Professional Documents
Culture Documents
; RNEST WILSON
W-ITH NU
BROTHERS
OLD BONDSTn lONDON.W,
AM BHUTAN
RK CITY
PAULINE FORE MOFFITT
LIBRARY
UNIVERSITY OF CALIFORNIA
GENERAL LIBRARY, BERKELEY
ENGRAVINGS IN
MEZZOTINT
BY
SYDNEY ERNEST WILSON
WITH NOTES BY
W. ROBERTS
PUBLISHED BY
finest plates of the day and to this must be attributed the full
,-
"NINA" .. .. .. .. .. J. B. Greuze.
This is the first and one of the most beautiful of the many
portraits painted of Lady Hamilton by Romney. It is 29 x 24
inches, and was painted in 1782 for C. F. Greville under whose
protection Emma Hart <or Lyon) was then living. It was
after the last exhibition it was sold by Mr. Fawkes, and found
1899.
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"LADY SMYTH <& CHILDREN/'
By Sir Joshua Reynolds, P.R.A.
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"LADY HAMILTON AS A BACCHANTE."
By Sir Joshua Reynolds, P.R.A.
i T T e f L*
Emma ,
Hart <or Lyon) was one of the most remarkable of the
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Marie Louise Elizabeth Vigee, the daughter of a portrait painter,
was born in Paris in 1755, and began painting portraits at the age
of 15 / in 1776 she married J. P. Pierre Le Brun, the picture
dealer and artist, and three years later she painted the first of at
least twenty-five portraits of Marie Antoinette, with whom she
was on intimate terms of friendship. Elected to the Academy of
Fine Arts she regularly exhibited at the Salon from 1783 <her
dozen or more pictures of this year including a portrait of
herself and one of her child)/ in 1789 she visited Bologna,
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"MASTER HARE."
By Sir Joshua Reynolds, P.R.A.
Julia, daughter of General Sir John Floyd, Bart., married 8th June,
1820, Sir Robert Peel, the eminent statesman who was twice
Prime Minister,- died 27th October, 1859.
This portrait <365n. by 28in.) and that of Miss Croker justly
rank as the two masterpieces of Lawrence's later career, and both
are now owned by American millionaires. This portrait was
"
exhibited at the Royal Academy of 1825 as "Mrs. Peel <the
first Sir Robert Peel lived until 1830), and has been happily
" "
described as a superb specimen of the artist's skill ,-
it was
designed as a pendant to the famous chapeau de poil by Rubens
in the Peel Collection at the National Gallery. Next to George
IV. Sir Robert Peel was Lawrence's best patron, he having painted
fourteen portraits for the great statesman. The portrait of Mrs.
Peel was twice lent to the British Institution <in 1830 and 1847),
and to the Victorian Exhibition at the New Gallery in 1891.
The declining fortunes of the Peel family led to the disposal of the
Peel heirlooms in 1900,- this was one of the many family por-
traits not included in the sale, but in 1901 it found its way to
Paris and thence to the United States. It is now the property
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it." Gilpin was to have painted the brutes which the enchan-
had metamorphosed, but did not.
tress
married 7th
August, 1789, the Right lion. Michael Angelo
Taylor, M.P., the eminent politician whose name figures largely
in the political and other memoirs of the period,- died 14th
ndo[ x^
"
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1835.
The whole by 60in.) of which the head and
length <91in.
shoulders only are engraved by Mr. S. E. Wilson, is one of the
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1757,- married 5th June, 1774, as his first wife, William, fifth
Duke of Devonshire,- died 30th March, 1806.
This picture <43in. by 32in.) justly ranks as one of the most
famous of the world's masterpieces,- indeed, until the theft of
" "
Leonardo da Vinci's Mona Lisa from the Louvre in August,
1911, probably the portrait of the Duchess had been more
written about than any other picture in existence. Its history is
" "
detailed fully in the privately printed Catalogue Raisonm* of
Mr. J. Pierpont Morgan. Of the beautiful Duchess and of the
part she played in the political and social history of England
during the latter part of the 1 8th Century it is not necessary to
speak, for the story of her life has formed the subject of count-
less articles.
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engraved and etched and reproduced by various processes till
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died in 1792.
Mrs. Sheridan was not only one of the great beauties of the
1 8th century, but she was also one of the most frequently painted.
She sat to Gainsborough with her brother, Thomas, in 1768, and
this superb work remained at Knole until February, 1911, when
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N
SENT ON ILL
JAN 2 2 2003
U. C. BERKELEY
12,000(11/95)
Yf
IV.