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Beethoven showed interest in music from a very early age. He was taken under
his father’s wings as his student, since his father was also a musician. He then
was taught by Gottlob Neefe, who taught him to play the organ and
composition.
At the age of 12, Beethoven published his first composition, which was; 9
Variations in C minor for the piano. After this, his teacher Neefe continued to
encourage him to continue music and called him ‘the next Mozart’.
A few years later, Beethoven travelled back to Vienna (as he had already done
in his late 20s), and met with Haydn, along with some lessons from him. In this
time period (1790-1792), Beethoven composed a number of works that
showed his growing maturity and range in his music, a good example would be
that of the third symphony written in 1791.
This symphony is one of the nine symphonies that Beethoven composed at the
time. These symphonies are thought to describe his life experiences; the first 2
are quite different to the rest. At the time of the first 2 symphonies, Beethoven
was going through a very difficult time where he was suffering from depression
and was also suicidal. This was partially affected by the fact that his hearing
was also getting worse; he was slowly becoming deaf.
This symphony consists of four movements, which are played as ‘Allegro con
brio’, ‘Marcia Funebre: Adagio assai in C minor’, Scherzo: Allegro vivace’, and
‘Finale: Allegro molto’.
Other of Beethoven’s famous works include; Septet Op. 20, Moonlight Sonata,
which was dedicated to Countess Giulietta Guicciardi.
What made Beethoven unique was his melodies, musical development, use of
modulation, texture and characterisation of emotion. This, along with his use
of syncopations, dissonances, wide dynamics among others, also are what
made him deviated and differentiated from the classical period, rather into the
romantic, more emotional period.
The last work completed by Beethoven was the substitute final movement of
the ‘Thirteenth Quartet’, which replaced the Große Fuge.