The cinema of Lucrecia Martel

Deborah Martin

Published by Manchester University Press

Martin, D..
The cinema of Lucrecia Martel.
Manchester University Press, 2016.
Project MUSE., https://muse.jhu.edu/.

For additional information about this book

https://muse.jhu.edu/book/51581

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Acknowledgements

An earlier version of Chapter 2 has appeared in Tesserae: Journal of

Iberian and Latin American Studies (http://www.tandfonline.com).
Sections of Chapter 3 have appeared as part of an article in Hispanic
Research Journal (http://www.maneyonline.com/loi/hrj). This book
has benefited from the support of a wide network of colleagues in
the UK. I am grateful to Jordana Blejmar, Constanza Ceresa, David
Clarke, Jo Evans, Katie Grant, Claire Lindsay, Montserrat Lunati, Rory
OBryen, Ryan Prout, James Scorer, Deborah Shaw, Cecilia Sosa,
Nuria Triana Toribio, Peter Wagstaff and Steve Wharton for advice,
ideas and practical help at various stages of its inception and prepara
tion. I also wish to thank students of my cinema courses at Univer
sity College London for their responses to Martels films, which
have informed my own. In Argentina, I am grateful to the staff of
the INCAA Library, especially Adrin Muoyo and Octavio Morelli, for
their kindness, dedication, ideas and contacts, to Sebastin Prez and
Patricia Barbieri of Lita Stantic Producciones and Roberto Severa of
Aquafilms, and of course to Lucrecia Martel for the generosity with
which she has given her time for interviews and discussion. I also
wish to thank the staff of Manchester University Press for their assis
tance in the process.