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www.nektartech.com Using Panorama with Logic
Logic Integration Setup and Configuration
Installation Do not use these files if you are using OS X 10.10.5 or below.
There are two components required for Panorama and Logic integration.
- Updating firmware.
- Installation of Logic integration files.
Follow these steps to get Logic up and running with your Panorama:
To remove any existing drivers on your system, turn Panorama off or disconnect it from your computer. Then run
the uninstaller which was included with the Installer package you originally installed the driver with.
Next locate the Firmware Update application nkupdate installed to //Applications, and trash it.
In OSX //Applications/Utilities/Audio MIDI Setup select any Panorama icons and remove them.
Run Logic and locate the Logic/Control Surface/Setup page. Select each of the 3 Instrument, Mixer and Panorama
profiles and delete them (if present).
Locate the nkupdate app in the Firmware folder in this package and run it. Now update Panoramas firmware as
described here .
Note: you will find the latest firmware file in the Firmware folder in this package.
1. Locate Panorama_Apple_Support installer in the zip file you downloaded and run it.
2. With installation complete, make sure your Panorama is connected to your computer
and switched on.
3. Launch Logic.
4. The first time you run Logic you will see a control surface page as per the image on the
right. Close this window.
Thats it! Setup is now complete and you can move on to the fun part, learning how it all
works.
Troubleshooting: If Panorama Logic integration is not working after following the above steps,
please check the trouble shooting page. The suggestions on this page solves 95% of issues related to Logic setup.
From OS X 10.11 (El Capitan) Panorama no longer requires a custom driver but is instead used as a USB Class Device.
This means that QWERTY macros are no longer possible. If this was an important feature for you, we recommend you install
an earlier version of OS X which is still supported by Panoramas legacy drivers.
This section, and following sections, discuss the ways Logic and Panorama work together to enhance your workflow. Our aim
is to provide a fundamental understanding of how Panorama interfaces with Logic. From time to time, you may need to
consult the Logic documentation for additional information.
Lets start by taking a look at the main panel buttons and then go deeper into the Panorama menus from there.
Navigation
The six buttons pictured above navigate important parts of Logic. These functions are available at any time, regardless of the
active Panorama mode.
Shift: Hold to activate secondary operating functions for other buttons.
Track - / +: Select the next or previous track in Logics sequencer. This is the same as using the arrow up/down
keys on your computer keyboard .
Patch - / +: Select the previous or next mixer channel preset in the Logic Library browser window, when in focus. If a
plugin is in focus, these buttons select the previous or next plugin patch.
View: Toggle the Logic Mixer window open/close.
Bank < >: Moves the current selection of eight mixer channels in Mixer mode so the fader group assignments are
changed from channels 1-8 to channels 9-16, for example. Hold [Shift] and press one of the [Track -/+]
buttons to view an adjacent bank of channels.
Zoom < >: Control Logic horizontal zoom. Hold [Shift] and press one of the [Patch -/+] buttons to adjust the
horizontal zoom level.
Transport Buttons
The transport buttons activate or deactivate important transport functions as listed in the table. They also provide further
options when combined with the Panorama Transport mode. These buttons can be used at any time, regardless of the active
Panorama mode.
The transport buttons can also operate in an alternative "Function Keys" mode, accessed with the [F-Keys] button.
Mixer: Assigns all controls to Logic Mixer parameters and provides access to control menus.
Instrument : Assigns all controls to Instrument plugins. Only active if an instrument plugin is present.
Transport : Assigns all controls to transport functions.
Internal: Uses Panorama internal MIDI controller functions enabling you to switch between Panorama Logic
control protocol and use Panorama as a traditional MIDI controller.
The display Info-Bar is the top Red/Gray/Red area and it provides the following status information:
Below the Info-Bar, the display indicates the status of current assignments, which varies depending on what menu you have
selected.
Display Buttons
The five display buttons are used to navigate menus, activate functions and control parameters. A display label above each
button, indicates what it controls.
In Mixer mode for example, the display button labels are [EQ], [Inserts], [Sends], [Smart] and [Instrument] on a gray
background. This indicate that none of them are active. Press the [Smart] button and the Smart menu will open. Press
[Mixer] to navigate back to the Mixer home page. This time the Smart label is red indicating the [Smart] menu is still active
and parameters can still be tweaked using the 2x4 encoders.
Pressing the [EQ], [Inserts], [Sends] or [Instrument] button will change the assignments of the 2x4 encoders as well as show
you what each of the controls are now assigned to. We will go through all of this in more detail on the following pages.
If a button is used to control a parameter (instead of a function a menu), you will see a line above thats either white or red
to indicate the current status of the button. The image on the right shows you an example where a
parameters status is On.
To exit any page, press a Mode button and navigate to whatever page you would like to edit next.
This section is designed as a tutorial that introduces you to the way Panorama and Logic interact. We encourage you to follow
the tutorial the first time through to get a feel for the way things work. Once you have a handle on the workflow options that
Panorama provides, you may want to consider setting up a default project template that is optimized for your use of Logic
with Panorama.
The first red field in the Panorama Info Bar indicates the track name, which should now
show GM Device 1 for the track you just created. Try changing the track name in Logic
and you will see it update on Panorama. You may need to change track, to see the red
name field update on the Panorama display.
The first fader (of the group of 9) on Panorama now controls the mixer channel volume of the track you created. Moving the
fader doesnt change the volume immediately because the physical fader position first has to match the position of the
corresponding fader in the Logic mixer. This approach ensures that there is a smooth change to the Logic channel volume
setting, rather than an abrupt jump to the current Panorama fader value.
Keep an eye on the Panorama display and move the physical fader towards the virtual fader position (indicated by a white
horizontal line). Note that once the red line (the Panorama physical fader position) and the virtual fader position match, the
fader cap graphic follows the fader movement and adjusts the volume setting of the mixer channel in Logic.
Next create an Audio Track in Logic. This action will also create an Output and a Master
mixer channel in the Logic mixer so now you can see 4 channels in the Panorama display.
Press the [View] button on Panorama to open the Logic mixer and that it corresponds with
the Panorama display.
In Logic, select Tracks. The display updates to show the two tracks and their associated
mixer channels (4 in total now). Finally click All shows all channels whether they are
associated with a track or not. In our example here, this shows a mixer channel for each of
the 16 MIDI channels on the External MIDI Track. Click the MIDI button in the Logic
mixer to hide the MIDI channels from view.
The view settings can be saved to a template so you only have to set this up
once. Next create an additional 6 tracks (audio or instrument) so you have a
complete bank of 8 tracks to control.
The 8 LED buttons below the faders are assigned to Select by default. Press LED button 1, then press LED
button 8 and note how this lets you quickly jump from one track to another. You can also use these buttons
to select mixer channels that dont have a track associated with them (such as aux or output channels).
Press the [Toggle/Mute] button to change the assignment of all LED buttons to Mute. Repeatedly press the
[Toggle/Mute] button to cycle through LED button assignments as follows: Select, Mute, Solo, Record Arm,
then back to Select, a.s.o.
Panorama also features an option to scroll through the buttons assignment options. Press and hold [Toggle/
Mute], then rotate the [Data Control] encoder until the parameter you want to control, is selected.
The image to the right shows the location of the label that indicates the current assignment mode of the 8
LED buttons.
You have now learned how to navigate Logic channels and tracks from Panorama using three different methods:
[Track-] and [Track+] buttons go to previous or next track (or channel) in Logic
Press an [LED button] when assigned to "Select" for quick channel selection within
the bank of 8 channels you are currently controlling from Panorama
The encoders can also be used to control any of the mixer sends across 8 channels. To change the assignment, press the
[Toggle/View] button, just to the right of the encoders.
Press [Toggle/View] repeatedly to assign the encoders to the next assigned send destination. Continue until you cycle back to
controlling Pan.
Panorama also features an option to scroll through sends. Press and hold [Toggle/View], then rotate the [Data Control]
encoder until the send you want to use is selected.
In addition to multi-channel control, Panorama can control a complete Logic mixer channel strip including EQ, Sends, Inserts
and Smart Controls. A channel strip is selected by its association with a track (switching to a track also changes the
corresponding mixer channel). It is not possible to control the channel strip for a channel that does not have an associated
track.
The channel strip menus are accessed in the Panorama Mixer mode home page. Each of the menus change the assignments
of the right hand 2x4 encoder group - while still providing access to the multichannel mixer controls to the left of the display.
Channel EQ
Select an audio track and press the first display button labeled [EQ] to open the EQ menu. This inserts the Channel EQ in
Logic (if not already inserted) and opens the Channel EQ plug-in window. The Panorama
display updates to show controls for each of the 8 bands in the Logic Channel EQ and
remaps the bank of encoders to the right of the display.
The top row of the 2x4 encoders control the Frequency for each Channel EQ band and the
bottom row controls gain.
Press the display button [Q->] to change the assignment of the top row of encoders to Q.
You can toggle back to frequency using the same button.
The first two buttons labeled [HP Flt] and [Lo Shelf] switch band 1 and Band 2 on or off.
Press the 3rd button [B3&B4] to change button assignments so you can switch Bands 3 &
4 on or off.
Press the 5th button labeled [B5-B8] to change the window assignment to control the last
4 bands using the same principal as for the first 4 bands.
Press the [Mixer] button to exit the EQ menu and return to the Mixer home page.
Channel Sends
Panorama can control up to 8 sends for the currently selected Logic mixer channel. Sends first should be set up in Logic with
the destination you want. Once set up, pressing the [Sends] display button to adjust the
send controls using the 2x4 encoders.
Panorama shows an abbreviated Send destination name for each of the encoders. In Logic,
if you change the name of the return track for a send, for example, the destination name
updates on Panorama.
Press the [Mixer] button to exit the Sends menu and return to the Mixer home page.
Channel Inserts
The Inserts menu is the third option on the Mixer home page. This Panorama menu provides control of any of the 15 plug-ins
that can be inserted in each audio mixer channel in Logic.
First select an audio track, press the [Inserts] display button from panorama Mixer mode home page and move the [Data
Control].
The [Data Control] scrolls through available plugins. Select a plugin by pressing the display
button labelled [Load]. The selected plugin is now inserted in the current insert slot.
Use the [Slot>] button to select the next slot in the channel strip and insert a couple of
effect plugins such as Compressor or Echo.
With a plug-in present in the selected insert slot, Panorama immediately maps the first 8
parameters to the 2x4 encoders and opens the plug-in window in Logic . You can now
tweak controls while viewing parameter value changes in Logic or on the Panorama
display.
Display Buttons
As you have seen in the previous example, the two display buttons [<Slot] and [Slot>]
allow you to navigate the insert slots. Press [Slot>] to select the next plugin in the chain.
Both the Logic and Panorama displays update accordingly. Press [<Slot] to select the
previous plugin slot.
When a selected slot contains a plugin, the first 8 plugin parameters are assigned to the 2x4 encoders for immediate control.
The two display buttons labeled [<Page] and [Page>] allows you to navigate through additional pages, mapping 8
parameters per page.
The fifth display button indicates the current page number / total amount of pages. Press this button to return to page 1.
Here is a simple example of how this works, using the Logic Echo plug-in.
In Logic, insert the Echo plug-in on a channel, and view the parameter page on Panorama. Note that the Dry and Wet
parameters are assigned to the last two encoders.
Browse to the CSParameterOrder.plist file for the Echo plug-in, in the following location: <Your HD>/Users/<user
name>/Music/Audio Music Apps/Plug-In Settings/Echo
- Note: This is the location for default Logic plugins only
The text located between <array> and </array> is the mapping order. Each parameter is identified by a number and in
this case, the first parameter is number 16 Time. The number is whats important and the text descriptor is only there so
its clear which parameter the number corresponds to.
Move the Dry and Wet parameters currently in positions 7 and 8, to positions 5 and 6, so the order looks like example 2.
Insert a new instance of Echo and see the change take effect on Panorama in menu Mixer/Inserts
In the example, notice that 1 is used to create a blank assignment. This is helpful to visually make demarcations between
groups of controls or to avoid having a control grouped on a page where it does not belong.
<string>19 Dry</string>
Click "Go"
<string>20 Wet</string>
<string>-1</string>
The folder named after the AU plugin has now been created. Open the folder and <string>-1</string>
</array>
locate the CSParameterOrder.plist file. Follow the same process to reorder
parameters as described on the previous page.
Smart Controls
Panorama can control the (up to) 16 Smart Controls that were implemented in Logic X. From the Mixer Mode Home Page,
press the display button labeled [Smart].
The first 8 smart control parameters on the current track are now assigned to the 8 2x4 encoders. Press the button labeled
[9-16] to change the encoder assignments to the next group of 8 Smart Control parameters.
The 3rd display button is labeled [View]. Press this button to open or close the Smart Control window in Logic.
In our Echo example, the Smart Control assignments and order are the same as the regular controls. Typically, you would
only choose 4-8 key parameters as Smart Controls. When you have multiple plugins active on a channel strip, such as an
instrument and several effects, the Smart Controls become a powerful tool that combine the most essential parameters
across all plug- ins, in one condensed user interface.
To map Smart Controls quickly in plist files, simply copy a parameter line from the parameter list, and paste it into the
SmartControlsParameterOrder list below. You can delete any parameter you dont need.
<key>SmartControlsParameterOrder</key>
<array>
<string>16 Time</string>
<string>17 Repeat</string>
<string>18 Color</string>
<string>20 Wet</string>
<string>19 Dry</string>
<string>BYPASS$BYPASS</string>
Pressing the [Instrument] button, located just above the display, activates Instrument mode. In this mode the 16 encoders, 9
faders, 8 LED buttons and 4 display buttons are all dedicated to control of instrument plugins.
Changing Patches
You can step through instrument patches from Panorama, by pressing [Patch>] to go to the next patch or [<Patch] to go to
the previous patch. The instrument needs to be in focus for the patch buttons to affect it. If the Logic arrangement window is
in focus, the patch buttons will change the channel patch instead.
As you change patch, the parameter values are updated in the Instrument home page.
Some plug-ins dont have any patches and will therefore only respond to patch changes if you save patches within Logics
plugin patch browser.
The home page provides access to a combination of parameters across all device menus, that
allow immediate control of parameters, that typically have the biggest impact on the
instruments sound. For most devices, this maps Filter Cutoff and Resonance on encoders 1
and 2 respectively.
Many instruments have a four stage ADSR envelope so the faders are mapped as follows:
Move faders 1-4 to control these parameters in ES2. The current parameters name and value is shown at the top of the
Panorama display.
To see how the faders are assigned, try the following navigation options:
Press [Toggle/View] to see what the faders and the associated encoders are assigned to
control and their current status.
Press [Toggle/Mute] to see what the LED buttons are assigned to control.
The display updates to show mapped parameters for the selected page.
Open the plist file (check page 8 for more information about plists) and take a look at the list.
The first 8 parameters listed in the plist file are assigned to the 8 2x4 encoders and the following 4 parameters are assigned
to the display buttons 2,3,4 and 5.
Since all the parameters in the instrument home page are already present elsewhere in the plist file, you dont need to worry
about overwriting the home page parameters. So locate a selection of parameters from the list and replace the existing
parameters, up to the first 12 lines.
The following 12 parameters (13-24) are duplicates because there are in reality 2 home pages. The first 12 parameters are
assigned when you press the [Instrument] button and the following 12 parameters are assigned to the first page in the popup
menu. That page is listed as Home Page but as mentioned, its a duplicate of the first page so you can treat them as two
uniquely different pages, each with their own assignments or copy the parameters you select for lines 1-12 to lines 13-24, so
the two pages work the same way.
Be careful not to overwrite any parameters from parameter 25 and up, since this will affect the Panorama menu mapping.
Once you have made the changes you want, save the plist file and create a new instance of ES2 in Logic. You should now see
the Instrument Home Page order of parameters updated according to how you specified it in the plist.
Controlling AU Instruments
Third-party Audio Units instruments are fully controllable from Panorama. The most important part is to customize the
parameter orders so that mapping makes sense and that works the same way as described for insert plugins on pages 8&9.
You can also choose between controlling an AU instrument in Mixer mode (accessed via the 5th display button labelled
Instrument), limiting the mapping to 8 encoders per page. Its easier to update the plists in groups of 8 but plus you have
access to more pages this way.
However in instrument mode you can map all Panoramas realtime controls to one instrument. The order of the parameters
should be as follows:
Press the [Transport] button to enter Transport mode. Transport mode provides clear visual feedback, so you always know
where you are in your project.
The current Playhead position, shown in bars and beats, updates as you play the project.
The following 8 boxes show what each of 2x4 rows of encoders are assigned to control:
Sets the Punch In point in Sets the Punch Out point Selects Quantize values Changes the [Data Control]
Logics timeline in Logics timeline operation to scrub. There is no
status feedback.
Moves both the Punch In and Moves the Left Locator Moves the Right Locator Moves both the Left and Right
Punch Out points forward or position position locator forward or backward
backward.
The Panorama P1 uses the 5th display button to select pedal functions. The following page describes in more detail how this
works.
You can combine Transport Mode with the global navigation, transport and F-keys functions to great effect. Use the F-keys to
open Logic windows and menus for example is an effective way to customize your setup and navigate logic.
Familiarity with the transport buttons and their secondary operations in addition will help you create a faster workflow. The
transport buttons functionality is covered on page 3 but here is a summary of the less obvious functions:
Delete Current
Create Marker at Marker
Previous Marker Next Marker
current position (nearest to
current position)
Getting to grips with Transport mode may take a little bit of practice but it will pay off as you learn how to navigate your
project without having to reach for the computer mouse.
Press the Pedal button and use the Data Control to select the assignment you want: Play, Auto Punch in/out, Record, Set loop
in/out, Loop on/off, Goto L and Goto R.
When Reason, MainStage or any other ReWire client is Rewired to Logic, Panorama is able to control both DAWs. To switch
between mapping for Logic and mapping for the ReWire client, hold the [Shift] button and press [Toggle/View].
When you control a Rewire Host (Logic), the Info Bar is Red.
And when you control a ReWire Client (Reason), the Info Bar is blue.
If you have never used ReWire before, first launch Logic, and navigate to Preferences/Audio/Devices. In this menu, locate the
item named ReWire Behavior and make sure its not off.
You can operate the two DAWs in sync but completely independently or alternatively, you can choose to record in Logic and
only use the ReWire client as a source. To do that, create an External MIDI Track in Logic and select the ReWire Client
destination in the output list.
Automation
You can write automation directly from Panorama using any of parameter controls including the motorized fader on the P4 &
P6.
First youll need to select the automation mode. On Panorama P4 & P6, press the [Fader] button just below the dedicated
channel Mute and Solo buttons. The [Fader] button toggle through the automation options Read, Touch, Latch, Write and off.
Choose the one you need and start moving the controls assigned to parameters you want to automate.
The P1 does not have a motorized fader so us [Shift]+[Mode] (the button above record) to toggle Read and Latch.
You also have Mute and Solo buttons with LED indicators that show if they are active for the current track. Try pressing the
mute button for a track and notice now that when you change track, not only does the motorized fader update but also the
status of the mute and solo buttons.
Logic has a feature called Marker Sets. We won't go into how you create them, but they can be an invaluable tool for
navigating any type of project or session. As examples:
- every four bars
- every eight bars
- traditional intro, verse, chorus, bridge, etc. song structures
- EDM - intro, verse, build, drop, everything including the kitchen sink, etc.
Every Logic project can contain multiple Marker Sets, so you should spend the time creating a few (or dozens) that cater for
your most common song/session needs. Save these in your default Logic/Panorama project template.
Panorama can navigate the first 8 markers of the active Marker Set with dedicated Pad buttons 1-8, and ensuing markers
with the two top-right Pads (11-12).
Make use of different Marker Sets for different types of projects, or use multiple Marker Sets in one project depending on
where you need to be, and what you need to do.
Enable Cycle on Panorama, then navigate between markers with Pads 1-8 (or 11-12). Note how the cycle region moves with
the markers (and the left and right locator values update on Panorama).
Logic offers several cycle recording options for audio and MIDI (hardware or software instrument) takes or regions. Set
these up to match the way you prefer to work in the Logic Recording preferences, then save your default Logic/Panorama
project template.
Markers are not only useful for getting around your project. They can also help you quickly create arrangements. For
example, you could use the Cycle/Marker tip above to navigate to the song verse which falls in the area defined by markers 2
and 3. Use the Select All Between Locators key command to select all regions between the markers, then the Copy command.
Now press a Panorama Pad to jump to another song location, then use the Paste command to replicate your verse. This same
method could be used to move (Cut, rather than Copy) a song section.
The default Logic F-Key assignments can be overwritten with Logic commands that you find most useful. Don't forget that F-
Keys can be assigned to a Macro string of commands. Spend some time using Logic/Panorama until you work out what you
want/need to do to enhance your workflow, then create your custom set of F-Key commands and macros.
You can use encoders 6 and 7 to move the left locator past the right locator position, and the right locator past the left locator
position. This enables skip cycle mode where Logic playback jumps across the defined skip cycle region. This is a quick way
to audition a shortened section/structure variation, without actually removing the song section.
When scrubbing, press and hold Shift, then press the Patch+ button to zoom in. This makes it easier to see things on the
computer display, but also has a direct impact on Logic behavior. The Logic Snap menu Samples (and Smart) setting only
allows sample-accurate edits when high zoom levels are used.
Make sure you set up Scrub settings in the Audio preferences that work best for you/your system.
As a further zooming (and general workflow) tip, enable View > Auto Track Zoom from the Tracks area menu bar (press
Control-Z) and vertically resize the track height to taste. Save your Logic/Panorama project template. When you select any
track from Panorama it is automatically zoomed to the defined level.
You can view the Bar display in SMPTE time. To do this, open the Control Surfaces Setup window and click the main
Panorama icon. In the Inspector, click the Clock Display pop-up menu, then choose SMPTE. The appearance of timecode can
be further modified with the Clock Format pop-up menu in the General tab of the Logic Display preferences.
Set Automation preferences to meet your needs. The defaults should be OK, but you may want to change the Write mode
changes to pop-up menu setting to another mode, and perhaps change the Ramp Time setting. The Move automation with
regions option may also be useful when replicating song sections, or when rearranging parts.
In the Control Surfaces preferences, enable everything except Touching Fader Selects Track (although this won't affect
Panorama if enabled, unless you're using another controller with touch-sensitive controls).
Set up your preferred click settings in the Project Settings/Metronome tab. These affect the behavior of the Panorama Click
button and the Count-in display button. The Project/Recording settings can also affect the Count-in.
Use Group functions or aux channels as group buses (sub-groups) for quick control of a number of related Panorama
channels, such as a drum kit with individual outs or a string section. This is particularly handy when writing automation with
Panorama. It's much easier to automate a single group Mute button than it is to mute the 6 Mute buttons of the channels in
the group.
Because every project is different, setting up groups or sub group aux channels is often something that is done as required.
Having said this, if you use a go to drum plug-in such as Ultrabeat or Battery, it might work well for you to set up output
aux channels as send/returns. or groups (or both) in your default Logic/Panorama project. Given that these are fixed
assignments, it might work well to set them up in the Internal mode despite being able to access them via the Bank-/+
buttons in Logic mode as it only takes one button press to access them.
The list of plug-ins can be modified to show only the instruments you actually use. There are a few ways you can achieve
this:
- Open the Plug-In Manager window and untick the Use checkboxes of AU instrument plug-ins that you don't want to appear
on Panorama. You cannot do this with Logic native plug-ins.
- Also untick the Use checkboxes of AU MIDI-controlled effect plug-ins that you don't want to appear in the instrument menu
on Panorama. Note that this also affects the Inserts (effects) menus.
- Open Preferences/Advanced and disable the Surround checkbox (unless you're actually working in surround). This hides
surround versions of Logic and AU plug-ins (FX and instrument) from the plug-in list in Logic and on the Panorama display.
- Open Library/Application Support/Audio/Components and drag the AU instrument plug-ins you no longer use to the Trash
(you will be prompted to enter your admin credentials). This actually removes these plug-ins from the system.
The list of plug-ins can be modified to show only the effects you actually use. There are a few ways you can achieve this:
- Open the Plug-In Manager window and untick the Use checkboxes of AU effect plug-ins that you don't want to appear on
Panorama. You cannot do this with Logic native plug-ins.
- Open Preferences/Advanced and disable the Surround checkbox (unless you're actually working in surround). This hides
surround versions of Logic and AU plug-ins (FX and instrument) from the plug-in list in Logic and on the Panorama display.
- Open Library/Application Support/Audio/Components and drag the AU effect plug-ins you no longer use to the Trash (you
will be prompted to enter your admin credentials). This actually removes these plug-ins from the system.
The default Logic project templates feature at least two aux channels, set up as effect send/return buses. These aux channels
have reverb and delay plug-ins (or other configurations) inserted, ready for immediate use. All audio and instrument channel
strips feature corresponding Send knobs that are preassigned to these busses.
You can directly control Send levels and routings for each channel from the Panorama Mixer page. You can also reassign and
insert effects for the aux channels from Panorama, as discussed earlier.
It is recommended that you set up as many aux channel strips, with inserted effects, as you require in your normal use of
Logic. There's no need to go overboard because you can always create more if you need them. The second thing to do is to
create send assignments (routings to the aux channels) for all instrument and audio channel strips, then save this as your
default project template.
This makes it easy to add effects from Panorama by quickly setting a Send level, which can help to keep your creative flow
going. You can always tweak, change, or use channel inserts later, but the ability to add a bit of reverb, delay, or chorus to a
part without using the mouse keeps you focused on the music, not on engineering.
Dave