Sfy <hoir shall
t-t fE
I
I
' *
"
l* ^zz:
alight waves.Whenmurm'ring home
__^_ l __:/L. mp
-
pray, M;
^
choir shall i.,
,;, moonlight wai When murm'ring home-wa^
1
theirca Or when the
.
still
;3 "== " 1 --^ a _!-!': h ** _ '

- t *izzz? # _ __^-:
.- /
- - ... -
.fy choir
^
shall
n
be
c
the
l> ^ **
moonlight warei
* I
i y
342 "The turf shall be my fragrant shrine." Continued.

i~ifc
feb: 1^ llliî:
&=
more than mu - .sic. breathes of tin/.
8va loco.
îîîl
nbzzq^r : ^ -
P5J- ** **^~^~ZS~
:
\~S~~l.~*dr&~'. ES.9
r^~~CT*ffi2~\ rX LX_LJ?_ ~L^-* C~
i rj? f r ~~r
.**-
far,
^: *
Sym i
n h~
_
1THiEp =^^pz4==^p^^fer==fai
9
u
r
9 e 00 000
pi
E- fr Szzfc r ii-

- 9-\ --
a*- -1
9-_m j 9 9 9
u

^^hjg^^B^^^^^^
ifcZ
'
ÊPr^^^JEÊÊEJEEÊ^
^îÊ^^Ê^J
The
.
turf shall be
,
r ,.
my fra - grant shrine, My temple, Lord, that arch of thine ;
&^^ My censer's breath the
or -9- -9' *
The turfshall be my fra-grant shrine My tern - pie, Lord, that arch of thine ;
My cen - ser's breath the mountain
a_ S O
*O-'a
iS
mm
J Coin
Corn . - i>w is Si s. 5 fc f* h. >l v!
Rail.
_
-
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r> b
4
>
4
h ..*,
J.. * -. , *n '- I
o
1. ,\
4
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J* J*
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4
r
4
ÊF?EÊSE!^^
<Z> I 4 . J J . I
8-fcJzz EH L^=b 5EF.ES i i
s **

9"
The turfshall lj my fra-grant shrine, My temple, Lord, that arch of thine; . . My censer's breath the
1 '
Si".
mountain ain
!
My eenaer'a breath the
"The
midnight aire, And

turf shall
silent
be my fagrnnl
thoughts my on
MZZA~
ly
shrine,"
prayera,And si-
'.
s
? BContinued
lent
:
tfa
-;|"i*-|-
on - ly pi
-:|
--
.Mv
i
airs, M> censer's breath the midnight ain and silent thoughts
I
my' on-ly prayers,

-1.-VN .!..-!-
fc=i
-
B
'
m HO lodh^> !" ^
" -
Lfc,
* f a ' '
..
* *-
Zl '* T Aml "' lenHhoashttmf on

' P f.
i .. ' l r '
pnycn. '
sees lm tlllil in
mountain i riir*.
air.. \fi
fcfj
.
I -r.'\:-5E*E;
.-..-,l.
,,h 1... .. I i.
the midnight airs,
i . .......
: iiUi-^: i ^ ..- ", :
And si-lent thoughts my on Ij prayei a Lad si - lent thoughts on - ly praj
^^î-XI-Hs
ifczff .
sf^Sm
choir ahall be the moonlight waves,
Or when the still-ness of the
\ \ ^| /// ^= the moon - light waves.When murm'ring homeward to

1 -
their cavi when tin
}\*
' u
s
':--=S- \.s-P
l .' i nIM a
'--iK
nij)
'.*'
-IT;
x
ii-.
s
i* vti~ am
-'h-v^.
!
J
: ; J
K
I
3f .
I..: I':';
*
i

:
^""^
l
:
Dun
iV'":|-:;:l;-|.^M-
am.
choir .shall
shall be the moonlight waves.
-'I *'|:--;|-
-' " ;r
;~ ~x
w "T" '

u . I
'
Z ^ i ;
344 ''The turf shall be my fragrant shrine." Continued
Eg^pp
iszbz
mu - sic, breathes
fe
of Thee.
o'
m __
-zrr-!>-f-H^^nN~H^'Ta
All light
J.
and si -
,___.__,
lence, like thy throne
H ~ I
P
"
P
And
N
^j^rf
1_
the pale
b^5=SE^
E'en more than mu - sic,
it
breathes of Thee.
SSfc^Ni
I'll seek, by day, some glade un-known,
--,
All
p
z^zzr^Tzz^zz^x^s^zx?:
light and silence, like thy throne; And the pale
"
^
mu -
r
eic,
-Q
"
breathes
ri"
Z*ZH3Lid^=Z^3ZZfZIZ3ZLC.Z^
T~
" "#"
of
1~
1 .
'
Thee
;
ri-
a *
-
#~fj > P~_ZI?

All
*
light
s J*
and si
h
- lence,
r*
like th:
-
N J
Z
S -
T* Xi ZX~i s t* r* XZZX*""" ZZ _C
Me
I'll seek, by clay, some glade unknown, All light and silence, like thy throne;
^S PP J ,
stars shall be, at night, The on - ly eyes that watch my rite. Thy heav'n, on which 'tis bliss to look, Shall be my pure and shi-ning book,
JL
g=^
ir-
stars shall be, at night,
|EEJEE[JE^
The on - ly
^^^pp^pgE^=a^^^ÊPEÊE|
eyes that watch my rite. Thy heav'n on which 'tis bliss to look, Shall be my pure and shi-ning book,
i
J3. 'j: j: ; .j: j: .; j:
!i
-P-b -T -~b- tec b r ^pzzEfezi^rz^^ Where I shall read, in
; '
"The turf slmll be nn fragrant shrine.' Continued 345

ffi t t A_l_< w
-
e 11
b -r-:
^ ' * * ^
5.
Tli>' glories of thy wondrous name H can read, in words of flu
Tim
The .pi.. fi.>u
glo-ri ..t
-
ti .
ondrous name, '
Where 1
1 can
read in
read, in won
"""' flnnn-
mi;
fin; IUC
Th( giu - TICS Ul IIiV
r L-rL-Ll t *LJL r J J__"

J * Vtit*
:; T j__
&
,
t ,
JE3E [*"*
# '
= inzcTziEfz'rpz zzz"=~-' ' * =
i=
:
!
'
i i i
i of flame, The glories of thy wondrous name \V1 can in words of flame.The glo ries
I- n
~JjL_J
y ' ' r-
//<
_ '
L
of
*-* *i* L- I*
1 I'
#*

*
*
* I
thy wondrous name

Wh< 1
if tlamc.
///
fcE33-:. .' .
won-dromname; i: Thy heav'n.on Which *Us
heav*n,On which 'tis bliss to look,
look. Shall mv pore
be my and shining!
mire and shining 1 fe Whr>ro I ron r. ..1
in ~l. ~.-
'mv-
.'
of
-
thy
s J*
'
f x M^
a v_<iz>?:
a l>
wondrous name
iame; ;
L If If, |
.
^ Lz azzbj ^ ^-U-lv - ^-^-,*- ^- 1

-
r
Where
?
I
:
can read, iu
i f
\*
h*
*
words of flame
+_
f
346
_
I5bE: Cf
The
"The turf shall be my fragrant shrine."
wondrous name,thy wondrous name.thy wondrous name,thy won-Jrous

Concluded.
name.
cz:
at
^^^^^^^^^^mmm mmm
glo-ries of thy
1N >_
$ can read in words of flame. The glo-ries of thv wondrous name, thy wondrous name, thy wondrous name, thy won - drous
Cr JS iS S R
ii*
#":<pt; an
-- Sym .//
T~
^zze:
ic
&=1
I can read, in words of flame,
'SEMICHORUS. "See Israel's gentle Shepherd stand."
Medium. Trust in God for the case of orphans; or in the death of children. V. C. T.
ggf=^:irjzzzzz
S. .'
Is - rael's gen -
fr-tf
tie
î- ZE
Shepherd stand, With all en - gag - ing
|rzz-tfr=^^^=lCTF
charms: Hark ! how he calls the ten -der lambs, And
3^^-^p
folds them in his arms, And
3L ^* ^*
m r> 9 9 9 9 9
_p*_
_J- 9 9 J^-* 9
^^^^^^^mm^m-^^^^^m
- 1
"See Shepherd stand."

Israel's gentle Concluded. g aj
*-- -
r -^-r^ ^ . -
Sl, "vly, with |ialho. ,-v
"" '"- "'"" A "d <""' "" '" < " "' 1' < ' Pb , arc kit |-htod, Thy pu,-di ~ ^~ '
o>
iiîiiiiii
:
,_
^
-5 ^30C# j -
5==?^=?=p^^
r-gsaB ^ |g
:
is :
c r r.\r
-
r |,
c "e '"'"'"" oar bM, g >,, ir ,uv-i. ,.,, ,., n ,v ,h.,n ,,, , -.
r
N
5^ '.Ejfe
-N j
m^m'^'i-'.
I
i I-
^ ,
- m ^ r
S
2l
l#
~*1 --------- Coro. .!_____ > _,,
tf-*-" 1 E-- -
I
_ - ^^zfctzzzzzfzzzxf.zz.* * - _ 0* \*0* 1
j- j- -=- J. jr j j* j r -J- -J V
(
^ ^ ? rc?jrr-P " # J
,
348 ANTHEM (NEW). "The tempest is howling." 1st Commencement

For Concerts X. C. T.
-^p^r2-p*^
or Charitable occasions.
Slightly faster than f ^ ^ ^ - w-iS-r-iSis * |C ^ r =^z=~-^
W=Kf-
, ftSrcHt im. .^ ,. T rS
1* i> -
4
^,- r -tk
i- i
-st- isz~
!
n ==-=&

No
hs
star rides a
s
- loft
t
I
s-:
the thick darkness to cheer;

fc, IS >^
tw s?s
m
J-
The
-9- -#
m m W-
fg -- ^ m
streets are deserted, no
V Vm *"*

trav'ler in sight,
'
But
_w *. w |w IS Sj N rS P_ I /TV <N w
zfer^: xzzz:
t
Coro
Sol o.#
The tempest is
^^g
howling, the storm winds are drear
:ez :i?zz? ezz^z^zi -*- :^z=^:z^z^.zizti-j3jzb# - jzJntJz:Jrj-izgH
(Omit the nest first half page.)
^-^>-^^^-nS^S-r ->- SiS^ -js/nS-^r^-s - S-]S- rnS-,S -^Jow.^/L^s.

1 i 1
jg^PPi
zzz
__
ZEZ
y few
iu w will
tv in
Lszgzî^zl:})-j^=Izji*ia= zjz:
dare hrave
uaic tiiv^ dark
uiuvl the \itii iv tempest y-\j~uiii u, uaiivH
n. iu|_/^.ou to-night. But few will dare
v* in uai c brave
<
nil (j dark
ui <v v u the i.i j\ tempest
idiijji. at to-night.
i
nj-inûi'.
i _
ffJ**
Z r* h is ^ ^ ____^ r* rs_w_ - ^vsiow.^1^' -ff-
:
ri*^*~ _-f*_^ Q-q Q
^^ rr rnfrr&^ r^rr-^&M
.
,
z i- s I F=--^F -r^â ezzle

S\oxv. m Ps7\
L- --- -
h
-
h
^ J" J J*
. - * "
h
< -" f Tj "* Tcmpo '
^
Slowly.
~J-*
- -
n^
-
-f;
Slow. 7nn
T 1
- r -'r- r
^pw "## (Omit the next half page.)

Either lhi3 or the following first half page may be sung as a commencement to the piece.
*i first

Mi-illum. 'The tempest is howling." 2d Commencement

"
<Omit ihi. hntf ;><
menccmriil
if "
u tunf
'
349
f00 000 mma
z,q:__ )
*= E
..
/ ~#S13 *% 0\ =
3
~T
-5. < >
1
0 i
# #
^" # # .

# *
^^^feB
Solo, f ISnrllolM . < >
/ m Crc..-. .. y
=!=
i howling, the storm wind rides alofl eerj e desert
^^ J *r* m N a __ fiJLs
f.
: '
# * , *
^

Sym.
*^
Slov. .
p
i
* I

: *
-
Dim.

\V" " T*1

-A'':':;l'-.ii^ 1
'
! i
fewwil] dare brave the d
tight.
TZTZB^^^^ ^
*1..1\|j-.
i- b
IS?
Munly
^_
Slowly. Xn-t
Voice, Boll. ^ > '
/-s
Soil, Slowly
s> in.
I I
.
'-i.-LL Lî
Hark' hark! beard ye that sigh
- I". 4;
from von -
J'
der hov-ol
' HHSH!
it caino. The home of a wid-ow,(a
. 16 /.î
home but it
V ;
350 "The tempest is howling." Continued.
fefe=:
:-bz:
^m
/^, /^\
*f
Solo. Slowly.
E^ffl!
ra/so ii. ?
and worn out with care,

mf 1_1__
i j o
O
<>
-F
/^s
>TS ,
tA
Slowly.
Sl owl y
I
and breathes out her
Sfes -
:
-^-b'-t
T^:
(a home but in name ;) There, deso - late, lone - lv, and worn out with care, She thinks of her children, and breathes out her
mfsSoli.
- '
"sg '

'
I I I _ ,
_/?&_ Slowly.
EEEEE^^$$EE&iEE} V
r~r~r nsr
âpNfN^^^^s
1-
Soli
'
*2 1^
Slowly.
^ Ft "F
J. Sym.
.eejteejls^zjeezeez
=3= r
,r
zttegl: i" I
name,) . . and worn out with care,
Coro^. Soli.
^^^^ÊÊÊ^S^Ê^î^^Ê^
praj-er, God,
f_
God, thou hast promised the wid-ow to' bless, To care for the fa - ther-less child in dis -
1
tress
^^^^^^^^^^^^^^ ^
ZV-
-i-Td-
prayer,
Coro.
3f

God.O
r*
God, thou hast promised the wid-ow to bless. To care for the fa - ther-less child in dis - tress,
nr^f ~i*~^ F^~r
Re-lieve thou this bo -

Hf^-p-p -h
som o'cr-burdened with

>__;_^_
a
j:
.
J.
_ I p
r i j:
r
- j~i r j
a
riJ-J-J-rJ-
a
r a~~a
r ~a ij-j-
^ "
"The tempest is howting" Continued. 351

Cnro.
w=m^: 1
1
(oro.
I
wnd
HI iH to my
'-'
chil
l
dren re - lief,
* sq
<< send t" my chil dr lief,
~r.~h^
~ *i "f En ai
griff; semi tn my chil-dren re - lief, O send to my chil-dren re - lie! And send thou, send to my
uy chil-dren re -
-
ore. ^ S k. s n n > N
d
^- N |%'-#^rb^L= | is ** ^
r.ro. , . .jl . ^ ' ' ' C - ' - J
And send thou, send to my chil-dren re - lief, And send thou, send to my chil-dren re - lief,
^F^Jf
r=ra;i*
send to my chil -

dren ro - li> f,
5
IS
-
to
>
mv
*
. E
chil-dren re
S S
- lief.
=z3L
^
s
t'> my chil-dren re -
lief
PSto P
T^~^ 'III > l > I >l ll # ' I
'
' ' '
*V
N^T
AA f, lAt Ut.lll
footatop IB
is
Iw.n^.l
heard ItilH 1. .>.! llMlll.ln
her heart bounds . .
m.ll. .In Knl.t
with dc-light,
; '
Solo. One tnirrt slower.
^jâj==feâ
T^
sEi=^g -9- 9}-
J
I've come, lonely wi - dow. to give'you re - lief, To
Soli.
>t f t >t m 00*0-0009
900O_
0000-0000-
pp^-^p-R-^--^-- F 1 l=E=i
'
f i
~
__?_ J^_ One third slower.
A fe - male has braved the dark storm of the night

Pl^Hi! 3TT
3 t i 3
Soil.
8 s
Slowly.
i *
-#4 Soil.
feed
^||ife^^=_i
your dear ehil - dren, and ban - ish your grief.
i :ilg Bless
Slowly. >
.3 t-_# rra >r
:E3zzETrPzdfci=F:=g_iP_.-g.-==:
tr*- Sy 111. Slow.
-#3- -*r* ~p^ **? :zp- ** *
/)
Soil.
-s 4= 3z;
1
f :^:
3.
I L
''The tempest is howling." Continued 353

m vp ' '
pp__'_" ' '<=< "' __ p^ m
' ' '
y m s.
HiS r
;
r ^zrzzzMiihe^:
3
^$=
I 1 I-

I: - .1- :'!';:!'* gHH -.1
Mt r. ' m ^^
/
:~rx
)
4-
my tool, for my pray*r thou hast heard thou hast hi Still faithful my heart shall
ihal] >

in
:i thy
tliv in thv word;
hi .u.i In thy
jr
Is
angel of mi r -;.-. thrii-.- wel-come to mo, May heaven's

=T
best blessings e'er op -on May b
up-on
3
rest thee,
_ P _I_
" '
9 9
O
-J= l ?! ^-jJjy^-^N^ l? I EE / i
^
1 wel-come to me, May heaven's b rest up-on thee, May: -: up -on
^^Sz5 g-jZ^TTT^^ \~0

~
r
s
:
n :
J*
/ ~ ~
ra
*
*

:
f
-
....
-
(
^^

zrz
-b-e t>?
C '
* L^ 3, 1
j j^+ L 1 #_
rt
H
. r l F

Coro
ro. /"
#
fcÊEEfS
thee! Sav,
Coro.
__L_
/
Say,
I
Say,
:c
shall
g^jjc-f^yf
we con - tin - ue
m
Say,

shall we
m
con-
Hl^lîE^Ê r r*- -
f 1 -M 1
i i i
F -.
F ^ ~ pn := pi*- f> > >
f
thee! Say.
4.13
Coro
L
Coro.
r
/
^
Sav,

r
Say, shall
F.
-p
we con -
^^SPS^l
tin - ue the wid ow to hless,
fr
5f
Say,
s- ffl ?
Say,
3=
W
=t
Say,
i:
r
shall
J J J
*
*=
we con-
'/:> -t .1 r -j-
r* P>
'5 3:
i
r-
p
i3fe:
, / mp. r /r
"t/r r
M "" f
1 & g~ ^~ 9 9 hg i
r
t
:it
tin ue to bless The fa - ther - less chil - dren, Be ours, then, the task,
hF$m=3%^^ Mi^=
- 1
-/ ~r- P\
11111 T3 r
- 3 1
tin-ue the wid - ow to hless? The fa - ther - less chil - dren to help in dis - tress"! Be ours, then, the task, We'll the
JS \mp ^_ js, ^_ jnf_

-
* w rrrup-
-.l-r-
W
1
m t=^N^N
.1
J
h5:
^^fe^ J. J J J -J- ->. jntf _
3EK3Eq^
:g/~r
Bo
-fi_ J^
ours, then, the
J
task,
.
k
M
-
":
-l
SI
^-ê
1 1
^durcj^c^,.,
. îli^!^;
"The tempest
ou, ai^ and

is
.
howling
mem-ber
1
the
Concluded.
1-
poor,
:
Bui
It/^nT""

co mc to .i.,7 a,,
:
: :
="m
|
o.~ r
#
IU
" ^ "
" ,,Ur " I!Ut
* " . -d re -
n,,,,er ^r,Bl co on, aid, and re -
mem-bar the
'
Medium and no fuatrr

b in
There
TIkti- is
i-i n
a o.l/x :.. ... _i i /. ...
g lo - - rious world of light A bore the
-
"star - ry , k}, Wh7rc" saint* do - partT^
88
"s world of light A - bove the star - rv ~i~ Wl,, -In* .... ... . ~ *** '
r
n
356 There
^Thesc
is a glorious world of light." Continued.
^-
four strains are not original, but belong strictly tothe general theme.
mf JL
p::
clothed in
=
white, A - dore the Lord most high, A - dore
-y-
the
t~e=B:
** ^-
Lord most

high, A -
i^Sfei
dore the Lord most high,
S!^
s*-^~ s ;czs:
white, A - dore the Lord most high,

-=Z
===3- =^=q*=^
A -
mf
dore the
ÊE
Lord most high, A -
gpc
dore the Lord most
3 high,
3:
Tfir
3
m
Nt >>>->
i^zkfzi^zalz,
:r=tr rzzf
wi
g
r-r-i
J* J"
1
J* J-
rr? T r
J"
mf
I
h
4
f>

l
4
f>
i^^SS
Ifl
i i SjTBi
y fir JZf -
J -
gfr
(
TT~f^^gp -h t|5S= fr
-3~:
saints de - parted, clothed in white, A - dore the Lord most high, A - dore the Lord most high, A - dore the Lord most high,
-m
pj JE|a^^î ^ ^gEEE^ E
And there, a .
- mid the sa - cred songs, Those heaven - ly, heaven - ly voi - ces
-m-,
r :=
S
And
r^^îl^î=ii^^Sî^
there, a - mid the sa - cred songs, Those heavenly voi ces
y 4 I , i J J
br k ^. 1 1 1 1 1 i 1
Those heaven - ly, heaven ly voi cei

''Thoro is a clorious world of liuht." Continued. 367
/si
E 3 .
Ti ii thousand ttirmiH terapb taagnei nite in p. r - fort, in per feet prai 'I n
* N -N
N *
> "S
1 "S
#
J=} f *V a .
: Ton thousand thouMnd seraph tongues U - nite in per feet, in per - feet Tin
T.n
s=s
:
zwzzt:
~ -. - " m
u -
in i" r 7a
_t h
~ .
i
-^ss
i i I
/ pi 5 s
- ZÎZ#mis:
d m i ZjEZ "
\
* i* r r~ *
E E U 5 E &-> ^- J ^ * * * * k * *-
Ten thousand thousand seraph tongues U - nite in perfect praise, U - nite in perfect praise, in perfect praise.
ff f_
thousand thousand seraph tongues.
^^W^^^^g
thuu>and thousand seraph tongves U - nit.- in per feet praise, U - nite in per Lot
i
praise
m
- nito
S V
id thousand
>
>
f, . . .
r~ t b * ? .? |- - -?#? # #
: : : :
J" J" m ffl /i "<- ;/>

J ; I . .
N -.-
* * ,0 ^P
^ *V==i
-++-
F
358 " There is a glorious world of light" Continued
V/l-
Cho ral. 1 1 1
New theme.
I
r r
s^s r 3: zt 1= e=
seraph tongues U - nite in per - feet praise, U - nite perfect praise, Ten thousand thousand ser - aph tongues u
m-
f
i=?
->
seraph tongues U
p
-
:j=j:_j=:
nite in per - feet
feife^fe
praise, U - nite perfect praise, Ten thousand
I thousand ser - aph
1
tongues
=F
U - nite in per - feet

_.
*. x
.
"s
i
Lzrzzj__g_xzfr
r ^-r=F7- -^^hi^'-r-P-Ff-f
.
F-zzj'
i
> _ isx:^
r-f-
II** f5*N. fV
z
m
v~c^>^*j^Pjzszd^z:3z:r
i .j. i j:
is
J 2
aE
-f
>
f*
-F*g
i
;
r
L-tz\
.

i_cjzzz z:
fzzt
I
F2 -
New theme.
^^
1 r
"~- b ~#z -
^zfzftctac
^ *
T- *=&
r-f ^
-Jj-rJ
r
:
r- f=rzE
Ber - aph
<S>-
tongues U
c -3: 35 1
=z=ipE=g=pz=:^
f==
*+-
nite in perfect praise, U - nite in perfect praise, in perfect praise, in perfect praise,
I
praise, U - nite in perfect praise, U -
SEES
nite in
mAlto sing words above.
perfect praise, in per - feet praise,

333
$p^ - =fe=^=3B==^ ^ g3 * M ^. w
tzzzzzz-zif-rzzrzzizz
\* I 11
o:*
*
nito
0-0 0*
+
perfect praise,
*
:
y
=f
1
TT
:
-
L
nite
3E
perfect
-=i
:
praise.
t
in
t^m^^m
perfect praise,
J
in

perfect
.
praise

"There is a glorious world of liiiht." Continued. 359

H* r * r r
*-
r BÊt=->
: -*
in per - foot praise, U - nite in perfect pniae, U - nite in per feet praise. 1 nit.-
.- S N ^
tej. *- sg 3sgj3 ,s .E=i
" j'.r - feet pr.u-.-. U - nite in perfect praise, D - nite in per -
feet praise, I -nite in per- feet prmi
M p
H E t H -
> i
jF J

i
"*" "*
J J
> 'E + 1*_~ + - * r: ?E 1
in per - feet pi
':
TJ nito in per pniae, D

^f
nite in pet feet
IsEES=
i gê+F-f-
jH'rft'Ot praise, U - nito in
ÊfEEErEE
per - fret
[
praise, U -
1

oitfl in
1
Ttnqe
per - fret
E*EE|Egf

..
pniae, nite in pet -

f
^fH^H
pniae, in in
a nite in
.
per -
feet
.
pniae, U - nite in per -
bet
feet pniae, U
I* - nite in per f
!'
|
-

P
m
in
\ _A
2 2 2 1 Ii I 1 j 1 1 i -
i i -
'".
12 2 2
pniae, U n ita in per - feet praise, U - Dite in per

feet praie> U - nit in p r f-et c - - i>
! . g
360 " There is a glorious world of light." Concluded.
s per - feet praise, in

P
per - feet
U <
praise,
rzr- ]
in
^
per - feet praise, in
p%=S--
per feet praise, in per - feet
m
praise, in per- feet
bkuM
praise, in
S^=iB per
F i_
per
: u praise,
(__ \-*v a
*
per-fect praise, in per

* -jzzjch
praise, in
^^3==M
per
^mmmmsm^^^^^^^^^^
per - feet praise, in - feet praise, ir - feet in - feet - feet praise,
* prai=e, - 1 - - - - - in per - feet praise, in per - feet praise,
p
'~PEP
i j.
^
, j. p. p.
^=tE=ÊE^BEt=\JÊ^ P=P
Rltard.
i
r* __ ii i i _ jL J. I
m p-p-.
#.
=*=
per
f?=#z
- feet
p=p* p==r= fff
praise,
*
in
^^'- *
perfect praise, in
mmi
z
per feet
-
-it
praise.
s iH ^nniii
Ri tarrt. >Ts .
ff
Mf
ii*izj&5z
JlUU-
iu per-fect praise, in per

=j=F
- feet praise.
EEjEEpgEEf ^P
EZ HZ I
s
_#_
Ritard.
n
o ra
-S
rs.
==:
P
in per - feet praise. /
n j~i n jC
!i _ -_s2: =!:
r p r n
f!
TB A N K S 6 1 V I N fl A N T II E M Sine
-,,...., HWH .,,,t _
i.i.i I,i|.
.
10 Ike Lord:
3(51
v. r. t
ffl
ff/~I
r
sing
to
"~*
the
r
Lord
-"' ' , in
'" joy-ful
J" - mi strains,
-
T ,
r ,.,
iilHillll
..,,,,, ,,.
earth hia praise re - - sound;
^^m 1 .
Btag.afagto ,e Lord "* '* *' ***' '...#*

in joyful strain I,, ,,nh hi, n,,;... _ .
* . '
L ! '"" th U praiae re bound
~
'
_-X_
- -
^^;
to
j-
'""'
>,,,,,
i bk
,,i
'
ek>
e,

.- r).
r> wm ,T
""""j,
-*^-*.-^sss *.S
a ,--, M . ri ^ ^.-. " V '
'
. ,',.',
fT
l
..
-
,
I
rlrfc-Mf
, u"is
llal "i . iM
praise
iiiin
join, T..
To -_ J
spread his glo

,
^^m^m^m^mzmt^m
"Sing
362__ to the Lord." Continued.
-
3~" sznfe
mmrm-
sound, Let earth his praise re-sound, Let all the cheerful na - tions join, To spread his glo - ry round. To spread his glo - ry round, To spread his
^^^^gspafes^p
9 g 9 9-
sound, Let earth his praise re-sound, Let all the cheerful na - tions join, To spread his glo - ry round, To spread his glo - ry round, To spread his
-4. * --
r
' r* 1
_J-_J J -JS-
Sill _a
^l^HH^^Hg 1: :P:
^
glo - ry round. God is our strength and song, Then be his
^mm
lîHH
glo - ry round. God is
s*
our strength and song.
3-~
And his sal -

~j * Siffl
vation ours, Then be his
IS * IS
r-l-HH-^-r-rp- ^-_ #S^S,
,0000 9w J !
_
Mi
7 p *<,_ 00-000 0000 0000-0000
3
Sym f. 3 3 3 3 3
ft f h
ft
1 o_ o o
=t 1

TrV"
zzSzE?eS^zzEeE
3 "
"Sin? lo the Lord." Continued.
363
f ru. _ _
# ^ 3
iT * *_
\ WS==iiS=^~ .SJSS5ES I
^^S=1SZ^: -' -^ -r- .
i
r r
364 "Sing to the Lord." Concluded.
med With all our might and powers. Then be his praise by us proclaimed With all our might and powers,With all our might and powers.our might and powers.With all
'*":#*"
claimed With all our might and powers. Then be his praise by us proclaimed With all our might and powers,With all our might and powers.our might and powers,With all
, s [*!*!** d t t i
^ $#--'--* '#-J_T
i
* ^ 4 S
ft i
J
_
1 ~ 4 ..

ft
J.
n
J
n
rJ
ft ft ft x is
J JJ JJ-J J-.^L_Î_Ji-Jft-**.!
. " d d ( f
.
.
J-J
. .
Cres.
ic=n~c #/
|V
S 1 \-+ 5 * -.W
1
5T~
qszrziizzqs:
EftEgE :2?zz zgszzz zrzzzissz:
IS
^^^^^^^^

our might and powers. our might and powers. our might and powers.
Cres.
our might and powers. our might and powers, our might and powers.
i^jii-lrî
Cres
I* s * i-__L 3
T I
Cres. _=S Ltl LEs LH LUJ Lttj I ID LS

r
fz c* Mrf*
_rr tzfcsn HrrVj
i#i-r:p?^-ZQ:#i_J-- J_-j i is> J*
L rJ J J rd> * r^f t_i_ ^ [d^ * ri~T"~hr:
'
-JT * ^ * * * T- V ^"i * 7
-or
I ; ;;;
No. 1.
rSNITB E.\n,TMt'S. MkCta
4.
6.
!.'(
In
O
pa ooma before bit presence
hu hand are all the oornera
ooma lei as worship, an.
,
-
-
with thanks
of
fall
the
giving,
earth
and show ourscl-. ea
and the strength of the
-
-'."" plad in
IîEr= pâlm*.
|
8.
8. O worship tho Lord in the down and kneel lie hilU is
beauty of ho - 8.
0. tor ho cometh, for he cometh )i ness let the whole earth fore the

to' judge the earth
I
and with righteousness I in

him.
to judge the world'and t'he pco -
pie truth.
No. 2.
VENITE EXULTEMUS. Dwble Chart
Dr. n<>\ ( r .
1. O come, let Da sing un

to il. Lord;
3. For the Lord is a - let us heartily rejoiec in 0<-
trreat
The
10.
6
"
sea
For he is the
is Ins,
Giorv be to the Father,

and
and

1.
Lord
to
our
the
made
God;
it;
and a trre.ct -
and his hands pre

and we nre the people of
his pasture",
a
the
our
* ration.
4
6.
Son, and "the .
bk 8.
to tho Uo Ghost 11.
r ;; ;;
366 VENITE EXULTEMUS. Concluded.
^
T- 1 "ST
"C* T
4. J-r^-
f^ :
2.
4.
Let us come before
In his hand are
the coiners
all
his presence - with thanks
of the
- giving,
earth
1
and show ourselves
and the strength of the
------
-J-
glad
hills
7~
in
is
;
him
his
:
with
F= mi
ZI
3=
psalms.
also.
3.
------
5.
6. O come, let us worship, and fall down and kneel be fore the Lord our Maker. 7.
8. O worship the Lord in the beauty of ho - li - ness let the whole earth stand in awe of him. 9.
>: 9. For he cometh, for lie cometh, to
11. As it was in the beginning,
judge
18
the earth
now, and ever - -';.-...
and with righteousness to judge the world and the peo
shall
- pie
be
with his
world without
truth
end.
10.
No. 3. GLORIA IN EXCELSIS.

^m
V. C. T.
pJ: 5fc
IZZST
I
fr r ..r

r
'*A.
1.
3.
-<s>-
Glorv be to
O, Lord God,
God
^m
=f^P
heavenly
on high,
King,
and on earth
God the
r
j
peace,
Fa -
good
ther
J
will
Al - .
:
towards
J
r
. .
j
men.
mighty.
I
2.
4.
9. For thou only art holy thou ly art the Lord; 10.
2. We praise tliee, we bless thee, we wor ship thee, wc glorify thee, we give thanks to thee for thy great glory. 3
4. O
Lord, the only begotten Son, Je - PUS Christ ;
O Lord God, Lamb of God, Son of the Father. S
10. Thou only, O Christ, with the - Ho iy Ghost, art most high in the - glory of God the Father. A -
GLORIA IN EXCELSIS. CwtaM
Mrp
5. Tliat takeat aw-av the -
6. Thou that takeat away the sins of the world,
-
have mercy up
7. Th..,i thai
takes! away the sins of the
- world, have mercy up -
8. Thou that sittest MIIS of the
at the right hand of world,
God the Father, have mercy up -
Nft * GLORIA IN EXCELSIS
praiM-th,,. w,
7 OLord
* a' the ,,,,1.
i,;,,, tlll . t, we WOT hip
,
ruv
gn
S(
ihuu only, O Je .MIS
thee, w, , hank ^
Chrut, with the Christ; O Lord God, thee
.
Ho (iboat*
Lamb of God tin-
i art moet lujh w tlw .
'
.
of God the I
Father.
; ;
368 GLORIA IN EXCELSIS. Concluded.
J.
I"
0-
p- fpPP 1
1
1 u-r
5.
C.
Tliat takest
Thou that
away the
takest away
-
the -
IpiDi^
pins
sins
of the
of the
world,
world,
have
have
_:_
m mercy
mercy
=p-
up-
on
on
us.
us.
6.
7.
7. Thou that takest away the - sins of the world, re - ceive our prayer. 8.
8. Thou that sittest at the right hand of God the Father, have mercy upon us. 9.
JUBILATE DEO.
No, 5,
r
m r.
Double Chant.
T-
1
1
Altered from Dr.
hr
JL
r
PSING.
mr
-J-rJ-
O be joyful in the Lord

I
all
"
ye lands
i
serve the Lord with gladness, and come before his prcs - ence with a song. 2.
...-----
1.
3. O go your way into his gates with thanksgiving, and into his courts with praise be thankful unto him, and speak good of his name. 4.
5. Glory be to the Father, and to the Son, and to the Ho - ly Ghost; 6.
3 m 3: 3= S
U 5
I
g
JtL
I
rr f-p
IHHI
s r-^-
i
2. Be ye sure that the Lord he is God; he that hath made us, and not we ourselves
it is ; )
we are his people )

and the sheep of his pasture. 8.
4. For the Lord is gracious, his mercy is ev er -

lasting and his truth endureth from generction to gen e - ra - tion. 6
6. As it was in the beginning, is now, and ever shall bo, world without end.
No GLORIA IN FYfNQi^
6.
KÂlJiLSIk. , ,
Anthem Chanl
Cre. - . prr,.,.,.,, r r ,,,,,;;;
u
369
Ugh, and on ,,,rih ,:,,,, ,, _ , ,....'

, . .. ... I .
real
^^
*F=
EE^=
j^j ^T". pp
^^
.
**, ,!,,, uU ,av the sins of the WO rld hiivo P
' \ Z * ^ ' d
^=1
i r i
< r, ..
1 I 'LI"!
ii
,
GLORIA IN EXCELSIS. Concluded.
n , , , ff
_i,j
^^^îp j. > g ^F:
Inz
^^^^^m
=f
V. C. T.
CT U Double Chant
No. 7. BENED I S.
dd,e. deemed
darned hj
his -
pe.pl.-,
el: for h lb visited
he hath Ti ,i te
and re- ;
world be- I
I
1. Blessed be the Lord God of Prophets, which have been since the Ho - ly
3. As he spake by the mouth of his
Son, and to the
^ÎMP
b! Glory be to the Father, and
rft f
- vant IDavid ;
3.
house
us, in the hate Us. 6.
salvation for
2. And hath raised up a mighty and from the hand of
all
en mies, world without end. \
4. That we should be saved from our now, and ever -

shall
is
r>. As it was in the beginning,
. ; ;
No. 8. CANTATE DOMINO. 0|,|, n, alll .
Og nut, i th,. .
.'(. Tin- Lord .1. dared -

Lord ;i oew
5. Show yourselves joyful unto the In- Bal -
ration
h>' bath done marr<
openly 2.
w iih tramp Lord -
nil ye V* '
ahi in the
lands re en. 4.
9. Lei the foods dap than hands, "I-", and ahan nu O show and -
thanks.
and let the hills yourselves joyful be- - - 6.
)
be j..\iul the the
together be - - -
[
i
8.
11. Glory be to the Father, and ' (ore the Lord, for he
.
to the Son, and cometh to judge the -.irth. 10.
to II Iv
.
Ghost. 12.
With btt own right hand, and

within* - bo
tienafc remember, - ly
I,
and truth toward the
i
, ..
bath be
Israel,
gotten him- 1
victory.
and all the ends of the world have
6. Praise the Lord np /
tin' -,il
8. Let the sea make a noise, on the ra tioll our
harp, ting to the harp with a i
and all that
of
i" w itn right then i-.
.i
thanks - -t ginng. 7
| the round world, and -
I-' A. judge the world, that dwell there

ii
wîntheUgiiming.ianow.and and the in V
ev - er tliall be, with equity.
world with 11
out
cn.l. A
men.
; ; ;
372 No. 9. BONUM EST. Double Chant. J. H. WILLCOX.
i
r~r
^F^
r r
5
T f-f-^r J
^ 1.
3.
5.
a good thing to give thanks un - -
It is
Upon an instrument of ten strings, and up
Glory be to the Father, and
to
on
to
the
the
the
=F
Lord,
lute
Son,
;
and to sing praises unto thy
upon a loud instrument,
and - - ' -
A.
to
i
T~
name, -
and up -
the
-*=
on
Ho -
-j-
Most
the
iy
Highest
harp.
Ghost
2
4
6
1
T m
i 2 ^1 ^ 5 3 i
( r f r r r
m
2.
4.
To tell of thy loving-kindness
For thou, Lord, hast made me glad
j.
I
early in the
through thy
morning,
works
-j-
and of
and I will
thy
rejoice in giving praise for the ope-
^m
j
truth in the
ra - tions
night
of thy
j
:b
j.
season
hands. 5.
1
6. As it was in the beginning, - now, and ev er shall be, world without end.
;
No. 10. BENE Die ANIMA ME A. table Out Dr. \VM. JACKHOX. 373
3.
8.
Praise
Who
Qm lx>rd,
forgiveth -
t.lory be to the Father,

and -
O
all
i-il
to
my
thy
in'
the
and all that is within me
and
ye that fulfil his commandment,
and hearken unto the
mmm
nealeth
of
ho
all

thine
ly
-
in-
name.
firmiti.
Word,
2.
4.
6.
t" the Ho - ly Ghost 9
-. Praise the Lord,

4. Who Baveth thy .
"
O my and for
6. O praise the lJ.nl. all from de- itroction, mil crowneth thee with
nil
3.
his mercy and iog kindness.
hosts; 78 rv. ints of - 5.
li h do- that do
minion. I'ii:-.' thou the -
pleasure,
Ixrd, my
IB -
now. and erer ihaD be soul 8.
world without A
men.
; ; c
374 No. 11. DEUS MISEREATUB. Double Chant. V. C. T.
BS * i HH
&
&i?==F TEX
Ô^
i^
J
lizfez:
3:
No. 12.
!H
?=P-
*
i
:=
DEUS MI SERE AT UR.

i
^
:s:
J-
Double Chant.
^
I
BS
jtjr
r
5b
- *"^ 3^1
&
u
-2_
V. C. T.
I
I
I -J-
.J L*
fefca
=E
1.
3.
God be
_L
merciful unto
Let the people praise thee,
" -.
-
"
HI
I
us
O
>
and bless us,
God;
1
and show us the
yea, let all the
light of his countenance, and be
E^=g
mer
peo -
- ci
pie
- ful
praise
un
-
-
^ to us.
thee.
2.
4.
I
5. Let the people praise thee, | O God; yea, let all the peo - pie praise - thee. 6.
t
,Hr
fcfc
'
2. That thy
-P
way may
4-
be known up-
SlPIÎr
f=M-#
on
^m
earth,
p
thy saving
eg
health a
J
?EEE?
mong
all nations. 3.
I
I
4. O let the nations re joice and be glad for thou shalt judge the folk righteously, and govern the nations up -
on earth. 6.
6. Then shall the earth bring forth her increase and God, even our own God, shall - - - - give - us his blessing. 7. :?:
:|: 7. God shall bless - us; and all the ends of the world ehall fear - him.
, .
Naria ^LORIA PAIR I. Anthem.

375
g
\
1 ':':!':
. .
i*;-::
i
< <>i o.
Mi":.:
Glory be to the Father, and to the Bon and HoWri,. A. W , ... ~^ " * I-.* ^
^/ ss ^ r r- r ^_^J!_^
to the Hb-lyQhort, a
the begnning j, now, and erer ahall be, World wit! -.
, A mon .
Gtorjbetotlie father, and to the So^

^^S.|.
And * -J--J-S ^^^
to the Ho-lyOholl A, it w in ..
w " rK1 g
f ** s > S. I .Is. > * p=
i
"""""= " ""'' a "'
.
i evw thM bc - *" , " ,u <
"4, A u
I (II (i. J
i '

se^^s^ i-
&^^g&&S=^
GLORIA PATRI.
"1^^^
No. II.
JL Anthem
m
f
8 .^-V.il'pry be to the Father, and

Qj to the Son, And to the Ho-lv Ghost,
,

d ewaheJl be, World wiChont end A
men, A
i
r

i
men.
ziz
(ilin-t As ifc u m 4kn 1 : : _ % ....

WT ^r T m J n^^ aw. / aw ' ^
I illin .i!

376 GLORIAS.
l. t.
No. 17.
No.
1\0. U. ' 16.
, , o *_
i
Medium only. < Dim.
Co- ry be to thee, Lord.

OW bote thee.O Lord. G.o-.y, gto-r, Sl-,v be to ,, Lord.
No
Rather fast.
No. 18.
/T , ,
Rather fast. w ^ -
19 -
,
RUa rd and
Ritard ai D im, -_
z*=~2Z
rl
OM, Lord, to thee, Lord.
Lord. Glo . ry be to
,y be to thee, io tl.ee,
p=s=E: I
Glo - ry be to thee, thee,
No. 21.
No. 20.
mJ ^/ < Rather fast.
O
Quite fast.
t 000000. <C
0'
~ **[
~r
<f
mjijf
000f0?0?0?
"_4_L%' 00 -
I i>!S _LJ_^Tl l_ l_
-

; .
;
i
, jj.
thee, to thee, Lord.

Lord Glorybet.othee.glorybetotb.cc, glory be to
*-
glo-ry,
-52.
I
JL
i
glory be to thee, to
T|Sr
S^F
thee,
i^4
3---tT=i-fc? t*-
"-t i i
r I l_*l :S-tF
With revcrrnrr.
No. >>.
HYMN CHANT. V. < . I . 377
Dim.
. 5
=f=r
!=,
4 p :<
Lord, who among the sons of men, May visit - - thine a - - bode? He, who has hands from mischief clean, Wl i- right with
A J. J
ry
p P-
-a
fM=p
:
I'
r
No. 23. HYMN CHANT. V.C. T.
Cheerful. Cre.- Id.
< "^
mm^
',
r
5fe PI
. ^ 9 I
We love thy holy temple, Lord, For there thou - - deign'st to dwell ; And there the heralds of thy word, Of - all tliv mer cies till.
t
:.
P
-,
No. 24
j. j j.
g^t^^g
HYMN CHANT.
j.
I'
Cheerful. V. t . T.
I
l_
f^î^ &r^g^=t
fbS .
aC *
* 15
9 s
My Shepherd will supply my need, Jehovah - i- Us name; In paston - u< -h he makes me feed, Be side
r the Of
*
- ing stream,
A A J
& r I
^^ .
J=rf
I
:
378 No. 25. HYMN CHANT,

:g
r f :
<J I Lj #j ls?
-
There is a stream whose gentle flow Supplies the city of our God, Life, love and joy still gliding thro', And watering our di - vine a - bode
s<- -& -W- -J- *

PPP
!
J |
t P
HYMN CHANT.
:zft:
Bold and majestic.
/
=?
No. 26.
:^=!
I ^
sb ^
t^Zi~r
V. C. T.
t
p- J -
My opening eyes with rapture see The dawn of thy re - turn - ing day ; My thoughts, God, ascend to thee, While thus my ear - ly vows I pay.
Unisons.
J- J J. J.
-J:
J. ^
;
:
2
3 :=t^=! lH f: 1-
Cheerful.
No. 27. HYMN CHANT. V. C. T.
9=
$i
How pleasant how divinely

~-f-
fair, Lord of hosts, thy

ppp
dwell-ings arc! With long desire my
3:
spirit faints, To meet th' as -

"#
-bk
sem-blies
~mr
of thy saints
-2
i
j.
H p
j. j. i
s * m
, . -- . . .
INDEX TO WORDS SET TO TUNES.

33
i.i "Ii f" r "
.
>,in,jt
ih succor. Jehovah G 1- . \| . I ornier hopes, )
A. 1
iimiI i<.\ lul . .. . Ml K. .
-!-">

I "
,.
'ill, that 1 knew.

Her.- in Hi.- 171 Judgcme, O God .

'
I
'
-
. '-
-nly Father .... \K Son,
Thy ler thnu art .. hall
ling to
156 Hut who shall
.
- in .. . -ii Bowed.. . 51 K. .
.1
A
i
.
keep I ! .
.
e barge to
|
Again, imr earthly ,149 Fall-

boa. K nor,. . . -II
llie .lay . .. - J
..leave ... 6H Kingdoms and throtiCJ i Hi how bleat the. |
Father, w lin in. . . .
i
II ym a
All glorious *! i (
'lie .. . . . .in Hovi iwi
and awful .
310
All fi . .
he ' No \i .
Flung toil-
.
I
Almighty Father, . and toil* .
t
. . in
,
N.,w to the Lord lint . .
mm. .. . -ifci Fountain of light. . II j

. .
T.
- even .ti.rmv 33, I- How Meat the of God Tul* . .
and .'- i
l hit cross . I

Vow rom
I
.
79 Lei tin' wiin in Inhor

|K>or .
. . .. 294 From nil that dwell -I Mow long, ii Lord .
. .
. . .
Father . .- tl* -
.'
(lit* ... .. --'II Fi Jean' iM oil alas : . .. . BO Lei aongi nl .-us declare
Father
1
inks . in i. . .
nil the .... with our . . 11 :t in

-
1
Am
I
an
and I after
I Israelite, i
. .
' '
' Hymn.
112 mg S" -
ofthoM
heart
'-.- O.
I'.
And it
Spirit. . 6. How vain are Light . . .
Flensing Spring.. .
hoii
thr all tl
thy faithful. r.t .11 our 1*4
ill I..T.I 100 63 Ofl have our ear*,

(
Lo
.
the dews rood 134 I i here , . .

7:i -I
Anil can mine || 99 Gently full .
'lymn
,111 Give to the Lord, II pre is the . III I... ' w hat a . . . . . 133 166 1-.1
Ami BOW BTJ oul, / H Spirit. . .
i
sound His ... How hel I ii Lo ! the Lord .
- Hymn. \ e
13, 337 it Jehovah's .
1
to the house lol 1-- ngi, ) in if n I* Lo! ire

Anil will the God.
'
.. . 1
.
139 U 7l(i
in pray . ,905 5 "if Hymn. How gentle God'i nl, III tin-
"IMMJ !
ve sinneri
\
l.oril.wlio.,u,ytliou S !.- thou
u that
that hear'tt It.
ah
- P M in
- r- J" <
.,,,,
A ipli 101 ' "in- . . ,,,
-,,1
,
l.or,l.w- n ,lor.- - I M 1
eudlilest
A >..-. - ,
-
,
Lord, thou wilt .
'
inv soul.. . '
II V
\ iIm) at thy ... ill ain-w -
i of the seal 54 How iniiiiy a rose 103, . I
ord.
A^ in ion - 1 i ''isolate .'_'> God in.io'i III a --Ha ire, t
30,
1 .
my. .
I day
ill lam!* God ago n great
I
*..D'af the past

'
Ilo
'
the , 34" ^w Hymn w lieu we bend I onr

ir help
k of .
i:4
\ pants the 151 D. Ii - a . . .
S.
- past..
how 101 1 .or. I. w bare shall, I
1 1
God to earth tag
Author nl' _''mI
.. .
II" .
'rn
1, v Hymn. \
nilil I find 104
Awake ant) sing 1*7 Dorkuess and eloudl i
. i, whnl ilo . .
; ,
-
- Lord of hosta I
ltd . .
Awake, v.- saints 349 Daughter ol Zion .. . -.*7:i t:r.
Graal Shepherd of ' '""' l, '"' h> l

'''
'
. 913 I ' 1
. .'.I r 1
..108,
III. lM IV,
IS 155]
' ' ' '
ik-mess .
-
|
I
oul .nine, all . . .
Dearest of all -
I . . . -."J
1
... heavens ..
I. our . . 86 1 w Ill '
I M I
.
SO,
.
, i Dear rt fuga of . I I. i.i- ,- I . 199 I'll "

1
'
I. w lint ninn/iilg I.
-
sailed 89 pth . 335 In 1 ,,

I
III Tl.
l .
1
1
Maytl . 1" -
'ern l' // ..
1
. .. . 119 j
this 161 8 n high. . .. . 1
215 Mark

It.-h.il. I the hi' .1 n i .

l-i II dm . .
1
cms God
.
'I 3
-Me glories l.M I
'
.. 103 137 d
i .
If human k M\ Got), 21 -n what is life .
Happy the meek

1
... 13. 78 . 1 19 a< 1.
. I
1 . 138 -
Lord 191 u* through m. milled ,: M, God on king 43. 04 00 I I
I; n linl run- 1 B. . I
Mil.. hot : ' ' other. 111 thee

Hn--' l-j 313 is there ambition, 1 I
> . . i .i
S mi Hymn. \
Hymn. J h has engaged.. .. 95 Hal. 331 //ymn. '
\li orship the .
I the gift, )
.-I l.M Hark I
.
\l
Snmr Hymn. \ I Hark linl
-.*. ' I ,
1
-
Mi righli J . . 98
37 Hark' hark
1
I ihe morning, > i

. \ .11 ..
// I
. -
1'. II- rail il the ) ! .hall .... :n m - ailh the high 33
: Jeans, imrriorta] King -.in \K rout, the -r.-al IF
I
I edron's . I I SB 3i . . .
far the l*ord.
3S.81
Mj pherd will Hi 'twas a joyful
same Hymn
|ii !
r IU9 Kiall the Lord 15 Same Hymn. . the i-oiii|i,' 173 SI . . . I (
he. 1
my
I
..
- ,'l- Mi Saviour and ..105 '.y heart, 47
Blest be thnu He lives' the ( -.iir nl . . .
- Thineessrlhiy Sabbatlo
Bleat u the hour .... 9631 ^mi Hymn. S
35
Jehovah reigns . 80 My Maker and my .. , 109 - mi Hymn .I 1
INDEX TO WORDS SET TO TUNES, (continued.)
When, dearest Saviour 91 What shall 1 100, 146 While my Redeemer's . 182
To thee, my Shepherd ..263 Welcome, sweet day . , 171 .
Whom have we 103

There is a stream 1 (There a star
is 118 )
113 Welcome, delightful 240 When all ( 92, 96, Where shall we go . . . 41
Hymn God is a house 148 Same Hymn .
148, 154 Where can we hide ... 71

is the > 47. 5"lThere S
V. We come with joy . . 249 thy (
Why should IT.
refuse \ jThere's not a star .... 139
145 Weep not for the . . . 257 When languor and . . . 134 1
There's nothing bright 48There is a calm 255 To our Redeemer's . . .

34 When trouble 136 we start > ... 25, 82
.
158 Unveil thy bosom 83 With one consent 94
To God, in whom ....
. .
Thee we adore
. . . .
.
When, as returns 116 Same Hymn. Ye humble souls ......

There is a land 126
To-morrow, Lord ....
With all my powers . 37 )
55 Ye trembling 176
There seems a voice . 54 Same Hymn
. .
171
With my whole 60 When verdure 144 Why droops my soul . .
239
Through thv protecting 268 126 When the vale 252 Why did the nations . . 124 Ye tribes of
There sprung a tree . . .
.
W. With tears of 270

155 Yes, God himself ....
,
56, 79 To God I lift 237, 24) Why do we mourn

There is a river 'Tis midnight With humble heart . 170 When shall we 268 . . .
161
251 Your harps, ye
, ,
There is a hope 'Tis by the faith 75 To God I lift J ojg

31, 59 When the soft dews 49 What are those souls 30 . . Why sinks my soul . . .
'Tis God the spirit .... 181 Same Hymn. We've no abiding . .
. , .
While I seek. 112

There is an hour of ) \
We lift our heart* . .. . 168 When sins and fears . 82 What glory gilds . 93, 124
. thee
hallowed ,
To thee, O God 62
I . , . .. n. . . ... .
..
.. . . . ...
ALPHABETICAL INDEX.
I.'l .... 901 Carlton , . 198 Dunning . . rorian . . 186 Mi-'liiorranean 116 I'.irma ber. .. . 38 \.
Aliinci"!!
. Bertrand . . in ... 95 :
Dundee . .
151 l.r.inîT . . .
I ' r
.., Meai linct.,11 . IM -..111"
in IGti i 'alifornia . 975 Murium . . . . I i.l Guilford . . . II
i . . . . .
Mi iliialinn 155 Pall , andalia . .

tlion 188
. .
'
Bermuda . . I it i mada . . lie) ... 171 Melven . Ill - ..ll.ii,

Admonition II- Dull
Jewell . . ->.VI
i
lolne . . , .mi . .
90? " Mi'lti 94 Pi n alletu . ..
Ml . . . JlllllH . . .
Ill . . . Ion .... 137 . . Mill, -1111111111 lion . . Ill ~ ,141 Vernon
Addiaoa . . .
.
. . Jinn.ita . .
"' Midnight
169 I Hallowell lipa ....
AlbnM ...
. . . . . .
.'
Bernedoff ii.iiii Tl Hamburgh Middle town 97 \ rr.li 154
ri . . . .
-.. Ilirgi
.
ler .
.
.
.
. n . . . . 97 l 1 1. 1 ii-,, ii . .
.
. 133
K. Hilton 191 9t Paul'.
,
41 Venice
.
Mdebajru .
. , . . . . . . .
in' . . .
i
,. ,
Bladenburgh ii .... -I . . >: Hadley . . . Kepler l-:. Mil, i
-
-
M . . .
'
in,,- , ... nil, mi . Illl . . . 197 M.iu n . . . 68 Mi ,|iin, mill . TC.' Pleyel'n M\ inn S
III.!
A 111." F
HI Mill, 'II . . 78 I'himborazo M
Ellon 135 II ...
bridge 34 Mi nda) . . . :.i Plainfield
"
. . . 1-1 m. Martin'i . 141
Blendon . . 67 <li,' -'71 Ellison IX Hatfield 219 Mnran Plenitude .
I- ... 191
.
. . . .
\iiil.rns
.
Blanford . 31 Clearfield . 1 13 r.iii, in. ll. in i

. ITl Kossuth . . . . 60 Mori I .. .
- -
. . . -I
II . . .
Boardon . . . II < larendon . n a . . . Monti l . . . n . . .
Bolton nton Il.-nri I.. Muldino -. "linda 139

\ll-'ll .... . 1 a Boodoii 190 Clemmona
. . .
108
. . Pi I.l . .
23 .Myrtle itnani ....

-
. . . .
115
r
-"n
I..iu
U
. . .
na ... IT Comstock Hewlett

. . .
Pulk 139 Standi
Allgt'lii. . . .
ii
I
il
.
island 151 ll.T-ill.'l

. . .
ITI
nee . 31 _
"
.
....
.
AnafoaMdi . . . . . . . .
I, .idn.no 100
i
Bourbi n 934 Coli

'1,1 . . . Herald
'JTIT
.
ruler '.arc . 33
. 169 Laborde .
.
n . . . Ion . . n'orlb . 113 Hilleboroagh lahua - ' arrcn '

Arnlii'iui . .
. . . . I
. llri-1,,1 l,i I'.nili liin, kl. | . . .
Lewnel
ii.iin .... to GO Wale
,.' Bradford . . 105 < 'ommunion ITT En . . . . 131 miliar . :r.i .
. .
.-l-.'ii tude - Illl. -I<| II Warning
ITU. .
. -
. . . . . I . .
id
199 ng. . i,| 1 1 1 in, ,ii -I vv Hartford ik ...
. .
nkfleld Courtland Ki riling n . .

. I. ii . ll\ 183 Mini, ,n H II |\ , II . It.
- Bro
'
n.ll II Illl MIC . . n ....
I .inn
'
Brayion . I in,, Holatein . . . . -l n London r . . . .
ni .
liunliia . Tl .in.I. .Hi 212
Xewoll . a ick . 101 Wailand . . .
lira. mi . nuion I", II n in H.illl-I. r . . . . i:r-> la 51 Si Ivan

Ml!.. 1
;im
.
mi 18
Hi, ui iwl i.l . II- . l-l
.
132
\ . 136 Lot i-
.
Aiitinnn Brum . . r . . 171 Perdinand . Howd .911

. . .
.in I.l emption . 917 T. Win

.
ler 'in,- land

London . 107 ,
189
I- i . Humility . . . . 43 N.. nh. mi
Mill .
"in . . . Id . ..
I .
Britannia run .... r'li.nn Ilur.ii

Luzerne
Au-tin . . .
i
-
l. ni, ,n .
190 Roihwell . .
illaliaaa ..
. . . .
\\',|| ... Ploreni Niin-ii. II 165 Tarllon 114

. :u I.i!,,,
. . . . . .
I . isa
B D. r . . . . i- . . .
I. Ill/ill
. .
'i . . . .
Buckle; .
i
. .
O.
Iluru all i.i Danube 1'uluriU Luther .
. I . . . . . .
Kntliii.rd . .
Illl. i
I
.- Dan n .... r'uliiriu . . .
Lamina . Iicrlin

'.
ilnianne .
'll . 49 I'.iini.-u ,
' Ii ilaton Illin.i
Luzon . '
iii-i
. . . I . .
nan ....
n n 918 Immortality 984 "I"-
i i .. . .
. . I'M i" . . . . nd . .
- .'.: itni -I Dayton ni. I Hundred
.
ii. ii-, 161

Bandn Ii h n ...
Burkell
01 . . . larture .'I Interment . .
i
nl . . ruller
II 991 BiMhnell n.i. Iford
. . . .
. . n . . tta . nali I ullman . . . ibuig
i . . . .
.
ni i ii ir
Infinity M irlui . . . -
ince a. m.
Baden o. Ii,--,
Jen . . ...... . 119 l \.
Balerma . I
I l\ 'II leo . . lion . .
'!
in li.ir.l .
iphir .
ll.irn tr.l b rmania "In-

Orinoco
. . .
. Ilu bl ... \ i.
ni ni .... indn .
. . . I r . v.i . . 1 1- Iowa . I.i
. .
Berkh bridge Ii, .... a ego . . .

. ,||
Marven ... I /..
lli-tlnii-li ... ien
"lit Iiilw.irtli
,i.i\ - '
. Iin.in . . Illl M ill. .n.i . . 903 nil . .
. .
I"., . \ r . . . ha M
i . . . I .lina
Ballenal . .
run . . .
dell ilian Hymn '.t;i Meamer .... til ....
. . . idlne . .
Ili'lllull . . . lella . . itu Dnunmond (ton - I Irrini Id ... lie I'aliMtino . . i\ . . . . 191 I tica ii . . .
. . . ..
METRICAL INDEX.
1G6 Vandalia 158 Brennan 213 II. 71. I Ss. 9s. & 4s.
153 Newell 120 Bemis 216
68 Talahasa . 51[Corydon . .
175 Valiant 191 Brent .
2o^
M. (118.) IKenyon ,
14- New London. 92 Bertrand 207 Bethuen 237Ulyria

Ei. 34 Temple Street . 82 Crawford.. .
185 Wale 183 Churubini .
Kingsbridge. .. .. ,
109 Omnipotence. 88 Bladenburgh . . .

218 Britannia 239,
60 Tilsit . 35 Delusion. ..
.
177 Willowby 190 Darien .
Addison 03 Kossuth ,
113 Onlev 135 Brayton 215 Brimfield 240
28 Trenton . 71 hemming.. 186 Zell 180 Devotion .
58 Lawson .
86 Brenes 210 Chimboruzo 242
Aldebaron
Ambrose Lawrence
-4 . 31 Tweedel
32 Twilight
. 3G Devizes
Delavan
117 Palestine
145 Parma 123 Britain 187
159
.
Dilworth
jDulceani
.
. 207 El Dorado ,
238 7s. 9s. & Ss.
Andover 28 Limehouse .
124 Peace 111 Burnett Howd 211 Haddam 242

48 Ware Drummond ,
163 I.. P. 31 .
Warden 258
Angelo 63 Louvau .
151 Plutarch 121 Burlington . . ..
jKingsley 219 Lenox 239
71 Wavland Dundee ,
,
179
.
Andromeda 69 Lovis .
92 Pleiades 133 Cardella 208 Luzon 244

37 Warren Bdestina ,
169|Baden 195 l.afaiiinng. .
Arnheim 29 Lutnn .
127 Pulkova 139 Celicia 206 Palmer 240
Arnon 4', Luzerne . 70 Winchester
Zephyr
27 l'.:tham
25 Elton
.
, 135 Quietude ....

.
.
,-' Clapton 17'J
177
Boonton
Colombo
j'.i-.>
192 Lilla
Levden .
. 212 Seasons 243 7s & Ss.

132 Communion..
511
Arcturas 47 Marietta .
137 Reon
.. .
209 Warsaw 241
52
"
Ellison .
.
171 Hadley 193 Milo .
259
Ashtabula 72 Martyn .
(Elmore 146 Russia . 85 Creamer .
494 Nuremburgh . . 209| Herald

189 Immortality
. 1
Athol 53 Manchester 152 Ruthford .... 106 Cyprus .

Hymn 210
Austin 68 Marchard ! 77 C. M. (130 Ellery - .
113 Serenity
.
119 Dawn . 167 Invocation. . .. 194 Pleyel's .
217 8s.
.
lEnsworth .
.
170 St. Helen's. 195 Redemption.. .
&
Avon . 3-1 Medina . 40|
-
151 Sirius . 119 Despondence . .. .

Tabor 212, 7s Ss.
49 Abington . 149'England .
172
Barquett . 411 Mesmer .
131 Springfield. .. . 141 Devvvoir Turin . 211 Berkley- 240
duration 138|Estice .
.
260
163
M
.
J
93 Doomsday
\ 240 Fuller
Barcelona . 50 Milgrove . I
103 Spooner Venice 220 Valletta
C. P.
. .
65 Albree 141 Ferdinand . .. . .
164
Bannockburn . .. . 57 Millennium . .. .
.
142 St. Martin's.. . 125 Durham Warning .. 213 Wilmington . .. 245

7:1 Alcyone . 112 Galena .
171
. .
Bernsdoff 62 Midnight .
148 St. Ann's . 89 Dudley Warriner 216

.
32 Amadis 121 Geneva .

Carlton jiis. . .. . .
Evening Hymn.
.
77 Monmouth.. .. .
115 183 ..
Bein Stephens Weber 208,
Belzoni .
.
82 Monday . 54 Anson
55 Ashmead.
. 145 Gibson
Glover
;>-
.
.
93
140 Sulden
.. ..
.
.
128 Fiorina 168

186 Milton
Ganges 199
197 Wilmot . . . ,
. .
. 206 7s & 6s 6s & 4s.

Blanford . 31 Moron . . .
89 Sutton . 129 Gregorian Wilma . . 214

29 \uburn 136 Grafton .
].,,S.uthbridge 196 261
Blendon . 67 Nelson .
115 Suffield . Ill Hewlett Worship 223 Asia 247 America

35 Barkhamsted. .. 91 Guilford .
174 Sanford 2011
263
Blannett 78 Mew Huven. .. .
133 Sumner . 149 Herschel Autumn 248 Galileo
62 Barnard 136 Hanson .
Bourdon . 41 New Hartford. .

87 Swanwick 101 Hinckley . 170 .
Florence 251 Italian Hvrnn ... 263
75 Balerma L3H Heaven . .
&
.
73 Newburne .
134 Horace . 181 Germania 250 Irving ..'. 262
Bristol .
31 Beddome 98 Henry . 99 Tiffany .

S. P. M. Ss 7 s. (13.)
261
Cosini . 54 Northfield , .
108 Tiernan . 150 Jennison .
188J On ' 0e 249 Vermont
Bermuda 147 Hensly .
1-5 Amazon 2
Caleb ,
- I Iberlin . . 7
124 Toronto 90 Kepler . . .. " "5. Seroso 248
25 Blossom 12 Hillsborough.. .
.
162 Bethel 201 Bushnell

Chatham , 74 I liiver . .
I
132 Toiler . 153 Laborde . ..

59 Bolton HI il.dlister .
IGO Burke'.t 202 227
Columbia . 74 Old Hundred .. . .
114 Vernon 104 Marven . Klvah . .
IF Hoadly
& 4s.
. .
79 Bourne .
157 Dalston 203 Frith 231 68.
ier .
4- tswego i . .
108 Vesper 106 Melvin . . .
7s
L20 Hughes
.
'
63 Boudoir .
.
1-4 Maltoria 203 Fenneland 229

Danube . 2D Paradise . .
95 Verdi 154 Middletown .. . . . . .
134 Hvrcanus
.
204 253 Brazil
.
..
36 Brookfiold . . . .
17- Turlton Oilman. .- 228 Alva.. 265
Departure . 45 Portland . .
HO tion.. .. 95 Vienna . . 96 Northam .... . . . .
Portugal 58 Brownell .
.
Normandy 190 Indus 230 . .
Orinoco 264
Dunning . 6 1
.
105 Infinity . 107 Vilna . . 141 . .
Gi Putnam ....:. 73 Bradford .

Olmutz 161 Luther, (Peculiar) 224 Hatfield 264
&
. . .
Evening .. 91
Volga H. M.
.
rattle Street .. I i-j [ngl< ton .... . 128

165 S. Lumina 232 Ss 6*.
Farmington 71 'iu. to .
i
I 1 1
139 Oldford .
.
3- Buckley . '.u l-:uui . B5 Volinda . .. . .
'-pose 87 Paddington 164 Myrtle.

Fair-Haven . .
Wintield .. .
^Carlini 253
Folger . -j Roma . . 51 Burwell
Buckingham ..
. 103 lazcr
122 Julius
.
.
.
.
122
102 Winter . . .
.
.
.
97 Penitence . 158 Nashua 204 Pharsalm- Cuurtlond 054 5s &. l'Js.

Raleigh . :<:'. . .
Petition 161 ''

"','; -- 1
Futurity . i',
.
13(1 Juniata 117 Wilmington . 11-1 .

'
Garden '"it
Gaudiana 24 Riixbury . . :
- Capiran .
.
Woodland 127 Phillips . 1-1 Standish, (Pecu- Jewell 253 Webb 865
Goodell
.
. :t:i Rothwell
Ilambridge . I
ii. i
Ladrone .... 100
Wreutham.
. . . .
)31 Plaiutield .. .. . l-l C. II. M. liar) >

lassiopea . 101 Lewnel . . 105 . . .
ace 152 Priestley.

Hamburgh
.well
- letlield ) Cniro . 105 Leroy . 109 Xerxes. . . . . .
Rosell 105 Hawley 205

Ss & 4s. 5s & 10s.
& 4s.
.
'
Ceylon London 137 . . 107 17- Solace 205
Demons . 43 Siloam
.
ich.. . .
Ss. 7s. (8.)
.
Slumber inn .11- Lubec 156 8' 256 Bavaria 266

Hilliai . . :i:i
China . 15.'. Lutzen . 99 1 S. M. (66.) Silver Street. .
101 Bourbon ... . 234 JH'S

orea
'
--
'
255
II iduros . 30 Solitude i
110 iSimsbury .. .. .
.
23G^
Boyden .. ..
.
Chester 102 Majesty . .

7s. .
256
Albans.. 1-2 (30.) 23- Granger
.
Holstein -t. .. f
18' Spuria .
Humility . . 43 St. Paul's .
arendon ..
i nrrield . 13 Martyrs
1
L46 Medticld
. . 1556
116|Albion
Admonition.
.. . .
174 Stuart . . 1G9 Brahain
217 F.llerslv..
. ..
'
2;j u
Orlando 255 Cs & 5s.
173 Advent
. . .
Mark's 162 St. Thomas
. .
Huron ..64 St. .. .

.
116' Ariou
.. . .
'.
237
Condescension
:;". 07 Mediterranean . .
156 Bartlett 221 Enfield . . .
Wurtemhurg. 267
37 Stanton ...
.
170 'Pullman .. ..
gilb 233
&
. .
i
. .
129 Meditntion. .. 155 Assyria .. .

214 Suffolk 9s.
Interment . -1 Stonefield ... . . 64 Corostock .
. .
125 Athens ll'.ll Turin . . 189 Benton

. .

232
Ss Clemmens 268
..42 c.vil 130 Mcar . .
188 Bellefont 220 Wilmantic. 263
low 72 Surrey
.
182 Udina . .
233;Shelley 257 Defontnview ... .
126 Auriga .... ooo Zion ....

. .
11
60 Colorado 144 Morley . .
157 Beaumont
Irena . . GO Sunderland . . . .
.
86,Ayres IMi Umago . .
5G Svlvaiius .. . . . . 67 Consecration. . . 151 Mul lino . .
Italia . .
1 I . . . . .
M ETRICAL INDEX, OONTINUXD

i...v|,i. Ot.Hm.Silm in-
I
it.. tlm&H: I.'-.V | |- i i. \. 10a. lo. .v ii.. la., ||.. jV s.

.Srl,urj IV 'I
26{| Warner Imonl. -"-
r.nlon
.
. 874 California 875 Ophii .... ilation
Chalda-a. -'71 Montrose nada .. ." Burlington...
.
. 273 Plenitude 878 \ .rg.l.ua. .N'ahai.l , ofiS
I.. ilen -urbridgc -:;<
-
a
. .. . \ i.tula
Savannah. 87]
Il.hton
Lyons
I M'KX TO A.XT UK A] S.
man. h. dart -V." 001 h.art an.l not vour garrnentj,
lo eUjr, an.
334 The larr. fires of Gol
.u. them that do rajoii BO
ire irf (hull be mv fragrant ihr.ne,
8JM '
tin- Lord i. king ,
.l.ailr
Ill ii. n for dedication
Il
mt.. .mint* r
out days, .
.."H i of light,
l> tmyad Than!
. .
tn tin- bending ikies,

I., pa: nl,
313
. 390
of the Lord :uh> See . n i 'he radiant beams of day,
Mark Israel'! gentle Shepherd stands. . .
'Ii.- |- rfocl man 346 What though each .park
the departed, .No.
:um The grace or ooi Lord J.-<.n Christ,
.
.-'.
>>. I. beautiful. . .
1, no.
803
304
OW to UM Who
Did shall build up
are these in bright array
.
'
i?
31"
I XDKX TO C1I ANTS.

1
ii.,
in*. reatur, . .
a Pair. Anibemi.
1
Annua Mia. Hymn Chants, .
io. .
381 J illn In* I
.
-
tor, Venile Kiultcmus,
374lt;ior.as, (selection of.) .
1 x " E X TO L 1) A X 1) F A MIL] A R T D X E S:
(Tin loot cosTiim HART oTiima hot
Is.ot.VDan i> t ma list.)
I.. .TI.
58 Brattle Street
.
.
. . 112 Crafton . - Ann's Slrr-el
Hamburgh mt.r.dge . . II
:
804
. .
. ... PI llothwell - Martin's . .
I I" i

IT. I Virrmburgh .
I .'ilen China IV, Moar

37 4 i|.
. . .
'I ... III., nil..

.
l".l . . . . . 1411 M .
< I Turin .'ii
.
H.
K.nrshri.tge ,
. . :M Hi' I .1 M
Old
.
138 Dimes 111 M en's ,
Ul

mull Ifil Ganges
Contra II- Parma. . . .
.
183 Paddington . . I'.i I', .'..n . . . JU3 II ...
MUSICA-L.0-EKS.'Bt;V. G. TAYLOE.
iNiSTREl.: or American Church Music Book; a new collection or Psalm

'
^?^?J^
"
7^7ib5J T.^vf * P% IDTO THITARIOU. MtTHU character, .out much exception, of ihe original Church Music published in this country
ii
AND OTMF. m-n, FOR TKI '
W SOW IN USE TOGETHER WITH ANTHEMS, 8SITTCKCE9, C>

J
Of CHOIRS, Co.NGREOATIONS, SlNCING SCHOOLS, MUSICAL SOCIETIES, BOCIAL hACRED
Music Circles, avo Private Devotion; containing boteo three and four hundred
thirty
in thi
ear*, thai a -tunc book," by a native author, has at length come lo excite much the
lind of a musical virtuoso, that a pack of cards used lo inll cl upon
for the past'
same em
am. 'Ltnro, now for the first time presented to the American purlic, and othersnew incn, original
from the most du- puritan forefathers. He sees beneath the
TINOCISUEU EUROFKAN COMPOSERS.'
a debauchment of the pubhc taste and of musical morals; hai

"TME QOLDSN LYRE: a new collection of Church Music, adapted to the various metres now in arrangements; ignorant infrii of musical law, order, and common
tl more barbarous
ME; TOOETMEK WITH A NEW AND EETENSIVI VARIETY OF ANTHEMS, Se.NTI.NCES, AND CHANTS, FOR CHOIRS, SlNO- in short, I, i
ix a Classes, Musical Associations, axd Social Sacred Music Circles. ' other analogous horror which the above famil nr illustration may supply. To the tl
(very thorough-bred musician will benr witness. Yet, notwithstanding the
Prom H. M. Richardson, Professor of Music. there is to be found here and there among th's vast pile of rubbish, a work ol
than awaits the mass with which, (sad that it should be so.) iccauseof ritr'.r U is o
... ,
Madison University. Hamilton, N. Y. innately associated. Among these tew native works of merit, we are happy to rank
"In connection with two or three members ofthe Choirunder my direction, have just look.ci tlirou h 1 Anthems; a work which bears the impress of much thought and careful sludv. Mr.Ti
the portion of -The Golden Lyre' which you had Ihe kindness to send me and I hesitate not i-n-d
to ev.pn.-ss
.
within the compass of two hundred and fifty odd pa u sixty ami seventy u
my opinion that the 'Lyre.' when Issued, will be received with marked favor by the musical public ami various composers; among these are several contributions of his own.' The anthems
'
lhal it will be the most admired by those whose musical tastes are the most
highly cultivated While and "O Sing lo Jehovah," pp. 73 and 75. evince and show that, with pr,
many choirs are unable either to perform or appreciate some ofthe finest gems in ihe Lyre, yel such will could contribute much towards wiping off the disgrace Which a fecund and hast.
!
^r T
find in it ni.. to their capacity, and at the same time well iiurch
I
calculated lo inspire them with r> Music line, has entailed upon our national reputation. Mr. Taylor's compositions
finer and no laste. It is an unquestionable fact, thai the in ibis work exh.bit
standard ol Church Music tlirou a breadth and force which have been rare';, aitained in pieces olithis I
the couuu> low ; and as one deeply interested in this important an,; ieli<rhtful branch by native ,,
of divine who hive preceded him. This is a favorable symptom, and worthy of all encouragement an,!
work meet with that general lavoi
i
otiou to which its i.on.
it. August blh, 1850." '
From Mr I) B. Shelley. Rome, N. Y., for more than fifteen years an eminently successful teacher of
In fine, we know of no similar native work that we can so confidently recommend to choirs The
Message Bird.
nave examined me
- i1 haye Ihe specimen sneetsot The Golden Lyre' which youi
sheets of 'The you sent me, ana can
' Resolved, That the new publication, " Choral A nthems," by V. C. Taylor, is a book of rare excellence,
tie success which attended the author's first
he I
.icier
book, 'The Sacred Min-
book,''
this new hook, so far as 1 have st
acter of this: seen it I think its 1
and we commend it
Proceedings of the Hudson River
to Musical Societies us a work which will not disappoitr
s( expectations
ciation. Poughkeepsie, Apr:!
.
ire for it a mi ban an* other Church Music Uo Hook extant. The In several important respicts it is worth the attention of choirs and private circles.
The author, al-
nd easily understood, but as with !! scientific music, requi s study in order lo perform

jnoojl ctions to pieces either too simple or too pretentious, h
il should be,) with true retard lo the Author's meaning and intent su
Such music cannot fail to ele-
vate thi p r thi ing taste and expression. Many ofthe pieces, which, upon s
dunned as dry and impracticable, will be found, if carefully studied and learnt, to expand into richness
TAYLO CHORAL. ANTHEMS: A HEW COLLECTION OF CHORUSES, 'NTHEMS, QUARTETTS, TRIOS, and beamy -
Duets, Societies, Choirs, and Social Musical Circles. the gem of musical publications. It contains tl
\
aged Amhems and set
omely bound in cloth, with morocco back. Price 81, or 810 50 per dozen. pieces ol any work extant, calculated to suit all, and so harmonized as to produce Ihe
best Dossible
irepare this work lusical friends, who
Mew Jersey Weekly Visitor, Feb. 15, 1
often About one half the pi,

affirmed to him il v hich answered at all the- exigencies nd some of them indicate that the author is one ofthe best com-
post rs in the country. Otsego Democrat
this count?} Wo are glad to see that this gentium in is attracting that attention in the
of popularity, but of those recently r ,ng i
i
that high rank among American compos h he is so eminei

works of foreign composers, and is gen-
1'
and beauty in the productions of ins pen, seldom found
ii' work or so difficult of church musi i-.i
;
Original anthems by American author Several of Mr. Taylor's own compositions are interspersed, and tin
ihle for ordinary amateur per- Blent. Among tl, V. C. T we may distinguish Rejoice, the Lo
author in this country, we believe', has written so and animation. Well sung, it would be admirable, tier is it d
ihe production of this work 'Give me Music," is also reprinted her
approbate i
must be valuable to singers, a.- combining ..*> the hest anthems
ierofallili, onsfor Mr. Taylor is an original genius, both in Composit,
are always admired in proportion as they are studied ar..
I
M nsic, consisting of Solos, Inietts, Trios, Quartetls. Anthems. Choruses, nioiiy some find what they term faults, h
il. and the balance selected from the works ol the best authors, both The like violations in I
,r most striking effects, and ex.

lor a Concert True Democrat, by J. F. flanks, /'?
-elec- V. C. Taylor's Mrsic Hooks W"e have critically examined the music of V. C
to say thai u iswith Ihe greatest satisfaction and pleasure that we record our
lost grainl and ma- style o .it of the author
iling, and while much i 'he music throughout is ofthe highest siyl o
Il is not tli,
it to carry Ul uce above the capaLity o'fordi-
-thems
"distinguished" harmonizers, but mus
*TL0, Utlcaj Haw Icy, Fuller A- Co Such nasbeen the c.lfallutceli Guzetle.
Tub Lute, or Musical Infractor contain rv arrangement, logelher with an extensive selection nfr
Juvenile Glasses: Ity V. C. Taylor.
;-- A --' '

::;^g^lg^g^^^^^- .
.

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1

NEW COLLECTION OF CHUECH MUSIC, "J

TO THE VARIOUS METRES NOW I\

TOOF.THER WITH A NEW AND EXTENSIVE VARIETY OF

WTllKMS. SENTENCES, AM) Cli

- 1 f' AL ASSOCIAT ii SOCIAL BACB

By IVtrail (Ponton <Tanlor,

REV. LOUIS FITZGERALD BENSON, D. D.

PRINCETON THEOLOGICAL SEMINARY

GOLDEN LYRE: . JUL 7 1932

NEW 0OLLECTI0I OF CHURCH MUSIC,

TO TnE VARIOUS METRES NOW IN USE;

ANTHEMS, SENTENCES, AND CHANTS,

Bg bhrgil tferg&on Caiilor,

twSSSS^SSSSk H. \\. DERBY AM> OO, l'INYI'W.vh.

216 WILLIAM ST., NEW YORK.

vention of some counteracting but unknown cause, (doubtless,) saved

others will claim transcends all his other efforts. A

characteristic of a work, should be rightly understood and appreciated.

found, it is believed, quite sufficient for all ordinary purposes for

Do you inquire, - Why, then, so difficult to ring at

^^^C***^C***^> I ' rtj

6 ELEMENTS OF VOCAL MUSIC.

Eighths, Sixteenths, Thirty seconds, and

VARIOUS CHARACTERS EXPLAINED.

CCC Cu* CC**-

form*, are almost univmally eonfounded r A

^ X Eli Btfl may be dotted the same as notes; tlius, 1!

as-. ---.. -*- * f r-

certain pitch of sound. For thi> pnrpOSS WS luu' a StalF.

3 from which you commenced to count.

8 ELEMENTS OF VOCAL MUSIC

The heavens de - clare

' ^ XXVIII Musical sounds e high or loto} forming a i part-

Three quarter time, -

Two quarter dotted, p. i

QUESTION& From 5 -s- to 6, a degree.

OHAPTEB VII. Four Sharps, I". C, 0, and I. - -

lei it may. Six Sharp-. 1". ('. A. and B,

^ XLIV. Do is always the first syllable of the Major Scale, and La of

^ XLV. The Key-note of a piece is Mr /

the several parts derive theii pitch; in the it is

Thr- 15. K.an.l A, - - - & * 1

Two Sharps, F and C, -

Three Sharps and Four Flats.

Five Sharps and Two Flats.

Seven Sharps and Natural Signature.

of time. MINOR AND CHROMATIC SCALES.

Minor Scale, th< a the new (Minor the same

*..m--m i? number of intervals

rom the Major >

ascending the Minor Scale, the 7th interval (Sol) is raised

From 6 2 to a degree and a half From IJ5I" degree

From 3 2 to 4. a decree. From 3 c . half degree.

MiNi Arpi.irn to thi: -

19, What ia an Organ

60 An Increase or Crescendo? 61. A Diminish C o

Under what cirenmstances does a double bai divide th<- time

Minor Ascending. Major Ascending. 8 to 7 ? From 7 to 6 ? From 6 to 5 From 5 to 4 ? From 4 to 3 ? From 3 to 2 ?

1 ?5-#S>* ^ ^r&zr&z <z>

Minor Descending. Major Descending.

Loud Loud Loud -<^>-

58. What interval

^^^C^C^> I ' rtj

as-. ---.. -- f r-

(Sing Halve, two, three, ox more, and aj

^^fel'lH'l-H"!--- & ^E^iE 5 ? * o . 1

lSlsP^Sliiffi&^ B z r<g