Professional Documents
Culture Documents
1990
2002 2008
1973 30 2003
2008 2 5
66
2
1
2003
(http://www.eusa-taiwan.org/activity/Creative%20Industry/3-28%E5%B0%88%E9%A1%8C%E6%BC
%94%E8%AC%9B6%E6%9E%97%E6%87%B7%E6%B0%91.PDF)
2
2008 2 13 A4
4 2009
3
2009 5 14
300 200
2013 102 4
1990
culture
Raymond Williams
5
3
2008 2 16
4
2009 5 11
5
Raymond Williams 1989 82
5
Julius II
Bramante
(Bernini)(Ravel)
14
market failure
nonexcludability
nonrivalness
6
Bruno Frey 2003
162-165
7
James A. Caporaso and David P. Levine, 1992, Theories of Political Economy, New York: Cambridge
University Press, pp. 87-96.
6 2009
spillover
8
Bruno Frey
9John Pick
7
10
8
2002 134-141
9
Bruno Frey, op. cit., 126-127.
10
John Pick 1995
105-117
7
John Pick
11 Bruno Frey
social optimum
Basel
54%12
4%1990
public policy13
cultural policy Ruth Rentschler
11
119
12
Bruno Frey, op. cit., pp. 127-131.
13
Thomas Dye, 2002, Understanding Public Policy, 11th ed., Upper Saddle River, N.J.: Pearson
Prentice Hall, p. 1.
8 2009
14 Nobuko
Kawashima
16
paradox
1990
1981 1967
1981 11
1980
17
14
Ruth Rentschler, 2002, The Entrepreneurial Arts Leaders: Cultural Policy, Change and Reinvention,
Brisbane: University of Queensland Press, p. 17.
15
Nobuko Kawashima, 1999, Cultural Policy Research: An emerging Discipline Between Theory and
Practice, Centre for Cultural Policy Studies, University of Warwick, p. 3.
16
Toby Miller and George Ydice 1
17
Policy Studies Institute in London John Myerscough 1988
The Economic Importance of the Arts in British
18
1600 19
1980
1997
1980
1991
20 1994
Creative Nation
18
2005
177
19
D. Keith Peacock, 1999, Thatcher's Theatre: British Theatre and Drama in the Eighties,
Santa Barbara, CA: Greenwood Publishing Group, p. 55.
20
Katya Johanson, 2008 How Australian Industry Policy Shaped Cultural Policy, International
Journal of Cultural Policy, Vol. 14, No. 2, pp.144-146.
102009
21
130 33 6
Raymond Williams
lifestyle
cultural industries
22
21
Knox23
arts policy
24
//
excellent culture
1997
Creative Industries Mapping Document
25
21
Department of Communication and the Arts (DCA), 1994, Creative Nation, Canberra: DCA, p. 7.
22
DCA, op. cit., p. 41.
23
Ruth Rentschler 2003
122200
24
Kevin V. Mulcahy, 2006, Cultural Policy: Definitions and Theoretical Approaches, The Journal of
Arts Management, Law, and Society, Vol. 35, No. 4., p. 321.
25
Department for Culture Media and Sport (DCMS), 1998, Creative Industries Mapping Document
1998, London: DCMS, p. 5.
11
13
creative
workers
Lansing
26Richard Florida
27
lifestyle amenities
Raymond Williams
Nicholas Garnham
28
29
26
183
27
Richard Florida, 2002, The Rise of the Creative Class: And How It's Transforming Work, Leisure,
Community and Everyday Life, New York: Basic Books, pp.95, 166, 183, 226
28
Nicholas Garnham, 2005, From Cultural to Creative Industries: An Analysis of the Implications of
the Creative Industries Approach to Arts and Media Policy Making in the United Kingdom,
International Journal of Cultural Policy, Vol. 11, No. 1, pp.26-27.
29
Jennifer Craik Jennifer Craik, Libby McAllister and Glyn
122009
30
2009 5
12 6
31
1981
32
2000
/
24.55 30.72 28.20 35.66 26.69 27.44 23.52 26.89 26.35
32
81 11
2 14
13
/
1.36 1.22 1.17 1.25 1.24 1.26 1.36 1.23 1.40
http://www.cca.gov.tw/
http://www.dgbas.gov.tw
50-60
4
0.02-0.03%
142009
100%
90%
80%
70%
60%
50%
40%
30%
20%
10%
0%
2004 2005 2006 2007 2008
(http://www.cca.gov.tw/public.do?method=list&categoryId=5)
2004-2008 10
50% 8
50%
peer
review
33
33
Bruno Frey Bruno Frey, op.
15
arm-length
34 1
4% 40%
40%35
1997-2009
100%
80%
60%
40%
20%
0%
1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009
2009 1
http://www.ncaf.org.tw
589 1,477 2,581 871 1,511 530 220 83 165 19 17 250 14
6.69 14.09 20.25 19.62 21.04 6.53 4.29 1.23 2.26 0.58 0.54 2.42 0.44
5.99 13.49 20.80 20.80 21.29 5.97 4.00 1.19 1.44 0.57 0.71 3.17 0.58
17.69 14.77 12.15 34.89 21.57 18.06 19.09 30.18 23.01 19.70 46.92 49.29 48.90
http://www.ncaf.org.tw
10
2000
1997-1999
18 36
2000 10
1990
2002
36
2000 88-86
15-19
17
182009