Professional Documents
Culture Documents
J A C K LO NDO N
"
AU TH O R or TH E J ACK E T , TH E V ALLE Y
or TH E moon ,
'
s rc .
MI LLS B O O N, LI MITE D
49 R U PE RT ST R E E T
L O ND O N, W .
d
C opyri ght i n the Uni te S tate: f Ameri ca by
o J ACK LONDON
.
C O NT E NT S
PAGE
L O ST FA CE
T R U ST
To B U I LD A F I RE
T H AT S POT
F LU SH OF G O LD
TH E PA SS I NG OF MAR CU S O B R I E N
TH E WIT OF PO RPORTU K
L O ST FACE
LO ST FACE
attested .
3
4 L O S T FA CE
trail from Warsaw to N ulato t o shudd er ,
o en ce in turn
,
was not du e to t he mere
,
didn t Ivan di e
H e would go mad if that
screaming di d n ot c ease But when it di d .
at hi m ev en n ow in anticipation Yak a ga ,
in the snow .
'
one c ha nc e in a thousand ,
L O S T FACE 11
le ss a nd he woul d Wi n t o M exico , then a
12 L O ST FACE
shi p and Europe would be hi s But th ey
,
.
hi m .
2
18 L O ST FACE
Oh Makamuk he said
, ,
I am not ,
carrion .
exchange thi s medicine with you .
What i s this me di cin e 2 Makamuk '
d emanded .
I will tell you A little bit of thi s
.
wholly doubt .
doubt.
of your deviltri es was the reply
, .
more I want one hundr ed b eav er skins
. .
( M a k a mu k sneer ed
.
) I want on e hundred
pounds of dried sh (
. Ma k a m uk nodded ,
littl e while t he price will grow .
the woods
Again Y akaga whispered to Makamuk ,
Y ou yourself can strike the thr ee times .
But r st t he P ole added hasti ly b e
, ,
Proceed to make your medici ne .
must giv e m e your daught er .
are not qui ck I shall demand yet more
, .
Makamuk asked .
It shall be done
said Makamu k , .
and gather your medi ci ne .
26 L O ST FACE
Makamuk had b een convinced of the
worth of the medi cine by the P ol e s rapacity .
woman s bargain
.
B esid es whisper ed Y a ka ga when the
, ,
t he me di cine you can easily destroy hi m .
me destroy him .
thi ngs we will then destroy hi m
, .
b oili ng water .
And o h yes o
,n e other t hi
ng the
,
of f your nger .
muk commanded .
He is not yet d ead he announced , ,
because it is large .
turned to Makamuk .
strike like a man .
my neck and right out of your hands .
hard .
demand Oh L ost Face would be the
, ,
head .
3
TR U ST
38 TR UST
moustach e with one hand and languidly
wavi ng t he other hand to hi s friends on
shor e suddenly remembered som ethi ng and
,
The Fred d esired thrust a strapping
pair of shoulders through t he forefront of
the crowd on the bank and tried to catch
L ouis B on d ell s messag e The latt er gr ew
.
shore .
H ey you Captain Scott !
, , he y ell ed
at t he pilot hous e -
Stop the b oat I
.
,
TR US T 39
No w what
, d y
o ou want to sa
y
9
-
i n hi s sa f e small gri psack belongs t o
40 TR US T
L ouis B ond ell important ! Bring it out
when you com e Got it
Churchill waved hi s hand in tok en that
he had got it In truth had Macdonald
.
, ,
half a mil e away opened hi s window he d
, ,
g .
,
TR U ST 43
Nick Antonsen .
wh en an insurmountabl e bluff wa s en
46 TR U ST
thi s happen ed Churchill di v ed and groped
,
t he F lor a .
Th ere s no telling what might happ en
machi nery br eak down or som ething was , ,
her back for the b oys .
There was n o rest never a mom ent s pause
,
4
50 TRUST
the Athenia n was to sail on Tu esday morn
,
Seven o clock Tuesday morni ng , .
A ll right Churchi ll said at the sam e
, ,
Horse We ll go ah ead and hold the
.
Athenia n .
swamped ?
TR UST 51
post .
There s a canoe down there consigned ,
to you from Dawson he hurl ed at the ,
54 TR UST
tripp ed hi m up and threw him violently
,
to t he ground .
Jack B u rn s s pack train was starting -
-
.
,
,
TR U ST 57
and coun ted sev ent een dead horses ( and one
horse still alive that he shot with hi s
revolver) before he found B on d ell s grip
.
if it had n ot bee n for R ondell s gripsack .
, ,
sl ept soun dl y .
There s a smoke ov er at Skagu ay the
man said .
Churchill s eyes w ere t oo swollen t o see
that far but he said : It s she Get m e
,
.
a b oat.
drowni ng man .
N ow put me to bed he ni shed
, , I ll
eat wh en I wake up .
How did you make out ? How re the
boys What became of Bill Smith er s
Is Del B i shop still with P i erce ? Did he
sell my d ogs ? H ow did Sulphur B ottom
Show up
You re looki ng ne What .
Hadn t you better take a look at it
he suggested nod di ng hi s head at the grip
,
-1
sack.
Oh i t s all ri ght B on dell answered
, , .
D i d Mi tchell s dump turn ou t as much as
he expected
I thi nk you d better look at i t Churchi ll
to be sati sed that i t s all ri ght There s .
68 TR UST
always the chance that somebody might
have got i nto it when I was asleep or some ,
thing .
It s nothing important old man , ,
Nothing important Churchi ll echo ed ,
I want to know .
shook it gently .
, .
it got wet I guess I was a bit carel ess
. .
T O B UILD A FIRE
TO B UILD A FIRE
73
74 TO B UILD A FIRE
.
-
land This dark hair li ne was the trail t he
main trail that led south v e hundred miles
to the C hi lcoot Pass Dyea and salt water ;
, ,
thousand more .
hi s watch I t was ten o clock He was
. .
6
82 TO B U ILD A FIRE
di dn t matter much after all What were
, .
T O BUILD A FIRE 83
waist .
At twelve o clock the day was at its
brightest Yet the sun was t oo far south
.
the man s heels and followed after .
at that low temperature he knew that
much ; and he turned aside t o the bank ,
of dry e wood sticks and twi gs pri nci
r ,
knife.
Slow in com i ng .
the ame .
ears down at the sound of the man s voice ,
smoki ng a pipe .
ri ght the man mum bl ed to the old3ti m er
,
of Sulphur Creek .
r e provi ders
-
.
THAT SP O T
119
12 0 THAT SP O T
And now after the years we w ere together
, ,
, ,
di dn t look li ke any of them ; and on t op
of it all he had some of the whi te man s dog
he was too wise to work I shouldn t .
that dog s eyes till the shivers ran up and
down my S pi ne and the marrow cr awled li ke
yeast what of the intelli gence I saw shi ni ng
,
out I can t express myself ab out that
.
I saw it that s all At ti mes i t was lik e
, .
Whatever i t was ( I know I m maki ng a fool
of myself) whatever it was i t baffled me , .
that brute s eyes i t wasn t light it wasn t ,
but i f you d looked into that ani mal s eyes
Colt s And that dog sat down and looked
.
at me I tell you he di dn t plead He
. .
he howled the r egular long wolf howl .
and we had some words the rst we d ever '
, .
What that d og needs is space Steve ,
sa i d the second day Let s maroon hi m
. .
a charmed life I ve seen him go down
.
, ,
all exc ept Spot We gured we d been
.
feedi ng hi m long enough He d cost us .
1 36 THAT SP O T
more time and troubl e and money and grub
than we d got by selli ng him on the Chi lcoot
It s up to you I haven t any theory
. .
he couldn t smell our tracks Stev e and .
it wi th my own eyes That buck di dn t .
want to kill his own dog You ve got to .
S how me .
us There wasn t any more meat to be
.
Sometimes we d stop and hug e ach other ,
nish He di dn t have a chance i n a mil
.
lion He didn t have any chance at all
. .
It s psychic ph enomena or mysticism or , ,
hadn t been for Spot H e got on my nerves . .
didn t s ay anythi ng to Stev e I j ust .
o f rough ou rats t elling hi m what t o do
- -
,
Wi th it I was wo rn d o wn to sk i n an d bon e
.
142 THAT SP O T
gate post and holding up the milkman
-
.
man .
FLU SH O F G O LD
1 46 FL USH OF G OLD
camp or to ask hi m hi s intenti ons and yet
he was my man hired at a handsom e wage to
,
Why didn t you tell me I began ,
t ered
Surpri s e Lake it lies up a small f eeder
half a mile on It s onl y a pond .
.
Yes but the cabin who l ives in i t
,
A woman was the answer and the next
, ,
woman s voice bade him enter .
FL U SH OF G OLD 1 47
Hav e you s een D ave recently ? she
asked .
Nope Lon a ns wer ed car elessly
,
I ve .
way D av e s up D awson way ain t he ?
.
,
old friends .
was on a steamboat was n t it I re ,
member .
14 8 FLUSH O F GOLD
as he sa i d
The last ti me we met was at D awson ,
don t
ma i n street ?
The terror faded ou t of her eyes and her
whole b ody relaxed Oh yes I do .
, ,
remember she sa id , And you won on e .
of the canoe races .
How s Dave been maki n it lat ely
question unasked N o I haven t I.
, ,
country
But you don t mean to say she inter
,
-
oi Big Dave Walsh
Y ou see I apologi z ed
, I m new in ,
i n the Lower Country down Nome way , .
Tell hi m about Dave she said to L on , .
FL U SH OF G O LD 1 51
He s a man every inch of hi m and he
, ,
he s a scrapper from way back He got a .
grizzly with a 38 popgun He got clawed .
some but he knew what he was doin
, .
, .
li stened .
undertone D ead Lon answered
.
, In .
hell maybe I don t know Shut up
, . . .
Oh shut up can t you was L on s
, , ,
could make th er e by dark But we di dn t .
evening smoke .
You di dn t know her ? Lon queri ed
Gold I r epeated
, soun ds l ike the name
of a dance house girl
-
Lon shook his he ad
. .
the sam e .
we saw l ast ni ght was not Flush of Gold .
A nd D ave I queried .
moth er of M arie Chauvet .
he d e
What s the matter n ow
ma n d ed .
wine bibber -
.
said
.
Y es
,
said I t he b eginning .
, ,
o f her It w asn t curiosity It was wond er
. .
,
sheer wonder she was so stra ngelyb eau tiful
, .
turn ed all men s hearts and heads .
reali ze is dead .
1 62 FL USH OF G O L D
could k ill the strongest man i n the country
with hard work He co ul d ou tpack a Chilcat
.
, ,
.
way o f laugh ing off hi s softness it doesn t
keep me awake ni gh t s Now don t get
.
which is t he n est word of all a man s man , .
,
1 64 F L US H O F G OLD
Now Dave was as true as the P ol e
Star and she was as false as a magnetic
,
,
-
,
- -
onl y fascination I don t know S ome
.
facts are sufficient He wasn t a dago ; he .
fore starting Th ere d been talk about them
.
but you can t guess what the Golden Rocket
was when it left D awson that June of 1 898 .
and they didn t pile it any too securely
e ither T he mate expect ed to come b ack
.
of things I didn t know but was soon to ,
The Ind i an didn t know what to do
wi th the corps e Ordina r ily he d have
.
L ikewi se he d seen the bodi es o f other
hi yu s hookurns carted around the country
-
box with D ave insid e and D ave s team of ,
wasn t explosive at all The brutes j us t .
, ,
say if the captain hadn t thrown that club
, ,
t he end .
she ever recogniz ed me though , .
Oh was the answer the Count and
, ,
Her darkness i s merci ful to her .
asl eep .
PASSI NG O F MARCUS O BRIEN
186 PASSIN G OF MARC US O BR IEN
It won t do Arizona Jack said b i tterly
, .
Three days grub ain t enough .
repli ed grav ely He di dn t get any grub
.
.
hi s ki llin was without provocation J oe .
D eeves never di d nothin never warbled ,
once an j es becaus e hi s stomach was out
,
, ,
days grub an I ca sh in , .
PASSING OF MARCUS O BRIE N
1 87
What for did you ki ll Ferguson ?
O B ri en demanded I haven t any
.
And th ey v e got t o stop R ed Cow s none .
so pop ul ous It s a good camp and there
.
,
nev er used to be any killings Now they re .
epidemic I m sorry for you Jack but
.
, ,
you ve got to be made an example of .
Ferguson di dn t provoke enough for a
ki lli ng .
tell you O B ri en you don t savv e Y ou
,
, .
was w i tness es that testied to that .
An F ergus on was no j ay throat ed
-
crowd .
feeli n s ?
Arizona Jack d emanded I .
gave Ferguson warnin It was v i olati n .
birds Why th er e s music sharps that n e
.
,
strung an k eyed u p th ey d kill for h eaps
-
less n I di d I m willin to pay for hav i n
.
an lick the spoon but three days grub is
,
drewi n it a shad e n e that s all an I
, ,
funeral .
I should say Judge that three days , ,
As he di d so he whispered,
done it with provocation .
i
sampled the w skey at a dollar a dr ink
h ,
we ighed ou t on Curly s scales ; and they
discussed the news A nd all wo ul d have
.
, ,
and by ni ne o clock O B rien had reac h ed
aroun d Cur ly J im s neck and even ess ayed ,
the late lam ented F erguson s song about the
l ittle b irds He considered he was qui te
.
I m not lik ely to cons id er O B ri en
,
down to G od s country S outh ern Cali ,
t eered .
Sur e j ust what I m goin to start
, .
thought I said so You re a min reader .
Charl ey Le s have anoth er
. .
pleasure of seeing f our dollars worth of
whiskey di sappear on e dollar s worth of
,
ha t chi n teeny little baby ostriches an
pulling feath ers ou t the big ones .
O Bri en consider ed the proposition and
nodded approval Curly Jim looked grate
.
Hold on there !
spluttered Mucluc
Charley whose tongue was beginni ng to
,
fri en
busin ess i ri en I shoul d say I woul d
,
,
as it was t o me nti o n I mea n suggest
, , ,
2 00 PASSIN G OF M ARCUS O BRIEN
at is what am I d riv i n at ? He
smote the side of hi s head sharply half a
dozen tim es with the h eel of hi s palm to
shake up hi s id eas I got it ! he cri ed
.
Great !
he cried Splen d idea . .
Good
G ood fr i en ! s ciat e He
turned bellig erently on Curly Jim May .
b b
r n yourself your
y ou e t t e et t er n ,
self. L e s have another We re good .
frien s all of us I say all of us
, , , ,
20 2 PAS SIN G OF MARC US O BRIEN
O B ri en
gr ew d esperate He exhausted his
.
pois ed in hand .
Le s have one more he pleaded One
, .
dollars.
'
Curly Jim lled the gla sse s tri umphantly .
,
.
Won t sell Won t rob a fri en No son
.
drunk You re drun k Curly an won t
.
, ,
it before don t know what the matter ith
of t he groun not ou t of hi s fri en s
, .
,
20 4 PAS SI NG OF MARC US O BRIEN
name ? D on t know name nev er had no
name forg et name elusive name chasin
elusiv e name n o
idea elusiv e idea but
, ,
back .
angry.
I dea got i t got leg hold ra n -
it down .
oth er s lips .
Go hom e
Funn y sa id Mucluc Charley
, Shame .
i dea very shame as mine Le s go home .
.
Th ey gather ed O B ri en up betwe en them
and started Mucluc Charley began aloud
.
O B ri en di d not follow i t
He neither .
down O B ri en und erneath A faint ash
, .
to giggl e .
Came right up an I patt ed it on the head .
It s m i ne Brien s drunk bea shly drunk
.
di dn t come though they sat up till mid
,
we ek hi s self i denti cati on became doubly
,
as much to the point that M arcus O B ri en
,
Stay ou t th en damn you
, , But j ust .
E l SO O
-
was a matter of t erms and arrange
,
Thy broth er is dead he sa id shortly
, , .
Thy fath er i s an old man and alone , ,
voice and look upon th ee .
Tell hi m that I wi ll come was E l ,
S oo s answer .
F or E l SO O was b eauti ful not as whi te
-
signicant was her father s ; and through
,
, ,
as nely strung .
, ,
THE WIT OF PORPOR TUK 235
Place was made for hi m at Klakee Nab s -
, ,
When in your own house have you
, ,
,
-
is d eath I am sti ll alive and strong
. .
2 36 THE WI T OF PORPOR TU K
An ominous murmur arose from the com
pany K lakee Nah coughed and strangled
.
-
aloft . But I have lived And I have .
warm .
t een thousand K la kee Nah said grandl y
,
-
.
K la kee Nah raised hi s hands Nay he
-
.
,
I have no deali ngs with the n ext
world Porportuk made answ er slowly
, .
be th er e .
world .
there .
the reply .
th e moth er of E l SO O ! Ho ! ho ! ho !
-
ho ! he began again and w ent O ff into
,
anoth er paroxysm .
meant .
Turn hi m
ou t ! K lak ee Nah thun -
i n t he snow
As the mad riot swept past hi m and ou t
of doors he signall ed to the slaves and the
, ,
I s it a debt Tommy
,
El Soo asked -
.
It is a robb ery Tommy answered
,
.
N ev erthel ess i t i s a debt she per
, ,
s i sted.
, !
her r eply Y ou shall be paid
. .
How
I know not how but I shall nd ou t
,
Great Fath er .
I t was my father s b eli ef .
should like a little of both she said I , .
,
2 50 THE WIT OF POR POR TU K
hundred .
S eventeen thousand Porport uk said ,
weakly .
Tw enty thousand .
th en said
256 T HE WI T OF POR POR TUK
Tw enty four thousa nd said Porpor
-
whi l e .
ta k s raise .
said r eluctantly And v e hundr ed
,
.
Tw enty six thousand -
Porport uk ,
snapp ed .
, ,
, ,
, ,
sa i d Porpor tu k for fteen thousand
,
sev enty v e cents
'
.
as sixte en thousand .
t he scales .
a business transacti on .
E l S OO laughed
-
It i s a new custom .
,
dollars an ounce When my father s d ebt .
teen dollars worth oi our n ot seventeen , .
t een and n ot at seventeen
,
Porportuk .
t he Company for t hree tho usand dollars ,
said El Soo -
Take it Tommy for the
.
, ,
dollars .
ting old .
hi s face Come he said
. we will go
, ,
t o my house .
you that I woul d never be your wife .
t o me .
I own you .
You own me .
A s a dog you own me E l SOO con ,
-
dog .
he sa id ; and I tell you to com e with
me . He half reached to grip her arm but ,
As the owner of the dog I S hall beat ,
you
When you catch me
When I catch you .
Then catch me .
aft er her .
What s t he matt er
he demand ed .
The water s good .
he protested .
You ll be aground t he captain pro
Q ueer beggar he sniffed to hi ms elf
, .
eyes are li ke de er s eyes som etim es wh en
,
y o u look at me .
n ot delay , Ak oon said later We will .
snow i s good a fter the long s um mer .
T HE WI T O F PORPOR TU K 271
, ,
A nd I pai d for her a heavy pri ce ,
sa i d E l S OO -
.
It i s for Porport uk to measure the
strength of hi s a ge said he who bled at ,
E l S oo wa s silent
-
.
I t is true she sai d , .
ways wi ll I run away .
T HE WI T O F PORPOR TU K 2 75
said another of the Old men It i s for .
us to cons i der the j udgment .
No pric e di d I pay for her he a n ,
men are i ce Akoon said in Engli sh
, I .
y ou .
He but said that he would kill m e ,
coughed .
li sh.
have given true j udgment he sai d to the ,
council ,
and my young men will give t o
27 8 T HE W I T O F PORPORTU K
, .
N ow am I of on e m i nd aga i n but it i s a ,
Akoon would buy Porportuk went ,
, ,
price Ev en n ow will I give her t o hi m
. .
another .
280 TH E WI T O F PORPOR TUK
E l SO O-
made no sound She sa t and .
Soo , he said .
I s it j ust ? Porport uk asked and ,
It i s j ust the old men said A nd
, .
G a y Mor n i n g 2 r d E d i t ion E B uc k ro se
B J J
. . .
e ca u s e of an e 2 n d Ed i ti on E B u c kr ose
B J
. . .
Th e r ow ns d r d Ed i ti on E B u ck rose
AB hl J
.
dy
. . .
Co m e E B u ok rose
ac e or 3 3 r d E d z ti on
A G ld S t d J
. . .
o en ra w 2 nd E i tion E B u c k r ose
Th P i l g i m J
.
i
. .
J
. .
v J
. .
h
,
W i t Dr u m s U n m u i il ed L u rgess
h p
. .
B r e a d a n d b u t t e r i l i es D i on Cl ayton Ca l t ro .
Ni n e y
Di o n Cla ton Ca l t h p ro .
T h e Fa b u l is t o B d
e rnar Ca pes .
T h e S tr en g t h of Wea k ne s s EM Ch a nn on .
K P fe
. .
Mi s s i n g s ro s s i on E M Ch an n o u
O ff J
. . .
P di g J
.
bb
.
S t r u g g l e (23 n e t ) Cas se ls Co
A d f
.
h bb
. .
n r e w a n d H i s Wi e T omas Co .
d yv
La y S l i a s l m po s t o r h
T omas Co bb
f
.
T h e T r a ns or m a t i o n o i Ti m ot hy Thm o as C bb o .
T h e V o i c e of B e t i a h Thm o as Cobb
A
.
i ll i a Th m o as Cobb .
S k i r t s oi S t r a w Soph i e Col e
P ph
.
a t i en c e Ta be r n a cl e So i e Col e .
P p
e n e l o e s Doo r s Soph i e Col e
AP P
.
l a i n W o ma n 5 o rt r a i t Soph i e Col e .
In S e a rc h h h
oi E a c Ot e r Soph i e Col e
h h p
. .
T h e T or n b us n ea r t h e Door So hi e Col e
B
.
y
l u e - G r e Ma g i c Soph i e Col e
A
.
d dy
W a r o u r S t re et I l l Soph ie Co l e
H
.
e st e r a n d I Mrs P Ch d e Creepiguy
P
.
y y
. . .
Th e V al le of c or Mrs P Ch d e Crespi gn y
P
. . . .
d B
. . .
Di a n e o f t h e G ree n V a n Leona Da l r m l e
d h
.
Li k en es s E it Da rt
d i i P tz
.
T h e E u c a ti o n o J a c q ue i ne 8r d Ed z ti on Cl ai r e d e ra
b v y
.
El i sa e t h De en n 3 rd Ed i ti on Cla i r e d o Pra tt
hf B hM
.
Li t t l e F ai t ul 2 7rd Ed i ti on eu l a ari e Di x
P d y d
.
Th e r i e o i t h e Fa n c G eo rge E ga r .
T h e Re d Co l on el . 2 nd Ed i ti on G eo rg e E dga r
f d
.
2
Mills 8 Boon s Six Shilling Novel: '
-
Th B e B d E
lu e 8 d Ed i
ir
s- Ed ye r tion George ga r
y h
.
Th R e o ck M m y dd rs . Ro ill Fo ou.
T M i M
he an y n m
ot l e To Gall on .
O N
lg a m az i ov W L . Geo rge
d
.
,
T he
V i r g i n s
T G
r ea s u r e Lo ui se er ar
d
.
F w lo h M
e r - o f- t e- o on Lo u i s e G era r
d
.
T w mm
he S i er G Loui se era r
A T pi T l
.
ro ca l a ng e u d Lo i se Gera r
h M H d
.
T he
L eec rs . aro l E Go ret
d hm
.
0 .
S on s o f S t a te W i n i fr e Gra a
my W f d hm
.
T he
E ne W m of o an i ni re G ra a
G h m
.
4 Wm th Ed t tton i fred ra a
W f d hm
.
T N
he w meed le o an i ni re G ra a
hm
.
T v S y f M m
h e Lo e t or Wm o a or on i fred G ra a
G d B G m h w
.
G u inea ol ea t r i ce ri s a
Wh G d C B m h
.
en R the ed o s a ll 3 rd Ed i ti on ea t ri ce G ri s aw
Edw dR H dy
.
ar W l a ce d a i e s M
il a rk ar
J H h
.
E n t e rt a i n i n g M
a ne i l l i cen t ea t co te
d b H
.
The C mm o on Lo t b H Ro e rt erri ck .
H is
G A dv
rea t ent u re b H Ro e rt e rri ck .
T W
he ebf of Li b H
e Ro e rt er ri c k .
One W m L f d b H
o an s i e 9nd E i ti on Ro ert e rr i ck .
T P
he P d
r og r e s s o f W H ru e n ce F e wer .
mp F Hm H m
. .
Cru G ol k oi n g o e Co ns tan ce ol e
yP h H m
.
Th e Lo n el l ou g Cons tan ce ol o
J h W d M A h H y
.
o n ar , . D . rt ur oo l e .
No . no t u d Ed i tion
Po l ly o o i y 8nd Ed z tion
A rse ne Lu i n p Jp e so n an d Leb la n c
h H y J my
.
Th e E n l i g t e n me n t oi E r my n a rr ar n
Ad A b y H yJ m
.
Th e o l e s c e n c e of u re a rr er yn
H h hK m
.
ig S t a kes R ut a uf a n.
d p
.
J e h a n n e o f t h e G o l e n Li s F G K nowl es Foate r o
K
. . .
T h e W r i t t e n La w F G .n o wl es Fos te r
.
-
.
f A b
. . . .
T h e Co n es s i on s o f r s ene Lu pi n Mau ri ce Le la nc
b
.
813 2n d Ed i ti on Ma ur i ce Le la nc
b
.
Th e a n t o m o f t h e O e ra
Lo s t F a ce J ac k Lo n d on .
T h e J a c k e t ( T h e S t a r Ro e r ) v J a ck Lo n d on .
y
T h e Mu ti n o f t h e E l s i n or e 3r d Ed i ti on J ac k Lo n d on
J h B y J d
.
o n a r le c o r n ac k Lo n o n.
y
Th e V a l l e of t h e Moo n 6 ih Ed u i on J a ck Lo n d on .
There is always a new Hills 8 Boon Novel
S ou t h S ea Ta l es J ackLon on d
B d
.
S m ok e e ll e w J ac k Lo n on
A d
.
S on oi t h e S u n J a ck Lon on
h d J d
.
T h e Mu s i c Ma k e r s Lo ui se Mack .
T h e Ma r ri ag e o i E w a r d d Loui se Mac k
A
.
t t r a ct i on
O u t l a w 's Lu ck D oro t h ea Mackel la r
d dd h y
.
G r a n pa pa s G r a n a u g t er Ma r E Mann
h h d y
. .
T r o u g t h e Wi n o w Mar E Man n
y
. .
Me n a n d Dr ea ms Ma r E . Mann .
Th e Yo k e oi S i l e nce ( 6a ) Amy Ma r en
P h f
.
T h e r i n ce T o mas Metca l e
d b y
.
T h e C o st 2 nd E i ti on L G Mo e rl
d
. . .
W i ls a m 2n d E i ti on 8 O Net h ereo l e
y h
. . .
Ma r u p a t G ai i r l es S O Net ersol e
h
. . .
Ri pe Co rn 2 n d Ed i ti on 8 0 Net erso l e
J H
. . .
C al i co a c k 8r d Ed i ti on o race W 0 Ne wbe
h d H
. . .
T h e Ru l i n g Mi r ac l e o race W O Ne wte
ppy y K
. . .
Gu G u s on W M O an t
hP
. .
Wi t o i s o n a n d S w or d W M O K an e
H yd b
. . . .
ar m s Wa y Ll o O s o u rne
B
. .
Th e oo m e r s R oy Nor to n
P d
.
T h e l un e r e r R oy No rto n
h
.
S t o r i e s w i t ou t Tear s nd Ed i ti on
h
W i t e ea t H
hd
.
S c or c e S o u l s Pan
A dv p J P b
.
Th e e n t u r es oi Ca ta i n a ck Max em er to n
y y
.
A n E n g l i s ma n Ma r L Fen ere
v d y d d
. .
At La e n e r Co t t a g e Mar L Fen er e
P H HP
. .
T w o Yo u n g i g eo n s Mr s enrose
h p b H H
. . . .
Pen rose H
.
H
. .
Th e B ra t Mrs
.
en rose H
.
HP
. .
f v h y d
. . . .
z b Al i y
. . .
Mi s s E l i a b et h G i b s ci a R amse
B y d
.
T h e Co u r t Fa v ou ri t e Mrs a i l li e Re n ol s.
B y d
.
T h e Re l a t i o n s Mrs a ill i e Re n ol
hb B y d
s.
.
T h e S w as u c k l er Mrs a i ll i e Re no l
T h e S i l e n ce ro ken B Mrs
.
B ail l i e Re y n ol
s.
d
Ni g e l F erra r d 21 rd Ed i tion Mrs
.
B a il l i e Re y n ol s . d
s.
d y d
.
Lo n g F u r r o w s Mrs F re R e nol
Ab H s.
y d
.
An se nt e ro Mrs h ad R e n ol
T h e G o n ola d y d
.
R o th a y R e nol s
s.
n d tion; H v
.
T h e V a li a n t s oi V i r g i ni a 2 d E i m
al l i e E r Ri
Ap
i ni e es,
H er La s t pe a r a n c e A Ng Rb
. u en t. o ertson.
MI LLS B O O N S SH I LLI NG NO V ELS
Pi
C o ers
c t ur e v
C r o wn 8 v o . l s net . . .
T H E N E I V Y O R K H E R A LD s a 8 : The y h o p e l on g a g o
a c q u i r ed the r ep u ta ti on f or the p r u c ti on of or i g i n a l book s
Ah A h
.
h Mas te ri n F l a m e
s e s of I n c e n se T e t r f g
A
'
u o o
p
.
E v e S i n s t er
A h A pp
n on
hp
S o G i r ls
S i s t e r S u s i e S i n s t e r
r t ur
Ai th u r
li n
li n A pp .
.
T h e W o ma n W o l rt u r A p p l m A h .
vd H A h A pp
.
T he G i rl w h o S a e H is on ou r rt u r li n
Ca rd illa c
he
T B
i ll - To er s pp
Ro e rt a r r
n r Cas ta i i zn e Ad
b B .
ff
.
H i s Fi r s t O e n c e J S to rer Cl ou s ton
P J
. . .
e e r 3 Pr o g r e s s S to r er Cl ou s t o n
The
hd J
. .
T h e Pr o d i a i F a t e r S t o rer C l ous to n
J
. .
"
1
Wi t i n t h e w M Dana an d E F o r est
Th e
f
l u e B i rd s - E y e
S w i t Ni c k o f t h e Y o r k Ro a d
G eo rge E ga r
G eo r ge E d ga r
. .
d .
Th e
hB
W e n t h e Re d G o s C a l l
ol s t e r oo k B d .
eat r i ce G ri ms ha w
G ra am
B H y hh .
.
f d
a rr
Wi ni re G r a a m
.
S o n s of S t a t e
vd y M f d hh .
T h e Lo e S t or o f a o r m on Wi n i re G ra a m
f d
.
T h e Ne e l e w o m a n Wi n i re G ra a m
T h e E n e m o f Wo m a n y Wi n if r e G ra a m d h .
Ma r y Wi n i re G ra a m f d h .
d Jp
.
.
Pol ly ool y E ga r e so n
Th e Co n e f
s s i on s o f r s e n e Lu i n A p
Mau r i ce Le la n c b .
A A Adv bb
.
T h e S q u a r e Mi l e
T h e S o c i a li s t C o u n t e s s
orace W 0
ora ce W O Ne wte
Ne wte HH . .
.
T h e S i ns o f t h e C i l r en
y v h d o ra ce W C Newte HH .
.
. .
orace W C Newt e
. .
T h e Lo n e l L o e r s
S pa rr o w s
Le n a S w a l l ow :
The Sto . of a n Un rotected Gi rl
g
ora ce W C Ne wbe
or ace W C Newbe
HH .
.
.
.
.
later to parrows
v P H .
or ace W C Ne w te
. .
Li i n g i ct u r e s
T
Wh
he
H
A dv
ite eat
e n t u res of Ca ta i np J a ck
.
P mb
Ma x
. .
Pa
ert on .
n.
.
BT hwm H y D
e
o
a r e of
as
t he
en r
og Mrs . B Wlli PR yR dld
ai e
e
et t
e no s.
D A r c
y of t h e
G uar s d hp
.
L E S i ma n
g i e.
y y Pl y) HH dd pp
. . . .
r i n c es s
T h e C o u n t o f L u xe m o u r g b .
HH dd pp
ar ol
a ro l
S i m so n
S i m s on
.
T h e Mo u n t a i n o f G o d
T h e V ei l
. E 8 Ste e nsvv
. .
.
E S S te ens
J h v B
.
.
W
. . .
o n Ca e Tr i t es
f
1 .
W B Tr i m
. .
Li e
h dy b d
0 e e e e e . . .
T h e C ea t La Tr ou ri ge
T h e Wo m a n w h o F o rg ot La dy b d
Tr ou ri ge
.
B dyP
The
o a nd S oul
r el u e t o d
en t u re A dv
.
La dy
Tr o u b ri d e
HH hh %
a g wal p
.
e e
Mr Pe r r i n a n d Mr T r a i l l Wa l l e
.
B h ug
A y
. .
.
T h e De n h t e r o f ra m a I R li e
Th e R i a n
s eo le P p I
.
A Wy .
R
.
li e
.
v d
Di i i n g W a t e r s A Wy
. . .
I R li e
F orCh u r ch a n d h f
C i e ta i n
No v el of th e Pl ay .
.
M Wy
.
ay
.
n ne.
.
MILLS B O ON S
Th e Fi rs t ol u
g
es a re
e o re een in
Th V l l y f t h M
e a e o JA K L N N
e oo n C
~
O DO
JA K L N N
.
J h o B n l ar e c or n C O DO
JA K L N N
.
Sm k B l w o e e e C O DO
Ody y f t h N t h JA K L N N
.
A n s se o e or C O DO
JA K L N N
.
Th C e i f th S
r u se o k e na r C O DO
JA K L N
.
Th C e i f th D
ru se o l e N az z er C O DO
JA K L N N
.
Th I e H l
ron ee C O DO
JA K L N N
.
Th G d e f h i F th
o o s a e rs C O DO
JA K L N N
.
Th S e l t Pl g
ca r e ( E ti ly N w) a ue . n re e C O DO
JA K L N N
.
C h i ld f th
r en oF t e r os C O DO
JA K L N N
.
A S f th S n
on o e u C O DO
T l JA K L N N
.
S ou th S ea a es C O DO
JA K L N N
.
Wh G d L
en gh o au s C O DO
JA K L N N
.
Th R d
e ( E i ly N w)
oa n t re e C O DO
JA K L N N
. .
Th H e f P id
ous e o ( E ti ly N w) r e. n re e C O DO
MA U R I C E L E LANC
.
T h e F r o n t i er B
T F B E NSON
.
T h e Ro o m i n t h e o w er E . . .
D o w n o ur S t r e e t The Yo rk shi re C lass ic )
.
J E B U C K R OS E
T
. .
Lov e i n a Li t t le ow n J E B U OK R O S E . . .
B e c a u s e of J a n e J E B U CK R OS E . . .
A u n t A u g u s t a i n E g y pt ( E n ti rely New) J E B U C K RO SE .
T
. .
A A L
.
w e n t y - F o u r Ye a r s o f C r i c k et I LL E Y
W A
. . .
T h e C z a r s S py I LLI M LE Q U E C x
W
WI LLI M LE Q U E U X A
.
W h o G iv e t h t h is om a n
J A S H A
.
T h e H i d d e n Ro a d O N U T E R L ND
f W B
.
Li e TR I TE S . . .
C u m n e r s S on SI R G I LB E R T PA B K E E
T h e H av e n EDEN I LLPO T TS PH .
Th e O
r d e r of Re l eas e H DE E R E ST ACPO O L E . V
S po rt i n g S t o r i es TH O R MANB I
b d h
.
Da z l y Exp r ess he eet co l l ec t i o n of an ec o tes of t is en er a t i on .
B AT
.
G u i n e a G o ld E R I CE B I MS H AW .
Th e Ma n r o m No w h er e f V I CT O R BR I DGES
I A R W YLI
.
T h e Ra j a h s Pe o p l e
. . E
I A R W YL I E
. .
T h e Re d M i r a g e
AL
. . . .
Th e V
a lia nt s o f i rg in ia V H LI E E MI NI RRI V E S E .
S I X PE NNY NO V E L S
Pi c t u r e C o v e r s . De m y 8 v o .
MI LLS
b y the f
B OON
N
o r e m o st
are i ss u in g
o v e l i e ts
a n e w ser i e s o f
f t he d a y hC o p y r i g t No e ls
T e y a r e p r i n t ed
h v
f f v
o
ro m l ar g e ty p e on d
goo p a p er. Th e
.
ir s t o l u m es a r e :
Cl a ico J ack B y H O R CE
. E WT E , ut h or of A WCN . . A Sp a r rows .
"
Globa J
Cal i co ac k is n o mer e crea tu re of in en t i on, b u t t he v rea l t h i ng .
A
. .
Da i l y Chrom ol e
emot i on
. er ren d eri ng of ten se h u man pass wn an d
.
f
Pu n ch . W hd at h e h as t o te l l is s o e tl tol
i n g his v
ol u me ( Mi l ls dz oon )
d fB y d h t at I s p en t an ex ce l l en t
a ter n oo n a - rea .
Globe . w y b v d y v
Far an d a a a o e th e or i n ar no el .
Fame B M CR O KE R A
By A gl uth or of
n e .
A l v w km l k v l l w y b ight d t i
. . .
,
S cots m an .
c e er or an i eno e , a a s r an en erta n i ng .
ut or o f E l i sa et Da v en a y
J d
.
Observer . a cq u eh n e i s a a r li ng .
Ni gel F erra r
"
of
Am bl b k f t h mm h l id y ll d
.
Fr eema n s J ou m a l ost su i t a
e oo or e su er o a s, e
f v v h v
.
ro m co er t o co er Wi t lo e an d ro m an ce.
"
Mills Boon s
My Year Series
My Cos m o p o l i ta n Y ear By A . th e u th or of
"
Mes
t ri ng
e F l a me
an d A sh s f I n c n s
e o e e. With 24 Ill us
tra ti on s D my 8 . 10 e vo . 3 . 6d . n e t.
i
n i an d k n own in s of n en .
w m r htly wr t te
A then u ad m rably t d
h d b come
B ig i n, i ill us tr a e s oul e
a fa our te w th obs r t ra ellers
.
,
v i i e t v .
D my 8
e S c on d Ed i ti vo . e on . n et .
Pa l l t
Ma ll he o e de re rad a t s f rom pa es
Gaz et e T
J i vi v
'
e i ts g
e er d or mm p
n v u ll co on lace .
i
S a d rd Wh t M
E ven i n g t n our cou t ry me M ud a ax
O Re ll di d for n n a e
A esley does for
nn
a
h is
.
Scot ma s m as as h h y e te rta i g
n . Co n v ci ng well ig l n in n .
"
Th Ra j ah s P opl W i th 2 I ll t ti i C l
e e e . u s ra ons n o ou r
a n d 1 8 from Ph t g ph D my 8 S co n d E di ti o o ra s. e vo. e on .
1 0 3 6d . . n et .
h d be
E ven i n g S ta n d a r d
d read a ore t res b read by e ery h h d W ha e .
S ou l v ouse ol e v
se l o m m in e t i ng ook.
"
W m r
es t t W se W ell form ed
i ns te ery
Gaz e te readable b k A in an d v oo
W th so me d h f fre h format o
i
sh ewd
-
, , ,
i el i g t ul m s in i n and r cri ti Cis s.
"
pa g Il l e D my 8 1 0 6d
us t ra t i on s
t . e vo. 3 . . ne .
B ys a d r
t n e I te sely i teresti g
. n n n n .
Ath m
ene u F ll f terest d charm
. u o in an .
"
F re m s l A ep i to me f I r sh l fe mp d d
'
J ou r n a n co o un e of tea rs
W th a g lea e f hope
e an i
d laug hter despa r d e altat o
. o i ,
an i an x n, s t r on v n o ru n n i n
the r
i
hI rela dh
t r ou g
n .
"
i t, to
,
ho i kn o w
S u n da y Tt A pure l t rary j
. i e oy.
10
M I L LS BO O NS
R A M B LE S S E R I E S
S o a usp i ct cm s ly i na u g u r a t ed wi th M i s s I Vy l i e s '
a nd Afr o
o
.
G os tl mg s v l u mes L I VE R P O O L C O U R I E R
'
. .
Ra m b l e s u d F r e n c h C h at e a u x B y
aro n .
F R AN CE S M G O ST LIN G A th f Th Br to s at .
,
u or o e e n
Hom W i th 5 I ll t ti i C l 33 f ro m P hoto
e .
u s ra ons n o our ,
M che t r
an r Am us s e terest del h tful
Con n e in g, i n i ng, ig
m
B zr m zn
gha Da i t V in iv v ing
Mor Po terest
,
. .
"
n i ng st F ul l of in .
for
n i ng t is i new an d
he rsel f .
Crow n 8 v o. 68 .
Du n d Ad e er We l wor h r ad
v r ti s D es r es be W dely read l t i ng to
N orway by those w
ee e e v i
Ey those w
o ne n o t .
ha e e j oyed such am bles
ho v
.
n R in
.
a nd ho
B eau t fully i ll us t ra t d
.
S ta d d
n ar . i e .
Ra m b le s w i th an Am er ic an in G re a t Bri tai n .
By C H R IS T IA N T E ARL E Wi th 2 1 Illustrat i on s . .
Crown 8 vo. 63 .
l
Li v erp oo Cou r i cr An i n teres e ous accou t a l terary t in g a nd i ng ni n of i
pto l r a e
i g i m g , an d i n v
Ba y
"
e ery place the author someth g l ely or al
.
has in iv an d i gi n
d wholesome r ad g
.
Da i l y Exp r m Goo an d . e in .
"
11
Mills Boon s Rambles Series
Photograph s C ow n 8 6 . r v o. s .
d
E wm n g
St an a rd r. n n s n an d i n
cha m boo k r i ng on it
"
y News Th s f sc ati g b ok
.
Da i l . i a in n o .
Ra mb le s in Fl o re nc e By G B T RO UT BEC K . . . .
i e F in i n.
D u nd e Ad ver twer i n i an q i i on a i ti
beau y h stor c reat es th s book wh ch W ll co e d tself
.
t an d i g n s, i ll on e i i n i
to e ery lo er of lore c
v v
i
F n e.
Ra m b les i n Ro m e By G E T R O UT BEC K Wi th . . . .
8 Illustrat i o n s i Colour b y R M A ND R E W an d 32 f ro m n . C
P hoto graphs Crown 8 . vo.
Ra mb les i n H olland By E d M S G RE W . . an . . .
g i
G obe
v r ing an d v l ,
J E B U CK R OSE
. Wi th 2 4 Illustrati o n s i h l f to n
. . n a ~
e
an d 4 i c olour Crown 8 n 3 Gd t . vc . s. ne
It alto e her a j o some t me w th su h i e d
. .
Da ily ro l Ch
merry ep sode to e sure succ s
n ic e . is g t
"
y i , i ns n an
i n es .
O L G . i . v c. 3 .
i n in n i i i is Vi i
asubdsecte eryThose
year are esal eady
the refamderl ara W thha md ac ua ta cewor
w thk Wthell
-
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14
RO MANTIC HISTO RY
The H ero o f Br i ttan y : A rm a n d d e Chateau
b i d Corr spo n d n t f t h P i
r an . b tw n Fran c e e o e i noes e ee e
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n a th e n n v is t he
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in th e o hi s l i fe as told th s book in i .
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15
Mills Boon s Catal ogue '
Ro m an Me m o ri es in the La n d s c ap e seen
f m C p i Narrat d by T H O M AS S P E N CER J ER O ME
,
ro a r e
I llustrat d by M O R G AN H EIS K EL L D my 8 7 6d
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in i ng an d a
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The Cou rt o f Wi ll i a m H] By E D W IN an d
M A R I O N S H AR P E G RE W
.
. W i th 16 Illu trat i o ns s
D my 8
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e t vo . ne .
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has ma y co sp cuous er t
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Ne r v e i n Wa r Ti m e . By E D W IN L . ASH , MD . .
Cro wn 8vo . 13 . n et .
Ne rv e s an d the Ne rv o u s .
By ED W I N L ASH ,
New Edi ti o n . C rown 8v o Cl ot h , 33 6d n et . . .
f h b k p bl i h d f
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18
S PO R T S A ND PA S T I M E S
En g l n d v Au s t a l i a B y P F WAR N E R P p l
a . r . o u ar
D my 8
. . .
E d ti i 7 6d
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Spor ti n g L h v y e
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d
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ea t h er , 7 8 6d n e t l o t h , 53 n et
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19
Mills Bean s Catalogue
Th e G o l fe r
s Po c ke t Ti p B o ok . By G D . . F OX,
P tA ar -
u t h or of
Th e Si x H a n d i ca G ol er s p f
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Th e Six H a n d ic a p G o l fe r s Co m p a n i o n By
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T WO O F H I S K IND Wi th Ch p t b y H S C O L T
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rr a n . ro n vo . s.
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ri d ge a nd H ow t o a . ro n vo . o u l ar
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E ven i n g Sta n d
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T i s is , i n f a ct , ms BO O K .
Ro y a l Sp a d e Au c t i o n B r id g e By A RC H IBA LD
NN S C
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DU . e c on d E d i t i on . ro w n 8v o . 2 s 6d . . n e t.
B i r mi n gha m Pos t A n e x a us ti e h v d
i scuss i on o f t h e ma n
h y p y yf d b e a ta b l e
nu t s i n co n n ec t i o n Wi t
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t h e s s te ms o f la a t rese n t i n or ce . Mr .
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u n n e reas o n i ng i s l ogi cal an d h i s s ugges ti ons v al ua l a .
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I
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20
Mills Bocn s Catalogue
The W o n d e r fu l W e a l d a n d t h e Q u e s t o f the
Cro c k o f G o ld B y AR T H U R B E C K E I T A uth or
'
,
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r oma n ce o f t he ea l H e k n o ws t h e Wea l so well , an d ca n c a t a o u t
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u n i ca t i en es s , su c a c arm of l i te v h h
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n et .
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d d
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Fr o m H a l i fa x to V a n c ou v e r . By B P ULL E N .
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hw h hf y by
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. ro n vo . l s 6d n et
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By G E R . BE u t hor o f
.
es t mi n s t er e
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F u l l age l l us t ra ti on s
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B k wi th l g I t d ti
oo , d N t b y t h E A RL
a on n ro uc on a n o es e
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a e e ra oo u o asc na n a sur an
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d h h P fm f d d b
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f yd b by
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esc ri i n g t he t ri cks a nd t h e ea n s
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d b m dg
cons i era le a ou nt o sc i en ti c k n ow l e
f e .
28
Mills Boon s Catalogue
Th e Le a r Co lo u r e d B i r d B o o k fo r Child r e n .
D WA RD L E A R Wi th F w d by J ST LO E
By E a or e or
S T A C H EY 28 6d t
. . .
R . . . ne .
F ra n c is Cha n tr ey : D o n ke y BO Y a n d Sc u lp t o r
B y H A RO LD A R MI T A GE A t h
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f Ch t y L d ; u or o a n re an
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2 6d s. so c oo n, 8.
A wh ll y d l ig h tf l b k gi vi g k t h f t h l f d w k f S i
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e n an d i n k i ll us t ra t i ons M
d b h
to b e see n i n Lon on , Li v e rpoo Du b h n , E i n u rg , G las go w, e tc
Ah
r Ch a rl es y
s mor e ar e exac tl
Th e .
cl e e r
p in
h h
- -
.
tu ne Wi t t ei r Sl l eC tB .
The D u ke o f We lli n g t o n By H A RO LD A R MI TA GE
I ll t t d C w 8 2 6d Al S h l Edi ti 1
. .
us ra e ro n vo. 3. so c oo on , 8
A b k f b y f f m 12 M A mt g w i
. . .
oo or o s o wi h p ro tes t s i ri t ,
to 1 4 r. r i a e r
an d h e is a mast e r of
v or ous r ase ma ki n g phy
T h e boo k W i l l b e o f Sp O Cl d J
-
.
B .
W h
i n te rest i n i ew of t h e ten e r of t h e a t t l e of a t e rl oo The a u t or a
d p z d y y y d
.
dv d y
hi s u n be n d m g e oti o n to u t ca nn o t ai l to i m ress all t ose who rea f p h
h b phy B
t i s i ogra of ri tai n s ero
h .
A Li ttle G i r l s Co o kery B o o k
. By B E N T ON
C F .
O D GE C w 8
MARY F Pp
.
an d . H . ro n v o. 2 6d t 3. . ne . a er,
1 3t ne
A pi d Hi h
. .
m
Da il y I elea
'
ph ca tal i ea t er to e a n u ac u re o o th m f t f t ffy
p d m y .
d d d h
h a s re rese n t e th e l i i t of n urser a r t i n t he i rec ti on i n i ca te , b u t t is
v ym p d h h h h d
i s es w i c c i l re n Wi l l n d q u i te
.
m h h dm p g h hd
eas .
ot er , u n cl e, an d a u n t s ou l ak e a pa i n t o f rese n t i n t ei r c i l
f d w h py h f
ri en s i t a co p l b
of t i s use ul an d rac ti ca oo k
"
.
A Lit tl e G i r l s G a r d e n in g B o o k B y S E LIN A
.
RA ND O L P H C w 8 C l th 2 6d t P p . ro n vo. o ,
3 . . ne . a er,
I t
s. n e .
Ab d P m A b k "
er een Free ra rst -
ra te oo .
th m
e d
gen ui ne gar en ers .
Le t t er s t o Child r e n a bo u t D r a w in g Pa i n t i n g , ,
d S m thi g M
an B y JO H N ME A D E
o e C w 8
n ore. . ro n v o.
2s 6d . . n et.
24
Mills Boon s Catalogue '
An Ac to r s H a m l e t W i th f n t
by LO UIS u n o es
CA LVE RT C w 8
.
2 6d t . ro n vo s . . ne .
il y Ch i h
Da l m i
r on i c e. Fu ll of i llu i na t n g i n s g t .
The D r a m a t i c Au t ho s Co m p a n i o n B y C E CIL
r
F A R MSTRO NG Wi t h I t d i b y A RTH U R
.
an n ro u c t on
S C
. .
2 3 6d n et
. . .
Ti mes h v y f
T i s i s a er u se u l o ok , a n d t er e s ee m s l i t tl e o mi tte w i c bp h d h h
d
.
pp y
W i ll b e o f ract i ca l se r u m t o a n as i ri n g l a w r i g t
h p d Al l a o u t i e re n tp y ph b d ffh .
k i n s of l a s a n d t ei r ro u c t i o n co n t ra c ts l a ci n g MS S ( Wi t an
v f py h .
, ,
g l e t te r ), a cs i mi l e MS , co
ex cell e n t co er i n r i g ts , etc
z b bp y d dh v d h
. .
has n o t o n l a W i e k no wl e ge o f la s , b u t a s ou n J u gm en t o t rom
th e a rt i s t i c an d op ul ar s ta n oi n t . y p
H is a d n ce is al wa s ra c t i ca l .
"
The Am a t e u r Ac t o r s Co m p a n i o n B y V IOL ET
.
M METH L E Y W i t h
. . 8 Ill us t ra t i on s . C r own 8vo .
6d n et . .
Th e aim of t i s ook i s
h db h
p A b h
to b e a m ore co m l ete
h p pp dm an d ore up- to- d
a te
an ook u o n mat eu r T ea tri ca ls t an has yet a ear e .
Th e Ac t o r Co m p a n i o n C CIL F ARM
By E s .
ST N A T U R BOU R
. .
RO G i t h a n n t rod u ct i on b y R H W I
C I C
.
H E R, M A r ow n 8v o 2 s 6d n et . . . . . .
by Wh h v
il st
f d
a in g n o pretens i ons t o teac i n g th e
m an
hy p d i
f
f
an d
cu l t art of act i ng ,
hy y t ish
oo k Wi ll be ou n to co n ta i n ra c ti ca l use ul i n ts to th e
oun g ac to r . h Th e h e h as een for
au t o r , assoc ra t e d
an ea rs Wi t
h as b m
p h
yh d
o ne o f W
t h e la rger est E n d t ea t res , h as h ad ex ce ti o nall goo
o pp m dy
ort u n i t i es of st u i n g t h e i n n e r w o r k i n gs of a t ea t re , t h e te c n i cal
en ts of th e act o r , an d t h e m a n con si era t i on s es i es t a t o f y h
d w bp d hhp
r eq u i re
m
on e
y
ere t al en t n ecessa r
d h
ea l i n g w i t
t o e n su r e s u ccess o n t h e s ta ge T o s ec i a l c a te rs ,
S ci e n t i c V oi ce Pr o u ct i on an d t h e o t er Wi t t he Ar t d h .
h
b d by
o f G es t ur e, ar e con tri u te we ll kn o wn e x er ts -
p .
Pe t e r Pa n Th e Fa iry St o r of t he Pl a y
D D RE NNAN W i th Pyt g
: .
By G a o o ra vur e of Mi ss
PAU LI NE C HASE P t P F p L
. . .
as e er an . ca 8v o ea t h er ,
P p l Ed i ti C w 8 Pp
. .
23. 6d t ne o u ar on , ro n v o. a er, 6d
S h l R d E di t i wi t h I t od A
. . .
c oo ea er on , an n r u ct i on by . R .
P IC KL E S M A Cl t h 6d ,
. . o , .
Sa n ta C la u s -
Th e K i n e m a c o l o u r Fa ir y Pl a y
A O D SI MPS O N W i th 34 Ill us tra ti ons C rown
.
By H R L . .
4 to 1 3 n et
. . .
V o t e s fo r W o m en A Pl ay in Th ree A c ts . By
AB E TH RO BINS C
.
20
V O LU ME S O F V ER S E
De p o rt m e n ta l D i tti e s BY H A RRY .
GR H A AM
P f r o u s el
y Ill u st ra e t d b y L E W IS B A U ME R . F ca p . sr o .
Thi rd Ed i ti on . 3 3 6d
. . n et.
Da i l y Grap hi c H y hm
a rr G ra a certa i n l y has th e k n ack
y v y v by
. .
Da i l Ckmmc le Al l c l e musi ng
Ca n n e d C la s s i c s , an d O th e r V e r s e s .
By
H ARR Y G RAH AM A th , u or o f D ep or t men ta l D i tti es ,
"
Th B l t B k t t
e o s er oo , e c .
, e c. P f
ro u s el y Il l u s tra te d by
L E WIS B AU ME R C w . ro n 4 to . 33 . (i d . n et . Al so
F ca p . 8r o . 3s 6d . . n et .
s a As f h
res as e er v
d d d ht
. .
E ven i n g S ta n
ar . On e l ong el ig .
Fo u n d e d on Fi c tio n .
By LA D Y S YBIL GRA NT
Wi th 50 Il l t ti u s ra on s a n d a C v D ig by G EO RG E
o er es n
MO RROW C w 4 t . ro n o. 3s 6d . . n e t.
T Pf W : y Ab eekl o ok of ch u ck l es
y WT v v ym d
. .
Da l l
Chr on ic l e he i a ci o u s o h p ri ng o f a wi t t in
p v v
.
Tun es M M
. r. orr o w s
'
i ctur es t th e erses l i ke a g lo e.
Sh i p s an d Se a l i n g Wa x .
BY H ANSA RD WA TT .
Mo . 33 6d
. . net .
Da il y Ma i l Ver
.
y v
cl e er an d a mus in g, th e h u mou r en h an ce d by
qm n t i l l ust ra ti ons .
Thr o u gh the Lo o p h o l e s of Re tr e a t .
By H AN
SA R D WATT W . i th a P ort ra i t of CO WPE R i n Ph oto
g v
ra F p 8 u r e. ca . vc . 3s 6d . . n e t.
laci ng w oe t an d l ette r -
ri ter si e si e, so t at th e t wo oi ces ma y
b d l en v m
i n u n i so n . Th e ol u has e p
a sel ec t assa ge of p v r ose a n d erse fo r
y
ev er y d a y in t h e ea r , an d th e w h p
ol e is a l easa n t an d su rp r i se ful sto re
h ouse d h M W
of goo t i n gs r a tt p r i n ts for th e mrs t ti e a l et te r from
C wp f d J ph Hill f d
. .
add h m v m
i ti ona l c a r to the ol u e.
27
FOR THE CON TEM PLATIVE MIND
i n v o l u t io n B y L O RD E RN E S T H AMIL T ON D my 8 . . e v o.
7s . 6d . n et .
S t C la r e
. an d H er O rder : A Sto ry of Se v e n
Ce n t u ri e s . By t h e A u t h or of
Th e E n cl o s ed Nu n .
"
W i th 20 I ll u s tra t i ons . D e my Sv o . 7 s 6d . . n et .
Th e To w n Of Mo r a l i ty : o r, the Narr a ti v e o f O ne
w h o Li v e d H e r e f Tim
or a e. By C . H . B . S ec on d
Cr w
E di t i on . o n 8y o . 63 .
D i y G p hwl I h ra ns C H B h as wr i tte n a n ew
ort , P lg i m P r
s rogr ess .
'
a
p f d f
i
8
C
p
h h t
a ss i o n a e , a
.
r o ou n
hp ,
. . .
a nd st i r ri n g s a ti re on t h e sel -
sa t i s ed mo ra li t y of
ur c a n d of C a el .
C r own 8v c . 4 s 6d
. . n et .
d v z f h
.
j d v
.
2 8 6d . . n et ; Pp a er, Is . n et .
Pa ll Ma l l
Ga z tte e.
A rema r ka by bl eau t i u l f pi ece of dv e oti onal
w ri t i n g .
h mp y
Da il d
Ez p r ess m m Fu ll
y hh y h v v y hy m h w wh h m h .m h b of
a nd
te n er e ori es.
"
T ere is so et i ng a ou t
t e e cu l i a r l to u c i n g er u an .
M mm P o y os t
T e a e a st le of t ei r o n ic us t att ract
v y d
e er r ea e r o f tas te
.
O u t o f t h e i v o ry Pa l a c e s B y P H DI T C H FI E LD . . .
,
MA . F R Hi t s
.
, A th f Th . s . .
, u or o e
P Pl Wi t h 1 2 Il l t t i C w 8 6
a r s on s
ea s a n ce .
u s ra on s . ro n vo . s .
"
in t ese er rea a le a ges .
Mills Boon s Catalogue
The It a l ia n s o f To d a y -
. By R IC H AR D B A GOT ,
A u t h or of
My I t al i a n Year .
C r o wn 8 T hi d E d i t i
yo . r on .
2s 6d . . n et . Pp o u l ar an d v
Re i se d E d i ti on , 1 3 . n et .
Th e G e rm a n Sp y Sy s t e m i n Fr a n c e . T ra ns
la te d f ro m t he a c h of PA U L LAN O I E C . ro wn 8v o .
53 . n et . Pp Cv a er o er . 6d . n et .
T P
. .
c Weekl
d y .
h hh h d y
A b oo k t a t s ou l a wa k en t h e u li c an d t he au t h o ri pb p p
ti es to a co n i t i on of t i n gs t a t can o n l ceas e t o b e al a ri m n g if r om t
a c t i on i s ta k en .
Th e Po c ke t Se le c h o n s fr o m the G l a d s to n e 2
'
C p
om i l e d b y J A UB
R E Y R E E , Wi th a n n trod u c t i o n
. S I
b y t h e R t H on Si r GERN . ! E , PC G C B . AL ON V S T . . . .
Th e Po c k e t D i sr a e l i . By J . B . LIND E NB A U M MA ,
F ca p . 8vo . Cl th 2 o ,
3 . n et . Pp a e r, 13 . n et .
Th e Po c k e t As q u i th . By E . E . MO RT O N . Rea p .
8v o . Cl ot h 23 . n et . Pp a er, 13 . net .
Sp ec ta tor . S h dbou l f
e use ul t o t h e st u en t o f con te m o ra r d p yp oli ti cs .
The B o l s te r B oo k . A B o o k fo r t he Be ds i d e . By
H A RR Y G R A H AM A , u t h or of
D epO i t men ta l D t ti
i es .
L E W IS BA U ME R F t h E d i ti
on t i spi e ce by . ou i o n.
F p 8 8 6d
ca t P p l Edi ti 1 t
. y o. s . . ne . o u ar on , 3 . ne .
D i l y Ch
a wl H m i b
ron f t d C pt i
a G h m
u or s ts ar e our e n e ac o rs, a n a a n
bh g h wl y Th md lb f f mv
ei n n o t on f h m d
h gh f d f f
a m u or i s t, u t an in en to r o u o u r , 18 ea re r
ra a
to e
t t at
t G g wh t
u xe o us so n
is van
d b d y
H B y pp v d m d
ne
osea.
m h
er ru
s
i gl o w ,
e.
ee
is
I
a
ol
o
l
ir
ass u
en t r il oq ui s t s
o
e
a
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a
t at B i mn , l i k e t h e Poe t
o ll a d
,
u ge an d
o l l m or e am us i n g t a n an
o,
ou
B dh
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u n,
g ure li k e l to a
p by h ea r i n t h e
ar ti cu la te l aug te r
r ea s of s u c u ll hd p d
ersons as co ul
y
be pu t to
sl ee .
M
Da il y f h y Grap hic . os t re res i ngl an d d hf yf y
eli g t u ll un n .
80
E D U C A T I O NA L B O O K S
pp f h m b d f m M N
F u l l a r ti c ul a r s o t es e
W H d w fk ay e obta i n e ro I LLS d B OO , LTD , .
4 9 , R u er t
S t , Lond on ,
f ead s o School s a r e i n v i te to ri te or
m
spea m b y p
en ccp f I w
ooks l i k el
.
E NG L I S H TE XTS
A s You Li k e I t d
E i te
d by
E i te
d ddby d by b J b C R G i l e r t, M A
P
C R G i l e rt , M A
.
ls
Wi t Notes 1 8
la i n te x t , 6d n e t
. . . . h . .
H en I V
Th
. . . . . . . .
Th e i n ne s t E i te Fr a n k o n es , B A ls Pl ai n te xt , 6d n et
h
Pl u m t e xt , 6d n e t
d by H B
T h e Me r c a n t of V e n i c e E d i te
.
G al l an d G S mi t 13 . .
. .
.
.
H . .
.
h .
.
P y B y
. .
Max w e s o e't r fo r o s l s 6d
l l '
h B h p .
h
. .
S m it 6: a ll s E ng li s C om o s i t i on la E ng l i s G ra mm a r. . .
13 6d . .
F R E NC H
B a ro n s E xe r c i se s i n F r e n c F r e e C o m po s i t i on
1 3 6d h
y h
. . .
B a r r r e s E l e m e n t a r F r e n c C o u r s e
13
d h
. .
B a r r r e s I n t e r m e i a t e F r e n c C o u r s e
'
23
p v h
. .
B a r r r e s Pr e c i s o f C o m a r a t i e Fr e n c G r a m m a r
83 6d . . .
B a r r er e s Rc i t s Mi l i ta l r e s 33
h P h p
. .
a s s a g e s fo r F r e n c C o m os i t i on 2s 6d
Ba r r r e s S or t
h dB
. . .
B o s s u t
s Fr e n c Wo r o ok 13
h Ph B
. .
B os s u t s F re nc oo k 6d n et
ra s e
h v h B
. . .
'
S r i e s Fi r s t F r e n c U n s een o ok 6d ne t
h v d h B
. . .
S r i e s S e co n F r e n c U n se e n oo k
1 3 net
f hB d
. . .
Wa lt e r s Re or m Fi rs t F r e n c
oo k I ll us tr a te . . ls .
D IR E CT METH OD F R E NC H T E XT S
d d
E i te by R R N B AR ON. M A Chel ten ha m Gr a mma r S chool
. . . . .
s Pl e r r ill e 1 3 Cd
C l a r e t i e
B v
. . .
Da u d e t s La e l l e Ni e r n a i s e l s 6d
J B d
. . .
Me r m s Ta m a n g o an d o s Ma r i a l o
i e ri g a n ls
J
. .
'
H g s B ug arg a l
u o 23 . .
MO D E R N F R E NC H AUTH ORS
W th I n tr od ue twm
z Notes , E xer cis es for R etra ns l a tzon, Voca b u l a r i es etc.
B z h v b y
,
U r s u l a Mi r o u e t Wi t o u t oca u l a r , 28
al a c
d B v hv b y
. .
D a u et La e ll e Ni e r n a i se Wi t oca u l a r , 1 3 6d
pp hv b y h
. . . .
( l r v l l l e Le Mo u l i n F r a ier Wi t o ca u l a r , 23 Wi t o u t, Is M
v h hv b y
. . . . .
d e Ne r a l La Ma i n E n c a n t e Wi t oca u l a r , l s
d h v b y
. . .
T o u d o u z e Ma a me La m he l le
. Wi t ou t oca ula r , 2s . .
G E O G R A PH Y
We th e ril l s
Ne w P r el i y
mi na r G e og r a phy 1 3 6d
B d
ir
'
s Sc h oo l G e og r a phy . 2 8 6d . .
. . .
G ER MA N
Wa l t e r s
Re f or m Fir s t G e r m a n Bd o ok . I ll ust ra te d 84 net.
A dv d . .
La n g e
s a nce G e r m a n Re a er. 33 .
D I R E CT ME TH OD G E R MA N T E X T S
Me i s t e r Ma r t i n . E d d by H h
i te L . i rs c , Ph D . . In . M .
81
EDU CA IO NAL BO O KSc ontinued T .
MO D E R N GER MA N A U TH O R S
Wi th I n tr od uct wns , Notes, V oca bu la r i es , E xerci ses for Retr a ns la tion , etc .
A b h m w
S e l e ct i o ns fro w ii l D f
S ch arz d er o r g e s ch l c h t e n .
W hv b y W h v b y
ue r ac .
it oca u lar , 2 3 i t ou t o ca u l a r , 1 s ed
BB h d i
e c st e n w
W p
Ma h
A u s g e a h l te
Do k t o r W hv b
-
W hv b
y rc en
W h
W h it
.
oca
o ca u lar , 23
,
1 3 6d
i t ou t, l s
i t ou t, l s 6d
.
.
.
.
. .
e ne ix es e it
b y E FJ
E ers W
i n e r ag e
.
-
.
vW hb vy b yi th o u t oca u la r , 2s .
o ca u la r , 2s
.
.
. . .
F r e ta g Di e o u rn a l i s t e n . i t ou t
F y
re tag
He se H H b .
S ol l u n d
W h
. W h
a n s La n g e v
-
b v
a en
yb y
i t ou t
i t ou t oca u la r , 2s
oca ul a r , l s bd
. .
.
gm W h v b y
. . . .
m
H i f n n S J i l l r u g en i t ou t oca u la r , 1 3 6d
M
o
os er
a
D B b h
er
c e
W hv b
. s
i l i ot e k a r y Wh it
re
oca ula r , 23 i t o u t , I s 6d
. . .
S h h d Wh v b y
. . . . .
f m E
c e i te s S e l e c ti ons
l ro k ke ar i t ou t oca u lar , 23 . .
LA T I N
BW al l s
La t i n E xt r a ct s t or S i g t T ra n s l a t i o n
i l li a m so n s F i r s t La t i n U n s e e n
ook 6d
h B .
.
. n e t.
Is .
MA T H E MAT I C S
B A P p y y A hm
oo n s
'
ns we rs o n l
W h
re
6d n et
a r a t or rit et i c . i t ans wers , 13 6d . . Wi t h ou t , 13 .
B W hA h m
o on s
rit hA y
i t ou t a n s w e r s , 38 6d
, .
e t i c for S c ool s a n d C o l l eg e s .
ns wers on l , 0 d n et
.
it ans wers , 4 3 W h .
h y .
. . .
N w
De a k i n s m P
S c o o l G e o e t r . 2 s 6d art I , l s ; Pii r t I I , 1 3 8d
A hm
e
W h h
. . .
Wi t o u t , l s
. .
'
D ea k i n s R u r a l ri t et i c . i t ans we rs , 1 3 6d
H h d A W h h . . .
o r wi t o u t a n s we rs
D ea k i n s o u s e ol cc o u nt s it 6d n e t
HH P M h m W h h
. . .
W
.
'
a r r i s on s ra ct ica l at e a t i cs . it a n s , 1 3 6d i t o u t , 1 3 3d
P M h m h y
. . . .
a rri s o n s
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