Yann Tiersen

______________
Les Deux Pianos
Oeuvre pour Quatre Mains,
2

Les Deux Pianos

Transcription | Gaylor Morestin

Yann Tiersen

           

                    
                                      
        

Piano I

                                        


     
Piano II

     

6              
                                                
                                     

                                             

            
      

      

2008 © Damasius Music
 3

12          

                                         
      

         
      
                

    

                          
                        
  

16  
              
 
                             
  

                              

  

    
             
                               
 

3
                  

4

20   
     
  
              

         
           

                                 

    
            
                                     
3 3
  

24       

                                     
       


          
                        
 
    
   
     

3
  
      
        
      
       
3
              
  
 5

28      
         
  
              

         
    
                                


        
 
         
3
           3      
                                 

3
          


32    
   
            
          
                      
    
                                


         
          
3        3
              
                               
3 3
          
6

36       

                                     
       
          
                        
 
      
    
    
 
3
   
                  
 
3
                             
  

 
40  
            
              

         
    
                                

        
 
         
3 3
                  
 
                                       
3
    

 7


44       
                              
   
                        

       
        
3
3      
      

   
                        
3 3
 


47   
                    
      

                 
 morendo
   
   
    
    3 

    
                 
3
   

 Les Deux Pianos
Transcription | Gaylor Morestin
Yann Tiersen

  

                                                  
                     


Piano I


                            

          
6      
                        
                               
        

                                        

       
11   
                                         
 
     
          
            

                      

                      
16          
                                       
   

  

                             

2008 © Damasius Music

2

20        
                               
     

                

                

24       

                                        
       


      
                           

   

28        
                  
                   
         
  
          
                      


32      
                                  
      
     
                                


 3

36            

                                          
       

                         

      


40
 
       
                  
                 
       
     
     
       
                     



44   
                               
      

                        


47   
                    
     
 morendo
                 


 Les Deux Pianos
Transcription | Gaylor Morestin
Yann Tiersen




Piano II 



13

    

 

    
   

   
 

    
   

    

   
17

    
                     
                      




 
21

    
           
          

                   



 
V.S.


2008 © Damasius Music
2

25          
         



  

    
  

 

    
 

     

           
   

29       
  
          
    

      
         
                        




 

33       
  
               
          
        
       

                    




 
37          
         


  

    
 

   
 

    
 

     

         
   
 3

41      
   
         

                 
 
           
           



 

45    
     

      
 
           
   

47  
   
     


 morendo