25 years of ars electronica

Literature: Literature (2) : Literature: Literature:

Winners in the film section – Computer Animation – Visual Effects Literature: Literature :
Literature (2) : Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Gary Hill / Selected Works Blick, Stimme und (k)ein Körper – Der Einsatz Soundcultures – Über elektronische und digitale
1987: John Lasseter, Mario Canali, Rolf Herken Cyber Society – Mythos und Realität der Maschinen, Medien, Performances – Theater an
Kunst als Sendung – Von der Telegrafie zum Kunst und Video / Bettina Gruber, Maria Vedder Intermedialität – Das System Peter Greenaway der elektronischen Medien im Theater und in Musik / Ed. Marcus S. Kleiner, A. Szepanski
1988: John Lasseter, Peter Weibel, Mario Canali and Honorary Mentions (right) Informationsgesellschaft / Achim Bühl der Schnittstelle zu digitalen Welten /
Internet / Dieter Daniels VideoKunst / Gerda Lampalzer Yvonne Spielmann interaktiven Installationen / Mona Sarkis Resonanzen – Aspekte der Klangkunst /
1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, Tausend Welten – Die Auflösung der Gesellschaft Martina Leeker (Ed.)
Interferenzen IV (on radio art) Videokunst in Deutschland 1963 – 1982 Liveness / Philip Auslander
A Survey as Memory Theater John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas,
Motohiro Hayasaka, William Latham
im digitalen Zeitalter / Uwe Jean Heuser
The Society of Text – Hypertext, Hypermedia,
Perform or else – from discipline to performance
Jon McKenzie
TRANSIT #2 (on radio art) Ulrike Rosenbach / Videkunst, Foto, Aktion /
Arquitecturanimación / F. Massad, A.G. Yeste
Look at me – VIDEO – 25 Jahre Videoästhetik Rasender Stillstand / Paul Virilio
Ed. Bernd Schulz
sound : space / Bernhard Leitner
Art Telecommunication / Heidi Grundmann Performance, feministische Kunst (important references to timeline) Geschwindigkeit und Politik / Paul Virilio Cybernetics of Cybernetics / Heinz von Foerster
1990: Mario Sasso & Nicola Sani, Robert Lurye, Philippe Andrevon, Flavia Alman & Angelica Nascimento, and the Social Construction of Information / Multimodal Discourse – The modes and media
Radiokultur von morgen / Ed. Johanna Dorer, Video – 20 Jahre später – Eine Zwischenbilanz Simulation und Wirklichkeit – Design . Film . Fluchtgeschwindigkeit / Paul Virilio Der Anfang von Himmel und Erde hat keinen
Gerhard Pakesch, Paul Coudsi, William Latham, Alan Norton, Karl Sims, Christiane Geoffroy, Rebecca Allen, Edward Barrett of contemporary communication / Gunther
Alexander Baratsits Kunstforum Bd. 77/78 Revolutionen der Geschwindigkeit / Paul Virilio
Electronic Media in Art and Science Denis Muren, John Lasseter, Jeff Kleiser, Diana Walczak, Eihachiro Nakamae, Steve Goldberg
1991: Karl Sims, James Duesing, Yoichiro Kawaguchi, Rashel B de F, Jean Luc Faubert, Maurice Benayoun,
Medien-Theologie – Das Werk Vilém Flussers /
Elizabeth Neswald
Kress & Theo van Leeuwen
Alles jetzt! – Die Mediatisierung / Gerhard
Apparitional Aesthetics (1995/P15) / Objekt : Video / G. Hattinger, P. Assmann
Architektur . Naturwissenschaften . Ökologie .
Ökonomie . Psychologie / Angela Schönberger Der negative Horizont – Bewegung,
Namen / Heinz von Foerster
Noise Gate / Granular Synthesis
Art in the Context of Software and Complex Machines Roy Ascott !! Computerkulturtage Linz – ORF Videonale Videokunst / Lydia Haustein Geschwindigkeit, Beschleunigung / Paul Virilio Zur Kunst formalen Denkens / R. E. Burkard,
Peter Claridge, Boris S. Dolgovesor, Herve Huitric, Monique Nahas, Nancy Kato, Mike McKenna & Bob Kultur – über alle? gegen alle? für alle? Johann Lischka
performative installation / Ed. Angelika Nollert topographie II: Untergrund – Videoinstallationen Fernseh-Design / Gunther Rambow et al. Die Sehmaschine / Paul Virilio Wolfgang Maass, Peter Weibel (Ed.)
Sabiston, Simi Nallaseth, Eduard Oleschak, Michel Tolson, Pascal Vuong, Jason White & Richard Wright M. Wagner, H. Fabris, I. Mörth u.a. Cyber_Reader – Critical writings for the digital
... perform _ or else - from discipline to performance (JM) in der Wiener U-Bahn Christian Mikunda Der reine Krieg / Paul Virilio & Sylvére Lotringer sonic graphics – seeing sound / Matt Woolman
1992: Karl Sims, Charlie Gunn & Delle Maxwell, Cécile Babiole, Bériou, Dennis Muren & Mark A. Z. Dippé & cyber-moderne – medienevolution, globale era / Ed. by Neil Spiller
Nam June Paik – Fluxus – Video / Wulf Die Spiele des Realen und des Virtuellen Die Beschleunigung der Bilder in der Music vs motion – FLIPS 5
Steve Williams, Matthew Brunner, Mario Martin Buendia, Jéróme Estienne & Xavier Duval, Fantome, Keith netzwerke und die künste der kommunikation /
Herzogenrath Chronokratie / Peter Weibel
Original Idea and Archive - Research and Network: Gerhard Dirmoser Hunter, Xavier Nicolas & Jerzy Kular, Alan Norton, Marc Raibert & Leg Laboratory Manfred Faßler (article) / Edmond Couchot
Das Tempo-Virus / Peter Borscheid
geometrie der Töne / Guerino Mazzola
Quality Assurance and Additional Observations: Attila Kosa 1993: Pascal Roulin, Mark Malmberg, Darrin Butts, Bériou, George Barber, Jules Bister, Jos Claesen & Deanimated / Martin Arnold Stuff it – the video essay in the digital age / Geometry of sound / Bernhard Leitner
catalogue: Walter Pamminger Ed. By Ursula Biemann Dauer-Simultaneität-Echtzeit / Kunstforum 151 Crossings – Musik zum Hören u. Sehen /
Translation (English version): Aileen Derieg Anton Roebben, Philippe Gassie & Bruno Simon, Industrial light & Magic, Eku Wand music theory / semiotics
1994: Dennis Muren & Mark Dippé, Marc Caro, Maurice Benayoun, Eric Coignoux, Bériou, Peter Callas, electroacoustics Cathrin Pichler
Cassidy J. Curtis, Eric Darnell & Collery, Yoichiro Kawaguchi, Sabine Mai & Frank Pröscholdt, John Tonkin, perception theory of Klangkunst / Akademie der Künste – Berlin
The project was financed without funds from the Administration of Culture
Hideo Yamashita & Eihachiro Nakamae, Thomas Zancker, Tamás Waliczky architecture der larsen effekt / OK Linz
last update 05/2004
1995: Bob Sabiston & David Atherton, Thomas Bayrle, Steve Williams, Gayle Ayers & Dough Sutton, Dough techno-culture discourse Norbert Wiener
first presentation 05/2004 TransPublic Linz
Version 1.1 D Kingsbury & Jeff Thingvold, Chuck Gamble, George Murphy, Violet Suk & Martin Koch, Francois Launet, structuralism (discourse)
Silvio Levy & Tamara Munzner, Franck Magnant, Jon McCormack, Medialab, Ben Stassen, Demetri dance theory music theater view system theory / system discourse
Comments/notes and requests for the file: Terzopoulos, Alexei Tylevich body research self-organization theory
gerhard.dirmoser@energieag.at / G. Dirmoser Waltherstr. 2 – 4020 Linz 1996: John Lasseter, Marc Caro & Jean-Pierre Jeunet, Michel Gondry & Pierre Buffin, Philippe Billion, dromology symbol theories of knowledge 25 acoustic "view"
Christian Boustani, John Clyne, James Duesing, ILM, Pierre Lachapelle, Arnauld Lamorlette, Denise Minter & time theories performance view (II) formal sciences
Tim Johnson theater studies complexity theory
The original PowerPoint file is available for study purposes (revisions).
Placement on the Internet, print-outs and distribution in paper form (4x A0 oder A1) are desired.
1997: Scott Squires, Chris Wedge, Jim Mitchell, Stefen Fangmeier, Larry Lamb, Anna Henckel-Donnersmarck, view of music
Michèle Cournoyer, Taku Kimura, Raquel Coelho, Carlos Saldanha, Michel Gondry, Stephen Weston, 26 dance view choreography view
stereophony (PV) various music projects
Francois Vogel, Marine Poirson & Lionel Richerand Moviephon – opto-acoustic auditive view
Thanks to: H.W. Franke, Boris Nieslony, Astrit Schmidt-Burkhardt, TransPublic, Stadtwerkstatt, Servus, MEXX, transformer (influencing sound) 1986 (Richard Teitelbaum)
1998: Robert Legato, Liang-Yuan Wang, Christophe Hery & Habib Zargarpour, Rob Coleman, Tamás Waliczky, musical Bruckner
G. Lischka, Udo Wid, Ruth Schnell, Georg Ritter, Rainer Zendron, Christa Schneebauer, Gitti Vasicek, Kazuma Morino, Joey Lessard, Thierry Prieur & Pascal Roulin, Nobuo Takahashi, Yan Breuleux & Alain speed view (K&K Experimentalstudio) (1980/K124) electronic aids (2000/P58) Set of
microphones and loudspeakers experiment (1979/K25)
Martin Sturm, Walter Pamminger, Sabine Zimmermann, Walter Ebenhofer, Lioba Reddeker, Kurt Kladler, Thibault, Laurence Leydier, Steven Stahlberg, Nobuto Ochiai, Constantin Chamski, Julien Dajez, Stefan
installation for ballet. techno-instruments
Lydia Haustein, Bernhard Cella, Gerhard Fröhlich, Josef Lehner, Franz Reitbauer, Magarete Jahrmann, interaction with light (1979/K09) (P. Mühlfriedel, G. symphonic Bruckner
Smith, Violet Suk & Martin Koch, Yves le Peillet, Nelson Max, Diana Walczak & Jeff Kleiser, Sebastien Larrue, (1997/K305) see also: view of handicaps link between code and MP3, RealAudio sound environment
Margit Knipp, F.E. Rakuschan, G. Harringer, Manuel Schilcher, Willi Mayrwöger, Eva & Attila Kosa, Florian Brody, (C. Möller) (1995/P132) Markeffsky, L. Schaumann)
G. Hattinger, Dieter Mersch, Oliver Schürer, Isabell Muhr, Helmut Stadlmann, Tim Otto Roth, Josef Nemeth, Energie AG
Mark Stetson, Jan Pinkava, Kaori Saito, Tom Bertino, Charles Gibson, Denis Muren, Phil Tippett & Craig
Hayes, Ben Stassen & Anthony Huerta, Wayne Gilbert
computer-generated see also: transport view
dancers see also: view of performativity
choreographical processes
(2003/K303) (Scott deLahunta)
The virtual cage (1994/P131) digital musics (PRIX)
(SLP)
(1979/K25)
environment concert
(1982) (Nam June Paik, (M. Helene Tramus) Dance of the Machines - 2003 problems of definition and
1999: Chris Wedge, John Lasseter & Andrew Stanton, Bob Sabiston & Tommy Pallotta, Jun Asakawa & Open-Source choreography? (1990/K-I-95) (1987/K148) Schiffshörner
Charlotte Moorman) (Qrio: walking robots) stagnation
The occasion: 25 years of working as a systems analyst in Linz & Toshifumi Kawahara, Erwin Charrier, Paul Kaiser & Shelley Eshkar & Bill T. Jones, Christopher Landreth, (2003/K311) (Scott deLahunta) (Alvin Curran)
(1989/J115)
25 years of attending "ars electronica" ( ... a journey through time) & 25 years of the Stadtwerkstatt & 25 years of Atelier Wels William Le Henanff, Patrice Mugnier, Dietmar Offenhuber, Bruce Pukema, Daniel Robichaud, Christian dance theater "Tobias Zapfel" electronic dance projects music in real time audio performance electronic sound carpet
(1970/T) AEG/Teldec/Decca put the Improvisation Technologies. A Tool for (1979/K35)
Sawade-Meyer, Seiji Shiota & Tohru Patrick Awa, Emre Yilmaz & Lev Yilmaz, Vincent Ward & Stephen (Thomas Pernes, Tanztheater Wien) (1980/K11)
On the method: The structure of the verb study serves as the starting arrangement. Simon & Barnet Bain, CFC, Alain Escalle, Manuel Horrillo Fernandez, Peter Miles & Damon Murray & Stephen
film, video, TV (I) first image record on the market
(1971/T) U-Matic as the first
the Analytical Dance Eye
with William Forsythe) (2003/K311)
(coproduction
(1984/K265)
Black and
(2002/K440)
White dance and electronic-architectonic
set-up (photo-cells) to control Gameboyzz Orchestra Sound Park Platzkonzert
The first content placement was made with the help of material from "take over" Sorrell, Ray Giarratana, Geoffrey Guiot & Bruno Lardé & Jerome Maillot, Juan Tomicic Muller, Phil Tippett & film semiotics cassette video system in the world intermedia theater
(66b/cell) synthesizer sounds (Chris Janney) (J. Kujda) (2002/K420) sound environment (1987/K166)
(1995) project by M. Saup for Forsythe computer graphics and
(this edition of the ars electronica can be read as a kind of preliminary balance). Craig Hayes film theory (1980/K103) Clouds of Sound (1979/K02) (Stadtwerkstatt)
The language material used was taken from publications on "ars electronica", notes 2000: Jakub Pistecky, John Lasseter & Lee Unkrich & Ash Brannon, Yasuo Ohba, Denis Bivour, Jean-Francois psychoanalysis (Lacan school)
27 filmic view interactive music video music
clip (Han Hoogerbrugge) (Win Grabill)
(ML) Nik Haffner tested the dance performance dance (SIGGRAPH 85)
Ghostcatching movement theater electronic
musical-cybernetic
1979
partnership of dance and (1986/K299) (AH) interactive (in a mirror scenary) music performances Online-Instrument
(on the symposium lectures) and relevant literature. Bourrel & Jerome Calvet, Paul Debevec, David Gainey, Cécile Gonard, Jean Hemez & Sébastien Rey, Dariusz process theories see also: (2003/P64)
(1999/P116) environment (1979/K43)
(1982/K86) technology as a dancer dance & drawing dance performances (1979) (1989/J105) (1980/K07) (1999/P42) Lundgren
Cf. methods of "grounded theory". Krzeczek, Guy Lampron, Charlotte Manning, Juliette Marchand, Timm Osterhold & Max Zimmermann, Makoto view of the image (Saburo Teshigawara) MidiDancer (P. Vogel)
The study "Designing Gestures" on ars electronica 2003 was carried out in parallel. Sugawara, Christian Volckman, Pierre Buffin, Markus Degen, Zach Bell & Chris Gallagher & Steven
view of animation (1951/T) Ampex starts with recorder development (technology becomes interesting when
it opens up new possibilities of (1995/K386) (Dawn Stoppiello)
(P. Kaiser u.a.) (pioneer: Ed Tannenbaum)
computer-acoustic dance theater
distorters & faders
The time of the Symposium: Electronics in Music /
(1958/T) Ampex presents the first color video recorder (Tommy Lehner)
Schweickart & Scott Smith, N+N Corsino, Ray Giarratana, Stephen Katz & Josselin Mahot, Manfred Laumer, (1963/T) fully transistorized recorder perception for the dancer) Telechoreographie (Tanztheater 46) (1982/K207) Ancien Régime Synthesizer – Music Computer – Digital Techno
Members of the staff of ars electonica, AEC or ORF had no influence on the selection and arrangement. notes: video works have been very selectively (AH) dynamic instead networked virtual (1997/K154) (Stelarc)
Fred Raimondi, Lisa Slates & Chitra Shriram, Mark Stetson, Alexander Szadeczky & Marcus Salzmann, (1965/T) Portapak – first affordable B/W camera (1) electronic of the (1980/K65)
included here. The field of video art has long been dancer with sensors attached of static dancefloor office furniture D.A.V.E – Performer as part of the video
Cornelia Unger, Francois Vogel (1975/T) Betamax home video system (1977/T) VHS concert performance electroacoustic musicians
a subject of art-historical analyses to the body (1962) (Josephine Anstey, performance Projection adapted to the body electronic (Douglas Kahn)
Questions about completeness: 2001: Xavier de l´Hermuzière & Philippe Grammaticopoulos, Ralph Eggleston, Laetitia Gabrielli & Max (1980/T) Camcorder is presented (1992/K92) (AH) dance and controlled D. Pape, D. Neveu) is over. Astonish us or wind instruments (1999/J1987)
(Istvan Kantor) (K. Obermaier, C. Haring))(2000/K299) electronic
Due to the limitations of the available surface, it is not possible to provide a complete detailed presentation (Gary Hill) Computer controlled laserdisc Streaming Media (1984/T) first videodisc in the art field small economical real-time videos disappear ! (Jury ! 2000/P196) (1980/K43)
Tourret, Mathieu Renoux & Pierre Marteel, Julien Charles & Lionel Catry & Nicolas Launay & Olivier Pautot, (Lee Harrison III) (1992/II-K93) (2001/K301) (2000/K290/P94) VIVISECTOR (2002/K430) orchestra
of all the participating artists, scientists and developers (about 3100 persons are listed). All the participants Candice Clémencet & Jean-Dominique Fievet, Mike Daly, Sébastien Ebzant & Aurélien Delpoux & Loic Bail & (1988, 1992, 1994, 1996, 1998)
video lab MPEG, RealAudio, RealVideo video systems (1980/K94)
metal junk (1979/K15) computer organ (Rupert Huber)
video-film processor (1989/T) Sony Hi8 stage set projection (D. Bruckmayr) self-made instruments game electronics
were compared with the AEC/Ars database. Benjamin Lauwick, Alain Escalle, Stefen M. Fangmeier, One Infinity, Bob Sabiston & Tommy Pallotta, Robert (1986/K335) link between video art and
computer dancer electronic (1979/K49) analog synthesizer (L. Rehberg) (1999/K345)
(1989/K180) (Akke Wagenaar, Masahiro Miwa) for dance performance (Marina Koraiman) Kepler's Dream performance (Maywa Denki)
The choice/placement is thus to be regarded as the author of the study's subjective/content-based selection. see also: history of video technology (1992/II-K37)
1970s
Seidel & Michael Engelhardt, Jeremy Solterbeck, Hans Uhlig & Tony Hurd, Jason Wen & Howard Wen & (Georges K. Shortess) computer film (1979/K10) John Sanborn (2001/K116) music theater control (2003/P96) First electronic orgel (1979/K49)
The study is intended to provide a wide-ranging survey, but it cannot substitute for reading the catalogues. (1993/K415)
Andrew Jones & Casey Hess & Don Relyea "Audio/Video Instruments" (1992/II-K89) (1986/K121) (Giorgio Battistelli) (1996/K410) (E. Redl) (1929) (Laurens Hammond) digital synthesizer computer as

1986/87/88/... video effects interactive choreography system for a Linzer Steel Opera (Studio Azzurro) puppet dance (1984/K48) musical instrument
2002: Pete Docter & David Silverman & Lee Unkrich & Andrew Stanton, BUF, Peter McDonald, Hiroshi Chida, Video: State of the art (Inge Graf + Zyx)
(Dow-Jones-Index) oscillator bank
In some cases, key works (or concepts) are cited, which were not shown in Linz, but are described in detail (rockefeller Foundation 1976) (1986/K180) digital video portraits ballet by W. Forsythe (Giorgio Battistelli) (1990/K-I-43) electronic purgatory live synthesizer fortresses (1984/K150)
Erik Nash, Lars Magnus Holmgren, Wojtek Wawszczyk, Jason Watts, Yasuhiro Yoshiura Image Processing and (Michael Saup) Electro Clips (Installation for (1984/K55)
in catalogues. (1992/II-K63) (Johanna Branson Gill) (Shelley Lake) (1980/K106) (1982/K11) music theater (Kristi Allik, Robert Mulder) (1980/K11)
2003: Romain Segaud & Christel Pougeoise, Carlos Saldanha, Koji Yamamura, Christoph Ammann, Eric ballet) (C. Möller, Stephen live electronics (Kazuo Uehara) sound processors
Video Synthesis (1975) The Kitchen (1992/II-K83) Video Art (1995/P100) ICARUS laser opera for (1992/K205)
Armstrong, Jérome Decock & Olivier Lanerès & Mélina Milcent & Cécile Detez de la Dreve, Roger Gould & ORF Videonale 86 (1971/T) start of the electronic kitchen NY Galloway) (1994/II-K122) (1984/K157)
performative theories from (Stephen Beck) (1992/II-K161) multimedia and electronics Switched-On-Bach (1964) total automatization in music
(1986/K392-1)
1982
The poster can also be used as an index with the page numbers. Pete Docter, Thorsten Fleisch, Luc Froehlicher, Ludovic Houplain, Wayne Lytle, Siri Melchior, Jordi Moragues, manipulating video (1974/T) Projekt 74 (Jean-Baptiste Barrière)
The search engine at www.aec.at is useful for further research, since many catalogue texts are available as cultural studies (ML) At a closer look, there is an extremely in real time (1980/K94) shows American video Proposal from Bognermayr in 1979 for an (Otto Piene, Paul Earls) MIDI (Wendy Carlos) Moog III (1979/K35)
Tippett Studio, Satoshi Tomioka The Video Synthesizer VideoOnDemand Mini-Moog (1970) electronic sound Dark symphony (2003)
pdf files in the AEC database. performativity discourse interesting relationship of tension between
(Tom DeWitt) (1992/II-K165) (Justin Manor) productions extensively electronics symposium, an "Electronic (1982/K50)
storing original The more technology deformation device
theater as live performance and mediatized (2001/K295) (1977/T) documenta 6 focuses (Robert A. Moog) (Tim Didymus)
performance studies (2003/F42/P110) on film, video !
for the first time in Music & Video Art Symposium" (1989/J12) sounds (1998/K250) the more boring (1979/K43)
performance from film to television, all the way Image Processing (1986) Europe (Paul Virilio) (2002/K238) (1980/K69/K70)
speech-act theory video installation opening with a video satellite transmission (1980/K34) (surpreme particles, the result synthesizer
What does humanoid genetic structure
to the computer game. (Experimental Television Center) Infermental (1987/K174) velocity of terror (1997/K310) (J. Harrison) from scratch) sound like? (R. Spour, M. Veitl)
language game theory/praxeology (Sherry Miller Hocking, Richard Brewster)
(C. Steiger) (1994/K32)
Spectro-Morphology Kepler's last dream (1997/P44) (1979/K09/K39)
magazine on video cassettes (1999/K337)
Literature that was important in structuring this study: feminist theories (J. Butler)
28 performativity as view see also: view (ML) media performances (1992/II-K169) (jomasounds) (1999/K380) (2000/K315) (1989/T) Cologne: exhibition "Video-Skulptur" ...) the dream of flying umbrella as sampler collages (1999/K383) (Frances-Marie Uitti) (1996/P60) electronic
radio art (see below
All the catalogues on the "ars electronica" and the "Prix ars electronica" pragmatism of communication differ from interactive Image manipulation soundtrack: Found (1996/T) Linz: Ojekt : Video / G. Hattinger, Assmann interactive video installation (1982/K07) resonance body Environmental Art (1990/K-I-55) meta-
music Kunst-Radio
installations in that they are (1998/K273) vocoder, digital reverberation, trumpets !
symbolic pragmatism The Form and Sense of Video (1973) Footage from CCTV surveillance cameras singing bows (Paul de Marinis) (V. Delay)
Medien der Vernunft (Medien als Mengen von Tätigkeitstypen) / Matthias Vogel (MV) performed before an audience (Robert Arn) (1992/II-K183) multi-monitor multi-channel installaiton
(1993/K397) (Gideon May)
(1988/K190) (Rupert Huber) multi-track equalizer, harmonizer, delay- (J. Impett) electronic music (1992/K240)
pragmatic-hermeneutical turn see also: dance view Traffic Cams, earth observation satellites, (2001/F04) (2001/F17)
Synchronopse (in: look at me – Video – 25 Jahre Videoästhetik) / Petra Wenzel
Der bewegte Betrachter – Theorien der interaktiven Medienkunst / Anette Hünnekens (AH) role theory (T. Sarbin)
performance view (I) theater view Space-Time Dynamics in ATM cameras, ... (1986/KII-261)
staircase as piano
keys
(Ron Kuivila, polyphony devices, ... (1979/K26/K39) (1994/P142) J. Chowning, J. Fritsch, B. Mason,
interactive video Radial Arcs) (M. Popp) Flexible simulation space – mosaic of mobile machine noises (S. Ferguson) ring modulator, echo devices, filter S. Stockhausen, J. Tenney,
media theory Note: this study can also be read Video Feedback (1984) electronic film art from the screen (1987/K58)
Digitaler Schein – Ästhetik der elektronischen Medien / Ed. Florian Rötzer (James P. Crutchfield) used on stage videoinfography (PV)
long-stringed installation Sound-Engine data sounds (knowbotic research) (1980/K10) (1984/K40) (1980/K11) jazz und electronic D. Youngerman
(literature studies) as a supplement to the performance performance-based *OR* Performance (AH) feed of all-around (A. Wollscheid,
Maschinen, Medien, Performances / Ed. Martina Leeker (ML) (2003/K228) (1997/K360) performativity as mediality (1992/II-K191) (Istvan Kantor) (1987/K110) (2001/F35) (1982/K251) D. Wiesner)
media discourse study - in keeping with videos into a VR environment (2000/K290) Video game (see also: games) (Ron Hays) (1982/K199) sound dome Brain Opera – Instruments sound-therapeutic objects (S. Penny, J. Schulte) X-topia (E. Sharp,
perform or else – from discipline to performance / Jon McKenzie (JM) (Sybille Krämer) (Jaron Lanier) He is the creator of the first (P. Panhuysen, J. Goedhart) (Bruce Odland) Soldier String Quartet) (1993/K273)
media studies Jon McKenzie: perform or else – stereoscopic film (Leo Küpper) (Tod Machover / MIT Media Lab) (1979/K37) (1996/K422)
Kunst als Medientheorie / Hans Ulrich Reck (UR) from discipline to performance (ML) In media performance the liveness "Horizonscan" interactive videodisc art
game animation completely multimedia concerts, interactive sound sculptures (Sam Auinger) (1994/II-K116)
media anthropology (T. Shannon, J. Hassell) (2001/F16) (1984/K16) (1996/K300) space-filling cell phone concert
Various articles by: Monika Fleischmann (MF) / Peter Weibel (PW) / Dieter Mersch (DM) / of theater and the interaction of computer Programmed performances? (1988/K111) (1989/K240) (David Tafler) music visualizations, in which lights (1990/K-I-146) dummy head (Yoshi Wada) (1988/K261) auto-correlative
Glockenspiel !
Fred Forest (FF) / Paul Virilio (PV) / Heinrich Klotz (HK) / Frank Popper (FP) / Oliver Grau (OG) communication theory (AH) performative works technology are related to one another in such (1989/K246) (Peter D´Agostino) and laser, wide-screen video and film echo sculptures (1995/K206) stereophony (G.-W. Raes, Moniek Darge) communication process (Haruo Ishii) computer sonology (2001/K57) (2002/P98)
a way that they achieve a synthesis in the "performative" apparitional WebCinema interactive (2002/K417) Sound from the same hands (1979/K36) (1984/K48) (Golan Levin)
PERFORMANCE-ART Kontext (poster study) / G. Dirmoser (DG), B. Nieslony projections, slide overlays, fireworks, (1979/K14) (1988/K274) (2003/F42/P106)
mediatized performance (ML) performative, i.e. in the reality-constituting programs aesthetics (see below) video narrative The videodisc was technically liberation of sound listening perspective (Jaron Lanier) (1994/II-K110) (S. Gibbons, G. Shakar,
Verben im Kontext (poster study) / Denken (ein semantisches Netz) / G. Dirmoser, B. Nieslony random access to lasar pyrotechnical and other stage effects Lichtorgel
execution of symbolic acts. (1995/P15) (R. Ascott)!! videodisc (1989/K225) already available in 1970; it was are combined. dummy head / quadrophony Well-tempered-Synthesizer Yasmin Sohrawardy)
Studie Stadtwerkstatt-TV (on the ars electronica TV-projects and others) / G. Dirmoser combination of installation, etoy interactive narrative the first interactive wind-driven (1996/K382) concert machine – (1979/K19)
Performativer approach 1995! (1980/K71)
1987
The intersection between media and (1996/P80) (4-fold projection) (Grahame Weinbren) not used for artistic works, though, sound lab (1980/K19) tyranny of the tuned mathematical
Designing Gestures (poster study on ars electronica 2003) / G. Dirmoser performance and website video record (1989/K232) until the early 80s at MIT sequenzer Winfried Ritsch
theater is thus the performative. digital hijack (Luc Courchesne) Video Clip sound animation as real-time process (1986/K332) sound piano (1980/K52) musical instrument
Institutions affiliated with ArchiMedia & ars electronica / G. Dirmoser abrasion of art on the construction site (Fakeshop) (1999/K321) (Lynn Hershman) (1987/K98) underwater microphones graphical music visible music
(AH) the art work does not exist (1999/P66) (K. Obermaier, R. Spour) (W. Giers) (1979/K46) (1979/K19)
(Stadtwerkstatt) (1994/II-K108) (1987/K57) electronic timbre (1979/K18)

performative installations
Additional specialized literature is listed radially in the area of the content sectors until the viewer becomes an active interactive videos computer animation (1993/K260)
(Rosa Binaria) (1993) Autonomie der Klänge sound synthesis Radio Violins
Interactive Cinema navigation through voices film techniques that timbre dynamics electronics and automation for catharsis computer concert
participant (1979/K17) (1989/K106) (1989/K294)
Social Club (1999/J94) (1989/K225) (Luc Courchesne) switch the time and space audio microscope (1987/K59) (1980/K43) the analysis and synthesis of (1994/II-K120) (G. Rabl)
Japanese Animation! (Jon Rose)
(Stadtwerkstatt) With Lynn Hershmann, Jeffry Shaw, suggestion for a PRIX category A Cybernetic Sculpture
(AH) The art object is not the axes (1998/K197) sound performance virtual reality and (magnifying small sounds) music (1979/K03)
Questions of little use: computer or the display, but the interactive cinema ACA Media Arts Festival music for the glove (M. Nyman) (1999/K385) electroacoustics
(2000/K283) (MAIZ) Peter Weibel, Bill Seaman ... their interactive (LesLevine) (1979/K10) (M. Reinhart, the electronic musician (AH) Mandala System (V. John Vincent)
expanded cinema (2003/F19,K393)
Ars: Performativity
What does all of this have to do with art? interactivity of both interacting (Jane Veeder)(1984/K128) (Mark Trayle)
Old /vs/ new (electronic) media
(historical) anthropology 29 socio-logical view Cyberspace and society
works can be derived directly from their
experience with performance art (AH) with the participant.
(Peter Krieg) (1991/P140) V. Widrich)
(S. Tomioka, K. Yamamura, U. Tanaka, S.
(Erik Hobijn, Lydia
(Scott Fisher)
(1990/II-K295)
rotor system with interaction with sound & design modules (1994/II-K26)
ethnology Performance stage as future cinema Interstitial (1994/K162) (2002/T exhibition "Animations" P.S.1 NY Hirata, S. Sakamoto, A. Kondoh, M. Shinka) loudspeakers (1990/II-K307)
algorithmic audio cybernetic view
"take over" of electronic media art (take over /vs/ self-disbandment)
theology / New Age discourse Siehe auch: Sicht der Sorge many performances use "new" as Mediality
(S. Krämer, R. Ascott)
sensory environment
(2003/K300)
Why are aesthetic criteria
applied to software (Carole Ann Klonarides)
digital advertising these projects are ultimately nothing other than
Lunch, Z´EV)
(1991/K103) Sound Experiments (1996/K268)
(Auinger, Just Merrit, et al.)
(2003/K228)
white noise
ethnography societal view kulturtheoretische Sicht media (see: Performance Study)
Pixelspaces – DAMPF Live Electronic (2003/K13) ... and not
stereographic films carnival shows (1997/P53) game sounds
(2001/K94) (H. Deisl)
(1982/K184)
performance studies ethnography Performance practice performative criteria? (DG) computer-controlled compare: 25 systemic view
other poster studies:
computer animation /
Sensory Environments – Immaterial Interfaces video production (as trailblazers) (2001/K209)
26 temporal view
cultural anthropology Anthroposcope (1993/K398) performance art (1992/II-K48) editing (1984/K122) historical view
(2003/F14, K299) (Heimo Ranzenbacher, Horst Hörtner) media actions (Laura Bellof) (1999/K402) comp. generated
http://www.servus.at/kontext/ausstellungskunst/art_in_context.htm media anthropology anthropological view / (Laurent Mignonneau, Christa Sommerer)
video transmission Film (Rolf Herken)
(Fred Forest) Raindance !!
visual effects
sociology and performance structural affinity with media performance mixed reality WebCinema (2001/K106) (1979/T) Walkman is presented formal view
Festival for: Art, Technology and media performance Sensory Environments electronic nozzles
sociological discourse ethnological view Society (1979/K01)
media art
(1989/K275) (1994/P108) performance (MF) Trace of the viewer in the
(Nora Barry)
VJs of the club scene (PRIX) 1969 Ronald Michael Baecker: (1985/T) portable CD-Player view of the score modulate a stream
(cf. construction of this study) TRANSIT: I. Bordoni,
exoticism discourse (David Chesworth) image ... (MF) (AH) "closed-circuit" of the (2001/K87) stagnation in perfection Interactive Computer-mediated of water view of signs (2) see: process view view of
Join-In Concert A.Bosshard, K. Hentschläger, (1997/K354) (H. Zachmann)
tribalism debate democraticization of (D. Bruckmayr) mixed reality applications (2003/K328) real-time animation software Animation (PW) (2001/P98)
(1980/K05/K55) (Peter Zegveld) H. Hörtner, M. Kreihsl, R. Paci DAMPF Lab: dance performance interactive video image cartoon (film) culture 3D audio-siphon view of agreement control syste
(tribal culture)
theological view mass events
(1980/K05) Linzer Sound Street
(2001/K25) (1991/K314) Daló, W. Rogojsza, G. Stocker,
Performances transferred to avatars (see below)
Cologne, Futurelab, V2_Lab Rotterdam,
surveillance
Realtime 3D Visuals vector-based real-time animation script view (Paul DeMarinis)
This kind of music has become a
structuralism discourse (1980/K61) I.Strobl, T. Ungvary, Mia Zabelka Animax Multimedia-Thater Bonn (Basicray, Crashsite, animation technology (F. Fischnaller, M. Monzani) rotation from cybernetics
Online-Performances (2001/K37) installations formula (2000/P197) (Peter Rehberg)
(game rules of art) patchwork (Michael Jüllich) (AH) society of Interactive Performance (3 ORF Landesstudios) (2003/K302) M. Bruner, K. Taschler, (2001/K196) "Banja" total simulation feature photorealism (1999/K349) virtual time – loudspeaker through the process
film (1984/K124) (1990/P70) can the subjective (John Driscoll) PRIX stochastic matrix
biographies interactivity (new art form) developed by ..... Stocker´s Ruf nach Linz Nappi) (2000/K314) movement view / dynamic view to performative
ritual view Online communities
culture for all Scott Fisher, Ann Marion
(AH) the performer controls electronic
Ars: Performance – mixed reality Interactive VR art works compare:
experience of time
be programmed?
(1980/K132) Jury (for chord concatenations)
(1979/K36)
analysis
Literature: Community Internet Radio 27 process view schematizing compositional whirling
1979-82
and reputation capital stage images through sensors (attached performance focus in real time (2001/K301) historical view (Georg Franck)
1984
Wie geWOHNT – Neue Wohnkezepte auf dem Broadcasting (2002/K196) Flying large four- (T. Margolis) processes (1979/K34) instruments control system technology
(Baudrillard) All our machines are screens, we ourselves (2002/K258) to the body) in real time (1990/II-K57) view of acceleration (AH) Musikgesteuerte
dimensional figures in (VOSIM – Prof. Kaegi) (1989/K320)
Prüfstand / Symposium 2003 have become screens, and people's relationships with one integrated media performance Laserprojektion
Internet as social space (1997/K386) MUDs, MOOs
Performative Interfaces the sky with an airplane. Video-on-demand event view I (Max Eastley) remote-controlled
LifeTool, Computer Aided Communication another have become those of screens. socio-cultural (PoMo CoMo) (1992/K226) (Monika Fleischmann) (Steve Poleskie) (1995/K175) view of the act orbital acceleration active score – (Paul Earls) (1980/K102)
sensory systems
Terminal bar (Bruce Damer) animation projects (R. Lozano-Hemmer et al.) concert performance (2) temporalization (AH)
Die Individualität der Medien – Eine Geschichte life counselling for software scene social networking (1982/K106) (J. Smetschka) (2001/K358) (1986/K231)
Kickass-Engine interactive automatic musical
(David Rokeby) Those who create interactive BBS, Info-DB (1997/P84) (2001/K57) composition (P. Barbaud)
der Wissenschaften vom Menschen / participants/children interfaces assume social responsibility culture systems (2004) (1980/K05) An Internet actuated and electronic the term "process" was central (2001/K207) graphical instrument Telesteuerung (PV) cybernetic sculptures
Stefan Rieger Face Settings Recombinant 9.9.99 video performance for Ascott around 1980 (Steve Mann) (1997/K218) (K. Furukawa, (1979/K51) (Wen-Ying Tsai)
(2003/P23) gaming communities (2001/K20) uploaded Performance performance Happening concert performance
film series "artificial
simulation view high-speed surveillance
(Kathy Rae Huffman) Telecenter (2004) life" (1993/K282) M. Fujihata, mutual effects between
Technologies for People With Handicaps lines of demarcation (1997/F51) (1997/K154) (Stelarc)
Elektronic Happening (K: Naut Humon) (1999/K380) superhighways (see right) real-time composition for conceptual-systemic
(1997/K364) Internet cafe In Yokohama, Ito realized a performance of W. Münch) environment and artwork
1994/K98/2 "separating" persons in Social Web Multi-User-Dungeons MediaMOO: (1984/K147) (Paik, Moorman) (Sound Traffic Control, Mix- visual sensor registering movements 12 radio receivers art (2) (AH)
MUD MOO MOO Workshop "networks" for "samplers", "performance devices", (G. Stocker) The products of this (media) art (1999/K347)
CARETEC exhibition a space (John Coate, Multi-User-Dimensions for media
Scenarios for Virtual Electronic Cafe master Mike, Scratch Perverts, (AH) the focus is much more on real-time in space (1989/K317) (Konrad Becker)
researchers "interface devices" for interaction between these (AH) process instead of are shifted from object to process, from information
Station Rose) (2002/K253) collective weblogs (2004) (Project 1984 Los Angeles) Telematic performances (ML) Powerbook Orchrstra, The movement functional descriptions of dance
1960/70s
(1998/P100) (Scott Sona Snibbe) Communities processes than on completed formal languages
(1995/K139) and computer connections of harbor networks and presentation to interaction and communication, Vision System
Text collection from Willi Mayrwöger: virtual communities (1996/K389) FreeNet initiatives (2004) Viewers and actors on site can be networked with User, T. Brinkmann, Richie essence works or as the Japanese researcher-artist Masaki
control notation show similarities with those
with other networks
2004
(AH) The communication artist (2004) Digital Communities people in other places in an interactive, multimedia Hawtin, Ikue Mori, Barry (1995/K178) (optical tracking) of software code electronic musical score
Computer-Didaktik in der Sonderpädagogik / (O. Frommel) (Toyo Ito) (1995/K59) Fujihata has said, "from document to event". foundation of cybernetic
addresses the wide-ranging Multimedia for all (H.-J. Hack) Schwartz, Stefan Betke, first approximations to the performative view (2003/K314) (Scott deLahunta)
Roy Ascott had his first idea of an
digital communities
R. Bonfranchi process (1999/J68) (2001/K322) reading the user's
social impacts of the Internet (1997/P88) Otomo Yoshhide, Scot Jenerik, Mazk, Sam Auinger, thinking (1986/II-125)
Behinderte Kinder am Computer / M. Meyer "art of behavior" and the "cybernetic vision" (PRIX ab 2004) Virtual Appearance "Modules", Christian Marclay, Musical arrangement is obstinate movement (MF) script languages score for television projects
as early as 1966 community networks Social CODE (Symposium) The category "Interactive Art" (1998/II-K64) OODA-Loop: inherently interactively processual. art works artworks as
Elektronische Kommunikationshilfen für socio-cultural applications of the Internet Terre Thaemlitz, DJ Olive, Carl Stone, Kit Clayton) (Stahl Stenslie) the flowing, (Stadtwerkstatt) Encoded Music
(2003/F11) gaming communities deals with interactive works of observation processualness of (Werner Jauk) (1995/P27) decentral, process-oriented graphics and music SW complex systems robo-ecologies (1993)
nichtsprechende SchülerInnen ... / A. Lingen ... who set links to other artists On paradigm changes, (Golan Levin) understanding music as a kind (Alex McLean, Adrian Ward)
in turn (1996/P47) (2004) all kinds ... from installations orientation
new role models, working media art (2003/K13) character of a large portion dynamic systems of software (H. Ranzenbacher)
Computer- und Informationstechnologie – (AH) ... Myron Krueger, Roy Ascott and Radio FRO conference (2000/K308) (2003/F38) cybernetic sculpture
2003
community art all the way to performance decision cybernetic art
Geistigbehinderten-pädagogische Perspektiven therapeutic discourse 30 behavior view Fred Forest thus also stress the "concept of action" or the participative WWW works (DH) Towards a Society of Control control society (2004) view of action action
models, and the creative shift of significance from the process-oriented of interactive art beyond a rigid (M. Fujihata, K. Furukawa, Code – Notation (2003/K341) (Wenig-Ying Tsai) (1983)
burst(2001/F08) (2000/K214) CODE (2)
Hg. Wolfgang Lamers disability studies "matrix of behavior" as a fundamental precondition for download, manipulate, upload, (2003/F15) (Cindy Cohn, Towards a Society of Control? object to the dynamic system languages geometry (AH) W. Münch) ((2000/K309)
Art Com Electronic Network
Christiane Asschenfeld, Juliane (2003/K13)
shift in time self-organization
Augmentative und alternative Communication / Gestalt therapy The term "behavior" was the participants' behavior and aesthetic characteristic ACEN (1986) (1989/K130) control (robots) (O.L. Tremetzberger) (2003/K54) Code and Music – Technique and
(AH) technical (Dan Graham) reaktiv, responsiv
of an "aesthetics of communication". Alton, M. Terkessidis, E. Möchel) (knowbotic research)
David Beukelmann, Pat Mirenda psychodrama / psychotechniques central for Ascott around 1980 As artists working with electronic community contributions to a lasting change
in the form of a project: (K. Becker, A. Toner, M. Vojtechovsky, Modern Electroacoustic 28 pragmatistic view process character of action
model bedroom with eye-
controlled projection reproducability spatial representations the temporal structure (1992/K136)
of WWW works
creativity while composing
(Jonathan Norton) (2003/K294) triggern
therapeutic pedagogy No Man´s Land digital media, we are constantly (electronic Bulletin Board) Z. Blace, Eugen Babau-Iladi, H. Harger) primitives Visitation Mass see also: political view instead of original pseudo 3D electronics as
behavior of forms - forms of behavior (Eva Grubinger, Antonio Muntadas, (Lynn Hershman) (1997/P119) motion capturing
system theory (Roy Ascott) (1995/P20) Robot installationen / reminded that when we create (Diamanda Galas)
see also: power-theoretical view VRML temporal structure of correlating body/movement gentle technology
BBS Bulletin Board Douglas Davis, Jenny Holzer, Ed Stastny, learning and knowledge (Andrea Juno) with a telematic circulation, feedback,
dance theory
Cognitive behavior patterns that are
implanted and emergent digital artworks, we are really building
behavior (the parasites, the undomesticated, virtual machines. Every aid (regardless
Joachim Blank, Karl Heinz Jeron) communities (2004) (1990/II-K234)
(1986/K83)(1989/J59) role view see also: historical view
model
simulation software (AH) Appropriation and
Was ist eine Virtual Reality
animation works (1997/K285) (Stadtwerkstatt)
counterpart self-controlling,
(1979/K05)
simulation instead of the original self-organization, the term "system" was central
multiplied and replicated through communication the inverted scavengers, ...) of whether "soft" or "hard") is a mechanistic Cyber society – Myth and Reality of the (2004) digital citizens' participation Sermon on the Mount (1984/K187) action bots Modelling Language (VRML) kinetic (Heimo Ranzenbacher)
(Bognermayr, Zuschrader, Prünster)
motion tracking autopoiesis (AH) for Ascott around 1980
were called "topoi", "habits" or "cliches". They were (L.-P. Demers, Bill Vorn) immitation of a small area of human Information Society (book) (AH) aesthetics of action simulation works (David Blair) interference objects (2003/K334) following filmed
regarded as social constants that were stable, (1996/K262) see below behavior. (1996/K203) (Simon Penny)
neighborhood citizens' conferences (2004)
Some Code to Die for
radio view tele-actors (PV) acting remotely (FF)
Simulation set of operations (1995/K220) Multi-User-VRML ultrasound movement (P. Barbaud) (1979/K51) passers-by Logicaland (M. Aschauer,
except for marginal changes. This characteristic expressive automatons (1996/P129) There is no world view or art, no Wearable System (GPS for interactive 3D-cinema world (1997/K390) holograms (M. Desbazeille, J. Deinhofer, Maia Gusberti,
social structure or symbolic order that (Leo Findeisen) (2003/K73) hobby religion in virtualization of action with Nik Thönen) (2002/K364)
gets lost in the discussion of "memes". determining position) Conveying
(AH) disclosing simulation space mosaic of mobile (1988/K276) light-kinetic the kinetic complex S. Canto) (2001/P100)
(1996/K34) (H. Hrachovec) could do without art (DM) belonging to a community (MF) films like electronic remote action (PV) (1998) decentered connective To simulate processes of life: Evolution, objects (H.M. Ihme) regulators (2002/P34)
Changing the behavior of actions data sounds (Knowbotic Research) Centerbeam (Gyorgy Kepes)
(AH) Krueger discovered that users Concerns of music are Indian philosophy final phantasie science fiction, socio-fiction, political fiction ... actions (ML) breeding and selection (OG): Thomas Speaker Swinging light machine
1993
puppets through changes in Social Software (1993/P98) (1980/K98) syntax of binary images
Behavior is movement, in which an quickly identify with a figure in a tendencies to excessive Indranet Thse are role plays, parallel strategies, Ray, Christa Sommerer, Karl Sims, (Gordon Monahan) (1980/K120)
Artifical Life (2) stockmarket courses (2004) AEC as "Evangelist" (MF) Unlike immersive image strategies kinetic cybernetic feedback (Woody Vasulka)
intention can be recognized. The game, if it reacts to instructions in behaivor (Diamanda Galas) Is God flat? Is the devil ... scattered images of a future cyberspace (PV) harmonizing actions A brief introduction to the Jane Prophet (1988/K277)
(Erwin Redl) (1996/P152) Station Rose in the (1996/P14) that draw the viewer into a space of illusion, games as simulation light sculpture play of movement (2001/K353) (1989/J22)
combination of simple behavior real time. It is not the realistic (1986/K84) Social Web (1997/K426)
curved? (1995/P112)
(Stahl Stenslie)
(Nam June Paik) his career: art of flight simulation (war games with simulated Music for Mechanical Metal kinetic sculpture
the mixed reality concept focusing on the (C. Möller,
ars: on simulation
patterns produces "personality" (M. Benayoun) transforming television and new (Chryssa Vardea) (Roland Kayn)
behavior of complex systems portrayal that determines Techno-religious ecstasies spin-offs (Monika Fleischmann) Mixed Reality: body-space experience leads the viewer into an (Ron Reisman) radar data on missile (1996/P211) R. Kramm) cyberneticists and physicists
or "predisposition" (2003/K183) Holography and Society video techniques into contemporary (1980/K101) (1986/K184)
aesthetic pleasure, but rather the (2000/K213) The interfaces as input/output instrument is not a action-oriented situation that leaves room and (1990/II-K159) guiding computer systems) (Gordon Monahan) (1994/P132) H.W. Franke – ars co-founder
Immersion in war pictures - removing, (Vito Orazem) art (1982/K102)
(PW) Systems theory approach to the identification with the controlled behavior. (PW) Intelligent Working up to the rank multimedia instrument, but an instrument of action imagination for thinking. Symposium (1979/K02)
deleting (Maurice Benayoun, Jean- Survival by kinetic water display calculations by
Journey through the behavior of complex systems (1994/K09) products, intelligent of a god in the MOO Instinct TV for a synaesthetic transformation of the perception Kinetic Art
Babtiste Barriere) CAVE work Fiction and Simulation Simulation (1989/K191) analog computers
spiritual essence of the trance
(2002/P100) (United Game Artists)
... the immediacy of experience results
realistic behavior and not from the realistic
from the
(1998/P70)
ambients, the whole
technology evolution show
(1997/K174) 29 TV view II Instant TV
Reaction-Action TV
of media space.
(MF) the transfer of image data is (U. Reck) ... For this reason, aesthetic endeavors (Friedrich A. Kittler)
(AH) 3D simulation as a new
quality of illusion
(Peter Weibel) (Stephen Pevnick) are a kinetic (AH) What these "systems of media art
have in common is that the virtual world
models of behavior and actions thus harmonized with the dynamics of (1988/K87) (1990/II-K20) "acting out"
graphical representation. that we are always handicapped (Alison Cornyn, Sue Johnson) Catastrophe TV and developed practices are currently progressing 50s-70s / affinity changes depending on and with the observer
(Tetsuya Mizuguchie) (based on Kandinsky) (1998/P30) (knowbotic research) Tokyo 1997 electronic physical actions kinetic sculpture
without knowing it (1994/K26) prison life (2001/P50) Fernsehfamilie decidedly from representation to activity, from (Edmont Couchot) The extent of to media art Gyroscope (tilt and as part of the system in real time. Weibel
simultaneity (J. Sauter, D. Lüsebrink) (1997/K258)
Technology and magical mystery tour (AH) Die Vorstellung von einem „idealen Zuschauer“, der sich confessional HDTV interactive television (1991/K91) (Stadtwerkstatt) (Roy Ascott) (1995/P20) toward an orientation to action mimesis to experimental action. the space of possibility that a Puttting images into a virtual information lateral movement), odometer consequently regards them as "cybernetic
code of behavior entsprechend der Kalkulation des Künstlers verhält und die ihm (AH) real-time processes
Scientology vs. simulation model opens up, depends real time (terms) (speed)
cultural anthropology
mythic view the irrational
(Mark Pauline)
"Turn On, Turn In, DropOut ..."
Timothy Leary (LSD-Guru)
(1998/P60) (Wendy Vissar) zugewiesene Rolle ernst nimmt oder seine ihm angebotene victims of the information age Newsgroup (1996/P100) (1971/T) "Media-Bus" (Martina Leeker) Theater people criticize Installation for computer-controlled
on the boundaries of the model.
architecture following the pan of the camera
(1979/K35) sound mapping project
systems", the events of which are structured
recursively as feedback.
Freiheit mißbraucht, sei, (so Popper) eine unausgesprochene Nerve Theory: shades of catatonia TV technology TV art start of TV station operated technical interactivity and describe it as Radio International short-wave receivers (1998/K175)
(PV) ... It turns out that words
accidence – remote-controlled (1998/P94)
structuralism (discourse) (1990/II-K232) (David Sheff) The Jewelry Box Voraussetzung für das Gelingen des Kunstwerks und die (PW) The so-called handicapped (R. Adrian, N. Math) car jumps (Leo Schatzl)
Delphi Digital (B. Loibner, T. Sherman) (1998/K244) television as by artists interpassivity. They establish an shortened City (1998/P50) are not models. In my opinion, (Iain Mott, Marc Raszewski,
myth discourse (1990/II-K241) relationship with erfolgreiche Intergration des Betrachters ... person is only a special case, who dramaturgy of (1991/K215) s.u.
deconstructivism
mythological view (Margot Pilz, Roland Scheidl)
(1991/K163)
minus points makes the general human condition artistic device
(1989/K154) (1984/T) MTV sendet in Europa
concept of action. (Thomax Kaulmann)
Free B92
Horizontal Radio:
telematic radio network
the event is the nerve of information models are images.
real time (PV) (1998)
Jim Sosnin)
digital intro for TV
theories of memory
(ML) The emphasis on the performative does
not establish a new, universal order here, but tape recorder voices
(1997/P136) (Mark Madel) of being handicapped visible.
(1994/K17)
(PW) We move too slowly, that is why
(Stadtwerkstatt) broadcasts
(1986/T) television project PONTON (K149) 2h TV (ML) The transgression lies in the fact that in the (1999/K395) project (1995/K354) (E. Couchot)
process art
system for
real-time synthesis
art as physical sensatio
we have the car; we can't fly, so we build (1987/T) Stadtwerkstatt TV 1st attempt (K165) media performance the interaction is no longer used (1999/P38) (G. Stocker) (1999/J397) PureDataConnections
alchemy, hermetics Realtime-Audio-
Literature:
esoteric debates / New Age discourse
31 view of metamorphosis transformation itself instead becomes the new
principle of cultural order (see below)
(Manfred Riepe) mystical dimensions
(1991/K286)
posing stimuli on the screen
(2003/K188) (Casey Reas)
(Baudrillard)
The virtual human, motionless before
airplanes; we can't calculate fast enough ...
deformities
(1989/K148) (1987/T) STWST-TV Kabel-FS im Hotel (1988/K213) as a paradigm for action, but as a performative
process. Instead of interaction, there is a confrontation SOS Radio TNC OZOne, Radio Qualia,
Radiotopia (2003/K203) Cinematics
(1984/K48)
Blick, Stimme und (k)ein Körper / (Claire Roudenko-Bertin) We are essentially handicapped, we just don't Radio Free Utopia
digital broadcasting (1989/T) Van Gogh TV – Studio (1989/K115) (2002/K427) (M. Pinter, Renate Oblak, (1999/K380)
Mona Sarkis psychology search for elves (1992/K159) Behavior rules and reactive his computer, makes love via the screen notice it. (1994/K17) (Anita Gratzer) (Friederike Pezold) (1989/T) Gründung University TV (1990/I-K198) with what is happening. (Beusch, Cassani) Radio Lada (1998/K79) W. Ritsch, M. Pichlmaier)
performative theories media as site of transition (DM) structures (2003/K192) and lectures through teleconferencing. He (1999/K324) (1996/K366)
sonic graphics – seeing sound / Matt Woolman
ethnology magical view (Agnes Meyer-Brandis) interest in myths (Darrin Butts) becomes both motorically and cerebrally Stille elektronische Post (1986)
(1989/T) Stadtwerkstatt - slot machine TV, live on 3sat
(1990/T) Van Gogh TV – Hotel Pompino (1990/I-K159)
Looking at ORF Kunstradio, VanGoghTV and TNC Network remixing radio programs Free Speech (1999/K405)
Camp – FRO
art as real-time event
Speech, music, sound / Theo van Leeuwen (2003/F42/P112) (1993/P68) (R. Kriesche, G. Bechthold) Xchange, one notes an interesting development: "heavy rotation revisor" (2003 OK) Online-Generation/Automation of Data/Sounds
Information is thus the handicapped .... (1996/K412) (Harwood) (1990/T) STWST-TV – Invasion-Okkupation (Buffalo NY) (2000/F46)
Medien/Stimmen / Hg. Cornelia Epping-Jäger, analytical philosophy ... cheaper and simpler technology creates (MEGO) On-line/On-site/On-air sound installation
exact opposite of myth illusionist out of body experiences Rehearsal of Memory (mental patients Zusammenschaltung 2er Studios (1991/T) STWST-TV Out of Control (1991/K89) first TV ars Radio FRO (2001/K406) Ponton – Van Gogh TV:
linguistic philosophy greater freedom, individuality and diversity (Colin Fallows, Heidi Grundmann)
Erika Linz transformation view (Kittler) performative transformations in a high security hospital) (1986/II-K275) (1992/T) Piazza Virtuale – documenta 9 Radioqualia (1998/K105) radio project (A. Krach, J. Sienknecht, S. Gründler, C. Fallows, Dusan Bauk,
rhetoric / topic ritual performance with butchering (1998/K78)
Zwische Rauschen und Offenbarung – Zur (1995/K79) face made of (1992/T) STWST-TV Im Teilchendschungel der W. ... (92/K198) (1989/K110)
and preparation of a chicken. (1986) (P. Eisenman) (cf. 1994/K56) Out of control (4) TV-Sculpture net radio A.Vasiljevic, R. Klajn, G. Paunovic, A. Garton, J. Curtis,
Kultur- und Mediengeschichte der Stimme / linguistics single drawings Eliza dialogues (1966) (1995/T) STWST-TV Checkpoint 95 (1995/K323) radio technology
(Minus Delta T) (1989/J135) avatars transformation of the sign (Aldo Tambellini) Kunstradio network M. Smith, Sandra Wintner, G. Gregson, S. Cathey,
Ed. F. Kittler, Th. Macho, Sigrid Weigel structuralism
speech act theory trash view Myth of Information
(1995/K) (1995/K117)
(S. Zeyen)
(1997/P140)
(Selim Koder) (1994/K51) (Weizenbaum) 30 therapeutic view exhibition of the Prinzhorn collection
(1991/K245) (Ferenc Jádi) (1992/II-K110) (2000/T) Televisio – Kunst sieht fern / Vienna
Manifesto (1998/K101) Familie Auer (Kunstradio) Emilia Telese, T.M. Didymus, H. Harger, A. Hyde,
Transformationen der Techno-Ästhetik (essay the virtual vampire New Age cyberculture overall data work see below (1992/K194) Beginning 1987 ORF and its partner 3SAT free radios and
(1997/K411) R. Bastien, S. Chappelle, Joelle Ciona,
pragmatics/interactions and (McKenzie Wark) world premiere of the television (Heidi Grundmann) from NET:ART to NET.RADIO
in: Digitaler Schein) / Peter Weibel (Doro Franck) (1996/K231) (Roy Ascott) (1989/K100) (1994/II-K98) color recognition device, whistle open transmissions for media artists P. Courtemanche, anna Friz, Eileen Kage,
1989
spectacle "Willoughby Sharp´s (1989/K276) their problems (1998/K75) (Josephine Bosma)
emoticons / Karin Niedermeier conversation analysis
sociolinguistics
see also: filmic view
see also: topological view
The New Myth
(1990/II-K221)
the mythical TV space
Morphing Morphing Software connectivity,
transformation and
ideological tendencies
view of handicaps interface to telephone, keyboard for the blind,
Speaking Thermometer, ...) Downtown NY 1986" (1986/K388) throughout Europe
from Van Gogh TV and Stadtwerkstatt
(1996/K352) see below
B. Mullan, W. Sergeant, T. Cole,
Andrea Sodomka, M. Breindl, N. Math art as energy flow
(Frank Ogden) of media art (first TV project at the ars!) (1999/J90)
linguistic performance theory "My Neighbourhood" (1996/J98) Open Air – A Radiotopia W. Ritsch
literature studies Materia Prima
(1995/K99)
the space-maker (1994/K160) 100th image as morphing basis transcendence (New Age cultures) (1998/K290) see also: body view, education view etc. IBVA system (Interactive Brainware
radio art On line – on site – on air art as act
(1998/P137) (T. Waliczky) see also: psychoanalytical view Visual Analyzer) for simple command processes TV Poetry webcam art net radio has to react
literature discourse (Code) (2003/K12) (DM) mathematics and its as magician Mysticifactions: (1989/J51/J52) the confrontation of art at Minus Delta t robot arms moved solely "Piazza Virtuale", the interactive computer (unplugged 2002/F16)
nimbus of the magical by thought (Gebhard Sengmüller) environment for live TV from the Ponton European to its environment
(Randal Walser) the archetypal level shows technology voice, breath and gaze handicapped by a Radiophone poetry – Radiolabor (1992/K202)
linguistic turn (discourse) technological magic Bermuda Triangle (Isao Tomita) (1982/K193)
(1995/K223) (I. Burgbacher-Krupka) mystically (1986/K07) The myth of (Spiegel 03.2004) (1993/K382) (1998/P21) Media Art Lab, with Picturephone, ISDN, with games new radio play Radio Subcom (1998/K75)
(1990/II-K206) recognition systems wheelchair
(1989/J52) VR als virtual drug (1990) (1989/J118) (1999/J356)
media mysticism (1986/K148) the artificial (1991) and activities that can be controlled with via telephone (1980/K07) (1989/K163) radio goals (J. Sugár)
Video Magic The Mind of Universe (Isao Tomita) (1984) (1989/J122) (1998/II-K290) (AH) Technological progress goes from the (Jon Berge) (1997/P138) Live TV experiments
(E. Schoener) Cyborgsurrealismus (AH) physical keys, and chat programs using modem, fax, telephone (1996/K352)
Erdenklang (Erika Gangl, Bognermayr, Zuschrader, ...) diabolic invisibility 2nd Nature "guided hand" (keyboard or mouse) to gesture and voice, existence in electronic (E. Kluitenberg, E. Davis,
(1979/K50) (1997/K63) s.u. cosmological model rehabilitation measures wheelchair as interface and live entry points RealRadio art as transmission Rasa Smite, Raitis Smits,
magical-symbolic elements (1982) (1989/J120) Myth of the Computer (MF) (GMD)
then to the simple gaze and finally from the gaze space (1994/K158)
(1994/K160) (Markus Seidl) (Dieter Daniels)
musical magic (Haraway) Aurora Electronica (...) gambling and spirituality Mullicans to thought. for navigation Borut Savski, Rachel
(1996/K420) (Nancy Paterson) Myth of AI manipulation aids (Mintz, Ditmars, Duggan) Piazza Virtuale – Service Area (1994/K232) (1997/K388)
(1990/K-I-20) (S. Leoni) Intergalactic "mating" (Jon Hassell, Thomas Shannon) electronic cane for the blind (1996/P146) Closed-circuit-TV Baker (1998/K90)
Cyborg as carnivalesque art is media-mysticism (Adrian X) (1989/K146) see below
(1988) (19989/J151) autonomous wheelchair (1994/K159)
transitional figure every art form has (1989/J52) (1998/II-K275) Thus, telepresence maps onto three long-term projects in the mythological-electronic mobility aids (GuideCane) Ugo Ugo Lhuga "art radio" was the attempt to experience
techno-mysticism history of ideas, including their mythical, magical, and utopian rehabilitation Live TV with telepresence
(Bilwet/Adilkno) its origins in magic transformations of techno-utopianism music theater "collisions" Note: the orality view (S. Hawking) technologies for people children interacting with radio as it could have been, if it had not
connotations. These are, first, the dream of artificial life and (Stadtwerkstatt)
(1997/K135) (1991/K111) electro-acoustical techno-aesthetics (PW) (1996/K35) (Transcenic/Theatre d´en Face) has been relocated perception aids technique with handicaps computer-generated figures in become a centralized mass medium
techno-paganism automation; second, the tradition of virtual realities in art;
(1994/K19) (1995/K323)
(Z. Karkowski) visitation mass overwriting and transgressing (1984/K223) (1989/J125) (1994/II-K98) a television show (Toshio Iwai)
irony and humor
(Diamanda Galas) classical arts (PW) and third, the occult prehistory of telecommunication, motivating the visually
to communicate visually via
impaired night vision devices CARETEC exhibition
real-time solution
in the multimedia networks
not feasible
(1994/K252) (1999/J428) art as action
in cyberfeminism the state of the world after which operates permanently within structures of Ugo Ugo Lhuga Live from TV work to
(1986/K83)(1989/J59) MARX (O. Augst, M. Daemgen, electronic aids for radio art is not
art as performance
ars: on handicaps
Internet (1996/P136) (only TV networks have sufficient
Electrolobby as international
(Birgit Richard)
(VR) design was
its techno-transformation (PW) ideaes for leaving the body (OG) voice view C. Korn, T. Desy) (2003/F22) (Elisabeth Goldring) the handicapped bandwidth)
(it was possible to speak with the figures) radio projects sound art
game lab (2001/K195)
(1999/J336) techno-séance
(1994/K162)
inspired by alchemist The techno-world of machines represents a
(P. Weibel) Instead of original - technical reproductions, voice distortions SLO – Scanning COMPUTER as handicap - what computers can't do
(Stadtwerkstatt) (1998/K101) art as broadcast
scientist-comedians practices (Silver) radical transformation of being (PW)
1994
appropriation and simulation, instead of author - collective, Live TV with telepresence Ready-Made-Medium
creating realities that can be (Joe Davis) video gamel – urban (1998/II-K178) (1996/P156)
The techno-transformations of art, from machine, text, instead of truth - verdiction and virtuality,
31 orality view Vocoder (1992/II-K28) Laser Ophtalmoscope Unplugged – Methods (Symposiums) (Stadtwerkstatt) (Lev Manovich) as presentation form/TV
Until the late 80s military evaluating the emotional (1995/K324) (1995/K343) (Thomas Dreher)
experienced emotionally - even entirely parody of violence photography to the digital image, are instead of thing - medium, instead of material - communication devices
simulators - the American emergency services display of parallel space (1995/K55)
without data helmet and cybergloves (L. Hart, Julien Alma) SIMNET and applications machinic art forms (PW) immateriality, instead of reality - fiction, instead of being content of the voice (verbal output devices) device for memorizing
(2001/K20)
A carvival of misplaced devotion
(2000/F34) like flight simulators - The history of technology
and reality only signs, fictions,
simulation.
theater view II Voice Boxes (connectionist installation)
supported communication knowledge (CBT) (Tommy Lehner)
Live transmissions of
were considered the In the worst case, what (Natalie Jeremijenko)
(S.R.L.) (Seattle 1990)(1990/II-K233) adapted shooter games has always been the history (1996/K402) collection of
facilitated communication: prosthetic aids (paper tiger TV) operations from the
origin of the commercial will be left of the VR RE:MARK – transforming sounds into touched or supported while
Nybble-engine-toolZ of its myths and utopias (OG) (PW) The transformation of techno-art can onomatopoeia light signals (1995/K337) public hospital
Literature:
Borderland (shooter video game techniques (M. Jahrmann, M. Moswitzer) video game movement will be only an
infantile toy industry
auditive battle game be described as a transformation of the rhetoric view dynamic forms (Golan Levin)
(2002/K410) (Agathe Jacquillat,
writing
(instead of acoustic output means for controlling the
TV as domestic
are extremely popular
(J. Alma, L. Hart) (2000/P86) (2003/F40/P92) KlangKanone (Stichting Rainstick) ontological triple (being, work, truth) into the Tomi Vollauschek) environment (remote control) (Melita Zajc)
Blick, Stimme und (k)ein Körper – Der Einsatz (Peter Weibel) telescopy (PV) (1995/K77)
(1990/II-K30)
(1995/K258) semiotic triple (sign, medium, power). voice recognition (2003/P58)
der elektronischen Medien im Theater und in Glasfieber – bowling alley Happy Doomsday! (1998/II-K178) Bio-Mechanical Gameshow Voice System commands through face Biocybernetic technology
interaktiven Installationen / Mona Sarkis (Stadtwerkstatt) (1996/K324) (Cálin Dan) (1998/K148) DOOM II and the
ARSDOOM
art adventure professional gamers (2001/K192)
(1997/K362) (Time´s up) linguistic view speech recognition
AAC = augmentative and
muscles (1994/K198) (1994/K198) (for paraplegics) art as social issue
military version (T.H.H. Boykett: Theory of Hypercompetition)
VR-landscape "PlaceHolder" speech recognition auditive poetry alternative communication
Maschinen, Medien, Performances – Theater an culture of war (1995/K262) (C. Helbock)
der Schnittstelle zu digitalen Welten / "Marine Doom" Brucknerhaus (D. Rokeby) Computer game
(1971/T) Noan Bushnell invents the world's Text Rain (2000/K389)
(Brenda Laurel, Rachel Strickland)
(1994/P124)
see also: radio view (hearing the presence (1989/K167) speech sound On Jandl – digitalized mouths
Augmentative forms of communication: aids for self-active game (1998/K163) art as transmission
interactive art on the Net developers are the of the user) (Eku Wand) and problem-solving behavior
(1980/K76)
Martina Leeker (Ed.) culture of laughter view (Eduardo Kac) (1995/K170) (Orhan Kipcak)
contemporary masters
first commercial video game
(1972/T) Atari: video game machines "Pong"
(Camille Utterback, Romy Achituv)
articulation (gerhard rühm)
(1993/P87)
hand and foot signals, head movements,
eye movements, facial expression, gesture,
Liveness / Philip Auslander of illusion computer game in (phonation) vocal synthesis emotional expression, posture, ...
games / deconstruction and (AH) Interactivity creates an intimate relation (N. Suzuki) (1976/T) Fairchild : video game device Speech Recognition special input devices
Computers as Theatre / Brenda Laurel concert performance
modifikation (2003/K227) between the artwork and the viewer (J. Shaw) (1980/T) Pac Man (a player only managed to play (ML) Since the publication of (Leo Küpper) (1984/K29) possibilities of the Acoustic events for one
Spielfiguren in virtuellen Welten / Natascha carnival view Feedback
(1996/P150)
all 256 levels after 20 years)
(1993/K263) macpanic
"Computers as Theater" (Brenda Laurel) Voice Recognition linguistic notations of human voice voice and apparatuses (1970) Alternative forms of communication: foot-mouse, headpointer,
eyetracker
Adamowsky (AH) interactivity is generated in the various sound mikado interactive games ... are designed and Speech Translation the voice (1989/K272) AR / Audio Reality (instead of VR) (Diamanda Galas) (1986) (Ernst Jandl) (1980/K88)
sign language, images, graphic symbols
Für eine Ästhetik des Spiels / Ruth Sonderegger user interaces by touch, gesture, movement,
two-way interaction playful art video games see above (Waltraud Cooper) judged according to aspects of theater. (1999/P80) (Amanda Stewart) (Steffen Wernery) avant-garde (Wolfgang Georgsdorf)
feedback art (PV) special output devices: integrating games in
Künstliche Spiele / Ed. Georg Hartwagner, 32 playful view acoustics or sight
(Myron Krueger)
Responsive Environments
(1987/K100) Virtual Labyrinth (1995/K205) electroacoustic singer Interactive theater for 4 virtual Messa di Voce – visualized
Braille display therapy (1994/K199)
(1986/K90)
ars: the world of games
Stefan Iglhaut, Florian Rötzer (Bill Keays, Ron beings and live audience speech and song (a performance)
(2000/K365) (AH) game structure as model street theater database-based
Intermedialität – Das System Peter Greenaway gaming view (AH) mid-80s as the interactive
circuit systems interactive kaleidoskop
console kids
console games
Sissy Fight for work structure (Machiko Kusahara)
MacNeil)
(1984/K359) narration (2001/K108) (1996/K404) (Luc Courchesne) (2003/K311) (Tmema, Jaap Blonk, Joan La Barbara) sound-therapeutic objects
Yvonne Spielmann beginning of the ludic society (Nora Barry) (1979/K37)
(1979/K47) (Sidney Fels) (1998/K201) online gamehall The Ludic Society (Neil Postman) / game on literature passages games and traditional Urban Sax (K364) virtual mask celebration, story telling dynamic animation through gestures taking the (PW) The origin of technology
(1998/P62) rhetoric of hypermedia
Art_server: stargate to netculture / Margarete
Jahrmann & OK (Ed.) competitive view for Ascott the concept of "interaction
(AH) In 1962 at MIT
(2001/K194) homo ludens (Flusser) (1994/K40) (Elfriede Jelinek, culture in Japan escape game remote-controlled puppet theater
(Indesen, Krohn)
voice into consideration / visual performance system is rooted in this universal
condition of lack. (1994/K17)
art as therapy
was central around 1980 moments of interactivity the topic was covered by the O.K Linz with "Toys´n Noise" G. Hüngsberg, H. Franz) phenomena of perception in (M.G. Wagner, Concept: computers as (Ken Feingold) (Golan Levin) (2000/P82) Audiovisual Environment Suite
Nybble-Engine / M. Jahrmann, M. Moswitzer (at Ars before 1989) (PW) E. Sutherland described (Art_server: stargate to netculture) theater (Brenda Laurel) (1996/P134) GOLEM – an digital storytellers
consoles (R. Kuwakubo) computer games (2001/K69) S. Carroll)
a "sketchpad system" for interactive opera (DM) films are determined to a
Der bewegte Betrachter – Theorien der immersive (1989/K87) Shared Environments on dramatic interaction new methods of storytelling (?) ("Huge Harry" = voice synthesis
interaktiven Medienkunst / Annette Hünnekens view of interactivity interaction (2002)
interactive computer
graphics der Multi-User-Games
literature game (2000/K397) (2002/F044) (T. O. Meissner) see also: view of fashion (1990/II-K259) ATHE-MOO (Richard Teitelbaum)
(1990/K-I-84)
media opera by (mixed reality technology – pop-up book) high degree by rhetoric machine) (1997/K110)
(1997/K433) (Kenji Iguchi, Tomoki Saso) (2003/K420) Virtual Voices
Ästhetik der Inszenierung / Ed. J. Früchtl et al. paradoxes of (2001/K20) multi-actor-server Pixelspaces (small conference) John Sanborn (1986)
Voice synthesis
Die Zeitgenössische Dramatik und die neuen see: entertainment view
see: sports aspects
user interaction (2001) interactive art interaction (1989)
mobile games (2002/P24)
space as game – view of staging Critique (Patrice Pavis) (1999)
every machine, every technology,
opera cabaret
(AH) Merging individual art forms into an integral
(ML) one of art's tasks is to
expose and deconstruct the rhetorics of
From Text to Speech
(1997/K120)
Medien (essay) / Patrice Pavis (AH) interactive media art as game as space every computer being is a foreign
Arleen Schloss
art form ... that conjoins new media with theater,
Unexpected Obstacles – The work of Perry
Hoberman 1982-1997
performativity discourse
theater theory
see: interface view In the Network of Systems -
for an interactive art interactive art
(PRIX)
"the art form" of the 90s
(Masuyama)
game
(2002/F12)
(HK) Yet we are also confronted with computer theater studies view body in the heart of theater
performance (on "Zulu Time")
(1986/K55)
opera, performance, ...
interfaces (David Rokeby) N-cha(n)t
(David Rokeby)
Mark von Raden / Energized Gaming Culture theater studies a kind of dialogue (ars 1989) (AH) (Roger Malina) Interactivity was first (AH) Interactive Media producer cyber-opera (P. Weibel) turbulent operette in the computer picks up

1989
freaks that basically don't want to do anything utterances and freely develops CAVE was conceived as
theater anthropology officially proclaimed a new art form with the Festival (Los Angeles) (1995) (2002/F12) "Wagner's Madness" electroacoustic fashion
(1997/P102) with the systems (D. Rokeby) the but operate pinball machines. Animax multimedia theater media opera "Virtual Reality Theater"
dramatic discourse establishment of the prize (1990)! "Sparky Prize" (1995/K368) (1984/K329) (Altmüller/Bogner) them (2002/F042/P072))
performance studies
(1979/K03) key word "interactivity
arose in 1988 interactivity
LINZ ... !
playful interaction (2002) music game (2002/K418) the world of
performance and play 32 theater view / opera view for children (2002/P90)
(Autorenwerkstatt MEET)
multimedia opera (?) Perfect Lives (Robert Ashley)
An Opera for Television
with scientific content and
projection possibilities corresponding
performance theory interactive (Tina Blaine, C. Forlines) computer games
"Wild-style Video Operette"
about ecology, fun, politics, evolution, Europe, energy (the three sacred E's), (1986/KII-218)
to the criteria of the showcase (SIGGRAPH 92). art as articulation
1988
types of interaction (1999) (1996/K406) (Masaki Fujihata) E.W. Adams (2002/F12) Theater
game theory media work electrolobby game design
presentation view festival house as
art of the scene
the universe, sex, household, nature, technology and sports (on P. Weibel) multimedia show (Daniel J. Sandin) (1996/J85)
art as transformation
2001
language games approach (Weibel) net games high-tech location (ML) (Patrice Pavis)
(AH) interactivity as an mediatization of interactivity (AH) one of the cores of "The Artificial Will" electronic media opera multimedia performance
postmodern views "empty" concept – electronic art and digital puzzle (1984/K239)(1989/J24/J124) (P. Weibel) (Susanne Widl, Reneé Felden, ZYX) multimedia
interaction of non-linear Robo-Cup s.r. (Hiroshi Matoba) theater as show machinery (1988/K38) theater (H. Lepka)
anthropology (of laughter) "without content" (Huhtamo) sophisticated technology
interaction design (2001) group dynamics (1994) playful interaction as a is interactivity (robo-games) (1998/K203) liveness view Theater of hybrid machines Interactive Computer
Theater (1981) telematics and total data work (AH) Art Com Electronic Network (2000/K294)
(Lawine Torrèn)
(1996/K274) (Don Ritter) dialogical interaction (2001) central "pattern" of the Ars: (1989/K87) (ML) the boundary between theater the mechanical Bauhaus stage (Woody Vasulka, David Dunn) ACEN (1986) (1989/K130) (ML) theatrical-performative-
creative see also: music theater view (1989/K168)
(2001/K79) games, music tools, ... mobile phone (Bruce Thomas) Wearable AR System modified use of games and performance and mediatized (1988/K93) (Theater of Sounds) (1990/II-K265) (Stephen Wilson) Online-Theater digital Installation
medium of interaction (2000) interaction (AH) perusing, traversing, for the game Quake (2002/F12) (Mathias Fuchs, Sylvia Eckermann, performance occurs today at the (ML) Emphasizing the performative in
games (Penelope Wehrli)

ars: theater at the nexus

searching, exploring, ... interactive WWW M. Jahrmann, Max Moswitzer, Why has this field not been mined level of "liveness", the co-presence media performance simultaneously forms (ML) theatrical digital
(2001/K87) tele-interaction (ML) Orhan Kipcak)
interaction tool (2003) music-construction-game-machine (in)voluntary at Ars Electronica? (Technical of actors and viewers the nexus to the discourses on media experimental arrangement (ML) the relevance of theater
works (DH) (Kanae Ushiro, (MF) the communicative
(Sybille Hauert, D. Reichmuth) interaction (1996/P55) interactive narration go-programs modified use of video games framework conditions at Brucknerhaus? and theater within information technology
works that don't Takashi Morimoto) cf.: Maschinen, Medien, Performances – Theater an der Schnittstelle guidelines of theater could
(2003/F41/P104) (A. Steininger) (Stadtwerkstatt) Costs of one-off performances?) (ML) liveness should also be retained media performance and telecommunications
Polylog – for an interactive function offline chess programs when theater uses audiovisual and zu digitalen Welten / Martina Leeker (Ed.) (Barbara Büscher)
be investigated with the help
art (Weibel, Lischka) (1989/K65) domino game (2002/K415) (1990/K-I-152) (ML) a new art form is developing from of digital technologies
external interaction /vs/ (Stadtwerkstatt) (1997/K284) electronic-digital media scenic concerts
(S. Schießl) directly linking theater/performance
culture and work (AH) Motor of transformation: from internal interaction (of modules) 3rd computer chess championship Autodrom Crashcourse documentation (ML) the technical concept of cyberspace theater musical play networked stage (MF)
and reproduction Web scene projects and digital media
are a unit modernism to postmodernism (1980/K177) "liveness" on the media side: "Le système du monde" at the theatrical level the mixed reality performance
(2001/K354) (Heiner Goebbels)
(1982/K25) (1998/II-K267) E. Said: The new electronics ... All Play (Cinematrix) – audience participation playing figures in (1979/K05) interaction in real time motoric electronics: constitutes a continuous feeling of tension between
(G. Squad, M. Chalcraft, live demonstrations transmitting live (AH) new forms of scenic concert with
Re-establishment of an equal balance could pose a greater threat to independence than colonialism. (Loren & Rachel Carpenter) (1994/II-K102/P105) virtual worlds (Gérard Pistillo) !! the actuality and virtuality of the networked stages
experiment of a Summer Academy – Hellerau 1999: Anette Schäfer) (1979/K03) events theater performance scenic interaction MIDI instruments
between the cultural and the commercial The new media are strong enough to penetrate deeper into (1999/J395) (1990/K-I-88)
concept of live electronics medium of TV (1997/K333) (1989/K87) (PW) (1988/K121)
field (2002/K52) Cultural Ecology InfoWar takes place in the Theater and New Media
net culture
"receiver" cultures than was possible for any previous manifestation
of western technology.
culture-critical
perspektive
(Andruid Kerne) sphere of new cultural (ML) the media do not touch (1980/K52) (1989/K154) (Isabella Bordoni, simulation of a story
(MF) exploring theater itself art as scene
(1998/II-K256) the liveness of theater (AH) more complex forms of staging (Stadtwerkstatt) R. P. Dalò, G. Pensili) from a Japanese
Literature: For the cultural programmer the
(2002/P118) (2000/K19)
(1996/P104) techniques (1998/K23)
(ML) With the emphasis on the performative, and dramaturgy live remix laboratory
inter-art project
(Ed Emshwiller, Morton Subotnick) No play
as an apparatus art as game
Kursbuch Medienkultur – Die maßgeblichen net culture Internet poses an even greater Operating system art
ars: The Art of the TechnoFuture art as interaction
Cultural impact – as criterion not only is a new, generally acknowledged order (1999/K380) use of music computer (M. Kosugi, Y. Ando) (1995/P124)
threat than the channel zapper as desired context Presence shifted to spheres performance theater (MF) Are media
Theorien von Brecht bis Baudrillard (2001/K20) for the PRIX ARS Jury established, but transformation itself becomes the new performance software
outside the art world (2001/K12) twofold Mapping (mixed reality) theater media?
Kursbuch Neue Medien – Trends in Wirtschaft settling into the inevitable (symposium)
principle of cultural order (1988/K129)
software cultures links Art as public cultural production Brucknerhaus location creates a complex theatrical
Politik, Wissenschaft und Kultur / S. Bollmann Computer culture Internet as cultural space (cf. Ars 2004 – What Will the Future Bring in 25 Years) Context Kepler-UNI multimedia work (1989/K87)
cultural sciences (1989/J20)
(2003/K229) (Christiane Paul) (2003/K136) (ML) The performative as the intersection of 1996 start of a new era of organization by the Danube (R. Born) reality (MF)
Kursbuch Internet – Anschlüsse an Wirtschaft and RISC (over 15 yrs. too Globe Theater – A history play
cultural philosophy (1986/K09) Symposium Culture is a market full of
ideological stereotypes of theater and media advances to the key term for with the opening of AEC LIVA/Brucknerhaus (Cloud of Sound (1996/K72)
u. Politik, Wissenschaft und Kultur / Bollmann contradictions (2002/K230) Digitales Age a culture of constantly transgressing boundaries and
little cooperation with ars) for robots (Adrianne Wortzel)
cultural anthropology (Gene Youngblood, Larry Cuba, the digital revolution (organization withdrawn from as partner for content projects) Research cooperation at AEC (F. Pichler) Not enough events/lectures in the field of (1997/K350)
Der DatenDandy – Über Medien, New Age, (R: Wischenbart) "Information Society" Art's claim to an dealing with what is unpredictable and indefinable LIVA) (1999/J74)
Black cultural theory Kathy Rae Huffman, Franke, (1996/J51) (until 1995) opening, but then little new media outside Ars Electonica (even
Technokultur / Agentur BILWET Hans Donner) Continues to stand for a unbounded future (1989/J07)
cultural studies (discourse) units of cultural music orientation cooperation with the ars hardly any support during the year at AEC only a few projects
Collective Intelligence – mankind´s emerging knowledge cultures rhetorical project in everyday life, knowledge society information like Intertwindness (1997/1998): OK (and Gallery of the Province before that)
cultural history ORF as media institution (and facilitator initially with Bruckner reference (30.6.95 Prof. Pomberger member for media art from the
world in cyberspace / Pierre Lévy as exaggeration, misconception
Prerequisites for a (1996/K26) The effects of industrial (machine-based) and postindustrial of the AEC Board of Directors) Margarete Jahrmann, Christa Schneebauer) interest in certain forms of installation art
context-aware theories Pop culture building on and underestimation in the fields of video, TV, radio, satellite federal government
Visuelle Kultur – körper räume medien / humane information (information-based) cultural machinization, mediatization, simulation,
neo-situationsims discourse Cyberspace and technology (2001/K18) (1998/K21) Globalization creates a broadcasting) (Christine Schöpf, Hannes Leopoldseder)
Ed. Peter Mörtenböck, Helge Mooshammer society (1997/K210) synthetics, semiosis, artificial reality, withdrawal of being, etc. (PW) Context Art University Media professorship first in humanities only as
postmodernism discourse cyberculture neo-cultural environment
Lentos will only start including
Das Medium ist Massage / Marshall McLuhan, MediaMOO as multicultural (1996/P15) (P. Fleissner)
(2002/K81)
(1992/K10) (cooperation with other universities 2003/2004 (Sommerer) "minor" services No risk capital to finance art
Since 1996 the Ars is managed
Quentin Fiore chaos (1995/K139) The AEC is intended to be a prototype in conjunction with Ars) light works (W. Cooper) contemporary media beginning
see also: identity view of this kind of site of a new digital
(PW) Psycho-Techne,
re-engineering of
AEC as carrier of
situation view (Linz) "single-handedly".
2004 will be a key year – Mechatronikum (Prof. Pichler)
in 2004
phase of culture (Leopoldseder) cultural systems ArchiMedia-Institute (proximity to AEC) obligation to program AEC ended up with too missing gallery
(DDDr. Schwendter) protheses civilization cultural competence ORF withdraws from PRIX – Media Linz (Hattinger), Scene Center (Feuerstein)
01 culture-theoretical view Media Era (DM) (1994/K24) Defining the position of (1996/J46) The future of AEC & ARS is to be designed (exhibitions in conjunction with ars) Design Centers (1994) little space
Ars Electronica Futurlab
as further ideas of content for AEC location context art as location factor
(1984) (1989/J163)
due to electronic or digital "Electronic Culture" (2003/F38) 01 contextual view in terms of structure and personnel. (including Christian Möller) (compare Paderborn or ZKM)
(in-house products)
(1996/J33) art as culture
media, among others Magnet (print and web magazine)

Literature:
The production of space / Henri Lefebvre
Surroundings – Essays an Space and Science /
Ed. by Peter Weibel
Raum / Texte zur Kunst Heft 47 - 2002
CTRL Space – Rhetorics of Surveillance from
Bentham to Big Brother / Ed. by Th.Y. Levin ...
Netzstadt / Franz Oswald, Peter Baccini
Meta City Data Town / MVRDV
Five Minutes City / Winy Maas
The Regionmaker / MVRDV
Gehry Digitale / Bruce Lindsey
Eisenman digitale / Luca Galofaro
Hyper Architecture / Luigi Prestinenza Prglisi
Digital Odyssey / Carmelo Baglivo, Luca Galofaro
Information Architecture / Gerhard Schmitt
Induction Design / Makoto Sei Watanabe
Bits and spaces / Ed. by Maia Engeli
25 spatial view
view of places
geographical view
see also: cartographic view
art as form of space –
from multimedia space
to multimedia terminal
(1989/J26)
hyperbolic space
(Dana S. Scott) (1992/P60)
free sounds – open spaces
(1987) (1989/J28)
triangular navigation
(Cécile Le Prado)
(1997/K347)
Pixelspaces Mixed Reality: overlapping
Online-Location
(Olia Lialina)
(1999/K403)
(Virilio) we now notice the
space artists of the interface
basic modalities of space
aspects of digital space
(Woody Vasulka, David Dunn)
(1990/II-K265,K271)
interspatial proximity
Tamas Walicky developed
alternative perspective
systems (program to convey
other spatial experiences) (ML)
grammar of space
(1986/KII-135) (PW)
ars : architecture software
The topic now seems to be covered by the Art University due to
the DOM Institute. suggested cooperation: DOM, ArchitekturForum,
AEC, ars => arsARCH +
(1997/F43) architecture project realized
in game software (A. Jalsovec,
P. Reichart, G. Rossbacher)
virtual tour of planned
(AH) virtual worlds and hypertext
architecture
highlight the labyrinthine character
(1990/II-K251)
of the world and the texts
Housetool (1997)
demolition variations
architects losing ground in the
(MEGO)
shadow of image-engineers
(2001/K281) (M. Shamiyeh)
view of clothing II
25 architectonic view
container view
view of interior architecture
see also: view of clothing
TRON-House: completely
computerized house
(1994/K131)
(Project 1988-1993)
TRON hyperintelligent building
(1994/K134)
information architecture
electronic
increasing the intelligence of
architecture
the artificial environment (PW) domicile generator
(1994/K06)
Literature: Literature: Literature: Literatur (2): Prize-Winners in the Music Section - Computer Music Prize Winners Computer Graphics
Literature (2): Literature (2): Literature:
CODE – und andere Gesetze des Cyberspace / Der reine Krieg / Paul Virilio & Sylvére Lotringer alt.culture – an a-to-z guide to the ´90s- Die Welt als T-Shirt – Zur Ästhetik und 1987: Peter Gabriel, Jean-Claude Risset, Marc Andre Dalbavie, Richard Teitelbaum 1987: Brian Reffin Smith, Jürgen Lit Fischer, Melissa White
Architektur in Bewegung – Entwerfen am CTRL Space – Rhetorics of Surveillance from City of Bits - Leben in der Stadt des 21.
Lawrence Lessig Die Sehmaschine / Paul Virilio underground, online, and over-the-counter / Geschichte der Medien / Beat Wyss 1988: Denis Smalley, Barbara Zawadzka, Trevor Wishart 1988: David Sherwin, Peter Kogler, Andy Kopra u. Anerkennungen s.l.
Computer / ARCH+ 128 Bentham to Big Brother / Ed. by Th.Y. Levin ... Jahrhunderts / William J. Mitchell
Decodierund:Recodierung / Ed. Toni Kleinlechner Information.Macht.Krieg / Ed. Stocker, Schöpf Steven Daly, Nathaniel Wice Kultur – über alle? gegen alle? für alle? 1988 Honorary Mention (all sections) : Paul Codsi, John Fekner, Enrique Fontanilles, Rainer 1989: Tamás Waliczky, Charles Csuri, Kenneth Snelson, Atsushi Satoh, William Latham,
InFormation – Faltung in der Architektur / Information und Apokalypse – Die Strategie der Die Telepolis – Urbanität im digitalen Zeitalter
Exploring the Invisible – art, science and the iconoclash – beyond the image wars in science, Music vs motion – FLIPS 5 M. Wagner, H. Fabris, I. Mörth u.a. Ganahl, Franz W. Kluge, Jerzy Kular & Isabelle Foucher, Larry Malone, Achim Stößer, Micha Riss, Cliff Pickover, Pierce & Merrill, Richard Voss, Bayele & Mück, Wennberg &
ARCH+ 131 Täuschung / Paul Virilio Florian Rötzer
spiritual / Lynn Gamwell religion and art / Ed. Bruno Latour, P. Weibel Tekknologic, Tekknowledge, Tekgnosis / QRT Rituale der Medienkommunikation – Gänge Tamas Walicky, Hiromi Watanabe Pécheur, A. Pagowski, P. Reinartz, M. North
Fassaden / ARCH+ 108 Metropolen des Weltmarkts – Die neue Rolle der
Internet-Dateiformate / Tim Kientzle Von der Bürokratie zur Telekratie – Rumänien Pop Sounds – Klangtexturen in der Pop- und durch den Medienalltag / H. Poss, C.-D. Rath Jeff Brice, Jeremy Gardiner, Irene Hohenbüchler, Stefan Holtel, Johann Jascha, Laszlo 1990: Manfred Mohr, Charles A. Csuri, Bill Davison, Achim Stösser, Char Davies, Daniel
Architektur des Ereignisses / ARCH+ 119-120 global Cities / Sakia Sassen
Krise der Linearität / Vilém Flusser im Fernsehen / Ed. Peter Weibel Rockmusik / Ed. Th. Phleps, Ralf von Appen Station Rose – cyberspace is our land Kiss, George Legrady, Massimo Ontani, Norbert Speicher, Roman Tomaschitz, Mark Wilson, Pirofsky, Andreas Henrich, Don P. Miller, A. Scott Howe, Yoshiyuki Abe, Mike North,
Medienarchitektur / ARCH+ 149/150 Klare Sicht am Info-Highway – Geschäfte via
Topic Maps / Richard Widhalm, Thomas Mück Archimedia – Institut for arts and technology – IdN international designers network 2003/10/2 Thomas Wittmer Joseph Nechvatal, Sandra Filippucci, Stanislaw Sasak
Diagram Diaries / Peter Eisenman Internet & Co. / H. R. Hansen
Die Unwahrscheinlichkeit des Ästhetischen - Projekte 95/97 / Ed. Möller, Knipp, Lachmayer flights of fancy Javier Alvarez, Martin Fischer, Mathias Fischer-Diskau, Udo Hanten, Adelhart Roidinger, 1991: Bill Woodard, Yoshiyuki Abe, Arthur Schmidt, Victor Acevedo, John Adamczyk,
Hybrid Space – new forms in digital architecture Das Regime des Image – Zwischen mimetischem
und die semiotische Konzeption der Kunst / Tacho 3,4 / Ed. Peter Keicher IdN international designers network 2003/9/4 Alejandro Vinao, Mia Zabelka Cornelia Halle & Cimdata-Arbeitsgruppe, John Hersey, Rüdiger Hirt, Dick Ibach, Sui
Peter Zellner Display und Corporate Branding / Ed.
Max Bense Lab 95,97,02 Jahrbuch für Künste und Apparate designer toys 1989: Kaija Saariaho, Francois Bayle, Alejandro Vinao, Tisma Vojin, Michael McNabb, Morita, Patrizia Pio, Robert Martin, Tiziana Stanzani, Brian T. Sullan, Mike Zender
Vom Verschwinden der Ferne - Gerhard Lischka, Peter Weibel
Zeichen und Design – Semiotische Ästhetik / Zentrum für Kunst und Medientechnologie Alles jetzt! – Die Mediatisierung / Gerhard Haimo Wisser, Viola Kramer, W. Mitterer, Wolfgang Heiniger, Gerald Trimmel, D. Teruggi 1992: Andrew Witkin & Michael Kass, Stewart McSherry, Mark Wilson, Yoshiyuki Abe,
Telekommunikation und Kunst / Edith Decker, Pictorial Metaphor in Advertising / Charles
Max Bense Karlsruhe / Ed. Heinrich Klotz 1992 Johann Lischka 1990: Karlheinz Stockhausen, Jonathan Harvey, Ake Parmerud, Zorah Mari Bauer Jószef Bullás & Zsolt Krajcsik, Valie Export, William Latham, David Sherwin
Peter Weibel Forceville
The Kitchen NY turns twenty Kulissen des Glücks – Streifzüge durch die 1991: no competition 1993: Michael Tolson, Char Davies, Thomas Bayrle, Jean-Francois Colonna, Scott Draves,
außen räume – innen räume – Der Wandel des Art – computer faszination – Hersteller und
Mediale Hamburg 1993 Eventkultur / Gerhard Schulze 1992: Alejandro Vinao, Francis Dhomont, Wolfgang Mitterer, Kristi Allik, Phillip K. Bimstein, David Haxton, Mogens Jacobsen, Laurens Lapré, Jolanta Makowska, Constanze Ruhm,
Raumbegriffs im Zeitalter der elektronischen Dienstleister
Mediamatic – Doors of Perception 1 László Dubrovay, David E. Jones, Elsa Justel, Catalina Peralta-Caceres, Michael Rosas Miroslav Stuchlik & Radim Vrska, Roman Verostko
Medien / Ed. Heidemarie Seblatnig
Cobian, Stéphan Roy, Wayne Siegel, Denis Smalley, Peter M. Vaughan 1994: M. Joaquin Grey, Keith Cottingham, John Kahrs, Linda Dement, Pascal Dombis,
1993: Bernard Parmegiani, Javier Alvarez, Jonty Harrison, David Chesworth, Francis Mogens Jacobsen, Ronaldo Kiel, Don MacKay, Stewart McSherry, Gavin Miller & Ned
Dhomont, Roberto Doati, Pscal Gaigne, Jens Hedman & Erik Mikael Karlsson, J. Lejeune, Greene, Anne Gabriele Wagner & Adelhard Roidinger
Andrew Lewis, Cort Lippe, Adrian Moore, R. Normandeau, M. Rosas-Cobian, Kaja Saariaho
1994: Ludger Brümmer, Ake Parmerud, Jonathan Impett, Patrick Ascione, Jean-Francois
Cavro, Akemi Ishijima, Paul Koonce, Mesias Maiguashca, Juliet Kiri Palmer, Michel Redolfi,
Michael Vaughan, Alejandro Vinao, Frances White
perception theory of
architecture 24 structural/structuring view structuralism (discourse) 1995: Trevor Wishart, Flo Menezes, Gilles Gobeil, Javier Alvarez, Patrick Ascione, Ron
Averill, Christian Calon, Agostino Di Scipio, Stephan Dunkelman, Rolf Enström, Elizabeth
phenomenology of semiotics, semiotics criticism
symbol theories of knowledge Hoffman, Erik Mikael Karlsson, Cort Lippe, Jack Tamul
perception
location research topological view field theories 1996: Robert Normandeau, James Dashow, R. Renouard Larvière, F. Boschetto, C. Brown,
Kui Dong, Jonty Harrison, Matt Heckert, Gordon Monahan, Gordon Monro, S. Montague,
Video Art
view of layering topological psychology Videonale 1986: Klaus vom Bruch, Valie Export, Yoichiro Kawaguchi, Bernd Kracke, Ulrike Rosenbach,
theory of urban locations
formal sciences M. Redolfi, J. ter Veldhuis, Alejandro Vinao Jane Veeder, Henry Jesionka, Inge Graf + ZYX, Z. Rybczinski, Bruce Nauman, Douglas Davis,
architectural theory / arch. discourse see also:
view of transformation / tectonic view diagrammatics / mapping 1997: Matt Heckert, Maryanne Amacher, Jonty Harrison, Patrick Ascione, Christian Calon, Peter Campus, Shigeko Kubota, Richard Serra, Ant Farm, David Hall, Dara Birnbaum, Vito
Acconci, Douglas Davis, General Idea, Ingo Günter, Hans Weigand, Terry Fox, Douglas Hall,
chaos theory Luigi Ceccarelli, Ambrose Field, Annie Gosfield, Joseph Hyde, Charles Kriel, Ake Parmerud,
formal view / William Wegman, Bob Snyder, Friederike Pezhold, Shigeko Kubota, Marina Abramovic & Ulay,
sound-space installation fractal geometry Laetitia Sonami, Mario Verandi, Mark Wingate, John Young,
Is there a place in cyberspace? system view Bob Adrian X, Zelko Wiener, Maly Almy, Dan Reeves, Joan Logue, Marcel Odenbach, Klaus vom
(John Perry Barlow)
(Bernhard Leitner)
(1982/K159)
code view chromosome studies 1998: Peter Bosch & Simone Simons, Aquiles Pantaleao, Hans Tutschku, Natasha Barrett, Bruch, Joan Jonas, Rupert Putz, Ed Emshwiller
(1995/K130) video images represented spatially A. Shulgin (1997/P100) Bret Battey, David Behrman, Luigi Ceccarelli, Ambrose Field, Joshua Fineberg, Joseph Hyde, (1987) Ilse Gassinger, Gudrun Bielz, Romana Scheffknecht, Karl Kowanz, Manfred Neuwirth,
the seeing ear Gordon Monahan, Adrian J. Moore, Magie Payne, Joran Rudi, Hildegard Westerkamp, Rainer Ganahl, Chris Althaler, Anna Steiniger, Hans Weigand, Ruth Schnell, Robert Wölfl &
along a GPS track (Masaki Fujihata) Sound space motion system Form Art
Location-
GPS (2001/K74) (1993/K254) !!! (F. Paschke) view of mathematics technicization and mathematicization
belong together (DM)
G.H. Hovagimyan & Peter Sinclair Lydia Lindner, Ilse Gassinger, Helmut Stadlmann, Inge Graf + ZYX, Rupert Putz, Karl Kowanz,
Egon Bunne, Ingo Günther, J.-F. Guiton, Dieter Kiessling, Axel Klepsch, Norbert Meissner, Bettina
based games 1999: Aphex Twin – Richard D. James, Mego: Christian Fennesz & Peter Rehberger, Ikue
(2002/P38) Gruber & Maria Vedder, Vidox, Alexander Hahn, Yello Dieter Meier, Claudio Prati, Lorenzo Bianda,
geographical space simulator (James McCartney) Mori, Stefan Betke, Paul DeMarinis, Rose Dodd & Stephen Connolly, John Duncan &
see: AI view Who writes the codex Francesco Mariotti, Franziska Megert, René Pulfer, Eric Lanz, Marie José Bürki, Hanspeter Ammann,
(itsalive) issues
position recognition
(1982/K213) (2003/F11)
Composer; author of the
view of informatics tool view of cyberspace ?
Francisco López, Bernhard Günter, Richard Hawtin, Zbigniew Karkowski & Masami Akita, Alan McCluskey, Gert de Graaf, Albert Wulffers, Antonio Segade, Jose Ramon Da Cruz, Paul Rodriguez,
(2002/K16)
simulated spaces (VR) Andi Toma & Jan S. Werner, Terre Thaemlitz,Thomas McIntosh & Emmanuel Madan, Javier Vadillo, Xavier Vilaverde, Javier Colis, Antonio Cano & Pedro Garhel, Maurizio Bonora, Giorgio
(for interior spaces) object oriented synthesis (2003/K12)
view of signs (1) (DM) With the technicization of the aesthetic and American military machine
Gaetan Collet & Noelle Collet & Claude Pailliot, Ralf L. Wehowsky Cattani, Ciancarlo Cauteruccio, Theo Eshetu, Crudelity Stoffe, Sanja Ivekovic & Dalibor Martinis,
VR journey in a caravan with situative language "SuperColider"
data space feeds (P. d´Agostino) (1995/P114)
the increasing spread of technical reproduction student crushed (P. Virilio) (2002/K240) 23 power-theoretical view power theories 2000: Carsten Nicolai, Russell Haswell & Sean Booth & Rob Brown, Chris Watson, Simon Robertshaw, Tina Keane, Catherine Elwes, Marion Urch, Mike Stubbs, Graham Young,
information spaces the view of informatics is media, the history of media flows into a history Jeremy Welsh, Stephen Littman, Clive Gillman, John Goff
(R. Ascott) (1993/P08)
(1990/II-K36) the world of protocols Bernard Cache by tank in
power discourse (with Foucault) Maryanne Amacher, Dat Politics, Kevin Drumm, Mark Fell & Mat Steel, Ryoji Ikeda,
distributed throughout of mathematicization (cf. Kittler) Tian-An-Men Platz the first "totally electronic (1988) Nam June Paik, William Wegman, Peter Campus, Lynda Benglis, Juan Downey, Fitzgerald &
and formats Objectile (2003/P93) Andrew Daniel & M.C. Schmidt, Kaffe Matthews, Martin Brandlmayr & Stefan Nemth &
data space placemaking cyberspace several sectors (1996/P190) war" (P. Virilio) (1996/P35) organizational theory Sanborn, Bill Viola, Davidson Gigliotti, Barbara Buckner, Dan Reeves, Woody Vasulka, Robert Ahsley,
John Norman, Marcus Schmickler, Yasunao Tone, Uli Troyer, Erik Wiegand
the data space with the
(1984/K188) acoustic obsession with structure
(Virilio) ... I reject the notion of the programming languages (Franke) discovery of
(A. Lamorlette) battle view discourse of institutional criticism
cultural manager debate 2001: bLectum from bLechdom, Ryoji Ikeda, Markus Popp, Ted Apel, Aeron Bergman &
Joan Jonas, Doug Hall, Steve Fagain, Skip Sweeney, Sherry Millner, Gary Hill, Bruce Nauman
illusionary spaces space simulation systems (Eric Loyer) (1999/P40) (1989) Joan Brasil, Jason Gee & Brad Miller, Jill Scott, Tracey Moffatt, John Gillies, Peter Callas, D. Perry
live stage (MF) word as a model. This is the reason as art question (2003) mathematical precision obscuring previously practiced (game rules of art) Alejandra Salinas, Richard Chartier, Louis Duford, Orm Finnendahl, John Hudak, kid606, (1994) Bill Viola, Tom Kalin, Shelly Silver, Mica-TV, Leslie Thornton & Ron Vawter, Eder Santos, Jasna
(Ruth Schnell) (1989) see also: view of destruction
Liquid Space (1999/K433) conversion problems for my departure from semantics, in art uses and impacts of new A colossal change of power has see also: energetic view J Lesser, Mille Plateaux, Pan sonic, Janek Schaefer, Tigerbeat6 Hribernik, Michel Auder, Gary Hill, Therese Svoboda, John Goff, Eric M. Freedman, Diane Nerwen &
expanded performative concepts of (W. Jauk, H. Ranzenbacher) semiotics and semiology. (Joshua Davis) technologies
been taking place recently 2002: Yasunao Tone, Aeron Bergman & Alejandra Salinas, Curtis Roads, Anticon, Iancu Les Leveque, Paper Tiger TV, Max Almy & Teri Yarbrow, Steina & Woody Wasulka, Anna Steiniger,
image spaces (DM) space (Dietmar Offenhuber) semioticization (AH) (2001/P42) CODE diary digital poetry see also: historical view (1998/II-K219) the Bob Snyder, Van McElwee, Shelly Silver, Herman Verkerk, Sreco Dragan, Betty Spackman & Anja
(Waltraut Cooper) America as (1994/K206) (Howard Rheingold) Dumitrescu, Ana-Maria Avram, PXP, Goodiepal, Russell Haswell, Francisco Lopez, Raz
the code is in the translation
2003
electronic space (DM) The approach to the pictorial media coup d'etat Mesinai, Romulo Del Castillo & Joshua Kay, Marina Rosenfeld, Mika Taanila, Carl Michael Westerfrölke, Tony Oursler, Branda Miller, Francesc Torres, Nany Buchanan, Edin Velez, Bruce Yonemoto,
Ubiquity(omnipresence) (AH) (1996/K355) (Jocelyn Robert) (1986/K330) empire of technology public images and
(1989/K142) (Robert Adrian X) does not lead through the cardinal paths CODE another source of power is the convergence Stefaan Decostere
ubiquitous computer (1999/P60) (Arthur Kroker) images of power (P. Weibel) eGovernment Von Hausswolff, Stephan Wittwer
report on project from 1981 of semiotics or hermeneutics ... of all other media into a single digital
(T. Munzner, S. Levy) CODE = ART (1990/II-K264) electronic colonialism 2003: Ami Yoshida & Sachiko M & Utah Kawasaki, Florian Hecker, Maja Solveig Kjelstrup
(DM) Computer: its formalism works with The meaning of CODE (symposium) medium (1994/K209) eDemocracy (2004)
from locality to simulating the respective differential topology (1988/K247) Ratkje, Oren Ambarchi, Whitehouse, Kevin Drumm, Rudolf Eb.er, Phill Niblock, Yuko
dislocalization (AH) number strings, not with signs, which is why members of the electronic
non-locality (AH) exhibition situation(spaces) (1995/P164) (2003/F10) code breaker (on Kittler) master race the battle over the form of concentrations of power through new (W. Negbenebor) Nexus 6, Gert-Jan Prins, Rechenzentrum, Tujiko Noriko, Toshiya Tsunoda, Aaron Funk &
it would be wrong to call the computer a military as motor/source
negated (Jeffrey Shaw) "semiotic machine" ... ascii art (1996/K36) the networks has begun technologies (2002/K25) corporate connections For the average African, Rachael Kozak, Mark Wastell & Toshimaru Nakamura & Taku Sugimoto & Tetuzi Akiyama
transcending (1990/II-K320) (2003/K227) bar code as interface of electronic developments (1994/K213) (Saskia Sassen) (2002/K373/P48) globalization is just a
space (A. D´Urbano) (DG) Transferred to human brainware ... (?) diagrammatic analysis
space (Perry Hoberman) Bar code hotel (Josh On) synonym for neo-
(1994/II-K46) sphericalCAVE: Carnivore as communication, of power structures (AH) from hegemony
Bar Code (Perry Hoberman) the new military information colonialism.
domed projection space SPIN fractals fractal geometry the sound of mathematics public domain technology, power (A.R. Galloway) to plurality
(K. Becker, W. Zinggl) (1994/II-K54) complex with its cyberarsenal (AH) from totality to (2002/K1204)
(Mesias Maiguashca) variation of the (Lucien Sfez) Improvisation, Sport &
conveying an view from an (1979/K26) (time´s up) the sound of chaos
(1993/K205) (1996/K219) (1995/K25) (Virilo) networks can only be
airship Chaos & Order (1990/K-I-79) (B. Steritberg, K. Balzer) infamous (1995/K398) fought with networks Transponder (PV) particularity injunction against web site Evolution (Jon Rose)
incredible (2000/K302) (1996/K94)
(Hiroo Iwata) CAVE outside the theme of the fractals was "exploited" (1990/K-I-35) Object-oriented hypertext systems Ground Truth (1999/J431) FBI-SW DCS1000 electronic handcuffs (2003/P75) (etoy) RoboCup
sense of space (2001/F32/P107) (2002/K358) (A.R. Galloway)
the structure of the Internet
USA for the first by P. Weibel in Graz in 1989, among others (E.M. Haas, L.A. Bernhard)
time (1996/J15)
CAVE protocol and counter-protocol
(Indesen, Krohn)
Universal Product
(Robin Bargar, Insook Choi)
(2002/P030)
The battle for the control of code Teleklettergarten (F.O.K)
(2000/F37)
22 view of pop culture media theory
1998
(in collaboration with the ars electronica Linz) Cracker is a battle for freedom
(A. Galloway, Eugene Thacker) Code (Barcode) slacker luddites (Mario Purkathofer) (2003/K384)
space communicated through media virtual Visualization of digitale coding world rogues - (2003/K42) (Howard Rheingold) (critical art ensemble) pop theory / pop-theoret. discourse
(Mixed-Reality-Architektur) flying The World of Numbers (2003/K60) superpower (1999/K217) Every medium is (always) Hacktivism
architecture projects Infowar (1998) (1995/K142) (1999/J300) (AH) due to the inclusion of the body High & Low discourse
use of virtual spaces for in the CAVE
(Golan Levin)
(2003/P42)
an event chaos of art, overestimation of the digital – digital art
(with Flusser, Weibel, ...) ... "turning everything into pixels" information
already
power
rooted
(DM)
in cyberclasm Cyber-Terrorist (PV) publication of practiced by interactive systems, the athletic aspects technoculture discourse
science, magic high-tech wars (1996/K259) secret keys strict separation between sports, games cultural studies discourse
text presentation superiority GPS as supplement to
three-dimensionally localized Power and marginality and art is becoming blurred
24! Matrix Installation Global Information fashion discourse / retro discourses
Digital "image"? Art will prove itself a All print media have been Information War (Virilio 1998!)
sound in virtual reality
(Blanchard u.a.) (1990/II-K190)
(M. Aschauer,
genetic
force far beyond the paradigmatic digitally produced for years Information.Macht.Krieg (1998) Live Cam in cyberspace
(Saskia Sassen) (1998/II-K47) Dominance (PV) E-Sport "pop fears" of the
view of public appearances hedonism debate
N. Pfaffenbichler, threshold of the digital. (UR) without any essential changes Information blockage establishing paths of information in Digital Sport Case study 309 New Subjectivism debate
Lotte Schreiber) programs the power of (1991) Gulf War (1995/K186) Suck my code, ars organizers (and
in the (re-) production of in relation to war zones in former Yugoslavia General! Cyber-Athletics (Tammy Knipp) Prix jury members) fun debate
media agencies the first "totally electronic war"
(DM) the location of sound
of the musical, is the
(2003/K398)
Genetische Tangible CODE (symposium)
images
REUTERS (1995/K297) (Paul Virilio) (1991/P06) The cyberspaces of command and (Mailbox: Bionic in Zerberus)
control has long been (Rena Tangens)
(1996/K189) (2001/K215) (1998/K216)
pop culture building on
view of public space ontology of the event
Telezone: An architecture Algorithmen perfect example of simulation finance, for instance, competition-oriented sociology (Bourdieu) (Mauss)
performative (2003/F12) SDS3 Small Dish Satellite are the spaces where a weak point of (1995/K61) Control Society technology (2001/K18)(right)
for net architecture overestimation of chance (1999/K29) (J. Baudrillard) computer games see also: view of playing DJ-Culture (90er) New Subjectivism
generative approaches (1990/K-I-59) (Iannis Xenakis) (for receiving data) (1997/K343) profit is produced and centralized, Towards a Society of Control? music box for
(futurelab) (1999/K362) mathematicization of and entropy (1993/P22) (M. Tolson) MS hate page (2001/K215) privatism debate
(2003/K227) Musicians who use computers are offers for currency traders (c. Jerez, J. Iges) power is founded. hierarchical (O.L. Tremetzberger) (2003/K54) cover versions electrolobby (2) prize-winners came from the
(Ken Goldberg) architectonic space (C. J. Mutter) E-Sport: world of games
generally theoretical cripples, especially (Steve Mann) (1997/K218) structures. (2001/K192) non-university area for the first time
(E. Berger, V. Christian, (1994/K11) film about a formula correspondences between Firewall (1995/K186)
(1995/P90)
(linking structure)
Gaming goes Cyberpunk
in terms of ideas of mathematics, revealing the tools of the (MESO) Digital Culture (1999/K371)
P. Purgathofer) (2000/P36) (Thorsten Fleisch) the development of music high-speed surveillance (Steve Mann) (newest direction of
generative art physics and acoustics. (1998/II-K84) Firewall and
secret services (A.R. Galloway) Pro (2001/F14) Colophony Circuit freestyle
(2003/P154) and mathematics superhighways
Information Frontier micro-videokamera (PV) (1999/J420) (1997/P94) & Lifestyle science fiction literature) (Electric Indigo,
virtual architecture (PW) (Iannis Xenakis) rock mass by structures of (Tina Cassani,
(1997/K144/K217)
ars: Surveillance Techniques
program Generative Tools generativity (Elisa Rose, Gary Danner) Mia Zabelka) (DG) Separations into categories of serious
(1994/K08) (1990/K-I-74) (1998/II-K71) an essential tool in the Eela Craig (1978) sound systems Bruno Beusch)
Darwinism (1989/K124) (2003/K336) and entertainment or high and low culture lead
architectonic storytelling (2003/K345) Can software public spaces under surveillance information war consists of corrupting (1979/K02) (Involving Systems,
(1996/K180,K210)
(Peter Weibel) parametrimizable art/design MESO) Screen savers (2003/K227) to an unproductive dead end //
(1994/K147) (Herman Verkerk) itself be art? Symposium invisible surveillance technique (London) Chipkarte im AEC information
(1990/II-K13) electronic 386x – cyberpunk rock band complexity and quality can be found
Code: there are no ambiguities, (2003/K13) (1999/F24) (Lynn Hershman) (light dome) (Marie Sester) (1996/J15) Emergency Broadcast (2001/K375) (Monotonik) Youth Marketing
Don´t panic! Hack it! pop culture (Alexej Shulgin) (2003/K337) in every area
dynamic architecture It seems that we always include a relation no hidden meanings (2003/K36) multi-user sculpture: (2003/F41/P120) surveillance techniques smart card Network (Robert Deacon) Beta Lounge (2000/K348) (2001/K193)
(1998/II-K157) (1998/K49)
installation (2001/K308) surveillance, voyeurism (1996/K316) (electronic
or relationship in talking about media or First traces of important developments in Intrusion (Julia Scher) Disco Man Intelligent / Ambient Techno Techno and – to an even greater
(ESCAPE*spHERE) means (DM) (2002/P165) crypto-controversies surveillance (Simon Penny) It should not go unmentioned live music) stage technology (underground resistance, Station Rose, extent – Rave parties enable Contracts with HW and SW
informatics in conjunction with the ars Information.Macht.Krieg (essays) Detection (1979/K31) Kraftwerk – Unplugged?
walls papered with
getting around the error
correction system of a CD
1-2 years before the software became (1998/II-Knn) encryption methods installations (2) that the top-down paradigm with its centralization
of power is the logical continuation of the
Disco takes over (1993/K265)
cyber pop (Station Rose)
from the
pop field
United Frequencies of Trance)
(1994/II-K126)
direct experience. One feels
the rhythm, hears the noise,
sponsors have consequences for 21 economic view /
available (in Austria). (J. Arqilla & D. Ronfeldt, G.J. Stein, S. Weiguang, (1979/K32) the independent scene ("the globalization discourse
the structure of the means (as relation) (DM) (Yasunao Tone) systems of unlimited surveillance panoptical model.
production view
ars: techno culture
high-resolution W. Jincheng, I.N. Panarin, G. Schöfbänker, M. Wilson, sees the lights ... large institution is already being
open source (Rötzer) In addition, traditional dualisms like instruments and software
"Disk", "Dub","Digital" all the way In Concert liberalism discourse
screens (2003/K225) C.H. Gray, Ute Bernhardt, M. Geyer, B. Richard, (1999/II-K13) using "Augmented (Melita Zajc) sponsored ...")
master/slave, general/soldier, boss/ to "Diffusion" jockeys (1999/K380) (DJ Spooky) economy as discourse (Foucault)
tapeziert sind Reality" (to enhance sensory from the pop field (1995/K68)
code art – code poetry M DeLanda, J. doyne Farmer, M. Müller & W. Wagner, extreme scratching (2003/F23) music, video and games culture (PV) mass office design (game rules of art)
(1995/K26) (Gates)
24 view of the field code art – minimal code P. Virilio, E. Schmiederer, Kunda Dixit, D. Rushkoff, perception) the soldier becomes
a roaming command center
worker ... are repeated and reinforced.
(1996/K194)
disco culture as Art Deco de- and reconstruction of techno-culture
Interface design (cf. below)
cyber-capitalism financing view /
G. Lovink, P. Riemens, RTMARK, R. Adrian, P. Garrin, (1979/32) Laurie Anderson deep antipathy Typodesign (cf. below)
music cuts (Involving Systems) Aural Screenshots (1996/K212)
post-symbolic T. Druckrey, F. Kittler) (1995/K384)
(1998/II-K25) VR systems for (2003/P66) Exercising power in an installation (D. Rokeby) (Fadi Dorninger) towards Cybersquatting
costs view / sponsors view
electrotecture communication simulation and training purposes
electronics – popularization discovery of the show as popular online catalogue (Rossbacher)
artificial I found out that the user's feeling of being able to Micro-DJ lectures pop culture building on (Domain Spekulation)
(1994/K80) view of the in-between (space) (Jaron Lanier)
(1990/II-K186)
CyberWar, NetWar, knowledge war, info-tech,
PsyOps, popular information war, robot soldiers, villains simulated exercise power grew, as soon as I reduced the number
of art (1979/K20)
(Kodwo Eshun) electronic technologyr
an absolute art form – (1995/K365)
culture
Tele-buyers (PV)
(1999/K403)
The paranoid rationality of the of the dimensions of interaction. (boombox) (2000/K354) (2000/F19) communication and entertainment (2000/
remote electronic control battle systems (REC), as mail traffic Telekiosking see also: view of
architecture
as medium robotic war, net war techniques
Gulf Massacre (Les Levidow)
(1995/K80) cf. (2003)
(LAN) (PV) The control music video for Fuckhead (1995/P160)
including Ambient, DJ-Culture, (1989/K125)
(Station Rose)
Tronic Artcore Event P194) Telebanking und (1994/K139) designing gestures design view
(1994/K61) view of magnitude (1998/II-K) cybernetic war, information war
Electronic Orientalism (1998/II-K15) electronically society predicted (Violet Suk, Martin Koch)
Performance software for (1999/K371)
Drum & Bass, Techno, ....
(Elisa Rose, Gary Danner)
(K.
M.
Becker, J. Hennrich,
Retschitzegger,
Teleshopping
(1994/K07) B2B-trade (2002/K49)
Architecture as the art of the (1998/K42) induced blindness and paralysis by Deleuze Digital-Arabesque-Lightshow Leo Schatzl) Point of Sale
High-Tech Barbarism Festival A/V-Collision (2003/Graz) visualizing any musical
next millennium? Deleuze: smooth & striated (fold & discrete units) / see also: (1998/II-K157) (wars, weapons, media devoted to the relationship of parameters
AfroElectro-Genres
(2002/K116) (1995/K388)
virtual department digital money Point of Information view of the future Literature:
(1994/K35) wave and particle / field and particle / analog and digital view of unboundedness information technology (Lynn Hershman) visuals and music (MESO) Sub´tronic ´96 stores (2) (Bernhard Vief) Teleshopping Euphorie digital? Aspekte der Wissensvermittlung
(1998/II-K230)
Body scanned architecture
(Venedig 1995)
track & phase view of atmospheres
light view
Leader function among view of exhibition organizers as weapon (1995/P120) (Fritz Fitzke, Pan Sonic, Sofa 23,
Bugrace99 (Stadtwerkstatt)
(1999/K339) sport event
HipHop Worldwide
(2002/F022)
Sub´bass, Sub´harmonics, webmall
Art Com Electronic Network
CyberCash (1996/J18) Why is virtual reality always
imagined in terms of space,
possibilities of achieving in Kunst, Kultur und Technologie / Gemmerke
Expanded Museum – Kulturelle Erinnerung und
ownership in cyberspace when time is the only remaining continuous income as a
festival events 1 Jul. 95: appointment of media Tina Frank (with Mego)) Sub´culture, Sub´stance, electronic wallet
Interactive Home (Ruth Schnell, Gideon May, Inter-disciplinarity view of change ACEN (1986) (1989/K129/K131)
(2003/P12) artist Gerfried Stocker as managing Instead of the disco ball: computer virtual pop star – Raymond Sub´sonic, Sub´versive (1997/K176)
(Randal Walser) media design group virtuelle Realitäten / Annette Hünnekens
Systems Constanze Ruhm) from digital thinking transformation view virtual shopping street real commodity? (1994/K190)
system architecture to field theory (Itsuo Sakane)
Inter-media
Inter-activity view of
curators' view director of the AEC Betriebsgesellschaft graphics, high-tech
animations
Kurzweil (1996/K318) (F. Dorninger)
electronic shopping economic takeover (1990/II-K208) B2B
The future of Austria –
21,000 works Museumsinformatik und Digitale Sammlung /
Harald Krämer
view of ars electronica
(1996/J15) Design office for digital staging soap performance (1997/K370) hypermedia mall C2B submitted
(1999/J83) Inter-net liquification administration and interaction (MESO) (Van Gogh TV) Dotcom mania E-commerce The future of cyberspace – B2C living in the year 2019
1.75 mill. Euro Kunstgeschichte digital / Ed. Hubertus Kohle
(portable) container studay organization Sub´tronic (1999/K398) (1984/K281)
in the cross-hairs of the the digital city is a form
(1998/P102) (R. Strickland)
(MF) Neither reductive abstraction nor
(Jutta Schmiederer)
view of
23 view of the organizing sniper's camera of public space
(filling the gap between
design, technology and games)
Hotel Pompino – television to play along
Direct television democracy
overhead VJ- New economy
(RTMark) Online shopping
wild frontier versus
hyperreal property ownership museum of the future AEC
(Jungk, Franke, Schwendter,
prize money
(2003/Q14)
Metamorphosen – Gedächtnismedien im
Computerzeitalter / Ed. Götz-Lothar Darsow
decypherable symbolism "apply to" or
et al.
(Paul Garrin) (1995/K182) computer kitsch
projections Cybermoney tele shopping (2) system (C. McGrail) (Bruce Sterling) Zemanek)
state (1990/I-K159)
translate the phenomenon of "interactivity", institution / manager's view (D. Rokeby)
AEC
(2001/F36) (1990/II-K228)(1999/J114) future research
Echtzeit – Text – Archiv – Simulation /

ars: wireless in public space

Container projects: (Walczak, Wattenberg, "discrete" art works festival culture administration penetration of the media into DMCA Digital Millenium Timo Skrandies
(1986) Container-City implanting artificial intelligence Feinberg) (2001/K288) i.e. a mutual inter-relation of man and (1997/K97/K258) (Virilio) I wonder whether there is not an Copyright Act (2001/K212)
machine in the field of the stage that can
through microtechnology exhibition institutions urban space (1994/K157) access conditions to technically micro-electronics for human beings Archivprozesse – Die kommunikation der
"Ponton" in the environment imperialism of time. What happened recently
be seen and/or tactilly experienced. producer from Hamburg C3 Center Budapest GPS, GSM and field book/PDA complex media machines (1984/K371) Copy protection and digital see also: process view Aufbewahrung / Ed. H. Pompe, L. Scholz
control for with the trading program during the Wall
the house as site of Symposium „Intelligent Building“ endophysics emerged from Ulli A. Rützel (first Ars) (2001/K299) Theories of the public sphere rights management political view
New-style conference for the V2 Lab Rotterdam bridge lighting DigiCash Street stockmarket crash, reveals an game industry Unternehmen Capricorn – Eine Expedition durch
intermedia activity (PW) (1989/Karlsruhe) (with V. Flusser) chaos theory (1989/J12) (FF) For artists it has not been easy to view of action
AEC: ... once again, digital generation (2001/K192) (2001/K299) (MESO) Worlds Within (K. Dudesek, Van Gogh TV) (D. Chaum) acceleration of the transactions that no longer as multi-billion license piracy (2001/K25) art history Museen / Ed. Christoph Steinbrenner
(1994/K16) buildings were previously inanimate (Otto Rössler) (1992/K09,K56) Media Lab Helsinki gain access to modern networks, which
field concepts something has been created Multi-User-Domain – a public take place in the time of the stockmarket Napster of the Net (DH) view of art theory
machines (1994/K17) electronic fields (1999/J244) (1997/K153) (1995/P86) dollar market
are reserved primarily for the military, the Optische Medien – Berliner Vorlesung 1999 /
cyberarchitecture (Andrew M. McKenzie) AEC as digital that is unparalleled throughout Concept for the ZKM Karlsruhe electronic place (1996/K376) traders, but rather in that of the machines. (2001/K19)
Event City, Pandora's .... Disaster of every general interactivity. banks and industrial corporations. (John Warnock) Thesaurus on media art (Oliver Grau) Friedrich Kittler
1994
(1990/K-I-105) the world event view II celebration view
symposium "Architecture &
Intelligent Ambients electron. Media" (1994/II-08) Nanotechnology (1986)
media center
(1996/J41) (1996/J58) (Franke) SIGGRAPH USA
(1989/J203)
decided
(Klotz as
in 1988
founding director)
Box
(experience view) a discarded 386 as begging the "digital city" as a (PV) The function of the street and the chainletter (DG) that first changed with the WWW standard software
(2003/F11)
(post-doctorate with Th. Macho) art historical view art history studies Beiträge zu Kunst und Medientheorie /
response to the impending Ed. Hans Belting, Ulrich Schulze
1992
(Hou Hanru) street musician marketplace has now been assumed by education cultural history studies
(Hadid, Irie, Toyo Ito, Klonarides, "field models" of movement, (1989/J194) 1968 world expo in London:
Nano-Technology Ars Electronica became established world wide as suggesting ideas Gwangju curator Cyberspace is not (transmediale) (Alexei Shulgin) commercialization of the Net screens and electronic displays (R. Schmidt) Medien-Welten Wirklichkeiten / Ed. Gianni
intelligent design (Zec) Koder, Prix, Sakamura, Lainer) occupying space, communication Peer to peer connections Cybernetic Serendipity for Computer media history
electronically and energy (Ursula Damm, Michael The World from Inside (1992) a third independent forum among the major events feasibility assessment for Ars themes (2002/K325) Disneyland (Amy Bruckman) experience view (1995/K181) (1997/P80)
(Napster & Gnutella)
the invention of VisiCalc
and the Arts (Initiative from Max Bense) 20 historical view psychology of the collection Vattimo, Wolfgang Welsch
reacting
pavilion
binary notations
in 1976
already
Cedric
designed
Price
the project
Hoch) (1999/K359)
Nano-Computer
SIGGRAPH and Imagina (1994/P10)
Imagina (France) ART+COM
(founded
Berlin
1988)
(1995/K138) crime as
entertainment – ars: who is behind the network REUTERS
(2000/P08)
bypass solutions
(for MAC) created the first
real market for PCs
(1994/K210)
(1999/K414) (Stocker)
(1989/J16) philosophy/theory of collecting
memory discourse
Re-play – Anfänge internationaler Medienkunst
in Österreich / Ed. Sabine Breitwieser
(1989/K218)
on a digital
architecture
"Generator",
building
in
constantly
which the
changes analog: atmospheric, field-oriented
(1992/K08) AEC
up
was
with
set Computer/Software
for providing ideas
trade fairs ISEA Int. Symp on Electronic Art (1989/J195)
AEC conception
Digital effects (in film), themselves
presented artistically (2002/P119)
22 entertainment view living map –
up-to-date facts
Symposium Information technologies currently
(1995/K298) s.l.
SDS3 Small Dish Satellite
20 years of ars electronica (AH) Interactive media art is difficult to
would naturally be a reason assign to the conventional categories history of technology view memory theories Perspektiven der Medienkunst / Neue Medien -
(Regina Cornwell) still prevail by rather unimaginatively Map of the market Neue Kriterien? / Das digitale Museum /
(1994/K150) according to the wishes of (see left) funding (S. Wilson) ... the extremely questionable hope (for receiving data) (M. Wattenberg, Joon Yu)
for an archeology of the of art studies – "end of history" discourse
(M. Plottegg) Authors for Endo/Nano: R. Abraham, (1989/T) founding of the Zentrum für Kunst und (1998/P106) following the guidelines of classic offers for currency traders artistic development a separate classification should be Why are there hardly any scholarly Ed. H.P. Schwarz, J. Shaw
the users (1994/K30) amounting to that art earning money in technology history of philosophy
ETH-Zürich
ASL Architectural
Ma – sense of space H. Atmanspacher, John L. Casti, M. Conrad,
D. Finkelstein, D.D. Hoffman, L. Löfgren,
180 Mill ATS ATR Advanced Telecomunication
(1990/T)
Medientechnologie
founding of the
Karlsruhe
Kunsthoschule für Medien Cologne
(AH) In all considerations, the question
arises about assigning interactive media
view of fashion / adornment matters can soon pay its own way
capitalism to the detriment of
social-state ideas
(1999/P54)
( .... Why not developed (Heinrich Klotz) works on computer art in Austria?
museum studies Suchbilder – Visuelle Kultur zw. Algoritmen und
the world of the interstice (1996/P16) Research Institute (Kyote) (Stocker) (1996/J52) About the influence of new media implemented ?) Archiven / Ed. Wolfgang Ernst, Ute Holl, et al.
Space Laboratory printing buildings CAAD computer aided (Derrick de Kerckhove) J. Parisi, Gordon Pask, R. Rosen,
supported by the Japanese gov't., (1992/T) Multimediale 1 at ZKM art to the category of "art" or of "game"
see also: view of clothing (1996/J54) (Stocker) and information technologies on
(Oliver Fritz) (Province / "entertainment". CAD CAM CIM tearing down boundaries between Digging th Net – Materialien zu einer Gaschichte
(1994/K145) architectural design K. Svozil, I. Tsuda, S. Garfinkel, design (Peter Zec) the problem of the lack of
(1990) style eras of technology
1994 ars: digital design
(2003/K285) K.E. Drexler, Jane E. Frommer
30%, federal NTT, Sony, Panasonic, et al.
(03.1992/T) project ideas for AUO (AEC proposal
see also: view of playing separate art institutions and Andreas the uncertainty of the der Kunst im Netz (Beitrag) / H.D. Huber (DH)
(1994/K144) gov't. 10%) (workplace: Christa Sommerer, digital design categories (1979/K03) (1979/K31) historical distance (DH)
diagrammatical from Leopoldseder, ORF director) (DG) Why OR and not AND ? see also: theater view and identity view (Kay Friedrichs) Broeckmann up-to-date (1989/J33) Lebendige Eriinerung – expanded museum
CAVE-cavern recruiting agency Laurent Mignonneau) Since about 2000, the design of the
architecture the medium as building using fields for musical instruments (07.1992/T) AEC project study commissioned to ART+COM (1994/K177) Computer aided design has already had a Computer art looks back on decades of (art historian, art history as technical (essay) / Anette Ünnekens
(P. Kogler, for artists (1996/J121) (AH) Interactive media art Experience-Designer car body has depended significantly
material (1994/K58) (09.1996/T) AEC opening (in competition with ZKM) history, first music, then in graphics, in animation media theoretician) history, or rather a history of the (AH) Interactive media art is "obviously" (?)
F. Pomassl) (AH) In 1952 Ben F. Lapowsky first mentioned (Irational) Research areas: Human Interface, event culture point of fun as "entertainment pieces ? (2001/K20) economy of significant impact on product design on software. Recording Technology History / Steve Schoenherr
the possible future of and in other artistic fields. (1989/J16) (1998/P20) use of technology still not a recognized part of the art historical
(1999/K367) graphical images generated from the interaction (1999/K401) Speech Recognition, Voice Recognition, attention Pioniere Interaktiver Kunst von 1970 bis heute
architecture (M. Fujihata, (1997/T) Opening of the Media Art Museum experimental Info/Edu-tainment Art occupying territory in the domains of technology V2_Organisation (see supplementary observations) canon
between a cathode ray oscillograph and a Speech Translation, Radio Optics, "Cloud of Sound" since Entertainment-Architekten (1996/K230) Will all arts be transformed into design in the Söke Dinkla
Kei´Ichi Irie) (1994/K121) (PV) With this kind of mutable at ZKM entertainment (2001/K281) (M. Shamiyeh) (2001/K295) and its fields of business (?) (2001/K19)
age of information technology? (Zec)
cathode ray tube Virtual Reality the first Ars (1979)
ars: a case for art history after 30 years
wall (opaque wall screen), the poetically subverting Google (AH) The question arises for Klotz of whether interactive
outside can be turned into the Magnet-TV submissions and electronic Strategies of Intertainment
(cars and built objects as the new sculptures?)
(Nam June Paik)
proportion of prize-winners Interactive Media Festival (Los Angeles) art for everyone entertainment Entertainment advertising mechanisms media art is not appropriating categories of performing art,
inside and the inside into the (Steve Mann) (1997/K219) (Ranzenbacher) (2001/K258) (2003/P54)(C. Bruno)
Questioning the concept of the prize money in the festival program Biennale artifices (Saint-Denis) "Clouds of Sound" social What distinguishes the AEC as "Museum of the comprehensive symposium Abstraction now (2003 Vienna) thus becoming an "indigestible mixtum compositum" for
computers
integrated in clothing
outside
the gravity of buildings intelligent environment (from the whereas electricity effects a
Media Passage (ICC Tokio) (as celebration culture)
(1989/K87) PlayZone
Millenium Dome
entertainment (H.
(Land
Hörtner)
Design
(2001/K294)
Studio) (PV) In France 700 000
view of cities and regions Future" from an advertising camp of the How
no
should
longer be
works
run?
be
(HW,
included
operating
that can
system)
(Norbert Pfaffenbichler) the trained art historian ...
Sommerer was Biennales of Kwangju, Lyon, Nagoya (2003/P36) computer and IT industry?
(R. Lainer, E. Bannwart, Saskia perspective of surveillance): concentration, electronics leads to Even for someone who has been a event culture (2001/K221) households can state Ars = "Art" - was meant in Linz from the Only accompanying/contemporaneous
instead of "intelligent rooms", member of the jury for the Prix for some
Artist in Residence
(Stahl Stenslie) Habbo Hotel
their interest in a product (1996/P22) (Stocker) neo-constructivism (DG) 30 years behind in education? apartment as palace of memory
art of the environment, like Sassen, J. Meister, E. Lopez- a dispersion instead of beginning, but has not retained its art research is practicable and feasible (DG)
sculptural architecture ... Galiacho, T. Groothuizen) "intelligent floors", intelligent ceilings", (1994/K77) time, the Ars Electronica still holds an
inherent secret: ... how it invariably
at ICC for one year
ICC: InterCommunication Center Bodytainment
(2000/K216)
celebration culture event design On-air design and set from a commercial 21 view of the (art) market Design Noir – character at all (1989/J180)
(1989/J40)
NeoGeo
(2001/K289) (Walczak et al.)
intelligent toiletts", "intelligent (SW: Open TV)
(Otto Piene) (1980/K96) experience engineering (MEGO, Involving Systems) projection (TV Studio) the secret life of (editor of ART) Media history instead of art history?
lightswitches", H.I concentrates on earth rays – electron rays manages to find and attract the main Banff Center for the Arts (Canada) (MEGO, Involving System) online (media highway) electronic objects (FF) The age of representation is followed, as
the concept of the intelligent human (1984) (R. Kriesche) protagonists year after year, the initiators from document to event (2001) large-scale projections advertising and Only "OK" as reaction Radio art as Paul Virilio says, by that of "presentation".
the age of the
the brief physical presence Initital AEC team: E. Berger, S. Brandstetter, view of advertising (Fiona Raby) historical blindness of the self-historicization attempts NeoGeo (1986-90)
being. (1989/K137) of what is new, who are always a step as "wallpaper" user profiling fine art? The aesthetics of communication does not aim to
ubiquitous (HK) for a media possibilities for (2003/K273) electronic arts Technical history instead of art history?
computer (1994/K132)
of architecture (1994/K143) ahead ... (1996/J71) (Roy Ascott) V. Cizkovsky, D. Dobesberger, L. Dobusch, Takeover (Symposion) gesamtkunstwerk advertising is affirmative deriving continuous
(1989/K278) MIT – image databases create objects, it does not work on concrete forms,
(G. Schmitt, F. Wenz, Kurmann) Container City on the Internet M. Falkinger, O. Frommel, D. Haider, electrolobby (3) – (1997/F51) application history ORF – media database it addresses "space-time".
Engineers of Experience – It is obvious – from art and experiments with income as a media If advertising designers apply Live sound portrait (ML) technical history of
raster microscopes crossing through V2_ Rotterdam C3 Budapest W. Hartmann, H. Hörtner, E. Kapeller, showroom for digital culture (G. Mnich) (AH) A history of the "image for constructing
(M. Schulthess)
nuclear landscapes Who´s go to it right? the development of new
& lifestyle (2001/F13) desires design group memetic technologies on a large of a city (1989/K304) mankind in theater AEC – ars electronica database (Roy Ascott) (1995/P20) A change from the art of representation
(1997/P98) J. Kern, W. Modera, C. Mutter, D. Offenhuber, Der Boom von Edu- und technologies, from TV – context-driven event worlds" (Weibel) view of
(1992/K80) zu erzielen (Bill Fontana) E-brand and performance to a culture of the manifestation holds multiple shifts:
C@C (Computer Aided Curating) M. Pointner, C. Schneebauer, P. Schöber, Infotainment, Visitor- und that one of the main goals influence of the advertising scale, which possible influence is Harappa – Indus-Kultur re-presentation
strategies of Spam reception – negotiation (orientation to action),
art as surroundings field disturbances and data turbulences (Eva Grubinger) (1995/K245) T. Weber, G. Stocker, u.a. Brandexperience is to intensify experience.
Web entertainment
agency (Moccu)
industry in the development
seduction (AH)
left to an artist?
(1996/K133)
Soundwalking
city as acoustic
–
Repetition of
(AH) According to Weibel, media art as a whole is closely linked (Omar Khan) representation – construction, hermeneutics – heuristics, tunnel vision –
(Kirk A. Woolford) (1995/P134) outside conventional institutional (2001/F09) (Melita Zajc) of digital film production with the new telecommunication media: like the analog techniques of (1997/P90)
art as spatial experience frameworks reasons for situating media institutions in disco culture (1995/K68) (2001/K197)
Manhattan Timeformations the climate for art reflects the climate
environment Toywar campaign Material for the birth of a new art history? photo and film, media art goes through several phases: the material,
bird's-eye view, content – context, object – process, survey – immersion,
figure/ground – pattern, iconicity – bionicity(cf. embodiedness), nature – 19 view of representation art theory
the vicinity of industrial locations or larger acoustic-electronic ceremony as Art Deco (1989/K308) (2000/K359) physical, machinic phase of overcoming temporal and spatial distance, Literature:
electronic curators stage design for large- (Joshua Davis) (2001/F36) of the city (1989/J07) direction in art: Interactive Art artificial life, certainty – contingency, dissolution – evolution, morphology
informatics institutions (singing pool) (Stadtwerkstatt) (1979/32) scale presentations (Hildegard (etoy) followed by the wireless, immaterial, bodiless phase of electronic sounds Visualizing the Semantic Web / Vladimir
Takeover II (symposium) Westerkamp) cf.: view of art studies (1989/K87) (PW) The analysis of types of activity Gallery „bitforms“ computer as tool – digital environment, observed reality – institutional criticism discourse
(1997/F021) Net.Shop as "media stage design" confirms this central view/direction (DG) and images - of video art and performance, for example - and then the (2003/K218) (Steve Sacks) Geroimenko, Chaomei Chen
art as field manifestation framework for the participation (Rötzer) (HK): ...Making technology acceptable to a broad productive intersections of Digital culture & lifestyle in action:
(MEGO, Involving Systems) multimedia sound city? role of the ars electronica AEC department: phase of digitalization, which makes the tendency to immaterialization framed software art /vs/
constructed
consciousness,
reality, paranoia
behavior of
–
forms
telenoia,
– forms
autonomous
of behavior
brain – distributed
view of the exhibition curators debate The Media Pavilion – Art and Architecture in the
public. This is best done by imbuing High Tech with the entertainment, design, gaming, featuring electrolobby residents (1979/K25) für die Stadt Linz habitat & even more radical. material debate
art as program of young media artists in the ars
aura of art or culture, thus demonstrating the Open Source, E- and M-business (2001/F08)
TRANSIMS – in the last 3 yrs.,
city stage
(1994/K141) urban planning (AH) Should the
unframed software art Here Ascott summarizes a "performative turn" (see left)
philosophy of difference
Age of Cyberspace / Austria – Biennale di

art as mathematics compatibility of "two cultures". This is naturally stimulating environment,

dayclubbing, informal
(2001/K192)
Lifestyle (2001/K20) a team around C. Barrett developed (ART+COM)
Icontown
Atlas Linz – analysis of the (1997/K12)
Rhizome
(2001/P68)
(1999/K398) archive view concept of art be
abandoned?
permanent self-exhibition
(see the left half of this study)
presentation view rhizomatics
Venezia 1995 / Ed. Peter Weibel
Medien Kunst – Ausgabe 0 Juni 1991
linked with economic interests. an electronic replica of the city of (virtual city) (Jennifer Ringley) (see below) being exhibited with media Interface as landscape (D. Rokeby)
media conference, Social Entertainment soundscape (1998/K120) archive of critical writing Where is the new place of art?
Youth Marketing Albuquerque (investigating promotional (2000/F22) (Malina 1990)
WEB-CAM, homepage, TV-container, ... valleys, in which users tend to gather The Art of the Exhibition (study) / G. Dirmoser
networked showroom Environment (2001/K205) (Bordoni, Marchesin, Paci Dalò) on media art "Is fine art at an end?"
The fundamental question arises as to
(1999/F08) Symposium ars electronica 79-99 (2001/K192) (2002/K265) pushing the the global traffic patterns)
(1996/K141)
interactions (MEGO)
center for
Streetscape (Iori Nakai)
(2003/K417/P114)
(Mark Tribe, Alex Galloway) 20 view of the collection (1999/P144)
(1997/P06) (P. Virilo)
the meaningfulness of an "exhibition design" The world's first global art gallery for
(well-worn paths with optimized
operations)
(AH) "crisis of the picture" in terms of its
capability for representation
(R. Ascott, E. Bannwart, H.W. Franke, W. Haupt, entertainment electronics: envelope of the fashion show village
visualization projects for this kind of "electronic centre for electronic art (Ed Stastny) (1995/P72)
(1997/F09) electronic art Archive – former Use of historical
H. Leopoldseder, O. Piene, I. Sakane, Christine games, playing devices, (Sharif Waked) practically no collectors computer media" (R. Verbizh) How do you exhibit something within Virtual Galleries /
A Celebration for Linz: mediatization of cities (1979/K01) (Leopoldseder) propaganda museum graphical models as basis
Schöpf, G. Stocker, P. Weibel)
(Rachel de Boer, Isabella wireless devices, ... museums as entertainment (Edouard Bannwart)
Digital City (G. Lovink)
Digital cities or "Freenets" (2004) 3D-visualization of
of digital art
(G. Legrady) (1994/ museum view for a complex film (Robin Clark) (2002/F12)
(1996/J79) The Encyclopedia of Clamps
(1997/P142) (Barminski, Lewin, Hesketh)
the exhibition framework of a festival
that doesn't even need an exhibition Electronic Galleries
Bordoni, M. Brandt, Gordon W., (1994/K138) (1995/K180) (1994 Amsterdam) manufacturing plants collection of Internet films P126) (Alain Escalle) !! (Internet, CD-ROM, TV ...)
Multimedia fashion show - Designed major exhibitions, incl. at all? (2000/K322) (openX-setting)
art as questioning Huge Harry, R. Lozano-Hemmer, communication and entertainment multimedia city XS4all Server (Hacktic Group) (MEGO, Involving Systems) a club's collection of music Playzone in the Milleniumdome (1997/P24) navigation aids (electronic galleries on the Internet)
M. Huutajat, P. Öttl, C.M. Silva,
A.Wortzel, DJ Riot, DJ Willi,
(1989/K126) Project group networked city
(future lab) digital archiving samples
view of storage media AEC must not ... only see itself
Renga – linked image Internet exhibitions Art Com Electronic Network (visionaries & the dispossessed (CD-ROM))
(Station Rose) exodus from the city ACEN (1986) (1989/K129) (Before the Sound of the Beep, concept exhibition on
M. Janssen, D. Kousbroek (1996/J101)
TRON computer city (TH Darmstadt) International City Digital Archive ArtBase from Rhizome & as supplier and gallery
(since 1992: Toshihiro Anzai,
The Happiness (Elisa Rose, Gary Danner) (1994/K136) (1995/K61) storing documents with Variable Media Initiative art historians have only been In the past, art museums were repositories Rieko Nakamura) art galleries on the Net electronic exhibition space the answering machines of 20 galleries in Paris)
(Berlin) the ideal (user contributions) emulators (2001/K340) (1996/P22) (Stocker) (mailorder catalogue as exhibition - folder, Internet)
Machine The use of computer graphics and of the Guggenheim dealing with artifacts for for artifacts. This cannot make sense
Digital City Linz the digital city model city on the Internet (George Legrady) exhibition conception
ars: electronics in the exhibition context
30 years when the artwork involves experiences space.art – an electronic 1000 masterpieces – comfortably buying art (Kulisch,
(1990/P09) animation in conventional industry films (digital possibilities (1995/K254) (2003/F38/P108) (2001/K345)
(walk-in screen bunker) and contexts. It is absurd to exhibit museum – virtual interactive using MiniCave Obereder, Pichler, Rakuschan, Wid, et al.)
experience from Hollywood and for leisure parks thus Computer City of communication: (1994/139) (1998/II-K230)
Video monitoring service - Takeover (Symposium) code collections (2003) CD-ROMs in a museum - one does not go 3D CAVE installation (television gallery – 1000 masterpieces)
architecture not only popularizes computer animation, (1994/K93) city administration and urban development project (2004) Digital Alexandria at least as symposium
most North American broadcasters From Document to Event – to an exhibit of books to read books. (A. Benjamin Spaeth) barcode catalogue to Artanalyser – Infoscreen for electronic exhibitions
(2002/K330) but also provides a maximum demonstration (Ken Sakamura) citizens) (Janko) a multimedia city center deleted many news broadcasts What will remain? (R. Malina) (1995/P31) (2003/K431) navigate image discs selected art works
(P. Maresch) of its possibilities. (PW) (1992/P42) (1994/K131) (1996/J29) (1994/K141) (2001/F09) the museum as a
Museum of the Future – AEC
experimental gallery exhibition design
Linz as city of technology recorded between 1981-88 laboratory The Electronic Gallery (1992/KII-06) (2001/K266) design of the PRIX exhibitions (1995/P74) (Fareed Armaly) (1994/II-K50)
Terminal Art
1994 ars: digital city
Electronic Pool virtual city – (Frank Ogden) (art laboratory: Max Kossatz, Oskar Obereder, how to exhibit web sites
(1996/J29) (1986 opening "La Villette") In this aesthetic of emergence, the (Stephanie Cunningham)
multiuser media environment deterritorialized (1995/K101) electronic museums F.E. Rakuschan, Franz Xaver) (1995/K271) Insectinspector – tool for (Jürgen Klaus) how to exhibit software
(Expo CH 2002) conservation of digital art (1986/K322) surface image provides nothing more inspection and display synthetic exhibition
"meta-city" (PV) (1986/K291)
Symposium: what holds the city together porting, migrating, (Johannes Deutsch) (2001/K346) the first museum of all "old" media (material) /vs/ than a site of penetration into deepter (Gerda Lampalzer, Gerwald Rockenschaub,
(2001/K266) (1993/P37) (David Haxton)
(MEGO, Involving Systems) Gottfried Bechtold, Hans Weigand, Heinz telematic sculputure
converting, reimplementing "new" media (transient) layers of meaning or being. surfing on electronic surfaces – Too many artists or galleries or museums taking part in
art as event fashion scene in Afrika
Tokyo as media landscape
(1994/K70) (Mark C. Taylor)
architecture in a simulated urban planning workbench maintaining HW and genres (ZKM)
(1995/P19) (R. Ascott) Reisinger, Helmut Mark, Helmut Stadlmann, 15 years of Ars Electronica (CD ROM) the PRIX merely placed their portfolios on the homepage, or
(R. Kriesche) (1994/P120)
city (Toyo Ito) (1994/K84) (Underkoffler, Chak, operating system at the The Virtual Museum fragrance input Helmut Weber, Herbert Schager, Hilus,
art as media event (Oumou Sy) designing the simcity
the perspectives of
Pangaro, Alonso,
video as lowest Museum as same time (1992/K105) (Jeffrey Shaw) (1979/K26)
performative approach!
Hubert Matt, H.R. Fricker, Jürg Meister,
(Station Rose) (1994/201)
Hypermedia Lexicon
they uploaded works to the web that
wall (1996/P38) ... The result of this is no more
normally hang on the
digital signature
(2002/K92) common denominator entertainment Archiv für den KEO-Satelliten
art as celebration urban memories cyber city flight – the city (1996/J15)
Fielding-Piper,
Santos) (2001/K366) (Jean-Marc Philippe) (1999/P28)
replica of each current
situation (Landesgalerie)
fragrance theater 19 material view / Kit Blake, Konrad Becker, Kurt Hentschläger,
Kurt Kren, Leo Schatzl, Literatur und Medien,
list of electronic tools than an art catalogue. But a catalogue
digital watermark
(1994/K155) virtual Berlin electronic artists' museums (A. Hirsch) (department stores) „sniffman“ 32 fragrance channels is not art. robot ecosystem (L.-P. Demers, B. Vorn)
(2001/ DB for eternity mobile system (for Internet Margarete Jahrmann, Martyn Berger, Mathias Online exhibition CODeDOC I & II Art Com Electronic Network
urban investigations the over-exposed city
(1998/P28) (knowbotic
(ART+COM)
(1994/II-K95) (1994/K94) (P. Virilio)
K259)
The law of the libraries:
Art Com Electronic Network 4 uncensored pages
per participant
from the flipbook to the
museum on the air artificial/electronic noses
presentations, games, wellness, olfactory view (smell) Fuchs, Matta Wagnest, Max Moswitzer, (John F. Simon, Annja Krautgasser, Rainer Mandl, ACEN (1986) (1989/K132)
parasites, scavengers, swarms, ... (1996/P126)
ACEN (1986) (1989/K130) fragrance cinema) Michael Huber, Muki Pakesch, Norbert epidemiC, Joan Leandre, Jaromil, Ed Burton, (AH) from the object-oriented
research) Tokyo 1997
curators and libraries mostly (Toshio Iwai) Machine stand-alone applications
Electronic Library (2004 Landesmuseum) Pfaffenbichler, Pepi Öttl, Peter Fend, Peter Antoine Schmtt) Matrix – to the context-oriented phase
The New City the access ritual of teleinformatics Pool Prozessing (as work concept) image theories
(1994/K181) now replaces that of the portal
leave out what is most
available.
(Electronic Publishing)
The Imaginary Library
(1994/K249) The major exhibition Immateriaux
(1985), inspired by Lyotard, developed
see also air space activities
archeological view Kogler, Peter Sandbichler, Rainer Ganahl,
Ruth Schnell, Sabine Bitter, Stoph Sauter, Criteria: best experimental/ junk with (Fortner Anderson, Robert Edgar, (see: context study) morphology Literature:
(1994/K97) (Heiko Idensen) (Mathias Krohn) and atmospheric design experiencable gallery (1995/P46) controlling James Johnson, Judy Malloy, computer visualization studies performative installation
International Concept (1996/K257) The other way Firefly music database // from the design discussion about Tassilo Blittersdorf, Tin, Tristan Thönnissen,
(1990/K-I-131) (Mark Malmberg) (1993/P64) devices Stephen Moore, Sonya Rapoport, Ähnlichkeit und Berührung / Georges
Design Competition for between the nodes around with the Internet? (DG) Ringo music database (1995) "new materials". (1988/K84) U Phi, Udo Wid, Van Gogh TV, You Never Know, (WaxWeb, Digital Art Endeavors) installation art in the pictorial turn (discourse)
Advanced Information and data packets
(AH) connecting
single (1997/F45) Reading Room (similarity profiles) (P. Maes, M. Metral) (1995/P64) material character immaterialization
view of gravity Zelko Wiener
mixing two- and three-
dimensional procedures
(1998/P215)
(Gordon Monahan)
Joe Rosen, Henry See, Fred Truck,
Paul Zelevansky)
computer performance
PRIX exhibition at the OK diagrammatic turn (discourse) Didi-Huberman
City (1986/87) (F. Rötzer) digitalized manifesto of tactilism Ins Universum der technischen Bilder /
(Betty Spackman, Anja material effect (virtual) (J.-F. Lyotard)
(1994/K181) (1994/K108) museum holdings (AH) What distinguishes the virtual (AH) immateriality instead of material types of dispay (supplement to projection): cathode ray tube video sculptures program and Vilém Flusser
art as location factor the acoustic
Westerfrölke)
museum is that its form and content aesthetic of the painterly
display, Cave, HMD (head mounted display), sculptures (Nam June Paik)
robotic sculptural systems
machinery of information furniture work concept (AH) medium instead of thing Für eine Philosophie der Fotografie /
electronic memories are always changing and are not (Michael Tolson)
(AH) living memory –
art as point of reference secrets of the
(1994/157) expanded museum determined. (1993/P18)
software as material
immateriality (AH) The visible computer wall of building, monitor, projection wall,
water wall
game console as basis
(1989/K196)
electronic sculptures
(1982/K102) (Istvan Kantor)
vibrating crates – new work concepts:
Vilém Flusser
city (1996/K288) the materiality of new media of projection (2002/F043) (2000/K290/P94) Bilder Digital – Computerkünstler in Deutschland
art as workplace (R. Paci Dalò)
Video-Disc
net museum And yet we are torn between these effects, Obeying gravity in (Y. Suzuki, N. Morita)
(Alan Rath) (Alfred Jan) (Chris Dodge) (1997/K272) use of junk metal installation ! media art work 18 view of the art work 1986 / Ed. Alex & Barbara Kempkens
(1982/T) first digital audio 5-inch CD because they indicate a new aesthetic, which virtual space; hardware archaeology (cf. Contained) (1998/P200) media works
(AH) virtual and dematerialization of art boring show of (2002/P106) Kinetic visual sculpture Vom Tafelbild zum globalen Datenraum – neue
(1985/T) Standard for CD-ROM no longer operates mimetically or materially, elastic collision (P. Bosch, Simone Simons) artware
(1987/T) Digital audio tape DAT imaginary museums (1979/K32) (Vasulka) (1992) Klettergarten imitation images (1997/K307) Möglichkeiten der Bildproduktion und bild-
but instead originates purely from imagination. Dematerialization of art (program laws) multi-colored performative installations
CD-ROM (1993/T) Digital HDTV
cyber-museum (1996/P35) (Lischka) (Lucy Lippard) (Akke Wagenaar, Bob O´Kane)
(Mario Purkathofer) (Idensen, Krohn)
pixel impressionis
motion sculpture
(M. Brandt) spatial sculptures (Kinetik)
(ML) the work concept is
view of the installation gebender Verfahren / Ed. Peter Weibel
electronic (1996/T) DVD player on the market disappearance (1992/K173) programming languages as (PV) A paradoxical logic of images (A. Nemeczek) (1990/P19) performative media installations (1979/K37) Article by Monika Fleischmann !
(1994/K82) begins now with the invention of video, (1998/P220) deconstructed with the help of media
recording media (1997/T) founding of MP3.com (PW) viable architecture: incomprehensible materiality of material material with very special installation based iconoclash – beyond the image wars in science,
stop thinking only in materials manifestations
computer as material (Casey Reas)
properties (2003/K180) data processing and holography
Standstill of the development –
Soa(pOp)era for
Labtop-Computer machine sculptures (AH) reaktive sculptures (2003/K228) The digitalization of art turns the product view religion and art / Ed. Bruno Latour, P. Weibel
(Rus Gant) Centerdisc – 54.000 images (1994/K15) virtuality (see below) technical material battle (PV) In domotics, wall pictures exemplified by image categories:
on radio remote-
art work into a transient object and Ordnungen der Sichtbarkeit – Fotografie in
on an image disc (1982/K45/K84) for dematerialized images/projections Btx, Videotex are replaced by the wall monitor, imitation, micro- and macro-cosm, machine installations eliminates the fundamental
Wissenschaft, Kunst und Technologie /
battle against the slavery Information as new controlled vehicles dimension of corporeality
first prototype of multimedia SW!! psyche and philosophy, computer hardware transformation
visual computer of gravity (Joe Davis) material properties of certain (DM) As functions they designate something "material" (see below) Btx gallery (1986/K310)
by the screen in the opaque sense.
craft ( eye-catcher )
(Hovagimyan, P. Sinclair)
(2003/K228)
fewer "machine builders" and (1996/K205) object view Ed. Peter Geimer
large installation makers in the Sehmaschinen und Bilderwelten / Ed. Bodo von
art as question of conservation (1982/K42) displays or camera chips immaterial, but a materiality is required for their Potentials of digital
CAVE: virtual reality may be
(1990/P20)
electronic image (vs) unitM – User Sensitive
criteria: the most sophisticated device course of training
(Simon Penny)
Dewitz, Werner Nekes
execution, which simultaneously limits them in photography ? JPEG, GIF, TIFF, PNG, SVG, DXF Information Architecture
laser-optic image disc best defined as a wide-screen digital image (SH) less perfect art ...
(1982/K47/K84) Physically-Based (HK) It is just one pixel next to
another. That has an entirely different (PW) (1993/P52) Dirt finally
their possibilities.
(also see access conditions)
digital art depiction of computer-generated, SPIN (Spherical
(2001/K325)
(1995/P46)
playable
monitor installations
(1992/K127) (Michael Bielicky) as an indication of
tactile haptic view Zwischenbilder Zwischenräume – Kopigraphische
u. elektrographische Arbeiten österreichischer
Modelling quality from layers of paint homogeneously reached the computer in 1992 multisensory information floor display
computer art computer graphics digital copy art projection Projection Interface) machines design possibilities Künstler / OÖ. Landesgalerie
Magnetofluid Sculpture superimposed. (... fuzzy logic, ambivalence and following a user in real time. (Matt Heckert) walk-in monitors/scanner - image traces
The Art of CODE (F. Nake) performance (time´s up)(2000/K302) Levine (a pioneer of video art) (1979/K05) Leonardo 2000 – Kunst im Zeitalter des
(reaction to noise from the environment) fractal geometry ...) ... departure (Symposium)
(Daniel J. Sandin) (1996/J84)
(1998/K255) (T. Oursler)
has always called himself a (1997/K311) (1999/P70) (J. Blank, K.H. Jeron) similarity and touch Computers / H.W. Franke
(Sachiko Kodama, Minako Takeno) from the seduction of the surface, (2003/F10) "media sculptor" (1997/P200)
Visualizations repetition of art history view of photography (granular & synthesis) INFLATABLES Vom Readymade zum Cyberspace – Kunst/
(2003/K424) from the clarity that actually image databases performative deformation
CODE Exhibition on Xenakis: Netzhaut – concept for the facade of of information surfaces Pneus, flying sculptures Variable objects as micromodels of
corresponds to the consumerism
(2003/F29) (Marius Watz, technical drawing possible architectures Medien Interferenzen / Dieter Daniels
Conventional computer art is (1984/T) Sony presents a physical representation and (1980/K29)
material display
granulated (musical) parts can be
folded together in a new way –
of commodity aesthetics.
generally the most conservative, M. Wattenberg, apparatuses gigantic video screen with 18 view of the picture the AEC (C. Möller, J. Sauter)
(1994/II-K91) manipulation of digital (AH) the communicaton artist
(Cornelia Unger) (2000/P188)
(1996/K426) (H. Gsöllpointner, Intervalle 5 / Mimetische Differenzen. Der

2003
the dullest, most non-innovative Gerda Palmetshofer, the JumboTRON information (1997/K201) as "sculptor of information" on the grammar of objects (1997/K300) C. Möller) Spielraum der Medien zwischen Abbildung
"Trash Mirror" (Daniel Rozin) Anonymous Muttering typewriter graphics traveling through 3D spaces made of
(2003/K223) s.r. (knowbotic research) (1997/P132) art form of the 80's. M. Subotnick, (Fred Forest) (Constanze Ruhm) (Graz 1993) inflatable puppets und Nachbildung
"Wooden Mirror" (2000)
(1979/K41)
(1989/K336)
(1989/K337) (Brian Reffin Smith) image synthesis Justin Manor,
Sue Costabile,
Eidophor color TV projector Visual Codes
(Joshua Davis)
view of framing video projections
(1989/K209) (J. Shaw)
Workshop
large project.
Shared Physical Objects
For the first time, a computer- (Matt Gorbet, Magie Orth)
(C. M. Silva)
(1999/P68) (Perry Hoberman) Medienwerke aus Österreich 1992-93 /
(1989/K106) (1979/K36) (1980/K11) (H. Ishii) (2001/K255) 3 versions of a furnished space. vorgestellt von Peter Weibel
SW: paint box (1986/K13) genetic images Lia) (Bill Viola) (2003/F38) Huge & Mobile (no boundary between animated fur was able to convey (1997/K280) triangular objects can
Material-Display Das Bild als kommunikatives Medium /
art as question of material Internet garbage disposal (12 fax machines)
synthesis images (AH)
variability, combinatorics, aleatorics
(1993/K401) (Ryoji Ikeda)
Can image and diagram (Jim Campbell) view of projection "Trash Mirror" (Daniel Rozin) input and output) a realistic tactile feeling. be combined (each with a separate
Each version is monitored by a real/virtual
camera and combined into one video image Klaus Sachs-Hombach (SH)
in paper form – junk mail, spam, ... computer-generated images (Karl Sims) ! (Ryoji Ikeda) (Sue Costabile)
research effect a drive? (1998/P84) (2002/P116/P122) (Pete Docter) identity) stereo-lithographic
(2003/K223) tactile interfaces Oliver Grau
(Otomo Yoshihide)
(nowhere.com / Nick Philip)
(1999/P48)
electronic images drawing machines
(1979/K42)
algorithmic
(2003/K228)
image
algorithmic
music visualization
(2001/F20) In tele-rendering, both
art of projection techniques (DM) Seeing something as
image has always also panorama images
projection techniques
(2003/K260) (Sommerer) car design as a new field of
models (light-hardened
plastic - laser exposure
Computer Aided Design
(former PRIX category) art? components of computer- (Romy Achituv) (2000/K401) sculptural design.
Auto-Illustrator Picture Processing Methoden Steam Screen shadows in simulation meant seeing the mediality 3D CAM/CAD) object design using CAD
Videograms: photocopies (1979/K17) Real-time 3D- interactive image graphical image generation, (1982/K46) of the medium too. gestural shadow plays tactile (2002/P94) (Crispin Jones) Use of software for car and
(Ayre Wachsmuth) (1993/K292)
(2001/F32) (Ade Ward) Ideas, not pixels! (2001/K259) architectural objects. photorealistic representations
directly from video beam The electronic image as transition of the manipulation model and renderer, are 360-degree recording techniques (2001/K246) (2002/P73) interface (M. Jahrmann) (2003)
computer graphics data-object
(Herbert Schager)
(1984,87,88,96,2000) (1982/K113)
(Aldo Tambellinie) technical image from the indexical to the
interactive. It becomes a sensitive field, Computer Graphics (former PRIX) (1989/K209) (1989/K221)
(Timothy Binkley)
separated. (SH)
laser image projectionShadow Dream
(M. Belge, R. Harrington)
and 360-degree projections
(Franke) possibility of (spatially)
interaktive video panorama
(1999/P92) (Sommerer,
touching images from a window
Mignonneau)
laser-sintering
(M. Jahrmann) Design goes virtual (Zec)
a hyper-image. (SH) (J. Shaw) (1982/K35) (Luc Courchesne) (2002/F45/P92) see also: Tangible Interface multimedia sculptress
Cladnyian Computer graphics were ultimately (1992/K130) (1996/K416) (1986/K75) unlimited (virtual) image spaces
"making" painting & music sound figures characterized by being active without three-dimensional (Scott Sona Snibbe) (Gerhard Funk) sensor-controlled panoramas from the physically tangible interface (FF) The aesthetics of communication does not aim to (1997/K120) (Catherine IKAM)
diagram-forming (1979/K36)
composed circular panorama cinema of the
produce objects, it does not work on forms,
(1997/P130) the influence of any theoretical painting (1993/P18) (1996/K414) movement – images video projection multi-projection Science Center (AH) 19th century (2001/K340) (Hiroshi Ishii, Christa Sommerer)
procedures (AH) In 1952 Ben F. Lapowsky (Laposky) color-form interplay considerations (H.W. Franke) (1989/J37) (Char Davies) (1989/K195) (Carbaret Voltaire) it addresses "space-time". (see above)
used an analog computer and an visual music (1979/K10) Analog/digital hybrids Omnimax-Cinema (70's) tactile feedback through (AH) The motto "art and life" is transformed
image-defining procedures oscillograph with a cathode tube for the first
... hardly "suitable for art" (Ruth Schnell) (1986/K96) (AH) EVE – Extended Virtual Environment: (2001/F31) Electron. into the motto "art and technology" today.
MIDI-controlled instruments for (1977) active vibration floor
in various research fields robot-aided dome projection QTVR Panorama-Film butterflies
time in the USA to compose his image generation
Electronic Abstraction. (Michael Saup)
abstract graphical music graphical improvisation controlling rebuilt (1992/K91) instant projection / Relationale special projection (Jeffrey Shaw) "hidden panorama" (Sanjin Jukic) (1998/K111) (2001/P102) (Gerhard Eckl)
self-organization (Haruki Nishijima) The role of computers in
(AH) The virtual is currently in image scenes (1979/K10) (1979/K10/K22) TV sets (1979/K10) (Garry Hill) immediate replay Architecture spaces re-introduction of the picture frame (as Transgenic Art studying life and other
(1992/K246) animal interactive
video synthesizer (1979/K31) (R. Lozano-Hemmer) (Constanze Ruhm, movable window) (AH) artificial worlds complex systems (1993/K35)
the "painting phase", not yet the abstract color-form (1979/K11) Dual Colorizer (1973) modelling life homosexualities Artificial Life evolution

1979
photography phase. (Boissier) from plotting to (Nam June Paik, Shuya Abe) (1997/K337) Peter Sandbichler) swarm behavior (Artificial Reality)
compositions (1979/K10) (1992/K89) image & sound terrarium (B. Bagemihl) (Christopher G. Langton) (Karl Sims) biology of cognition
interactive graphics (1997/K356/P112) (T. Iwai, R. Sakamoto) (1979/K10) (Eric Siegel) (1992/K84) (1994/II-K42) hypermates and (1994/K07)
art as prejudice (1992/K132)
(1984/K134) (H.W. Franke) Music Plays Images x Images VIDIUM (Bill Hearn) (1968) (1992/K87) (Vasulka, Siegel)
(1997/K313) (CAVE)
Fotosafari ins Land des Krieges
(1998/P88)
(2002/F003/P073)
Bio Art
(Eduardo Kac)
(Stadtwerkstatt) postbiological life
(2000/K103) (1993/K25) (1993/K119) (1992/K38) (Maturana, Varela)
growth models for morphogenetic
1993
(1984/K385) cellular automata, evolution, genetic art
art as hardware (AH) The oscillograms by H. W. Franke (1956) were followed in 1960 by
Processing (2003/K201): Casey Reas, Play Music drawing on the screen
EMS Videosizer
(Valie Export) (M. Benayoun, J-B. Barriére) previously no VR programs studies (Yoichiro Kawaguchi) (1989/J22) (2001/K125)
media terrarium (cricket) (1990/II-K14)
(Peter Weibel)
artifical life
genetic algorithms, adaptation, LifeScience-Symposium (1999/K14)
Ben Fry, Amit Pitaru, Carlos Rocha, (Richard Greene) (1986,88,92,93,96) sun painting yet that contain rainbows biotelematics wetware genetic art – Birgit Richard, J. Rifkin, R. Lanza, Z. Chen,
the first computer graphics (Kurt Alsleben, W. Fetter), which were created Hernado Barragan, Golan Levin, Lia, electronic paint box
1999
(1990/P200) (1979/K10/49) (Hoenig) (1979/K09) (1992/K13) sheep music concert artificial life (1) M. Specter, Lori B. Andrews, D.J. Kevles,
since 1965 using a digital computer in Germany (Frieder Nake, Georg redesigning (AH) charged relationship between the future transgenic
Marius Watz, Schoenerwissen, Juha (1979/K10) interaktive plant growing (2000/K391) Bio Art (2) (H. Christiansen) (1993/K) P. Virilio, D. de Kerckhove, D.H. Hamer,
Nees), and the USA (Michael Noll, Kenneth C. Knowlton, B. Julesz). interactive graphics systems butterfly wings replica and own life, artificial and of evolution art (E. Kac)
Huuskonen (2003/K210) physical ambient (Christa Sommerer, Mignonneau) Interactive Poetic Solar Music (Joe Jones) (1988/K259) (1988/K256) H. Gottweis, B. Latour, R.V. Anuradha, zoosystemic
(Marta de Menezes) natural world (Crista Sommerer, (1996/K26) (1999/K296) Symposium "Artificial Life" (1993/K105)
(2003/K202) LeCielEstBleu, The Demoscene (Shirley Shor) (2003/F31) rainbow and water clouds of nature (1982/K65) (1993/K408) Garden (D. Small, (1989/K99) Eugene Thacker, M. DeLanda, G. cognition theory
(2000/260) Laurent Mignonneau) (Kevin Kelly, Ken Karakotsios, T.S. Ray,
Kuda.org (K. Lukic, Z. Pantetic, Branka Curcic) Sky events: (1972) (1986/K299) T. White) ecological zones of mice destroying the network Puppet Tool Schöfbänker, V. Flusser, G. Gessert,
art has lost its traditional monopoly Leaves (reacting piles electronic fountain (1996/K294) Genetic Manipulator bio-robots P. Prusinkiewicz, K. Sims, L. Yeager, evolution theory Literature:
environmental art dependency (2002/K349) (AH) synergetic interaction (Weibel) (C. Ebener, U. Winters) (LeCielEstBleu) Dorothy Nelkin, C. Tonderai Mundede,
in image production (PW) techno-ecology of leaves) (A. Elsenaar) (1989/K193) (S. Pevnick) weather data from (2000/K393) Life Spacies II F. Dietrich) natural science
as event. artificial clouds all over the world art of the environment, like ecological sculpture,
(works that react to changes in the environment) (1998/P86) (2003/K241/P073) Symposium "Gene Technology" (1993/K131)
E. Kac, G. Von Hagens, K. Stefansson, Vampyroteuthis Infernalis / Vilém Flusser,
sound meadow (1987/K104) (1991/K207) (1994/P100) A-Volve bio-informatics
Nerve Garden (1998/P40) Reaching for the (1980/K26) simulated nature simulated (C. Henrich) art of natural elements and SKY ART ... bio-cybernetic research Christian Brünner, Reinhard Löw, Lothar Müller, Helmut Ruis,
K. Ammann Louis Bec
(Christina Kubisch) environmental art stars becomes a plants as interface organic surface regulation (1999/K25) (Gail Wight)
(Bruce Damer) growth (1995/P80) (Otto Piene) (1980/K96) (SymioticA) Fluid Sound (1988) (Karpfen-Becken) (touching the leaves) Horst Seidler, J. Voggenhuber, Ernst Wagner, Erwin F. Wagner) Earth Moves / Bernard Cache (diagrammatics)
Operated by Art (2) environmental physical gesture cf. weather building with the morphogenesis model (1999/K315)
(unplugged Symposion) flash-triggering sculpture sound climate converter (2002/K382) digital growth harmony of the spheres (Oron Catts, Stuart Bunt) Sonare Technologien the body as pure Der Baum der Erkenntnis / Maturana, Varela
(1980/K23) (1982/K58) (Stadtwerkstatt) (1988) sky harp (2001/K144)
(Yoichiro Kawaguchi) (1986/II-151) The greatest weakness of the Memesis
art as field work of ecological (Joe Davis) (1982/K41) (1989/K260) (W. Jauk, H. Ranzenbacher) (1995/P118) (P. Grucza) (1990/K-I-07) (R. Maedel) (Liz Phillips) (1989/K98) interactive sound installation information (1999/K27) The Philosophy of Artificial Life / Margaret
(1992/P114) (Kristi Allik, R. Mulder)
thinking, art at its limits (David Dunn) radio souncscape
(1989/K267) (Warren Burt) simulated clouds
(1988/K199) (1989/J153)
Wetware (W. Maass) (2001/K153) Technosphere
(Sensors for localizing fish)
Genetic Images
(Gene Genies Worldwide) (Carl Sims / 1991)
Statement lies in its awkward
biological analogies (1996/K30)
view of cognition A. Boden
(2002/F10) landscape simulation Telegarden Solar Music floral kitsch CAN: Computer Aided Nature (Reck) see also: material view (Liz Philips) (1999/K335) Artificial Life: An Overview / Chr. Langton (Ed.)
(Hou Hanru, Peter Fend,
Mark Napier, Azza El´Hassen)
(dECOi) (2003/P102) (Ken Goldberg)
(1996/K297)
(Joe Jones)
greenhouse
earthquake
and air currents simulated
water currents and 1980/82 sky art
(R. Hawkes u.a.)
(1997/P76)
(1991/K195)
Bugrace99 (Stadtwerkstatt)
aesthetics and fabulous
of artificial life (Louis Bec)
epistemology interaction between a computer-controlled
robot and gerbil (Nicholas
artifical life view
(S. Spiegel) (1995/K305)
(1989/J56)
(1997/P70)
(Project Taos)
Antarctica – idea wave movements
view of the blue planet
with the aid of VRML technique
view of nature the logic of the snake communication with (1999/K339) sport event (1993/K172) applied zoosemiotics Negroponte / 1968)
art as natural wonder genetic algorithms
evolution and growth (C. Sommer,
L. Mignonneau, L. Bec, K. Sims, fractal boxes
and reality
(1986/K381) water machines sky art conference (1980/K06/K23) (1996/P94) (M. Pesce) (sound installation) small creatures
Is genius migrating to (Louis Bec) creatures (D. Harada) (1993/K345)
virtual creatures
(Peter Kogler)
aspects of the original illuminated zones of the earth (Erik Samakh) (Yasushi & Hiroshi Matoba) permutational art
art as creation (1992/P48) (Karl Sims) Berndt Lintermann) (Jenifer Bacon, Joe Takai) sky and sea landscape in video sculpture (Christoph Steffner)
(1992/K165)
(1982/K33/K67) (Otto Piene)
(1996/P96) (M. Fujihata) 17 view of plants (1991/K199) (1999/K339) the computer? zoosystematicians
Institute of Paranaturalist Research
(1993/K346) 17 view of animals
(1991/K156) (Jürgen Claus) (1982/K75) (1989/K326) (Joan Brassil)
 (PV) (1998) Following the acceleration of the history (2003/K142) There is hope that a growing against an official contemporary art – (1999/K414) informatic art is outside Because of the enormous speed at which
art as cognition tool of so-called "classical" art, we are now confronted with awareness of the art historical "affinity" for an art in keeping with the times
modern era of information the realm of the formal media art has developed and spread in 17 view of art studies cyber-philosophers "Home of the Brain" philosopher-artists (HK) superficial philosophy of hope 17 media philosophy view Literature:
the acceleration of the reality of so-called "contemporary" between concept art and software art will (Fred Forest) (1995/K164) bourgeois concept of art recent years, it is urgently necessary to (Agentur Bilwet) mental edifice of the four Philosophien der neuen Technologien / Merve
art and the emergence of topical art, which seems to aspire lead to a greater acceptance of media art And what is art about it? the blindness of (1997/K383) (Ranzenbacher) resume and extend these fundamental Cf. (art) historical view (1990/II-K91) media scholars Flusser, Virilio, Minsky, philosophical and artistic polycontexturality Im Netz der Systeme / Merve
view of art history
to resist the imminent breakthrough of a virtual art in the in the field of contemporary art. New art theory (Beusch, Cassani) (1999/K417) art history studies discourses about a contemporary view of the philosophy of art Weizenbaum (Monika Fleischmann) orientation of the Ars through (on: Gotthard Günther) Geist, Hirn und Wissenschaft / John R. Searle
age of cyberculture. (cf. Take over) (Christiane Paul) necessary? media art theory. (Stocker) (2003/K13) Against idiocy in praise for the parasites (Wolfgang Strauss) P. Weibel (1996/J38) (Leopoldseder) multivalent logic art theory
In 1995 Hans Belting noted for the areas of
(Peter Weibel) (DM) Art without media would be as much The Renaissance Computer – Knowledge
media theory as art theory video and installation: Art history, as the official The ARS has unfortunately contributed electronic art (against (F. Rötzer on M. Serres) philosophy
for a digital renaissance Why should art and philosophy proposal for a (1990/II-K23) a contradicto in adjecto as a language technology in the first age of print
technomorphology chronical of meaningful activity, has not even little to this over the years (DG) the imitation of existing
intervene in the dynamics of
(1993/K92) (B. Mitterauer) analytical philosophy
of Situationism media theoreticians idiocies) (Friederike Pezold) computer viruses really "new physics" without language. Ed. by Neil Rhodes, Jonathan Sawday
(1997/K18) (1999/K418) become established here, we could say it has visualization? Because actuation can architectonics It makes use of media, seeking to address, epistemology
(1999/K236) a history of art (1996/K428)
not yet started to work through activities that (1990/K-I-126) (Nick Herbert) media philosophy Ins Universum der technischen Bilder /
involving DNA (G. Gessert) breaking down sometimes lead to realization, because (1990) (a transitional manifestation?) as a kind of exaggeration of the boundary, postmodernism discourse
(H. Ranzenbacher) Belting's major project of a
are meanwhile almost three decades old and It is obvious that visual art's appropriation Bazon Brock (1990/II-K39) Vilém Flusser
symposium preparation (1999/J161) "media history of art boundaries The more "art" we try to pack into heterogenesis can degenerate into (1999/J376) (1999/J101) as its paradoxical figuration, a withdrawal, nomadology discourse
1988
of media art will no longer hold philosophies of Medienphilosophie – Beiträge zur Klärung eines
using net discussion
(PW) The new image technologies have
(2001/K394) between individual have indisputably taken place in the art scene. cyberspace, the less probable it alienation, because the development of postmodern philosophy a gap or chronic insufficiency.... deconstructivism discourse
a significant influence on the area of the (1996/K395) (2001/K20) (Stocker) a new velocity can turn into mere new technologies Begriffs / Ed. Münker, Roesler, Sandbothe
(1996/K28) art genres will be that it will show any philosophical database performance studies
acquisition, storage, distribution and the same is true for interactive installations ... art theories have yet to be written for acceleration, because virtualization often Kunst als Medientheorie / Hans Ulrich Reck
aesthetic qualities. (Mike Hentz, Minus Delta T) Herbert Hrachovec performance theory
communication of knowledge. informations superhighways this. (2001/K20)
navigation experiences EARTHSTATION control of the (1995/P16) (R. Ascott) ! blocks topicality... (P. Levy) (1995/K97) (1984/K132) (1999/J358) cognitive behavior patterns (see above) Objekte / Ranulph Glanville
(1994/K206) Collaborative Filtering What is the point of this polarization ?(DG) Philosophical round table (1988):
art as techno-science (1995/K171)
spaces of knowledge Publication of genom data "Gaia" ecosystem (vision)
Proj. center for media and search engines that rank
The aesthetics of the manifesting !
According to Forian Cramer, the focus on Peter Gente, Hannes Böhringer, Vilém Flusser, (1996/K34)
The emphasis on the central
A philosophical experiment Medien-Welten Wirklichkeiten / Ed. Gianni
(Agnes Hegedüs) (Lincoln Stein) (2000/F23) (G. Mayer-Kress, Gideon May, Brad DeGraf,
datamining (cf. Mersch & Co) (DM) separation between aesthetic and on the way to digital consciousness Vattimo, Wolfgang Welsch
art as research (knowbotic research) Gregory Kramer, Jenifer Bacon, Joe Takai, knowledge cultures "paid" contents high in the
discursive media
a
a
purely perceptual
continuation of
aesthetics
Romantic
of art
philosophy
is clearly
and
Peter Weibel, Jean Baudrillard, Friedrich Kittler, function of code and the algorithm (Gerd Döben-Henisch) (1995/K227) Unter Verdacht – Eine Phänomenologie der
knowledge database for Tom Affinto, John Chachere) (1991/K147) (2001/K398) knowledge cultures search results Information is alienated Heinz von Foerster (1988/K83) (1989/J169) level symbolizes concentration on a
art as method specialized thesauruses multimedia developers (NEXT computer / spatial data organization)
Riding the Net knowledge on the net
experience (Jaron Lanier) Mindmusic (1990)
the privileging of aisthesis (perception) over For Linz the first concrete contact with philosophical "firm core" that is often believed to have
Medien / Boris Groys
new orders of knowledge (2003/K225) (1996/J15) Designing a Database poeisis (construction). (2003/K140) proponents of postmodernism and constructivism Texte zur Medientheorie / Reclam /
art as discourse
1995
Meme Symposium (ultrashock) (2001/P70) (1995/K130) purely optical, immersive disappeared in the postmodern world.
(Sommerer) Cinema (Marsha Kinder) Ed. Günter Helmes, Werner Köster
(R. Dawkins, F. Heylighen,
the artist as archivist ars: knowledge society Myth of Information astonishing graphical image strategies /vs/ the impossibility of seeing oneself (Leo Findeisen) (2003/K73)
(Erkki Huhtamo) (2003/K127) MIC Media Integration and
Kursbuch Medienkultur – Die maßgeblichen
visual effects
J.S. Lateiner, A. Rosanne Stone, cyber-flood knowledge technologies effect (1979/K40) mixed reality NeoStrukturalism, NeoSemiotics (DG) Communication System Lab (at ATR):
How to make art without distortions Theorien von Brecht bis Baudrillard
R. Born, H. Hrachovec, Jon Rose,
arranging the order of knowledge The job of the artists of tomorrow is that of crawlers search engines (1995/K116) (P.Weibel, Bob O´Kane) (2) integrating art as a new method of
Sadie Plant, D. Rushkoff, Rober of databases Focus (T. Walicky) interpersonal communication in the Cyber_Reader – Critical writings for the digital
an intermediary, a catalyst between different (AH) A "Center for Art and Knowledge Technologies" (1992/K110) (1998/II-K297)
Datenbanken (Anne Nigten) (1998/P104) Semantic Web
ars: semantic web &
Adrian X, P. Hoberman, T. Sherman could be newly created in this virtual way. ridiculous and terribly research process era / Ed. by Neil Spiller
bot = robot = fields of knowledge, models of thinking and Metasearch (Marc Canter) (2003/K60)
John L. Casti, H. Ranzenbacher, touching with the eyes (ML) problematizing digital (workplace: Christa Sommerer,
KünstlerInnen spider Bots & agents society, solution strategies. (2001/K18) autonomous search strategies (In 1999 P. Weibel announced a restructuring of the ZKM Zerseher funny neo-Jungian Medien der Vernunft / Matthias Vogel
J. Engelberger, D. Back, Karin Spaink, Index camera pan through technology as a realization of Laurent Mignonneau) (1996/J122)
VNS Matrix, S. Penny, M. Dery,
K. Becker, G. Lovink, A. Lichtblau,
Datenbanken
(Lioba Reddeker) indexes supervised by specialists
(2003/K225) Information as new
The Enjoyable Internet
in this sense)
2002/2003 trained knowledge managers
(Joachim
Dirk
Sauter,
Lüsebrink) retina scanner
all objects collective intelligence
(BUF) (2002/P117)
ideas of "collective
intelligence" (T. Druckrey) an "intellectual world view"
(C. Hegemann) natural science /vs/ humanities
Kunst und Medium / Dieter Mersch (DM)
Telematic Embrace / Roy Ascott
"material" self-organization of data (1992/K25)
Tjebbe van Tijen (1996/K06)(1999/J158) information handling Digester (Jaaanis Garancs) are available in Krems, Linz, Vienna, ... projecting images directly onto (cf. courses offered in Linz) Am Nerv der Zeit / G. Johann Lischka (CD)
Internet informationarchitecture (1979/K07) (knowbotik research) (1993/K249) (1995/K265) (1997/K393) (popular theme in the 3rd round?) material mirror camera parameters as basis Multimind decentralized intelligence
there is no medium Simulation space "mosaic of mobile data sounds" the retina with laser MARS : Media, Arts, interplay of the scientific claim reaches
(Oliver Schürer) Search-Engine-Client for virtual shapes (1997/P118) from the poetry of
archives of sense or mindmapping with networks (1979/K14) art and science a high point in 1992
MAK design database a walk-in database u. 3D-Browser. Fundstellen discourse tracks of the wooden mirror (Daniel Rozin) (D. Lüsebrink, J. Sauter) Research & Science programming to
poetic appropriation of portals meaning (DM) (2000/P56)(Patrick Lichty) (Christian Hübler, Alexander Tuchacek, Yvonne
Data Jockey Collective Intelligence (Christa Sommerer) (1999/J73)
3D representation (1999/K418) organisieren sich (Anziehung Ars Electronica (1995/K95) (2003/K93) cooperating memes: (GMD Sankt Augustin research as an
program code (2003/K104) (F. Cramer) Information knowledge bodies Wilhelm, Georg Fleischmann, Detlev Schwabe, electronic eye tracking (1996/J120)
und Abstoßung) on the way to the global near Bonn / M. Fleischmann) art form (2003/K250)
(Pierre Lévy)
program code as artistic material Data transformation / Architecture (Eugene Thacker) knowbots Michael Hoch, Will Bauer, Toblas Pfeil, (Tom Corby, Gavin Bailey) mirror (C. Möller) brain? (1996/K53) (Mignonneau, Sommerer) Literature:
poetics and aesthetics of software code
code and Data collage (2003/K226) Dataspace (2001/K20) (1999/K399) Rajele Jain, Udo Zyber) (2000/P44) discourse view (1994/II-K75) tracking set-ups (1)
collective intelligence (CI)
art of technoscience Die Wissenschaft vom Künstlichen / H. A. Simon
(1994/K146) Data-Jockey image disc CD ROM mediated by technology The WWW as a A comparison with the "third culture" of the
"style of writing" (Christiane Paul) material concept (F.E. Rakuschan)
merging/reconciliation of natural sciences and Erkenntnis Maschinen Verstehen / Terry Winograd
(2003/K137)
(Florian Wenz) (2000/K350) CM technology DMS laser disc Very Nervous System stereoscopic virtual reality for collective SuperBrain
Fernando Flores
art as content
randomly colliding
contents (1996/P92)
Es gibt kein Medium pleasurable way of dealing
the image disc as medium
for artists (1986/K318)
technoscience
of a knowledge
is the
that
tragic
has
phenomenon
suddenly become
knowledge management (perception installation) vision without glasses cognitive processing (J. Bollen)
(1996/K34)
artist as catalyst science art (2) humanities would be inadequate (2001/K18)
Encyclopedia of artificial intelligence / C. Shapiro
poetry of des Sinns oder der with data/information Content Management (David Rokeby) ! (Futurelab) (Derrick de Kerckhove) between fields of knowledge
MUDs (Trevor Blackwell) DVD cybernetic Künstliche Intelligenz – Repräsentation von
programming (2003) Bedeutung (DM) (1991/P130) (2003/F49) (1990/II-K171) (UR) In Ulm the call for a scientific art
hypertext consciousness CDTV CD-I (PV) (1998) Wissen und natürlichsprachlichen Systemen
approaches of was en vogue from the late 1950s until
science fiction
Geschichten vor Ort nachvollziehen.
Memory Theater VR
memory theater ! (Giulio Camillo)
(2002/K271)
knowledge representation (1) Dyn. search engines & spatial organization
16 impact/effect view visual computer art exchanged visual perspectives! Media art as background research
or application research? (Ruth Schnell)
research as art form (2003)
far into the 1970s Kognitive Psychologie – Eine Einführung /
augmented reality fiction (1979/K16) (Kazuhiko Hachiya) (1996/P138)
(Fakeshop) (1999/K321) palaces of contents (Agnes Hegedüs) (1997) building/space organization: mnemotechniques
of knowledge (proximity = quality of results) (2002/K00) research lab as machine J. R. Anderson
MOOs (1999/P90) (S. Schemat, M. Joyce, (Stefan Huber, R. Ammer, B. Steffan) (DM) The aisthetic media especially include those
(2001/K313) VR Panorama Verbarium: Text-zu-Form memory theater (Dirmoser, P. Matussek) Note: (ML) What can be grasped (AH) theory of perception Virtual Worlds: The Emperor's televirtual environments Neurale Netzwerke Kognitionswissenschaft – Kognitionstechnik /
(AH) fiction instead of reality B. Carstens, M. Felsmann, (2000/P54) that relate to perception: the systems of optics and AAAI 92: AI Based Arts Exhibition
I. Bordoni, R.P. Dalò) Editor: Nutzung der Zeichen- discursively? ... Because of its in artificial realities New Bodies (Peter Weibel) (1994/P32) (1993/K181) Francisco J. Varela
Infotainment (see left) Das universelle Datenwerk Media-spasm, senseless acoustics, the arts, image-forming procedures of all performative explorations agent
shredder function for data Ketten als genetischen Code (Olia Lialina) transience and complexity, the (1990/II-K09) (M. J. Grey) KI – Überblick und Grundlagen / K. Böhling u.a.
(PW) Klassische Kunst und Medienkunst teilen (R. Kriesche) (2003/K148) distraction and crash video installation perceiving perspectives kinds, ... etc. They are all grounded in the sensory, (AH) cognitively oriented
VRML visualization of encryption Reputation Points (1999/P52) (Sommerer, Mignonneau) (1997/K394) performative transgresses the see: view of sensor technology Künstliche Intelligenz / Patrick Henry Winston
sich einen gemeinsamen semantischen Raum (Steina Vasulka) (Mulder, Lüsebrink, whereas discursive media refer to structures, orders, installations (ML) drafting and performatively testing
(Peter Broadwell, Rob Myers) valuation proposal (2001) modern science has increasingly representational capacity of
cyber-novels (William Gibson) interactive poetry (1990/K-I-124) G. May) (1994/II-K68) discrete categorizations and caesura ... nonlinear a "technical history of humanity" KI – von den Grenzen der Denkmaschine und
(1998/P76) (2001/K203) Takeover III (symposium) become a TECHNO- languages and signs. talking to a neuro baby (ML) Institution for Media Performance Research
Info-Stories (1990/II-K225) (2000/P96) (Orit Kruglanski) dem Wert der Intuition / H.L. & S.E. Dreyfus
science fiction in praxis: film, video, (Rasa Smite,
Most information on the
Internet deals with context,
content development science (PV) (1998)
the fate of reason in the global teleperception
(emotionale Reaktionen) (left)
tools
perception view Probleme der KI / Oswald Wiener
comics, music (1982/K167)
1996
Raitis Smits) and skin design ... interactive story-telling (Naoko Tosa) (1993/K353) Neural Networks a purely static representation
not with content.
(2001/F08) auditive poetry (see left) network (Timothy Druckrey) (Virilio) fuzzy logic (1993/23) Expertensysteme – Nicht nur für Informatiker
Criteria: Best Netzine: (Hotwired, (1997/K364) (1997/P18) (Joichi Ito) (Josephine Anstey, Dave Pape) Meme (in AI) is not powerful enough
see: sensor view
art as life energy Mediamatic, Tightrope, t0 Public Myth of Information (1998/K211) surrealist poetry-writing program POE
(1995/K139)(1999/J305) sensor techniques
Richard Dawkin (R. Trappl) med. cybernetics (1990/II)
(1995/P108) (1990/II-K55) analytical view Peter Schnupp, Ute Leibraandt
(Myron Krueger) (Michael Tolson) Expertensystem-Praktikum / P. Schnupp,
1995
Netbase) (1995/P46) content issues /vs/ lack of content writing game / (Franz Josef Czernin, Perception is a
art as challenge (1969) computer-controlled environment Netbase (K. Becker) (1995/P60) tool fixation (technology fetishism)
interactive story growth of a Ferdinand Schmatz)
Cyberpoetry
process in formation. remote-controlled sensory mind viruses (G. Dorfer) neural networks (1990/II) AARON al AI-based C.T. Nguyen Huu
(1970) interaction with video projection (1998/P96) (Lisa Prah) (1997/P92) (Z. (AH) from objectivity (1996/K40) AI (2003/K224) (P. Smolensky) connectio. SW (1990/II) program (Harald
Connectionist SW
art as image (1971) using sensor floors
Hotwired (1995/P76)
(AH) rejecting all narrative
story
(Sharon Denning)
(1990/K-I-136) Komninos-Kostant) (Ecke Bonk) systems (AH)
(1995/K48) Sensor that feels its way to viewer relativity
(H. cohen, J. Petrow, (R. Cummins) connectionism (1990/II)
Cohen) (2003/K122) 16 epistemological view Problemlösungsmethoden in Expertensystemen /
the stifling insight that technology information architecture (2) interactive poetic non-linear G. Papp, T. Spiller, (G. Schwarz) learning processes (1990/II-K107) Frank Puppe
(1972) start of the Videoplace project (NICA 1990!) discovering stories oneself (2000/P32) text synthesis computer-generated connectivism (1990) (never at the ars?)
without "content" might not be (DH) reactive works: revealing garden (1998/P98) MIT through the space Lyle Zapato) (M. Veitl) med. cybernetics (1990/II-K51) Mentopolis / Marvin Minsky
(1990/P169) (Bill Seaman) narrative (AH) (1989/K106) literature (1980/K07) (D. Rokeby) Our user interfaces are also a
(1998/K264) sellable (1996/P24) content through clicking/scrolling (D. Small, T. White) (Tamara Munzner) (H. Haagsma) kind of belief system, because they hold and (B. Mitterauer) architectonics (1990/II) connectionist improvement Mind Children / Hans Moravec
elegant retreat to Time´s up (Tim Boykett) computers as "authors" of (David Blair, Oliver Frommel, Vera Frenkel, Doug Aitkens, Dean Kuipers)
very free contextualization
(1996/P106) (Joey Anuff)
cyberslang differential topology affirm our assumptions about the essence of
The construction of
experience. Interface as
(M. Minsky) Mentopolis (1990/II-K97) of AI systems (AH) virtual brain AI view Assoziation / Gerhard Strube
art-immanent "pseudoscientists" : cybernetic art works term hypertext digital poetry (1995/P164) mapping specialist things and reality. 5th generation computer systems / T.Moto-oka
World Wide Web Sites
(Staalplaat, Negativland, cybernetic content (David Rokeby) (left) (Steve Mann) the 90s as the era 3 AI creatures (Joseph Bates)
positions (2001/K20) (1979/K30) 1974 from Ted Nelson interactive novels
1990
(former PRIX) methods (1999/J420) Computer – from calculating tool Gödel, Escher, Bach / Douglas R. Hofstadter
Muzictoerist, Barbed, (1990/II-K253) Hypertext in search of the order behind it Decision-Support-System of the brain MIT (1997/P112)
to mankind's creative partner?
People like us, N.A, Baginsky, in literature (2003/K140) Is software art more successful, if one (Daniela Alina Plewe) (1998/K140) (1997/K144/K217) (1990/P08) analytical philosophy Metamagicum / Douglas R. Hofstadter
most prize-winners last year did not science fiction workshop text-software / (1979/K29) machines, whether "hard"
(Klaus Ramm) myth of AI
Gordon Monahan, Leo Schatzl, intend to be artists (1982/K08/K167)
Ottos Mops (trotzt) new narrative structures (1965 – Ted Nelson) non-sequential art related "can see" the algorithms behind the development of (HK) one should push forward in AI works epistemology Einsicht ins Ich / Douglas R. Hofstadter
Div. obscene contents L. John, B. Quosdorf) reading and writing (1980/K78) (Robert Trappl) AI robots or "soft", are the codification
recording Rosa von Suess, Karthik Swaminathan, (1996/P50) (WEB) in computer games Heiko Idensen (2003/K229) visual/acoustic phenomena? the direction of AI as far as possible cognition sciences Dynamische semantische Netze / Stephan Mehl
Yuri, Triclops International, Insight (1996/P110) (Lisa Hutton) (1997/P144) zu Jandl from the onomotopoeic poem "AI-Laboratory" (Luc Steels) of problem solutions
music preferences – established visual artists, who also hypertext programs Matthias Krohn Software as "diagrammatic" techno-positivists cognition theories Hypermediabasiertes Knowledge Engineering
a new hacker / (1986/K338) (1995/K308) (1996/K204)
profile cluster as MusicMap Instruments, Prema Murthy, In the beginning was the on the PC since 1986 to radiophone poetry ordering material artistic skills of the (1996/K162) für verteilte wissensbasierte Systeme /
art as presence (2003/P71) John Duncan, Nuoc mam dirndl,
realized web works (Julia Scher,
Jenny Holzer, Antonio Muntadas,
artist generation
(1996/P23)
E-zine command line (Neal Stephenson)
distributed authorship
(1983) (1989/K104)
literature in image and sound (1980/K76)
Art is increasingly less suitable as a
source for visual design, because it has
visual poetry and
scientific jokes
computer (1979/K30) (AH) artificial intelligence creature:
artistic research
constructivism Frank Maurer
artist as researcher HyperCard symposium (1980/K75) cybernetic research: expert system
art as shock (M. Breidenbrücker, F. Miller,
M. Stiksel)
Gelatin) David Blair, ...) the job of the artists of tomorrow is that of an
(2000/P24)
although they don't earn money HyperCard stacks HyperTalk hypertext fiction (S. Moulthrop) less and less influence on the language Visually Deconstructing Code (Jared Tarbell, Lola Brine) connection of mind and Artificial Reality and Artificial Life
similarity theories Endophysik – Die Welt des inneren Beobachters
media design groups: intermediary, a catalyst between different fields (Judy Malloy) (1989/K133) (1196/P112) of the dominant media and has long (Ben Fry) (2003/K197) (2003/P60) machine (the anti group) Otto E. Rösler
on the net, their work gets out Toolbook since become an archive of everyday The Secret Lives of Numbers (Baudrillard) Yet those intelligent machines are only discourse analysis
Digital Diary (Kazuhiko Hachiya) (1997/K260) MESO & Involving Systems of knowledge, models of thinking and society, to people (Lynn Hershman) (1989/K238) (1990/K-I-112) artificial in the most limited sense, because they merely Making Art of Databases / V2_Publishing
(Natacha Merrit) codes. (UR) remote-controlled robot (Golan Levin) (2003/K240)
solution strategies (2001/K18) walk-in knowledge spaces
(2000/262)
Mega Diary – a global, open
diary project (1997/P126)
(Steffan Ammon, Martin Bott,
Sebastian Gregor, Michael Höpfel,
(1996/P45)
Storyspace
Electronic Diary
The Odyssey (1989/K133)
view of literature The Active Text Project
as GraffitiWriter
CAVE did not develop from video games or
break down linguistic, gendered, scientific processes into
simplest, digitalized moments, ....
porno-diary From the beginning, the media industry was (1989/K235) (The Institute for Applied
Joreg, Karl Kliem, Sebastian Oschatz, The job description or (1995/K171) (Lynn Hershman) interactive hypercard stack (Jason E. Lewis, Alex Weyers) Varioklischographen
clones (Dieter Huber) greatly interested in effective support on the part Autonomy) (2000/F36/P78) (A.Mohsen Daneshgar) flight simulators, but its origins are found instead AI and interactive art (J. Bates)
Max Wolf) (2003/F12) justification "artist" is no (Fortner Anderson, Henry See) (2000/F35/P98) typography (ars intermedia)
Gender Idendity – L G B T digital body manipulations of art, because even with thousands of trained diagrammatic in scientific visualization and the demands of the
lesbian, gay, bisexuell, transgendered (2000/267) "sculptor" of
longer interesting; it is as
unnecessary as the positions
computer scientists, by itself it is not capable of (1996/K404) (Luc Courchesne) (Ross Harley) (1993)
15 content view traditional genres of applied
(1979/K44) design for CocaCola SIGGRAPH 92 Showcase (Daniel J. Sandin)
satellite images as
(1993/K181) Patti Maes
(1994/P128)
Literature:
LEONARDO (journal)
(Monika Treut) (2000/K202) pioneers: putting sophisticated and attractive products on interactive theater through (derived from (1996/J85) (CAVE development 1991)
information (FF) it is supposed to defend. visual rhetoric (typography, graphics, Body mapping: picture basis AI dissertation Computer Graphics and Art (journal)
(Sandy Stone, Susan Stryker, Judith Telepräsenzinstallation the market. (B. Serexhe) 5 computers with HyperCard (see above) lettering) CAVE was conceived as a tool for
(2001/K19) (Stocker) boundary betw. video posters, book design, print media) (Mario Sasso, Nicola Sani)
PET Positron Emmisions
"Jack" Halberstam, Kate Bornstein,
Jordy Jones, Jacob Hale, Pat Califia)
Das stellvertretende Cyborg-ICH
(centre for metahuman exploration)
(AH) (Huhtamo) system developers, who regard themselves
Electro Magnetic Poetry
game and literature
(Natalie Bookchin)
view of meaning among others, with the goal of persuasion Tomography (1997/K16)
(2002/F12) scientific
(2001/K299)
visualization
(1990/P81)
Landsat satellites:
of reflecting mirrors
system Art @ Science / Christa Sommerer &
Laurent Mignonneau (Ed.)
as artists, because they see a creative act in the invention there is no genius MRT Magnetic Resonance typographical
(1998/K212) A.Witkin and M. Kass come from the field (1996/P108) (Maria (Tom Van Sant) (1982/K42) information arts – intersections of art, science,
art as edification Three basic electronic VRML, 2D, text Gene_Mixing and Loops of the Self of science. Nevertheless, their graphics
and arrangement of "code": Myron Krueger, Vivid Group
(Mandala System) – system art
of the artist
(J. Heemskerk, D. Paesmans)
Winslow)
(2000/P42)
meanings flowing into dynamic typographical technical history of writing VR for the visualization
of large medical
Tomography (fMRT) bodies (1993/P30)
(2003/K97) (Pierre Lévy)
mapping the position of the VR: 3D Diagrams and technology / Stephen Wilson
Habbo identity Lingua Franca one another (DISS project Thomas Maier) (Thomas Bayrle) Map of the market
art as breaking taboos palettes: television,
computer graphics, video
or voxel avatars
(1997/K177)
(2001/K205)
(Birgit Richard) (1999/K267) have a new, resounding aesthetic.
(Milan Knizak) (1992/P14)
(1997/P96) (JODI) (language of intercourse) (W. Seaman) (1995/P106)
sculpture out of web sites
(B. Fry) (2001/K290)
databases (Tom Wolfe) (1997/K219)
collective intelligence of a community as user interface
(D.A. Plewe) (1999) (M. Wattenberg, Joon Yu) Jenseits von Kunst / Peter Weibel
writing software oneself or working typographical positioning system (1995/K194) diagrammatic interface
conference (1995/P43) Double: identical with the self artist/programmer (2003/K12) "Brain Imaging" knowledge representation (2) (1999/P54) Diskurs der Systeme (zB.) / Feuerstein et al.
identity and mask in closely together with a programmer (Casey Reas, Golan Levin) (2000/K387) body mapping for games and music programs
(Birgit Richard) (1999/K271) communication artists (FF) (1979/K22) Books on demand experimental typography 3D electroencephalography listening station for Kunst, Wissenschaft, Kommunikation / Richard
Krypton – Aurora Elettronica Bi-Gender Show virtual reality (Myron Krueger, Harold Cohen, (MEGO) Information: C.F. von
Duplication and hope of the visual artist as programmer (Fuse – Neville Brody) MRS Magnet Resonance Mapping Toolkit (M. Bielicky, B. Lintermann) (2000/P88) Radiotopia (2002/K428) Kriesche (Ed.)
The Metamorphosis of Light (2000/F13) (Blanchard et al.) David Rokeby) (2003/K121) (2003/P76) (Shinya Yamamoto) Alphabet Zoo Weizsäcker also defines it
immortality (1999/K272) the artist as system (H. Huitric, Monique Nahas) Blogging Spectroscopy Kunst und Wissenschaft / 1986! Kunstf. Bd. 85
(1986/K19) as an "amount of
Lightstick (writes images
ars on digital typography ars: MAPPING in the age of digital media
(1990/II-K191) integrator artist/technician (1986/KII-143) (Peter Cho) (2000/F42)
male identity copyright and intellectual Live journal (2000/K398) form" (Ecke Bonk) Dialog und Infiltration – Wissenschaftliche
light theater moving) (Bill Bell) (1982/K69) (1986/KII-296) application research /vs/ property Letters of BIT abstract typography
Gender Bender (1997/F38) gender-hacking "brotherhood" (1995/K42) Strategien in der Kunst / Kunstforum Bd.144
(1980/K23) at least as a symposium
light technology testing the specifics of gender playing with identity (Woody Vasulka) (1994/II-K87) background research (James McCartney) (DG) elusive job (Kenji Komoto) (Elisabeth Schedlberger - CODE) diagrammatic interface Forschungen / Udo Wid
light show of the 60s (G. P. Garvey) Text and tectonics, set-up and
2002
(1996/K185) (2003/F11) description (2001/K19) diagrammatic typography World Maps – Change the Map for music computer – UPIC
this development is carried by people who students who want to design order, shape and arrangement.
installation for ballet. faked identities – disinformation as locate their identity in between artist, engineer, Composer; author of the (AH) collective instead of author Typodesign (Walter Pamminger) the drawings are interpreted as
light organ web sites choose departments pole shift with Form and format, formula and
Light Ballet interaction with light transgender transformation disguise (2003/P68) (LAN) social worker and experience designer object oriented synthesis (Ecke Bonk) pressure curves, dynamic envelope
(1979/K19) of design rather than art Talmud Project – typographical conventional projection curves, scores ... formation. Schema and pattern.
(1980/K23) (C. Möller) (1995/P132) effective (2000/K113) Forget concepts like gender language "SuperColider" (1995/K42) (Lia) re:move research (David Small, Tom White) development of a configural
(2001/K20)
researcher view
ars: digital identities
(2001/K34) (2003 OK) (MEGO) Constructing and (a) building.
light-mobile and race. In cyberspace you image language (Peter Zec) (Iannis Xenakis)
light robots computer-controlled Coder, Hacker, Multibind-Deadlock- (1995/K250) cover design (2000/K403) (schoenerwissen) (Ecke Bonk) (1995/K46)
(1979/K25) are what you want to be. Open Sourcer, permanent self-exhibition (2003/P46) Navigation (1990/I-K69,K72)
(2002/P56) data visualization
(1980/K94) neon installation Coma (1996/K226) Markus Huemer Hyperbolic tree (1992/II-K44)
laser in concert (S. Zizek) (1995/K127) Symposium Stop Motion Studies – studies Circuit Bender maps to Re-Mapping Our Mental Model (2002/P23)
art as apparition (E. Schoener) contolling reflective images (1986/K331)
light sculptures Flight Case issues of identity
in the subway (D. Crawford) (2001/K20)
(Jennifer Ringley) view of the personality (Scott Brave, Andy Dahley)
(1993/P45)
(Constanze Ruhm)
the project Maps walk through
(R. Rao) (1999/P50) Mapping
(R. Buckminster Fuller) (2002/K17)
view of visualization Literature:
(1979/K50) Homepages and e-mail (2003/P40) author (1997/K278) life is more than the implements cartography in linking concepts - Mapping – in the age of digital media -
(1979/K09) (Rudolf Macher) typography and
music in color: on the Internet are taken for granted as WEB-CAM letter objects dynamic mapping
(1992/K151) patchwork biographies director survival of the genes the dispositive of telematic GIS systems spherical surface view of illustration 15 typographical view The Yale Symposion / Ed. by M. Silver et al.
laser light drawings (1980/K113)
Sonoscope (A. Vitkine)
Audioskop (M. P. Kage) 1979-80 designing radiography
KaspaH´s Home
(Catherine de Courten)
components of an artist biography
(1996/J53)
virtual identity and avatars
(2001/K113) editor
designer
actor view being
space
in electronic
(1994/K158)
media as a network
(1989/K108) (Mathias Fuchs) information mapping
(B. Fry) (2001/K291)
Legible City
(J. Shaw, Dirk Groeneveld)
(2001/K21)
rhetoric / topic
structuralism Mapping – An illustrated guide to graphic
navigational systems / R. Fawcett-Tang
(1979/K19/K61) and light graphics (1954) (1995/P88) (C5) (1999/K395) electronic mapping mapping diagrammatics
In 1960 T.H. Maiman first succeeded Colourspace producer (PV) Presentation is Graph. programming (1989/K209) view of text design Information Visualization – Perception for Design
in producing an active laser. Artistic visual music (1989/K256) (H.W.Franke) (1979/K54) video world and fractal subject
(Jean Baudrillard) (1988/K88)
(Barbara Becker)
programmer 14 artist view (1998/II-K174)
effecting the manifestation of a thing. In Sommerer's installations (Lia) (2003/P49) information visualization
conflict zones –
water divides
mapping discourse
Colin Ware – University of New Hampshire
use of laser technology started in 1965. (Waltraut Cooper) (Judith Ryser) artist as avatar objects with a double mapping cyberspace Manhattan Timeformations diagrammatic turn
high tech and psychodelics artist death is employed as a necessary diagrammatic
(B. Fry) (2001/K159)
(Brian McGrath, Mark Watkins) (Peter Fend) Readings in Information Visualzation – Using
laser light in an light/color piano (AH) Krueger discovered that users (T. Feuerstein) identity (Ishii, Orth, Gorbet) (PV) New era of videoscopy: tabula rasa (2001/K38) structuralism (discourse)
(1993/P77) (George Barber)
telepresence installation: interactive performance (1988/K194) quickly identify with a figure in a game, (1997/K204)
substitute objects
authors view ... lighting is no longer done electrically,
film (L. Houplan) (2003/P158) (2001/F36/P48) (2002/K271) view of graphical design literature discourse vision to think / Ed. by Stuart K. Card et al.
Digital Information Graphics / Matt Woolman
art as school of life the second player is present
as a crossed laser beam
laser beam
oscillograms
(1993/K261) (P. Böhm) Light Music in the Soviet Union light-kinetic if it reacts to instructions in real time. Bots as verbal "personalities"
used to control see also: view of
but is instead an indirect electronic "Terminal act" (PV) (1998)
cybernetic euthanasia DTP
Mapping Time
desk top publishing (Ross Cooper, Jussi Ängeslevä) web design
deconstructivism
Bits and spaces / Ed. by Maia Engeli
visual music (Roberta Reeder, Claass Cordes) works It is not the realistic representation that No Man´s Land illumination. memory theories
art as framework of communication (Lozano-Hemmer, Will Bauer) (1980/112) Immateriaux II (1992/II-K225)
(Rainer Jessl)
is crucial for aesthetic pleasure, but rather
as long as something is happening
on the stage - a videostream flows projections artistic production robot installlation /
imagine objects that stage or dramatize surviving (PW) If we consider the influential aesthetics
(2003/F41/P100)
Where there should have been diagrammatic view II Mapping cyberspace / M. Dodge & R. Kitchin
(1995/P128) laser technology (K. Obermair, pictures that dissolve (ML) aesthetic effects of linking the identification with the controlled implanted and emergent Data transformation / body mapping Visual Explanations / Edward R. Tufte
making music online
R. Spour)
(2001/K207) (Axel Heide, P. Pocock, "existential moments" - such as a conflict robots of the past two centuries, then it is evident that design, there was a huge hole
(Koji Ito) (1998/P48) Laser Art electronic into a color when theater with electronic-digital media behavior. G. Stehle) Crack-Intros behavior (the parasites, the
(Fiona Raby) (2003/K276) they are constructed on an ontology of the picture, Visualization (2003/K226) (1999/K309) in the web in 1995 (2001/K214) Envisioning Information / Edward R. Tufte
Laserdisk (1992/K246) play of color touched An exception to this would be (2001/K207) untamed, the inverted The Visual Display of Quantitative Information /
net.flag (Mark Napier) The Gulf War on a static concept of existence
artistic use (1997/K390) (N. Math, discharge into gases (1979/K34) (2000/P90) (J. Campbell) MIT's MediaMOO where each (2002/K362)
scavengers, ...)
the medium hides itself in the process of brought the myth
spatial representation of
information (1999/P44)
The designer is increasingly
becoming an information designer,
cartographical view Edward R. Tufte
of the neon sculptures Carson Jeffries, Otto Piene, Joel Stein, C.F. Reuterwärd, electrooptics (PV) character has a "character name" game figures in (L.-P. Demers, Bill Vorn) (Stahl Stenslie) aesthetic Apparitional Aesthetics: The quality of
art as transmission Internet
Andrea Sodomka, M. Breindl)
(A. Sina) (1980/K110) Iannis Xenakis, Paul Ears .... used laser technology for stereoscopy (PV)
cyberneti aesthetics (1973) and a "real name." virtual worlds (2) from identity to difference (AH) (1996/K262/P126) s.o. its mediatization (DM) of the artificial
from academic terminal-existentialism coming-into-being, of apparition, is replacing the (F. Matsumoto, S. Matsukawa) i.e. an expert for "intelligent" Japanese Semiologie graphique / Jacques Bertin
Voice over IP multimedia performances (FP) (H.W. Franke) (1979/K54) (1997/K174) (Victoria Vesna) MUDs (unfortunately not the case with many works) in Life Art quality of representation, of appearance, which has visualization systems and illustrators Exploring the Invisible – art, science and the
audio data streams RealAudio virtual volumn machine aesthetic the self discussion into making gene
Broadband (2002/K167) recognition for the
identity and artificiality (2000/K213) for so long characterized western art. (1995/P19) (R. Ascott)!! maps (1999/ techniques (Zec) (2001/K21) spiritual / Lynn Gamwell
optimization principle of aesthetics (1965) (1996/P170) (Marc Caro, constructed by the world of the Japanese
ADSL (FP) nighttime laser shows: rational aesthetics quality of self- cancellation of identity (AH) (Catherine Ikam) (2000/K401) media should be almost "transparent" hyperreal. (1996/P36) (ML) Theater for K121) Picturing Science Producing Art / Caroline A.
broadband internet in Voice Mail from NET:ART to NET.RADIO Real Audio holography and laser lab (H.W. Franke) (1979/K54) Jean-Pierre Jeunet) the brain (AH) being in two worlds A virtual reality is principally real to the extent "Form Art" Competition understanding of
(1989/K110) Rockne Krebs, Dani Karavan, Horst H. Baumann representation (Station Rose) (ancillary invisibility) Jones & Peter Galison
the cities 2002 (2002/K178) (1998/K75) (Josephine Bosma) Servers´ (1955) the catalytic (P. Smith virtual realities internalizing a that it depends on a complex physical apparatus. (Alexei Shulgin)
(1986/K324) (Horst Baumann, aesthetics of disappearance at the same time Internet-Metric typography
mailboxes eMail Network artistic holography plastic light (H.W. Franke) computer aesthetics (1995/P68)
on the violence of the effect of new media Churchland) "digitized" existence Image space, on the other hand, is virtual. (SH) (1997/K393) Maeda & Media / John Maeda
Dan Schweitzer, Dieter Jung) (T. Feuerstein) (2001/K199)
mail art Flash-Art web games Net.radio OZOne (1999/K397) (Harriet Casdin-Silver) (F. Förster) (1994/P116) (1979/K54) the aesthetics of programming
(P. Virilio) (1994/K71)
proper name in virtual view of hybridity (II) (1996/K61) (1997/K70) development of complex every bit has its own existing means being scanned (D. de Kerckhove)
the telephone already
(2002/K380) Dimensional Typography / J. Abbott Miller
Net.broadcaster (1998/K92) (1980/K100) (1992/K183) aesthetics of the nets aesthetics of the interface (ML) worlds (domain) communication spaces: aura (1994/K165) (1994/K163) (Carole Ann Klonarides) --- Information Graphics – Innovative Lösungen im
PostPet e-mail pets (1998/P36) live radio via Internet holography – media (martial) art invading living spaces represents an instrument Telepresence is an amalgam of three
domain concepts (FP) The hologram was invented in 1948 by (1995/K166)(Forest) (David Rokeby) (Birgit Richard) (etoy) mixed-reality architecture technologies: robotics, telecommuni- Bereich Informationsdesign / P. Wildbur u.a.
(Kazuhiko Hachiya) Flash (2002/K165) Turbulence the cubism holography art aesthetic-generative basic programs (Jutta Zaremba) (2001) (AH) images becoming via web camera of telepresence (1995/K92)
(P. Garrin, A. Troeger)
(Jonathan Gay) (1998/P44)
TNC Network (Helen Thorington) of our day
Denis Gabor . In 1961 Yuri N. Denisyuk produced
a monochrome white-light hologram. (H.W.Franke) (1979/K54)
visual aesthetics (AH) It is noticable that although
(2001) Fictitious Portraits 13 identity view (MF)
allowing art to die with dignity bringing something into view visible (Resitor Sensor: pressure, touch, force) (Richard Kriesche)
telepresence cations, and virtual rality (OG) Technologische Bilder – Aspekte visueller
net technology (1999/K394) (1997/K422) apparitional (Keith Cottingham) (an expiration date is built in in the interaction Argumentation / Martin Scholz
first Java (2002/P26) (1984/K345) aesthetics the artists named (Ascott, Boissier, Couchot, (1994/P38) see also: cultural theory view forming presences (DM) due to HW/SW requirements) Reality TV
(1996/K418) (Thecla Schiphorst) (Stadtwerkstatt) telepresence (2) Traces – Telepresence sonic graphics – seeing sound / Matt Woolman
browser art (2003/K225) hologram collages retro-gaming style (1999/P68) (Perry Hoberman) (above)
applets role of the program Net projects already in a crisis after only holography and society (Roy Ascott) numeric aesthetics Forest, Krueger, Shaw and Weibel) apply the Telepresence now (exhibition 1991) (OG)
(1996/P44) (S. Biggs, Opera software, Holodeck – interaction with computer- (2001/K205) see also: view of the organizing institution virtual computer camera (TXTD.sign) (1997/K265) (Ranzenb.) hardly any 3 versions of a furnished room in CAVE / networked The Society of Text – Hypertext, Hypermedia,
news aggregators for the development a few years? (2000) (on four aspects of artistic (1995/P15) (below) material aesthetics means of computer science, they still frequently Privacy gestural system (2) thermometer, instruments to telepresence installation CAVEs / physical models
A. Deck, F. Hwang, Haruka atmospheric effect generated holograms (Joseph Michael) semiotic aesthetics start from an idea of the "picture" from floats around Gondry IPzentrum: interpretation of earthquakes traces remain from and the Social Construction of Information /
window pane experiments: synchronized holography) (Vito Orazem) identity on the net violence in computer games measure sound, pressure, (centre for metahuman in real time
Kikuchi, Myron Turner, Sintron, (1998/P92) frozen in the air as elementary form of expression many technologies ultrasound interface for gestures Electric Field Sensor Edward Barrett
newsgroups
newsgroups
mobilized via
Web-ness
I/O/D, P. Luining) animation (Ichiro Aikawa) (2000/P40)
artificial ghosts
holography
visual effects semantic
(Max Bense)
aesthetics traditional
(... interaction
aesthetics
with the synthetic image)
(Joichi Ito)
(2002/K254)
(Arndt Röttgers) (2001) (1996/P174) (cf. E.P.I.Zentrum by B. Nieslony) GAMS: Gesture and Media System movement, form
(1989/K204) ( Jeffrey Shaw) warmth sensor
exploration) (1998/K211) (Simon Penny)
The Alphabet and the Brain / D. de Kerckhove ...
holographic art (M. Gondry, P. Buffin) (PoMo CoMo) (1992/K229) describing the world as
cell phone Web Stalker
artists working exclusively in the medium
(M. Lauk & Bodo Dorra) holographic video (holograms rendered in (see: PRIX) (2002/K389) digital aesthetics in
the hand as "disturbance factor"
light barriers (1989/K207) (1989/K218) tele-existence Prose Comprehension Beyond the Word /
(1979) Usenet Art Com Electronic Network Mosaic could be (A. Tambellini) (1980/K111) Golan Levin electronic viruses psychical energy an interface problem
of the Internet (DH): (Joachim Blank, real time) real-time holography South Africa (M. Neustetter) Space Balance (Regina Cornwell) (1993/P90) Arthur C. Graesser
(Neeraj Jhanji) ACEN (1986) (1989/K129) the "killer app" (I/O/D)
Holger Friese, Alexej Shulgin, Philipp (Harriet Casdin-Silver) (1982/K73)
(1989/J45) rotography - light diodes (2001/K387) Critique (Patrice Pavis) (1999): life energy Charles Proteus Steinmetz affectiveCinema (Jan Torpus, Michel Durieux) (1992/K12) (PW)
(2001/F36) (1998/P46) aesthetics of the (Christian Möller) visual sensors that register (Scott S. Collective Intelligence – mankind´s emerging
electronic publications (1994/K212) (Otto Frühling) possibilities of Symposium: electronic Despite the apparent victory of and the magic of electricity forming experiences of being
Pocock, Dirk Paesmans, Joan H. von Jodi mental energy movements in space (transmediale) control through bio-feedback
Fisher)
holographic stereogram (AH) 1968 interactive light-sound spectacles (1980/K94/K114) expressive static (PW) means of visual design net violence computer specialists over directors (Franz Pichler) (1992/K218) (1992/K155) via GSR-Sensor (Galvanic Skin Response) (left) How does an interface form the experience world in cyberspace / Pierre Lévy
listserv (1986/K299)
mailinglists netiquette artist as (Shunsuke Mitamura) (American Pulsa Group) computer art (1980/K93) (autoaggressive potentials) and of the machine function over the Vision System (2) of being? (David Rokeby) Transformationen der Techno-Ästhetik
hypermedia projects net installation rotating mirror see also: energetic view Tesla machines Rotting Apple
browser browser aesthetic object, what is repressed of
net excellence (PooL-Processing) (Sabine Seymour) (1990/K-I-120) raw and informed (optic tracking) GSR (2) AI robots (Luc Steels)
light traces sensor (article in: Digitaler Schein) / P. Weibel
developer Deep Blue (R. Adrian X, (Piotr Kowalski) (1980/104) Trusted Computing the body and human presence, of the (Günther Held) touch sensor, infrared sensor (Franz Xaver)
(Idensen, Krohn) (1998/K113) Internet user-controlled large- energy (Mark Ries) (pursuit of bathing caps)
Xchange started as mailing gopher Sam Auinger) (1996/K251) (1982/K93) (Fred von Lohmann) voice and the text suddenly (1992/K142)
list network (1998/K78,K89)
mailing list for software art playing around with the HTML
Music playes Images x
Images play Music (1997)
scale light installation: result
documented on the web as image
rotating display color view (AH) aesthetics of (2003/K49) returns.
(1994/K224)
(Henry Jesionka) energy potentials are
Pixelspaces – DAMPF
Sensory Environments – Immaterial Interfaces
(recognizing obstacles)
(1995/K308)
movement analysis apparitional
aesthetics
net vision
(Alex McLean) (2003/F13) metastructure (Kensuke Sembo,
virtual shadows (David Moises) (2002/K420) radioactive rays (1992/K209) tapped from the Internet (1996/K315)
XML XHTML (Toshio Iwai, Ryuichi Sakamoto) (2000/P74) (Raffael Lozano-Hemmer) (the secret life of things) communication (FF) the AEC Center as prototype (2003/F14) (Roy Ascott)
Yae Akaiwa) (2000/F44) thresholds of control (Gudrun Bielz) SOLAR-Projekt and the local movement
Blogosphere (2003/K70) Sensory Environments (2) Pixelspaces – DAMPF (2) (AH) process instead of being (1995/P15)
amateur journalism web magazine hyperlink
(1969) ARPANET (1979) Usenet a protocol is a system for
(1999/J29) (1999/J428)
cf. Stadtwerkstatt/Servus project :
(2002/K411)
Tool´s Life
abstract computer realism
(1994/P56) (S. McSherry)
12 aesthetic view (AH) an aesthetic of the object
of a new power location
of digital culture
destruction art and terminal (1996/K424) (1998/K179) of the viewers
Sensory Environments –
(2003/F38) URL HTML 1.x 1994 (1999/P177) culture (Kristine Stiles) (2002/P104) (M. Saup)
Generali building as display and eco-installation measurement points
weblogs (2002,2004)
(1990/T) WWW developed at CERN
(1989/90 Tim Berners-Lee)
maintaining organization and
control in networks
fire film
(Manfred Laumer) light sculpture
(Motoshi Chikamori,
Kyoko Kunoh)
collaborative
aesthetics of digital
grammars (2003/K127)
still
of
dominates
the sign ...
over an aesthetic (1996/J39)
(1991/K29) (1999/J124)
parasites – transforming (Makrolab) (1998)
Immaterial Interfaces
(2003/F14)
14 existential view existentialism
WWW Internet (1993/T) only a few WWW servers destruction of (A. Galloway, Eugene Thacker) (2000/P178)
electroacoustic
work – in complete relational aesthetics
visual view / light view I Radical Disruption of a Gyroscopic
an unsettling thing photovoltaics
the visualization
energetic body
of the
motion or temp. difference
infrared sensor gestures of an interactive
(primacy of acting)
existential philosophy Literature:
collective weblogs (2004) (1994/T) already over 10,000 WWW servers web sites on (2003/K62) (1999/P175) (Paul de Marinis) into electrical energy
the role of the WWW (1994/T) first artistic works in WWW (DH) HTML basis Hacking (PV) Following the telescope and the microscope, nylon threads in laser light darkness (John Duncan,
Francisco López)
(2003/K142) digital aesthetics (PW) Device with Heterodyne Mutation
(Krüppelschlag) (1991/K211)
(1991/K191) (1986/K297) (1986/K285)
(Frank Fietzek) (2001/P104) criteria:
robotic installation
(spy camera, infrared
view of the apparitional subjectivism debate Technologische Kultur – Eine Studie über die
künstlerische Auseinandersetzung mit neuen
for art projects (1995/T) first literature on net.art (DH) (Kensuke Sembo, Hacking Millenium Park now we have video photography. It represents the
(Paul DeMarinis) kinetic aesthetics of performative theories from
transfer protocols techno-aesthetics (AH) (Just Merrit et al.) sculpture formed with dynamite most useful sensors / (2001/F34/P108)
1991
(96/97/T) the most artistic works so far Yae Akaiwa) (TNC network) (1998/K107) light sculpture digital images documented violence cultural studies Technologien / Hochgerner, Molnar, Pilz et al.
(2003/K12) Internet 2 third stage of illumination. on the whole, the concept of (AH) Myron Krueger stresses that not (Piotr Kowalski) (1980/104) Video:Violence sensor reaction to visitors)
TCP-IP, FTP, HTTP,
(2000/T) sharp decrease in PRIX entries (2000/P46) (1996/P102) DigiCrime
video images as light images (O. Piene) (Harold Edgerton) stroboscopy (C. Möller,
aesthetics is not very helpful only does a new aesthetics emerge with
(AH) developing the aesthetic accident – remote-controlled
out of control (2)
Richard Kern Retrospektive
(Kathy Rae Huffman)
(1995/P47) (Kenneth Rinaldo) (2) view of sensor technology performativity discourse Ästhetik des Erscheines / Martin Seel
on the dangers of the net R. Kramm) Was sich zeigt – Materialität, Präsenz, Ereignis /
1995 World Wide Web Sites
PRIX erstmals 1995: Welcome to the exhibitions: high-speed photography (modifications do not really add the invention of systems, which first leads
possibilities of a technology car jumps (Leo Schatzl) physical dramaturgy (political violence, personal violence)
DNS (1999/F24/P64) (Lynn Hershman) (Kevin McCurley) (1994/P132) to a new aesthetic theory in its description, pyrotechnical installation based on the In an artificial ambient, the computer Dieter Mersch
"Kunst-Licht-Kunst" (1966) (Popper) (Eindhoven) (1982/K82) anything either) (DG) (1991/K215) (through bodies) (1991/K261)
Wired World (ars 1995) VRML multi-user sculpture
optical computer architecture but also a new art form outside the realm spirit of the industrial feeling Performance
becomes almost invisible ... It
RIP, NTP, NNTP, NFS running into the limitations (1998/II-K222) "Lumière et Mouvement" (1967) (Paris) (AH) techno-aesthetics versus Erotic Violence (1991/K278) Reichian convulsive breathing Sphären der Kunst / Richard Kriesche
(1997 renamed: .NET) three-dimensional storage of traditional forms. classical aesthetics (Erik Hobijn) (1991/K107) (1997/K306) supports sensor technology and
Telnet (Andreas Broeckmann) VRML of VRML Datenautobahn automatized fire as the medium of possession ; exercise (John Duncan)
2001 Net vision (PRIX) netculture (1998/P151) (R. R. Birge) (AH) Weibel shows that the means (Rooted in the sign?) squashing teddy artificial senses. (PW)
(remote login) (1999/J438) (promoted by Al Gore) light and sound sculpture explosions violence in film (R. Kern) (1991/K281) (1991/K277)
(1998/II-K257) investigation of experimental (1997/K303) (1997/K85) for realizing depictions have basically (DG) We should leave the aesthetics concept the "Dante Organ" (U. Winters, C. Ebner) Symbiotic exchange of (1994/K07)
2001 Net excellence (PRIX) (Christian Möller) (1998/II-K263) militarization of science and (Roman Signer)
hoarded energy (C. Ebener,
(2000/P58) RMF – rich VOIP Voice-over-IP How can we transform this communication nightmare (1998/P80) light and sound effects (Motoshi Chikamori) been left out of aesthetic theory. in the realm of perception/aisthesis and turn,
(1991/K81)
(1982) mailbox and (Critical Art Ensemble) and its culture of death (since the self-sacrifice D.S.I. (1991/K108) F. Fietzek, U. Winters)
Welcome to the wired world (1995/K) music format: use of (Internet-telephony) (Internet) into a conventional, dead, controllable mass (Y. Breuleux, A. Thibault) projected computer shadows ausgeklammert wurden for example, to performative and raw gaming energy Centerbeam (Gyorgy Kepes)
conference system (P. Mühlfriedel, G. medium? Like power, resistance must atmospheric considerations. late 80s) (PV) (1998) (1999/K317/P72) Goldhamster
post-scientific extremism (ML) "energetic" bodies acting through waves and combination of energy transference
(Adrian X) (1989/K145) Markeffsky, L. Schaumann) The main trick was to substitute information for At the Center (MIT), light, withdraw from the streets. The Aesthetics of Code
Net Art / net.art atmospheres are generated with the help of electronic and transformation systems (1980/K98) computer sculptures with
Crisis 2000: decrease net-meeting Internet meets TV
communication. environment, is the all-
encompassing topic. (O. Piene)
11 light view II Cyberspace must first be
as a location and instrument of
realized (Ed Burton) (2003/F38) technological adventuring
media and the performatization of theater floating magnets
of submissions from (2002/K178) (2001/K192) RealVideo Wireless-LAN projects (2004) lab people, who go to the most extreme (Masami Akita, Z. Karkowski) = (Mazk) forms of brutism (PW) Schmarotzer – Parasites (O. Beckmann) (1980/K122)
500 to 250 public display wireless experts (2001/K192) Digital Zapatismo (1998/K56)
resistance. (UR) The unkind and unfortunately inevitable discussion (Steve Mann) (1997/K223)
e-hub ethical boundary (PV) (1998) Extreme Computer-Electronica (1999/K382) (Einstürzende Neubauten, drawing energy from the
1989
(2000/P18) Wilder Efeu (Stadtwerkstatt) Laterna Magica (R. Dominguez) of "digital kitsch" or "computer kitsch" still remains a Personal security devices: fight against the slavery of
Network of Systems political satire (Kaucyila Brooke) Throbbing Gristle) body of their carriers (2001/F34)
Webcasting and (F. Xaver, Chris Mutter) (L. Filatov, J. Eckl) reprehensible trivialization, if it does not see art as 2 radar units, video cameras,
CUSeeMe mobile Internet Metadesign reunites art and (Andy Deck) (2000/K271) NYC Gedankenbilder research at the service decribing planes of an (1987/K12) (Frank Fietzek) gravity (Joe Davis)
diving into electronic digital broadcasting Clickscape 98 (Stadtwerkstatt) (1998/K183) (2001/K201) (1997/K308) (A. Garton) foreigners and Grrrl e-zines dynamic, as action, potential, and method of connection. microphone, infrared system
global networks Feedback via stateless persons (1997/K385) politics: it enables art to (1998/P42) and a host of sensors (Russet Lederman) of the advertising and expanding hypersphere
(1982/K42)
Project Teledesic – Internet pixel graphics on building, controllable light
(Ascott) (1989/K103) IRC channel (1997/K388) formation of surreal net research
have a political impact. girl culture (1999/P82) film industry (Glenn Branca) (1984/K207) The Gods of Thunder (1987/K133) art and war (2002/K284)
virus vending machine (1999/P84)
for the whole world via satellite sculpture (Lehner, Seidl, Ritter, Estl) feminist strategies of young (Azza El-Hassan)
polyethnical media and cultural Metadesigners work with (Franke) rational aesthetics (Rhys Chatham)
(2000/P48) etoy toywar artists: Nine Budde, Snergurtuschka, growth structures, fluid motion, ... (Eric Paulos)
Einladung zur Beteiligung an chat environments IRC diversity (2002/K278) (Tremetzberger, cultural context. girlie network Global Conflicts – Local Networks Muntadas thus showed that the TV broadcasts that ethics of business and cf. view of the field
huge stockmarket losses Lina Hoshino, Cue P Doll, ...) (2001/K113)
einem Netzkunstprojekt per The "culture-meter" or the art
Baratsits) (Gene Youngblood) (I. Ramonet, Lori Wallach, Joichi Ito, commercialized spiritual wellbeing, marketed the advertising industry (Glenn Branca) (1984) (1989/J126) Entropy Machine
chatroom
FAX (1989/K106): EARN, DITNET,
I.P.Sharp GMUC Graphical
view of networks (II) of multicultural mixing
(1986/K238) methods of feminist practice
(net art: Kathy Rae Huffman,
women's networks Alex Galloway, D. de
R. Wischenbart) (2002/F11)
Kerckhove, personal feelings and paved
war, originated in cozy private spaces.
the way for holy
art as the scene of global
musical energy turning pillars of air (M. Jacobsen)
(1995/P122) energetic view
Net Criticism (1995) Cabaret Voltaire shows (1993/K393) (W. Hilbert) countering the dominance into acoustic steamrollers communication aesthetics
MultiUser Conversations cyberfeminism (1992)
2002
ZK Proceedings 1995 technology violently Faith Wilding, Cornelia Sollfrank, The control of politics, religion and communication conflicts (Peter Fend) (2002/K319)
(1997/K176)
of English on the Internet (political strategy, sociology (Bourdieu)
(1986/K07) (1999/J366) East/West dialogue suck my code Victoria Vesna, ...) (2001/K113) Unplugged (3) is in the same hands. (Cabaret Voltaire) (1986) (1989/J133)
Internet-driven digital culture
& lifestyle (2001/K192)
"Net Symposium" as 10 Internet view beginning 1988 (1989/J16)
(2002/K145) (French funding)
(1996/K35) artistic methods) As a dynamic Internet archive, the "File Room" project collective memory (1998/P52)
brutal confrontation 13 intensity view identity discourse
communication form (1999/K38) (Sadie Plant, VNS Matrix) Operated by Art enables web access to information about the history (S. Meiselas, A. Cornyn, S. Johnson) the seismic form performativity theories
increased involvement media winds from Asia
(2001/K200) (1997/F46) (Marita Liulia) Local Conflicts – Global Media
morphology and VNS-Matrix (cyber- (1996/K180) (Nova Delahunty) (Danny Schechter, Jennifer Sibanda, Hanru Hou, Peter Fend, of censorship. (Jean Baudrillard) postmodern views
(Keigo Yamamoto) Ambitious Bitch – western artists, teachers, designers, curators,
syntax of the "slasher" of the Japanese (1994/K215) (1999/J286) feministische Gruppe)
net access for African Winters Negbenebor, P, Quéau, M. Napier, Azza El´Hassen, (1995/K172) (Antonio Muntadas) (1995/K285/P70) (1991/K07)
journalists, performers, musicians, ... as
09 user input/user participation
as criterion for web applications
new maps of hyperspace (Carbaret Voltaire)
Tokyo scene
(1996/K35) feminism at the turn of the millennium
women (2002/K194) D. der Kerckhove) (2002/F09) T. Sherman) (2002/F10) henchmen of the media industry (Iba Ndiaye Djiadji) (2002/K77)
view of dramatization
issues of the psyche (1986/K98)
increased involvement (1997/F06) (R. Sifuentes) ff-female takeover (B. Serexhe) artistic aggression
ars: cyberfeminism
(1995/P40) D. de Kerckhove) Mind Machines (2001/K86) (John Duncan)
(Terence McKenna) of the French (2001/K111) Who is unplugged? cultural Zensur and globalization
(1990/II-K277) (Rudolf Kapllner) psycho-active (Tomohiro Okada) (G. Stocker, Aminata Traoré, Saskia Sassen, composting In Tokyo the broadcasts from the research in service to achievement view
(1990/II-K323) electroacoustics Horizontal Radio: pirate radio that he built and operated the weapons industry
(AH) from the dictate of subjectivity Die neuen Techno-Reinrassigen telematic radio network
Women, art & technology Jeremy Rifkin) (2002/F08) (Amy Alexander) the Internet stands as art against violence
cyborg surrealism on the aesthetics of pleasant (Zelko Wiener) (1997/P82) triggered tighter legal restrictions in the
to the separate world of apparatuses the "virtual realities" of (Harwood, Mongrel) (1999/K326) "voice and memory" in (Uri Dotan) (2002/K263)
(1997/K63) states (Ernst Graf) (1990/II-K339) project (1995/K358) the group VNS Matrix Artistic Aggression media ether.
(Weibel) Timothy Leary (LSD guru) (1990/II-K336) Mindmusic Mischlinge in der Techno-Kultur Migration – higher level theme uses low-end
Authors on the topic: Zoe Sofia, Carol Stakenas, Martha
Burkle Bonecchi, Simone Osthoff, Jashree K. Odin, Patricia
(Iba Ndiaye Djiadji, Oumou Sy, Jay Rutledge, (1991/K300)
opposition to censorship
(1995/K173)
rear-view mirror to reality view of destruction
Cyperspace signalizes adventure, (David Sheff) (1990/II-K343) technologies for Davis O. Nejo, M. Neustetter, The Trinity Session, (1996/K326)
(1990/II-K239) Arge Zimbabwe Bentson, Judy Malloy, Patric D. Prince, Margaret Morse, Just Merrit's laboratory of the past
practices for supporting imagination, new territory (1992/P07) virtual reality the socially compatible their work Andreas Hirsch) (2002/F08) Censoratorium
Homepage (1996/P114) Telematic Dreaming – Sheila Pinkel, Anna Couey, Kathy Brew, Christa Schneebauer, There are the known horror scenarios as a machine against forgetting
emotional interaction in the dark (Station Rose) network variation (Public Voice) (1996/K188) of the electronic globetrotter, otaku or catalogue of trigger words Bio Art (1)
virtual contacts and touching Barbara Becker (L), Faith Wilding (L), Melita Zajc (L), Wiring Africa (2002/F08) (J. Domsich) (1997/K364)
(triggered by coded objects) video, installation and (Willem de Ridder) (Elisa Rose, Gary Danner) (1995/K200) (R. Alton-Scheidl) data dandy who holes up, lonely but in (Rupert Huber)
cyberspace as name for (Paul Sermon) Donna Haraway, Verena Kuni (L), Nancy Buchanan, Ushi Reiter, (M. Jensen, Michel Mavros, Birama
(H. Ishii) (2001/K258) psychological space magician, performer (1989/K124) Sherry Turkle, a teleorgiastic mood, in his media center, (1998/K236)
Mona Singer, Silke Bellanger, Dagmar Fink, Andrea zur Nieden,
2002
a psychotic space the recipient creates Diallo, K. Goddard, D. Muntanga, artists have always wanted (Graham Harwood)
(1994/K158) (1990/II-K309,K311) research camp in Cairo Sadie Plant, which is connected to the rest of the
(Peter Weibel) information (1995/K34) Unplugged (2) Cornelia Sollfrank (1996), Helene von Oldenburg, Marina Grzinic, Lisa Goldman-Carney) to create "monsters" (1998/K156)
Affective Computing "Hollywood of the Arabic world" Donna Haraway, Eva Ursprung, Claudia Reiche, Adele Eisenstein, Sadie Plant, world via networks. At the same time,
(M. Minsky) the future (1990/II-K30) Art as Scene of ethics in cyberspace (2000) (Joe Davis)
(2003/K260) (AH) limitation of the observer's self- Sandy Stone, Marie-Luise Angerer (L), Karin Spaink, Birgit Richard (L), Monika Treut (L) the environment does not interest him McDonald – collected criticism
database with models convergence of science, Global Conflicts Internet contents computer ethics
In der Vergangenheit hatten die recognition due to technology (2004) Digital Communities involves Zoe Sofouilis at all (Rötzer) (1994/K108) (1996/P98) (n.n.)
of conflict avoidance art and psychology (1990/II-K97)
Mobile Feelings the 90s as the era meisten Sportarten mehr (in closed-circuit-Installationen) ... bridging the geographical, but also the (1996/K184) Artists on the topic: Steina Vasulka, Joan Jonas, Dara Birnbaum (OK), (A. Rosanne Stone) view of memory
(2003/K258) (D.A. Plewe) (1999) of the brain Zuschauer als Mitspieler; jetzt the compulsion to adapt to the laws of the gendered "Digital Divide" Valy Export, Margarete Jahrmann, Sonya Rapoport, Lynn Hershman, (1999/J312) hacker ethics
interface Wiring Africa (AH) a net museum collects opinions (1998/K17)
see also: political view / historical view
(Sommerer, Mignonneau) (1990/P08) können wir uns Spiele vorstellen, Nancy Paterson, Pauline Oliveros, Rebecca Allen, Donna J. Cox, Agnes Hegedüs,
Who is unplugged 1996 1.Cybercafé (unplugged Symposion) and views, things and testimonials of
wo es mehr Mitspieler als Judith Barry, Jennifer Hall, Brenda Laurel, Monika Fleischmann, Char Davies,
(AH) These works thus demand a new behavior (Symposion) Afrikas (Oumou Sy) (2002/F09) home as environment of life see also:
Mobile feelings telephones: mini-bio-sensors Zuschauer gibt (R. Malina) Tonga Cecile Le Prado, Pamela Z, Nell Tenhaaf, Valerie Soe, Kathy Rae Huffman, Diane Fenster, view of concern
1991 (1995/P30) from the exhibition visitor, tearing him out of (2002/F08) (2002/K92) Leslie Ross, Dawn Stoppiello, Christa Sommerer, Sabine Zimmermann, Marita Liulia The Hiroshima Project questioning social view aesthetics as art theory
and controllers for measuing heartbeat (blood
out of control (3) Artistic Aggression Online Legend
mere "contemplative observation". (Akke Wagenaar) ideas involving aesthetic discourse
pressure and pulse), und Puls), skin 1987 art in the network The aim of the Electronic (unplugged Symposion) (2002/P60) These views are intended to demarcate content/analytical perspectives and
conductivity, persperation and smell Frontier Foundation is to (2002/F08) cyber and online Symposium "Cyberfeminismus" (1995/K318) normality view of art theory / morphology
of the user (2003/K261)
a shirt's lonely journey
through hell: (J. Laederbach)
rotating loudspeaker arm that
interacts with visitors and can
(Kunsthalle Hamburg)
(image commentary by protect virtual
demonstrations XXERO – collaborative MOO-based 1998 documenta X (Michael Hoch, (Harwood) friendship 12 ethical view theory of perception
delineate zones of content. Placement within these zones follows the
principle: spatial proximity = proximity of content.
globalization of Local Conflicts – (2001/K18) environment (2001/K313) Ambitious Bitch
Mathias Melchor, (1996/P140) and love nn view
(Stahl Stenslie) tel-emotion society Unnatural bodies get out of control by recipients on PC) communities from sublimeness debate
reacting to viewers campaigns (2000/K379) Global Media (Ushi Reiter, Florence Ormezzo, Tamiko Thiel,
fem networks (Marita Liulia)
Masahiro Miwa) The outer ring is generally more abstract than the inner area.
(2000/K213) (Jim Whiting) (2001/P115) "registering" and "depicting" the through sensors physical interference (unplugged Symposion) aura debate
Marlena Corcoran, Valentina Djordjevic, These could also be called achaeological fields in Foucault's sense.
(Akitsugu Maebayashi) (1991/K73) (E. van der Heide, M. de Nijs) central role of the viewer (AH) (1989/K170)
by government
authorities.
Global Conflicts –
Local Networks
(2002/F09) Aileen Derieg)
(1997/P148) The project
History" makes
"Survivors
use of
of
the
the Shoah monument view / memorial view
Visual
repulsion theory
perceiving other people in observer (1992) FACES mailinglist (women working communication aesthetics
(AH) For Shaw it is especially interesting that the non-active Deep Media (comprehensively (John Perry Barlow) (unplugged Symposion) notes from the underground electric ladyland technological breakthrough of
a darkened room through from the technically "moving image" political in the field of media) (2001/K313)
viewer also has an opportunity to experience the art work as including the context of the (1995/K132) (2002/F11) bad girls versus data storage: 10000 hours of
mood management a VR heartbeat – to the "moving viewer" (AH) net projects (Melissa Gould) Sadie Plant: Cyberfeminism is nothing (Valentina Djordjevic, Kathy Rae Huffman, the astronaut christ Literature The literature cited is available in Linz (from the authors of the study).
it is seen with the eyes of another, so that this manifestation user) filmed memories can be digitally
(2001/K236) (C. Mikunda) on concepts of proximity (1991/K177) other than the recognition that the days Diana McCarthy) Ars Electronica catalogues are only listed here, where special thematic
attains the character of a performance. redemocraticization of the technodemocracy (Hari Kunzru) archived (1996/K236)
(1998/P90) user, player, participant, of patriarchy are counted (1996/K182) gender issues (1999/J168) (Sandy issues are concerned.
Internets (Yury Gitman) (1998/K129)
recipient, visitor, viewer, (AH) The implied intentionality expressed in the (1998/II-K297) (1999/J315) (in MOOs & MUDs) (1997/K100)
catalyst for self- active intervention completely suppresses the form
(2003/P28) Stone) Literature that is not directly available is marked separately.
(Toshihiro Anzai, Tamio Kihara) reader, observer cyberdemocracy (AH) revealing the viewer to himself
discovery (AH) of disinterested viewing, it is even contrary to it. (Klotz) the future of democracy and the four globality (AH) intermedia persona performance
emotional turn (1997/K259) ... you can paint as a voyeur (Lynn Hershman)
basic principles of computer communication (Susanne Widl, Valie Export, Patricia Jünger)
guitar amplifier as (Dieter Daniels) with it and "make" music at the
(1994/K206) (Howard Rheingold) special net art The archaeology follows the axis: discursive practice => knowledge => science.
emotional amplifier same time controlling facial Code-Katzen political and activist software: Mißbrauchte Frauen (1988/K135) discourses
cf. atmospheric studies psychophysical interface self-perception instead hands-on interactivity (ML) With interactive Relevant discourse, research directions (knowledge fields) and method complexes
(1984/K250) muscles many-to-many medium
In order to be truly contemporary, artists must see
Betababies cease-and-desist-ware, illicit SW,
Cyborg Manifesto advanced studies
(Werner Cee, Horst Prehn) of perception of the work ("Huge Harry" = voice synthesis (AH) new type of sensibility installations, there are no (1994/K207) Cyberschlampen software resistance, useful activist SW
are listed here in this sense.
playing with (1993/P114) longer viewers, but only themselves as nodes in a technologically determined (Donna Haraway) method complexes Discipline: as set of methods (of a scholarly discipline)
Pain Station machine) (1997/K110/P134) radically decentralized (1996/K182, K189) (2003/K229)
actors. environment - and thus assume a highly political (1997/K46)
qualifying use of emotion people's desires (V. Morawe, T. Reiff) emotional program media activists theory complex
(2002/F047/P102)
(MF) an experience of attention and Touch-Screen responsibility. (Stocker) (1996/J53) (Goodeve)
(L. Larcher, Rich.Art) (1993/K227) (1989/K235) art&politics research directions This categorization approach is especially suitable for Ars topics, because different
virtual emotions PEU = pain execution interaction oriented to the human being get in touch (Resitor Sensor) (R. Adrian X, R. Braun, discipline fields of science (and of knowlege) are used systematically.
(mixed reality architecture) (Lynn Hershman)
(S. Schemat) (1993/K230) unit affectiveCinema (Jan Torpus, Michel Durieux)
(transmediale) control through bio-feedback
(1996/K418) (Thecla Schiphorst) R. Woelfl) (1996/K248) CODE = LAW (symposium contributions)
Führer Museum
intercultural view
proximity and manipulation (AH) stolen art (2003/F06) (Cindy A. Cohn, J. Grimmelmann)
identity and artificiality via GSR sensor (Galvanic Skin Response)
(AH) With the development of the interface design (2003/K26) Black Culture theory political discourse (1979/Knnn) Source information: time period, source, page
illusion of an emotional encounter participation (1989/K75)
(Machiko Kusahara) (1997/K219) (Catherine Ikam) (2000/K401)
microprocessor,
opened up vast
in particular,
physical,
we
sensory,
have
GSR (AH) putting the viewer into the (2001/K244) (R. Lozano-Hemmer) cyberlaw regulation and
e-government view of worldviews cultural criticism repoliticization discourse Sources: K = catalogue, P = Prix catalogue, F = program folder,
J = anniversary issues
motion-capture cannot convey role of collaborator feminist studies / feminist theory postcolonialist discourse
emotional, mental and conceptional (2001/K192, K212) cybercrime see also:
emotions touching and transforming Humphrey (AEC) teleparticipation gender studies exoticism discourse T = timeline/milestones (context of the Ars)
possibilities. participation and Open-Law historical view
agression, flesh, lust, craziness,
a face (Jim Campbell) combination of VR and force-feedback
technologies (2003/K433) no interface interaction (AH)
(1995/K178) Cyberrechte
view of rhetoric
legal view anthropologie of gender race discourse The catalogue from 1979 was only available in the Internet version.
(2000/F35) BUMP – telematic installation cultural history studies regionalism debate The page numbers therefore refer to the PDF version.
blood frenzy and fantasy mechatronic set-up (2004) "Digital Communities" view of action
Linz – Budapest !!(1999/K421) (2001/P87) apparatuses at all (AH) based on the phenomena of postmodern views minorities debate (Les Levine)
(flying over Linz) (H. Ranzenbacher)
(Linda Dement) (1994/P46) tactile interface – pressure generate
counter-pressure (physical interface)
(2001/K246)
(R. Lozano-Hemmer)
participative projects stimulation, exchange and playing,
the new category acknowledges
potential of digital and networked systems
the political
political view postcolonial theory Eurocentrism debate (Stadtwerkstatt) Artists, who are quoted but may not have taken part in the Ars
How can feeling be programmed the concept of art achieves a new media law critical discourse Note: theoreticians are not highlighted in color
force-feedback force-feedback mouse
in music? (Klaus Netzle) word-of-mouth meaning cyberlaw (L): spoke in Linz
force-feedback device technologies (resistance increases with media law
(1980/K72) force-feedback device
re-introduction of
with elastic screen every selection)
the view of things compulsory guidance system for
11 feminist view Prize-Winners Net Categories Artists, groups, persons who took part in the respective Ars Electronica
(Hiroo Iwata) (Orit Kruglanski) (2000/F33) 1995: Robin Hanson, Konrad Becker, Pattie Maes & Max Metral, Station Rose, Antonio Muntadas, Artists' first names are written out.
talking to a neuro baby Digital Instinct gravity (Slavoj Zizek) recipients
(1999/K351) Ed Stastny, Stephanie Cunningham, Andrew Anker, Scott B. Gregory, Charles Henrich, Klaus J. Rusch, 1979
(electrolobby Panel) (Douglas Edric Stanley) (1992/K113) (Automatic Radio)
(emotional reactions) see above: therapeutic view psychical view Bonnie Mitchell, David Chaum, Catherine de Courten, Christoph J. Mutter Main Phases in Time
(Naoko Tosa) (1993/K353) (2001/F16) (2000/P100) (1993/K245) (R.A.M.S. attack) 1989
haptic force-feedback 1996: etoy, Ed Stastny, Manuel Schilcher, Trevor Blackwell, Mark Pesce, Masaki Fujihata, Mc Spotlight, 1979 – 1988 Initiation/definition phase (Leopoldseder, Franke, Bognermayr, et al
(intentional lies) joysticks (Rebecca Allen) 1996
(2000/F33) psychoanalytical view / Ron Newman, Kevin McCurley, Andruid Kerne, Joey Anuff, Maria Winslow, Lisa Hutton, Stuart Moulthrop, 1982 Stadlmayr, Leopoldseder / 1984 Hattinger, Schöpf
(1999/K357) see also: object view
unarticulated communication similarity and
Timothy Leary 1986-88 Hattinger with Weibel as consultent or co-program organizer
manifesto of tactilism 1997: Project Taos, Gordon Selley & Rycharde Hawkes & Jane Prophet, Rolf Schmidt, Amy Alexander,
bodies don't lie
(2000/P102) media theory Global String
touch psychophysical view emotional turn Bruce Damer, Ryoichiro Debuchi, Hermann-Josef Hack, Omar Khan, Zervos Komninos-Kostant, Steve
1986 with Patsch
1987 build-up of the PRIX (to most important international prize)
(literature studies) (Atau Tanaka, K. Toeplitz) existentialism (primacy of action)
see also: view Mann, Joan Heemskerk & Dirk Paesmans, Markus Schulthess, Alexei Shulgin, Mark von Rahden Leopoldseder calls 1986-89 the phase of re-conception
media discourse (2002/F045/P108)
of the atmosphere psychoanalysis / repulsion theory
psychological space
(Kathy Rae Huffman) media studies observer view Lacanism discourse
1998: knowbotic research, E-LAB, Kazuhiko Hachiya, Bruce Damer, Andy Deck, Paul Garrin & Andreas
Troeger, Matthew Fuller & Collin Green & Simon Pope, Koji Ito, Thomax Kaulmann, Susan Meiselas &
1989 – 1995 Intensification phase / more scholarly orientation (Weibel) /
turn after 10 yrs. Ars Electronica / "art blessing" (Kunstforum)
media anthropology queer theory Alison Cornyn & Sue Johnson, Lothar Bongartz & Burak Kozan, James Stevens, Andreas Trottmann, 1989-91 with Hattinger, 1989 catalogue Kunstforum with Lischka
communication theory gender studies
information theory
10 recipient view psychological theories of performance
Wendy Vissar, Michael G. Wagner & Shane Carroll
1999: Linus Torvalds (Linux), Jean-Marc Philippe, Willy Henshall & Matt Moller, David P. Anderson,
1992-95 with Gsöllpointner, Schöpf / 1992 with Vasicek
09 emotional view net discourse / cyber-discourse psychology / psychology of action Joanna Berzowska, CAAD ETH-Zürich, Help B92 Coalition, Eric Loyer, Daniel J. Lundgren, Fumio
1996 – 2004 Consolidation phase / Completion (Stocker, Schöpf)
no experiments with curatorial personnel
simulation discourse
nomadology discourse
view of the mood Matsumoto & Shoei Matsukawa, Mark Napier, Nick Philip, Ramana Rao, Crista Sommerer & Laurent
Mignonneau, Martin Wattenberg & Joon Yu Specialist curators: see the relevant catalogues
2000: Neal Stephenson, Sharon Denning, Telezone-Team, Ichiro Aikawa, Natalie Bookchin, Tom Corby & The color coding in each sector makes it immediately visible who formulated or
Gavin Bailey, Kensuke Sembo & Yae Akaiwa, Reinhold Grether, Jie Geng, Ursula Hentschläger & Zelko explored which emphases
Literature: Literature (2): Literature: Literature (2): Literature: Wiener, Stefan Huber & Ralph Ammer & Birte Steffan, Patrick Lichty, Peter Mühlfriedel & Gundula
Literature: (2) Literature: Literature: (2) Literature:
Vom Tafelbild zum globalen Datenraum / Medien – Systeme – Netze; Elemente einer Der bewegte Betrachter – Theorien der Elektronische Nächte – Die Welt der Mailboxen Ulrike Rosenbach / Videkunst, Foto, Aktion / Markeffsky & Leonard Schaumann, Kazushi Mukaiyama Within the possibilities of the cluster representation, this study addresses
Ed. Peter Weibel Theorie der Cyber-Netzwerke / Stefan Weber interaktiven Medienkunst / Annette Hünnekens und Computernetze / Dieter Grönling Politische Theorien des Cyberspace (article) / Design goes virtual – Entwürfe zur Ästhetik in Ästhetische Information und Kunst / Perform or Else – From Discipline to Performance
Performance, feministische Kunst 2001 net vision: Team cHmAn, Neeraj Jhanji, Yuji Naka, Gino Esposto & Michael Burkhardt & Paco views/issues of art history studies with the indication of time periods.
Log.buch – Materialien zu log.in – netz | kunst | on line – Kunst im Netz / Projekt: G. Stocker 93 Die Individualität der Medien – Eine Geschichte 24 Stunden im 21. Jahrhundert - Onlinesein Horst Bredekamp (in: Kritik des Sehens) der Informationsgesellschaft / Peter Zec Herbert W. Franke Jon McKenzie
CODE – und andere Gesetze des Cyberspace / Manzanares, Ranjit Bhatnagar, Frank Lantz, Peter Lee, Eric Zimmerman,
werke / Matthias Klos, Mathias Neidhart Intertwinedness – reflecting the structure of the der Wissenschaften vom Menschen / Zu Besuch in der Neuesten Welt / Peter Glaser Techno-Kolonialismus / Oliver Marchart Digitaler Schein – Ästhetik der elektronischen Aesthetica – Einführung in die neue Aesthetik / Destruktionskunst / Justin Hoffmann
Lawrence Lessig Mehr Licht / Paul Virilio, F. Kittler, et al. 2001 net excellence: Joshua Davis, Chris McGrail & Dorian Moore & Dan Sayers, Brian McGrath & Mark Canonized art directions (trends, movements)
WebFictions – Zerstreute Anwesenheiten in net – Überlegungen zur Netzkultur / Stefan Rieger Der Flusser-Reader zu Kommunikation, Medien Medien / Ed. Florian Rötzer Max Bense Choreografie der Gewalt / Kunstforum Bd. 153
Women, Art, and Technology / Ed. Judy Malloy Watkins, Alison Cornyn & Sue Johnson, Laurence Desarzens & Raoul Cannemeijer, Bradley Grosh, direction Vergleiche auch: Performance-Richtungen
elektronischen Netzen / M. Faßler, Z. Wiener ... Margarete Jahrmann, Christa Schneebauer Bildbeschreibung als Verbindung von visuellem und Design The spezialization of technology: from elsewhere Ästhetik des Immateriellen ? Zum Verhältnis Die Unwahrscheinlichkeit des Ästhetischen - Philip Kaplan, Netbaby World, Barbara Neumayr, Frederick Noronha & Paratha Pratim Sarkar, Toke
net.art – Materialien zur Netzkunst / Net Criticism - ZK Proceedings 1995 und sprachlichem Raum / Jörg. R. J. Schirra Kommunikologie / Vilém Flusser to cyberfeminism and back – institutional von Kunst und Neuen Technologien – Teil I / und die semiotische Konzeption der Kunst / Nygaard & Michael Schmidt & Per Jorgen Jorgensen, Tarun Tejpal, Mark Tribe & Alex Galloway, Field of design, technical approach (e.g. VR, immersive media, ...)
Tilman Baumgärtel Total digital – Die Welt zwischen 0 und 1 – oder Im Netz der Systeme / Merve Kunst als Sendung – Von der Telegrafie zum modes of the cyberworld / Ed. Marina Crzinic, Kunstforum Bd. 97 – 1988 Florian Rötzer Max Bense ultrashock.com, Voltaire, walker art center, Steve Whitehouse
field / approach The technical view was purposely not depicted as a separate sector.
net.art 2.0 – Neue Materialien zur Netzkunst / Die Zukunft der Kommunikation / Negroponte Information und Kommunikation in Geschichte Internet / Dieter Daniels Adele Eisenstein Ästhetik des Immateriellen ? Das Verhältnis von Handbook of Visual Analysis / Carey Jewitt, 2002: Radical Software Group – rhizome.org, Michael Aschauer & Josef Deinhofer & Maia Gusberti & Nik
Tilman Baumgärtel Telepolis – Die Zeitschrift für Netzkultur und Gegenwart / Margarete Rehm Digitales Österreich – Informationhighway: Data Body Sex Machine - Technoscience und Kunst und Neuen Technologien – Teil II / Theo van Leeuwen Thönen, Sven Halling & Ivar Gaitan & Johan Rahm, Jonathan Gay, Alexandra Jugovic & Florian Schmitt,
net_condition – art and global media / Ed. Lob der Oberflächlichkeit – Für eine Phäno- Kursbuch Neue Medien – Trends in Wirtschaft Initiativen, Projekte, Entwicklungen 1995 / Sciencefiction aus feministischer Sicht / Kunstforum Bd. 98 – 1989 Florian Rötzer Der entfesselte Blick - symposium workshop Harper Reed, Josh On, Alexandra Jugovic & Florian Schmitt, schoenerwissen – Anne Pascual & Marcus Title proposals for future Ars Electronica events
Peter Weibel, Timothy Druckrey menologie der Medien / Vilém Flusser Politik, Wissenschaft und Kultur / S. Bollmann P. A. Bruck, Andrea Mulrenin (cf. ars 1995) Ed. Karin Giselbrecht, Michaela Hafner Das neue Bild der Welt – Wissenschaft und exhibition / Ed. Gerhard Johann Lischka Hauer, Sabine Bitter & Thomas Schneider & Helmut Weber, Kenneth Tin-Kin Hung, Francis Lam, Elan Lee
net_condition Kunst/Politik im Online-Universum
Peter Weibel (Steir. Herbst)
Netzwerke / Manfred Faßler Die Wüste Internet / Clifford Stoll
Kursbuch Internet – Anschlüsse an Wirtschaft
Österreich Online ´96 (cf. ars 1995)
Klare Sicht am Info-Highway – Geschäfte via
Feminismus und Medien / Ed. G. J. Lischka Ästhetik – Chaos-, Gehirn-, Systemforschung,
Robotik, KI, VR – 1993 / Kunstforum Bd. 124
Bilder in Bewegung – Traditionen digitaler
Ästhetik / Ed. Kai-Uwe Hemken
2003: Yuri Gitman & Carlos J. Gomez de Llarena, Sulake Labs Oy, David Crawford, Golan Levin, Lia, ars : ....
Vectorial Elevation – Relational Architecture No.4 James Tindall, Antoni Abad, Christophe Bruno, Amit Pitaru & James Paterson, Agathe Jacquillat & Tomi
u. Politik, Wissenschaft und Kultur / Bollmann Internet & Co. / H. R. Hansen Rafael Lozano-Hemmer Kybernetische Ästhetik – Phänomen Kunst / Mehr Licht / Ed. VVS Saarbrücken Vollauschek, Jared Tarbell & Lola Brine, Axel Heide & Philip Pocock & Gregor Stehle, Han Hoogerbrugge,
Internet Lesebuch / Ed. Marion Fugléwic Zeitschrift für Kulturaustausch 1995/4 / Neue H.W. Franke LAN, Michael Breidenbrücker & Felix Miller & Martin Stiksel, Frederic Durieu & Kristine Maiden & Jean-
Medien und internationale Kulturbeziehungen Jacques Birgs, E. Maria Haas & Luzius A. Bernhard, Shinya Yamamoto, sourgeforge
 1968 The machine as seen at the end of the mechanical age – the horrors of technification (NY) (Pontus Hulten)
Literature: 01 atmospheres view see also: view of the field (1998/K91) (Erik Davis) What is so potentially underwater real-time
musical instrument
ambientRoom: using
light, shadows,
Ambient Media: the use of spatial
situations like noises, light,
01 contextual view 1968 Some more Beginnings – Experiments in Art and Technology (NY) (Gruppe E.A.T.)
1965: M. Noll &
B. Julesz organize
"context-based art"
returns in the 90s in
(AH) from the object-oriented
to the context-oriented phase
intelligent environments that synthetic scenography
immersive about the auditive? ... The term can act autonomously (PW)
(1996/P154) background noises, air currents and water movements 1969 Cybernetic Serendipity – The computer and the arts (ICA London) (Jasia Reichardt) (08.1968 ?) net alternatives (see: context study)
3DELUXE / Projects – Interior and graphic the first US
design / Ed. Robert Klanten
(AH) ... especially in computer-controlled works, "atmosphere" describes this aspect very well: the
sound generates an atmosphere, almost like (M. Redolfi, Martinez) air currents as background interfaces (Ishii) (John Whitney, Keneth C. Knowlton, A. Michael Noll, Nam June Paik, James Seawright, E. Ihnatowicz, C. Csuri) exhibition of comp. (1995/K62)
(1994/K07) (AH) from text to context art as atmosphere
COOL – Kap. Die Kälte der Schaltkreise context-aware theories attention is shifted to an "aesthetics of the Cloud of Sound
incense. Sounds and smells are carriers of vectors
(1997/K203) (1997/K202) view of the framework 1970 Software, Information, Technology. It´s New Meaning for Art (NY) (Jack Burnham) // 1970 Kunstverein München graphics (Howard
1970 Interactive Sound and Visual Systems (College of Atrs, Columbus, Ohio) (Charles Csuri)
context-controlled
event world (AH) looking at the context of other posts
contextualism discourse atmosphere", a world of perception, in which the in the Danube area analog /vs/ digital
of mood and affect, which change the qualitative generated Wise Gallery) Die Ästhetik des Internet – (AH) Von Autonomie zu
Ulf Poschardt cast media: 1979 ars electronica (Linz) in a defined grid
theories of meta-communication viewer is mentally and physically immersed organization of a space .... atmospheres the Ars Electronica in the Kontext als Medium Kovarianz environment-encompassing art works and
analog und digital / Otl Aicher analog: atmospheric, field-oriented radio as invisible sculpture lab atmosphere 1983 Electra - Electricity and Electronics in the Art of 20th Century (exhibition Paris) (Frank Popper) Doors of Percption (Ed Stastny) (1996/P86)
aesthetic discourse (Lischka, Weibel) (cf. Flow & Radio) (2003/P50) context of other conference in Amsterdam (1997/K153) (1997/P16) (Joichi Ito)
Atmosphäre / Gernot Böhme atmosphere/aura of mood management (see below) digital: discrete, coded, diagrammatic (1989/K290) (Hank Bull) (Tom de Witt, Sonja Sheridan, Nelson Max, Roy Ascott) interactive art events (1989/K166)
body theory / body philosophy Ambient (James Tindall) dense, charged media projects (AH): (Stephen Wilson)
Die Welt der Atmosphären / G. Dirmoser the hallucinatory space media art works 1984 Kunst und Technik (exhibition Bonn) machine-human (Lucie Schauer)
phenomenology of perception sunlight, artificial light & robots (Maelstrom South Pole) a space in which media atmosphere 1985 Les Immatériaux (Ausstellung Paris) (J.F. Lyotard) (innovative major exhibition on virtuality,
Dieter Mersch of electronics (P. Weibel) atmospheric arrangements immersion in color (1988/K104) and moods are constantly The idea of Ars Electronica bachelor machines (Szeemann) (was announced as machine exhibition)
(HK) On ZKM (Zentrum für Kunst und
virtual immersion with its aura of to control reflections new technologies and the revolution of electronic communication) machine age (Pontus Hulten)
Transmediale.02 – Aktuelle Positionen der (1989/J23) quiet (2002/K297) (P. Quéau)
TV set projection / multi user light shafts, ocean of light, changing (2001/K78) sound atmosphere is based on a more generally Medientechnologie): it is important for me to stress
(Paul K. Hoenich) (1980/K115) 1986 42nd Biennale Venedig
Medienkunst / Andreas Broeckmann, environment (CH Expo 2002) color spaces (Wonder, (Jim Denley, Rick Rue) conceived concept of the that the traditional arts are also included, because
(Sponge/FoAM) 1986 Les Machines sentimentales (Villeneuve-les-Avignon) (DM) With all the success attributed to technical media - the
Susanne Jaschko atmospheric projections atmosphere of a steel factory (MEGO, Involving System) H. Goebbels, Müller) Viennese Künstlerhaus: the friction surfaces of the future will be in allowing
electronic atmospheres fluid environment (1989/K318) 1987 Imaginaire et Technologies (Bagneux) simulative force of digitalization, the invention of virtual,
(Fadi Dorninger) (2000/K311) An exhibition entitled 1987 Les Mécaniciens de l´Imaginaire (La Villette) completely unknown, even unimaginable spaces, the the old art genres to collide with the new.
complete immersion immersive installations flowing changing images on electronic art
What can media contribute to arranging (1998/K276) Ridin´a train atmospheric atmospheric (AH) we need permeable "Ars ex Machina" was intended 1987 Kunst im Netzwerk (Kunsthalle Hamburg) (image commentaries by recipients on PC) speed of implementation and processing, allowing One cannot focus only on new technologies and
(1989/P90) water walls (Andrea Zapp, Paul Sermon) sounds to illuminate the special situation
the atmosphere of places? as atmospheric approach (1999/K387) (Radian) "wallpapers" (2000/F36/P106)
dissipative codes 1989 Maschinen-Menschen (Kunsthalle Berlin / Peter Funken & Lucie Schauer) extraordinary journeys to the unreal - it is always also media aesthetics, because the old genres change
vibrating aura - arising from the use of electronically 1989 Wonderland of Science Art – Invitation to Interactive Art (Japan) (Itsuo Sakane) in the course of confrontation too. die alten
Liquid Cities (immersing, image and sound terrarium glowing atmosphere ambient display (H. Ishii) (AH) The essence of electronic art (Weibel): important to keep in mind their barriers, their boundaries.

Messa di Voce (Tmema) – thinking about

floating, ...) (Michel Redolfi) Music Creatures (AH) Huhtamo: new way of dealing (Stadtwerkstatt) (T. Shannon, J. Hassell) (2001/K255)
controllable machines in the 1993 Machine Culture – exhibition of interactive media art (Anaheim)
creative field. (The exhibition never 1999 Puppen Körper Automaten – Phantasmen der Moderne
... it propels the development of electronic art from the Even more: it is the boundaries that first make it possible Gattungen verändern. art as release
(Marc Downie) with images (VR and cyberspace (1984/K385) object-oriented to the context- and viewer-oriented phase, to probe the specific potencies and achievements of media.
the meaning and impact of verbal
(1996/K310)
(2003/K402) practices): dive in, submerge, travel... media terrarium
(1988/K113)
conjoined realities
took place.) (1996/J56) (Franke) (Düsseldorf / Katharina Sykora, Pia Müller-Tamm)
SETI 100,000s of computers becoming a "motor of the transformation from modernism to (HK) I do not focus on media
art as concept
sounds/acts and the immersive Liquid Meditation aural architecture sound atmosphere (cf. atmospheres study (DG)) (HK) The old arts will never become
atmosphere of our language "diving in" (Maryanne Amacher) as habitat
(ML) immersion can lead to a
Public space immersion (M. Naimark) (Hiroo Iwata)(1996/P142) in search of postmodernism, in other words the transition from closed to
open systems, from decision-defined and complete systems to anachronistic, but instead we simply technology in the sense of a art as software concept
(Golan Lewin, Zachary Lieberman) (1997/K328) CAVE (1997/K310) extraterrestrial intelligence compare with replacement of what was art
lack of differentiation between hybridity of media, arts and networks (AH) Weibel names a total of 21 features or criteria indefinite and incomplete systems, from the world of the have a broader spectrum of media
(2003/K320) (Margaret H. Watson) tele-immersion (1999/P32)(David P. Anderson) Roy Ascott's yesterday
human and machine that are characteristic for this new art, whereby interactivity necessity to a world of viewer-controlled variables, from the transmissions.
(1997/K168) (ML) Immersion, as diving in (AH) It is better to speak of an "art of Software as hidden force "Apparitional Aesthetics"
virtual mental space hybrid computers appears to be a reflection on new properties of media, such mono-perspective to multiple perspectives, from the monopoly
completely into digital worlds hybridation", which is not to be confused with
VR work (M. Fleischmann, W. Strauss)
(yet the interface must not be marked
(Hiroo Iwata) (1997/K263) as simultaneity, ubiquity, globality, mapping, freely scalable, in the background (2003/K139) to pluralism, from hegemony to plurality, from text to context, (HK) The history of art over the past 180 years
immersive media immersives spatial display – "collage", "mixture" or "Patchwork"
infinity, immateriality, semioticization, acceleration, cf. code interest in image studies has proven, in any case, that the spectrum of media
absence and transparency (Maria Roussos, Hisham Bizri) from locality to non-locality, from proximity to telematics, from
immersive interaction (2002) as the boundary between human complete all-around perspective temporalization, dislocation and the suspension of identity to difference, from totality to particularity, from objectivity has been expanded without any medium becoming
(M. Kusch) (1994/II-K78) (1998/K222) and machine) how art is always looked for in
Masaki Fujihata (1996/P120) identity and the body. to viewer-relativity, from autonomy to co-variance, from the conceptual weaknesses obsolete.
auto-navigation system with AR (AEC) VRML and JAVA (MARS development) the wrong place (2001/K34)
hybrid spaces (1997/K199) immersive media Immersion (eintauchen, einbetten) dictate of subjectivity to the separate world of the apparatuses." Media art will never be limited to the artistic use of technical
Charlotte (Char) Davies (1995) (CAM perspecive overlaid with route) (Joline Blais, Jon Ippolito)
(1992/K11) net art as concept art media. It is always also aesthetic investigation, critical analysis and
superimposed 2-player games (2002/P96) VR work osmosis (2002/P16) With its results, the Prix once again concept art (Bettina Lockemann 2004) social critique of our world view indexed by science and
Der Versuch die Leiblichkeit GMD Digital Media Lab / ETH Zürich (Weibel) The festival was not up-to-date and
(Ryota Kuwabuko)
new kind of virtual art
immersive installation
360-degree dome (K. Sims)
zurück zu erobern operating system view
(art field) outside the art system. demonstrates the complete emancipation of cyberart
from traditional art. Elaborated independent
technology (Stocker) (2003/K13)

(1979/K03) augmented reality: AR facilities (1999/J71)

self-organization of data
(knowbotik research) (1993/K249)
simulation space "mosaic of mobile data
virtuality 1990
immersive architecture fusioned
representations
interlocking two realities circumstances view
picking up, reinforcing and even
setting trends (1999/J73)
concepts ... (C. Schöpf) CODE-Kritik conceptual-systemic art (1) (AH)
media design groups
(MESO, Involving Systems) (2003/F11)
Collective Creativity
(CODE symposium)
art as service
Software & Art I / II (CODE symposium)
2001
(1999/J94) (Adrian David Cheok (2002/F12), issues of robot ecosystem
Take-over as theme (2001)
sounds"
walk-in database (see right)
VR art (?)
virtual art
Agnes Hegedüs
Jeffrey Shaw
--- playing real scenes Magic Book (Kato) Prof. Hirokazu Kato, (1998/II-K306) take over
(how does the system of "fine
(2003/F12/F13) media art as interdisciplinarity collaborative research lab (L.-P. Demers,
B. Vorn) (1996/P126)
art as open source
Bruce Thomas, (1997/K262) posthuman
(AH) Paul Sermon (student of Ascott)
Michael Naimark
research focus
into a virtual environment
Christopher Lindinger)
02 conceptual view view of manifestos Cyberspace Manifesto
(Alvin Toffeler)
art" react ...) (2003/K226)
software concept
(2001/K20) life forms Chico MacMurtrie & Rick Sayre
for art and science
(Oron Catts, Stuart Bunt) (2001/K136) art as techno-science
virtuality in software conceptual software (S. Stenslie,
explored the intimacy of virtual But no art term yet? mixed-reality applications (2003/K328) (1991/P127) "tumbling man" center for artistic investigations
(AH) Weibel characterized this performances transferred to avatars The Hidden World of Noise and see also: (DM) No medium is capable of re-forming Knut Mork,
tactile experiences (1993/P126) loudspeaker arm as
form of art as so-called
"post-ontological art", as an art
telepresence and co-presence
(1997/K199) Lack of a further development
Voice (2002/K408) (Futurelab,
G. Levin, Z. Lieberman, C.
view of absense simulation view absense as or translating another without loss or pursuer (2001/F34/P114)
K.A. Oygard) (AH) from the dictate
subjectivity to the separate world
of the evolution of functional
robo-ecologies (Mark W. Tilden) !
robots+avatars
(1999/P76)
trademark of the festival: virtuality coercion ... (Edwin van der Heide) (1993/K195) (K-Team)
of "virtuality", of "variability" and VR virtual reality in the CAVE. Packing it away in Lindinger, D. Offenhuber, M. Breidenbrücker, of apparatuses
openness (1989/J14) VR view of art genres (DG) a "take over" is meaningless in this (Marnix de Nijs) Kunstzeugwelten
of "viability". (Morgan Russell) favor of cheaper video game G. Stocker, R. Abt, R. Praxmarer, S. Mittelböck) sense too phenomena art international expert conference
systems? (2000/P67) CAVE crisis ? It is not an achievement to transfer traditional (Ulrike Gabriel) Homo Cyber Sapiens
VR facilities (1990/II-K215) stereographic real time (2000/K362) RoboCup "Industrial Robots" robot performance (1993/K350)
artistic patterns and behavior schemata to media (1995/K28)
Strategies of art are more and (1999/J242) Pixelspaces (add. offers) applications for CAVE with "software" Burnham established a LEONARDO (AH) (Itsuo Sakane) (2000/F37/P108) at theKepler UNI (1982/K267)
art; the challenge is to invent new ones. on the aesthetics of
view of eros
more frequently and lastingly AEC department: Behind the Scenes (CAVE) CAVE variations (Horst Hörtner) and ImmersaDesk (1999/J100) connection between computer technology (1989/J35) robots in the spotlight !! art in the apparatus stadium
(G. Stocker) (1999/J68) Is the pleasure in high- automatons (Werner
Literature: diffused in other areas of society. (AH) What is problematic about today's VR Virtual Reality CAVE goes PC and concept art (2003/K125)
(1999/F30) (Simon Penny) Citycluster – VR networking technological art high tech /vs/ low tech (2) tech experiment already (N. A. Baginsky) (1991/K221) Vollerts) (1991/K221) (T. Feuerstein, K. Strickner)
Strategien des Scheins – Kunst Computer Art dissolves like minerals in systems is that the participant has to be (1997/K12) (2001/F10) Pixelspaces (additional offers) If you don´t think this (Erkki Huhtamo) (1993/K302)
project for networked application (F. Fischnaller) declining? (1999/J95)
1991/93
Medien / Ed. Florian Rötzer, Peter Weibel liquid. (2001/K19) completely "wired" with data helmet and is art ... (2001/K60) (helpful spirits) Joshua Davis
view of hybridity (I) CAVEs: transmission of CAVE versus game engines (2003/K429) (Leo Schatzl) robotics / automation
Kunst als Medientheorie / Hans Ulrich Reck Self-dissolution ! (DG) data glove.
data helmet & data glove body traces (2001/F10) vergl. (2000/P67) (C. Ebner, U. Winters) high technology art technology fetishism (Kittler) With respect to the "juke_bots" interactive robot The Thing
(2001/P42)
art as method
Media-made – Wie kommen wir uns nahe? institutional critique integration of art, science and high-tech art (lack of content) "structure of norms" the ... artists
Hg. Gerhard J. Lischka, Thomas Feuerstein see also:
exploring virtual worlds
with head-mounted displays (Warren Robinett)
questioning legal claims
(Monika Fleischmann, in WEB galleries (2000/P62)
semi-spherical projectionthree versions of a virtually
furnished room: only comprehensible
(2003/K228) and technology (at MIT) (Otto Piene) (who promise radio art in radio or robotics conference at AEC
sound installation (transmediale)
(Gommel, Haitz, Zappe)
Rhizom.org art as quality claim
02 view of limitlessness digital illusion (Luc Courchesne) Alexander
ars technologica
computer art on the computer) have
Offene Systeme I – Beiträge zur Zeitstruktur view of the field (1990/II-K138) (1990/II-K119) Ulrike Gabriel) (0100101110101101.ORG) (A. Trottmann) (2002/P92) in the interaction with the real (ML) affinity of (1980/K96)
technoscience art always come too late.
(AH) mechanic-kinetic works R. Galloway
Granular-Synthesis
(1995/K376)(1998)
art as complexity
von Information, Entropie und Evolution / (Ivan E, Sutherland) furniture media and we are human beings techno-scientific art Jean Tinguely (1955) "Meta-Matic-Roboter"
Ed. Ulrich von Weizsäcker
dynamics and openness of interactive, (1990/II-K123)
(1991/P30) VR was practically not cyberstalking
(1998/P58)
domain-grabbing (Perry Hoberman) (1999/F25) (1997/K1121) machines (D. Dennett) (1997/K181) Festival for Art
standardized interface the universal
robot
(AH) Nam June Paik (1964) Robert Adrian X (Ulf Langheinrich, art as innovation
(1999/346)
Medien Archiv / Agentur Bilwelt chaos view cybernetic processes (2003/K13)
re-engineering (re-using) represented in entries in recent years (spying out data) Cybersquatting
beyond the (PW) on the origin of
interplay
and Technology (1989/J13) (1997/K296)
(Hans Moravec)
"Robot K-456" nano-robots John Sanborn Kraftwerk
Kurt Hentschläger)

Medien / Texte zur Kunst 1998-8-Heft32 (AH) freedoms commercial systems Coder, Hacker, machines techno-art in the science art robot body parts Cyborg Detector
(1991/K13) (1999/K28) (1986/K121) Christiane Paul (2003/K136)
mailbomb hacker (squatting on the (Max More) industrial revolution (1989/K81) (Berger,Futterer,Stone) Rakuschan
Hybridkultur – Medien Netze Künste / Ed. see also: calculated by the artist (2003/P83) surreal incubation, cultural viruses, Open Sourcer, Internet) machine art (Stelarc) Unnatural bodies
Irmela Schneider, Christian W. Thomsen
The cyberspace handbook / Jason Whittaker
view of virtuality / immersion simulation view
using devices and systems
(1995/K09)
impact management
information and entropy (etoy) (2000/K360) cybotage computer chaos club Circuit Bender
(2001/K20)
first presentation of the
ars: intelligent machines robot interaction symposium "Robots, Animation
Cyborg = cybernetic-organism (AH) (Jim Whiting)
(1991/K73)
Van Gogh TV
(Dan) Daniel J. Sandin
(1996/J84) (2001/K299)
M. Moswitzer
M. Jahrmann
(2003)
Cabaret Voltaire
Ron Hays (1982/K198)
contrary to their market WEB-Shredder synaesthaesia is one of the new possibilities of automation electro-mechanic instruments (1986) (R. Kriesche) and Artificial Creatures" Jack Burnham
Täuschung, Ähnlichkeit und Immersion TI home computer in Europe (1989/K141) cyborg art Ponton European Media Art Lab (1999/K400)
view of openness definition (2001/K20)
System dysfunctionality: (M. Napier) leitmotifs of media art (Maywa Denki) (2003/F39) (1993/K171) (R. A. Brooks) 1968 Mark W. Tilden
(1979/K43) Otto Piene Stadtwerkstatt TV
1991
(article) / Jörg R. J. Schirra
Virtual Art - From Illusion To Immersion / (AH) from autonomy to free scalability (AH) out of control
denial of service, (1999/P46) (H. Ranzenbacher)
(2003/K342) the art of machine "tinkerers" Are machines on the
clear board pneumatic
The Robot SPA 12 anthromorphosization
(1999/J352) Jim Whiting
(1991/K73) etoy SRL
(1993/K195) art as procedure
virus – security exoskeleton !
Oliver Grau (Virtuelle Kunst in Geschichte the open art work co-variance (2)
(AH) The concept of the "closed art work", largest hidden microphones (2003/K229)
(1970/T) foundin of Xerox Palo Alto Research Center
(1972/T) HP 35 pocket calculator rise again? multifunctionality of (Marcel li Antunez Roca)
(1979/K27) (1989/J102) Sulake Labs Oy Masaki Fujihata MESO
Involving Systems Bernhard Leitner Contained drawing tool with art as tool experience
und Gegenwart: Visuelle Strategien) (game rules of art) the universal computer (2003/F43) (2003/P34) Time´s Up
Virtual Reality Technology / Grigore Burdea intertextuality (AH) transition from according to Klotz, is also fundamentally
called into question by the aspect of
open source (Sabotage – R. Jelinek)
the dominance of
mechanization
(1976/T) CRAY-1 super calculator machine view - robots aspired image: "comprehensible"
complex manifestations
Interactive Talking Robots
(1989/K174) Giaco Schiesser
(2001/K74, K320,P120)
Matt Heckert
(1982/K160) expressive parameters
(Joanna Berzowska) art as public cultural production
SW development (1994/II-K38) (1977/T) Apple sells the first completely (1999/P74) Soundcreatures Nanotechnology: self- Joichi Ito Golan Levin Just Merrit
closed to open interactivity. (zu Giedion) (Paul DeMarinis, (2003/K371) (1996/P210) (1999/P34)
chaos cube (M. Klein) web site assembled personal computer (color graphics) you can't teach an old sound communication – robots reproducing microscopic Pierre Lévy (2002/K252) (2001/K387) (1999/J403)
systems Laetitia Sonami) (1991/K51) (1997/P200/K311)
(1994/II-K71) (2003/P079)
OSDN roomware
(1977/T) Commodore PET
(1979/T) LISA development
view of multifunctionality machine new tricks
(T. Sherman)
(Kouichirou Eto) robots (1992/K71) robots (1995/K91) (1999/K411) John Maeda (2002/P98)
(2003/P42)
Harry de Wit instrument developer as
(2002/K396) Kingdom of Piracy: Whiteg Wenig, LAMP (Linux, Apache, Like the analog techniques of Mechatronic Show Hiroshi Ishii (2003/K170)
Stelarc tool designer as soon as it works,
(1979/T) ++++ ars electronica ++++ (1997/K196) Florian Rötzer (2000/K385) (2000/K305/P82)
Mukul Patel, Manu Luksch, Rhizome.org, MySQL, Python/Perl/php) room elements like walls, doors and (1980/T) Apple III sculptor as photo and film, media art goes (Marcel li Antunez Roca) (1994/K108) (1997/K198) (1999/J411) (music compiler, ...) it is obsolete
0100101110101101, Joy Chatterjee,
doubleNegatives, p,RT, Eastwood – RTSG,
(2002/K394)
Kingdom of Piracy Public access TV und Radio
furniture are integrated in information (1980/T) Commodore VC 20 03 interdisciplinarity view machine builder
ars metallica
/ through several phases:
material, corporeal, machinic
the (2003/K322/P118) (1995/K28) (2001/K254) Team cHmAn
(2001/P28)
Alain Escalle
(1999/P145)
Ken Goldberg
(1996/K297) (1997/K149) media primarily involve enabling
(1994/P06)
and communication technology (1980/T) Commodore C 64 exoskeleton (2003/F12)
Diane Ludin, Dragan Espenschied, Alvar Freude, (A. Medosch, Shu Lea (Stadtwerkstatt, Radio FRO) Kathy Rae Huffman structures (DM) normative power of
phase ... (AH)
(1982/T) Compaq founded digital technology also enables (1991/K261) (1994/K156) Dennis Muren David Rokeby Manuel DeLanda David Dunn Dan Graham software monopolies
F. Stalder, Agnese Trocchi, Olia Lialina, A. Tang, Cheang, Yukiko Shikata) Free Software free software panel-like screens, tables with mechatronic
Ilya Eric Lee, exonemo, J.J. King movement project (2000/K351) integrated screens (InteracTable)
(1982/T) SUN network computing on TCP/IP basis
(1983/T) Atari home computer 1200 XL
synaesthetic view new developments
art (control techniques)
in apparative
Roger F. Malina
(1994/P67) (1993/P122) (1994/K168)
(1992/II-K21) (1992/K136) current technology
perfect usability
Tool /vs/ Medium (2003/K12)
account Piazza Virtuale – (2003/K29) Itsuo Sakane Agentur Bilwet Timothy Druckrey (1997/K258) (1999/J319) Steina & Woody Vasulka virtual workbank art as procedure /
(1983/T) MS Windows development announced cf.: view of objects Dialogue with the knowbotic (1999/F08) (1998/II-K290) (2002/F043) (1980/K47)
System dysfunctionality: Service Area open law apparative art (1973) (1999/224) (1992/K81) (W. Krüger) (1994/P122) art as method
Video/Audio Technology Timeline according to Vasulka: (1984/T) Apple presents the Macintosh South (1994/K243/ Char Davies
denial of service (1994/K234) open source computer in an advertisement multimedia versus (1979/K54) H.W. Franke Frank Popper Geert Lovink John Lasseter Symphonies for Dot Matrix Printers !! (Giaco Schiesser )
Service (196x/T) Video Feed Back (Skip Sweeney) (Frans Evers) (1996/P144) chessboard interface
(2003/K229) TV broadcasts in (1962/T) Hybrid Graphic Animation Computer (1984/T) IBM PC AT (1988/K268)
synaesthetic
(knowbotic Bruno Latour Peter Eisenman (1999/J152)
(1995/K180) (1996/P164) Scott deLahunta
(2003/K302,K311)
Cristopher G. Langton (a multitude of obsolete office machines)
controls scenes
(2003/K372) art as education
the context of Linux developments (1984/T) UNIX and SGI 3D Chip on the rise interaction concepts (AH) machine art forms of apparatuses (2000/P124) (1999/K381/P183) (The User)
service projects on the Internet service
(1964/T) Audio synthesizer (Don Buchla)
(1968/T) Chrominance Synthesizer (E. Siegel) (1985/T) Atari 520 ST
the 3rd synaesthetic
wave in modern art
(Mixed Reality)
research)
Friedrich Kittler G. J. Lischka (1994/K38,K11)
Cedric Price Donna
pioneers of electronics
(Norbert Artner) (1988/K171)
video chess installation (1989/K88)
teachers at art as practice field
(Linus Torvalds) (1999/P24) (M. Fleischmann) (1986/K13) Daniel Charles atelier computer media colleges
(Manuel Schilcher)
(Keith Goddard)
the net as (1968/T) Modula Audio Synthesizer (R. Moog) (1985/T) Commodore AMIGA 1000
(1985/T) CD-Rom as new storage medium principle of redundancy
(1993/T Machine Culture – exhibition of
interactive media art Anaheim
(1995/K79)
Paul Virilio (1999/J173)
(1994/K30) Haraway
Robert Moog, Carlos
(1980/K07) system house artist (1979/K44)
influence of MIDI on
art as ideal
(1968/T) x y z Driver/Sequencer (Bill Hearn) Bernard Cache (1997/K46)
(Stadtwerkstadt Linz) open channel distance loan - distance exchange (Hans Kropshofer, (1986/T) Atari 1040 ST (Aladin as Mac emulator) (1994/K94) (2003/K15) Marshall McLuhan Martina Leeker (1984/K161) (prisoner in a golden cage) (ars intermedia) MIDI (Prof. Machiko Kusahara)
Karl Heinz Maier) (1998/K116)
(1968/T) Hybrid digital/analog audio synthesizer (1989/J24) art project et al.
(public netbase t0) (1995/K293) (Pulsa Group, P. Kindelman) (1987/T) Sun market leader for workstations (AH) synaesthetic interaction (Weibel) (1988/K27) robot lady (1995/K24) Brenda Laurel Ulrike Rosenbach
loan and exchange – an interdiscourse (Cardea) MIT Heinz von Foerster Hans Moravec interface as variable
(2002/P146)
(2001/K367)
(the thing) (1995/K313) (1969/T) sal-mar construction (S. Martirano) (1987/T) Mac II (between different elements of design) (1990/II-K259) (1991) Media Survival Kit
(Lioba Reddeker)
border rescue
Kontextsystem (Service-Plattformen): (1987/T) CGA graphic screen as PC standard 2004 Michel Serres (2002/K238) (1991/K13) Marie-Luise Angerer high tech /vs/ low tech (1) projection (Audiopad)!
(Yasuhiro Yoshiura)
(A. Hirsch) Media Literacy
escape routes (1969/T) Sony CV Portapak Fred Forest Abraham A. Moles (1999/J116) (1996 Prix) fantastic young talent
(1990/T) Windows 3.0 danger for MAC for the first time Mixed Reality: (MF) (2003/K349) Saskia Sassen (2000/K166) (James Patten, Ben
Bionic-Mailboxen (padeluun, rena tangens), (1970/T) Direct Video Synthesizer (S. Beck) (1995/K164) new technology and
(H. Schmutzhard)
(2002/K378)
The Thing, De Digital Stad Amsterdam, (1970/T) Electronic Video Synthesizer) (E. Siegel) (1990/T) Apple offers the first program for image the interface as input/output instrument is not a Roy Ascott (1984/K386) Louis Bec Jean Baudrillard
(1991/K07)
(1995/K186) Gene Youngblood software as tool Recht) (2003/K414) (1999/F26) (Sommerer, design creativity art as media criticism
Internationale Stadt Berlin, Public Netbase t0, processing (video context) multimedia instrument, but one of action for the (1989,90-95) (2002/F08/K25) Sybille Krämer (1984/K119) or art content ? Mignonneau) various media colleges present
Mailboxen V2, CCC, adaweb, stadiumweb, turbulence,
(1970/T) Colorizer, Camera Scan Processor
(1971/T) Paik/Ab Synthesizer Scan Modulator (1991/T) PowerBook synaesthetic transformation of the perception of Paul Sermon Vilém Flusser
Jeffrey Shaw
Key Grip
train window as interface themselves during the Ars:
(A. R. M. Eshaq) (2001/K47)
art as media analysis
Xchange (E-LAB) (91,93,97,99) (1999/J202) Marvin Minsky (1990) (Justin Manor)
(1998/P34)
Servus (Satdtwerkstatt) (1971/T) Video Synthesizer (G. Brown)
(1971/T) IP – Image Processor (D. Sandin) =>
(1993/T) SGI and Nintendo develop Graphic-Engine
(1995/T) SUN – Java: Standard for the Internet
media space.
valuation in the PRIX (1993/P126)
(1990/P187) Nam June Paik Bill Viola (2003/K330)
(Virilio) There are no more
The interface is the new form of the
surfaces. The construction of 2001 take over campus: Visuelle Mediengestaltung Vienna art as media art
Derrick de Kerckhove experience. Interface as 2002 Kunsthochschule für Medien Cologne these cooperations are
2002 art as communication
(1996/T) SGI Visual Workstation O2 and Superc. Onyx synaesthesia Jury INTERACTION: A. Adriaansens, R. Ascott, B. Blau, Heinrich Klotz Myron Krueger surface. Thanks to electronics, tele-
DIVE: Free Software, online collaboration, (1972/T) Dual Colorizer – analog (E. Siegel) Gordon Pask (1999/234) Which interfaces determine content. (David Rokeby) 2003 HS für Gestaltung und Kunst Zürich mirrored in the symposium
unplugged (19nn/T) IP networks for computer collectives (1988/K12) H. Branscomb, F. Brody, Coco Conn, S.S. Fisher, (1990/P169) Matt Mullican the overlapping of real control, teleperception, videasts and
(1972/T) Scan Processor Prototype (Rutt, Etra)
piracy (2003/F38)
E-zine Das Télécentre Communautaire (1973/T) Videola Installation (D. Hallock) (1997/T) economical workstation on NT-basis NeoBaroque ? M. Fujihata, Ulrike Gabriel, V. Giacci, Christophe Héry, P. Higgins, Peter Weibel (2002/K271) Knowbotic Research (1999/K423)
(1994/P158) and virtual space (MF) architects meet on this interface. Interfaces as
standardization of
art as transmission
Austrian (1993/P101) (1998/P28) rigidified
interface ars
(2001/T) SGI Workstation 230 P. Hoberman, J. H. Horn, Hiroshi Ishii, Machiko Kusahara, Masuyama,
Culture Service (2001/K213) Polyvalent in Timbuktu (2002/K177) (1973/T) Multikeyer (G. Brown)
(1973/T) RUTT/ETRA Scan Processor (Rutt, Etra) (1993/T) Pentium processor R. F. Malina, J. Markoff, T. Moriyama, Monique Mulder, M. Naimark,
Gilles Deleuze
(1994) (1996/P144) (1993/K249)
Karl Sims
(1991/P79) (1990) perception framework youth as interaction design – the high art of
conveying science Literature studies examine, among art as media event
1980s
(1995/K290) (Birama Diallo) performative interfaces (see above) (D. Rokeby) set off by training courses
(1973/T) Video Outliner (S. Beck)
personal computer
J. Paradiso, C. Paul, B. Robertson, F. Rötzer, J. Sauter, H-P. Schwarz,
P. Sermon, Y. Shikata, J. Snoddy, S. Stenslie
(1999/J391) (1992/P51) (1993)
(1999/J390)
planned but never realized
1997
users of excellence
(2001/K396) (2002/P70) (Science Education Team) other things, how much techniques and
media influence or even determine the
art as communication framework
view of "new technologies Joko Project (service) (1974/T) Hybrid audio/video Installation (Behrman, Diamond, Watts) Christa Sommerer & or partially realized in 1997 hybrid system exclusively (1999/K332) (2000/K274)
Christa Sommerer, S. Stenslie, G. Stocker contents of the arts. (D. Daniels)
(Lisa Goldman-Carney) (1974/T) Digital Video Weaver (S. Beck)
1990s influential thinkers Laurent Mignonneau bicycle as interface for artistic purposes

Literature: performance theory view of PC/computer/video technology (2002/K186) (1976/T) Digital Frame Buffer (D. Jones)
(1976/T) Spatial and Intensity Digitizer (D. McArthur)
affordable
art as procedure / Jury ANIMATION: M. Benayoun, M. Bielicky, L. Carpenter, O. Cauwet, H. Chida, Note: the selection reflects
(1999/P93) (1999/J393) Pixelspaces – DAMPF (2)
Sensory Environments –
Interface-Prof. Art UNI
(Christa Sommerer)
(Shaw, Nancy Paterson, (ars intermedia)
time´s up)(R. Makkuni) (1979/K44)
cybergeneration U19 Cybergeneration (PRIX) In its expansion to "image studies", it will first become possible to
workstation
U19 freestyle computing
cognition theory (1976/T) Digital Image Generator (McArthur, J. Schier) art as method the opinion of G. Dirmoser Lynn Hershmann Immaterial Interfaces (2002/P88) examine how art is not only influenced by the media, but how art works
ExMachina / Eine Geschichte des Roboters von Larry Cuba, M. Dippé, J. Duesing, P. Eason, Valie Export, Lisa Fisher, Ines Hardtke, Indian (HK) the computer
(AH) Computer: on influence (197x/T) Le Movicolor Colorizer (M. Dupouy) (Giaco Schiesser ) (right) R. Herken, C. Héry, J.H. Horn, R. John, M. Kaas, P. Kogler, R. Legato, G. J. Lischka, (analysis of diverse specialized (1995/P121) (2003/F14) (deLahunta, also supply an analysis of the potential and the impacts of media at the
1950 bis heute dialogical approaches RISC interfaces organization of the per se is not an same time. (DD)
J. Manor, J. Dießl, S. Oschatz,
Puppen Körper Automaten – Phantasmen der postmodern view 03 service view / project viewon media forms and art forms (1979/T) ++++ ars electronica ++++ (1992/K96) (2003/K372) Mickey McGovern, A.J. Mitchel, M. Mullican, Lucy Petrovich, P. Quéau, Barbara literature) (1989,93,99)
A. Cheok, H. Kato, H. Hörtner) designs user's scope of action integrative force 1994: Computers and Games the dynamic of the TAKEOVER does not come from
robotics Reduced Instruction Robertson, Sally N. Rosenthal, B. Sabiston, R. Sayre, Rita Street, (R. Makkuni) art as energy
1970er
Moderne / Ed. Pia Müller-Tamm, Kath. Sykora shift of ideas and methods Jury NET: D. Blair, B. Blau, A. Broeckmann, E. Burton, interface design interface development (2001/K294) computer as paintbrush interactive exhibition of prize- art's places of education, practice and communication
Pioneers of electronic art / Set Computing M. Tolson, C. Volckman, M. Wahrman, Chris Wedge, P. Weibel (2002/F044/P86) (G. Bonsiepe) open source (see left) obstinacy of the medium (AH) Artists are even more interested in
Computers – Eine illustrierte Geschichte / informatics / electronics
AI research / AI discourse
Container Projects: separate world of apparatuses (1996/K221) the paradigm of
... "intermedia",
"multimedia" disciplines B. Buxton, S. Maschwitz
J. Davis, Tanja Diezmann, Oliver Frommel, R. Gehorsam,
Claudia Giannetti, Solveig Godeluck, Lisa Goldman, on the interface
winning student works
(precursor of the Prix)
(2001/K17) (see left)
(Giaco Schiesser ) parallels to "media structures of organization" art as impertinence
Christian Wurster (1986) Container-City "Ponton" interactive imagination (AH) The convergence and combination of the most Hot Wired collaborative development of hacktivism (see left)
Multimodal Discourse – The modes and media connectionism practical demonstration of free and Is the "digital city" a (1992/II-K) (Vasulka, Dunn)
video instruments (Brenda Laurel)
(1988/K63)
absolute milestones:
Jury MUSIC: C. Amirkhanian, S. Arnold,
Sam Auinger, J-B. Barriere, L-G. Bodin,
Derrick de Kerckhove, Machiko Kusahara, Joichi Ito,
F. Manola, J. Markoff, D. McCullagh, C. Reas,
various techniques are crucial for the formation of pre-arranged
Types of interfaces: breath sensor, brainwave
sensor, data glove, bicycle,
(1994/II-K137) Online Publishing architecture projects PHASE(x)3
(2003/K371) than in the tradition of art production. modern primitives art as creation
medium or a forum? "The next Idea" dialogue structure (AH) (1996/K393) Forms whose definition is (Andrea Juno) (above)
of contemporary communication / Gunther cyberdiscourse / cybertheory creative arrangement of information (1990/II-K262) WWW, VRML, N. Bouhalassa, L. Brümmer, K. Eshun, A. Greie, S. Rogers, Demetria Royals, M. Russell, of the new art form. (Popper) joystick, camera shots, Why did cooperation with the (1999/P36) ETH Zürich modfied bodies Sexy tech
(1995/K183)
1979
net discourse (PRIX category for game engine, dealing with digital oriented more to scientific- appropriation of media art
Kress & Theo van Leeuwen (cf. development of Servus) The dynamic of the TAKEOVER does not come from
R. Friedl, J. Harrison, T. Herrington, N. Humon, Y. Shikata, John F. Simon, Karin Spaink, The Computer: Handtool plants, camera, Kepler UNI only take place in the AEC: Techniklastiges TV-critical (1990/II-K234) (2001/K407)
age 19 to 27 / 2004) user interface techniques (ML) technical disciplines, to interface
Optische Medien – Berliner Vorlesung 1999 / technoscience and cyberculture (1989/J135) NET categories: 1) best "self-servers",
2) best public "watchdog" service,
the places where art is trained, practiced, conveyed. net broadband W. Jauk, Kaffe Matthew, A.Mongeau,
B. Neill, R. Normandeau, Bob Ostertag,
Marleen Stikker, M. Takemura, or Thinktool ? (OG) scanner first years through symposia? Ambiente des Lernraumes
development and information
by fine art projects (Christine Goestl) art as everyday life
techno-discourse (1996/J114)
Friedrich Kittler "net system art" as 3) best public information service
(2001/K17) Ars electronica –Event system-analytical development Z. Parkins, J. O´Rourke, M. Schmickler, Andrea D. Traub, Pete Barr-Watson, see also: view of intelligible tool
Takeover (symposium)
architecture, or to net culture (DH) New media generally emerge from non-
Cybersex with data suit and all the appliances NEXT SEX
Restart 1996 with AEC
Technikkultur – Inszenierte Technik – "permanent conference"
(after Beuys) (1995/K65)
(1995/P45) What is the state of media art, since its für ein Fachpublikum? of aesthetic-generative basic
programs
Sodomka, Laetitia Sonami, I. Stoianova,
Tina Cassani, Bruno Beusch,
Casey Reas
interface view interactivity (1979/K44) (J. Kirchgeorg)
AEC department:
The Undertakings of Art –
Who will survive?
and lifestyle of gaming communities, artistic situations. Artistic applications are derived
for stimulation and stimulating body surfaces
already looks like nostalgic mechanics for
Symposium (2000/F09)
(Marie Luise Angerer, Nobuya Unno,
transformierte Wahrnehmung / Ästhetik & P. Rehberg, R. Rimbaud, T. Wishart, D. Toop, Digital Hollywood (most important training/education than to the isms of the art special uses.
Internationale Stadt development and public attention derives (1997/P146) (2001/F09) tele-intimacy, a kind of chivalrous romanticism J. Reich, Xin Mao, C. Djerassi, Natacha
programs make the (H.W. Franke) Jury CYBERGEN.: S. Amann, school for digital media design (1997/K12) discourse (2001/K20) pixelporno
Kommunikation Heft 75 – 1990 (Berlin) the ideal from the same dynamics as the New Economy? W. Vollert, B. Blectum, F. Hecker, C. Watson computer art systems synthetiseurs It is obvious that the Merritt, S. Messina, J. Davis, Katie Egan,
electronic (1994/K109) virtual
Kunst im Kontext Neuer Technologien -
works of different (1980/K95) T. Auer, Etoy e04, N. Filz, interfaces view of the "Centre Pompidou" future learning in Japan (Tomoyuki Sugiyama) (2000/K357)
net vision
neighborhood city on the Internet authors appear very
(2001/K17) (Simon Penny) While robots then covered the calculated path, (1979/K45) (Rosa von Suess, WBT on the Silk Road appropriation of media art intermedia connections Marta de Menezes, Oron Catts, Ionat living spaces
F. Hecker, H. Hörtner, (1979/K42) (Prof. Max Mühlhäuser) (2001/K89) (Jie Geng) digital media art body art
Paramour / K. Gsöllpointner, U. Hentschläger (Nick West / YORB) (1995/K254) similar (1992/P12) The idea of the digital revolution is the environment was newly measured, the data entered in the G. Hupfer, M. Nürnberger, Art & Tech B. Loibner) by fine art is no longer Zurr, G. Ben-Ary, Monika Treut,
Brave New Porn
digital clubs telecooperation, project (2000/P50) Treminal-Sex (Stahl Stenslie) K. Behrends, Joanne Finkelstein, Bruce
Arch+ 167 / Off-Architekture 2 (1995/K196) creative lethargy experiencing its first real crisis. Digital plan, which was then altered as necessary. This method was M. Pieper, R. Pöcksteiner, (HK) We must be careful not to "Knowledge Net – Future Learning" ArchiMedia (2001/K404) acceptable. intermedia art (Sergio Messina)
(2000/K202)
Reflexionen zu Kunst und neue Medien - UNITn cultural identity crisis (2001/K17) Revolution (Simon Penny) series of research called the top-down paradigm. In practice these robots were
M. Riebe, S. Sagmeister, procedure view misjudge the tool character of
canonization of new isms of the (2001/K20) (Stocker) (Flatz) Bagemihl, Veena Gowda, R. Thornhill,

2000
(1996/J109) media art (2001/K20) next sex (2000/F28) electronic costumes
What does that mean for ars and AEC ? (1999/K17) projects loosely assembled under very slow: a cockroach was better able to cross the street than Hans Wu, B. Lippe, M. Pieper, Operations- media (art) What is the point of this polarization?(DG) Porno Allucquère Rosanne Stone, C.T. Palmer
LEONARDO – Journal of the international demo applications: the computer. education opportunities at the Art UNI Cybersex demontage
technological innovation the term "Bottom-Up Robot the most powerful computer! simulation discourse (DG) (ars intermedia) (John Duncan) (1991/K129) (Sachiko Kobayashi)
society for the arts sciences and technology indications of what could miss monochrom (15-year wait for relevant professorhsips) media critique from: body sections
Technology" ... now challenge (1996/K194) means view coaching the arts (1995/K192) (1979/K44) (1991/K119) The "visible human project"
sex noises (2001/K91)
be done if one had more
time/money "Art" or rather invention ? (AH)
MEME (2) (1996/K194) 1996
the top-down approach AI as abbreviation for Artificial Insects
development environment for virtual
reality (Eric Gullichsen, Patrice
05 tool view / instruments media are means (DM) (unplugged symposium) (Webster Lewin) infotainment education in Vienna
Heiko
Florian
Idensen,
Rötzer,
Matthias
Heinrich
Krohn,
Klotz, virtual environments, (1991/K276)
telephone
(Melita
sex
Zajc)
as safe sex
on virtual sex and the projects on image material
various introductions
Rodney Brooks contradicted the (2002/F10) edutainement MK Weibel, Roy Ascott personal simulation and loss of desire (Aaron Funk, Rachael Kozak)
Gelband) (1990/II-K302,K305) on Bill Barminski Derrick de Kerckhove, Andrian X the sex industrie (1995/K68) (1999/J292) (Christian Möller)
We are on our one out in cyberspace, we Computer and Internet as guiding technology notion that a cockroach webucation (1986/K312) (see right) telepresence (S. Zizek)(1995/K122) (2003/P198)
businesses (in Japan) have distance learning (1995/P126) (2001/K295) et al. electronic art online Stages Elements Humans
have to re-invent the world and ourselves,
bottom up.
of current changes (2001/K17)
learned nothing from the ideas
the festival ... as site
of valuation
"made a map".
(platonic ideal)
"Block Jam" instrument
made of combinations of
functional view community (2001/F36)
(Joshua Davis)
Multimedia ASF, AVI, MP3, MPEG,
(Franz Xaver Mittermair)
(Ruth Schnell) tele-symbiosis (1993/P90) telepresence
(Scott S. Fisher)
(1990/II-K147) (1989/J11)
(R. Baker) (2000/K37)
Thinking the Sexual (M.L. Angerer) (2000/K166)
porn-o-mat (Gina Czarnecki) (1999/K329)
digital body worlds
betting on important issues creativity /vs/ and visions (of artists) (1989/J20)
CBT WBT (2000/K287)
(1995/P16) (R. Ascott) (2002/P012) blocks (H. Newton-Dunn, Quicktime, RealAudio, (1999/J107) (1993/P90)
of science and technology art ? (2001/K90) resources view see also: view of transformation lecture series (1982/K260) (Baudrillard) All kinds of protheses can contribute Symposium "The Desire figures generated for mini-computer in fabric
H. Nakano, J. Gibson, RealVideo, SWF, from Slow-Scan-TV
art of fragmentary approaches (1995/P54) (Robin Hanson) R. Kuwakubo) view of instruments techniques view communication technologies – multimedia SW WMV/WMA electronic classroom (1999/J104) (AH) electronic extension to giving man pleasure, but he cannot invent any for Immortality - Cloning, films Unnatural bodies
art (does not equal) creativity & economy tinkering CAD CAM CIM televirtual environments (s. above) of the human body to picture telephone that feel pleasure for him. Cryonics and Cosmetics" cell phone as necklace
(2003/K417/P116) (Sony) new media in education, business (Jim Whiting)
techno-art as anti-art (PW) the paradigm of virtual reality introduced and administration networked learning Infotrainer (AEC) gene-technical interventions (1993/K157) (Klaus Madzia, (1991/K73) s.l.
new media = New media all emerge through re-mediatization, i.e. (PW) Tool culture has entered cyberspace university remote presence (1993/P91) MP3-player
blind for art what works, is already through the translation, rearrangement, reshaping
Computer Aided Design scientific acceptance with the theme of (2003/K211) Telerobotik TV Bra, TV Cello, TV Bed ... G.J. Lischka, Reimara
new art ? into a new phase, into the online projects that can also (Frank Ogden) slow scan earring for monitoring on upper arm
history obsolete (PV) of other media, ... at the level of content as well as
Computer Aided Manufacturing the "interface" view of networks (Charlotte Moorman) gene manipulation set Rössler, M. Wabl) the feedback loop:
separate world of the world of adaptive be used in the teaching context (1995/K102) interactive systems cannot be blood pressure
Computer Integrated Manufacturing (1992/K20) (PW) Teleroboter (1997) eye-tracking (see right)
concept of form (Ludwig Jäger) apparatuses. (1994/K24) techno-selectives (2002/P24) net view slow-scan robot (Ascott) (1982/K59) „Sky Kiss“ (A. Popper, K. Stockhammer)
media guerilla imagined without feedback
"new" media
view of intention On this, see the detail study: Has Ars Electronica really been able(1995/K281)
(Nur Schrec) ars: computerized world of work artistic tool
artistic tool – audiovisual Multi Mega
(2002/K62)
Book
(Gusberti, Aschauer, Thönen, Deinhofer)

media as site of educating (DM)

participative and explorative
learning facilities (2001/K229)
robot prothesis
(1996/K34)
(Joachim Sauter,
Dirk Lüsebrink) repeal of the body (AH)
(1989/K109) Concert for TV-Cello
PAL version (ORF)
:

(Charlotte Moorman, Nam June Paik)

(1993/K240)
(ML) Interfaces of biofeedback (ML) the viewer as author in entertainment
everyday electronics
electronics Bodysuit –
dialogical approaches the topic was "covered" in Linz with Work&Culture in 1998 (P. Higgins) for interactive performances neuro-digital feedback
Literature: to liberate itself from the classical media? (DG) No ! artistic tool – narrative in the CAVE (1982/K65) multisensory
symposium art in education is research robot body parts extended hands (Horst Prehn)
Telenoia – Kritik der virtuellen Bilder / Ed. operating system discourse
(game rules of art) view of ideas self-dissolution (in take over) – dissolving into the "old" media
cf. the ZKM study: future cinema VR flipchart
virtual office
(for Chiat / Day, Inc.) artistic tool – useless
(F. Fischnaller,
Y. M. Singh)
06 education view (P. Pocock) (Stelarc) (Stelarc) re-designing the body
electronic media
digital media
Wet Computing view into the inside of the world‘s first full body
(1997/K299) (Eva Wohlgemuth) cell phone culture environment
Elisabeth von Samsonow, Eric Alliez Open X: temporary open-plan atelier (2002/K342) (2003/K224) (Roy Ascott) (1995/P20) obsolete bodies (1999/K29) the body (Stelarc) 3D whole body - BodyScan (Mork, Pendry,
(J. Singh, J. Chung) (1997/K316) tele-tactile communication
Ereignis und Aura – Untersuchungen zu einer Innovation & digital
avant-garde
existing software walk-in network (1997/K384)
mass customized production (1994/K214) computer as tool /vs/ view of educators (in teaching) electronic
(AH) prosthetic forms of attaching
the body to the virtual
hybrid man-machine systems body halves – search for Bioinfornatik pacemaker system cyberSM (1993)
system (Stelarc) (Stahl Stenslie) CyberSEX
Brain-TV biofeedback
audio-skirts
(Benoit Maubrey &
Stale Stenslie)
(1996/P149)
Ästhetik des Performativen / Dieter Mersch Take over manipulations (2003/K227) skyscrapers and streets (Stelarc) (1992/K233) bioelectronics Boneware
on Vilém Flusser, Paul Virilio, Heinz von 04 view of innovationcreativity
(2004) networked structures for tele-homework (1994/K116) AEC: Future Lab – the
Takeover I (symposium)
digital environment
from text and images
resurrection
of Bauhaus hand controlled through
physical/emotional completion
(2002/P133) (Peter McDonald)
wetware
(2000/K19)
(R. R. Birge) (1997/K131) (1997/K152) (2000/K213)
(1980)
(R. Kriesche)
programs
(1979/K30)
die Audio
(1991/P145)
Gruppe)

Foerster ... cf. various sectors "breaking out (2001/K12) plagiarism new forms of collaborative
work (Mixed Realities) (MF)
(1994/K114) best equipped "lab/atelier"
in Austria (1997/K12)
on the change of paradigms, (1997/K322) (F. Sparacino, A. Pentland,
G. Davenport, M. Hlavac, M.. Obelnicki)
view of instruction WIRED EMG signals organism & chips
technology is changing from a prothesis part
(1997/K83)
Aorta (Jeanette Yanikian)
(1989/K135) on sounding bodies
Ars Electronica – Facing the Future / (out of the art scene) (2003/K228) (Stelarc) (1997/K149) (AH) neuro-muscular and speaking clothes
view of art criticism / valuation home-production new roles, working models and and product ensemble into a comprehensive, medical devices as sound feeling of touch & audio-uniform
Ed. by Timothy Druckrey training view technology as extended body (PW) interface for directly Eye-Tracking concerts (1986/K277)
(Rolf Langebartels)
rear-view mirror to reality: the creativity burst coaching the arts life on the net (1994/K205) artificially intelligent environment linking transmitters: rushing of blood, control of action (1986/K276)
technical-pragmatic controlling a synthesizer Touchscreen audio-clothing
(1996/K337) (Just Merrit) changed framework conditions Exploring Collective Autorship (2001/F08) (H.-P. Schwarz, Gunalan Nadarajan, everything together (PW) (1994/K08) pounding heart, breathing, (Stelarc) (1997/K153)
(calculable) avant-garde (Biomuse) Eyephones (Benoit Maubrey,
Heros of Industrial Culture artistic work (M. Shamiyeh) (2002/K336) A.Moore, Marie-Luise Angerer, digestion (1989/J143)
methods view(and artistic innovation?)
(Idensen, Krohn)
(Throbbing Cristle, SRL)
platform for online music collaboration
Jamming Software (Willy Henshall, Matt Moller) G. Funk, R. Kannonier) (2002/F11)
Masters theses from Zurich: (Marc Lee, S. Leuthold, Mario TV view
(see above)
body extensions (AH) seeing machines, TV helmets, Brainball – winning Body Surfacing interactions – Data Glove HansPeter Kuhn) clothing that
makes noises
Pukathofer, Niki Schawalder, Annina Rüst, F.O.K.) brain/computer interface 3D-patterns triggered by physical
Projects by: (Hermann Atzlinger, Presentation of important studios: Padua, Paris, Marseilles, (1999/P30) radio vests, Handgeräte und through relaxation Head Mouted Display visible (2000/F34)
entries without video body language and lying KHM at ars electronica (2002/K334) (M. Hampel, F. Eggmann, M. Rheiner, G. Huber, I. Sterzinger, (Peter Fromherz) (1999/J166) actions (1989/K215)
issues of Tina Auer, Sam Auinger, Nicolas andere Extensionen des Leibes (2001/F33/P111)
Stockholm, Utrecht, Munich, Berlin, Budapest and tape were unfortunately (Naoko Tosa) (A. de Campo, J. Lindenmaier, M. Anne-Lea Werlen, Carmen Weisskopf, Doma Smoljo, subversion view / (1997/K158) (Myron W. Krueger) (AH) seeing machines, TV helmets, (2000/P104)
complexity Anatol Baginsky, Todd Blair, Tim Brain Bar 3D computer- head-mounted display (Tomoko Ueyama)
Warsaw (1989/J55) not considered (2000/F33) Erdbacher, J. Garancs, Dagmar Keller, R. Wigger, Mascha Leummens, Annia Rüst, T. Cmomiotto, (Warren Robinett) radio vests, hand devices and
(1992/K57) (PV) permanently reachable Boykett, Denise Carusso, Tatjana (2001/K375)
N. Schawalder, Christine Szababo, Valentina Vuksic,
(2001/F37) brainwave scanner tomograms
(Bayle, Risset, Barrière, Parmegiani, Bodin, Ungvary, Cyclops – Sex i(n) motion
(G. Kampis) house slavery Didenko, John Duncan, Chip Flynn,
L.A. Gladsjo, Brett Goldstone, Zwedberg, Parmerud, Grimsson, Nsaveld, Vink, Kayn,
(Ole Lütjens)
Collaborative Web Tools
(1996/P57)
gestures of calligraphy gestures of
M. Wittwer, Anja Kempe, Yun-Chui Kim,
Viola Klein, T. Kubli, S. Mann, Ko Kubota, Susan Wintsch, Milica Tomic, Hildegard Spielhofer,
the art work as
communication framework
media-critical view (AH) media art as new
genre (relative to the
(Smart Studio)
computer technology on (1995/K191) (Science telemotorics (1990/II-K119)
(Ivan E. Sutherland)
other extensions of the body (2)
Data glove, data suit,
Matt Heckert, Rudolf Heidebrecht, Hashagen, Riedl, Blacher, Szigeti, Pongracz, Rudnik) (head-hand) (Roman Verostko) perception Anke Limprecht, Agnes Meyer- Gabriela Gerber, L. Bardill, J. Köppl, Felix S. Huber, (1995/K63) the modulated the brain (1979/K30) Education Team) (1995/K178) (1990/II-K123)
dependency on traditional arts) data glasses, database –
Erik Hobijn, Kathy Huffmann, Laura (1996/P25) (2003/K162) (1993) (2002/K413) Brandis, Aurelia Mihai, F. Wüst, Cornelia Heusser, T. Karrer (Mark Federman) human (1979/K29) Neurohacking (2000/K274) data glove
tele-surgery (1995) The Visible Human Project
the film and Meatspace Clearboard – double projection the realization of artistic Naujokaite Neringa, M. 07 view of media they all suggest the existence

1979
Kikauka, David Moises, Gordon avatars in the Architexture communication design (2003/F11) (1997/K292) (1994/K109) (AH)new sensibilization: (1996/P182) (John Clyne) of a new world, the data
advertising industry work table (speaking and drawing ideas can often only be Gesture is an important point for every ongoing Neuenhofer, Susanne contributions from UNI Stuttgart and TU Vienna
Monahan, Mathias Moses, Marc 9, world of work (interaction) (increasingly located in the field body and medium data helmet world. Dataism instead of
together through a glass wall) accomplished with medium, and software is capable of conveying and to the AEC elevator (2003/K406) (Karin tele-surgery, VR and the (AH) evoking a "new sensibilization
Linda Nilsson, Fritz Ostermeier, Schönberg, of the visual today) Note: electronic media operation Dadaism. (Peter Weibel)
dependency on (2001/K408) (using gaze awareness, acting by showing) considerable technological interpreting gesture. (2003/K182) (May, Modler, Saup) Reisinger, Margit Thieme, A. Mäule, V. new world order in Stereotaktisches of man in terms of being conditioned
Martin Reiter, Herbert Schager, (1994/II-K64)
Cathrin Vahl,
view of electronic media are naturally treated in medicine and art simulators
data suit (1990/II-K32)
super computer or (Satdtwerkstatt) (Minoru Kobayashi) (2001/K260) effort Golan Levin's software AVES consists of programs Gebhard, Emilie Hagen & Minka Ludwig) medicine (R.M. Satava) Computergerät by the body
Leo Schatzl, Manuel Schilcher, Olaf Vahl (Adrian X) (1989/K146) every sector (1979/K29) (1995/K192)
computer cluster that amplify hand movements by transforming (1995/K187) (1979/K57)
Franz Selbst, Suzanne Stephanac, Telecenter (2004) drawing gestures Jochen Viehoff "Kunst-Funk" was the attempt to
models of networked collaboration the derived data into images and sounds. controlling interactive codes are part of every medical cybernetics Telepresence Surgery System brain stimulation device (AH) interactive works data glasses
Gordon W, Doris Weichselbaumer, CSCW Computer- (S.S. Snibbe) experience what radio could have (H. Trappl) (1990) Cyborg Bodies Customized Footwear
(1996/K408) (Nobuya Suzuki) facial space An application assigns a sound to the video images through transmission medium remote operation (1979/K57) presuppose physical
Jim Whiting, Kathrin Wilkes, Liz Supported Cooperetive (1996/P130) been, if it had not become a telecommunication over 24 hours (2003/K285)
CAVE (2002/K347) structure of each gesture. marionette wires (2003/K15) exploration ... actions of
Young, Erwin Zeppezauer, Berthold centralized mass media cybermedicine tele-diagnosis physical view – achievement (see also view of achievement) discovery configurator SW
Work (1997/K199) hands-on interactivity (G. Deutsch) (Douglas Edric Stanley) telematic interaction (Robert Adrian X) helping to Wearable Computer
Zettelmeier, Alex Zuljevic picking up gestures of develop the use of telecommunication
(1997/K292)
telepresence and jointly used virtual marionettes (2000/F34) lifestyle Remote Viewing - (J. Canny,
Art Com Electronic Network deaf-mutes significance of technologies (1982/K145) the sensomotoric aspect
(W. Hilbert) (Steve Mann) (1997/K221) parametricized objects
co-presence
(1997/K199)
work area
(1997/K199)
Roidinger (since 1982
Computer Art Studio
ACEN (1986) (1989/K133)
gestural control of
(1997/K304)
(e.g. of gaming communities) spread-spectrum wireless network
devices for wireless nodes
Installation (K. Becker)
(1997/K389) telephone booth
telecommunications Slow-Scan-Television, Telefaksimile, experiencing corporeality
(microphones on the body)
E. Paulos) 08 body view is very important in
installations
supportive infrastructure (2003/K288)
Digital Mudra (Sonya Rapoport)
ars: data dandy
marionette cross in Africa (2002/K146) (1982/K35) I.P.-Sharp-Computer-Timesharing-Netzwerk in the clothes
05 view of artistic production working world as theme: ACROASIS)
Dictionary of Primal
video processing (Justin Manor)
(2003/P110)
interface
calls with survey
(1993/P104) (Stephen
(W. Cooper, L. Ortner, O. Mittmannsgruber, electroacousitc
(Syntvioline)
performance
(Stahl Stenslie) (Steve Mann)
performance theory
dialogical approaches
Linzer Stahlsinfonie (Klaus Schulze) (1980)
Behaviour (Urtica (FRY)) gestural control of music
on the mechanism of human symposium: a life from the Internet (1989/K110) (1989/K146) Non Host Radio
CB radio modem
Wilson)
N. Hinterberger, C. Kaltenbacher,
Karl-Heinz-Klopf, Markus Geiger, (Mia Zabelka, Peter A. Ecker) view of sexuality Bodytainment (1997/K227)
view of clothing
beyond the office (2003/F31) facial expression as a medium (1988/K153) installation with two (2000/K216) WearCam
VR Chart Heimo Zobernig, ... et al.)
operating system discourse view of the working world (Flipchart AEC) of the future Mudra
multimedia
deploying shadows of users for interactive art gestures of an interactive
robotic installation (2001/P108)
amateur radio / CB (Nur Schrec)
(1995/K281)
ICT information and telecomputing
(1989/K128) interactive bodies WearComp
(Randal Walser)
(1990/II-K209) application
(1988) "Very Nervous
System" ! (D. Rokeby)
(Scott Snibbe) (2003/F40/P122) ("Huge Harry" = voice synthesis
machine) (1997/K110) (spy camera, infrared sensors /
communication technologies
It is not a matter of making art within the given (F. Fischnaller) (1995/P116) view of medicine cybernetic 09 everyday view
Art & Working World (Georgsdorf) reaction to visitors) (Kenneth Rinaldo) telecommunications lab VOIP Voice-over-IP communication channels, but of grasping the tactility of the interface hedonism (1994/K199)
(central theme in Linz) gestural control sign language jokes one-way (1986/K341) art-Btx communication channels as the possibility of (AH) McLuhan's thesis: technologies are
(formerly – delta T) Gestische Steuerung von LifeScience
(Bettina Henkel) (2002/K433) gestural control of applications navigation fax and telephone art an art form. (1988) (1989/K278) multi-sensory art as Life-Art projections and continuations of mental see also: view of fashion
Body Brush Multimedia-Installationen focal point (1997/F23) Net Sauna
Future Office Projekt (AEC) (K. Tin-Kin Hung) information processing (2000/K211) and physical properties of the human being
(Y. Hay, H. Ip, (2002/P62) BTX Minitel 1985 Minitel at (2000/K19) (J. Hopkins, T. Mäkelä, see also: view of adornment
(2001/F27) telematic vision-based (CAVE) Uzume – reacting Motion Picture from the graphical to the Les Immatrériaux telecommunication events (1982/K63) (cf. diagrammatic classifications too (DG))
T. Penttilä, Liisa
A. Tang Chi-Chung) Criticism (R. Adrian X) (1989/K147) journey through the body /
everyday life in the office gesture recognition dynamic environment (Emily Weil) touchable user interface video-text systems (Charlotte Moorman, Nam June Paik) Fictitious Portraits
(2002/F047) physical violence within the Today it is not even a matter of having a Vähäkylä)
(Petra Gemeinböck, R. Blach, text rain (1999/K355) (2001/K254) (H. Ishii) net art / net.art Since the communication networks do
telematic (Elizabeth Goldring, Edward le Poulin) human body / body, but of being connected to one's (Keith Cottingham)
N. Kirisits (2003/K426) (Camille (user gestures) not allow the creation of real products listeners should The deciding technologies
registering gestures through ultrasound interface gestural system character design sculpture (Aldo Tambellini, Sarah Dickinson) pumping violence in the body. (Baudrillard) (1994/P38)
GAMS: Gesture and Media System Utterback) (2001/K199)
Internet, WWW, ... (Horst H. Baumann)
... telematic simulations of products Meatspace rearrange their are those that disappear. They
Electric Field Sensor (R. Kriesche) emerge ... "I'll show you mine, if you arteries (Jeanette Yanikian) reincorporating the
autonomous characters (2000/K389) robot gestures (mutual see :Internet view (ML) David Rokeby describes interfaces (fleshly space) furniture at home: interweave with everyday
(PoMo CoMo) (1992/K226) (1987/K138) sensory functions (Agnes Hegedüs)
capable of expression Unnatural bodies explanation) live combination
(Van Gogh TV) communication network ISDN show me yours". digital technology is as generators of experiences, because they ZKM SW (Gideon May) (1992/K101) better: corporeal space a remote-directed dance life. (1994/K169)
hand as "disruptive factor" of radio and telephone
(AH) communicating through a (The Synthetic Character Group) (Jim Whiting) (2001/K268) picture telephone (1989/K72) difficult to conjoin with overlay the organic interfaces of the (1995/K133) of solitude
set of digitalized hand gestures (2002/P110) (1989/K287) picture telephone, Slow Scan artificial placenta (1989/K288)
1980
(1991/K73) s.l. network Ethernet our peripheral senses biological body like spectacles.
(Agnes Hegedüs) knocking gestures on WAN, LAN SMS project (2002/F12) (V. von Borries) (Nobuya Unno) artificial artificial life
Bump (2001/F31) enhanced gestures / videoconferencing (1990/I-K166) (2002/K355) (1997/K138) (M. Weiser) table and bench as
(1995/K248) touchscreen installation the gestures of destruction glass (2001/K262) molecules (Siehe: Verhalten)
wooden bridge as tactile obsolete desires physiologically oriented (2000/K70)
(Anna Anders, K. Gasteiger) interface ! (association. or of misuse (J. Paradiso) (A. Tambellini) (1980/K111) ISDN, ATM, Frame Relay, DSL (2002/K137) biocybernetics – a biologically
interface design incubation system
(2000/250) interface (H. Maat, R. Miltenburg)
(Stelarc) (1992/K233)
1997
(1999/K345) (1999/J87) Frequency Hopping controlled interactive (J. Davis, Katie Egan) (1994/II-K58)
creation) telephone music text exchange, image exchange video conference projects (80s) electronic architecture (1994/K196)
(R. Brem, T. Ligthart) interface (1994/K195) flesh factor (J. Domsich) (1997/K364)
library of gesture icons mimetic/gestural codes (Kit Galloway, Sherrie Rabinowitz) is communication synthetic
(UR) What is crucial today involves gestures, their (1998/K189) Transworld Telefone telegraph (D. Warner, J. Sale, T. Anderson, artificial life – simulations SW polemics for establishing
(Stelarc) (1997/K149) (John Gerrard) (2003/K408) electronic transfer media (1994/K156) force-feedback life
space and their time, no longer expression. Concert (1986/K265) SMS- J. Johanson) (2002/K420) human ordinariness ;
Ekman's Facial Action Code transfer protocols FAX, Telefax tele-copier answering machine art womb Poly-World (Larry Yaeger) (1993/K122) Animation in the Refrigerator (Time´s up)
(2003/K12) (Stattwerkstatt) Kids (Oron Catts, Ionat Zurr, (Warren Robinett)
communication theory see also: communication art (2001/K18) (1989/K331) (Lucas Cejpek) Creators of Life (symposium) building artificial creatures (Pattie Maes) (Ernst Spiessberger)
pedagogy / art pedagogy
view of designing gestures design view
transfroming bodily gestures
into a 3D painting in real time
backbone
bandwidth
(AH) For the new technology arising from
genetic technology methods Guy Ben-Ary)
(2000/255) experience-oriented
(1990/II-K119) (1993/K184)
total data work aesthetics of as artistic tools
The Three Faces of Life Operated by Art
design theory (Young Hay, Horace Ip, the combining of computers and telecommunicative design of cyberspace Animates
1982 communication (2001/F08) physical issues in (unplugged Symposion)
see also: A. Tang Chi-Chung) city links with sounds (Roy Ascott) (1989/K100) communication art systems, Simon Nora coined the term "telematics" (Randal Walser) (1993/K12) (John L. Casti)
Prize-Winners: Interactive Art theater theory
06 gestural view (2002/P112) connectivity, (movement 1968: (1990/II-K202) CAVE environments microscopic automatons Remake-Remodel (Domsich) art as field work of ecological
1999
body theory view of orality (Maryanne Amacher) in 1978.
1990: Myron Krueger, Norman T. White, Jeffrey Shaw, Jill Scott, Benjamin Britton, transformation and (PW) all technology Fred Forest, (Simon Penny) (inhabiting our body) thinking, art at its boundaries
(1989/K248) life science (ML) tying the virtual world of
Chico McMurtrie, Waltraut Cooper, Richard Greene, Peter D´Agostino, Kristi Allik & body philosophy / body sociology handling gestures transendence is teletechnology Mario Costa) pacemaker
Note: virtual travel journal WLAN Wireless (AH) communicative interaction computers to the sustantiality (1999/P86) The Virtual (2002/F10)
Robert Mulder, Tamás Waliczky, Kyoko Abe, Ruth Schnell, Michael Rodemer, Stuart Bender new cell phone concepts HiperLAN telematics as term measuring devices (D. Rokeby) ... adapting the
& Angelo Funicelli habitual view separated from (Crispin Jones) (WWW projects) open wireless
movement
LAN
(free) access to wireless
(Weibel) (between persons) telematic networking
(1978) (Simon Nora)
Ethernet was orig. Simulator SW/HW of the human physis again
(de Kerckhove)
dosage devices technique of interfaces to Body
(C. Richards)
Ubiquitous Computing (left)
body view (2003/K412) radio-based (UNI simultaneous layers of Pervasive Computing (left)
1991: Paul Sermon, Chico McMurtrie & Rick Sayre, David Rokeby, David Eagle, Nola networks (NY, airports, MQ, Lentos, ...) GPS-Tracking (PV) since 1962 (Telestar Design Noir –
(AH) Ersatz journeys of remembering, (2003/P32) Hawai) (2002/K355) Simulator: flight training for physical communication (1994/P134)
Ambient Computing (left)
Farman, Ale Guzzetti, Peter Krieg, Mark Madel, Benoit Maubrey & die Audio Gruppe, recording movement (2001/K74) image traces satellite) there is a total over- the "clean" world of computers Die the secret life
forgetting and reconstructing. wireless, mobile and battle helicopters
gestures using "curlybot" Wireless-LAN projects (2003,2004) (Masaki Fujihata) track-the-tracker exposure of "see it now" entfremdete electronic objects
Christine Meierhofer, Stephen Wilson, Jim Pallas, Don Ritter, Mona Sarkis, Robert Mulder & journey as destination traffic ubiquitous (change of blood chemistry) (removed from material, garbage (MF) "seeing with the sense of Enriching daily life with digital (Fiona Raby)
(H. Ishii) (2001/K257) (Mark Ries) (2003/P16) cf. 1996 (2003/K379) Hand
Kristi Allik (M. Schilcher) (1996/P90) ship & train / journey&dream and corporeality) balance" is what we call navigating information: when utility objects /goods (2003/K273)
(1994/K224) (Annina Rüst) Ubiquitous Computing
1992: Monika Fleischmann & Wolfgang Strauss, Joachim Sauter & Dirk Lüsebrink, William
1994
intelligent (Maelstromsüdpol) (1988/K104) Virtual Frame through virtual scenarios on the begin to communicate.
Looking at Jeffrey Shaw's works, traffic systems
images from earth observation
GPS trace
UMTS Pervasive Computing
Seaman, Kristi Allik & Robert Mulder, Rajinder Chand, Luc Courchesne, Robert McFadden, (Wonder, H. Goebbels, Müller) satellites (D. Offenhuber) (Kunsthalle) intelligent ambients (3) Virtual Balance, a weight-sensitive
Popper suspects a new art genre and (1994/K168) Exodus (Bielicky) Ambient Computing Balance System platform using devices
Rebecca Fuson, Troy Innocent, Beverly Reiser & Hans Reiser, Henry W. See, Simone describes its reception form as a (1998/K173) role of GPS availability for
Centerbeam (Gyorgy Kepes) (1995/K214) computer diat kitchen utensils contrary to market
Simons & Peter Bosch, Martin Spanjaard journey (AH) films in AEC elevator 61 m lange structure transporting art projects (among others) (D. Rokeby) Real experience
traveling through, (2004) Digital Communities (D. Rokeby) The explosion of interest in interactivity balance recognition (1980/K08) liberated from their definition
1993: Knowbotic Research – Christian Hübler, Alexander Tuchacek, Yvonne Wilhelm, Elevated Space air pressure, gas, water, steam, neon, has a fundamental integrity that
traversing takes into consideration the most current may be part of a search for asylums for safe (seeing with the body) everyday existence
Georg Fleischmann, Michael Hoch, Detlev Schwabe, Rajele Jain, Will Bauer; (T. Lorenz) (2003/K405) argon, sound, electricity and "media" satellite art virtual experience does not have.
piggyback art GPS developments in the area of mobile interaction: for clean, sterile, non-physical spaces, (Rania Ho) (2000/F34/P92)
Stephen Wilson, Jill Scott, Joseph Bates, Werner Cee & Horst Prehn, Agnes Hegedüs, Internet/data network view (1980/K98) communication and wireless networks Maschinen, die keinen Körper
in which we can satisfy our natural human desire
Lynn Hershman, Catherine IKAM, David Rokeby, Kevin Ruston, Paul S. Sermon, Gerfried (1980/K26) connection of spatially besitzen, können die Welt virtual department stores (abov
to delve into things outside ourselves.
media theory niemals in derselben (MF) Which function and meaning do microprocess-controlled
Stocker & Horst Hörtner, Van Gogh TV, Akke Wagenaar, Peter Weibel, Mia Zabelka & objects taken along in the distant projects GSM transport support electronic
G. Stocker & Andres Bosshard (literature studies)
view of transportation networks (I) Space Shuttle GPRS through portability fox hunt
Weise begreifen wie wir bodies and senses have in real space household appliances tele-shopping (above)
Digital media and satellite ear Can you see me now? newsgroups turn to (1996/K198) in comparison with virtual space? (1980/K07)
1994: Christa Sommerer & Laurent Mignonneau, Loren Carpenter, Transit, Max Almy & media discourse communication bridge
(Fabrikanten)
(Blast Theory, Mixed
role of GSM availability mobilized through mobility (mixed reality)
Teri Yarbrow, Edward Elliott, Friedrich Förster, Michael Girard & Susan Amkraut, Richard media studies 07 view of communication (1989/K277) for art and other projects Reality Lab) GPS/PDA mobile phones (D. Rokeby) Only through How intelligent does your bed

1994
satellite communication (2000/P09) "Telepistemological" implications: intelligent have to be, before you are
Kriesche, Wolfgang Krüger, Brenda Laurel & Rachel Strickland, George Legrady, Patti Maes, media anthropology symposium: (1980/K29) the intelligent (2003/F38/P88) (Neeraj Jhanji) desensitization was it possible
Presence and Distance (OG) for me to activate the spatial ambients (2) afraid to go to sleep at night?
Christian Möller, C.M. & Rüdiger Kramm, Catherine Richards communication theory The Orbital Age satellite technology in ORF and Bluetooth
postman (GPS-Tracking) (2001/F36)
portable systems (M. Bielicky) (1994/II-K82) illusion that the VR system (Rich Gold) ! (1994/K187)
1995: Tim Berners-Lee, Michael Saup, William Seaman, Michael Tolson, Maurice Benayoun, information theory
net discourse / cyber-discourse
view of telecommunications (1986/K219) 3SAT context keyboards strapped to the hands Which "images" are capable of physically conveys ... Who will program the default
Peter d´Agostino, Franz Fischnaller, Peter Grucza, Lynn Hershman, Morgens Jacobsen, The Satellite Art Project (1986/KII-291) field computer, CE computer, mobile art in (Michel Waisvisz) (1987/K144) including the viewer (as with VR technology)? Returning to "real" space, the intelligent products settings for the intelligent
simulation discourse Artsat 1991 (Graz) 2000- handheld, Walkphone, PDA
M. Kosugi & Y. Ando, Webster Lewin, Lozano-Hemmer & Will Bauer, Jon McCormack, signals run through a 90.000 km (R. Kriesche)
daily life inner ear did not immediately (1994/K167) house? Mom? Dad? The kids?
the human body as
Christian Möller, Kirk A. Woolford nomadology discourse transport view / view of travelling loop (Text: Gene Youngblood) 2004 Personal Digital Assistants (Sommerer)
(2003/K261) musical instrument (1987/K143)
(AH) the transition from the real material return to work: a wave of (1994/K190)
1996: Masaki Fujihata, Louis-Philippe Demers & Bill Vorn, Scott Sona Snibbe, Ken Feingold, Meteosat (weather data control environment to the virtual interactive environment sea sickness .... bridges to everyday
contact microphone
Elisabeth Goldring, Kazuhiko Hachiya, Harwood, Hiroo Iwata, knowbotic research, Ronen "A Little Night Music" media bus (Harry de Wit) life (1979/K03)
mobile computing (Ponton) (1989/K117) WAP
Mintz & Jason Ditmars & Brian Duggan, Knut Mork & Kate Pendry & Stale Stenslie, (1988) (R. Kriesche) (ML) this mixture of (ML) Theater as one of the last
Nobuya Suzuki, Erwin Redl, Michel Redolfi & Luc Martinez, Silver (1989/K139) sound-body performances technical mediality as resources and bastions of Communication Grill Chang-Tei"
freely movable display for 3D viewing WAP WML Aorta (Jeanette Yanikian) (1987/K138) (1989/J143) basic electronic
1997: Toshio Iwai & Ryuichi Sakamoto, Dirk Lüsebrink & Joachim Sauter, Paul Garrin & "golden calf" (Jeffrey Shaw) (1994/II-K84) performance and corporeal physical reality (2003/K204) (K. Sueda, Koji Ishii)
I-mode Konstrument (Harry de Wit) (1989/J143)
Performance defines what is special about the connection of
supply
David Rokeby, Hachiya Kazuhiko, Toshihiro Anzai & Tamio Kihara, knowbotic research, Japan developed a technological Touch Monkeys (Michel Waisvisz) TV-Diner Net Sauna
(2001/K87) theater and media
Arthur Elsenaar & „Huge Harry“ & Remko Scha, Mark Madel, Jon Berge, Stefan Zeyen, standard with i-mode "services"; (1987/K144) (1989/J59) Monitor Cafeteria (Tapio Mäkelä)
(Kanae Ushiro, transferred heart rhythms Electronic Cafe
Bill Barminski & Webster Lewin & Jerry Hesketh, Ludwig John & Bertram Quosdorf, Jutta Europe with WAP (2001/K201) (D. Rokeby) Consciousness lagging behind the body: Automatische Bar (1997/K391)
Takashi Morimoto) (1989/K302) (W. Temmel) (1986/KII-299) (1991/K227)
Kirchgeorg, Marita Liulia, Die Veteranen I-mode cell phone (2001/K200) programming that reacts to the smallest movements under (1994/K160)
1998: Maurice Benayoun & Jean-Baptiste Barriere, Peter Broadwell & Rob Myers, Christian 1/10 sec... In fact, the system seemed to react at the same
Möller, Jim Campell, Christoph Ebener & Uli Winters, Rafael Lozano-Hemmer & Will Bauer, moment as I decided to move. ...
Akitsugu Maebayashi, Joseph Michael, Iain Mott & Marc Raszewski & Jim Sosnin, Lisa Prah, queer theory / gender studies
view of portability At this point we experience the system and its reactions in view of agriculture
U19 Prize-Winners: the same way as we experience our body. The interactive
David Small & Tom White, Scot Sona Snibbe, Rachel Strickland, Tamás Walicky, Stephen sexuality discourse / AIDS debate system is integrated in our proprioceptive system.
1998: Michael Mossburger & Florian Nehonsky & Valerian Wurzer, Leonhard Huber,
Wilson body theory / body philosophy 08 body view / gustative view see also:
Stephan Mitterndorfer, Martin Ankerl, Philipp Gühring & Raimund Schumacher & Andreas
Stürmer & Thomas Stummer, Gottfried Haider, Verena Holzknecht, HS Mittersill, Helmut
1999: Lynn Hershman, Luc Courchesne, Perry Hoberman, Joachim Blank & Karl Heinz body sociology economic view of commodity world
Jeron, Christoph Ebener & Frank Fietzek & Uli Winters, Kouichirou Eto, F.A.B.R.I.CATORS, dance theory / new body theories view
Klinger, Alexander Kvasnicka, Doris Mätzler & Jürgen Bereuter, Kathrin Meralla & Paul
Swoboda, Thomas Oberhofer, Paul Pak, Thomas Pintaric & Christoph Sprenger & Alexander
Beate Garmer, Bill Keays & Ron MacNeil, Russet Lederman, Eric Paulos, Simon Penny,
Daniel Rozin, Stefan Schemat & Michael Joyce & Hiroki Maekawa & Dominica Freyer &
phenomenology of perception
repulsion theory
view of cleanliness supply view
Koschier, Peter Plessas, Markus Strahlhofer, VS Veriensgasse
Burki Carstens & Mike Felsmann & Isabella Bordoni & Roberto Paci Dalò, Christa Sommerer bioenergetic therapy
1999: Raimund Schumacher & Jürgen Oman, Alexander Fischl & Gregor Koschicek, Phil E.
& Laurent Mignonneau
Haindl, Franz Berger, Sebastian Endt, Simon Gassner, Alexander Kvasnicka, Stefanie
Mitter, Takuya Nimmerrichter, Simon Oberhammer, Benedikt Schalk, Markus Strahlhofer,
2000: Raffael Lozano-Hemmer, Institute for Applied Autonomy, Golan Levin, Julien Alma &
Laurent Hart, Michael Bielicky & Bernd Linterman, Jim Campbell, Rania Ho, Istvan Kantor,
sociology 09 everyday view
Patrick Toifl, stefan Trischler, Armin Weihbold cultural studies
Orit Kruglanski, Jason E. Lewis & Alex Weyers, Douglas Edric Stanley, Naoko Tosa, Tomoko new subjectivism
2000: Verena Riedl & Michaela Hermann, Gerhard Schwoiger, Erich Hanschitz, Marlene
Ueyama, Andrea Zapp & Paul Sermon, Hiroaki Kitano privatism debate
Maier, Lisa Hofstadler, Markus Zwickl, Lisa Ratzenböck, Sebastian Endt, Kevin Ku, Mario
2001: association.creation, Carsten Nicolai & Marko Peljhan, Haruki Nishijima, Paul Literature: Literature: Literature: Literature (2): life philosophy
Meir-Huber, David Feiler, Gottfreid Haider, Lukas Fichtinger & Thomas Köckerbauer, Literature: Literature:
DeMarinis, Magali Desbazeille & Siegfried Canto, Gerhard Eckel, Frank Fietzek, Hiroo Iwata, Work & Culture – Büro . Inszenierung von Arbeit / Der DatenDandy – Über Medien, New Age, Information und Kommunikation in Geschichte Medien . Kunst . Passagen / beginning Heft 1/92
Alexander Fischl, Lukas Pilat Der digitale Körper – digital flesh / vergangene zukunft – design zwischen utopie
Kenneth Rinaldo, Thomas Broom, Keiko Takahashi & Shinji Sasada & Koichi Nishi, Edwin Herbert Lachmayer, Eleonora Louis (Ed.) Technokultur / Agentur BILWET und Gegenwart / Margarete Rehm Grundzüge der Medien- und Kommunikations-
2001: Martin Leonhartsberger, Johannes Schiehsl & Peter Strobl & Conrad Tambour, Arthur Kroker und wissenschaft / Ed. Carl Aigner, Uli
Van der Heide & Marnix de Nijs, Adrian Ward, Herwig Weiser & Albert Bleckmann Laboratorium / Ed. By. Hans Ulrich Obrist & Design goes virtual – Entwürfe zur Ästhetik in Kursbuch Neue Medien – Trends in Wirtschaft geschichte / Jürgen Wilke
Markus Triska, Andrea Maria Gintner & Michaela Maria Plöchl, Jürgen Hoog, Marvin Jagadits Die Eroberung des Körpers – Vom Übermenschen Marchsteiner
2002: David Rokeby, Rafael Lozano-Hemmer, Ranjit Makkuni, Autorenwerkstatt MEET – Barbara Vanderlinden der Informationsgesellschaft / Peter Zec Politik, Wissenschaft und Kultur / S. Bollmann Beiträge zu Kunst und Medientheorie /
& Michael Payer, Nicole Karner & Tanja Payerl, Marian Kogler, Thomas Lettner, Fabian zum überzeitlichen Menschen / Paul Virilio Welche Dinge braucht der Mensch / Ed.
Bodo Lensh & Doris Villa & Peter Serocka & Petr Zubek & Gudrun Teich & u.a. , Luc Interface – Design neu begreifen / Gui Bonsiepe Formdiskurs 2, I/1997 / Design und Neue Medien Der Flusser-Reader zu Kommunikation, Medien Ed. Hans Belting, Ulrich Schuulze
Schlager, Martin Spazierer & Daniel Spreitzer, Philipp Strahl, Sonja Rosa Vrisk, René The Connected Body? / Ed. By Ric Allsopp & Dagmar Steffen
Courchesne, Crispin Jones, Ryota Kuwabuko, Golan Lewin & Scott Gibbons & Greg Shakar Interfaces – Medien- und kommunikations- Maßlos informiert – Die Enteignung des und Design Alles jetzt! – Die Mediatisierung / Gerhard
Weirather, Thomas Winkler Scott deLahunta
& Yasmin Sohrawardy & Joris Gruber & Erich Semlak & Gunther Schmidl & Jörg Lehner, theoretische Elemente einer Interfacetheorie Denkens / Karl Steinbuch Kommunikologie / Vilém Flusser Johann Lischka
2002: Karola Hummer, Philipp Luftensteiner, Ulrich Reiterer & Jona Hoier & Markus future_bodies – zur visualisierung von körpern
Tetsuya Mizuguchi, Volker Morawe & Tilman Reiff, Michael Saup, Yasuhiro Suzuki, Atau Wulf R. Halbach Kunst als Sendung – Von der Telegrafie zum Vom Verschwinden der Ferne -
Murschitz & Milo Tesselaar, Semen Aklan & Gülcan Ates & N. Brahimi & Flamur Kryezi & in science und fiction / Hg. Marie-Luise Angerer
Tanaka & Kasper Toeplitz, the Synthetic Character Group, Young Hay & Horace Ip & Alex The art of human-computer interface design / Internet / Dieter Daniels Telekommunikation und Kunst / Edith Decker,
Franz Fiser & Asif M. Naseri & Jean Paul Nduwayezu & Ferda Özel & Ruwani Rosa & Kathrin Peters, Zoé Sofoulis
Tang Chi-Chung Ed. by Brenda Laurel Lob der Oberflächlichkeit – Für eine Phäno- Peter Weibel
Reza Soltani & Sezer Üzum, BG XIX, Stephan Hamberger, Dominik Jais, Marian Kogler, Puppen Körper Automaten – Phantasmen der
2003: Mixed Reality Lab – Matt Adams & Ju Row Farr & Nick Tandavanitj & u.a. , Margarete Code_X – Multimediales Design / Mischa Schaub menologie der Medien / Vilém Flusser Art Telecommunication / Heidi Grundmann
Martin Kucera, Raphael Murr, Lucas Reeh, Iris & Silvia Schweinöster, René Weirather Moderne / Pia Müller-Tamm, Katharina Sykora
Jahrmann & Max Moswitzer, Maywa Denki & Ross Cooper & Jussi Ängeslevä, dECOi, Sibylle Die magischen Kanäle – Understanding Media / Kommunikation im 21.Jhd. – Allzeit zuhanden –
2003: G. Sochurek, M. Leonhartsberger & S. Astrid Fugger, A.Ronacher & N. Mikschofsky, Die Zukunft des Körpers I / Kunstforum Bd. 132
Hauert & Daniel Reichmuth & Volker Böhm, Haruo Ishii, George Legrady, Justin Manor, Marshall McLuhan Gemeinschaft u. Erkenntnis im Mobilzeitalter /
D. Dorn, G. Gruber, M. Fallmann, D. Hackl, T. Hainscho, HS Steinerkirchen, Alexandra 01.1996 ! / Florian Rötzer
Agnes Meyer-Brandis, Iori Nakai, Henri Newton-Dunn & Hiroaki Nakano & James Gibson & Das Medium ist die Botschaft / Marshall McLuhan Ed. Kristóf Nyiri
Vogelreiter & Katharina Krummel & Anna Obermeier, HBLA for Artistic Design, F. Wengler Die Zukunft des Körpers II / Kunstforum Bd. 133
Ryota Kuwakubo, Marcel.li Antúnez Roca, Marie Sester, Scott Snibbe Virtual Frame – Kunsthalle Wien Windows and Mirrors – interaction design, digital
& Christof Haidinger, Borg 3, T. Schererbauer & M. König & S. Schreiner 04.1996 ! / Florian Rötzer
art and the myth of transparency