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Stream-of-consciousness

techniques
• Representation of Consciousness
• Rather more intricate than representations of speech in
direct or indirect mode are representations of thought,
which can be conceptualised as a kind of silent speech
or inner speech. Obviously, it is possible simply to
represent thought, just like speech, using direct or
indirect discourse:
• "What horrible weather they have here," he thought.
(direct discourse)

• He thought that the weather in these parts was really


horrible. (indirect discourse)
Stream-of-consciousness
techniques
• Free indirect speech is a style of third-
person narration which combines some of
the characteristics of third-person report
with first-person direct speech. (It is also
referred to as free indirect discourse,
free indirect style
Stream-of-consciousness
techniques
• Comparison of styles
• What distinguishes free indirect speech from normal
indirect speech, is the lack of an introductory expression
such as "He said" or "he thought". It is as if the
subordinate clause carrying the content of the indirect
speech is taken out of the main clause which contains it,
becoming the main clause itself. Using free indirect
speech may convey the character's words more directly
than in normal indirect, as he can use devices such as
interjections and exclamation marks, that cannot be
normally used within a subordinate clause.
Stream-of-consciousness
techniques
• Examples
– Direct speech:
• He laid down his bundle and thought of his misfortune. "And
just what pleasure have I found, since I came into this
world?" he asked.
– Indirect speech:
• He laid down his bundle and thought of his misfortune. He
asked himself what pleasure he had found since he came
into the world.
– Free indirect speech:
• He laid down his bundle and thought of his misfortune. And
just what pleasure had he found, since he came into this
world?
Stream-of-consciousness
techniques
• Interior monologue (novel)
• The interior monologue is a technical device in narrative
texts. It renders a character's thoughts in the present
tense, omitting speech markers such as verbs of action
and inverted commas. Although the terms are often
confused, it can be distinguished from the stream of
consciousness by its relatively structured syntax and
possibility of the monologist's addressing himself. The
device allows to render a character's thoughts and
emotions more intimately than traditional forms of
narration, since all readers learn what the character only
says to himself.

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